2015 MEDIA KIT - Hollywood Reporter...2015 MEDIA kIT Updated: 02/18/15 Page 6 aBOuT TOWn + Hollywood...

M E D I A K I T20 15


Updated: 02/18/15

assetsT h E D E f I n I T I v E I n T E r pr E T I v E voIc E of

E n T E rTA I n M E n T A n D t h e l i f e s t y l e i t i n s pi r e s .

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neWSle T TeRS Daily, weekly and seasonal e-newsletters cover breaking news across continents. Our newsletters include:Headlines Pret-a-Reporter Breaking News Box Office Film Festival News The Race


Updated: 02/18/15

r E A D by T h E Mo s T p ow e r f u l pe o pl e i n t h e i n d u s t ry A n D T h E Mo s T i n f lu e n t i a l c on s u m e r s w ho f ol l ow I T.

MaGaZINe

35%FEMALE

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AUDIENCE

A F F LU ENC E PURCH ASI NG POW ER

AVERAGE AGE 51 COLLEGE GRAD 84% POST/GRADUATE DEGREE 30%

On JEWELRY & WATCHES In THE LAST YEAR $11,200On TRAVEL In THE LAST YEAR $10,800

On FASHIOn In THE LAST YEAR $9,800

AVERAGE HHI $416K nET WORTH $1.6MM

Source: Publisher’s Defined Prototype, 2014 Ipsos Affluent Survey USA adults 18+, HHI $100,000+


Updated: 02/18/15

+ AverAge time SPeNt with mAgAziNe iS 42 minutes

+ 1 iN 3 reAderS SPeNd

more thAN 45+ minutes with weekly mAgAziNe

+ 41% look At it

right AwAy

+3 in 4 reAd for

buSiNeSS ANd PleASure

+ 65% reAd At work ANd

40% briNg it home

+ 35% refereNce it

throughout the week

+40% ShAre iSSueS with

SPouSe or PArtNer

+30% tAke it with them

wheN trAveliNg or commutiNg

Sources: AAM Magazine Publisher’s Statement, June 2014; Equation Readership Study, Dec. 2011

RATE BASE 70K

TOTAL AUDIEnCE 237K

READERS PER COPY 3.2

PRICE OF SUBSCRIPTIOn $99 — $299 PER YEAR

w I T h 5 0 I s s u E s A y E A r , u s E T H R ’ s f r E q u E n c y A n D r E Ac h T o TA r g E T A M I x of I n Du s T ry Mo g u l s , A-l I s T c E l E b r I T I E s A n D c o n s u M E r

I n f lu E n T I A l s I n M E T r op ol I TA n A r E A s f r o m c oa s t t o c oa s t .

THR CIRCULatION

THE ENGAGEMEN T

43%WEST COAST

39%EAST COAST

23%OTHER U. S. CITIES

AND INTERNATIONAL


Updated: 02/18/15

THR CONteNt

F E AT U R E S THR’s feature well showcases longform journalism from entertainment’s most esteemed editors.

THe RePORTAs the first editorial section, “The Report” elaborates on the soundbites the biz is buzzing about and takes a closer look at the week’s headlines.+ Breaking news, exclusive analysis, showbiz

stocks, box office numbers

+ Yes, I Did Say That! Who’s saying (and tweeting) what in Hollywood

+ 7 Days of Deals: Who’s inking on the dotted line this week

+ Exclusive interviews & profiles+ Roundtable Series+ Award-winning original photography

+ Power Lists+ Oscar and Emmy Awards

season coverage+ Film Festival exclusives


Updated: 02/18/15

aBOuT TOWn + Hollywood Hits the Red Carpet

From premieres to parties, film festivals to fundraisers, an exclusive look at what they wore and who mingled with whom at Hollywood’s elite celebrations.

+ Rambling Reporter Scoops on the industry from an insider.

+ Power Lunch Where Tinseltown’s power players convene to seal the deal.

+ Hitched, Hatched, Hired Personal milestones of the industry’s power players.

THe BuSineSS+ Executive Suite+ The Race+ Award Season Opinion Column+ Box Office Reports+ Social Action

BaCklOT+ Milestones & Anniversaries+ Walk of Fame & Industry Honors+ On Location + 8 Decades of The Hollywood Reporter+ MADE IN Reports on the destinations

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70 | The hollywood RepoRTeR | 10.18.13

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filmmakers from the mainland.Spurred on by a dip in produc-

tion spending — from $245 million in 2012 to an estimated $202 mil-lion in 2013 — the Hawaii state legislature recently approved a 5 percent across-the-board increase to the state’s existing tax credit, effective July 1. Qualifying film and TV projects now will receive a 20 percent rebate for shoots on Oahu and 25 percent on the neighboring islands. The law also extended the credit’s sunset date from 2015 to 2019, raised the

EXactly one century ago,

Hollywood silent-film direc-tor John Griffith Wray took his production crew to the remote

American colony of Hawaii to film two shorts, the first ones ever made on the islands: The Shark God and Hawaiian Love.

“It’s fascinating to think that when those first productions came here, this was still a mon-archy,” says Hawaii state film commissioner Donne Dawson. “Our queen was still alive. We’ve come a long way.”

To mark the centennial of local film production, Hawaii is celebrating. There’s a film ret-rospective of island-filmed titles in October at the Hawaii International Film Festival and an exhibit on fashion in cinema at the Modern Hotel, held in conjunction with Hawaii Fashion Month. But even as they toast the state’s past, officials are looking for additional ways to lure more

per-project incentive cap from $8 million to $15 million and made the boosts retroactive to Jan. 1.

Dawson says the new incentives have led to a surge of inquiries from Hollywood producers. “We have seen a definite increase in interest since the incentives passed,” she says.

