642 Kensington Road Santa Monica, California City Landmark ...
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642 Kensington Road
Santa Monica, California
City Landmark Assessment Report
Prepared for:
City of Santa Monica
Planning Division
Prepared by:
ICF International
November 2012
642 Kensington Road
Landmark Assessment Report
Page 2
642 Kensington Road,
Santa Monica
APN: 4287-004-011
City Landmark Assessment and Evaluation
BACKGROUND INFORMATION
Description of Site or Structure, Note Any Major Alterations and Dates of Alterations
The subject property is located on the south side of Kensington Road, between 7
th Street and
Beverly Avenue. The residence is oriented to the north/northwest, facing Kensington Road
and Jocelyn Park across the street. The eclectic-influenced Craftsman style bungalow is
located in a residential neighborhood consisting of both single-family homes from the 1920s
and the late 1940s, as well as multi-family apartment complexes from the 1960s and later.
The one-and-one-half story eclectic Craftsman bungalow style single-family residence was
identified in the Santa Monica Citywide Historic Resources Inventory Update, prepared in
November 2010, as a 5S3*. This indicates that the preparers of the report determined that the
property appeared individually eligible as a Santa Monica Structure of Merit. Recently, the
owner of the property has requested a re-evaluation of the property to determine if it meets the
criteria of a Santa Monica Landmark.
Description. The subject property is a one story, single-family residence designed in the
Asian-inspired variation of the Craftsman architectural style. It has a medium-pitched front
gable roof over the main volume of the house. The wide, overhanging eaves display exposed
rafter tails. The three-quarters width, projecting front porch has a front-gable roof with flared
eaves. Square and rectangular wood vents with horizontal slats and pronounced lintels and
sills are evident in the gable peaks. The exterior is clad in wood clapboard siding. The wood
porch supports consist of two wood posts with short protruding knobs, topped by a short
horizontal board with an inverted semi-circular design on either side, reminiscent of Asian
architectural elements. The porch, which is accessed by a single concrete step at the center of
the façade, has a closed balustrade with clapboard siding and low, molded wood caps. The
fenestration is wood framed, double-hung sash, with a gothic-style muntin design on the
upper sash, which divides the pane into four differentiated lights. By comparing Sanborn
maps with the current footprint, it appears that there has been a modest addition to the east
end of the rear elevation, which is not visible from the public right-of-way.
The garage at the rear of the house was converted in 2010 to an “accessory building” and no
longer has an auto-related function. To the west of the house is a wide driveway, with a brick
surface. A low concrete block retaining/garden wall is located along the sidewalk at the front
of the house. A row of medium-height hedges behind the wall provides a natural screen for
the front lawn.
The property exhibits a high level of integrity of physical and historical integrity.
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Building Permits. The original building permit is not available. However, archival tax
assessor records indicate that the parcel was improved in 1907 under the ownership of Mrs.
E.W. Marshall.1 A 1937 building permit documents the relocation of the subject dwelling
from 1227 14th
Street to 642 Kensington Road for an estimated cost of $600 with William
McEwan identified as the bungalow‟s owner. As relates to the 1227 14th
Street property, a
building permit from 1937 shows that a two-story triplex was erected at that location for an
estimated cost of $10,000 under the ownership of Luvena Breese. There were no other
relevant building permits on file with the City.
Statement of Architectural Significance
Craftsman style.
2 The bungalow had its genesis in Southern California and was a very
popular building type in Los Angeles‟ newly developing suburban areas, including Santa
Monica, during the first quarter of the twentieth century. Because of their relative economy,
bungalows answered a growing need for affordable housing during the first two decades of
the 20th
century. Ornate examples were commissioned for wealthy residents of suburban
enclaves such as Pasadena. Square or rectangular in plan, cottages with one or one-and-one-
half stories and rectilinear porches typify the bungalow form. To this basic form architects
introduced Colonial Revival, Craftsman, Spanish, and even Japanese architectural elements in
creating semi-customized results. Simple, horizontal, and craft-oriented natural materials
generally characterize the Craftsman style. Common elements include low-pitch, cross-gabled
roof forms; deep overhanging eaves; exposed roof beams and rafter tails; asymmetrical
facades; battered (tapered) or square porch posts; rectangular shaped windows, often sash
over sash; tripartite window groupings; single or clapboard siding; and simple wood frame
surrounds. In addition to bungalows, the Craftsman style was applied to large single-family
dwellings, duplexes, fourplexes, and other multi-family dwellings that were considerably
larger than the term bungalow implies. By the late 1910s and into the 1920s, the Craftsman
style was often melded with revival styles such as the American Colonial Revival.
