4K Broadcast Lens Series€¦ · that the broadcast industry favors, is increasing at a rapid pace....

UHD DIGISUPER 86UHD DIGISUPER 90

UHD DIGISUPER 27

Premium

Premium

CJ20e×7.8BCJ12e×4.3B

Portable Lens

Field Lens

Studio Lens

4K Broadcast Lens Series

2

What are Canon’s UHD lenses?Canon’s UHD lenses not only achieve the outstanding resolution and grayscale characteristics that UHD images require, they also minimize color blur and outline coloration and various other kinds of aberrations to a high degree of accuracy.These lenses are designed to achieve superior balance between the high-grade resolution power and the contrast expected of UHD images from the center to the edges throughout the entire zoom range, besides offering high levels of both operability and applicability.

What is the “4K Premium”?“4K Premium” refers to a top-quality Canon lens that features superior optical performance — typified by powers of resolution and contrast that surpass 4K — and that also supports the high-level specifications and operability that are optimally suited to 4K broadcast systems. Featuring high contrast and power of resolution in a wide frequency band from HDTV to 4K and even higher, and over the entire wavelength range of the BGR channels throughout the entire zoom range even with an extender, these lenses offer impressive depiction performance that is unvaryingly consistent to the very edges of the screen and boasts a superior color reproduction. Using these features, the lenses deliver heightened ambiance when displaying images on large screens.

Telling new video narratives using a powerful sense of immersion that’s beyond past experience and new powers of expression

Opening the door to limitless potential in next-generation image creation

BCTV ZOOM LENSES FOR UHD CAMERAS

UHD DIGISUPER 90

CJ20ex7.8B

CJ12ex4.3B

PremiumUHD DIGISUPER 86

PremiumUHD DIGISUPER 27

NEW

3

As 4K continues its steady integration into mainstream television dramas, documentaries and movies, Canon has been at the technological forefront with our innovative Cinema EOS series and development of 4K Optics.

The needs of broadcast television producers to achieve the high image quality of 4K UHD and more powerful ways of expression are now spreading to live telecasts of sports, concerts, and events. The imperative for 4K lenses that can offer the long focal ranges that are central to contemporary sports coverage while maintaining the usability and ease of operation that the broadcast industry favors, is increasing at a rapid pace.

In response to these new marketplace needs, Canon is offering lenses whose performance neatly dovetails with the various new 2/3” small-format 4K UHD cameras as part of our onward drive to support this new movement.By offering lenses that fit in with the applications and objectives of users, Canon is taking steps to actively open up new dimensions of potential in video performance. 4K images can convey such a sense of presence and an almost3-dimensional feeling that viewers sense they are actually involved in the action; through such images, these lenses can impart new values to user content and allow viewers to experience videos in new and fresh ways.

Sharpness and moreIn all the color channels of red, green and blue, it is a matter of course that the sharpness expressed by the balance between the high resolution and contrast is high while chromatic aberration that tends to cause the image quality to deteriorate is definitely minimized, the ability to reproduce the colors is enhanced, and high-quality images are obtained. This is the approach that Canon takes to deliver a 4K optical performance.

New BCTV lenses designed to accelerate the pace of 4K UHD content creation

Longitudinal chromatic aberrationLateral chromatic aberration3 keys for 4K optical performance

Blue Green Red

BlueRed

Green

Sharpness

Chromatic aberration

Lateralchromaticaberration

Longitudinalchromaticaberration

The three keys that pave the way in Canon’s lenses to high-grade 4K video shooting have taken optical performance to a very high level.

4

Lens Type ZoomRatio

Focal Length (mm)

Field 86x

Field 90x

Studio 27x

Portable 20x

Portable 12x

4.3 7.86.5 8.6 9 9.3 18 312 360156 18015.6 104 810 162018.6 52 700 800 1600

with 2x Extender

with 2x Extender

with 2x Extender

CJ20ex7.8B

CJ12ex4.3B

UJ90x9B

with 2x ExtenderUJ86x9.3B

with 2x ExtenderUJ27x6.5B

Each 2/3” small-format 4K pixel is equivalent to approximately 2.5µm, which is one-half of the size of the 2/3” HD pixels. This means that, for these lenses, it is extremely important to establish the high-grade design and production technologies that will ensure the requisite 4K UHD image sharpness while minimizing optical aberrations. Described below are the latest technologies Canon has developed and is now utilizing to achieve these goals.