Socrates Buenger, owner and CEO of the new 21,000-square-foot Maui Film Studios, the only soundstage in Maui located in the Kahului industrial region, says that landing new

Godzilla, Tim Burton and Cameron Crowe all are filming in the state, which recently has boosted its tax incentives even as it celebrates its centennial as a site for film production By Matthew Fleischer

Hawaii bEts on 100 morE YEars

In its fourth season, CBS’ Hawaii Five-0 filmed on one

of Hawaii’s many beaches.

productions is an ongoing process.“We need to let people know

we exist here and that we have a really good tax incentive,” he says.

When Hollywood thinks of Hawaii, it’s the state’s beaches and jungle vistas that immediately come to mind. But Dawson says producers would be remiss to dis-count the state’s urban amenities.

“People know us for the diver-sity of our landscapes,” she says, “but our architecture is quite diverse, too. It’s easy to shoot period pieces that take place on our islands because the buildings of those eras all still exist.”

Hollywood slowly is starting to figure that out.

The iconic Aliiolani Hale, a former governmental palace that now serves as the home of Hawaii’s Supreme Court, stands in as the fictitious headquarters for CBS’ Hawaii Five-0 team. It also played an important role in Tim Burton’s upcoming Weinstein Co. feature Big Eyes. The biopic, starring Amy Adams and Christoph Waltz as feuding married artists Margaret and Walter Keane, wrapped shooting on Oahu in late September. And Legendary/Warner Bros.’ Godzilla, starring Bryan Cranston, also recently com-pleted a visit to Honolulu.

Director Cameron Crowe’s still-untitled Hawaii feature, meanwhile, just started shooting on Oahu and will take advantage of the island’s numerous military facilities. Will Burton’s and Crowe’s projects give local production the boost Wray’s did a century ago?

“We are excited to be celebrating 100 years of film production,” says Georja Skinner, chief officer of Hawaii’s Creative Industries Division. “We really feel we have a great tax-incentive program that will take us another 100 years.”

With Elvis Presley on Tap, the Hawaiian Film Festival Joins the Party“Movies have been made in Hawaii for 100 years, and we’ve been here for one-third of that time,” says Chuck Boller, executive director of the 33rd Hawaii International Film Festival, which kicks off Oct. 10. The event, screening 209 features, runs through Oct. 20 in Oahu, then moves to the Big Island and Kauai from Oct. 24 to 27. As

Hawaii-born Keo Woolford’sThe Haumana will close the fest.

part of the state’s celebratory party, the fest has programmed movies set in the Aloha State like Elvis Presley’s Blue Hawaii (1961), which will screen on Waikiki Beach. With its traditional focus on movies from Asia and the Pacific Region, HIFF will open with the U.S. premiere of South Korean feature Final Recipe as well as

Japanese animation master Hayao Miyazaki’s The Wind Rises and close with the locally produced The Haumana, about students at a hula school. To round things out geographically, the fest’s EuroCinema section, presented by Honolulu’s Luxury Row, will shine a spotlight on 19 European films. — GREGG KILdAy

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www.thr.com | The hollywood RepoRTeR | 17

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◄ publicityJolie’s message How a crisis became a media moment �� 20

filmCannes lessons 4 takeaways from the rain-soaked fest �� 20

Dealsmeryl’s musiCal Why big stars are singing for little money �� 24

matters,” says Warners distribution chief Dan Fellman. Buzz is good on the studio’s biggest bet of the summer, Man of Steel (June 14). Riskier is Guillermo del Toro’s robots vs. monsters epic Pacific Rim in July, but Warners only has a 25 percent stake in the film. Its main financier, Legendary Pictures, is the bigger question. Founder Thomas Tull has made no secret that he is looking for a new home, possibly Universal, and if his company takes a hit, his mood isn’t likely to improve.

ParamounT J.J. abrams’ Star Trek Into Darkness is underwhelming domestically ($83.7 million and count-ing) but performing far better overseas, which was one of

Paramount’s objectives. The big remaining question mark is the troubled Brad Pitt zombie film, World War Z, which opens only one week after Man of Steel, on June 21. The studio financed extensive

reshoots — or, rather, shoots, since the third act was entirely reconceived — and executives have been

in overdrive trying to reverse negative buzz.universal Fast & Furious 6 looks poised to

deliver (can it match Fast Five’s $626.1 million in such a crowded market?). Chiefs adam Fogelson

and Donna langley have turned in an improved per-formance in recent months, with such hits as the horror movie Mama and the comedy Identity Thief. Despicable Me 2 (July 3) seems like a sure thing. But RIPD, a supernatural action movie with ryan reynolds, has some joking that it should drop “D” from the title. Sources say bosses at Comcast expect this film to lead to a loss.

Disney What exactly is the budget of The Lone Ranger? Disney chairman robert iger personally intervened to lower the cost of the Johnny Depp Western from $250 mil-lion to $215 million. Now that original figure is believed to be a distant memory. The good news: Disney is raking

W ith U.S. tick et SaleS already

down 11 percent this year and the number of big-budget movies sharply up, summer 2013 is turning into a nail-biter. Volatile

political situations at several studios are making matters worse for top execs.

sony Its parent has denied that it’s for sale, but activ-ist shareholder Daniel loeb now is pushing the company to spin off entertainment assets. Amid the pressure on studio chiefs michael lynton and amy Pascal, Sony will release seven big films this summer, tops in Hollywood. After Earth, a sci-fi epic from m. night shyamalan starring Will smith and son Jaden, enters a crowded market May 31. Competitors believe it might have trouble matching the $37.1 million bow of April’s similar Oblivion. Smith’s Men in Black 3 grossed $624 mil-lion worldwide for Sony last summer but cost too much (a blistering New York Times piece May 18 pegged Sony’s profit margin at a slim 6.5 percent).