The subject property is reflective of the Craftsman bungalow style, with Asian-inspired
decorative touches such as by the flared eaves with notched rafter ends, and decorative
brackets and porch posts. It represents an excellent example of the Craftsman bungalow style
and type and retains a high level of both physical and stylistic integrity. A review of several
of the surrounding blocks did not reveal any other similar houses. There are a few Craftsman
style bungalows, but none share the same exact design features.
Statement of Historical Importance
Ocean Park
3. Ocean Park‟s history was somewhat independent from that of the rest of Santa
Monica. Separated from the north by a gully, which today is filled by the Santa Monica
Freeway, Ocean Park was initially oriented towards the beach where a series of piers and
other tourist attractions were erected in the late nineteenth century. Much of the housing
during this initial period of development was deliberately temporary in nature. Although
1 Archival Tax Assessor Records, Book 96, Page 2, Block 110, Parcel S.
2 ICF International. Santa Monica Citywide Historic Resources Inventory Update November 2010, p. 10
3 Ibid, p. 60-61
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residential tracts began to be subdivided from the large blocks of land owned by families such
as the Lucas and the Vawters families in the mid-1880s, construction tended to cluster on
streets nearest the ocean, with the 4th
Street hill as the inland boundary.
In the years following the turn-of-the-twentieth-century, however, building activities
intensified. Main Street became the commercial spine of the community, servicing both
permanent residents and visitors who lived in the cottages, bungalows, and bungalow courts
that sprang up as far east as Lincoln Boulevard and beyond.
Due to the rapid growth of Ocean Park, by 1902,
…it was announced that no more lots would be leased and that leasers would
be given until May 1st, to purchase their lots or vacate. Hereafter, lots would
only be sold with building restrictions which would put an end to the building
of cheap „beach cottages.‟ Many of the lease holders purchased their lots and
removed the old buildings to put up modern cottages which would yield an
income on the increased valuation of the property. … To many, however, the
prices charged for lots and the building restrictions seemed prohibitive and the
cottages were removed to cheaper property. During 1902-03, it was a
common sight to find a cottage on wheels moving back from the ocean front
to the hills….4
By the close of the teens, a substantial portion of Ocean Park had been improved. The 1920s
witnessed nearly complete build out of the area, sometimes at the expense of older
improvements. The advent of the Great Depression, however, resulted in a sudden halt to
most new construction in the area. According to researcher Karen M. Wenzel,
After Ocean Park was established as a top resort in the country during the first
three decades of the 20th
century, the 1930s were a turning point for the future
of Ocean Park. The Depression Era made the Ocean Park amusements and
summer homes obsolete. People sold their beach cottages at depressed prices.
The neighborhood had been developed to cater to the leisure activities of the
middle and upper classes and to the people working in this industry. Without
the crowds of vacationers, Ocean Park‟s reputation dwindled as a desirable
place. Real estate development virtually ceased after the early 1930s, and
hardly any new architecture was produced between 1935 and the early 1950s.
The Sanborn map of 1952 shows that little had changed since 1931, except in
a few residential areas [such as the Fountain Tract].5
Therefore, as relates to the subject property, the 1937 relocation of the Craftsman bungalow
from 1227 14th
Street to 642 Kensington Road in Ocean Park would have been considered
unusual, both because it occurred during the Depression and because there were few available
4 Ingersoll, Luther A. Ingersoll’s Century History: Santa Monica Bay Cities. Page 257.
5 Wenzel, Karen M. The Impact of Historic Preservation on Land Use Planning in Ocean Park, Santa Monica, California.
Page 43.
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vacant parcels in the majority of Ocean Park by that time.