FocusingIn 2 /3” 4K cameras, the image sensor pixels are smaller than those for HD cameras so the depth of field is shallower compared with that of HD cameras. As a consequence, the principle involved dictates that if the focal length, f-number and angle of view are the same, it will become tougher to achieve accuracy in focusing. Canon’s 4K broadcast lenses are the product of exacting design and careful manufacturing while high-performance servo motors and high-resolution encoders are incorporated into the lens bodies and controllers to enable focusing with the high accuracy demanded by 4K shooting.

Technology for correcting aberrationUse of a new zoom system and new floating focus has reduced the variations in the optical aberrations associated with zooming and focusing, thereby achieving a level of aberration correction commensurate with 4K. Furthermore, through the use of fluorite and UD glass and by means of optimal lens element groupings, longitudinal chromatic aberration and lateral chromatic aberration have been effectively minimized. This has resulted in visually pleasing images on large UHD screens with minimal loss of sharpness and minimized color fringing on high contrast edges.

Technology for processing ultra-high-precision lensesIn order to support the trend for 4K to offer ever-higher levels of definition, lens element surface precision higher than that for HD lenses is required. To this end, an advanced new lens processing technology and high-grade measuring technology that Canon had been developing were mobilized, enabling us to come up with the technology for mass-producing ultra-high-precision lenses that support large-aperture lenses in the 200 mm-diameter class.

HDRThe Canon 4K lenses employ internal lens-barrel designs as well as lens coating technologies that prevent reflections to minimize the occurrence of ghosting and flaring, enabling the capture of High-Dynamic Range (HDR) video, which has recently been growing in popularity. In particular, the minimization of chromatic aberration in the blue channel and red channel effectively works for a wide color gamut that is another important element required by HDR video.

Technology to achieve ultra-high-precision productionWhen it comes to 2/3” 4K, even the slightest dimensional errors or assembly errors in the components used can significantly affect the images obtained. Canon accordingly increased the precision of the key optical components and their individual mountings while simultaneously combining precision assembly tools and measuring equipment to improve the precision levels of assembly and adjustment.

Canon’s technologies that achieve 4K

4K Broadcast Lens Series

Focus Sensitivity

SDTVHDTVUHDTV(4K)

Res

olut

ion

Defocus

F.B.=69 in air

F.B.=48 in air

φ 6

5

INDICATOR FOR IRIS/ZOOM/EXTFASTENER LEVERTALLY LIGHTS

F.B. LOCK KNOB

F.B. ADJUSTING KNOB

CONNECTOR FOR SWITCH BOX

AUX.CONNECTOR(FOR IS CONNECTOR)

CONNECTOR FOR VIRTUAL OUTPUT

CONNECTOR FOR SERVO CONTROLLER

125.3 125.3

122

127.3 127.3

120

135.

5

150 137.

5

637.4

24

Premium

UJ86×9.3B Built-in extender

Focal Length

Zoom Ratio

Maximum Relative Aperture

Angular Field of View

M.O.D

Object Dimensionsat M.O.D.

Approx. Size（W×H×L）

Approx. Mass

1.0× 2.0×

9.3-800mm 18.6-1600mm

86x

1:1.7 at 9.3-340mm 1:4.0 at 800mm

1:3.4 at 18.6-680mm 1:8.0 at 1600mm

54.6°×32.4°at 9.3mm 0.69°×0.39°at 800mm

28.9°×16.5°at 18.6mm 0.34°×0.19°at 1600mm

3.0m

271.9×152.9cm at 9.3mm 3.3×1.9cm at 800mm

136.0×76.5cm at 18.6mm 1.7×1.0cm at 1600mm

250.6×255.5×637.4mm

27.0kg

DIMENSIONSSPECIFICATIONS

86UJ86×9.3B 9.3-800mm 1:1.7

4K OVER optical performanceThis lens has outstanding optical performance that goes beyond 4K resolution, all the way from screen center to the edges.Image sharpness is maintained over the focal range of the lens and with changes in subject distance from the lens.