Other risks include White House Down, which follows the similarly themed Olympus Has Fallen ($132.5 million in March). On July 12 comes Grown-Ups 2, a follow-up to an original that grossed $271.4 million but must compete with mega-budgeted Pacific Rim. July also brings The Smurfs 2 (one of many animated films in the game this summer), and matt Damon’s Elysium is another sci-fi bet in August.

Warner Bros. Chief Jeff robinov needs to preside over a strong summer to quell speculation about his future following the elevation of Kevin Tsujihara to the top job. The Great Gatsby has performed and The Hangover Part III probably is critic-proof but faces a strong Memorial Day rival in Universal’s Fast & Furious 6. “The second, third and fourth weekend could turn out to be what

studios sweating Crowded summer at the Box office

Jampacked release calendars and executive intrigue make for an especially stressful blockbuster season as the $200 million gambles begin rolling out By Pamela McClintock and Kim Masters

showbiz stocks

$ 1 5 . 5 4 (+4.5%) realD (rld)

Paramount moved up by one day the release of Star Trek Into Darkness, which uses RealD’s

3D technology, and analyst Eric Wold predicts six of summer’s

top 10 movies will be in 3D�

$ 2 5 .7 6 (-4%) FaCeBooK (fb)

Nielsen says minutes per user on desktops dropped

6 percent in a year�

m i k e d a r n e l lFox’s reality chief faces a huge task in rebooting

American Idol after a disastrous season, with

a finale down 40 percent and a median age up to 51�2�

m i c h a e l d o u g l a sHis turn as liberace

in Behind the Candelabra wins raves at Cannes as the

steven soderbergh HBO pic shoots to the front

of Emmy contenders�

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Zach Braff: The actress shuts down her Kickstarter campaign for a rom com after raising only

$51,000 from 315 donors, far short of her $2 million goal�

B i l l l aw r e n c eThe Cougar Town co-creator

proves himself the King of the Upfronts, selling new shows at NBC (Undateable),

Fox (Surviving Jack) and TBS (Ground Floor)�

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illustration by Pixel Pusher

www.thr.com | THE HOLLYWOOD REPORTER | 55PHOTOGRAPHED BY First Lastname

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1 Two-tone leather platform spectator pump by Saint Laurent; $665, at Saks Fifth Avenue, Beverly Hills. 2 Suede, PVC and snakeskin Positano pump by Aquazzura; $765, at Barneys New York, Beverly Hills. 3 Leather, PVC and patent Air Chance pointed-toe slingback by Christian Louboutin. Jennifer Lawrence stepped out in a version of it on the red carpet; $845, at Christian Louboutin, West Hollywood. 4 Red and black snakeskin pump with geometric-cut diamond heel by Fendi; $990, at Barneys New York, Beverly Hills. 5 Patent Lekker d’Orsay pump by Jimmy Choo. Mandy Moore wore it to THR’s Women in Entertainment breakfast; $695, at select Jimmy Choo boutiques.

1

STYLEFASHION

PHOTOGRAPHED BY Joseph Shin

The season’s hottest multihue heels — spotted on runways and

the red carpet — prove two (or three) shades are better than one

By Carol McColgin

COLOR

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Lawrence

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THR CONteNt

56 | THE HOLLYWOOD REPORTER | 05.16.14

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DAYTIME for

HER“Bring a pretty day dress that is a little less dressy than a cocktail one and chic separates,” says Elizabeth Banks’ stylist Wendi Ferreira, of the sister styling duo Wendi & Nicole. “And also bring bright prints!”

STYLEFASHION

WHAT to PACK for CANNES

Rain or shine, here’s all you need to look tres chic at the South of France film fest By Carol McColgin

1. Wrinkle-proof dressPatterned knit jacquard dress by Valentino; $2,490, at Saks Fifth Avenue, Beverly Hills

2. FedoraCraig hat in bone/navy with woven knot and anchor accent by Eugenia Kim; $290, at Barneys New York, Beverly Hills

3. Mix-and-match separatesStriped boatneck cotton T-shirt by Sacai Luck; $325, barneys .com. Snake-print viscose-polyester cardigan by Alexander McQueen; $1,495, neimanmarcus.com

4. Touch of sparkleMexican fire opal and rose-cut diamond earrings set in 18-karat rose gold by Irene Neuwirth; $20,960, at Barneys New York, Beverly Hills

5. Chic carryallLeather handbag with zip closure by Roger Vivier; $3,050, at Roger Vivier, 212-861-5371

6. Slim-fit pantsCotton-blend flat-front Strenner pant by The Row; $690, at Barneys New York, Beverly Hills

7. Two-tone shadesTortoise and blue plastic sunglasses by Thierry Lasry; $485, barneys.com

8. Strappy sandalLance patent-leather heel in Neon Flame by Jimmy Choo; $775, at select Jimmy Choo boutiques

9. Yacht-friendly flatPatent-leather fringe sandal with pebbled sole by Tod’s; $725, at Tod’s boutiques, 800-457-8637

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PHOTOGRAPHED BY Mike Lorrig

PINKIE PINKSSpring’s in-demand digits

include girlie pastels and bright berries as Hollywood’s top manicurists

reveal their favorite shades By Meg Hemphill

STYLEBEAUTY

www.thr.com | THE HOLLYWOOD REPORTER | 31

IT’S ELECTRIC “Brights are back, and this is

a brighter-than-bright purple,” says Jenna Hipp,

who has used this eco-friendly shade from her latest line on Emily Blunt.

