6315 Third Avenlle', Kef1osha:WI Thomas Fats Wailer AIN'T ... and Music/Ain_t Misbehavin.pdf ·...

4
WORDS & MUSIC Andy Razar Thomas "Fats" Wailer and Harry Brooks ARRANGEMENT Earl Moon and EdWaesche SOCIETY FOR THE PRESERVATION AND ENCOURAGEMENT OF BARBER SHOP QUARTET SINGING IN AMERICA INC. 6315 Third Avenlle', Kef1osha:WI 53143-5199 800-876-SING www.spebsqsa.org AIN'T MISBEHA VIN' STOCKNO. 1360 Intro freely Ban Bass so An - y time Ifind I'm feel-in' lonely, _ and I'm won-d'ring just what I should do, __ Since J know your love is for me on -ly, I'll write this spe-cial let-ter,dear, to and on - Iy n = '13] Chorus (moderate swing) •~• 9 you. f.\ you. _ and on - ly you. No one to talk with, all by my-self, _ v You know there's no ©1929 by Mills Music, Inc. Copyright Renewed, Assigned to Mills Music, Inc., Chappell & Co. and Razaf Music Co. in the United States. This Arrrangement Copyright © 1999 by Mills Music lnc., Chappell & Co. and Razaf Music Co. in the United States. All Rights for Razaf Music Co, Administered by The Songwriters Guild Of America. International Copyright Secured. All Rights Reserved. I

Transcript of 6315 Third Avenlle', Kef1osha:WI Thomas Fats Wailer AIN'T ... and Music/Ain_t Misbehavin.pdf ·...

WORDS & MUSIC

Andy Razar

Thomas "Fats" Wailer

and Harry Brooks

ARRANGEMENT

Earl Moon

and

EdWaesche

SOCIETY FOR THE PRESERVATION AND ENCOURAGEMENT OFBARBER SHOP QUARTET SINGING IN AMERICA INC.

6315 Third Avenlle', Kef1osha:WI 53143-5199 ·800-876-SING • www.spebsqsa.org

AIN'T MISBEHA VIN'

STOCKNO. 1360

Intro freely

BanBass

so

An - y time Ifind I'm feel-in' lonely, _ and I'm won-d'ring just what I should

do, __ Since J know your love is for me on -ly, I'll write this spe-cial let-ter,dear, to

and on - Iy n= '13]Chorus (moderate swing) • ~ •9

you.f.\

you. _and on - ly you.

No one to talk with, all by my-self, _

vYou know there's no

©1929 by Mills Music, Inc. Copyright Renewed, Assigned to Mills Music, Inc., Chappell & Co. and Razaf Music Co. in the United States.This Arrrangement Copyright © 1999 by Mills Music lnc., Chappell & Co. and Razaf Music Co. in the United States.

All Rights for Razaf Music Co, Administered by The Songwriters Guild Of America. International Copyright Secured. All Rights Reserved.

I

Ain't Misbehavin'

I'm hap-py 00- the shelf, ain't rnis - be - hav - in',no one to walk with, but

17..

I'm sav-in' my_ lovefor you, __ won-der-ful you.i.. I knowfor cer-tain

And 1_

x x x x x19

the one love.L; I'm throughwith flirt- in', it's just you I'm think - in' of.

22I

Ain't mis=be-hav-in', I'm say-in' my- love for you._============-_

~won-der-ful you. _Ain't.,..

Ain't Misbehavin' 3

25x x x x

Like Jack Hor - ner

x x~ I J---JJ J: 30bJ J ~ II't I 28 I r-, 29 1\ 31 I,-..

'-' -

\" - I'" I

What do 1__ care? Your kis-ses are worth wait-in' for __ be -

J n---.~J IA:t~J: J J. L h l h-J J.. '--'"

I'm home a - bout eight, just me and my ra di - o. Ain'trnis- be- hay-in',

41

4 Ain't Misbehavin'

I'm say-in' my_ love for you, yes, I said won-der - ful you._ I'm

I'm __

I 42t j) J. 43 J hJ J 44 ~ I 4S" I ~ II --~

r I I I I r I

I'm cra-vin', but I ain't mlS - be - hav- in'. I'm say-in'I'm I'm

~ J j) J- J J I J J ]) I L J .~'-- - -:

I I I I I V I

I'mJ

Ain't rnis - be - hay - in', I'm era - zy for you.Le,

all of my love.L, for you. _

Ain't mis - be - hay - in', I'm era - zy for you._

Performance NotesThis song was introduced in the 1929 Nightclub Revue: Connie's Hot Chocolates by Louis Armstrong, and has been recordedinnumerable limes by many artists, including Armstrong and the composer "Fats" Wailer. It later became the title tune of theBroadway musical celebrating the music of "Fats" Wailer, whose extensive list of published songs includes Blue Turning Gray OverYou. Honeysuckle Rose: I've Got A Feeling I'm Falling, The Joint Is Jumpin', Keepin' Out Of Mischief Now and What Did I Do To BeSo Black And Blue. Andy Razaf was his principal lyricist, and Harry Brooks was a sometime collaborator.

This arrangement is mostly the work of the late Earl Moon, whose prolific output is widely known throughout the Society and isfrequently represented in our published catalog. Our 1999 Society president, renowned arranger Ed Waesche, added his magictouches to make it even more interesting and singable.

The entire chorus should have a strong swing feeling, emphasizing beats 2 and 4 of each measure. "Wonderful you" (measure 23)should be sung with feeling, such that it starts a series of strong pulsations ending with measure 28. Measures 29 and 30 are sungwith tenderness, and "believe me" (measures 3I-32) contrasts that tenderness with forceful emphasis.

[