High zoom ratio and long focal lengthWhile displaying performance that surpasses 4K, the lens has the high zoom ratio (86x) and long focal length (800 mm) desired by many in television production.

Optical performance that goes beyond 4K even when using the built-in 2x extender and image stabilizeThanks to the precision of its high-grade components and assembly, the lens achieves optical performance that goes beyond 4K even when the built-in 2x extender has been engaged. Also featured is an optical shift-type image stabilizing mechanism of Canon’s highest grade, helping to achieve image-stabilizing performance commensurate with 4K.

Applicability and ease of operation ideally suited to 4K shootingSince the lens achieves the zoom ratio, long focal length and size as well as the servo speed and stability required for the telecasting of live sports events and other applications, it ensures the applicability and ease of operation ideally suited to 4K shooting.

Compatibility with HD lens systemsThe lens enables the use of the same high precision Canon controllers for zoom and focus as well as servo modules currently used by HD equipment.It comes with a 20-pin connector compatible with virtual units and that enables high-accuracy position information of the zoom, focus and iris to be read out.

Our new, premium 4K flagship broadcast lens.As our most refined lens designed to support 4K UHD broadcast systems, it boasts extremely high optical performance that surpasses even 4K criteria and, at the same time, embodies the ease of operation that are ideally suited for use in broadcast television production.

F.B.=69 in air

F.B.=48 in air

φ 6

5


F.B. LOCK KNOB

F.B. ADJUSTING KNOB

CONNECTOR FOR SWITCH BOXCONNECTOR FOR VIRTUAL OUTPUT


125.3 125.3

122

127.3 127.3

120

135.

5

150

137.

5

550

24

Premium

UJ27×6.5B IESD Built-in extender

Focal Length

Zoom Ratio



M.O.D



Approx. Mass

1.0× 2.0×

6.5-180mm 13-360mm

27x

1:1.5 [at 6.5-123mm ]1:2.2 [at 180mm ]

1:3.0 [at 13-246mm ]1:4.4 [at 360mm ]

72.9°×45.1° at 6.5mm 3.1°×1.7° at 180mm

40.5°×23.5° at 13mm 1.5°×0.9° at 360mm

0.6m

106.1×59.7cm [at 6.5mm] 3.8×2.1cm [at 180mm]

53.1×29.9cm [at 13mm] 1.9×1.1cm [at 360mm]

250.6×255.5×550mm

21.5kg


27UJ27×6.5B 6.5-180mm 1:1.5

Optical performance that goes beyond 4K even when using the built-in 2x extenderAlong with achieving the optimal positioning of lenses, use of high-grade components and the precision of the assembly help UJ27x to deliver an optical performance that goes beyond 4K even when the built-in 2x extender is used.

Applicability and ease of operation ideally suited to 4K shootingEven while delivering an high optical performance that goes beyond 4K, the lens achieves specifications for the focal length and zoom magnification that are on a par with those of

Compatibility with HD lens systemsWhen it comes to power-driven zooming and focusing operat ions with Canon 4K lenses, the high precision controllers and servo modules of an HDTV-compatible zoom lenses can be mobilized for use so it is possible to move on to 4K product ions wi th shoot ing system that users are accustomed to using.

New premium 4K lens with high optical performance that surpasses 4K criteria.The state-of-the-art studio lens whose optical performance rivals another premium4K UJ86x field zoom lens realized smooth transition to 4K production by accomplishing high specifications at the same time.