What’s Hot Now Nail Collection in On the List by

Jenna Hipp; $32 (part of a set of 12 mini-bottles),

beautysmostwanted.com

BERRY CHIC “Brights and berries are on

trend,” says A-list manicurist Ashlie Johnson, who

used Chanel’s Coup de Coeur on Jennifer Garner for the Oscars.

“It’s an elegant and fun raspberry.” Le Vernis in Coup de

Coeur by Chanel; $27, at Saks Fifth Avenue, Beverly Hills

WHITE HOT “White is the new red,” says

Zooey Deschanel’s manicurist, Tom Bachik, who has used

L’Oreal polish in A La Meringue on the New Girl star. For a softer

take, Bachik likes L’Oreal Sweet Lilac (“white with a hint of color”),

which Jennifer Lopez has worn on American Idol. Les Blancs

Collection Colour Riche Nail in Sweet Lilac and A La Meringue

by L’Oreal Paris; $6 each, at drugstores

SOFT SHADES “Essie has a beautiful beige

called Spin the Bottle that I’ve used a lot,” says Kimmie Kyees, who most

recently painted Rosie Huntington-Whiteley’s nails

with it. The celebrity manicurist (Katy Perry and Rihanna

are clients) also is a fan of the new pastels: “Mint greens and a variety of blues are

great for spring.” Blue Orchid by Deborah Lippmann; $18, at

Neiman Marcus; Spin the Bottle and Fashion Playground

by Essie; $8.50 each, essie.com


Updated: 02/18/15

S TePHen gallOWay Executive Editor, FeaturesJoined THR in 1993. A graduate of Cambridge and AFI, Galloway created THR’s signature Roundtable Series as well as the high-profile Power 100 Women in Entertainment Mentorship Program that pairs inner-city youth with Hollywood execs.

MaT THeW BellOni Executive EditorFormerly an attorney at an entertainment litigation firm in Los Angeles, Belloni joined THR in 2006 to write for THR’s Hollywood, Esq. blog. In addition to heading the THR newsroom, Belloni continues to moderate THR’s roundtable series.

k iM MaS TeRS Editor-at-LargeJoined THR in June 2010. The award- winning journalist is also the host of weekly radio show, The Business. Previously, Masters covered entertainment for The Daily Beast, was a contributing editor at Vanity Fair and Time, and covered politics for The Washington Post’s Style section.

TODD MCCaRTHy Chief Film CriticJoined THR in October 2010 after a near life-long career as an internationally regarded film critic at Variety. McCarthy is also the filmmaker behind several documentaries. T iM gOODMan Chief TV CriticJoined THR in October 2010. Goodman built his reputation as one of the most distinctive voices writing about television as a long time critic, columnist and blogger (The Bastard Machine) for the San Francisco Chronicle. SHiRle y HalPeR in Music EditorJoined THR in October 2010. Halperin has covered music as a senior writer for Entertainment Weekly and recently wrote about American Idol full-time for the Los Angeles Times while also contributing to Rolling Stone. She is also the author of three books.

CaROl MCCOlgin Style EditorMcColgun covered fashion for six years at Us Weekly (including annual style issue and style specials) before joining THR in October 010. She oversees all Hollywood Style fashion content and market coverage both in-book and online. MeRle ginSBeRg Senior Style WriterJoined THR in October 2011. The Senior Style Writer is a best-selling author, television personality and leading expert on entertainment fashion who has covered style for WWD, People, W, Harper’s Bazaar, Rolling Stone, The New York Times Magazine, Today, Entertainment Tonight and Access Hollywood.

eR in WeingeR Style Editor, Pret-a-Reporter.comJoined THR in March 2013. Weinger was designer Kelly Wearstler’s director of digital content for fashion. Before that, she was a staff writer for the L.A. Times’ Image section and consulted on projects for L.A.-based fashion public relations firm SPR, strategizing the social media campaigns for accounts including The Grove and The Way We Wore.

THR eDItORsJANICE MIN Co-President/Chief Creative Officer, Entertainment Group

Min joined THR in June 2010 to spearhead the transformation of the 80-year-old brand, earning her a 2012 NEJ Luminary Award, named a 2012 “Hollywood Mavericks” in Details Magazine, and 2011 Game Changers in Media nod from The Huffington Post. As editor-in-chief of US Weekly, she was named one of the Post’s Most Powerful Women in New York (2007) and one of Crain’s 40 Under 40 (2006). She regularly appears on Today and Entertainment Tonight and has been featured in The New York Times, USA Today, The New Yorker and on Nightline.


Updated: 02/18/15

WeSle y MannPhotographed for THR: Robin Williams, Jimmy Kimmel, Mary Tyler Moore, Michael J. Fox, Mark Ruffalo, James Earl Jones and Martin Scorsese.

JOe Pugl ieSePhotographed for THR: The 2014 Executive Rountdable, Dolly Parton James Cameron, Peter Jackson, Michael Bay, Hugh Hefner and the cast of Glee.

MaRy ROz z iPhotographed for THR: Julia Louis-Dreyfus, Melissa McCarthy and the 2011 Oscar Actress Roundtable, which included Glenn Close, Viola Davis, Carey Mulligan, Octavia Spencer, Charlize Theron and Michelle Williams. FRank W. OCkenFelS 3 Photographed for THR: Brad Pitt, Chloe Grace Moretz, Larry Flynt, Ben Affleck, the 2012 Oscar Director’s Roundtable, and David Fincher.

