9 Key-Frames‘No Hate’

By Lauren Bibby and Ellie Shores

Emma: I have no idea what I’m meant to do. I just think he deserves a piece of his own medicine.

Jess: You just need to put yourself in his shoes. Mess him around just

like he has all the other girls including your

sister.

(Emma nods and raises eyebrows in agreement, taking a slip of her drink.)

Jess: Seriously, the cheek of some. I mean who would go for the

sister of a girl they have just mess around and

broke their heart?

Emma: Justin! (both Laugh)

Jess: Well let’s just see how he likes it!

Camera shot/angle/transition Camera pans following Emma and tilts steadily with a zoom. 2 person, high angle wide shot. (showing the audience are listening in on a private conversation)

Sound Ambient sound of other customers in the café and music.

Mise-en-scene The mise-en-scene shows smart outfits worn by the females showing independent women which is conventional within todays modern society and the rom/com genre. However whilst the coffees sets the location it also reinforces stereotypical women gossiping instead of work.

Warm, low-key lighting shows a friendly atmosphere and conventional in romantic films.

Stereotypical women chatting and gossiping.

Work corridor –

(Justin walks towards Camron’s office passing Emma on his way, who is stood flirting with another work colleague.)

Emma: I can’t believe you did that !( both laughing)

(Justin pauses looking jealously at the 2 of them, then walks off angrily with more of a speedy pace to the door of Cameron’s office. )

(Emma glances at Justin as he walks away and smirks.)

Camera shot/angle/transition Still shot where Justin walks close in front of the camera towards the door where we see a long shot of him. The rule of thirds within this frame show Justin to be separate from the other two as they are acknowledging each other whereas he is more distant.

Sound The dialogue from the other two actors having a conversation and the occasional ambient sound of other workers walking around/opening and closing doors and having conversations.

Mise-en-scene The mise-en-scene shows the men in sports gear representing their male roles of being in charge of the physical work in the gym, where as the woman wears more smart business wear showing she takes charge of the office work. The corridor and door of which have room numbers and names on shows how this is a work environment in the offices.

Sports wear – stereotypical male

role.

Business outfit – stereotypical woman's job

role.

Justin: (stood with each arm lent again side of the office door)

Surely people know that me and Emma have something going on, you think she’d back off them all a bit wouldn’t you!

Cameron: (glances up and carries on typing)

Oh morning to you too.(Sarcastically)

Justin: (slams hand down on the side of Cameron’s desk)

Mate I’m being serious here, it’s really annoying me!

Cameron: (laughs whilst looking at the computer as if finishing off what he has wrote)

Wooah, what’s happened to you (leans back swinging on his chair.) Since when have you ever cared about whether girls fall for you or not, thought you’d of moved onto your next by now?

Justin:

I usually don’t! That’s the thing. I never care but this one time I actually care and it’s for the one who doesn’t seem to care!

Camera shot/angle/transition

Jump cut into the over the over the shoulder shot with both character both at the same level showing they have equal dominance in their relationship.

Sound Dialogue from the two characters

Mise-en-scene The desk and pin board show the location on the office. They both wear sports clothing showing their stereotypical male role who are into sports and doing the physical work.

Males friendship at the work place, they represent the ones

who think they over rule others.

Justin: Yeah I can see what you're probably thinking=

Emma: =’oh Emma you’re not like the other girls, you're special’ yeah that is

what any girl would be thinking from your track record! (laughs)

Justin: (laughs and looks down) yeah alright don’t take the piss too much,

it’s just with you I actually see it going somewhere, you're not like the

others.

Emma: Well gosh!

Justin: Well its true.

Emma: How very cliché (laughs) well I am starved, I'm off to order.

(pushes phone across the table, get up and walks over to the bar smugly)

Justin: (put hand to his head and run it through his hair in

disappointment. Camera shot/angle/transition The camera slowly tracks the two from behind to then pan into a still shot of the two sitting down, bringing the audience in as a part of the date scene.

Sound Ambient sound of others in the restaurant and gentle music.

Mise-en-scene Through the mise-en-scene smarter outfits are now shown that are still casual, because as the lighting outside shows, they are out for dinner. The restaurant represents the romantic link between the two and is conventional within the romantic genre, however challenging the romantic genre and showing comedy genre, the high-key lighting brings a more lighter and more relaxed atmosphere.

High-key lighting showings comical side to the rom-com.

