831764

Publications ReceivedSource: Journal of the American Musicological Society, Vol. 41, No. 1 (Spring, 1988), pp. 207-214Published by: University of California Press on behalf of the American Musicological SocietyStable URL: http://www.jstor.org/stable/831764 .

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c PUBLICATIONS RECEIVED- Acta Musicologica, 59/I (January-

April I987). 96 pp. Babbitt, Milton. Words about Music:

The Madison Lectures. Edited by Stephen Dembski and Joseph N. Straus. Madison: The University of Wisconsin Press, 1987. ix, 205 PP.

Baron, John H. Chamber Music: A Research and Information Guide. Mu- sic Research and Information Guides, 8. New York: Garland Publishing, 1987. xvii, 500 pp.

Beethoven, Ludwig van. Complete Variations for Solo Piano. New York: Dover Publications, 1986. [vii], 228 pp.

Bernard, Jonathan W. The Music of Edgard Varese. New Haven and London: Yale University Press, I987. xxiv, 272 pp.

Bertani, Laura and Maria Pia Jacoboni, eds. Musiche per clavicembalo a 4 mani: Niccolk Jom- melli, Sonata in Do; Giovanni Marco Rutini, 12 Divertimenti. Bologna- Roma: Associazione clavicembalistica bolognese, 1985- 39 PP.

Bianchini, Barbara. La disciplina degli Enti Lirici e Istituzioni Concertistiche assimilate. Preface by Francesco Ernani. Musica e Teatro, 3. Milano: Amici della Scala, 1986. 96 pp.

Boomgaarden, Donald R. Musical Thought in Britain and Germany During the Early Eighteenth Century. New York and Bern: Peter Lang Publishing, 1987- [viii], 240 pp.

Brown, Calvin S. Music and Litera- ture: A Comparison of the Arts. Pa- perbound reprint. Hanover and London: University Press of New England, 1987. xv, 287 pp.

Brown, Howard, Mayer. Josquin and the Fifteenth-Century Chanson. As- pects of Art Lecture, 1985. Off- print from The Proceedings of the British Academy, 71 (1985): 119-158. London: The British Academy, 1986. 40 pp.

Boyd, Malcolm. Domenico Scarlatti: Master of Music. New York: Schirmer Books, 1986. xii, 302 pp.

Camner, James, ed. Stars of the Opera, 195-1i985, in Photographs. New York: Dover Publications, 1986. vii, 119 pp.

Carnovale, Norbert. Gunther Schuller: A Bio-Bibliography. Bio- Bibliographies in Music, 6. New York: Greenwood Press, 1987. xii, 341 PP.

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-I55o. Vol- ume III: P-U. Compiled by the University of Illinois Musicologi- cal Archives for Renaissance Manuscript Studies. Neuhausen- Stuttgart: American Institute of Musicology and Hanssler-Verlag, 1984. xix, 410 pp.

Chafe, Eric Thomas. The Church Mu- sic of Heinrich Biber. Ann Arbor: UMI Research Press, 1987. xii, 305 PP.

Clarke, Bruce. Jazz Studies, Volume I: A Study Manualfor All Instruments. Edited by Dr. Peter Clinch. Melbourne: Allans Music Austra- lia, 1982. (Sole Selling Agent: Theodore Presser Co.) [v], 185 PP.

Comberiati, Carmelo Peter. Late Ren- aissance Music at the Habsburg Court: Polyphonic Settings of the Mass Ordi- nary at the Court of Rudolf II (1576-1612). New York: Gordon and Breach Science Publishers,



208 JOURNAL OF THE AMERICAN MUSICOLOGICAL SOCIETY

1987. xx, 241 pp. Conrad, Peter. A Song of Love and

Death: The Meaning of Opera. New York: Poseidon Press, 1987. 384 PP.

Crichton, Ronald, ed. The Memoirs of Ethel Smyth. Abridged and Intro- duced by Ronald Crichton With a list of works by Jory Bennett. London: Viking Press, 1987. 393 PP.

D'Accone, Frank A. The History of a Baroque Opera: Alessandro Scarlatti's Gli equivoci nel sembiante. Mono- graphs in Musicology, 3. New York: Pendragon Press, I985. x, 187 pp.

Dean, Winton, and John Merrill Knapp. Handel's Operas 1704-I 726. Oxford and New York: Oxford University Press, 1987. xx, 751 pp.; 16 plates.

