4K Variable Frame Rate Camera FT-ONE-LS-12G FT-ONE-LS · Sports replay server Shoot live 4K video...
Transcript of 4K Variable Frame Rate Camera FT-ONE-LS-12G FT-ONE-LS · Sports replay server Shoot live 4K video...
FT-ONE-LS-12GFT-ONE-LS
4K Variable Frame Rate Camera
Camera lenses are sold separately.
Preliminary
FT-ONE-LS-12G
FT-ONE-LS
4K Variable Frame Rate Camera
FT-ONE-LS-12G/FT-ONE-LS
4K Variable Frame Rate Camera
Camera head
Simultaneous output of live and super slow-motion videoSimultaneous output of live and super slow-motion video makes FT-ONE-LS/FT-ONE-LS-12G more than a dedicated high-speed solution. The cameras are also ready for live workflows of all kinds.
Move the camera head around to capture video during super slow-motion playbackWhile playing back super slow-motion coverage, the operator has the ability to turn off the camera head and move around to capture the next crucial shot. Unbeatable versatility! This is especially useful when covering live action events requiring mobility. With its camera head linked to the base station over a single optical camera cable, the FT-ONE-LS/FT-ONE-LS-12G have a maximum extended range over a mile*1. Additionally, footage can be captured at the base station on no more than two SSD cartridges, with a maximum storage capacity of 4 TB.*1 When using a camera cable longer than 1 km, an external power supply may be necessary.
Optical camera
cable
Up to 2 km
Base station
The Perfect High-Speed 4K Camera for Live Sports Coverage
Adding compact size and portability to the revolutionary FT-ONE 4K UHD high speed
camera, the FT-ONE-LS/FT-ONE-LS-12G separate the camera head from the body,
offering exceptional mobility, and enable unprecedented shooting
positions or angles for live sports or other events. With a 2/3-inch lens,
the FT-ONE-LS offers improved performance in low light conditions,
often found in sports stadium venues that can prove troublesome for
most high-frame-rate cameras.
FOR-A’s exclusive “flicker corrector”
technology, offered as an optional
feature, helps set this camera apart
from all others.
No longer will the effects of low
light and high-speed 4K
production be a concern when
shooting night games or in
domed stadiums.
FT-ONE-LS-12G/FT-ONE-LS
4K Variable Frame Rate Camera
Triple intercom connectivityIntercoms are indispensable when it comes to live coverage. With both a D-sub and XLR connector, the camera easily fits into live workflows, supports 2-wire, 4-wire, or Clear-Com® connections.
Storage partitioningThe internal memory on the the FT-ONE-LS/FT-ONE-LS-12G can be used as a single partition or divided into 2-16 partitions for simultaneous recording or playback. For continuous recording, material can be left intact prior to recording the next segment. Partitioning allows the operator to record new scenes while playing back already recorded ones.
2 partitions (9.8 sec. recording in each partition*2)
4 partitions (4.9 sec. recording in each partition*2)
8 partitions (2.4 sec. recording in each partition*2)
16 partitions (1.2 sec. recording in each partition*2)*2 Maximum recording time at 500 fps
1 2
1
1 2 3 4
1 3 5 72 4 6 8
1 5 9 133 7 11 152 6 10 144 8 12 16
Unpartitioned (19.6 sec. recording in one partition*2)
Versatile trigger supportAs soon as the the FT-ONE-LS/FT-ONE-LS-12G is turned on, video is constantly being buffered by the camera and can instantly be saved to memory with the push of a button. Choose the optimal recording trigger for the subject or scene by selecting from a start, center, or end trigger or by specifying the start time of the recorded segment. With the pre-roll function, playback starts from the specified position, keeping playback focused on required segments.
∙ Constantly records during shooting
Segment recorded
TriggerStart trigger
Segment played back
Segment recorded
Playback start position (pre-roll)
Center trigger
End trigger
24-axis color correctionThe video operator will be awed by the amazing 24-axis color correction, offering improved camera and color matching compared to the usual trichromatic correction. Specific colors can be corrected by adjusting hue and saturation separately on the 24-axis. This is very convenient for on-site color-matching between scenes, or when ensuring color consistency with video from other cameras. Choose from a variety of color presets*3 or, import your own.
*3 For details, contact a FOR-A representative.