Stereotypical date in most romantic genres.

Justin: (Rings Cameron off his mobile) This is so weird for me man,

like why do I care so much?

Cameron; Well you must do, I’ve not ever seen this side of you!

Justin: Its like she doesn’t even care, she’ll probably be seeing a bunch of other men knowing my look.

Cameron: Just check her phone man, that what I did to like every girl

I dated, even the Mrs sometimes.

Justin: God cam , wonder if that’s why your in such a good place with your marriage at the

minute.(laughs)

Cameron: pftttt, what ever dude, do as you please, I'm off! Good luck man.

Camera shot/angle/transition An upwards tilt going from Emma’s mobile phone sat on the table to Emma stood at the bar, point of View shot from Justin.

Sound Dialogue from Justin on the phone to Cameron, with less ambient sound as his voice now dominates.

Mise-en-scene The mise-en-scene is that of a restaurant shown through the tables and the bar. The females outfit represents strong women as she is dressed In a smart/casual blazer . She is challenging the stereotypical weaker and girly women – what her character is all about.

Independent women paying herself, challenging the stereotype that men are more dominant.

Justin: what the…Who the hell is Mark? I

never actually thought she’d actually

do this!

(slam the phone back down on the table and rests his head on his hands.)

Camera shot/angle/transition Cut from previous image to this close up of the mobile phone from the point of view shot of Justin bring all attention to this text.

Sound Continuous ambient sound of other customers talking in the restaurant. The use of sound effects with a foley sound of a text coming through on the mobile so it catches the audiences attention and shows that it needs to be heard. Followed with dialogue from Justin talking to himself

Mise-en-scene The prop IPhone shows that this a modern day film which is stereotypically included in modern day romantic films as part of the drama. The ides of someone's phone being private to someone shows the invasion of someone's privacy within this shot, inferring that this is not going to turn out good.

Emma: Well, we was right in

guessing that he’d have the cheeky to

look through my phone.

(stood smug looking at Justin read the text from her friend under the name of ‘Mark’)

Just see how it feels to see that, cause you got

a lot more coming to you my friend.

(turns ready to order her food)Camera shot/angle/transition A wide/long shot of Justin as if from the point of view of Emma stood at the bar.

Sound Ambient sound of other customers continues along with dialogue from Emma as if she is talking to herself when she is stood alone, making the audience feel as though she is talking directly to them.

Mise-en-scene The location again shows a restaurant, through the use of props with the tables, plates and cutlery. The prop of the mobile phone can be seen in Justin's hand showing its relevance and importance in this part of the scene.

The colour scheme of red connotes love and romance.

Emma: What's up? Changed your mind on your

order?

Justin: ohhh no. No don’t act smart and sassy with me. Hah.

(looks away from Emma)

Yeah I saw your texts. This doesn’t happen to me ok, I don’t need this from women. (walks out)

Emma: Oh, oh Justin Wait! Camera shot/angle/transition Cut from a medium close up shot of the two to a wide/long shot of Justin and Emma

stood at the bar. This shot shows that the audience are not meant to be a part of the action at all times and reminds the audience that the two are still out at a restaurant, reinforcing the idea that others in the restaurant can see what is going on.

Sound Dialogue from Justin an Emma and the level of ambient sound from others can still be heard, however isn’t as dominant as the characters dialogue.

Mise-en-scene We see more of the restaurant in this shot and the props of which are conventional such as the tables and the bar with the drinks in the background.

Emma: well that went well, he read the text you send pretending to be mark.

Jess: Yes that couldn’t have gone better! (laughs) I knew he’d be that much of a pig to go and read it.

Emma: (dull, low-key tone)Yeah. It’s brilliant.

Jess: Emma. Emma why am I getting the impression

you aren’t happy he’s seen it?

Emma: well=

Jess: =No! No Emma do not tell me you have feelings for him, come on really?

Emma: well, he just seems so upset. I have started to get to know him a lot I just cant help but feel regret now.

Camera shot/angle/transition Cut to a medium close up of Emma sat in her car. The audience have an outfit view showing that they are looking into the action.

Sound Dialogue from Emma and the synchronous sound of Jess in reply to what Is being said in this scene.

Mise-en-scene The location is set in the car of the character which again represents strong business women challenging the stereotype that women stay at home – which is conventional in modern day films.

Now follows stereotype of women being weaker and being the ones to get hurt.

Shows her independence in owning her own car.