Debussy Letters. Selected and Edited by Frangois Lesure and Roger Nichols. Translated by Roger Nichols. Cambridge, MA: Harvard University Press, 1987. xxvi, 355 PP-; 37 plates.

Denis, Jean. Treatise on Harpsichord Tuning. Translated and edited by Vincent J. Panetta, Jr. Cam- bridge: Cambridge University Press, 1987. viii, 128 pp.

Dennison, Peter. Pelham Humphrey. Oxford Studies of Composers, 21. Oxford and New York: Oxford University Press, 1986. vii, i 19 PP.

DeVenney, David P. Nineteenth-Cen- tury American Choral Music: An An- notated Guide. Berkeley: Fallen Leaf Press, I987. xxi, 182 pp.

Dorsi, Maria Letizia. I libretti d'opera dal I8oo al 1825 nella biblioteca del conservatorio "G. Verdi" di Milano. Preface by Agostina Zecca Laterza; introduction by Rita Barbisotti. Musica e Teatro, 4/5. Milano: Amici della Scala, 1987. 334 PP.

Dreyfus, Laurence. Bach's Continuo Group: Players and Practices in His Vocal Works. Studies in the His- tory of Music, 3. Cambridge, MA, and London: Harvard University Press, 1987. xii, 264 pp.

Eden, Myrna G. Energy and Individ- uality in the Art of Anna Huntington, Sculptor, and Amy Beach, Composer. Composers of North America, 2. Metuchen, NJ, and London, 1987: Scarecrow Press, I987. ix, 300 pp.

Eisenschmidt, Joachim. Die szenische Darstellung der Opern Georg Friedrich Hdndels auf der Londoner Biihne seiner Zeit. Reprint edition. Ver6f- fentlichungen der internationalen Hindel-Akademie Karlsruhe, i. Laaber: Laaber-Verlag, 1987. xiii, 239 PP.; 24 plates.

English Music for Mass and Offices (II) and Music for Other Ceremonies. Ed- ited by Ernest H. Sanders, Frank Ll. Harrison, and Peter Lefferts. Polyphonic Music of the Four- teenth Century, 18. Les Ram- parts, Monaco: iditions de L'Oiseau Lyre, 1986. xi, 243 PP.

Ferrabosco, Alfonso the Elder (1543-1588). Opera omnia, VI-VIII, Italian Madrigals in Manuscript and Printed Anthologies, 1-3. Edited by Richard Charteris. Corpus Mensurabilis Musicae, 96. Neuhausen-Stuttgart: American Institute of Musicology and Hanssler-Verlag, 1987. xix, 183 pp.; xvi, 165 pp.; xiv, I54 pp.

Ferreira, Manuel Pedro. O Som de Martin Codex: Sobre a dimensao musical da lirica galego-portuguesa (seculos XII-XIV). Preface by Celso Ferreira da Cunha. (Text in Por- tuguese and English.) Lisbon: Unisys, Imprensa Nacional-- Casa da Moeda, 1986. xix, 22 1

pp.; 12 plates; sound recording. Fiske, Roger. English Theatre Music in

the Eighteenth Century. 2nd Edi-



PUBLICATIONS RECEIVED 209

tion. Oxford and New York: Ox- ford University Press, 1986. xvii, 684 pp.; i6 plates.

Fortune, Nigel, ed. Music and The- atre: Essays in Honour of Winton Dean. Cambridge: Cambridge University Press, 1987. xv, 389 pp.; 8 plates.

Giordani, Tommaso. Three Quintets for Keyboard and Strings. Edited by Nicholas Temperley. Recent Re- searches in the Music of the Clas- sical Era, 25. Madison: A-R Edi- tions, 1987. xv, 128 pp.; 2 plates.

Gluck, Christoph Willibald. Siimtliche Werke, 1/8. Armide: Drame hbroique in fiinf Akten von Philippe Quinault. Edited by Klaus Hortschansky. Kassel: Biren- reiter, 1987. [iv], 483 PP.

Gluck, Christoph Willibald. Armide: Drame hbroi'que in five acts by Philippe Quinault. German words by Dagny Miiller; vocal score by J iirgen Sommer. Kassel: Biren- reiter, 1987. [vi], 385 pp.

