8. Fluxus Happening Performance Art
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Transcript of 8. Fluxus Happening Performance Art
Nam June Paik. Zen for Film. 1964/1965.Film canister containing 16mm film reel with approximately 23 minutes of film leader; canister, 38 cm diameter
George Maciunas: manifesto of 1962
FLUXUS
Black Mountain College JOSEPH ALBERS
TEACHING STUDENTS
John Cage «Variations V» 1965
John Milton Cage (September 5, 1912 – August 12, 1992)
anechoic chamber
The musical score for John Cage's 4'33''
John Cage, «Fontana Mix», 1958
John Cage, «Imaginary Landscape No. 1», 1939
Not wanting to say anything about Marcel, lll, 1969
62 Mesostics re Merce Cunningham (1971)
William Woods of radio station KRAB interviewed George Maciunas following a Fluxus Festival held in Seattle in September, 1977. This was the last Fluxus Festival to be organized and directed by Maciunas. George Maciunas died eight months later, in May, 1978, at the age of 46
http://www.fluxus.org/FLUXLIST/maciunas/
FESTIVAL FLUXUS et NEO-FLUXUS1963-2003 NICE
Ben Vautrier
George Maciunas, «Fluxkit», 1964
Marcel Duchamp. (American, born France. 1887-1968). Box in a Valise (From or by Marcel Duchamp or Rrose Sélavy). 1935-41. Leather valise containing miniature replicas, photographs, color reproductions of works by Duchamp, and one "original" drawing [Large Glass, collotype on celluloid, 7 1/2 x 9 1/2"
FLUXMANIFESTO ON FLUXAMUSEMENT-VAUDEVILLE-ART? TO ESTABLISH ARTIST NONPROFESSIONAL.NONPARASITIC,NONELITE STATUS IN SOCIETY, HE MUST DEMONSTRATE OWNDISPENSABILITY, HE MUST DEMONSTRATE SELFSUFFIENCY OF THE AUDIENCE, HE MUST DEMONSTRATETHAT ANYTHING CAN SUBSTITUTE ART AND THAT ANYONE CAN DO IT. THEREFORE THIS SUBSTITUTE ARTAMUSEMENTMUST BE SIMPLE, AMUSING, CONCERNED WITH INSIGNIFICANCES, HAVE NO COMMODITY ORINSTITUTIONAL VALUE. IT MUST BE UNLIMITED, OBTAINABLE BY ALL AND EVENTUALLY PRODUCED BY ALL.THE ARTIST DOING ART MEANWHILE, TO JUSTIFY HIS INCOME, MUST DEMONSTRATE THAT ONLY HE CAN DOART. ART MUST THEREFORE APPEAR TO BE COMPLEX, INTELLECTUAL.EXCLUSIVE,INDISPENSABLE,INSPIRED. TO RAISE ITS COMMODITY VALUE IT IS MADE TO BE RARE, LIMITED IN QUANTITY ANDTHEREFORE ACCESSIBLE NOT TO THE MASSES BUT TO THE SOCIAL ELITE.
FLUXMANIFESTO ON ART AMUSEMENT
Yves Klein’s Anthropometries of the Blue Period (1960)
Piero ManzoniPhotograph - "Living Sculpture" 1961
Judson Church in New York
La Monte Young, «Dream House», 1962
Chris Burden, «Shoot», 1971
Original photograph by Brian Marsh of performance artist Stuart Brisley as ZL 65 63 95 C
Luigi Ontani
Urs Lüthi
Dennis Oppenheim, «Two Stage Transfer Drawing (Advancing to a Future State)», 1971
Vito Acconci, «Step Piece», 1970
Dan Graham, «Picture Window Piece», 1974
Bruce Nauman, «Lip Sync», 1969
Gina Pane
Joseph Beuys
Jannis Kounellis
Abramovic, Marina; Ulay, «Expansion in Space», 1977
Laurie Anderson
Adrian Piper
Julia Heyward
Ulrike Rosenbach, «For Ten Thousand years I Slept», 1976
Rebecca Horn, «Berlin Exercises in Nine Pieces» Exercise 4: Keeping Those Legs from Touching Each Other, 1974 – 1975
Suzanne Lacy and Leslie LabowiczIn Mourning and in RageMedia event memorial for Victims of Hillside StranglerLos Angeles, CA, 1977
Susan Hiller
Dream Mapping 1974
Susan Hiller
Dream Mapping 1974
Susan HiIIer: Dream Mapping, 1977
Michael Morris, Vincent Trasov as Mr. Peanut In front of Vancouver Court House, 1974
Pat Oleszko
Ann Magnuson
Erick Bogosian
Sankai Juku
Pina Bausch
Robert Wilson 'Theater of Images' with works such as Einstein on the Beach (first performed in July 1976 at the Festival d'Avignon), Philip GIass, Lucinda Childs
Stephen Taylor Woodrow
Richard Foreman
Caucasian Chalk Circle By Bertolt Brecht
Bertolt Brecht10. Februar 1898 –
14. August 1956