25 la Croisette, Bagatelle, 3rd floor - Memento...
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Transcript of 25 la Croisette, Bagatelle, 3rd floor - Memento...
IN CANNES
THE PASTby Asghar FarhadiOfficial Selection – In Competition
ILO ILO by Anthony ChenDirectors’ Fortnight
BLUE RUINby Jeremy SaulnierDirectors’ Fortnight
WE ARE WHAT WE ARE by Jim Mickle Directors’ Fortnight
CONTACTS IN CANNES (MAY 15TH – 24TH)
Emilie Georges | [email protected] | +33 6 62 08 83 43
Nicholas Kaiser | [email protected] | +33 6 43 44 48 99
Marion Klotz | [email protected]
Constance Malpel | [email protected] | +33 6 86 13 35 84
Tanja Meissner | [email protected] | +33 6 22 92 48 31
Ram Murali | [email protected] | +33 6 59 46 41 02
Nick Shumaker | [email protected] | +33 6 52 59 08 30
OFFICE IN PARIS9 Cité Paradis – 75010 Paris – FranceTel: +33 1 53 34 90 20Fax: +33 1 42 47 11 [email protected]@memento-films.cominternational.memento-films.com
OFFICE IN CANNES
25 la Croisette, Bagatelle, 3rd floor
Proudly sponsored by
SHORT TERM 12 by Destin CrettonWorld Market Premiere
CHASING THE WINDby Rune Denstad LangloWorld Market Premiere
BACK IN CRIMEby Germinal AlvarezWorld Market Premiere
V/H/S/2by Adam Wingard, Edúardo Sanchez, Timo Tjahjanto, Gareth Evans, Jason Eisener…Market Screening
UPCOMING
LOUDER THAN BOMBSby Joachim Trier
MR. KAPLANby Alvaro Brechner
COLD IN JULY by Jim Mickle
ALSO AVAILABLE
UNDER THE RAINBOWby Agnès Jaoui
FOXFIREby Laurent Cantet
IN THE NAME OFby Malgoska Szumowska
CIRCLESby Srdan Golubovic
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A film by Asghar FarhadiBy the Academy Award winning director of A SEPARATION (25 million USD in worldwide box-office)
With BÉRÉNICE BEJO (Academy Award nominee for The Artist), TAHAR RAHIM (A Prophet, Our Children) and ALI MOSAFFA
THE PAST
Following a four year separation, Ahmad returns to Paris from Tehran, upon his French wife Marie’s request, in order to finalize their divorce procedure. During his brief stay, Ahmad discovers the conflicting nature of Marie’s relationship with her daughter Lucie. Ahmad’s efforts to improve this relationship soon unveil a secret from their past.
PRODUCED BY MEMENTO FILMS PRODUCTION
CO-PRODUCED BY FRANCE 3 CINEMA AND BIM DISTRIBUZIONE
BUDGET: 11 MILLION USD LANGUAGE: FRENCH, ITALIAN, FARSI | FRANCE | 2013 | 129 MIN
OFFICIAL SELECTION — IN COMPETITION IN CANNES
A film by Anthony ChenFirst Feature - Caméra d’Or contender
ILO ILO
Set in Singapore, ILO ILO chronicles the relationship between the Lim family and their newly arrived maid, Teresa. Like many other Filipino women, she has come to this city in search of a better life. Her presence in the family worsens their already strained relationship. Jiale, the young and troublesome son, starts to form a unique bond with Teresa, who soon becomes an unspoken part of the family.But this is 1997 and the Asian Financial Crisis is begin-ning to be felt in the region…
WITH YEO YANN YANN, CHEN TIAN WEN, ANGELI BAYANI, KOH JIA LER
PRODUCED BY FISHEYE PICTURES PTE LTD
SINGAPORE | 2013 | 99 MIN
DIRECTORS’ FORTNIGHT IN CANNES
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A film by Jeremy SaulnierBLUE RUIN
Blue Ruin follows a mysterious homeless man whose quiet life is turned upside down by dreadful news regarding a past tragedy. He sets off for his childhood home to carry out an act of vengeance but proves an amateur assassin, finding himself in a brutal fight to protect his estranged family.