Grigny, Nicolas de. Livre d'Orgue. Edited by Charles-Leon Koehl- hoeffer. Le Pupitre, LP. 68. Paris: Heugel, 1986. xiii, 105 pp.

Guglielmi, Pietro Alessandro. Sei Quartetti per clavicembalo, due violini e violoncello (Londra 1768): Partitura. Edited by Paolo Bernardi. Bologna-Roma: As- sociazione clavicembalistica bolognese, 1985- 128 pp.

Haar, James. Essays on Italian Poetry and Music in the Renaissance,

1350o-6oo. Berkeley, Los Angeles, London: University of California Press, 1986. xvii, 245 pp.; 8 plates.

Hackett, Patricia, and Carolynn A. Lindeman. The Musical Classroom: Backgrounds, Models, and Skills for Elementary Teaching. 2nd Edition. Englewood Cliffs: Prentice Hall, 1987. xii, 417 PP.

Haimo, Ethan, and Paul Johnson, eds. Stravinsky Retrospectives. Lin- coln and London: University of Nebraska Press, 1987. xii, 203 pp.

Hargreaves, David J. The Develop- mental Psychology of Music. Cam- bridge: Cambridge University Press, 1986. x, 260 pp.

Haspels, Jan Jaap. Automatic Musical Instruments: Their Mechanics, and their Music, 158o0-820. Utrecht: Nationaal Museum van speelklok tot pierement, 1987. 275 PP.

Hazen, Margaret Hindle, and Rob- ert M. Hazen. The Music Men: An Illustrated History of Brass Bands in America, 1800-192o. Washington, D.C., and London: Smithsonian Institution Press, 1987. xxiv, 225 PP.

Haydn-Studien, 6/i (December 1986). Munich: G. Henle Verlag, 1986. 76 pp.

Hensel, Fanny. The Letters of Fanny Hensel to Felix Mendelssohn. Col- lected, Edited and Translated with Introductory Essays and Notes by Marcia J. Citron. Stuyvesant, NY: Pendragon Press, 1987. Ivii, 687 pp.

Hepokoski, James A. Giuseppe Verdi Otello. Cambridge Opera Hand- books. Cambridge: Cambridge University Press, 1987. xi, 209 pp.

Hinson, Maurice. Guide to the Pia- nist's Repertoire. Second, Revised and Enlarged Edition. Blooming- ton and Indianapolis: Indiana Uni- versity Press, I987. xxxiii, 856 pp.

Hoffmann, Frank, and George Al- bert, comps. The Cashbox Album Charts, 1975-1985. Metuchen, NJ, and London: The Scarecrow Press, 1987. x, 546 pp.

Huygens, Christiaan. Le Cycle Harmonique (Rotterdam 1691), Novus Cyclus Harmonicus (Leiden 1724). Edited with Dutch and En- glish translations by Rudolf Rasch. Tuning and Temperament




Library, 6. Utrecht: The Diapa- son Press, 1986. 183 pp.

II flauto dolce: rivista per lo studio e la pratica della musica antica, 12 (aprile 1985), 13 (ottobre 1985), 14/15 (aprile-ottobre 1986). Roma: Societa Italiana del Flauto Dolce. 48 pp.; 40 pp.; 84 pp.

Imago Musicae, III (1986). Edited by Tilman Seebass with Tilden Rus- sell. Kassel: Birenreiter-Verlag and Durham, NC: Duke Univer- sity Press, 1987. 228 pp.

Jasen, David A., ed. Alexander's Rag- time Band and Other Favorite Song Hits, 19o0-19i1. New York: Do- ver Publications, 1987. [viii], 2 o10 PP.

Jasen, David A., ed. Ragtime Gems: Original Sheet Music for 25 Ragtime Classics. New York: Dover Publi- cations, 1986. vi, 120 pp.

Kaiser, Joachim. Who's Who in Mozart's Operas: From Alfonso to Zerlina. Translated by Charles Kessler. New York: Schirmer Books, 1987. xi, 212 pp.

Katz, Ruth, and Carl Dahlhaus, eds. Contemplating Music: Source Read- ings in the Aesthetics of Music. Volume I: Substance. With Introductions by Ruth Katz and Carl Dahlhaus. Aesthetics in Music, 5. Stuyves- ant, NY: Pendragon Press, 1987. xviii, 392 pp.