FT-ONE-LS-12GTwo models available
■ 12G-SDI outputs■ Shoots up to 500 frames per second (fps) in 4K, up to 1200 fps in HD■ Supports 8 x SSM in 4K 60p or 10 x SSM in 4K 50p, works with a dedicated video server.■ Supports 3 x SSM in 4K 60p, works with EVS XT-4K. Supports 6 x SSM in HD 60i, works with EVS XT-3
FT-ONE-LS■ Shoots up to 500 frames per second (fps) in 4K, up to 1200 fps in HD■ Supports 2 x SSM in 4K 60p or 6 x SSM in HD 60i. Works with EVS XT-3
FT-ONE-LS-12G/FT-ONE-LS
4K Variable Frame Rate Camera
Camera head Base station
Sportsreplayserver
Shoot live 4K video without worryingabout storage space
Live output at 3 x SSM (FT-ONE-LS-12G) / 2 x SSM (FT-ONE-LS) for 4KConnected to EVS sports replay server, the FT-ONE-LS/FT-ONE-LS-12G provide impressive output of high-speed video. Material on the server can also be replayed as needed. The units also offers capability of long-duration recording in HD at 6x speed.
Outstanding video images –even with a B4 lensHigh-quality video images are maintained even with gain increased for video captured with a 2/3-inch mounted lens. Operators will see significantly less noise, which tends to occur in low-light conditions.
High frame rate output ready for editingOutput rates of up to 500 fps in 4K or 1,200 fps in HD are supported.
Flicker correctionThe optional Flicker Corrector offered on cameras, corrects, in real-time, that annoying flickering often put out by high-speed cameras when shooting under inconsistent lighting conditions. This option is a must-have for indoor live sporting events, especially when shooting night games or in domed stadiums or gymnasiums.
Standard system configuration
LAN
Hub
4K OUT(Quad Link 3G-SDI(SQD/2SDI))
VF OUT/RETURN OUT
Intercom
FT-ONE-LS-12GCamera head
ZE-ONE
FT-ONE-LS-12GBase station
Intercom
Optical camera cable(Up to 2 km)
Simultaneous output of live and super slow-motion 4K video
LIVE
Super Slow
To 4K switcher/4K DDR
4K OUT(12G-SDI)
HD-SDI OUT(Down converted)
Extract HD video
Remote control panelFT-1RCP
Remote control unitFT-1RUA/1RUB
Touch panel PCZE-ONE GUI
HD OUT
4K OUT(Quad Link 3G-SDI(SQD/2SDI))
1200
FT-ONE-LS-12G/FT-ONE-LS
4K Variable Frame Rate Camera
Options
FT-ONE2T: SSD Cartridge
SSD CartridgeFT-ONE2T/FT-ONE-1TL� Transfer material recorded on the FT-ONE-LS/FT-ONE-LS-12G to an SSD cartridge.
� One FT-ONE2T cartridge holds up to 152 seconds of material. � An economical cartridge with half the capacity is also available: FT-ONE-1TL.*
� Accommodate two cartridges which can hold nearly 5 minutes of material in all.
� Switch the hot-swappable cartridges as needed when shooting.*Not suitable for real-time playback, due to low frame rates.
Cartridge Docking StationFT-1CDS
Remote Control UnitFT-1RUA/RUB
Award winning: TVB Europe“Best of IBC 2013”
* Control software for Windows 7 or Windows 8 computers is provided to enable touch and mouse operations.
4K Extraction SystemZE-ONEFrame and extract specified HD scenes at any size from 4K sources using an intuitive touch-screen interface*. To simulate zooming, dynamic zooming effects at key points and in various sizes can be specified in slow-motion instant replays from the FT-ONE-LS/FT-ONE-LS-12G high-speed 4K camera. Enjoy unprecedented creative freedom in replays of live sports coverage and other applications.
� Extract HD (1080i or 720p) output from 4K quad link 3G-SDI input� Isolate and enlarge the action in scenes� Easy touchscreen-based framing and extraction� Smoothly zoom in or out� Compatible with the FT-ONE-LS/FT-ONE-LS-12G - Simulate dynamic and flowing camera-work by setting desired
replay extraction points and frame sizes - Perfect for capturing the excitement by zooming in to the action
in slow-motion replays� Includes an embedded audio delay processor (16 channels)
DPX ConverterFT-1READConverts 12-bit RAW data on the FT-ONE SSD cartridge to a common file format for editing or color grading purposes.