After World War II and through the 1960s, numerous single-family dwellings and bungalow
courts were replaced by larger apartment buildings. This pattern of development has resulted
in an Ocean Park characterized by a diverse architectural legacy in terms of the ages, styles
and building types it contains.
Eventually, economic, social, and population trends evolved in the area such that short-term
accommodations became longer-term residences for professionals, blue-collar workers,
retirees, and others, especially following World War II until the early 1960s. Starting at the
time, the city‟s Redevelopment Agency identified eight contiguous blocks in Ocean Park
between Ocean Park Boulevard on the north, Marine Street (city limits) on the south, the old
Pacific Electric right-of-way (renamed Nielson Way) on the east, and the Speedway (now
Barnard Way) on the west to be razed for new multi-story residential construction. In
addition, during this period, all of the improved parcels containing beach-facing residential
and commercial buildings west of Ocean Avenue and the Speedway to the beach from Bay
Street to the city limits were cleared for public parks.
As part of their efforts at urban renewal, the city sought to arrest the perceived seediness
around the failed Pacific Ocean Park. It moved out approximately ten percent of the residents
of Ocean Park and two hundred businesses to make way for two seventeen-story apartment
towers, known as the Santa Monica Shores. Grassroots political activism that grew out of the
local resident opposition to the city‟s aggressive urban renewal was able to halt some later
large projects that would have destroyed many smaller homes and apartments. The issues
they brought to the table, including preserving a smaller-scale lifestyle and respect for the
environment, were crucial to later public battles over the future of Santa Monica
redevelopment.
As a result of the city‟s redevelopment efforts, it appears that Ocean Park‟s only remaining
concentration of early twentieth century beach dwellings located west of Neilson Way are the
four blocks situated between Hollister Avenue and the north side of Ocean Park Boulevard
(identified as the South Beach Historic District). The subject residence at 642 Kensington
Road is not located in the South Beach Historic District.
As relates to dwelling relocations in Ocean Park, historical evidence suggests that the greatest
impetus was the forced conversion of Ocean Park beach properties from leasehold to fee
simple in 1902-03. No other information documenting the movement of dwellings to or
within Ocean Park was identified during the current research process.
1227 14th
Street
Archival tax assessor research reveals that the unimproved parcel located at 1227 14th
Street
was owned by Arcadia De Baker in 1905.6 The 1910 Census indicates that Arcadia De Baker
6 Archival Tax Assessor Records, Book 96, Page 2, Block 110, Parcel S.
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was born in 1830 in California and was a widow. The property was sold the following year to
Swedish immigrant C.A. Tegner7 who owned numerous vacant lots along 14
th Street.
8 In
1907, title passed to Mrs. E.W. Marshall who held title to the property for only one year.9
Notably, it was during Mrs. Marshall‟s ownership that the subject dwelling was originally
constructed with a valuation of $700 according to archival tax assessor records.10
Unfortunately, census research revealed no information about Mrs. Marshall. Note that the
1909 Santa Monica Sanborn maps, which would have verified the existence of Mrs.
Marshall‟s bungalow, do not include the blocks of 14th
Street north of Arizona Avenue where
1227 14th
Street is located. In 1908, the property was in the name of L.W. Woods of whom no information was found.
11
In 1909, Oscar Barrett became the property owner, which he remained for the next nine
years.12
Mr. Barrett was a “stationary engine” engineer.13
During the time of Barrett‟s
ownership, city directories indicate that Mrs. Ida Harrison resided at the dwelling. Barrett
sold the property to Joseph B. Glanville in 1918.14
Glanville lived in the bungalow for
approximately two years, 1918-1920.15
Charles E. Salisbury owned the property in 1920,
selling it to Hattie Mae Shelton in 1921.16
By 1924, the property was recorded under the
name of Hattie‟s husband, William C. Shelton (no occupation listed).17
Between 1921 and
1925, Stephen L. and May (Mary) M. Locke rented the house. Mr. Locke appears to have
been a taxi driver and in 1925, Mrs. Locke was noted as a milliner. The property‟s title changed yet again in 1926 with Luvena Breese becoming the new
owner.18
In 1927, the property was unoccupied. In 1927, the property was unoccupied. In
1928, Mr. and Mrs. Myron E. Becker and Mr. and Mrs. Roscoe H. Becker were the renters of
1227 14th
Street.19
Myron was a general laborer and Roscoe was a carpenter. According to the
city directories, the house was again vacant between 1930 and 1933. However, the 1930 Census
shows that Ernestine Francom was renting this house.20
A native of Utah, Ms. Francom was
living at this address with her 15-year old son Hubert and 11-year old daughter Ernestine, as
7 United States of America, Bureau of the Census. Fourteenth Census of the United States, 1920. Washington, D.C.:
National Archives and Records Administration, 1920. T625_116 rolls. 8 Archival Tax Assessor Records, Book 96, Page 2, Block 110, Parcel S.
