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4th International Course for Natural and Modern HornCaracas, Venezuela

21 to 27 October

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StaffJoel AriasProfessor, Chair of Horn Class of Mozarteum Caracas School of MusicArtistic Director of the International Course of Natural and Modern HornSusana SalasExecutive ProducerSamantha CabreraDepartment of Media and Social NetworkPatricia AloyGraphical CoordinationSocial NetworksFacebook: International Course for Natural and Modern HornTwitter: @caracashorn2013

Contributing Artists:Gabriella IbarraJuan Miguel Ramírez

International Horn Society

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International Course and Modern Natural Horn

Since the beginning of the great movement there were always musicians in Venezuela dedicated to teach the massive education of the Horn, one of them was the Big Master Delfino Nuñez, trainer and leader of a generation of great horn players of Venezuelan music scene.

But it was not until 1996, when the Beracasa Foundation brought celebrated Brass Teachers (Horns, Trumpets and Trombons) from France to Venezuela, which began the gestation of the evolution of the Horn as a solo instrument. Through this initiative emer-ged a new generation, where Professor Associate Professor Joel Arias, working together to the famous Maestro Andre Cazalet, kicked off the school transformation of Venezuela Horns, raising awareness of a new way of how to conceive and play the instrument.

Years later, when he founded the Department of Horns “Delfino Nuñez” at the Mo-zarteum Caracas School of Music, and with the invaluable help of its Director Ms. Elisa-beth Marichal, came an emerging generation, eager to learn different techniques of the instrument. To access this information they had to travel and invest high sums of money in their education. The need for that moment was created. With the support of the Fun-dación Cisneros, it was decided to invite renowned educationists and soloists, so that the maximum number of students could obtain benefit from this initiative, as before, these courses were limited to only a few who could afford their education in foreign countries.

Since that time, 2008, we have welcomed several well-known names to our country, such as Michael Höltzel, Bruno Schneider, Jean Pierre Cenedeze, Marie Luise Neunec-ker, Javier Bonet, Radek Baborák, among others, beginning the International Course for Natural and Modern Horn.

This 2013, we have the presence of one of the most famous soloists and pedagogues of today, Professor Radovan Vlatković. We will also be joined by the new generation of horn players and Venezuelans pedagogues: Professor Alex Gonçalves (Symphony Princi-pal Horn at Kaohsiung, Taiwan) and Professor Fernando Mora (Principal Horn at the Caracas Symphony Orchestra).

With the support of the Symphony Orchestra of Venezuela, the Mozarteum Caracas School of Music, Banco Activo, the Youth Symphony Orchestra Francisco de Miranda, and others institutions, will be done the 4th Edition of the International Course for Modern and Natural Horn.

Many successes and a great future to the new generations of Horn Players!

Joel AriasProf. in Caracas Mozarteum and host of the 4th edition of the International Course for Natural

and Modern Horn.

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4th International Course for Natural and Modern HornCaracas, Venezuela21 to 27 October

Banco Activo, The School of Music Mozarteum Caracas, Youth Symphony Orchestra Fran-cisco de Miranda, are pleased to announce the 4th Edition of the International Course for Natural and Modern Horn, to be held in Caracas, Venezuela, from October 21 to 27, 2013, with the presence of four prominent professors:

▶ Radovan Vlatković (Croatia) Professor, School of Music Reina Sofia(Spain) and Professor at the Universität Mozarteum in Salzburg. (Modern Horn).

▶ Rainer Ossott E. (Venezuela) independent musician in Germany. He is regularly invited to work with the major orchestras. (Modern Horn).

▶ Fernando Mora (Venezuela) Principal Horn Orchestra Sinfonica Municipal deCaracas, Professor of horn at the Conservatory of Music Simon Bolivar. ( Modern Horn).

▶ Joel Arias (Venezuela) Solo- Horn with the Symphony Orchestra of Venezuela, professor of School of Music Mozarteum Caracas and Area Representative for the International

Horn Society. (Natural and Modern Horn).Requirement to participate as an active student:

For students who have not participated in previous editions: a video with the 1st movement of the Concerto for Horn No. 1 of R. Strauss.The video must be submitted before July 31, 2013 to:cursodecornonaturalymoderno@gmail.com

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Conferences and Exhibitors:

Conferences

“Overcoming stage fright” by the Dinka Migic-Vlatković psychologist, who will talk about the symptoms and its causes, methods and exercises to overco-me it and how to prepare for a concert or presentation.

Acoustic Resonance and brass instruments and Horn Stomvi by Vicente Honorato, who will speak about acoustic resonance in brass instruments and its similarity to the technique of singing.

Exhibitors:

Stomvi: Company dedicated to the manufacture and sale of wind-metal musi-cal instruments with Stomvi generic brand. At its manufacturing facility loca-ted in the city of Xirivella, Valencia (Spain) brings together major figures daily with music sharing and exchanging views as part of the great project Stomvi.