Remote Control PanelFT-1RCP� Real-time remote image adjustment for FT-ONE material.
� Efficient, intuitive adjustment via dedicated buttons for iris, pedestal, gain, and other settings.
� In conjunction with the FT-1RUA/RUB, offers powerful support for FT-ONE cameras.
� Provides USB 3.0 connectivity between the FT-ONE-LS/FT-ONE-LS-12G SSD Cartridge (FT-ONE2T or others) and a Windows or macOS computer.
� Copy material from the SSD cartridge directly to storage on the computer or to an attached HDD or SSD
� Color gamut adjusting, 3D-LUT creating*, and easy computer-based playback of material on the SSD cartridge
� Can be used outdoors when powered via the IDX battery mount.*Windows supported
� Include direct recording and playback buttons, as well as a dial and touch-panel for a range of settings.
� Facilitate camera setup, recording, and playback. � Intuitive controllers with a fader control
FT-ONE-LS-12G/FT-ONE-LS
4K Variable Frame Rate Camera
External view
Camera head
Front Left
RightRear
Front Veiw (FT-ONE-LS-12G/FT-ONE-LS)
Base station
Unit: mm
Rear Veiw (FT-ONE-LS-12G)
Rear Veiw (FT-ONE-LS)
AC100-240V 50/60Hz IN
OPTICAL2 3 4 1 2 3 41LAN CH A CH B
RET2RET1HD-SDI 2HD-SDI 1
IN1 IN2INTERCOM
INTERCOM/TALLY/PGM
REF
F U S E
PUSH
BS HEAD
POWER
ON
OFF
1 2 FUNCTION
PGM VOL SIDE TONE
HP VOLMICON
OFF
PTT
PGM21
PROD
PRIV
ENG
LINE
HEAD SET
INTERCOM
R GTALLY
BASE STATION
430
480
88
FT-ONE-LS
F U S E
PUSH
LAN REF
IN1 IN2INTERCOM
INTERCOM/TALLY/PGM
OPTICAL
AC100-240V 50/60HZ IN
HD-SDI INHD-SDI OUT
RET2RET121
12G/3G/HD-SDI OUT
B4/RAW8B3/RAW7B2/RAW6B1/RAW5A4/RAW4A3/RAW3A2/RAW2A1/RAW1
LENS
26.3 152.8
25
159.
5
F4F3F2F1
4K VARIABLE FRAME RATE CAMERA
19339.5
53
148
180
3210
5
335.5
FT-ONE-LS
HEADSET GPI+12V-17VDC IN
DC OUT
POWER
ALARM
POWER
STANDBY
OPTICAL
OPTICAL1
2
SIDETONEPGM INCOM
INCOM
PROD ENG
ON1 2
PGM
STANDBY
OFF
PTT
OFF
ONMIC
MIC IN
VF OUT
1
2
3
4
ISO 9001 and 14001 certi�ed(Sakura R&D)http://www.for-a.com/ Head Of�ce: 3-8-1 Ebisu, Shibuya-ku, Tokyo 150-0013, Japan
FOR-A Corporation of America Corporate Of�ce: Tel: +1-714-894-331111155 Knott Ave., Suite G&H, Cypress, CA 90630, U.S.A.
FOR-A Corporation of America Northeast Of�ce: Tel: +1-201-944-11202 Executive Drive, Suite 670, Fort Lee, NJ 07024, U.S.A.
FOR-A Corporation of America Southeast Of�ce: Tel: +1-305-931-17008333 North West 53rd Street, Suite 450, Doral, FL 33166, U.S.A.
FOR-A Corporation of America Service Center: Tel: +1-352-371-15052400 N.E. Waldo Road, Gainesville, FL 32609, U.S.A.