9 Ibid.
10 Ibid.
11 Ibid.
12 Archival Tax Assessor Records, Book 326, Page 5, Block 110, Parcel S.
13 United States of America, Bureau of the Census. Thirteenth Census of the United States, 1910. Washington, D.C.:
National Archives and Records Administration, 1910. T624_87 rolls. 14
Archival Tax Assessor Records, Book 326, Page 5, Block 110, Parcel S. 15
Ibid. 16
Ibid. 17
Ibid. United States of America, Bureau of the Census. Fourteenth Census of the United States, 1920. Washington, D.C.: National Archives and Records Administration, 1920. T625_116 rolls. 18
Archival Tax Assessor Records, Book 326, Page 5, Block 110, Parcel S. 19
Santa Monica, Venice, Ocean Park, Sawtelle, and Brentwood City Directory, Los Angeles Directory Company, Los Angeles, 1928.
20 Bay Cities Directory. Los Angeles Directory Company, Los Angeles, 1930-1931.
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well as her father, Hubert L. Hall. Louis P. and Annabelle Heckel lived here in 1936.21
No
occupation was listed for either Mr. or Mrs. Heckel.
The 1936 city directory shows that Luvena Breese was married to Guy A. Breese, who was in
the real estate business. They resided at 1809 3rd
Street in Santa Monica (not at 1227 14th
Street, which Luvena had purchased in 1926 and that they operated as a rental).
Significantly, Mrs. Breese was the registered owner in 1937 when the subject dwelling was
removed from the property to be replaced by a two-story Spanish Colonial Revival style
triplex. Based upon this evidence and information detailed below, it appears that a Mr.
William McEwan obtained the subject dwelling from Mrs. Breese in 1937. McEwan then
had the bungalow moved to a vacant parcel owned by his father at 642 Kensington Road in
Ocean Park.22
Once the subject dwelling had been removed from the parcel at 1227 14
th Street in 1937, Mrs.
Breese hired contractor William C. Carter to erect a two-story Spanish Colonial Revival style
triplex near the front of the lot for an approximate cost of $10,000.23
The motivation for the
construction of an apartment building on what had previously been a single-family parcel was
surely the lot‟s proximity to the burgeoning commercial activities along Wilshire Boulevard,
which had become too valuable to justify retaining the original bungalow at this location.
That would explain why the subject dwelling was transferred to William McEwan, moved off
the site, and replaced by a triplex. As to why McEwan chose to relocate a 30-year-old
bungalow a considerable distance of almost two miles instead of constructing a new house on
his father‟s Ocean Park lot, perhaps, given the difficult economic times, it was simply more
economical to do so. Or, it is conceivable that McEwan was attracted to the Craftsman
bungalow‟s quality of design and workmanship, which would have been expensive to
replicate in 1937. It is all conjecture at this point.
The 1938 city directory lists three occupants of the newly constructed triplex: Mrs. Luvina
Breese herself at 1227, Mr. Charles Carsen at 1227a, and H.F. Beicher at 1227b. Ms. Breese
continued to own the property until 1939 when her daughter, Gladys Breese, and Lottie
Boone, executor, were identified as the property owners (suggesting that title passed
following the death of Luvena Breese).24
In 1949, tax assessor records and visual inspection
confirm that a Minimal Traditional style fourplex was built at the rear of the 1227 14th
Street
property behind the triplex that had been constructed in 1937. 642 Kensington Road
On June 23
rd 1937, William W. McEwan paid approximately $600 to relocate the subject
21
Santa Monica, Venice, Ocean Park, Sawtelle, and Brentwood Heights City Directory,” Los Angeles Directory Company,
Los Angeles, 1936.