Peggy SiROTa Photographed for THR: Snoop Dogg, Sidney Poitier, Halle Berry, the 2013 Emmy Drama Actor’s roundtable, Angelina Jolie, and Jennifer Yuh Nelson. JeSSiCa CHOu Photographed for THR: Set visits with the casts of Breaking Bad, Modern Family, Revenge, Behind-the-scenes photos of the Oscar and Emmy roundtables.

auS T in HaRgR aVe Photographed for THR: Cameron Diaz, Les Moonves, Kerry Washington, Faces of Fall Television, Toronto International Film Festival Photo Lounge, Daniel Day-Lewis and Steven Spielberg, RuVen aFanDOR Photographed for THR: The 2014 Oscar Actress’ Roundtable which included Julianne Moore, Reese Witherspoon, Felicity Jones, Laura Dern, Amy Adams, Hilary Swank and Patricia Arquette, Jessica Chastain, the cast of Interstellar and Glenn Close.

THR PHOtOGRaPHeRs

Wesley Mann Austin Hargrave

Frank W. Ockenfels 3

Ruven Afandor


Updated: 02/18/15

M E D I A K I T

tHR.COM

t h e i n s i d e r’ s g u i d e T o E n T E rTA I n M E n T A n D T h E hol ly wo oD l I f E s T y l E .

13.7+MILLION

MONTHLY UNIQUE S

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A F F LU ENC E

PURCH ASI NG & I N FLUENCER POW ER

AVERAGE AGE 45 COLLEGE GRAD 65% POST/GRADUATE DEGREE 16%

SHOPPED OnLInE FOR CLOTHES/SHOES/ACCESSORIES 161 MAkES/InFLUEnCES BUSInESS DECISIOnS 169

LISTEnED TO AnY STREAMInG MUSIC 184READ/POSTED PRODUCT REVIEWS OnLInE 256

MADE An InTERnET PURCHASE On A CELL PHOnE 176 DESCRIBE OnLInE APPAREL SPEnDInG AS “HEAVY” 196 GIVES ADVICE On WEBSITES/InTERnET COnTEnT 172

DESCRIBE OnLInE HOTEL SPEnDInG AS “HEAVY” 214

AVERAGE HHI: $90K AVERAGE HHI $100k+: 36%

Over-index across categories with online shopping habits

Source: comScore December 2014; nielsen @Plan Q3 2014

20 15


Updated: 02/18/15

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people, places and predictions on the road

to the Oscars and Emmys.

tHR.COM BLOGs aND CHaNNeLs I n Du s T ry & l I f E s T y l E c on T E n T w I T h A n Au T hor I TAT I v E voIc E

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l iVe FeeD

Your daily jolt of TV news and

buzz.

He aT V iSiOnby Borys Kit

What’s hot in the world of fanboy entertain-

ment, from blockbuster films to the comic books

that inspire them.

inSiDe inDie The digital destination

covering the world of independent

filmmaking.

THe R aCe Who’s winning the

major awards- season races and

what it means.

BaS TaRD MaCHine

by Tim Goodman

THR’s chief TV critic juggles his anger,

insight, fear, power and adoration for the

current TV season.

e aRSHOTby Shirley Halperin

What music people are talking about.

HOlly WOOD, eSQ . by Eriq Gardner & Matthew Belloni

The intersection of entertainment and

law.

BeHinD THe SCReen

by Carolyn Giardina

An industry blog for the intersection of

tech, craft, and Hollywood.


Updated: 02/18/15

PRET-A-REPORTER d e d i cat e d s t y l e s i t e f r oM

T H E H O L LY W O O D R E P O RT E R

Pret-a-Reporter covers Hollywood style, fashion and beauty from THR’s insider vantage point. Led by style editor Erin Weinger, the site features style and beauty content — from runway to red carpet — filtered through the discerning lens of Hollywood. Updated daily with special focus on seasonal content to fuel addictive engagement to young fashionistas across the county.

SHOP THe lOOk Modules in content that allow users to buy the outfits being buzzed about.

DReSS Du JOuR Daily highlights of the best dresses from the night previous including who wore it, where, and who made it.

DeSigneRS DiSH Candid Q&As with fashion designers ranging from major names to avant-garde & under the radar talent.

WaRDROBe ROOM Photo galleries that go behind- the-scenes inside glamorous costume departments of the hot TV shows, movie sets, and music tours.

Reel l iFe Profiles on entertainment industry personalities and their stylish business pursuits

Pret-a-rePorter newslet ter

Exclusive content delivered directly

to your inbox


Updated: 02/18/15

MOBile-OP T iMizeD THR .COMTHR’s mobile site delivers breaking news on a site designed to facilitate deeper user engagement with a sleek new layout,

infinite scrolling, enhanced navigation and list display, swipeable galleries, videos, and social sharing and commenting.

iPaD aPP The iPad edition is an addictive, clickable, gorgeous and innovative app that delivers the weekly magazine in full with all

sorts of fun extras in the form of photos, videos and a breaking news feed powered by THR.com.

NEWSLETTERSA suite of daily, weekly and seasonal e-newsletters

cover breaking industry-focused news across continents: headlines, daily ratings, box office, film festivals,

our Daily Edition PDF, and the Pret-a-Reporter newsletter.

E-MAIL DATABASEA database of industry-only readers is a powerful direct-

marketing tool that provides advertisers with e-mail access to 100K of Hollywood’s most sought-after consumers: the catalysts who

start conversations, ignite trends and drive culture.

