Live Artfully2020 MEDIA KIT

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For information on advertising in Galerie Magazine, please contact Mara Gredick, Chief Revenue Officer, at mgredick@galeriemagazine.com or (917) 934-2903

MissionGalerie inspires readers to live artfully by blending the exciting worlds of art, culture, and design. With our unique, authoritative point of view, we deliver a brilliant mix of intriguing personalities, sophisticated interiors, and enchanting travel destinations, as well as insider previews of the most influential art fairs and exhibitions around the globe.

2020 Editorial Calendar

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I. Creative Minds CLOSING: JANUARY 9 MATERIALS: JANUARY 16 ON-SALE: MARCH 3

Home & AwayCLOSING: MARCH 27MATERIALS: APRIL 3ON-SALE: MAY 19

Fashion Meets Art CLOSING: JUNE 16MATERIALS: JUNE 23ON-SALE: AUGUST 11

Emerging ArtistsCLOSING: AUGUST 18MATERIALS: AUGUST 25ON-SALE: OCTOBER 13

Collectors CLOSING: OCTOBER 14MATERIALS: OCTOBER 21ON-SALE: DECEMBER 8

*ALL DATES SUBJECT TO CHANGE.

In Every Issue

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Je� rey Alan Marks designed a new collection for PALECEK with his

indoor-outdoor California lifestyle in mind. The Bleeker center dining

table (36" in diameter) comes topped with polished Mactan stone

and a hand-welded wrought-iron base with a dark-brown fi nish;

available to the trade. palecek.com

Inspired by a Francis Mair design from the 1950s, the Sag Harbor chair by SUTHERLAND feels both vintage and completely modern with its curved lines, aluminum base, and woven fi nish; available to the trade. sutherlandfurniture.com

SHOPPING: DESIGN PIECES FOR

AN OUTDOOR OASIS PRODUCED BY JACQUELINE TERREBONNE

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The transformable Ribes sofa from B&B ITALIA features a mattress-inspired seat cushion for maximum relaxation;

$7,989 as shown. bebitalia.com

Crafted from durable SUNBRELLA fabric, RH Kuba cloth pillows create a statement that’s graphic as well as organic; starting at $122 each without insert. rh.com

HERMÈS brings the perfect splash of color for every poolside with this terry-cloth beach towel; $600. hermes.com

Architect Je� rey Beers tapped into his love of the sea to devise the new Regatta collection with WALTERS. Teak accents and racing lines shape this chair and side table, which have nautical rope details; $2,478 and $1,230, respectively. walterswicker.com

The Chatham mini pendant from RALPH LAUREN HOME fi nds inspiration in the classic beauty of Cape Cod lighthouses; $3,900. ralphlaurenhome.com

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IESE xperiencing a second wave of development, the High Line is

proving to be once again a magnet for avant-garde architecture. When the elevated park debuted in 2009, it transformed

Manhattan’s Far West Side with dazzling structures by Frank Gehry, Jean Nouvel, and Shigeru Ban, but this latest generation promises to

push the envelope even further.“A lot of people are calling this

‘architectural row,’ ” says Alicia Goldstein of HFZ Capital Group, which is nearing completion on its Bjarke Ingels–designed complex at West 18th Street and 11th Avenue. Composed of a pair of twisting towers sheathed in travertine and bronze, the XI will contain 236 residences as well as the first U.S. location for Six Senses Hotels Resorts Spas, which will also devote 18,000 square feet to owner-exclusive amenities. In addition, there will be a commercial art space and a number of yet-to-be-announced

NEW YORK’S HIGH LINE SERVES AS A HUB FOR ARCHITECTURALLY SIGNIFICANT REAL ESTATE, INCLUDING THE NEW BJARKE INGELS–DESIGNED XI

Refined Line

Clockwise from top left: The XI, designed by Bjarke Ingels. Each unit boasts spectacular views. The building’s porte cochere. A chic interior at the Getty. Thomas Heatherwick’s 515 West 18th Street.

installations—spearheaded by HFZ’s chairman and founder, Ziel Feldman, a noted collector of artists like Ugo Rondinone and Anselm Kiefer.