WITH MACON BLAIR, DEVIN RATRAY, AMY HARGREAVES
PRODUCED BY FILMSCIENCE, NEIGHBORHOOD WATCH AND THE LAB OF MADNESS
USA | 2013 | 92 MIN
DIRECTORS’ FORTNIGHT IN CANNES
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A film by Jim MickleBy the director of STAKE LAND (Audience Award Winner Midnight Madness Toronto 2011) A re-imagining of the Mexican Horror Cult Film ‘Somos Lo Que Hay’
WE ARE WHAT WE ARE
In their small town, the Parkers are known for their discretion and reclusiveness. Behind closed doors, the father, Frank, rules his family with a firm severity.Following the brutal and unexpected death of their mother, teenage daughters Iris and Rose need to start looking after their younger brother Rory. Soon though, they must carry even more weight as they are faced with new responsibilities. At their father’s command, they must continue a macabre ancestral tradition at all costs. But when a torrential storm hits the region, the town’s rivers overflow, and the local authorities start to uncover clues that lead them closer to the Parker family’s terrible secret.
WITH JULIA GARNER (THE LAST EXORCISM 2, MARTHA MARCY MAY MARLENE), AMBYR CHILDERS (GANSTER SQUAD, THE MASTER), BILL SAGE (AMERICAN PSYCHO, BOARDWALK EMPIRE) AND KELLY MC GILLIS (TOP GUN, WITNESS)
PRODUCED BY RODRIGO BELLOTT, ANDREW CORKIN, NICHOLAS SHUMAKER, JACK TURNER AND LINDA MORAN
USA | 2013 | 100 MIN
DIRECTORS’ FORTNIGHT IN CANNES
“A refreshingly mature genre entry that plants queasy dread and unleashes a good dose of scares, the film is that rare modern horror movie that doesn’t simply fabricate its scares with the standard bag of post-production tricks and grips from start to finish. Both actresses are terrific.” THE HOLLYWOOD REPORTER
“Tastefully Macabre. Jim Mickle is the strongest new voice in American genre film, one I can only compare to the golden era of John Carpenter. Mickle writes characters that are timeless.” TWITCH
“The film is markedly more frightening than its predecessor, in a crooked ‘Night of the Hunter’ vein. As in the original, the encroachment of authorities ratchets up tension further toward the climax, but Mickle and Damici find a denouement all their own; it’ll certainly be a talking point among audiences, so suffice to say it’s at once more physically extreme and more thematically elegant than the Mexican film’s exit strategy.” VARIETY
“Outdoing the original by a long shot, Mickle’s take on the story is poetic, creepy and, finally, satisfyingly gross.” INDIEWIRE
“A re-make that succeeds superbly while remaining true to the strange and sad intimately spirit of the original.” MSN.COM
“One of horror’s most interesting directors. The visual storytelling skill on display here is some of the strongest the genre has seen in years.” FILM THREAT
“A grisly, outrageous tale of a small twon family of flesh eaters that’s both chilling and blackly comic.” TOTAL FILM
A film by Destin CrettonSHORT TERM 12
Grace is a 20-something supervisor at Short Term 12, a foster-care facility for at-risk teenagers. She is pas-sionate about her work and takes great care of the kids, though she struggles with her own troubled past. When Jayden, a gifted, restless, teenager arrives at the facility, Grace finds herself no longer able to ignore the difficulties of her own childhood — and it puts the delicate balance of her life and work at risk. She must find her way through a crisis that both pushes her to the edge and allows her to discover unexpected glimmers of humor and hope.