22 Archival Tax Assessor records indicate that the value of the unimproved property in 1937 was $420. The following year,
in 1938, the land value remained at $420 with the addition of improvements (i.e. the relocated bungalow) valued at $1040. 23
Building permit 158 dated 7-1-1937. 24
Ibid.
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bungalow located at 1227 14th
Street to a vacant parcel at 642 Kensington Road.25
Archival
tax assessor records confirm that the vacant parcel had been purchased in 1925 by Duncan S.
McEwan, William‟s father,26
from the Hellman Commercial Trust & Savings Bank for
approximately $420. Sanborn maps and archival tax assessor records indicate that the lot
remained vacant until the subject dwelling was placed on the parcel in 1937. Approximately
two months after the bungalow had been moved to its current location, electricity to the house
was connected.27
Title to the property passed from father to son in 1938.28
William
McEwan, identified as a painter in the 1938 city directory, and his wife Helen continued to
own the residence at 642 Kensington Road until approximately 194629
; however, the
McEwans operated the bungalow as a rental starting in 1940.30
From 1940 until 1947-48, the house was occupied by the Timmermeyer family.
31 Mr. Leo T.
Timmermeyer was a manager at (or of) the Samuel Pello grocery in 1940. The 1940 Census
data confirm the city directory data; also in the house were sons Leo T. Jr., Ronald E., and
John J.32
Also at this residence was Raleigh (or Anleigh) Ellis, who was likely a cousin of
Mrs. (Da Onne) Timmermeyer. All three Timmermeyer children were born in Colorado and a
review of the 1930 Census data shows that Leo T. Timmermeyer was in Denver, employed as
the manager of a grocery at the time.33
In 1952-53, Mrs. Fay H. Sorensen lived in this house.34
Mrs. Sorensen, who worked at a clerk
at Douglas, originally rented this property, but at the time of the 1958-1959 publication of the
city directory, she was the owner and may have been retired, as no occupation is listed.35
In
1960, Mildred Carrier was living at 642 Kensington Road.36
Person(s) of Historical Importance
Background research on the residents and owners of 1227 14
th Street and 642 Kensington
Road provided no evidence suggesting that any of the property owners or residents were
persons of local historical importance. Most, even when identified as owners, had a brief
association with the house.
Statement of Other Significance
25
Building permit 2602. 6-23-1937. “Dwlg. moved from 1227 14th
St. Cash Bond #2508. Cost: $600.” 26
United States of America, Bureau of the Census. Fifteenth Census of the United States, 1930. Washington, D.C.: National Archives and Records Administration, 1930. T626, 2,667 rolls. 27
Department of Electricity permit 3365. August 21st
, 1937 28
Archival Tax Assessor Records. 29
Ibid. 30
1940, 1947-1948 city directories. 31
Ibid.
32 Ibid.
33 Year: 1930; Census Place: Denver, Denver, Colorado; Roll: 238; Page: 13A; Enumeration District: 132; Image: 493.0; FHL
microfilm: 2339973. 34
Santa Monica City Directory, including Brentwood Heights and Ocean Park, 1952-53. 35
Santa Monica City Directory, 1958-59. 36
Santa Monica City Directory, 1960.
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The property does not appear to meet criteria for high artistic value as it is defined in the
National Register Bulletin: How to Apply the National Register Criteria for Evaluation.
Though it does reflect the characteristics of an Asian-inspired eclectic Craftsman style
bungalow it does not fully epitomize the design principles of the style so that it expresses
an aesthetic ideal. High-style examples of this variation include dark wood details, fascia
with a pinched apex detail, unpainted or stained timber elements, false screens, and stained
glass windows. None of these elements are present. Furthermore, while use of leaded glass
in the upper panes of windows was not unusual for houses built in the early years of the
20th
century, the Queen Anne style of these panes seems out of character for an Asian-
influenced design. No other evidence was discovered in current research of the property to
indicate other significance.
Is the Structure Representative of a Style in the City that Is No Longer Prevalent?