Other spectacular sites along the mile-long stretch include two Thomas Heatherwick–designed towers at 515 West 18th Street, identifiable by their modern, bulging bay windows. A few blocks up at the Getty, nestled above the Lehmann Maupin gallery and the Hill Art Foundation, Peter Marino crafted six custom residences, each with a unique material palette. Zaha Hadid, Roman and Williams, and Isay Weinfeld have also contributed structures to this provocative new mix. —GEOFFREY MONTES

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ARTFUL LIFE

Join in Yayoi Kusama’s dots obsession with these eye-catching

skateboards, available exclusively at MOMA

DESIGN STORE. Based on the artist’s hand-

painted patterns, the Canadian-maple decks

can be displayed as art or add wheels to ollie; $200

each. store.moma.org

Not all artworks can stand up to the heat of the kitchen, so LA CORNUE tapped Parisian street artist Kongo to transform six Château 150 cookers into one-of-a-kind works of art; $300,000. lacornueusa.com

New York artist REINALDO SANGUINO hand-glaze s

these ceramic pieces to create unique artworks.

The brightly colored stools come in three shapes

(cylinder, hourglass, and barrel) and can be used indoor or out; $4,000.

thefutureperfect.com

PARMIGIANI FLEURIER reinterpreted Marcello Lo Guidice’s paintings as 12 di� erent watches. The faces, created with lasers that replicate the texture of his work, are fi nished by a miniaturist painter applying his signature colors; $36,000. parmigiani.com

In 1987, Jean-Michel Basquiat walked the runway for COMME DES GARÇONS. Now the avant-garde fashion label has teamed up with Basquiat’s estate to create a series of eight shirts and tees; $550–$680 and $150, respectively. farfetch.com

Following the success of collaborations with artists such as

Je� Koons and Vik Muniz, BERNARDAUD has launched a

series of 100 porcelain pieces based on illustrations by Joan

Miró, available in a limited edition of 100; $25,000 for the set.

bernardaud.com

SHOPPING: GIFT IDEAS

FOR ART LOVERS PRODUCED BY JACQUELINE TERREBONNE

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� STUDIO OF JEAN-MICHEL BASQUIAT | VINYL-AND-CHROME-PLATED STEEL CHAIRS (CIRCA 1955)Sold at Wright Chicago (September 27)A testament to Jean-Michel Basquiat’s unwavering star power, 11 items consigned by a friend of the artist, including rudimentary drawings and unattributed por-trait photographs, all commanded multiples of their estimates. Expected to bring between $2,000 and $3,000, these two chairs from his studio, which were featured in a February 1985 New York Times Magazine cover story, fetched $149,000. 

} ROY LICHTENSTEIN | CERAMIC SCULPTURE #10 (1965) Sold at Phillips London (October 5)Seizing on the growing appreci-ation for modern and contem-porary ceramics, Phillips held its fi rst dedicated sale of 20th- and 21st-century works in clay. “Shape & Space: New Ceramic Presence” was organized by infl uential Italian curator Francesco Bonami. Among the top lots was this playful take on co� ee cups and saucers by the Pop master, which brought £309,000 ($402,000).

~HUSQVARNA | 400 CROSS MOTORCYCLE (1970)Sold by Bonhams at the Barber Vintage Festival, Birmingham, Alabama (October 6)In its fi rst auction coinciding with this annual Barber Vintage Motor-sports Museum event, Bonhams o� ered more than 100 classic motorcycles. This iconic dirt bike, ridden by legendary actor Steve McQueen in the documentary On Any Sunday, brought $230,500.

FASCINATING SALES FROM AROUND THE WORLDB Y J E A N N I E R O S E N F E L D

On the Block

~ ZAO WOU-KI | JUIN-OCTOBRE 1985 (1985)Sold at Sotheby’s Hong Kong (September 30) This rare, monumental triptych was commissioned by architect I. M. Pei and displayed at Ra� es City shopping center in Singapore. The work exemplifi es how the Franco-Chinese artist, who died in 2013, fused Chinese ink traditions with Western Abstract Expressionism in enchanting, tonal brushstrokes. In recent years, Zao’s work has been increasingly sought after by major institutions, and the astounding HK$510,371,000 ($65,197,418) paid for this o� ering asserts his global status.