WITH BRIE LARSON (DON JON’S ADDICTION, THE SPECTACULAR NOW, UNITED STATES OF TARA), JOHN GALLAGHER JR. (THE NEWSROOM), KAITLYN DEVER (THE SPECTACULAR NOW, J. EDGAR), RAMI MALEK (NEED FOR SPEED, TWILIGHT, THE MASTER)
PRODUCED BY MAREN OLSON, ASHER GOLDSTEIN, JOSHUA ASTRACHAN, RON NAJOR
USA | 2013 | 96 MIN
WORLD MARKET PREMIERE IN CANNES
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“Genuinely moving and heartfelt, honest and striking, this is a drama that will have audiences simultaneously laughing and crying. Larson gives a phenomenal performance!” SCREEN
“The stunning SXSW fest winner puts the recent Park City competition lineup to shame.” VARIETY
“Genuinely moving, affecting, engaging. Theatrical appeal is strong. Brie Larson gives a breakthrough performance.” THE HOLLYWOOD REPORTER
“Brie Larson turns in an Oscar worthy performance as the lead. Not only emotionally engaging, it’s also funny.” AIN’T IT COOL
“Impeccable performances all around. Tremendous-lyinvolving. Intensely likable protagonists with a penchant for cracking jokes under duress.” INDIEWIRE
“A roller coaster of every emotion, managing to be both heartwarming and heartrending at once. But what a great ride.” THE PLAYLIST
“The whole thing just feels perfect or magical, a shining example of what cinema is all about. Funny, moving, surprising and emotional, Short Term 12 is an awards contender from top to bottom. The performances are mind-blowing, the writing sharp, and the direction beautiful.” SLASHFILM (10/10)
“An emotional powerhouse through the confidence of its direction, the thoughtful and surprisingly funny script, and the tremendous performances from its cast led by a breakthrough turn from star Brie Larson. The swiftness with which the film can swing between funny and serious is astounding. Phenomenal performances.” COLLIDER (RATING : A)
SOUTH BY SOUTHWEST
GRAND JURY PRIZE
SOUTH BY SOUTHWEST
AUDIENCE AWARD
A film by Rune Denstad LangloCHASING THE WIND
Anna hasn’t seen her family for a decade. She’s moved to Berlin, where she now works as a fashion designer, happily living with Mathias. When her grandmother dies, she reluctantly returns to her small town in Norway to take care of the arrange-ments and stays with her grumpy grandfather. But in the week leading up to the funeral, nothing goes as expected and secrets that were kept for too long are soon revealed. Anna is forced to reconsider how she lives her life and learn to care for the ones she really loves.
WITH MARIE BLOKHUS, TOBIAS SANTELMANN (KON-TIKI), SVEN-BERTIL TAUBE (MILLENIUM)
PRODUCED BY MOTLYS (OSLO, AUGUST 31ST, NORTH, TURN ME ON DAMMIT!)
NORWAY | 2013 | 93 MIN
WORLD MARKET PREMIERE IN CANNES
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A film by Germinal AlvarezBACK IN CRIME
Inspector Richard Kemp never got around to putting the handcuffs around the Eardrum Slasher, a danger-ous serial killer whose rampage began 20 years before.When Hélène, a psychologist, witnesses the Slasher’s latest crime and offers to testify, Kemp falls in love with her at first sight. In a mysterious turn of event, Kemp is suddenly trans-ported back in time to the site of the Eardrum Slasher’s first murder, he realizes that this could provide a second chance to catch the killer. As he tries to help his youngerself and meets the much younger Hélène, Kemp triggers a series of events with unforeseen consequences…
WITH JEAN-HUGUES ANGLADE (BETTY BLUE, LA FEMME NIKITA, QUEEN MARGOT) AND MÉLANIE THIERRY (BABYLON A.D, THE PRINCESS OF MONTPENSIER)
PRODUCED BY HAUT ET COURT (COCO BEFORE CHANEL)
FRANCE | 2013 | 102 MIN
WORLD MARKET PREMIERE IN CANNES
NEW
By the directors of THE BLAIR WITCH PROJECT, THE RAID, YOU’RE NEXT, HOBO WITH A SHOTGUN…
US Release by Magnolia Pictures
V/H/S/2
In V/H/S/2, the second film in the V/H/S franchise, a pair of private investigators break into the home of a missing college student, uncovering a collection of mysterious videotapes that reveal four horrifying films, trafficked by an underground tape sharing com-munity, which lead them toward a shocking resolution to their case.