HDTV-compatible studio zoom lenses and in a body with the equivalent size and weight as well.The design of the lens also opens the door to an applicability suited to 4K shooting by adopting what we call “L-Progress” that takes ease of installation and carrying into full account.An additional feature is the CAFS function that minimizes the changes in the angle of view (known as “breathing”) that accompany focusing. Provided as a standard option is a 20-pin connector that enables the zoom, focus and iris position information to be read and output using a high-precision encoder. This proves to be very useful in sports relays, weather forecasts and other video productions in which virtual systems are used.

5

NEW

F.B.=69 in air

F.B.=48 in air

φ 6

5


F.B. LOCK KNOB

F.B. ADJUSTING KNOB





125.3 125.3

122

127.3 127.3

120

135.

5

150 137.

5

637.4

24

Premium

UJ86×9.3B Built-in extender

Focal Length

Zoom Ratio



M.O.D



Approx. Mass

1.0× 2.0×

9.3-800mm 18.6-1600mm

86x

1:1.7 at 9.3-340mm 1:4.0 at 800mm

1:3.4 at 18.6-680mm 1:8.0 at 1600mm

54.6°×32.4°at 9.3mm 0.69°×0.39°at 800mm

28.9°×16.5°at 18.6mm 0.34°×0.19°at 1600mm

3.0m

271.9×152.9cm at 9.3mm 3.3×1.9cm at 800mm

136.0×76.5cm at 18.6mm 1.7×1.0cm at 1600mm

250.6×255.5×637.4mm

27.0kg


86UJ86×9.3B 9.3-800mm 1:1.7

4K OVER optical performanceThis lens has outstanding optical performance that goes beyond 4K resolution, all the way from screen center to the edges.Image sharpness is maintained over the focal range of the lens and with changes in subject distance from the lens.

High zoom ratio and long focal lengthWhile displaying performance that surpasses 4K, the lens has the high zoom ratio (86x) and long focal length (800 mm) desired by many in television production.

Optical performance that goes beyond 4K even when using the built-in 2x extender and image stabilizeThanks to the precision of its high-grade components and assembly, the lens achieves optical performance that goes beyond 4K even when the built-in 2x extender has been engaged. Also featured is an optical shift-type image stabilizing mechanism of Canon’s highest grade, helping to achieve image-stabilizing performance commensurate with 4K.



Our new, premium 4K flagship broadcast lens.As our most refined lens designed to support 4K UHD broadcast systems, it boasts extremely high optical performance that surpasses even 4K criteria and, at the same time, embodies the ease of operation that are ideally suited for use in broadcast television production.

F.B.=69 in air

F.B.=48 in air

φ 6

5


F.B. LOCK KNOB

F.B. ADJUSTING KNOB

CONNECTOR FOR SWITCH BOXCONNECTOR FOR VIRTUAL OUTPUT


125.3 125.3

122

127.3 127.3

120

135.

5

150

137.

5

550

24

Premium

UJ27×6.5B IESD Built-in extender

Focal Length

Zoom Ratio



M.O.D



Approx. Mass

1.0× 2.0×

6.5-180mm 13-360mm

27x

1:1.5 [at 6.5-123mm ]1:2.2 [at 180mm ]

1:3.0 [at 13-246mm ]1:4.4 [at 360mm ]

72.9°×45.1° at 6.5mm 3.1°×1.7° at 180mm

40.5°×23.5° at 13mm 1.5°×0.9° at 360mm

0.6m

106.1×59.7cm [at 6.5mm] 3.8×2.1cm [at 180mm]

53.1×29.9cm [at 13mm] 1.9×1.1cm [at 360mm]

250.6×255.5×550mm

21.5kg


27UJ27×6.5B 6.5-180mm 1:1.5

Optical performance that goes beyond 4K even when using the built-in 2x extenderAlong with achieving the optimal positioning of lenses, use of high-grade components and the precision of the assembly help UJ27x to deliver an optical performance that goes beyond 4K even when the built-in 2x extender is used.

Applicability and ease of operation ideally suited to 4K shootingEven while delivering an high optical performance that goes beyond 4K, the lens achieves specifications for the focal length and zoom magnification that are on a par with those of

Compatibility with HD lens systemsWhen it comes to power-driven zooming and focusing operat ions with Canon 4K lenses, the high precision controllers and servo modules of an HDTV-compatible zoom lenses can be mobilized for use so it is possible to move on to 4K product ions wi th shoot ing system that users are accustomed to using.