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Diedrick BrackensFor centuries, tapestry has been one of the most powerful forms of storytelling. And there are many tales to be told in the work of Diedrick Brackens, a Texas-born, Los Angeles–based artist who is bringing the medium into the 21st century with striking contemporary weavings that explore the complexities of being black and queer in the U.S. today.

Last fall, Brackens won the Wein Prize from the Studio Museum in Harlem. At Frieze New York, his weaving When No Softness Came (2019) was snapped up by the Brooklyn Museum. “There aren’t really any images of black folk in the countryside, and I wanted to challenge that,” says Brackens, who encodes his work with allegory, symbolism, and myth to convey difficult subjects.

His process draws on the rich traditions of textile art, stitching together the long history of quilt making in the American South, the richness of Flemish tapestries, and the vibrancy of West African strip weaving. “I wanted to engage with African textiles to think about where my ancestors would have

THESE PROVOCATIVE ARTISTS ARE CHANGING THE CONVERSATION AROUND PAINTING, PORTRAITURE, AND TEXTILES

Artistic Thread

come from, even if it was centuries removed,” Brackens says. “In a way, these are all the things that make up American culture.”

His most recent large-scale pieces are currently on display in a significant exhibition, “Darling Divined,” in the lobby gallery of the New Museum, marking his first solo museum show in New York. Brackens achieves his unique color palette—shades of soft yellow, lavender, and ocher—by hand dyeing all the cotton before beginning work on a traditional loom, where he deliberately emphasizes the imperfections.

Up next is an exhibition focused on the significance of flags, at Tennessee’s Sewanee: The University of the South; a residency at the University of California at San Diego in the fall; and a body of new wall hangings for his gallery Various Small Fires for Art Basel in Miami Beach. “It’s a meditative, relaxed state, and you get to disappear from everything else and go into a trance,” the artist says of his process. “I always compare it to a long road trip. You just drive.” diedrickbrackens.com —LUCY REES

Diedrick Brackens. Right: When No Softness Came

(2019) is now in the Brooklyn Museum

collection.

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F locks of seagulls gliding through the tender September winds of the Bosporus guide visitors to Istanbul’s Büyükada, the largest of a group of nine islands in the

Sea of Marmara and one of the sites of the 16th Istanbul Biennial, which runs September 14 through November 10. Entitled “The Seventh Continent,” this year’s iteration visits themes of environmental collapse and human numbness toward amassing waste, adopting its title from the seven million tons of plastic—considered “a continent of debris”—discovered drifting across the Pacific Ocean.

Curator Nicolas Bourriaud picked another location, the Istanbul Shipyards, which were founded 600 years ago during the rise of the Ottoman Empire, as the biennial’s main hub, as well as the Pera Museum, home to a broad array of historical regional art and artifacts. True to its theme, the biennial prompts minimal travel time and waste, occupying these three sites, which are within a small radius—a serendipitous plan, considering the Eurasian

WITH A NICOLAS BOURRIAUD–CURATED BIENNIAL, A BUZZY ART FAIR, AND A NEW MUSEUM SPACE, ISTANBUL PROVES TO BE AN ALLURING DESTINATION

Turkish Delight

Istanbul’s iconic Suleymaniye Mosque overlooks its bustling waterfront.

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Clockwise from top left: The Pera

Museum. Alberto “Zush/Evra” Porta’s

El Planeta de les Cuatre Llunas

(2014). Untitled (Ernst Ludwig,

Grand Duke of Hesse and by Rhine) (2018)

by Piotr Uklański. The embellished

dome of the Sultan Ahmed Mosque, the

Blue Mosque

“The fair has played an

integral role in developing the city’s thriving

art scene, growing art market, and

collector base,” says Ali Güreli

metropolis’s colossal spread across both sides of the Bosporus. Bourriaud’s choice of a man-made continent as a metaphor

for this year’s biennial speaks to a broader statement on the fluid way histories, materials, and identities are intertwined without a geographical or thematic core. Take, for example, New York–based Polish painter Piotr Uklański’s “Ottomania” portraits, which study overlooked ties of Slavs to the East and subvert the tradition of “Orientalist” painting with depictions of European men in overtly Eastern attire.

