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M E D I A K I T20 14


Updated: 12/20/13

assetsT h E D E f I n I T I v E I n T E r pr E T I v E voIc E of

E n T E rTA I n M E n T A n D t h e l i f e s t y l e i t i n s pi r e s .

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Updated: 12/20/13

r E A D by T h E Mo s T p ow e r f u l pe o pl e i n t h e i n d u s t ry A n D T h E Mo s T i n f lu e n t i a l c on s u m e r s w ho f ol l ow I T.

MaGaZINe

40%FEMALE

60%MALE

AUDIENCE

A F F LU ENC E PURCH ASI NG POW ER

AVERAGE AGE 46 COLLEGE GRAD 90% POST/GRADUATE DEGREE 40%

On fAShiOn A mOnTh $4,124On TRAVEL A mOnTh $5,077

On bEAUTy PRODUCTS A mOnTh $2,481

On ELECTROniCS A mOnTh $4,668On nExT AUTO PURChASE $61,170

On jEwELRy & wATChES A mOnTh $1,353

AVERAGE hhi $300K TOTAL ASSETS $1.7MM

Source: millward brown Optimor Study


Updated: 12/20/13

Sources: AAm magazine Publisher’s Statement, june 2013; Equation Readership Study, Dec. 2011

RATE bASE 72K

TOTAL AUDiEnCE 230K

READERS PER COPy 3.2

PRiCE Of SUbSCRiPTiOn $99 — $299 PER YEAR

w I T h 47 I s s u E s A y E A r , u s E T H R ’ s f r E q u E n c y A n D r E Ac h T o TA r g E T A M I x of I n Du s T ry Mo g u l s , A-l I s T c E l E b r I T I E s A n D c o n s u M E r

I n f lu E n T I A l s I n M E T r op ol I TA n A r E A s f r o m c oa s t t o c oa s t .

THR CIRCULatION

THE ENGAGEMEN T

40%WEST COAST

45%EAST COAST

15%OTHER U. S. CITIES

AND INTERNATIONAL

+ AverAge time SPeNt with mAgAziNe iS 42 minutes

+ 1 iN 3 reAderS SPeNd

more thAN 45+ minutes with weekly mAgAziNe

+ 41% look At it

right AwAy

+3 in 4 reAd for

buSiNeSS ANd PleASure

+ 65% reAd At work ANd

40% briNg it home

+ 35% refereNce it

throughout the week

+40% ShAre iSSueS with

SPouSe or PArtNer

+30% tAke it with them

wheN trAvelliNg or commutiNg


Updated: 12/20/13

THR CONteNt

F E AT U R E S THR’s feature well showcases longform journalism from entertainment’s most esteemed editors.

THe RePORTAs the first editorial section, “The Report” elaborates on the soundbites the biz is buzzing about and takes a closer look at the week’s headlines.+ Breaking news, exclusive analysis, showbiz

stocks, box office numbers

+ Yes, I Did Say That! Who’s saying (and tweeting) what in Hollywood

+ 7 Days of Deals: Who’s inking on the dotted line this week

+ Exclusive interviews and profiles

+ Roundtable Series+ Power Lists

+ Award-winning original photography

+ Oscar and Emmy Awards Season+ Film Festivals


Updated: 12/20/13

aBOuT TOWn + Hollywood Hits the Red Carpet

From premieres to parties, film festivals to fundraisers, an exclusive look at what they wore and who mingled with whom at Hollywood’s elite celebrations.

+ Rambling Reporter Scoops on the industry from an insider.

+ Power Lunch Where Tinseltown’s power players convene to seal the deal.

+ Hitched, Hatched, Hired Personal milestones of the industry’s power players.

THe BuSineSS+ Executive Suite+ The Race+ Award Season Opinion Column+ Box office Reports+ Social Action

BaCklOT+ Milestones & Anniversaries+ Walk of Fame & Industry Honors+ On Location + 8 Decades of The Hollywood Reporter+ MADE IN Reports on the destinations

acting as film and TV sets.

HOlly WOOD S T yle+ Fashion, Beauty and Hollywood Style+ Jewelry and Timepieces+ Real Estate and Hollywood Homes+ Travel and Hollywood Hideouts+ Automotive+ Gift Guides & Gadgets

70 | The hollywood RepoRTeR | 10.18.13

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filmmakers from the mainland.Spurred on by a dip in produc-

tion spending — from $245 million in 2012 to an estimated $202 mil-lion in 2013 — the Hawaii state legislature recently approved a 5 percent across-the-board increase to the state’s existing tax credit, effective July 1. Qualifying film and TV projects now will receive a 20 percent rebate for shoots on Oahu and 25 percent on the neighboring islands. The law also extended the credit’s sunset date from 2015 to 2019, raised the

EXactly one century ago,

Hollywood silent-film direc-tor John Griffith Wray took his production crew to the remote

American colony of Hawaii to film two shorts, the first ones ever made on the islands: The Shark God and Hawaiian Love.