Kinderman, William. Beethoven's Diabelli Variations. Studies in Mu- sical Genesis and Structure. Ox- ford and New York: Oxford Uni- versity Press. xx, 220 pp.; 4 plates.

Knapp, J. Merrill, and Alfred Knapp. George Frideric Handel's Chamber Duets. Los Angeles: Wil- liam Andrews Clark Memorial Li- brary, University of California, Los Angeles, 1987. 45 PP.

Kogan, Judith. Nothing but the Best: The Struggle for Perfection at the

Juilliard School. New York: Ran- dom House, 1987. [iii], 239 pp.

Kutsch, K. J., and Leo Riemens, eds. Grosses Sangerlexikon. 2 vols. (I: A-L; II: M-Z, with a Catalogue of Operas and Operettas.) Bern and Stuttgart: Francke Verlag, 1987. viii, 895 pp; 830 pp.

Liszt, Franz. The Piano Concerti in Full Score. New York: Dover Pub- lications, 1986. [v], 134 pp.

Locke, Matthew. Melothesia. Edited by Christopher Hogwood. Oxford and New York: Oxford University Press, 1987. xvii, 56 pp.

Lully, Jean-Baptiste, and Marin Marais. Trios pour le Coucher du Roy. Edited by Herbert Schneider. Le Pupitre, LP. 70. Paris: Heugel, 1987. viii, 97 PP.; I plate.

Lvov, Nikolai, and Ivan Prach. A Collection of Russian Folk Songs. Ed- ited by Malcolm Hamrick Brown With an Introduction and Appen- dixes by Margarita Mazo. Classics of Russian Musical Folklore in Facsimile. Russian Music Stiudes, 13. Ann Arbor: UMI Research Press, 1987. xv, 478 pp.

McKinnon, James, ed. Music in Early Christian Literature. Cambridge: Cambridge University Press, 1987. xi, 80 pp.

Merrick, Paul. Revolution and Religion in the Music of Liszt. Cambridge: Cambridge University Press, 1987. xvi, 328 pp.; 9 plates.

Miller, Leta, and Albert Cohen. Mu- sic in the Royal Society of London, i660-i806. Detroit Studies in Music Bibliography, 56. Detroit: Information Coordinators, 1987. xvii, 264 pp.; ii plates.

Miller, Mina F. Carl Nielsen: A Guide to Research. New York: Garland Publishing, 1987. xvi, 245 pp.; 18 plates.

Minear, Paul S. Death Set to Music: Masterworks by Bach, Brahms, Penderecki, Bernstein. Atlanta: John Knox Press, 1987. 173 PP.



PUBLICATIONS RECEIVED 2 II

Miranda, Gil, ed. The Elvas Songbook. Corpus Mensurabilis Musicae, 98. Neuhausen-Stuttgart: American Institute of Musicology and Hinssler-Verlag, 1987. lxiii, 79 PP.

Mitchell, Donald, ed. Benjamin Brit- ten, Death in Venice. Cambridge Opera Handbooks. Cambridge and New York: Cambridge Uni- versity Press, 1987. xviii, 229 pp.

Mordden, Ethan. A Guide to Opera Recordings. New York and Oxford: Oxford University Press, 1987. ix, 308 pp.

Mozart, Wolfgang Amadeus. Concertifor Wind Instruments in Full Score. New York: Dover Publica- tions, 1986. [iv], 264 pp.

Murray, Sterlin E. Anthologies of Mu- sic: An Annotated Index. Detroit Studies in Music Bibliography, 55. Detroit: Information Coordi- nators, Inc., 1987. xxiii, 178 pp.

Musgrave, Michael, ed. Brahms 2: Biographical, Documentary and Ana- lytical Studies. Cambridge and New York: Cambridge University Press, 1987. x, 252 pp.; 4 plates.

Musicologie Midiivale: Notations et Sequences. Actes de la Table Ronde du C.N.R.S. a l'Institut de Recherche et d'Histoire des Textes, 6-7 septembre 1982. Edited by Michel Huglo. Paris: Librairie Honore Cham- pion, Editeur, 1987. 264 pp.; 38 plates.

Natale, Marco De. L'armonia classica e le sue funzioni compositive. Milano: Ricordi, 1986. 223 pp.

Nattiez, Jean-Jacques. Musicologie generale et semiologie. [Paris]: Chris- tian Bourgois Editeur, 1987. 401 PP.