Coinciding with the biennial for the second time is Contemporary Istanbul, a remarkable art fair—now in its 14th iteration—that brings together galleries from the East

and West. The organization’s artistic director, Anissa Touati, is spearheading a program that includes an exhibition of recently acquired artworks by 40 private Turkish collectors. “The fair has played an integral role in developing the city’s thriving art scene, growing art market, and collector base, offering a platform to present contemporary art to both local and international audiences,” says chairman Ali Güreli. “In 2018, we saw an increasing number of international collectors and groups visit.”

This fall is indeed crucial for the city’s cultural scene, which suffered greatly in the light of the country’s declining political profile and President Erdoğan’s crackdown on free

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For Cartier’s mesmerizing limited-edition Les Galaxies de Cartier necklace, a constellation of luminous diamonds, fire opals, and yellow and blue sapphires orbits a 18K-gold pendant inspired by the starry skies above; cartier.com. Opposite: In his penultimate canvas, Broadway Boogie Woogie (1942–43), Dutch painter Piet Mondrian captures the kinetic energy of American jazz, channeling a dynamic rhythm of his signature red, blue, and yellow into a vibrant grid, which also personifies the lights of his adopted city, New York; moma.org.

Life Imitates ArtB Y S T E FA N I E L I

G A L E R I E M A G A Z I N E . C O M 3

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John Derian perfectly recalls the moment more than a decade ago when he found a jade-colored panel of 18th-century, hand-painted wallpaper in a tiny shop in upstate New York. “I

absolutely splurged,” admits the New York decoupage artist. “I had to have it. Not only do I love that period, but I was enamored by how naïve the flowers were.”

Initially, the ephemera-obsessed Derian displayed the four-by-six-foot piece, with its edges frayed and colors still rich albeit worn, like a work of art in various apartments—above a chest of drawers, then over a little stove. Years later, with the hopes of having it reproduced for himself personally, he showed it to Patrick Frey and his son, Pierre, respectively the chairman and creative director and the director of communications of Pierre Frey, renowned for its traditional French wall coverings, textiles, and other home goods.

When Derian asked about re-creating the wallpaper, “it was like he was giving me the best idea ever,” says Pierre, who is taking on a more creative role at the family-owned maison. “We have a lot of

JOHN DERIAN’S TREASURED VINTAGE FIND INSPIRES A NEW WALLPAPER

COLLABORATION WITH PIERRE FREY

Paper Chase

friends and clients in common, so I dreamed for years of collaborating,” recalls Pierre, a frequent visitor to Derian’s East Village boutique and a fan of its collection of Astier de Villatte ceramics.

Advancements in wallpaper-printing techniques allowed the artists at Pierre Frey to duplicate Derian’s one sheet in all its vintage glory, capturing the original’s luster and texture. Available in three colorways—Derian’s original green; Chantilly, a creamy white; and Irise, an inky black—the design, named Le Paravent Chinois, is now part of Pierre Frey’s Braquenié collection. “We left the image so it appears a little worn in areas, which perfectly suits my tastes,” says Derian. “I prefer things to look old.”

And what’s in store now that Derian has rolls to play with? For starters, he’ll envelop the back wall of his cozy West Village shop, which opened in March, with the Irise version. “When it’s put together it’s going to look like vines growing around the room,” he says. “I like when an image creates an environment, like a garden that’s growing.” pierrefrey.com, johnderian.com —JILL SIERACKI ST

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John Derian (right) and Pierre Frey’s wallpaper collaboration, Le Paravent Chinois (shown), is available in Chantilly, Original, and Irise.