“It’s fascinating to think that when those first productions came here, this was still a mon-archy,” says Hawaii state film commissioner Donne Dawson. “Our queen was still alive. We’ve come a long way.”

To mark the centennial of local film production, Hawaii is celebrating. There’s a film ret-rospective of island-filmed titles in October at the Hawaii International Film Festival and an exhibit on fashion in cinema at the Modern Hotel, held in conjunction with Hawaii Fashion Month. But even as they toast the state’s past, officials are looking for additional ways to lure more

per-project incentive cap from $8 million to $15 million and made the boosts retroactive to Jan. 1.

Dawson says the new incentives have led to a surge of inquiries from Hollywood producers. “We have seen a definite increase in interest since the incentives passed,” she says.

Socrates Buenger, owner and CEO of the new 21,000-square-foot Maui Film Studios, the only soundstage in Maui located in the Kahului industrial region, says that landing new

Godzilla, Tim Burton and Cameron Crowe all are filming in the state, which recently has boosted its tax incentives even as it celebrates its centennial as a site for film production By Matthew Fleischer

Hawaii bEts on 100 morE YEars

In its fourth season, CBS’ Hawaii Five-0 filmed on one

of Hawaii’s many beaches.

productions is an ongoing process.“We need to let people know

we exist here and that we have a really good tax incentive,” he says.

When Hollywood thinks of Hawaii, it’s the state’s beaches and jungle vistas that immediately come to mind. But Dawson says producers would be remiss to dis-count the state’s urban amenities.

“People know us for the diver-sity of our landscapes,” she says, “but our architecture is quite diverse, too. It’s easy to shoot period pieces that take place on our islands because the buildings of those eras all still exist.”

Hollywood slowly is starting to figure that out.

The iconic Aliiolani Hale, a former governmental palace that now serves as the home of Hawaii’s Supreme Court, stands in as the fictitious headquarters for CBS’ Hawaii Five-0 team. It also played an important role in Tim Burton’s upcoming Weinstein Co. feature Big Eyes. The biopic, starring Amy Adams and Christoph Waltz as feuding married artists Margaret and Walter Keane, wrapped shooting on Oahu in late September. And Legendary/Warner Bros.’ Godzilla, starring Bryan Cranston, also recently com-pleted a visit to Honolulu.

Director Cameron Crowe’s still-untitled Hawaii feature, meanwhile, just started shooting on Oahu and will take advantage of the island’s numerous military facilities. Will Burton’s and Crowe’s projects give local production the boost Wray’s did a century ago?

“We are excited to be celebrating 100 years of film production,” says Georja Skinner, chief officer of Hawaii’s Creative Industries Division. “We really feel we have a great tax-incentive program that will take us another 100 years.”

With Elvis Presley on Tap, the Hawaiian Film Festival Joins the Party“Movies have been made in Hawaii for 100 years, and we’ve been here for one-third of that time,” says Chuck Boller, executive director of the 33rd Hawaii International Film Festival, which kicks off Oct. 10. The event, screening 209 features, runs through Oct. 20 in Oahu, then moves to the Big Island and Kauai from Oct. 24 to 27. As

Hawaii-born Keo Woolford’sThe Haumana will close the fest.

part of the state’s celebratory party, the fest has programmed movies set in the Aloha State like Elvis Presley’s Blue Hawaii (1961), which will screen on Waikiki Beach. With its traditional focus on movies from Asia and the Pacific Region, HIFF will open with the U.S. premiere of South Korean feature Final Recipe as well as

Japanese animation master Hayao Miyazaki’s The Wind Rises and close with the locally produced The Haumana, about students at a hula school. To round things out geographically, the fest’s EuroCinema section, presented by Honolulu’s Luxury Row, will shine a spotlight on 19 European films. — GREGG KILdAy

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www.thr.com | The hollywood RepoRTeR | 17

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◄ publicityJolie’s message How a crisis became a media moment �� 20

filmCannes lessons 4 takeaways from the rain-soaked fest �� 20

Dealsmeryl’s musiCal Why big stars are singing for little money �� 24

matters,” says Warners distribution chief Dan Fellman. Buzz is good on the studio’s biggest bet of the summer, Man of Steel (June 14). Riskier is Guillermo del Toro’s robots vs. monsters epic Pacific Rim in July, but Warners only has a 25 percent stake in the film. Its main financier, Legendary Pictures, is the bigger question. Founder Thomas Tull has made no secret that he is looking for a new home, possibly Universal, and if his company takes a hit, his mood isn’t likely to improve.

ParamounT J.J. abrams’ Star Trek Into Darkness is underwhelming domestically ($83.7 million and count-ing) but performing far better overseas, which was one of

Paramount’s objectives. The big remaining question mark is the troubled Brad Pitt zombie film, World War Z, which opens only one week after Man of Steel, on June 21. The studio financed extensive

reshoots — or, rather, shoots, since the third act was entirely reconceived — and executives have been

in overdrive trying to reverse negative buzz.universal Fast & Furious 6 looks poised to

deliver (can it match Fast Five’s $626.1 million in such a crowded market?). Chiefs adam Fogelson

and Donna langley have turned in an improved per-formance in recent months, with such hits as the horror movie Mama and the comedy Identity Thief. Despicable Me 2 (July 3) seems like a sure thing. But RIPD, a supernatural action movie with ryan reynolds, has some joking that it should drop “D” from the title. Sources say bosses at Comcast expect this film to lead to a loss.