BY SIMON BARRETT, ADAM WINGARD, EDÚARDO SANCHEZ, GREGG HALE, TIMO TJAHJANTO, GARETH HUW EVANS, JASON EISENER
PRODUCED BY BRAD MISKA, GARY BINKOW, JAMIE NASH
USA | 2013 | 95 MIN
MARKET SCREENING IN CANNES
“This rip-roaring good time should easily build on the first edition’ s success in all formats (and more territories), with further franchise extension a no-brainer.” VARIETY
“V/H/S/2 delivers an unbroken series of visceral shocks, with more frightening extremes than the original V/H/S.” INDIEWIRE
“With its streamlined approach and group of ridiculously talented filmmakers at the helm, V/H/S/2 is a total success, and there will surely be more to come.” TWITCH
“Not only a horror anthology better than the original, but proof positive this franchise has some serious legs. V/H/S/2 is horror at its most entertaining.” SLASHFILM
“Infinitely more thrilling, V/H/S/2 is a rare breed of anthology in which every segment is not only good, but cracking with creativity.” FANGORIA
‘Safe Haven’ (Gareth Evans and Timo Tjahjanto’s segment) is a bold piece of original horror that will widely be revered, applauded. It’s a towering achievement in horror cinema.” THE PLAYLIST
“V/H/S/2 comes at the viewer like a boxer.” AIN’T IT COOL
“V/H/S/2: bloody kinetic, bloody fun, bloody bloody.” TOTAL FILM
“V/H/S/2 is a leaner, but totally crazier, scarier, wilder, funnier follow-up to VHS, in every single way.” FIRST SHOWING
A film by Joachim TrierBy the director of OSLO, AUGUST 31ST (Un Certain Regard Cannes 2011) and REPRISE
LOUDER THAN BOMBS
Three years after her unexpected death, the preparation of an exhibition celebrating the famous war photogra-pher Laura Freed brings her husband and their two sons together for the first time in years. When an unsettling secret resurfaces, the three men are forced to look at each other and themselves in a new light, redefining their innermost needs and desires.
WITH ISABELLE HUPPERT (AMOUR, THE PIANO TEACHER, 8 WOMEN) AND GABRIEL BYRNE (IN TREATMENT, USUAL SUSPECT, THE END OF VIOLENCE)
PRODUCED BY MOTLYS (OSLO, AUGUST 31ST, NORTH, TURN ME ON DAMMIT)
CO-PRODUCED BY BONA FIDE, MA.JA.DE FILM, MEMENTO FILMS PRODUCTION AND NIMBUS FILM
NORWAY, GERMANY, FRANCE, USA DELIVERY MAY 2014 BUDGET 9 MILLIONS USD
SCRIPT AVAILABLE UPCOMING
NEW
A film by Alvaro BrechnerBy the director of BAD DAY TO GO FISHING (Cannes Critics’ Week 2009)
MR. KAPLAN
Jacob Kaplan lives an ordinary life in Uruguay. Like many of his other Jewish friends, Jacob fled Europe for South America because of World War II. But now turning 76, he’s become rather grumpy, fed up with his community and his family’s lack of interest in its own heritage.One beach bar may, however, provide him with an unexpected opportunity to achieve greatness and recover his family’s respect in the community: its owner, a quiet, elderly German, raises Mr.Kaplan suspicion of being a runaway nazi Ignoring his family’s concerns about his health, Jacob secretly recruits Contreras, a more loyal than honest former police officer, to help him investigate. Together, they will try to repeat the historic capture of Adolf Eich-mann: by unmasking and kidnapping the German and secretly taking him to Israel.