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IIn the preface of his new autobiographical tome, Sir John Richardson is quoted as saying, “The houses I’ve lived in have all influenced me, though obviously in different ways.” The

art historian continues, “But then, when I find a space, I want to improve it and change it into my way—my way of thinking.”

In April, Rizzoli will release John Richardson: At Home, an eight-chapter look back at the places, from 1924 to the present, that Richardson has inhabited. Artfully arranged, the work spotlights his notable homes—from his early years at Stowe School in Buckingham, England, to his New York apartments.

“John wrote a memoir several years ago, but it focused on Picasso and other important persons in his life,” explains writer James Reginato, who penned the book’s preface. “In many ways, his new book is more intimate and personal; it’s an autobiography told through all the houses that he has lived in in his 90-plus years. Most of them are long gone, but they all exist vividly in his mind and in these essays that he wrote and in the archival photos he assembled.”

4 2 G A L E R I E M A G A Z I N E . C O M

A NEW MONOGRAPH CAPTURES SIR JOHN RICHARDSON’S MOST BELOVED RESIDENCES FROM AROUND THE GLOBE

House of Style

“When I find a space, I want to improve it

and change it into my way of thinking,” says Sir John Richardson

Left: Narwhal tusks flank a fireplace surrounded by works by Pablo Picasso, Georges Braque, Juan Gris, Nadia Léger, and Alphonse Mucha in Sir John Richardson’s former New York apartment on East 75th Street. Below: A portrait of Richardson by Andy Warhol sits prominently in the living room of his current home on Fifth Avenue.

Knighted by Queen Elizabeth II in 2012, Richardson spent his youth with a collection of colorful characters—from Francis Bacon and Geoffrey Bennison to art collector Douglas Cooper, who became a romantic partner. It was at the château he shared with Cooper near Uzès, France, that Richardson’s affinity for design took shape. The couple resurrected the ancient bastide, and inside works by Joan

19_01_FOB_Books.indd 42 1/30/19 3:19 PM

SHOPPINGDesign essentials for every aspect of an artful life.

REAL ESTATE The most coveted properties on the market.

AUCTIONSFascinating sales from around the world.

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Clockwise from left: Patricia Wells inside her Paris cooking school. The space reflects the warm, muted colors of her home in Provence. A recent class dish—chickpea crepes with zucchini and herbs. The kitchen atelier is tucked behind gardens off the rue du Bac.

7 2 G A L E R I E M A G A Z I N E . C O M

COOKBOOK GODDESS PATRICIA WELLS CONJURES A DREAMY NEW PARISIAN KITCHEN ATELIER

Main Menu

L ined with jewel-box boutiques and patisseries, and bustling with shoppers,

the rue du Bac is one of the chicest—and busiest—streets in Paris. But behind a set of heavy carriage doors on a picturesque Directoire building hides a serene and sunny space suffused with warm color and cooled by breezes through centuries-old linden trees—it’s the kitchen atelier of celebrated American cookbook author and teacher Patricia Wells.

For 17 years, Patricia and her husband, Walter, have lived on the ground floor of this gracious mid-19th-century building. When a neighboring apartment recently came free, Wells jumped at the opportunity to bring her renowned cooking school next door to her home. She worked with Alon and Betsy Kasha, founders of the Paris design group A+B Kasha, to transform the apartment—which had been untouched for decades—into an elegant, intimate kitchen atelier that deftly combines Parisian style with modern convenience. “The Kashas have a clean, classic look; there’s nothing brand-new about it,” says Wells. “At the same time, the entire atelier is completely up to date.”

Reflecting Wells’s love of Provence, where she and Walter have a home, the rooms are splashed in shades of yellow—from a custom Lacanche stove in earthy ocher to the salon’s buttery leather sofas. Stone floors in pale lemon, canary-bright rattan café chairs, and gold-dipped cast-iron hardware gleam against cream-colored cabinets that mirror the light. “There wasn’t any question there was going to be yellow,” says Wells. “In my head it’s just sunshine, which we need a lot of in Paris.”

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CUISINEArtful dining.

ON OUR RADAREmerging artists creating a buzz with collectors .