Nayer, Andre, and Suzanne Capiau. Le Droit social et fiscal des Artistes. Brussels: Pierre Mardaga, Editeur, 1987. 514 PP.

Niloff, Artur. Instrumenten-Tabelle mit einer Einfiihrung. Reprint of the

1908 edition with a Foreword by Gunther Joppig. [Vienna]: Universal-Edition, [1987.] [viii], fold-out table.

North, Nigel. Continuo Playing on the Lute, Archlute and Theorbo. Music: Scholarship and Performance. Bloomington and Indianapolis: In- diana University Press, 1987. xiii, 305 PP-

Nuova Atlantide: Il continente della musica elletronica 90oo-1986. Cat- alogue of the Exhibition held in Venice at the Palazzo Sagredo, 25 October--23 November 1986. Venice: La Biennale di Venezia, 1986. 228 pp.; 2 audio cassettes.

Ostwald, Peter. Schumann: The Inner Voices of a Musical Genius. Paper- bound reprint. Boston: Northeast- ern University Press, 1985. xiv, 373 PP-

Osuna, Maria Isabel. Laguitarra en la historia. Seville: Opera Omna, [n.d.]. [ix], i o pp.; 8 plates.

Pergolesi, Giovanni Battista. Com- plete Works, III. Adriano in Siria: Dramma per Musica. Edited by Dale Monson; libretto edited and translated by Charles C. Russell; preface by Barry S.Brook. New York and Milan: Pendragon Press and G. Ricordi & C., I986. xxxiv, 295 PP-

Pesce, Dolores. The Affinities and Me- dieval Transposition. Bloomington and Indianapolis: Indiana Univer- sity Press, 1987. xiv, 239 pp.

Porter, Steven. The Harmonization of the Chorale: A Comprehensive Work- book Course in Harmony and Coun- terpoint. New York: Excelsior Publishing Co., I987. v, 142 pp.

Poston, Elizabeth, ed. The Penguin Book of Christmas Carols. Reprint edition. New York: Penguin Books, 1986. 144 pp.

Prawer, S. S., ed. and trans. The Penguin Book of Lieder. Reprint edition. Middlesex: Penguin Books,




1984. 201 pp. Prosdocimo de' Beldomandi. Brevis

Summula Proportionum Quantum ad Musicam Pertinet and Parvus Tractatulus de Modo Monarcordum Dividendi. A new critical text and translation by Jan Herlinger. Lin- coln and London: University of Nebraska Press, 1987. x, 182 pp.

Qureshi, Regula Burckhardt. Sufi Music of India and Pakistan: Sound, Context and Meaning in Qawwali. Cambridge: Cambridge Univer- sity Press, 1986. xviii, 265 pp.; 32 plates.

Rameau, Jean-Philippe. Les Paladins: Comidie lyrique. Introduction by R. Peter Wolf with a Biography of the Composer by Graham Sadler. French Opera in the I7th and i8th Centuries, 44. New York: Pendragon Press, 1986. lxxiv, 300 PP.

Rinki, Gy6rgy, ed. Bartdk and Koddly Revisited. Indiana University Stud- ies on Hungary, 2. Budapest: Akademiai Kiado, 1987. 230 pp.

Raph, Theodore, ed. The American Song Treasury: ioo Favorites. Re- print edition of The Songs We Sang: A Treasury of American Popular Mu- sic (1964). New York: Dover Pub- lications, 1986. 406 pp.

Read, Gardner. Source Book of Pro- posed Music Notation Reforms. Music Reference Collection, i i. New York: Greenwood Press, 1987. xv, 474 PP.

Reich, Wolfgang. Zwei Zelenka- Studien. Studien und Materialien zur Musikgeschichte Dresdens, 7. Dresden: Sichsische Landesbibli- othek, I987. iv, 60 pp.

Reiff, Carole. Nights in Birdland: Jazz Photographs 1954-I96o. With an Essay by Jack Kerouac. New York: Fireside Books, Simon & Schuster, 1987. 128 pp.

Remnant, Mary. English Bowed In- struments from Anglo-Saxon to Tudor

Times. Oxford: Clarendon Press of Oxford University Press, 1986. xxv, 182 pp.; 155 plates.