The Craftsman bungalow style is prevalent in the City; due to its high integrity and level of
refinement, the subject property remains an uncommon example of a common style
prevalent in the architectural history of Santa Monica.
Does the Structure Contribute to a Potential Historic District?
There is no potential historic district in the immediate vicinity due to the heterogeneous
nature of architectural styles represented there.
CONCLUSION
In summary, based on current research and the above assessment, the property located at 642
Kensington Road appears to meet several City of Santa Monica Landmark criteria. The property
was evaluated according to statutory criteria as follows:
Landmark Criteria
9.36.100(a)(1) It exemplifies, symbolizes, or manifests elements of the cultural, social, economic,
political or architectural history of the City.
The property located at 642 Kensington Road is a highly intact example of the Asian-
influenced, eclectic variant of the Craftsman architectural style as applied to a single-
family residence. Given that it is an uncommon variant of a common architectural style,
the dwelling represents an important component of the City‟s architectural history from a
particular time period, the first decade of the 20th
century, regardless of its relocation in the
1930s. Therefore, the subject property appears to satisfy this criterion.
9.36.100(a)(2) It has aesthetic or artistic interest or value, or other noteworthy interest or value.
Although a highly intact example of the Asian-inspired, eclectic variant of the Craftsman
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Page 10
architectural style, it does not rise to a sufficient level of aesthetic or artistic value to
qualify for designation under this criterion.
9.36.100(a)(3) It is identified with historic personages or with important events in local, state or
national history.
In conducting the background research, the data did not reveal any information on any of the
property‟s owners and/or occupants to indicate historical significance or notability.
Therefore, the subject property does not appear to satisfy this criterion.
9.36.100(a)(4) It embodies distinguishing architectural characteristics valuable to a study of a
period, style, method of construction, or the use of indigenous materials or craftsmanship, or is a
unique or rare example of an architectural design, detail or historical type valuable to such a study.
This property displays the character-defining features associated with eclectic variations of
the Craftsman style, in this case, the flared eaves with notched rafter tails and the ornamental
brackets and porch posts. The key features of the Craftsman style are present: the front-
gabled roof with wide overhanging eaves and exposed rafters, louvered vents in the gable
ends, clapboard siding, wood framed windows, projecting front porch supported by wood
posts and clapboard sided balustrade. Remarkably, given that the property was physically
moved almost two miles, it retains integrity to its 1907 construction with a modest addition
to the rear of the dwelling. This was confirmed during visual inspection of the property.
Therefore, the property appears to satisfy this criterion.
9.36.100(a)(5) It is a significant or a representative example of the work or product of a notable
builder, designer or architect.
The property does not appear to meet this criterion. As stated above, no information
on the architect or builder was discovered during the current survey process.
9.36.100(a)(6) It has a unique location, a singular physical characteristic, or is an established and
familiar visual feature of a neighborhood, community or the City.
The subject property is located on the north side of Kensington Road in a neighborhood
containing a wide variety of residences of dissimilar scale, massing, and proportion.
Further, the subject property does not necessarily stand out amongst its neighbors as a
unique or especially familiar feature of the neighborhood. Therefore, it does not satisfy this
criterion.
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Page 11
CITY DIRECTORY RESEARCH
1227 14th
Street
642 Kensington Road
Year Entry
1917 (1227
14th
Street)
Mrs. Ida Harrison NOL
1919-1920 Glanville, Joseph B. NOL
1921-1922 Locke, Stephen L. Auto Operator Locke, and May M., NOL
1923-1924 Locke, Stephen L., Auto Livery, 212 Santa Monica Boulevard
May M.