PASSPORTInsider tips for an international art-world destination.

LIFE IMITATES ARTGalerie’s signature feature. Products paired with works of art and design in moments of visual synchronicity.

SPOTLIGHTCreative collaborations in fashion and design.

BOOKSNot-to-be-missed tomes by top talents in art, architecture & interior design.

Lisa Fayne Cohen FOUNDER & EDITORIAL DIRECTOR

Lisa Fayne Cohen is the founder and editorial director of Galerie Magazine, which she established in 2016 as the natural outgrowth of her lifelong passion for art and design. Featured in the New York Times for her sweeping collection of contemporary art, which includes Mark Grotjahn and Willem de Kooning, she seeks out new works by regularly attending art fairs around the world. She is a veteran of lifestyle magazines—House Beautiful, Interiors, and DuJour, among them—and attained a degree in art history from Barnard College and an associate’s degree from the New York School of Interior Design. Lisa lives in New Jersey with her husband and children.

Jacqueline TerrebonneEDITOR-IN-CHIEF

Jacqueline Terrebonne serves as Galerie’s Editor-in-Chief, aft¬er originally joining the team in the role of Design Editor in 2016. Her varied artistic interests and deep sense of curiosity informs the diverse and eclectic mix of design, fashion, and visual arts in every issue of the magazine. In addition to being a member of BAFTA and the James Beard Foundation, Jacqueline recently completed a book of design tips for the home with Jeffrey Bilhuber for Rizzoli, entitled Everyday Decorating. (4/19/19) Prior to her work at Galerie, Jackie held positions at Architectural Digest, Gourmet, and Martha Stewart Living. She honed her marketing skills at Scholastic during the Harry Potter heyday, where she developed and designed launch materials for the releases of new titles.

Vision &Talent

GALERIE BRINGS A MUCH-NEEDED NEW VOICE TO ART AND HOME MAGAZINES

GALERIE DESIGN/LAYOUT RATED “EXCELLENT”

LIKELY TO RECOMMEND GALERIE

SEARCHED ONLINE AFTER READING ABOUT SOMETHING/SOMEONE IN GALERIE

95%

76%

97%

75%

LOOKED INTO A PURCHASE OF AN ITEM FEATURED IN GALERIE

29%

GALERIE READER SURVEY, MAY 2017

Reader EngagementLoving it, using it, talking about it

PASSION FORART & DESIGN

SEEKINGINSPIRATION

EXTREME AFFLUENCE

Our reader collects not only art and objects but experiences, adventures, and stories

The Collector

DEFININGATTRIBUTES

DEMOGRAPHICS

Collect art

5+ Visits to an art gallery, art

museum, art fair, or antiques show

in past six months

25+ Works

in collection

My love of art

influences my approach

to home and style

83%

57%

46%

GALERIE READER SURVEY, MAY 2017; WEALTHENGINE, PUBLISHER PROJECTION

MALE/FEMALE45/55%MEDIAN AGE42

AVERAGE NET WORTH$5MMAVERAGE HHI$500,000

PASSION FORART & DESIGN

90%

AFFLUENT DATABASE50,000 copies45,000 copies to Wealth Engine database Selection criteria:

Net worth of $5MM+ Collect artSupport cultural institutionsFrequent travel to art capitals5,000 copies to subscribers and by request

STRATEGIC NEWSSTAND25,000 copies$9.95 per issue Leverage Galerie affiliation with industry leader Hudson NewsFocused placement strategy:

1,500+ airport newsstands, U.S. and international (London, Paris, Milan)600+ Barnes & Noble stores200+ destination newsstands in key U.S. markets

PREMIUM PLACEMENT15,000 copiesMajor art fairsMediaJet (private airports)In-room placement in world-class hotels and resorts such as: Four Seasons, Plaza Athénée, JK Place, Hotel Park Hyatt, Relais & Châteaux, Ritz Carlton, and more

PRIVATE AIRPORTS10,000 copies150 first-class airport loungesAirline partners include British Airways, Emirates, Delta, and American AirlinesAll American Express Centurion Lounges