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Radovan VlatkoviCroatia - Modern Horn

One of the leading instrumentalists of his generation, Radovan Vlatković has travelled the globe performing extensively as a soloist and popularising the horn as recording artist and teacher.

Born in Zagreb in 1962 he completed his studies with Professor Prerad Detiček at the Zagreb Academy of Music and Professor Mi-chael Höltzel at the Music Academy in Det-mold, Germany. Radovan Vlatković is the recipient of many first prizes in national and international competitions, including the Pre-mio Ancona in 1979 and the ARD Competi-tion in Munich in 1983. This led to numerous invitations to music festivals throughout Eu-rope including Salzburg, Vienna, Edinburgh and Dubrovnik to name but a few, the Ame-ricas, Australia, Israel, Korea as well as regular appearances in Japan.

From 1982 until 1990 he served as Principal Horn with the Radio Symphony Orchestra Berlin (now Deutsches Symphonie Orchester) under Maestros Riccardo Chailly and Vladi-mir Ashkenazy. From 1992 to 1998 he held the post of Horn Professor at the Stuttgart Musi-khochschule. 1998 he became Horn Professor at the renowned Mozarteum in Salzburg. Sin-ce 2000 he holds the Horn Chair “Canon” at the “Queen Sofia” School in Madrid.

From 2000 – 2003 he has been Artistic Director of the September Chamber Music

Festival in Maribor, Slovenia. He regularly performs with András Schiff, Heinz Holliger, Elmar Schmid and Klaus Thunemann. Very much in demand as chamber musician he has performed at Gidon Kremer’s Lockenhaus, Svyatoslav Richter’s December Evenings in Moscow, Oleg Kagan and Natalia Gutman’s Kreuth, Rudolf Serkin’s Marlboro, András Schiff’s Mondsee, Vicenza and Ittingen Festi-vals as well as Kuhmo, Prussia Cove and Ca-sals Festival in Prades.

Radovan Vlatković has participated in first performances of works by Elliott Carter, So-fia Gubaidulina, Heinz Holliger and several Croatian composers who have written con-certos for him. In May 2008 he premiered the Horn Concerto written for him by Krzysztof Penderecki together with the Bremen Philhar-monic and the composer conducting. There were further performances in Japan, Taiwan as well as in Poland.

Radovan Vlatković has received the Ger-man Critics Award for several of his discs. His numerous recordings include Mozart and Strauss Concertos with the English Chamber Orchestra and Jeffrey Tate, works by Saint-Saens with the Ensemble Orchestral de Paris and Jean-Jacques Kantorow, the Britten Sere-nade for tenor, horn and strings with Neil Jen-kins and the Oriol Ensemble in Berlin.

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Rainer Ossott E.Venezuela • Modern Horn

A Venezuelan musician, born in Caracas. Formed in the Emil Friedman conservatory with professors Alejandro Nuñez and Guiomar Hernandez. At the Juan José Landaeta Conser-vatory, José Lorenzo Llamozas Conservatory and IUDEM by prof. Bill Warnick. Founder member of the Mozarteum Centrum Caracas as a student of Joel Arias (2003 ).

As a hornist, was Solohorn in the Emil Friedman Conservatory Orchestra, Phil-harmonia Emil Friedman, Chacao Youth Symphony Orchestra, Gran Mariscal de Ayacucho Symphony Orchestra, Bayreuth Festival Orchestra of Young Artists- Das Treffen (Germany), Virtuosi de Caracas, Camerata Criolla, Maastricht Conservato-ry Orchestra, Karlsruhe – Maastricht Horn Ensemble, National Youth Orchestra of the Netherlands (NJO), Mozarteum Hornen-semble of Caracas, Has been a member of orchestras such as the National Philhar-monic Orchestra of Venezuela, Venezuela Symphony Orchestra, Bochumer Symphon-iker (Germany), Simón Bolívar Sympho-ny Orchestra, Philharmonic of Würzburg (Germany), Meininger Hofkapelle (Germa-ny). He has participated in projects with the Symphony of Maracay, Municipal Caracas Symphony Orchestra, Amade kammer-philharmoniker, Kammerphilharmoniker Gutersloh (Germany), Het Gelders Orkest

in Arnhem (Netherlands). Wurttember-gisches Kammerorchester (Germany).

As a professor, taught introductory music (1993-94) horn and chamber music at the Emil Friedman conservatory in the year 2001-03 , also professor of horn at the Chacao Youth Orchestra Foundation Year 2000-01.

He has ventured into other musical genres, involved with groups like “La Muy Bes-tia Pop”, “Bacalao Men”, “Caramelos de Cianuro”, “KP9000”, “Tuyero Submarin”,

“Perro Roboto” and The Brazilian music group “Oganz” in New York in 2000.