New premium 4K lens with high optical performance that surpasses 4K criteria.The state-of-the-art studio lens whose optical performance rivals another premium4K UJ86x field zoom lens realized smooth transition to 4K production by accomplishing high specifications at the same time.

HDTV-compatible studio zoom lenses and in a body with the equivalent size and weight as well.The design of the lens also opens the door to an applicability suited to 4K shooting by adopting what we call “L-Progress” that takes ease of installation and carrying into full account.An additional feature is the CAFS function that minimizes the changes in the angle of view (known as “breathing”) that accompany focusing. Provided as a standard option is a 20-pin connector that enables the zoom, focus and iris position information to be read and output using a high-precision encoder. This proves to be very useful in sports relays, weather forecasts and other video productions in which virtual systems are used.

6


F.B. LOCK KNOB

F.B. ADJUSTING KNOB




CONNECTOR FOR SERVO CONTROLLERHOOD

F.B.=69 in air

F.B.=48 in air

φ 6

5

24

125.3 125.3

120

122

135.

5

150

137.

5

610

127.3 127.3

UJ90×9B 1.0× 2.0×

9-810mm 18-1620mm

90x

1:2.4 at 9-486mm1:4.0 at 810mm

1:4.8 at 18-972mm1:8.0 at 1620mm

56.1°×33.4°at 9mm0.68°×0.38°at 810mm

29.9°×17.1°at 18mm 0.34°×0.19°at 1620mm

3.0m

287.9×161.9cm at 9mm3.3×1.9cm at 810mm

144.0×81.0cm at 18mm 1.7×1.0cm at 1620mm

250.6×255.5×610mm

23.2kg

Built-in extender

Focal Length

Zoom Ratio



M.O.D

Object Dimensions at M.O.D.


Approx. Mass


4K optical performanceThe lens ensures optical performance that supports 4K cameras all the way from screen center to the edges.

Achieves 4K optical performance even when using the built-in 2x extender and image stabilizerThanks to the precision of its high-grade components and assembly, the lens achieves high 4K camera-compatible even when the built-in 2x extender has been engaged. Also featured is an optical shift-type image stabilizing mechanism of Canon’s highest grade, helping to ensure the image-stabilizing performance commensurate with 4K.



High zoom ratio (90x) and long focal length (810 mm)As a lens that supports 2/3” 4K cameras, this model boasts the world’s highest zoom ratio* and world’s longest focal length*.(* As a 2/3” 4K lens available as of September 7, 2015)

This lens, designed for use in 4K broadcast systems, combines both an 810 mm long focal length and the superior optical performance and applicability that support 4K broadcast systems, thereby enabling a smooth transition to 4K.

7

AUX SWITCH

MEMO SWITCH

RETURN SWITCH ZOOM OPERATION SWITCH IRIS OPERATION CHANGE-OVER SWITCH

MOMENTARY IRIS AUTO SWITCH

INFORMATION DISPLAY On/Off SWITCH

INFORMATION DISPLAY

DIGITAL FUNCTION SELECTOR

VTR SWITCH F.B. ADJUSTING LOCK SCREW

INDEX MARK

LENS CABLE

52

30 1.

8 2.

8 4 5.6

F.B

163.5

48.5

10

8

115

46.8 137.7

41.6

59.5

35

.6

53.9

45

°

ZOOM SPEED VOLUME

CJ12e×4.3B

CJ12e×4.3B IRSE S/IASE S 1.0× 2.0×

4.3-52mm 8.6-104mm

12x

1:1.8 at 4.3-40mm 1:2.4 at 52mm

1:3.6 at 8.6-80mm 1:4.8 at 104mm

96.3°×64.2° 10.5°×5.9°

58.3°×34.9° 5.3°×3.0°

0.3.m

76.4×43.0cm at 4.3mm6.0×3.4cm at 52mm

38.2×21.5cm at 8.6mm 3.0×1.7cm at 104mm

163.5×108×247.8mm

2.1kg (IRSE S)