*Target Geography: Arizona, California, Colorado, Connecticut, Florida, Georgia, New York, Illinois, Massachusetts, North Carolina, South Carolina, Texas, Washington, Washington DC Proper

Increased Distribution Seasonally: Hamptons, Martha’s Vineyard, Nantucket (Summer issue only) Aspen and Vail (Fall/Winter issues only)

Four-tiered strategy*

Premium PlacementDelivering luxury magazines into the hands of private-jet travelersExclusive newsstand network located at 250+ private airports across North AmericaUnprecedented access to the ultra affluent

$67MM average net worth of private-jet travelers11 million ultra affluent passengers annually

ART & ANTIQUES FAIR DISTRIBUTION

MEDIAJET

Where the art and design community comes togetherApproximately 5,000 units per issue distributed at fairs such as:

Armory ShowArt AspenArt Basel MiamiArt Miami / ContextArt Basel Hong KongArt of Paper Collective DesignDallas Art FairDesign MiamiExpo ChicagoFOG Design + Art

FORMFrieze (NYC, LA, London)Palm Beach Modern & ContemporarySalon Art + Design San Francisco Art & Antique ShowSaratoga Art FairTEFAF New YorkUrban Expo SOFAZonaMaco

Art, design, and inspiration for your brand

GALERIEMAGAZINE.COM73,000+ unique visitorsSite Redesign: July/August 2018A premium inspir≠ation destination featuring engaging original contentIAB standard ad units: 970x250, 300x250, 300x600

@GALERIEMAGAZINE47,000+ Instagram followersVisual storytelling in art and design

NEWSLETTER6,500+ opt-insDeployed semi-weekly

Digital inspiration to live artfully

Digital Platforms Partnerships

& Possibilities

EXPERIENCES’ART OF CONVERSATION’

EVENTS

ART GALLERY TOURS

SHOWROOM/RETAIL EVENTS

ART FAIR SPONSORSHIPS

TARGETINGCUSTOM MESSAGING

IN COPIES AT ART/DESIGN FESTIVALS

RIDEALONG LITERATURE WITH IN-HOME COPIES

CONTENTDIGITAL, VIDEO,

SOCIAL, OR PRINT

MAILINGS, E-NEWSLETTERS

CROSS-PLATFORM CONTENTSPONSORSHIPS

SIGNATURE PROGRAMSCREATIVE MINDS

EMERGING ARTISTS

FINE JEWELRY/WATCHESAssaelAtelier SwarovskiBaume & MercierCadarDavid WebbdeGRISOGONO Elizabeth LockeF.P. Journe Franck Muller Glashutte GraffH SternHarry WinstonMolina (Todd Reed)Nouvel Heritage Parmigiani Fleurier Richard MilleRoberto CoinSorab + RoshiSpeake-MarinTiffany & Co.Van Cleef & ArpelsWempe

FASHIONBrunello CucinelliDiorHermèsJosie NatoriSalvatore FerragamoRETAILBal Harbour Shops Bergdorf Goodman

BEAUTYIl Profvmo NorellParfums de Marly ValmontWINE AND SPIRITSHennessyPatronPRIVATE AVIATIONTalon AirTRAVEL/ HOSPITALITYFontainebleauJK PlaceSeabourn CruiselinesThe QuinRESTAURANTCiprianiGALLERIES/ AUCTIONS Blum and Poe Burning in WaterCarole A Feuerman StudiosContemporary Art + EditionsEdward Tyler NahemFindlay Gallery Frank StellaFriedman Benda Gregg SmithGuilda Oliver Fine ArtsJune KellyKavi GuptaLehmann MaupinLocksMague Brewer Marianne BoeskyMark Chamberlain Painting Perrotin MarlboroughM Fine Art

Nohra HaimeRhonda Hoffman GalleryRo Gallery Wright AuctionFINANCIALAIGDeutsche BankART FAIRSArt Basel Art MiamiCollective DesignDesign MiamiExpo ChicagoFog Art FairFriezeIFPDAMaison & ObjetSaratoga Art FairThe Salon Art + DesignUrban Expo