WITH HECTOR NOGUERA, NESTOR GUZZINI AND ROLF BECKER
PRODUCED BY BAOBAB FILMS, SALADO, RAZOR FILM PRODUKTION (WADJDA, WALTZ WITH BASHIR)
DELIVERY FALL 2013
SCRIPT AVAILABLE — PROMO AVAILABLE UPCOMING
NEW
A film by Jim Mickle
By the director of WE ARE WHAT WE ARE
Based on Joe R. Lansdale’s cult-classic novel
COLD IN JULY
COLD IN JULY tells the story of Richard Dane, a small town frame builder from East Texas who is forced to kill a man in self-defense. He then meets Ben Russel, a rough ex-con and the father of the man Dane shot, who is hell-bent on avenging his son’s death.But small town corruption and paranoia turn these bitter ennemies into unlikely allies, as the two guilt-stricken fathers begin a search for truth, aided by Dane’s tough minded wife and a pig-raising detective from the back-woods of Houston.Before it’s all over, they uncover a bigger secret, darker and more dangerous than any of them could have imagined.
PRODUCED BY BELLADONNA PRODUCTIONS
SHOOTING JULY 2013
DELIVERY JANUARY 2014
USA | 2014
BUDGET 3,5 MILLIONS USD
SCRIPT AVAILABLE UPCOMING
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FOXFIREUNDER THE RAINBOW
Upstate New York, 1953, a working class neighborhood in a small town. In this violent post-war culture controlled by men, a group of headstrong teenage girls unite into a sisterhood of blood: they form the Foxfire gang, a secret female-only society, recognized by the flametattooed on the back of its members’ shoulders.
“Foxfire” for pretty foxes, but also “Foxfire” for fire and destruction.
Legs, Maddy, Lana, Rita and Goldie cannot accept any longer to be humiliated and discriminated against for being poor, and being girls.
Headed by the feisty Legs, the girls set on a trip for revenge, and try to pursue their impossible dream: living according to their own rules and laws, no matter what. But there’s a prize to pay...
Laura is still waiting for Prince Charming at the age of 24. So when Sandro appears at a party, exactly like her Prince would in her dreams, she thinks she’s found the right one. But then again, when she meets Maxime, Laura starts to wonder if some Princes could be more charm-ing than others?
Of course Sandro has problems of his own: his father, Pierre, just bumped into Madam Irma at his father’s funeral and this reminded him of the date of his own death which Madame Irma had predicted ages ago. Now Pierre is unable to make any plans, not with his new partner Eleonore, nor with Sandro And Maxime has his own problems, and so does Eleonore, Marianne, Jacqueline and many others. But don’t worry, in the end, they’ll all live happily ever after.
A film by Laurent CantetBy the director of THE CLASS (Palme d’or, Cannes 2008)
Adapted from the bestseller by Joyce Carol Oates (Blonde, Them)
A film by Agnès JaouiBy the directors of THE TASTE OF OTHERS and LOOK AT ME
French Release on March 6th on 350 screens Already over $8M at the French Box-Office
WITH RAVEN ADAMSON, KATIE COSENI, MADELEINE BISSON, CLAIRE MAZEROLLE, RACHAEL NYHUUS
PRODUCED BY HAUT ET COURT, FILM FARM
FRANCE, CANADA | LANGUAGE: ENGLISH
WITH AGNÈS JAOUI, JEAN-PIERRE BACRI, AGATHE BONITZER, ARTHUR DUPONT, BENJAMIN BIOLAY, DIDIER SANDRE, BEA ROSEN
WRITTEN BY AGNÈS JAOUI AND JEAN-PIERRE BACRI
PRODUCED BY LES FILMS A4
FRANCE | 2013 | 113 MIN
SILVER SHELL FOR BEST ACTRESS SAN SEBASTIAN 2012
ALSO AVAILABLEALSO AVAILABLE
“A masterpiece.” LE NOUVEL OBSERVATEUR