RIdlMIRCMI: Inventory of Music Ico- nography, no. 2: Art Institute of Chi- cago. Compiled by Margareth Boyer Owens, edited by Terence Ford. New York: Research Center for Musical Iconography, 1987. [vi], 26 pp.

Rollini, Arthur. Thirty Years with the Big Bands. Urbana and Chicago: University of Illinois Press, 1987. [v], 134 pp.; 8 plates.

Rose, Gilbert J. Trauma and Mastery in Life and Art. New Haven and London: Yale University Press, 1987. xv, 239 PP.

Rosenthal, Manuel. Satie, Ravel, Poulenc: An Intimate Memoir. Intro- duction by Virgil Thomson. Ma- dras & New York: Hanuman Books,1987. 8 pp.

Rouet, Franqois. Des Aides a la cul- ture. Brussels: Pierre Mardaga, Editeur, 1987. 238 pp.

Russolo, Luigi. The Art of Noises. Translated from the Italian with an Introduction by Barclay Brown. Monographs in Musicol- ogy, 6. New York: Pendragon Press, 1986. 87 pp.

Saint Lambert, Michel de. I principi del clavicembalo (Parigi 1702), Nuovo trattato dell'accompagnamento (Parigi i707). Translated by Adriana Viola Bordonaro. Bologna-Roma: Associazione clavicembalistica bolognese, 1986. [viii], ix, 68; [i], viii, 64 pp.

Schenker, Heinrich. Counterpoint. Translated by John Rothgeb and Jiirgen Thym. Edited by John Rothgeb. 2 vols. New York: Schirmer Books, 1987. xxxii, 361 pp.; xx, 284 pp.

Schloezer, Boris de. Scriabin: Artist and Mystic. Translated from the Russian by Nicolas Slonimsky with introductory essays by Ma-



PUBLICATIONS RECEIVED 213

rina Scriabine. Berkeley and Los Angeles: University of California Press, 1987. xii, 334 pp.

Schonberg, Harold C. The Great Pi- anists from Mozart to the Present. Revised and Updated. New York: Simon & Schuster, 1987. 525 PP.

Schwarz, Boris. French Instrumental Music Between the Revolutions (1789-183o). New York: Da Capo Press, 1987. xi, 303 pp.

Schwarz, Boris. Great Masters of the Violin from Corelli and Vivaldi to Stern, Zukerman and Perlman. Fore- word by Yehudi Menuhin. Paper- bound edition. New York: Simon & Schuster, 1987. 671 pp.

Seaton, Douglass. The Art Song: A Research and Information Guide. New York and London: Garland Publishing, 1987. xxvii, 273 pp.

Seay, Albert, ed. Cantus Anonymorum de Libris Petri At- taingnant, 5. Corpus Mensurabilis Musicae, 93. Neuhausen-Stutt- gart: American Institute of Musi- cology and Hinssler-Verlag, 1987. xv, 191 pp.

Shaw, Arnold. The Jazz Age: Popular Music in the 192o's. New York and Oxford: Oxford University Press, I987. x, 350 PP.

Shepard, Sam. Rolling Thunder Logbook. New York: Limelight Editions, 1987. [viii], 184 pp.

Shoaf, R. Wayne. The Schoenberg Dis- cography. Berkeley: Fallen Leaf Press, 1986. ix, 200 pp.

Silbiger, Alexander, ed. Frescobaldi Studies. Durham, NC: Duke Uni- versity Press, 1987. xiv, 398 pp.

Smeed, J. W. German Song and its Poetry t74o-19oo.

London and New York: Croom Helm, 1987. 246 pp.

Smith, Catherine Parsons, and Cyn- thia S. Richardson. Mary Carr Moore, American Composer. Ann Arbor: The University of Michi- gan Press, 1987. xiii, 286 pp.; 12

plates. Smith, Ronald. Alkan. Volume Two:

The Music. New York: Taplinger Publishing, 1987. [viii], 278 pp.

Smither, Howard E. A History of the Oratorio, Volume 3: The Oratorio in the Classical Era. Chapel Hill and London: The University of North Carolina Press, 1987. xxiv, 711 PP.

Spencer, Jon Michael. As the Black School Sings: Black Music Collections at Black Universities and Colleges With a Union List of Book Holdings. Music Reference Collection, 13. Westport: Greenwood Press, 1987. xvi, 185 pp.