Built-in extender

Focal Length

Zoom Ratio



M.O.D


Approx. Size （W×H×L）

Approx. Mass


CJ12e×4.3B 4.3-52mm 1:1.8

World’s first* 2/3” 4K wide-angle portable lensThis lens boasts the world’s shortest focal length* of 4.3 mm and the world’s shortest minimum object distance (MOD)* of 30 cm.This makes it possible to create images using wide view angles with the shortest focal length for a 2/3” 4K lens: as such, it is the wide-angle lens that is optimally suited for use in 4K systems for applications such as cropping from 4K to HD.(* As a 2/3” 4K lens available as of September 7, 2015)

4K optical performanceThis lens achieves optical performance that supports 4K cameras all the way from screen center to the edges.

4K optical performance achieved even when using the built-in 2x extenderThanks to the precision of its high-grade components and assembly, the lens achieves high 4K camera-compatible even when the built-in 2x extender has been engaged.

Applicability and ease of operation ideally suited to 4K shootingSince the lens achieves the zoom ratio, focal length, servo speed and stability required of wide-angle lenses, it meets the needs of a wide range of shooting conditions and ensures the applicability and ease of operation ideally suited to 4K shooting.Shooting with the lens supported on the user’s shoulder is possible thanks to its compact size and 2.1 kg weight.


This 4K portable wide-angle lens skillfully combines the ability to provide a superlative optical performance that supports 4K broadcast systems at 4.3 mm wide angle with an applicability ideally suited to 4K shooting.

44.5137.7

169.9

114.

4

115 41.6

59.5

35

.6

53.9

45

°

AUX SWITCH

MEMO SWITCH




INFORMATION DISPLAY


VTR SWITCH

F.B. ADJUSTING LOCK SCREW

INDEX MARK

LENS CABLE

ZOOM SPEED VOLUME

CJ20e×7.8B IASE S Built-in extender

Focal Length

Zoom Ratio



M.O.D



Approx. Mass

1.0× 2.0×

7.8-156mm 15.6-312mm

20x

1:1.8 at 7.8-108mm1:2.6 at 156mm

1:3.6 at 15.6-216mm1:5.2 at 312mm

63.2°×38.2°3.5°×2.0°

34.2°×19.6°1.8°×1.0°

0.80m

91.7×51.6cm [at 7.8mm]4.8×2.7cm [at 156mm]

45.9×25.8cm [at 15.6mm] 2.4×1.4cm [at 312mm]

169.9×114.4×230.0mm

2.18kg


Outstanding optical performanceThe lens sports a consistently high-resolution capability and impressive depiction performance that excel in their ability to reproduce colors from the screen center all the way to the edges, enabling video productions with high definition and a distinctive sense of ambience.

Outstanding 4K optical performance achieved even when using the built-in 2x extenderWith its high-grade optical components and precision optomechanical assembly, the lens maintains 4K optical performance when the built-in 2x extender is switched in.

Applicability and operability ideally suited to 4K shootingThis long 20x zoom lens has a remarkably low weight of 2.18 kg – a combination that greatly empowers all forms of field production. The now well-established digital drive unit adds to that empowerment by providing precision operational control and also programmability options for the same.The focus rotation angle has been carefully designed to further support rapid focusing of distant subjects.High zoom ratio and frequently used focal length

While boasting 0.80 m as the closest possible shooting distance, the lens has a high zoom ratio of 20x that extends from the wide end of 7.8 mm to an impressive tele end of 156 mm, cover ing a zooming range that meets mul t ip le applications.

Compatibility with HD lens systems assuredThe standard zoom and focus controller systems currently used with Canon HD lenses are compatible with this new 4K lens. Note: The FPM-420D focus unit is not supported.The latest digital drive units that have proven to be so popular with users of Canon HD lenses are deployed with this new lens.Three high-performance encoders, which read out high-accuracy positional information of zoom, focus and iris, are featured, and connectors are also provided on the digital drive unit to deliver the precision digital information to support virtual systems. When this 4K lens is used with a standard HDTV camera it ensures a higher image sharpness and minimized optical aberrations.