FOR-A Corporation of Canada: Tel: +1-416-977-03431131A, Leslie Street #209, Toronto, Ontario, M3C 3L8, CANADA
FOR-A Europe S.r.l.: Tel: +39-039-879-778Via Volturno, 37, 20861 Brugherio MB, Italy
FOR-A UK Limited: Tel: +44-(0)20-3044-2935Trident Court, 1 Oakcroft Road, Chessington, KT9 1BD, UK
FOR-A Italia S.r.l.: Tel: +39-039-881-086/103Via Volturno, 37, 20861, Brugherio MB, Italy
FOR-A Corporation of Korea: Tel: +82-(0)2-2637-07611007, 57-5, Yangsan-ro, Yeongdeungpo-gu, Seoul 150-103, Korea
FOR-A China Limited: Tel: +86-(0)10-8721-60231307 Huateng Building, No. 302, 3 District, Jinsong, Chaoyang, Beijing 100021, China
FOR-A Middle East-Africa Of�ce: Tel: +971-(0)4-551-5830Dubai Media City, Aurora Tower, Of�ce 1407, P.O. Box 502688, Dubai, UAE
Agiv (India) Private Limited (FOR-A India): Tel: +91-22-2673-36232nd Floor, Valecha Chambers, Link Road, Andheri (W), Mumbai 400053, India
FOR-A South East Asia Of�ce: Tel: +852-2110-1352Studio 09, Rm. A1, 3/F., Phase 1, Hang Fung Ind. Bldg., 2G Hok Yuen St., Hung Hom, Hong Kong
© 2017 FOR-A Company Ltd. FOR-A is a registered trademark of FOR-A Company Ltd. Design and specifications subject to change without notice. All product names, logos, and brands are property of their respective owners. 1704NPB
Base stationVideo inputs
RET HD-SDI, BNC x 2Input formats: 1080/59.94i, 1080/50i
Genlock BB: NTSC: 0.429 Vp-p/PAL: 0.45 Vp-p or tri-sync: 0.6 Vp-p, 75Ω or loop-through, BNC x 1
Genlock mode Internal or external sync (BB or Tri-sync)
External Interfaces
Ethernet 100BASE-TX/1000BASE-T x 1 (for remote control unit and remote control panel connection)
Intercom inputs/outputs COMMUNICATION: 25-pin D-sub (female) x 1, one line each for the engineer and producer; 2- and 4-wire supported
Two program lines R and G tally input
HEAD SET: 4-pin XLR (male) x 1 (for intercom connection)INTERCOM IN1/IN2: 3-pin XLR (male) x 2 (for Clear-Com® intercom
connection)
Optical camera cable port Manufactured by Lemo
Recording section
Frame rate/Recording time See tables below.
Partitioning 1 to 16 segments
Camera head FT-ONE-LS-12G/FT-ONE-LSImage sensor, shutter, other
Sensor CMOS sensor
Effective resolution 4096 x 2160
Sensor size Super 35 mm-equivalent
Color filter RGB Bayer
Shutter mechanism Global shutter
Quantization 12-bit
Shutter speed 1/frame rate to 1/50,000 sec.
Frame rate 4K: Max. 500 fpsHD: Max. 1,200 fps
Lens mount PL mount
Trigger method START, CENTER, END, Arbitrary positionsPre-roll function: Adjustable playback position
Trigger signal input Remote control, GPI
Video settings
Gain Digital: 0 dB, 6 dB, 12 dB, 18 dB, 24 dB, 30 dB, 36 dB, 42 dBAnalog: 0 dB, 6 dB, 12 dB
White balance PRESET: 3200K, 5600K, 6500K, 9300KSemiautomatic correction
Pedestal Black level set via R, G, B, Master
Linear matrix color correction RB, RG, GR, GB, BR, and BG
Gamma γ1, γ0.45, γ0.50, HDTV, CINEMA
Knee Knee point and Knee slope setting
Enhancement On/Off, horizontal (H), vertical (V)
Audio inputs
MIC IN*1*2 EEG.0T.305.CLL x 1 (1 stereo pair), balance, high impedenceInput level: -60 dBu / -50 dBu / -40 dBuPhantom power supply: +48 V / OFF
ベースステーションVideo outputs
4K video 3G-SDI (Level-A/B), 3840 x 2160, 75Ω, DIN 1.0/2.3 x 4Output formats: 1080/59.94p, 1080/50pSquare Division (SQD)
VF HD-SDI, 1920 x 1080, 75Ω, DIN1.0/2.3 x 1Output formats: 1080/59.94i, 1080/50iDown-converted 4K video, or video supplied to RET1 or RET2 on the base station (without embedded audio)
Audio outputs
Embedded 2 channels (1 stereo pair), 48 kHz, synchronous
External interfaces
Iris control*2 EEG.2T.312.CLL, manual/auto
Intercom headset*2 EEG.0T.304.CLL x 1PRIV/LINE (producer line or engineer line)
GPI*2 EEG.0T.309.CLL x 1GPI IN 1 to 6, R TALLY OUT, G TALLY OUT
Optical camera cable port Manufactured by Lemo
General specifications
Temperature 0℃ to 40℃Humidity 30% to 85% (no condensation)
Power*2 Supplied from the base station, via optical camera cable or an external power supplyDC IN: EEG.0T.305.CLL, DC +12 V to +17 VDC OUT: EEG.0T.303.CLL, DC +12 V or DC IN voltage,
Max. 20 W
Consumption 74 W
Dimensions 153 (W) x 148 (H) x 335.5 (D) mm (excluding protrusions)
Weight 7.1 kg
Base stationSSD cartridge (FT-ONE2T/FT-ONE-1TL)
Capacity Approx. 2 TB (accepts two 2 TB cartridges, 4 TB in total)
Recording time Equivalent to 152 sec. of RAW material per cartridge at 500 fps
Transfer from internal memory
1,000 frames in approx. 27 sec.