DIGItaL eXteNsIONs

Ac c E s s E n T E rTA I n M E n T E n T h u s I A s T s Ac r o s s pl AT f or M s A n D DE v Ic E s

MOBILE

APRIL 18, 2014

From left: Jim Parsons, Taylor Kitsch, Matt Bomer and Mark Ruffalo

Elia Kazan’s Private Letters

The Disney War of ’94THE YEAR FRANK WELLS DIED AND THE ENSUING INSANITY OF EISNER, KATZENBERG & OVITZ By Kim Masters

Mickey Rooney Glory & Tragedy

THE PAINFUL FAMILY FEUD THAT MARRED HIS FINAL DAYS

1920-2014

,

RYAN MURPHY, BARBRA STREISAND AND THE HBO CAST ON THE 30-YEAR STRUGGLE TO BRING LARRY KRAMER’S SEARING AIDS DRAMA TO THE SCREEN

THENORMAL

HEARTTHE SAGA OF

14cover_l [P]{Print}.indd 3 4/8/14 1:42 PM


Updated: 02/18/15

eVeNts CaLeNDaR

SUNDANCE FILM FESTIVALDATE January 22 - February 1, 2015 LOCATION Park City, Utah ATTENDEES Varies by location

SUPER BOWL PRE-PARTYDATE January 31, 2015 LOCATION Scottsdale, AZ ATTENDEES 300+

NOMINEES NIGHT (OSCARS)DATE February 2015 LOCATION Los Angeles ATTENDEES 300 people

STYLISTS LUNCHEONDATE March 2015 LOCATION Soho House, Hollywood ATTENDEES 50 people

NEW YORK POWERDATE April 2015 LOCATION nYC, The Four Seasons ATTENDEES 200 people

POWER LAWYERS BREAKFASTDATE May 2015 LOCATION Beverly Hills ATTENDEES 150 people

CANNES FILM FESTIVALDATE May 13-24, 2015 LOCATION Luxury Cannes location ATTENDEES Approx. 150 people

NY SCREENINGSDATE Throughout the year LOCATION Various nYC &

Hamptons locations ATTENDEES Varies per screening

TORONTO INTERNATIONAL FILM FESTIVALDATE September 2015 LOCATION Toronto ATTENDEES 200 people

NOMINEES NIGHT (EMMYS) DATE August/September 2015 LOCATION Los Angeles ATTENDEES 200-300 people

NEW YORK FASHION WEEK DATE September 2015 LOCATION new York ATTENDEES TBD

POWER BUSINESS MANAGERSDATE October 2015 LOCATION Los Angeles ATTENDEES 150 people

POWER OF STYLE (WOMEN)DATE October 2015 LOCATION Top L.A. Location ATTENDEES Approx. 50 people

POWER OF STYLE (MEN)DATE October 2015 LOCATION Top L.A. Location ATTENDEES Approx. 50 people

KEY ART AWARDSDATE October 2015 LOCATION Dolby Theater, LA ATTENDEES 1,200 - 1,400 people

NEXT GENDATE november 2015 LOCATION Hollywood ATTENDEES 300 people

BEAUTY LUNCHEONDATE november 2015 LOCATION Los Angeles ATTENDEES Approx. 40 people

WOMEN IN ENTERTAINMENTDATE December 2015 LOCATION Top L.A. Location ATTENDEES 600 people

Custom eventopportunities

available


Updated: 02/18/15

“Janice Min’s transformation of The Hollywood Reporter from

sleepy trade to a buzzed-about pop culture weekly, snagged two [National Magazine Award] nominations, including one for Magazine of the Year.””THE NEW YORK POST JANUARY 2015

…The Hollywood Reporter…has emerged as both buzzy and

serious under the leadership of Janice Min…”THE WASHINGTON POST MAY 2014

… a visually lush weekly magazine… Web traffic & advertising have soared in

part because Ms. Min produces much more consumer-oriented entertainment coverage.”THE NEW YORK TIMES JUNE 2013

If you want to celebrate print magazines, why not feature Janice Min, who is turning

The Hollywood Reporter from a dying trade into a thoughtful, glossy exploration of everything Hollywood…with a crackling, obsessive website to boot.”SLATE JUNE 2013

A broader interest weekly magazine packed with big photos and incisive

contextual features.” ELLE

The Hollywood Reporter [is] a slick, power-focused, visually appealing package of

Hollywood news and gossip, with a website whose skyrocketing traffic levels...changed the Hollywood trade publication model.” USA TOdAY

Some people here now refer to the revamped Reporter,

with its social-scene pages and power-lunch tidbits mixed with exposés and frothy celebrity features, as the ‘new’ Vanity Fair.”THE NEW YORK TIMES FEB. 2013

[Janice Min] has transformed the trade into a glossy nexus of

trendspotting, profiles, and insider intelligence that demands the consideration of the elite in Hollywood and beyond.” dETAILS, NOv. 2012

The revamped Reporter is a hit with readers and not only because it looks pretty. Ms. Min

has delivered a more relevant, provocative style of journalism.” THE NEW YORK TIMES OcT. 2012

[Janice] Min has launched an ambitious oversize glossy

magazine... think W by way of Studio City.” THE dAILY BEAST

Source: BurrellesLuce, 2014

In 2014, THR won its first Emmy Award for

“The wolf of wall street” roundtable video.

BRaND OF ReCORDw I T h 9 0 + bI l l Ion M E DI A I M pr E s sIons f r oM jA n. T o sE p T. 2 014,

THR i s e n t e rta i n m e n t ’ s br a n d of r e c or d. bu T D on ’ T TA K E ou r wor D f or I T. . .

winner of a 2015 ASME Award for General Excellence as well as

14 Southern California Journalism Awards from

the los Angeles press club, incluidng best publication and best website.

‘‘ ‘‘

‘‘

‘‘

‘‘

‘‘‘‘

‘‘‘‘

‘‘


Updated: 02/18/15

eDItORIaL CaLeNDaRof THR ’s 50 yEArly IssuEs, ThEsE ArE onEs wITh added luXury consumer appeal .