““A jubilation unknown to Laurent Cantet. The casting process — similar to ‘The Class’ — brings equal results: the actresses evolve with a breathtaking ease in the universe halfway between history and utopia.” LE MONDE
“Highly sensual and wildly anti-establishment, these ‘Confessions of a girl gang” will haunt for long time the dreams and nightmares of the audience.” MARIANNE
“As beautiful as it is surprising, these Foxfire girls filmed by Cantet appear like ancestors of Pussy Riot. Foxfire burns with contemporaneity, the beauty of the film resides in this fire that refuses all forms of backward-looking and consumes the screen.” LES INROCKUPTIBLES
“Lead by the revelation Raven Adamson, this girl gang is remarkable.” LIBÉRATION
“Cantet tracks down with a thriller tempo and sometimes dreadful tension, the limits of revolt. He’s helped in his quest by a stunning group of actresses. The wild epic scope of the film will question you as much as it will grab you.” PREMIERE
“Jaoui and Bacri’s playful screenplay is witty and knowing, and the perfs are all first-rate, suggesting a decent B.O. pot of gold at home and in niche release abroad.” VARIETY
“Every single actor is remarkable! With a special mention for Agathe Bonitzer, both luminous and fragile.” LE MONDE
“A fierce comedy by the Jaoui-Bacri duo, that preys on our illusions. A lesson of wisdom.” TELERAMA
“An ensemble film, bittersweet, funny and invigorating. With a graceful ease, the film captures our present and offers tasty dialog.” PREMIERE
CIRCLESIN THE NAME OF
Bosnia – 1993. In the midst of the Bosnian war, Marko a Serbian soldier witnesses the brutal aggression of Haris, a Muslim civilian, by three fellow soldiers. Marko interferes and saves Haris, but is beaten to death by the infuriated soldiers.
2008. The war is over but the wounds of the conflict are still open. Marko’s father is rebuilding a church, he is offered help by one of Marko’s killers’ son and hesitates about accepting it. Marko’s friend, a renowned surgeon in Belgrade, faces ter-rible choices when told to operate on one of the three soldiers on the verge of death. As for Haris, he now lives in Germany and is faced with a unique opportunity to repay his debt to his savior.
Father Adam takes over a small parish in the middle of nowhere. He organizes a community centre for boys with troubled pasts. His energy appreciated, the locals accept him as one of their own. Every-body wants to be close to him, feeding off of his vitality and power, but no one knows he harbors his own secret. After meeting an eccen-tric and silent young man, a local pariah, Father Adams is forced to confront a long forgotten burden and passion. As the villagers’ worst suspicions are validated, Father Adam becomes the obvious enemy.
A film by Srdan GolubovicBy the director of THE TRAP (Berlin 2007)
A film by Malgoska SzumowskaBy the directors of ELLES (Toronto 2011, Berlin 2012)
WITH LEON LUCEV, NEBOJSA GLOGOVAC, NIKOLA RAKOCEVIC, ALEKSANDAR BERCEK
PRODUCED BY FILM HOUSE BAS CELIK, NEUE MEDIOPOLIS FILMPRODUKTION, LA CINEFACTURE, VERTIGO, PROPELER FILM
SERBIA, GERMANY, FRANCE, SLOVENIA, CROATIA | 2013 | 110 MIN
WITH ANDRZEJ CHYRA, MATEUSZ KOSCIUKIEIWCZ, MAJA OSTASZEWSKA
PRODUCED BY MENTAL DISORDER 4, SHOT – SZUMOWSKI, CANAL +, ZENTROPA POLAND
POLAND | 2013 | 101 MIN
ALSO AVAILABLEALSO AVAILABLE