This portable 4K lens offers an overall optical performance that will support a broad spectrum of program production genres for UHD broadcast television. Its compact size and low weight make it ideal for handheld coverage of sporting events, documentaries, news and all forms of EFP origination.

CJ20e×7.8BCJ20e×7.8B 7.8-156mm 1:1.8

8

AUX SWITCH

MEMO SWITCH




INFORMATION DISPLAY


VTR SWITCH F.B. ADJUSTING LOCK SCREW

INDEX MARK

LENS CABLE

52

30 1.

8 2.

8 4 5.6

F.B

163.5

48.5

10

8

115

46.8 137.7

41.6

59.5

35

.6

53.9

45

°

ZOOM SPEED VOLUME

CJ12e×4.3B

CJ12e×4.3B IRSE S/IASE S 1.0× 2.0×

4.3-52mm 8.6-104mm

12x

1:1.8 at 4.3-40mm 1:2.4 at 52mm

1:3.6 at 8.6-80mm 1:4.8 at 104mm

96.3°×64.2° 10.5°×5.9°

58.3°×34.9° 5.3°×3.0°

0.3.m

76.4×43.0cm at 4.3mm6.0×3.4cm at 52mm

38.2×21.5cm at 8.6mm 3.0×1.7cm at 104mm

163.5×108×247.8mm

2.1kg (IRSE S)

Built-in extender

Focal Length

Zoom Ratio



M.O.D


Approx. Size （W×H×L）

Approx. Mass


CJ12e×4.3B 4.3-52mm 1:1.8

World’s first* 2/3” 4K wide-angle portable lensThis lens boasts the world’s shortest focal length* of 4.3 mm and the world’s shortest minimum object distance (MOD)* of 30 cm.This makes it possible to create images using wide view angles with the shortest focal length for a 2/3” 4K lens: as such, it is the wide-angle lens that is optimally suited for use in 4K systems for applications such as cropping from 4K to HD.(* As a 2/3” 4K lens available as of September 7, 2015)

4K optical performanceThis lens achieves optical performance that supports 4K cameras all the way from screen center to the edges.

4K optical performance achieved even when using the built-in 2x extenderThanks to the precision of its high-grade components and assembly, the lens achieves high 4K camera-compatible even when the built-in 2x extender has been engaged.

Applicability and ease of operation ideally suited to 4K shootingSince the lens achieves the zoom ratio, focal length, servo speed and stability required of wide-angle lenses, it meets the needs of a wide range of shooting conditions and ensures the applicability and ease of operation ideally suited to 4K shooting.Shooting with the lens supported on the user’s shoulder is possible thanks to its compact size and 2.1 kg weight.


This 4K portable wide-angle lens skillfully combines the ability to provide a superlative optical performance that supports 4K broadcast systems at 4.3 mm wide angle with an applicability ideally suited to 4K shooting.

9

PUB.0197W10802

Speci�cations subject to change without notice.

North & South AmericaCanon U.S.A., Inc.Imaging Technologies & Communications GroupBroadcast and Communications Sales & MarketingDivision(Headquarters)One Canon ParkMelville, NY 11747-3336Tel:+1(800)321-4388Email:[email protected]://www.canonbroadcast.com/

Chicago100 Park Blvd. Itasca, IL 60143Tel:+1(630)250-6236 Fax+1:(630)250-0399

Atlanta5625 Oakbrook Pkwy. Norcross, GA 30093Tel:+1(770)849-7890 Fax:+1(770)849-7888

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Dallas3200 Regent Blvd. lrving, TX 75063Tel:+1(972)409-8871 Fax:+1(972)409-8869