*Editorial content subject to change

JAN 7 DEC 26 DEC 27 GOLDEN GLOBES ISSUE

JAN 14 JAN 7 JAN 9 WELLNESS & BEAUTY SPECIAL FEATURE

JAN 21 JAN 14 JAN 16 SUNDANCE FILM FESTIVAL ISSUE WITH NEXT GEN: ACTORS SCREEN ACTORS GUILD AWARDS THE POWER LUNCH (LOS ANGELES)

FEB 4 JAN 28 JAN 30 GRAMMY AWARDS PREVIEW

FEB 18 FEB 11 FEB 13 OSCAR ISSUE

FEB 25 FEB 18 FEB 20 POST OSCAR ISSUE: AWARDS WRAP-UP & RED CARPET PHOTO GALLERIES

MAR 18 MAR 11 MAR 13 STYLIST ISSUE WITH TOP 25 MOST POWERFUL STYLISTS

MAR 25 MAR 18 MAR 20 REALITY POWER LIST WITH THE 25 MOST POWERFUL PEOPLE IN REALITY TELEVISION

APR 8 APR 1 APR 3 NEW YORK ISSUE WITH NEW YORK’S TOP 35 MOST POWERFUL PEOPLE IN MEDIA TRIBECA FILM FESTIVAL PREVIEW

APR 22 APR 15 APR 17 TOP 25 FILM PRODUCERS

APR 29 APR 22 APR 24 POWER LAWYERS ISSUE WITH TOP ENTERTAINMENT LAW SCHOOLS

MAY 6 APR 29 MAY 1 CANNES ISSUE WITH NEXT GEN: DIRECTORS

MAY 11 MAY 6 MAY 8 WRITERS ISSUE

JUN 17 JUN 10 JUN 12 SHOWBIZ KIDS

JUN 24 JUN 17 JUN 19 NEXT GEN: BELOW THE LINE SUMMER REAL ESTATE SPECIAL

JUL 15 JUL 8 JUL 10 SPORTS ISSUE WITH CLIO SPORTS AWARDS PREVIEW

JUL 22 JUL 15 JUL 17 COMIC-CON PREVIEW

AUG 12 AUG 5 AUG 7 PHILANTHROPY ISSUE

AUG 26 AUG 19 AUG 21 HOLLYWOOD’S TOP DOCTORS FEATURE

SEPT 2 AUG 26 AUG 28 TORONTO INTERNATIONAL FILM FESTIVAL WITH NEXT GEN: PRODUCERS

SEPT 16 SEPT 9 SEPT 11 EMMY ISSUE WITH NEXT GEN: TV TALENT

SEPT 23 SEPT 16 SEPT 18 FALL FASHION WITH TOP 25 RED CARPET DESIGNERS POST EMMY ISSUE: AWARDS WRAP-UP & RED CARPET PHOTO GALLERIES FOOD SPECIAL FEATURE TOP HOLLYWOOD REALTORS

SEPT 30 SEPT 23 SEPT 25 MONEY SPECIAL FEATURE WITH TOP ENTERTAINMENT BUSINESS MANAGERS POWER OF STYLE: MEN’S EDITION

OCT 7 SEPT 30 OCT 2 TV SHOWRUNNERS ISSUE & KEY ART AWARDS PREVIEW

OCT 14 OCT 7 OCT 9 YOUNG LATINOS IN ENTERTAINMENT POWER OF STYLE: EXECUTIVE WOMEN

OCT 14 TBD TBD JEWELRY STAND-ALONE ISSUE

OCT 21 OCT 14 OCT 16 DESIGN ISSUE WITH TOP 25 DESIGNERS FALL REAL ESTATE SPECIAL

NOV 4 OCT 28 OCT 30 NEXT GEN ISSUE

NOV 11 NOV 4 NOV 6 BEAUTY ISSUE

NOV 18 NOV 11 NOV 13 HOLIDAY GIFT GUIDE

NOV 23 NOV 1 NOV 4 WATCHES STAND-ALONE ISSUE

DEC 9 TBD TBD POWER 100 WOMEN IN ENTERTAINMENT

DEC 16 DEC 9 DEC 11 THE RULE BREAKERS: YEAR IN REVIEW WINTER REAL ESTATE SPECIAL

pub date ad CLose mateRIaLs due edItoRIaL foCus/speCIaL featuRe


Updated: 02/18/15

dIsCouNts

sIZe/posItIoN 1X 3X 6X 12X 24X 52X FULL PAGE

4 Color 27,200 25,840 23,290 20,400 16,490 14,535

BW 16,320 15,470 14,025 12,240 9,945 8,755 cOvERS & PREMIUM UNITS

C2/P1 62,560 14,535

C4 36,720 14,535

C3 31,280 14,535

Center 66,470 63,155 56,950 49,895 40,375 35,530

TOC & Masthead 34,000 32,300 29,155 25,500 20,655 18,190 Adjacencies SPREAd 4C 54,400 51,680 46,580 40,800 32,980 29,070

PARTIALS

1/2 P 4C 18,360 17,425 15,725 13,770 11,135 9,860

1/3 P 4C 14,593 13,855 12,495 10,965 8,840 7,820

1/4 P 4C 10,880 10,370 9,350 8,160 6,630 5,780

1/3 Bookends 27,200 25,840 23,290 20,400 16,490 14,535

1/2 P BW 9,713 9,265 8,330 7,310 5,865 5,185

1/3 P BW 7,344 6,970 6,290 5,525 4,420 3,910

1/4 P BW 4,976 4,760 4,250 3,740 3,060 2,635

AddITIONAL cHARGES (AddEd TO BW OR 4c AS APPROPRIATE)