“A straightforward and ultimately moving film about the damage done to people’s soul from the hostilities that racked the region for years. Top-notch performances and traditional craft should make this an ap-pealing entry on the festival circuit.” THE HOLLYWOOD REPORTER
“An unorthodox morality tale about Serb-on-Serb crime in which concentric narratives make for considerable resonance. Viewers will be rewarded.” VARIETY
“A very compelling parable about a culture that has seen many years of agony...highlighted by superb acting in every corner.” CINEMA BEACH
“Comes together in a wonderful narrative tapestry that challenges the notion of no good deed going unpunished.” FILM THREAT
“As a humane, non-judgemental look at enduring contradictions of Catholicism and mortal sexuality, it’s a film to be admired, if not worshipped.” SCREEN
“Emerging Polish filmmaker Malgoska Szumowska returns to form in an atmospheric, sensitively shot and acted story of a gay priest.” THE HOLLYWOOD REPORTER
“The screenplay by Szumowska and Michal Englert is careful not to judge its protagonist; the story is about love and longing rather than the real-life scandals of the church.” VARIETY
BERLIN 2013 TEDDY AWARD
SPECIAL JURY PRIZE AWARD
BERLIN 2013EUCUMENICAL
PRIZE
SCREENINGSFRI. MAY 17TH 8:30 AM GRAND THÉÂTRE LUMIÈRE Press Screening
FRI. MAY 17TH 3:00 PM GRAND THÉÂTRE LUMIÈRE
FRI. MAY 17TH 7:00 PM GRAND THÉÂTRE LUMIÈRE Official Premiere
SAT. MAY 18TH 12:00 PM SALLE DU 60ÈME (TBC) Repetition
SAT. MAY 18TH 5:45 PM STAR 2 Market Screening
SUN. MAY 19TH 6:00 PM ARCADES 2 Market Screening
MON. MAY 20TH 09:45 AM ARCADES 2 Market Screening
SUN. MAY 19TH 9:00 AM THÉÂTRE CROISETTE Press Screening
SUN. MAY 19TH 5:00 PM THÉÂTRE CROISETTE Official Premiere
MON. MAY 20TH 9:00 AM THÉÂTRE DE LA LICORNE Repetition Screening — French subtitled
TUE. MAY 21TH 2:00 PM ARCADES 2 Market Screening
TUE. MAY 21TH 10:00 PM STUDIO 13 Repetition Screening — French subtitled
SAT. MAY 18TH 9:00 AM THÉÂTRE CROISETTE Press Screening
SAT. MAY 18TH 4:45 PM THÉÂTRE CROISETTE Official Premiere
SUN. MAY 19TH 11:30 AM STAR 3 Market Screening
SUN. MAY 19TH 10:00 PM STUDIO 13 Repetition Screening
MON. MAY 20TH 11:30 AM ARCADES 1 Repetition Screening
SAT. MAY 18TH 1:30 PM STAR 3 Market Screening – Buyers only
MON. MAY 20TH 12:00 PM ARCADES 2 Market Screening – Buyers only
TUE. MAY 21TH 11:30 AM THÉÂTRE CROISETTE Press Screening
TUE. MAY 21TH 9:00 PM THÉÂTRE CROISETTE Official Screening
THU. MAY 23TH 11:30 AM ARCADES 1 Repetition Screening
THU. MAY 23TH 05:00 PM LE RAIMU Repetition Screening
THUR. MAY 16TH 9:30 PM STAR 3 Market Screening
TUE. MAY 21TH 3:30 PM STAR 3 Market Screening
THUR. MAY 16TH 11:30 AM ARCADES 3 Market Screening
MON. MAY 20TH 3:30 PM STAR 3 Market Screening
FRI. MAY 17TH 11:30 AM STAR 4 Market Screening
MON. MAY 20TH 11:30 AM STAR 4 Market Screening
THUR. MAY 16TH 4:00 PM ARCADES 2 Market Screening
SAT. MAY 18TH 4:00 PM STAR 2 Market Screening
THE PAST (Official Selection - In Competition)
ILO ILO (Directors’ Fortnight)
WE ARE WHAT WE ARE (Directors’ Fortnight)
BLUE RUIN (Directors’ Fortnight)
CHASING THE WIND (Market Screenings)
SHORT TERM 12 (Market Screenings)
BACK IN CRIME (Market Screenings)
V/H/S/2 (Market Screenings)
9 Cité Paradis – 75010 Paris – France | Tel: +33 1 53 34 90 20 | Fax: +33 1 42 47 11 [email protected] | [email protected] | international.memento-films.com C
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