24MODERNilifüôsd

STUDIESiforthèTrumpet

byE. PAUDERT

CARL FISCHERInc.

24MODERNVIRTUOSO

STUDIESfor theTrumpet

byE. PAUDERT

Revised byEdwin Franko Goldman

For developing style, tone, intonation,fingering and surety of attack

CARL FISCHER, inc.

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.HESEVAR1ED STUDIES ARE FOR.

ADVANCED P L A Y E R S . ANDARE SOMEWHAT D1FFERENT •FROM THE GENERAL RUN

OF EXERCISES WRITTEN FOP, THECORNET AND TRUMPET THEY AREINTENDED TO C1VE TO THE PER.FORMEP, 5URETY OF ATTACIC. A KEENEAP, AND A STRONC LIP. AND W1LL §ALSO HELP MIM TO PLAY IN STRICTT.ME AND RHYTHM. THEY W1LL |ALSO SERVE TO IMPROVE THE TONEAND GENERAL STYLE. AND AT THE5AME TIME GIVE TO THE PERFORMERA GREAT DEGREE OF ENDURANCE

q A FEW OF THE STUDIES ARE •DESIGNATED TO BE USED FOP, PRAC

TICE IN TRANSPO5ING,

EDWIN FRANKO GOLDMAN

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24 Modem Virtuoso StudiesFor the

Trumpet or Cornei E_ PaudertFor Developing SEyle , Tone, Intonation, _F inge r iug aiid Surety of A t t ack . ffevistd by

Moderatoâ±ka

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JJ&Tempo ad libitum

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'XIIAUegTO moderato (Count four eighths to the"bar)

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XVIIJÜlegrO moderato ICount füureighthsto thn bar)

PÍU moto (Count qu;ir

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{ RAFAEL MENDEZ ̂MUSIC ' I

^Tor TRUMPET ISOLOS WITH

BAMBUCO (Latin Folk-Song)CARMEN (Danse Bohème)CARO NOME (from "Rigoletto")

'• CANTO MORO (Song of the Moor)CHIAPANECASCZARDASCZARDASDANCE Of THE COMEDIANSDANSE POLOVETSIENNEDARK EYESHABANERA (from "Carmen")HEJRE KATTHUNGARIAN CHANTHUNGARIAN DANCE No. 5INTERMEZZOJOTA (JotaMéndez)JOTA No. 2LAKMÉ (Bell Song)MEXICAN HAT DANCE (Jarabe Tapatio)MUSETTA (from "La Bohème")SAMBA (Samba Gitana) :SCHERZO IN D MINORSOBRE LÃS OLAS (Over the Waves) .VALSE BLUETTEVALSE SURIANOZIGEUNERWEISEN

DUET WITHCHIAPANECAS

TRIO WITHCHIAPANECASFLIRTATIONS OF A TRUMPET ..:NENAPOLKA IN-THE-BOXTHE THREE MENDEZ

(The Tre-Méndez Polka)

j ^x . CARL FISCHER

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PIANO...Arr. Méndei. .Biiet-Méndei..Verdi-Méndei

...Méndei..Arr. Méndei

...Montl-Méndei

. Méndei

. Smetana-Méndez

...Borodin-Méndei

.. Horlick-Síone-Méndei

...Biiet-Méndn

...Hubay-Méndei

..Méndei

...Brahms-Métidei

...Méndei

...Méndei

...Méndei..Délibes-Méndei..Arr. Méndei ~.Pitcc^r.i-iléridez ;-~'>

..Méflae^-^';:.,:-. ^ .'•','i'r.d?'-" ; ''-*"-••. ^""^irjLi

...Rosas-M^éaflez • ~~~Drigo-Méndei ---;'

.. Ménãei

.. Sarasare-Méndei

PIANOAn. Méndei

PIA'NOArr. Méndei

.Méndei..Méndei.Méndei

, Méndei

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SHUEBRUK SYSTEM

FOR

BRASS INSTRUMENTSP R E P A R E D BY R ICHARD S H U E B R U K

Designed to g-.ve specific training to those muscles v/hich do the work in playing Brasginstruments, this system develops the Hp, tongue and fingers. It combines with thisthe vital function of breathing correctly and prepares the player for superior per-formance by ceveloping in him the physical tools needed for expert technique.

THE CORNET PLAYER'S FIRST BOOK

THE TRUMPETER'S DAILY STUNT

(W 1623)

GRADED LIP TRAINERS (Bass Clef)(Trorrvbone or Baritone)

Gr-de 2 (W 1622}

GRADED TONGUE TRAINING

ined.

GRADED LIP TRAINERS(Cornat or Trumpot)

Grade 1. Teachers and Pupilsr1* i f i lQ)Grade 2. Business Players (v; 1520)Grade 3. First Chair Men (tf 162U

Teaches lhe lip to íunction correclly on ali pás:

tschnique.

CARL FISCHER, inc.62 COOPER SQUARE, NEW Y O R K 10003 . BOSTON • CHICAGO . LOS ANGELES • SAN FRANCISCO