Metallic 4,930 PMS 3,570 Process Color 2,210

nOTE:

• Gatefolds and other Special Units pricing available upon request

• These net rates apply to consumer advertisers only

PRINt Rates


Updated: 02/18/15

spaCe bLeed NoN-bLeed tRIm LIve (safe) aRea FULL PAGE 10.5” x 13.5” 9.25” x 12.25” 10” x 13” 9.25” x 12.25” 266.7MM x 343MM 235MM x 311MM 254MM x 330MM 235MM x 311MM

2-PAGE SPREAD 20.5” x 13.5” 19.25” x 12.25” 20” x 13” 19.25” x 12.25” 520.7MM x 343MM 489MM x 311MM 508MM x 330MM 489MM x 311MM

1/2 HORIZOnTAL 8.8333” x 5.5849” n/A n/A 224.37MM x 142MM

1/2 VERTICAL 4.25” x 11.6667” n/A n/A 108MM x 296.34MM

1/3 HORIZOnTAL 8.8333” x 3.416” n/A n/A 224.37MM x 86.77MM


1/4 HORIZOnTAL 8.8333” x 2.4998” n/A n/A 224.37MM x 63.5MM


1/4 SQUARE 4.25” x 5.5849” n/A n/A 108MM x 142MM

BLEEd PARTIALS, cOvERS & SPEcIALITY SIZES STAND-ALONE BACK COVERS: Mailing Label in Upper Right Corner Along Spine. Contact Production for Back Cover, Bleed Partial and other Specialty size specs and templates.

PRINt aD sPeCs

PRINTING Web offset (SWOP) Saddle Stitched Publication trim size 10” x 13”

MECHANICAL REQUIREMENTS Bleed ads should have a minimum .25” (6.35mm) bleed on all 4 sides and should include trim indications. Trim indications should be offset by .375” (9.525mm).

SAFETY All live elements, i.e. type on bleed ads, must be a minimum of 3/8” (.375 inch or 9.525mm) inside the final trim area.

GUTTER SAFETY 3/16” on each side (total 3/8”). Partial ads should be supplied to trim only.

FILE SUBMISSION All ad submission must be press-ready PDF/x1-a files via the THR ad portal, e-mail, CD or FTP upload. (File name should include name of advertiser and issue run rate.)

DIGITAL AD REQUIREMENTS MEDIA THR prints PDF/x-1a files only. Export setting: ADOBE ACROBAT 6 (1.5) or higher. Quality control depends on properly created PDFs.

DOWNLOAD: THR PDF Ad Export Settings for InDesign at: thr.com/ad/specs or contact: [email protected].

All rasterized files must be 300 DPI. CMYk TIFFs must be 100% of final size.

Transparencies must be flattened.

Line screen is 150 l.p.i.

Allow for 10% press gain when preparing Grayscale materials.

Maximum ink density: 300 total.

FONTS Embed all necessary fonts in PDFs.

COLOR The color space must be CMYk or Grayscale. no RGB, LAB or embedded color profiles (such as ICC profiles).

no files with PMS colors will be accepted without prior notification. Otherwise, all PMS colors MUST be converted to CMYk.

Surprinting on Metallic inks will produce muted colors.

note any special color information on the Contact Proof.

LIABILITY THR cannot be held responsible for the quality of reproduction if these specifications are not adhered to.

Ads received after deadline may not publish in the desired issue.

THR will not be held responsible for changes the THR Production department must make to any ad that is inadequate or fails to adhere to THR Digital Ad Specifica-tions.

THR is not liable for the final output if no Contact Proof is supplied.

THR will store files for 30 days PRODUCTION SERVICES THR maintains an in-house Art Department. Contact your sales rep for ad design details

and rates.

FOR DEADLINES, AD SPECIFICATIONS OR TECHNICAL QUESTIONS:

Contact Maya Eslami 323.525.2093

THR will accept your press ready PDF/x1-a files via the THR ad portal, e-mail, CD or FTP upload.

AD PORTAL Deliver ads through our Ad Portal: prometheus.sendmyad.com

EMAIL [email protected] (Subject line must include name of advertiser and issue date.)

POSTAL ADDRESS 5700 Wilshire Blvd. Suite 500, Los Angeles, CA 90036


Updated: 02/18/15

Publisher & Senior Vice President

lynne [email protected]

323.525.2192

Vice President, Luxury & Consumer

Jonathon [email protected]

323.525.2063

THR CONtaCts

DETROIT

Colleen lafferty maiorana Maiorana+Partners Ltd.

E: [email protected]: 248.546.2222

LONDON

alison smith E: [email protected]

T: +44-7788-591-781

AUSTRALIA/ NEW ZEALAND

lisa Cruse [email protected]

+64 21 566 699

ASIA

ivy lam E: [email protected] T: 852.2880.3405

PRODUCTION

Kelly Jones E: [email protected] T: 323.525.2163

Co-President, Entertainment Group

John [email protected]

212.493.4337

NEW YORK 770 Broadway, 15th Floor new York, nY 10003 // T: 212.493.4324

tyler moss Del vento Exec. Director, Fashion, Beauty & Luxury // [email protected] // 212.493.4332

Karen uZel Exec. Director, Jewelry & Watches // [email protected] // 212.493.4163

LOS ANGELES 5700 Wilshire Blvd., Suite 500 Los Angeles, CA 90036 // T: 323.525.2245

Karbis DoKuZyan Director, West Coast Consumer // [email protected] // 323.525.2376

2015 MEDIA KIT - Hollywood Reporter...2015 MEDIA kIT Updated: 02/18/15 Page 6 aBOuT TOWn + Hollywood...

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