Stearns, Peter Pindar. 235 Modern Dictation Exercises Composed and Ar- ranged Progressively in One, Two, Three and Four Voices. Bryn Mawr: Coburn Press (sole selling agent: Theodore Presser Company), 1987. 63 PP.

String Quartets by Debussy and Ravel: Claude Debussy, Quartet in G minor, Op. Jo; Maurice Ravel, Quartet in F major. New York: Dover Publica- tions, 1987. vii, 97 PP.

Studies on the Cantigas de Santa Maria: Art, Music, and Poetry: Pro- ceedings of the International Sympo- sium on the Cantigas de Santa Maria of Alfonxo X, el Sabio (1221-1284) in Commemoration of Its 7ooth Anniversary Year - 1981 (New York, November 19-2 ). Ed- ited by Israel J. Katz, John E. Keller, Samuel G. Armistead, and Joseph T. Snow. Madison: His- panic Seminary of Medieval Stud- ies, 1987. [vii], 521 pp.

Suder, Alexander L., ed. Erna Woll. Komponisten in Bayern: Dokumente Musikalischen Schaf- fens im 20. Jahrhundert, 12. Tutz- ing: Hans Schneider, 1987. 144 PP.

Tawa, Nicholas E. A Most Wondrous Babble: American Art Composers,



2 14 JOURNAL OF THE AMERICAN MUSICOLOGICAL SOCIETY

Their Music, and the American Scene. Contributions to the Study of Mu- sic and Dance, 9. New York and Westport: Greenwood Press, I987. xiii, 285 pp.

Tawa, Nicholas E. Art Music in the American Society: The Condition of Art Music in the Late Twentieth Cen- tury. Metuchen, NJ, & London: Scarecrow Press, 1987. viii, 275 PP.

Tawaststjerna, Erik. Sibelius, Volume II: 1904-1914. Translated by Robert Layton. Berkeley and Los Angeles: University of California Press, 1986. 302 pp.

Tchaikovsky, Peter Ilyitch. Romeo and Juliet Overture and Capriccio Italien in Full Score. New York: Dover Publications, 1986. [iv], 201

PP. Theodorakis, Mikis. Meine Stellung in

der Musikszene: Schriften, Essays, In- terviews 1952-1984. Selected and translated by Asteris Kutulas and Peter Zacher. Leipzig: Verlag Philipp Reclam, 1986. 288 pp.

Troeger, Richard. Technique and In- terpretation on the Harpsichord and Clavichord. Bloomington and Indi- anapolis: Indiana University Press, 1987. xvi, 252 pp.

Turabian, Kate L. A Manual for Writers of Term Papers, Theses, and Dissertations. Fifth Edition, revised and expanded by Bonnie Birt- wistle Honigsblum. Chicago and London: The University of Chi- cago Press, 1987. ix, 300 pp.

Vechten, Carl Van. Letters of Carl Van Vechten. Selected andedited by

Bruce Kellner. New Haven and London: Yale University Press, 1987. xxx, 300 pp.; 30 plates.

Vivaldi, Antonio. Concerto in A major for Harpsichord (Keyboard) and Strings. Reconstructed by Igor Kipnis. New York and Oxford: Oxford University Press, I987. Full Score: vi, 32 pp.; separate performing parts.

Weber, Carl Maria von. Great Over- tures in Full Score: Jubilee Overture, Preciosa, Der Freischiitz, Euryanthe and Oberon. New York: Dover Publications, 1986. [v], 105 pp.

Whittall, Arnold. Romantic Music: A Concise History from Schubert to Sibelius. London: Thames and Hudson, 1987. 192 pp.

Willaert, Adriano. Opera omnia, IX, Liber quinque missarum IV vocum 1536. Edited by Helga Meier. Corpus Mensurabilis Musicae, 3. Neuhausen-Stuttgart: American Institute of Musicology and

Hiinssler-Verlag, 1987. xiv, 225 PP.

Zaimont, Judith Lang, with Catherine Overhauser and Jane Gottlieb, eds. The Musical Woman: An International Perspective. Volume HI: 1984-r985. Westport, CT: Greenwood Press, 1987. xxv, 557 PP. RECORDING

La Musica en la Era del Descubrimiento, Volumen Primero: Francisco Guer- rero. Performed by Taller Ziryab ensemble. Madrid: Discos Aljarafe; distributed by Dial Dis- cos, [n.d.]



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