1925 Locke, Stephen L., Auto Livery, no address
Locke, May M., Millinery
1927 Vacant
1928 Becker, Myron E., laborer Becker, Carrie, NOL
Becker, Roscoe H., carpenter Becker, Eleanor H., NOL
1930-1931 Vacant
1933 Vacant
1936 Heckel, Louis P., NOL
Heckel, Annabelle, NOL
1938 (642 Kensington
Road)
McEwan, William W., painter McEwan, Helen, NOL
1940 Timmermeyer, Leo T., Manager, Samuel Pello
Timmermeyer, Da Onne, NOL
1947-1948 Timmermeyer, Louis T., carpenter
Timmermeyer, Belle, NOL
Timmermeyer, Sally, student
1952-1953 Sorensen, Fay H. (Mrs.), clerk at Douglas
1954 Sorensen, Fay H. (Mrs.), clerk at Douglas
1958-1959 Sorensen, Fay H., NOL
1960-1961 Carrier, Mildred, NOL
Note: NOL = No Occupation Listed
BIBLIOGRAPHY
Basten, Fred E. Santa Monica Bay – The First 100 Years. Los Angeles: Douglas-West
Publishers, 1974.
———. Santa Monica Bay: Paradise By the Sea. Santa Monica: Hennessey + Ingalls. 2001.
———. Wardway Homes, Bungalows and Cottages, 1925. Mineola, NY: Dover Publications,
Inc., 2004.
———. Santa Monica Historical Resources Inventory, Phase I: 1983. Prepared by Paul
Gleye and Leslie Heumann, 1986.
———. Santa Monica Historical Resources Inventory, Phase II: 1985-1986. Prepared by
Johnson Heumann Research Associates, 1986.
______. Historic District Application for the 3rd
Street Neighborhood in Ocean Park, Santa
Monica, CA, Volume II, 1990.
City of Santa Monica Building and Safety Department. Building Permits.
Gebhard, David and Robert Winter. Architecture in Los Angeles. Salt Lake City, Utah: Gibbs
Smith Books, 2003.
Ingersoll, Luther A. Ingersoll’s Century History: Santa Monica Bay Cities. Los Angeles: Luther
A. Ingersoll, 1908.
Los Angeles County Tax Assessor. Property Information Records.
McAlester, Virginia and Lee McAlester. A Field Guide to American Houses. New York: Alfred
A. Knopf, 1990.
National Park Service. National Register Bulletin 15: How to Apply the National Register
Criteria for Evaluation. Washington DC: U.S. Dept. of the Interior, National Park
Service, Interagency Resources Division, 1997.
National Park Service. National Register Bulletin 16a: How to Complete the National Register
Registration Form. Washington DC: U.S. Dept. of the Interior, National Park Service,
Interagency Resources Division, 1997.
National Park Service. National Register Bulletin 24: Technical Information on Comprehensive
Planning, Survey of Cultural Resources, and Registration in the National Register of
Historic Places. Washington DC: U.S. Dept. of the Interior, National Park Service, Interagency
Resources Division, 1985.
Office of Historic Preservation. Instructions for Recording Historical Resources. Sacramento:
Department of Parks and Recreation, Office of Historic Preservation, March 1995.
———. Santa Monica, et al, City Directory. Los Angeles, CA: S & K Publications. Various dates.
Sanborn Fire Insurance Maps, City of Santa Monica. Santa Monica Public Library, Santa Monica
Index. Santa Monica Public Library Image Archives.
Stevenson, Katherine Cole and H. Ward Jandl. House By Mail, A Guide to Houses from Sears,
Robebuck and Company. New York: John Wiley & Sons, Inc., 1986.
Warren, Charles S. ed. History of the Santa Monica Bay Region. Santa Monica: Cawston, 1934.
. Santa Monica Blue Book. Santa Monica: Cawston, 1941.
. Santa Monica Community Book. Santa Monica: Cawston, 1944
Wenzel, Karen M. The Impact of Historic Preservation on Land Use Planning in Ocean Park,
Santa Monica, California. Thesis M.A. Geography. California State University Northridge,
June, 1994.
White, Col. Carl F. ed. Santa Monica Community Book (Fifth Edition). Santa Monica: Cawston,
1953.
Wilson, Henry L. California Bungalows of the Twenties. New York: Dover Publications, Inc.,
1993.
Photos
642 Kensington Road. Looking west towards the primary façade and front lawn
642 Kensington Road. Close up view of porch and roof details
642 Kensington Road. View of the residence, looking south.
642 Kensington Road. View of the residence, looking west.
1227 14th
Street. Erected 1937. View of the triplex, looking northeast.
1227 14th
Street. Erected 1949. View of the rear fourplex, looking northeast.