HOMEAntoliniArteriorsA. RudinBadgley MischkaBen Soleimani Bernd Goeckler Antiques Bernhardt Bevolo Bright ChairBunny Williams Home

CaesarstoneCambria Christopher PeacockCompas Tile and Stone David PatchenDDCDedarDe Sousa HughesDoris Leslie BlauFendi CasaGeorg JensenGlosterHolly HuntHouse of HeydenrykHubbardton ForgeJanet YonatyJasperJD StaronJim ThompsonJiun HoJonas WorkroomJonathan BrowningJulian ChichesterLaliqueLorin MarshMade GoodsMagni Home CollectionMansour Modern Marc PhillipsMaya RomanoffMinotti DDCMitchell Gold + Bob Williams Paris Ceramics

QuintusRalph Lauren HomeRalph PucciRestoration HardwareRichard FrinierSamadSavoir BedsScott GroupStark CarpetTHGTodd Merrill StudioTresserraTufenkianVicente Wolf521 AtelierREAL ESTATECorcoranDouglas Elliman Development Douglas Elliman WorldwideLuxury PortfolioPalazzo della LunaPhil KeanRelated CompanySotheby’s International Town New Development WindsorNONPROFITAIPADThe Glass House Society of IllustratorsWatermill Foundation

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FULL PAGE TRIM 9.00" x 10.875"LIVE AREA 8.50" x 10.375"BLEED 9.25" x 11.125"

SPREADTRIM 18.00" x 10.875"LIVE AREA 17.50" x 10.375"BLEED 18.25" x 11.125"

SPREAD REQUIREMENTS Ad spreads must be sent as one page

SAFETY All live matter must be .25" from trim on all sides

REQUIRED MATERIALPDF/X-1a file format. All fonts must be embedded. TrueType fonts cannot be used for printing.

PRINTING PROCESS Web offset (SWOP3 Certified)

COLOR All files/images must be CMYK or Grayscale. No RGB, LAB, or embedded color profiles (such as ICC profiles). No files with PMS colors will be accepted without prior notification. Otherwise, all PMS colors will be converted to CMYK, and we can’t guarantee color results under these circumstances.

IMAGE RESOLUTION300 DPI total resolution @100%

MAXIMUM INK DENSITY280% dMax GCR

CROP MARKS All crop marks must be .1875" (3/16") off bleed area

PROOFS Must contain GRACoL color strip. All final material must be submitted with digital proofs that have been pulled from the supplied file for color guidance on press.

GENERAL NET RATES

FULL PAGE1x $17,3404x $13,8758x+ $12,650

PREMIUM POSITIONS Cover 2/Page 1 $34,680 Cover 3 $17,340Cover 4 $23,450

Submit all ad materials to: https://www.adshuttle.com/Sandow

Preferred digital format: PDF/X-1a

Production assistance: adshuttlesupport@sandow.com

Galerie101 Park Avenue, 4th FloorNew York, NY 10178 917.934.2893

FILE SUBMISSION

2020 PRODUCTION SCHEDULE

Issue I. Creative MindsII. Home & AwayIII. Fashion Meets ArtIV. Emerging ArtistsV. Collectors

Reservation & Material DeadlineJanuary 9 April 3 June 16 August 18October 14

On SaleMarch 3May 19August 11October 13December 8

2020 Specifications and Rates

RETAIL/TRADE RATE One location $7,800

ALL DATES AND THEMES SUBJECT TO CHANGE WITHOUT NOTICE.

We build businesses driven by innovation and design.

Our Brands + Services

In just over a decade, SANDOW has become the leader in design and luxury content, through organic start-ups and strategic acquisitions. Our access to a highly engaged audience of

affluent consumers, as well as coveted design influencers, is unparalleled.

SANDOW design brands include Interior Design, Luxe Interiors + Design, and Galerie magazine, as well as global materials consultancy, Material ConneXion, and the game-

changing technology and logistics platform, Material Bank. SANDOW luxury brands include NewBeauty, MediaJet and iconic retailer Fred Segal.