In 2003 got his Master Degree in Horn performance at the Maastricht Conservato-ry, the Netherlands, with Prof. Will Sanders . Since 2010 performs technical improvement with Prof. Michael Lösch (Solohorn Nürn-berg Opera and Bayreuther Festspiele)

Currently as a freelance musician in Ger-many, is regularly invited to work in the Staatstheater Nürnberg, Nürnberger Sym-phoniker, Wurzburg Philharmonic, Theater Augsburg,Theater Regensburg. Wurttem-bergisches Kammerorchester, Meininger Hofkapelle, Nuevo Mundo Chamber Or-chestra (Berlin).

Rainer Ossott play a Gebr. Alexander horn model 103, awarded by the foundation Ed-mundo & Hilde Schnoegass, 2005.

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Fermando MoraVenezuela – Modern Horn

Venezuelan French Horn performer experience symphonic and cham-ber music. He is a member of the Municipal Symphony Orchestra of Caracas since 1985 and principal horn of the same since 2003.

Graduated in 2002 from the National Experimental University of the Arts in the city of Caracas, UNEARTE, where he studied with Maestro Paul Franklin Miller. In Caracas study also with Maestro Alejandro Nuñez and took classes with Master André Cazalet. In the city of Dus-seldorf in Germany took classes with Master Carlos Crespo.

He is Professor of the Chair of Corno del Conservatorio “Simon Bo-livar” in Caracas, main conservatory “Sistema” in Venezuela and the UNEARTE Teaching in the Chairs of Horn and Chamber Music.

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Joel AriasVenezuela – Natural and Modern Horns

Joel Arias was born in Venezuela, and be-gan his early musical training at the age of eight. He studied Keyboard from age 9 and his studies on Horn at the “Sistema de Or-questas Juveniles e Infantiles de Venezuela” at the age of ten.

During two consecutive periods he was a recipient of the DAAD Stipendium, scholar-ship granted by the German Government to complete his post-graduate studies, perfec-ting his skills as a soloist with the Valve Horn and the Baroque and Natural Horn with Mi-chael Höltzel at the celebrated Hochschule für Musik Detmold, Germany.

In 1997, he has named associate professor of the Itinerant Conservatory from the Bera-casa Foundation together with the acclaimed French Horn player André Cazalet.

He played as Principal-Horn with the most important Venezuelan Orchestras, Sinfónica de Maracaibo, Filarmónica Nacional, Sinfó-nica de Venezuela. He has participated also in numerous national and International tours of America and Europe with different Cham-bers groups and Orchestras. In Germany and others Countries in Europe he performed with the “Detmolder Hornisten”, “Gran Par-tita Detmold”, “Orkester des Landestheater Detmold”, “Detmolder Kammerorkester”,

“Das Orkester des XVIII Jahreshundert” and “The Czech Chamber Orchestra”.

Mr. Arias is invited to participate in many of the most important Horns Festivals. Appeared regularly in Workshops in Vene-zuela and others internationals Horn Fes-tivals in Europe (Prague, Germany, Spain, etc.) and Sud-America (Argentine, Uruguay, Chile, Mexico, Colombia, Costa Rica, etc). Special Guest to take part like a Soloist in the renamed Symposium of the International Horn Society: 2004 in Valencia. Spain, 2007 in Chaux de Fond. Switzerland, and 2011 in San Francisco. USA .

As a soloist, he performs frequently with the Valve Horn and with others instruments of the Baroque and Classical period. At the same time he continues to teach at the “Mo-zarteum Caracas” in Venezuela, looking to create a new concept and perception of his instrument by projecting his students within and outside of Venezuela.

Presently, he is Principal-Horn of the Or-questa “Sinfónica de Venezuela” and Current President of the “Delfino Núñez” Founda-tion for the Iberoamerican Horn School. Mr. Arias can teach in German, English, Italian and Spanish.

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Dinka Migic-VlatkoviPsychologist - Mental Trainer and Coach

Migic-Vlatković Dinka was born in Zagreb, Croatia in 1959. Actually she lives in Austria. He played the violin in the Youth Orchestra and graduated from the School of Music in Zagreb Blagoje Bersa. After studying psychology, deepened their knowledge in the Paracelsus School in Germany, where he trained as a systemic consultant and family therapist. Besides his work in journalism and art management, increasingly turned to lecture and occupation of counselor. He specialized as a “coach and mental coach” for musicians and now teaches worldwide, including the USA, Sweden, Austria and Croatia.

Vicente Honorato Ibáñez President of Stomvi

With Only 28 he created his own company devoted to the fine jewelry manufactory. At 30 he began his new project: Brass instrument manufactory. He was inspired for many professionals that believed in his creative ideas.

He applied all his jeweler knowledge in the handcrafted manufactory of his Stomvi instruments. The similar story happened in the XVI and XVII centuries in Nuremberg, where the musical instruments workshops developed from the jewelers and craftsmen of that time.

They that know him say that he has gifted musical ear and a great sensibility to perceive and appreciate the best tunings.

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