Cartridge switching Hot-swappable (unused cartridge only)
General specifications
Temperature 0℃ to 40℃Humidity 30% to 85% (no condensation)
Power 100 V to 240 V AC
Consumption 400 W
Dimensions 430 (W) x 88 (H) x 500 (D) mm (excluding protrusions)
Weight 15.4 kg
Others
Accessories Operation manual, AC cable
Options FT-ONE-LS-FC: Flicker CorrectorFT-1RUA: Remote Control UnitFT-1RCP: Remote Control PanelFT-ONE2T: SSD Cartridge (Approx. 2 TB)FT-ONE-1TL: Low-cost SSD cartridge (Approx. 1 TB)Conversion cable (6 cables)
Base station FT-ONE-LS-12G FT-ONE-LSVideo inputs
4K video (PLAY/LIVE) CH A/B: 12G-SDI, 3G-SDI (Level-A/B), 3840 x 2160, Square Division (SQD)/, 2 Sample Interleave (2SI), 75Ω, BNC x 8 (Two 4K channels) Output formats: 2160/59.94P, 2160/50P, 1080/59.94p, 1080/50pSix output modes available Normal (3G) : Live video output (channel A) / live video or playback output
(channel B) Normal (12G) : Live video output (channel A) / live video or playback output
(channel B) 4K at 2x (3G/EVS video server) :
Live video 1 output (channel A) / live video 2 output (channel B) 4K at 3x (12G/EVS video server) :
Live video 1 output (channel A1) / live video 2 output (channel A2) / live video 3 output (channel A3)
4K at 8/10x (12G/Dedicated video server) : Live RAW data 1 to 6 output (channel A) / live RAW data 7 to 10
output (channel B) HD at 6x: Live video 1 to 6 output (channel A 1 to 4, channel B 1 to 2) /
channel B 3 to4 not used
CH A/B: 3G-SDI (Level-A/B), 3840 x 2160, Square Division (SQD), 75Ω, BNC x 8 (Two 4K channels) Output formats: 2160/59.94P, 2160/50P, 1080/59.94p, 1080/50pThree output modes available Normal(3G): Live video output (channel A) / live video or playback output (channel B) 4K at 2x: Live video 1 output (channel A) / live video 2 output (channel B) HD at 6x: Live video 1 to 6 output (channel A 1 to 4, channel B 1 to 2) / channel B 3 to4 not used
HD video HD-SDI 1/2: 1080/50i, 75Ω, BNC x 2Output formats: 1080/59.94iThree output modes available Normal: Downconverted 4K video or playback 4K at 2/3/8/10x: Downconverted live 4K video HD at 6x: Live video shot in HD
HD-SDI 1/2: 1080/50i, 75Ω, BNC x 2Output formats: 1080/59.94iThree output modes available Normal: Downconverted 4K video or playback 4K at 2x: Downconverted live 4K video HD at 6x: Live video shot in HD
Specifications (Preliminary)
Frame rate/Recording timeFrame rate 50 fps 60 fps 120 fps 180 fps 240 fps 300 fps 360 fps 500 fps
Recording time 196.4 sec. 163.6 sec. 81.8 sec. 54.5 sec. 40.9 sec. 32.7 sec. 27.2 sec. 19.6 sec.
Resolution: 4096 × 2160 fps: frames per second
*1 Audio is embedded in SDI output and cannot be recorded in base station memory or SSD cartridges.*2 Using optional conversion cables.
The above specification is as of September, 2016. Design and specifications subject to change without notice.