Latin AmericaTel & Fax:+1(954)757-0980

MexicoCanon Mexicana S.de R.L. de C.V.Professional Broadcast & Film Industry BusinessDepartmentBlvd. Manuel Avila Camacho No.138 Col. Lomasde Chapultepec Mexico 11000 D.F.Tel:555249 4900 Fax:555249 4901

CanadaCanon Canada, Inc.Broadcast and Communications Div.6390 Dixie RoadMississauga, Ontario, L5T 1P7, CanadaTel:+1(905)795-2012 Fax:+1(905)795-2140

Europe/Africa/Middle EastCanon Europe LtdBroadcast products Div.3 The Square, Stockley Park Uxbridge Middlesex United Kingdom UB11 1ETTel:+44 (0)20 8588 8140 Fax:+44 (0)20 8588 8603Email : [email protected]://www.canon-europe.com/tv-products/

AustraliaCanon Australia Pty. Ltd.CCI DivisionBuilding A, The Park Estate, 5 Talavera Road, Macquarie Park, NSW 2113, AustraliaTel:+61(0)2-9805-2000

ChinaCanon (China) Co., Ltd.Broadcast Equipment Products15F Jinbao Building No.89 Jinbao Street Dongcheng District, Beijing 100005, ChinaTel:+86-10-8513-9999 Fax:+86-10-8513-9128http://www.canon.com.cn

Canon Hongkong Co., Ltd. 19F The Metropolis Tower, 10 Metropolis Drive, Hunghom, Kowloon, Hong KongTel:+852-2170-2828http://www.canon.com.hk

Asia/JapanCanon Inc.(ICP GROUP 5) 30-2, Shimomaruko 3-chome, Ohta-ku, Tokyo 146-8501, JapanTel:+81(0)3-3757-7453 Fax:+81(0)3-3757-7086

Canon Singapore Pte Ltd. 1 Fusionopolis Place, #15-10 Galaxis, Singapore 138522Tel:+65-6799-8888http://www.canon-asia.com/bctv

Canon Korea Consumer Imaging Inc.Canon Bldg. 5F, 168-12 Samseong-dong, Gangnam-gu, Seoul, 135-090, KoreaTel:+82-2-2191-8500http://www.canon-ci.co.kr

3

2-b 1-a1-b

＊1

2-a

No.

1-a

1-b

2-a

2-b

3

Description

Digital Zoom Demand

Digital Zoom Demand

Digital Focus Demand


Digital Servo Module

Protection Filter

IS Switch

Model Name

ZDJ-P01

ZDJ-D02

FDJ-P01

FDJ-D02

SMJ-E01

PFJ-951(UJ90×9B)＊2

SBJ-IS2

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RECOMMENDED LENS SYSTEM / ACCESSORIESCompatibility of Accessories for UHD DIGISUPER

＊1. Lens Supporter is necessary for portable camera mounting.＊2. A protection filter is incorporated as a standard feature of UJ86×9.3B.

20p

20p

Focus Servo Controllers (For IASE Lenses) Zoom Servo Controllers

Hood

Filter

①

②

1

# Unit Description①②③④⑤

③

⑥

④ ⑤

⑥

FPD-400DZSD-300DFDJ-D02FDJ-P01ZDJ-D02ZDJ-P01

Focus Positional DemandZoom Servo DemandDigital Focus Demand


Digital Zoom Demand

Digital Zoom Demand

（※1）127mm diameter P0.75 filters for CJ12ex,105mm diameter P1.0 filters for CJ20exThe filters are to be attached to the threaded hood unit.(UV/Clear/Cross/Snow Cross/Sunny Cross/Polarized Light/Softon/ ND8)

（※2）BDC-11 conversion cable is necessary to connect between New Digital Drive Lens and ZDJ-D02/FDJ-D02

（※3）BDC-21 conversion cable is necessary to connect between New Digital Drive Lens and ZDJ-P01/FDJ-P01

（※2）

（※3）

（※2）

（※3）

4K Broadcast Lens Series€¦ · that the broadcast industry favors, is increasing at a rapid pace....

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Transcript of 4K Broadcast Lens Series€¦ · that the broadcast industry favors, is increasing at a rapid pace....