Disney What exactly is the budget of The Lone Ranger? Disney chairman robert iger personally intervened to lower the cost of the Johnny Depp Western from $250 mil-lion to $215 million. Now that original figure is believed to be a distant memory. The good news: Disney is raking

W ith U.S. tick et SaleS already

down 11 percent this year and the number of big-budget movies sharply up, summer 2013 is turning into a nail-biter. Volatile

political situations at several studios are making matters worse for top execs.

sony Its parent has denied that it’s for sale, but activ-ist shareholder Daniel loeb now is pushing the company to spin off entertainment assets. Amid the pressure on studio chiefs michael lynton and amy Pascal, Sony will release seven big films this summer, tops in Hollywood. After Earth, a sci-fi epic from m. night shyamalan starring Will smith and son Jaden, enters a crowded market May 31. Competitors believe it might have trouble matching the $37.1 million bow of April’s similar Oblivion. Smith’s Men in Black 3 grossed $624 mil-lion worldwide for Sony last summer but cost too much (a blistering New York Times piece May 18 pegged Sony’s profit margin at a slim 6.5 percent).

Other risks include White House Down, which follows the similarly themed Olympus Has Fallen ($132.5 million in March). On July 12 comes Grown-Ups 2, a follow-up to an original that grossed $271.4 million but must compete with mega-budgeted Pacific Rim. July also brings The Smurfs 2 (one of many animated films in the game this summer), and matt Damon’s Elysium is another sci-fi bet in August.

Warner Bros. Chief Jeff robinov needs to preside over a strong summer to quell speculation about his future following the elevation of Kevin Tsujihara to the top job. The Great Gatsby has performed and The Hangover Part III probably is critic-proof but faces a strong Memorial Day rival in Universal’s Fast & Furious 6. “The second, third and fourth weekend could turn out to be what

studios sweating Crowded summer at the Box office

Jampacked release calendars and executive intrigue make for an especially stressful blockbuster season as the $200 million gambles begin rolling out By Pamela McClintock and Kim Masters

showbiz stocks

$ 1 5 . 5 4 (+4.5%) realD (rld)

Paramount moved up by one day the release of Star Trek Into Darkness, which uses RealD’s

3D technology, and analyst Eric Wold predicts six of summer’s

top 10 movies will be in 3D�

$ 2 5 .7 6 (-4%) FaCeBooK (fb)

Nielsen says minutes per user on desktops dropped

6 percent in a year�

m i k e d a r n e l lFox’s reality chief faces a huge task in rebooting

American Idol after a disastrous season, with

a finale down 40 percent and a median age up to 51�2�

m i c h a e l d o u g l a sHis turn as liberace

in Behind the Candelabra wins raves at Cannes as the

steven soderbergh HBO pic shoots to the front

of Emmy contenders�

m e l i s s a j o a n h a r tNot everyone can be

Zach Braff: The actress shuts down her Kickstarter campaign for a rom com after raising only

$51,000 from 315 donors, far short of her $2 million goal�

B i l l l aw r e n c eThe Cougar Town co-creator

proves himself the King of the Upfronts, selling new shows at NBC (Undateable),

Fox (Surviving Jack) and TBS (Ground Floor)�

may 13-20

Heat index

Pascal

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illustration by Pixel Pusher


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photographed by Travis Rathbone

STYLEwatches

Kidman

Madonna

Linked InA warming trend in women’s

watches emerges with yellow and rose gold bracelets and diamond accents

that blur the line between timekeepers and treasured jewelry

mesh for successThe Couture Precieuse

chain cuff watch by Piaget (madonna is a fan) goes

bold in 18-karat rose gold with a pave-set dial

featuring 400 diamonds; price upon request, call

(877) 8PIAGET

night watchVacheron Constantin’s Patrimony

Traditionelle sparkles with nearly 6.5 carats of diamonds;

$101,300, at Vacheron Constantin, Beverly Hills and

South Coast Plaza

tank topCartier’s Tank American

(Jennifer garner wears a version) in 18-karat rose gold

evokes vintage glam with its scalloped bracelet;

$36,500, at Cartier nationwide

it’s all goldenOmega brand ambassador

nicole kidman wears several iterations of the De

Ville Ladymatic, here in yellow gold with diamonds;

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the Beverly Center

retro styleGlashutte Original’s

Pavonina in 18-karat red gold features a

distinctive open-link bracelet that echoes

its rounded case; $27,500, at Tourbillon in

Beverly Hills and Orange County’s South

Coast Plaza

Garner

THR CONteNt


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Elektra Records president Jeff Castelaz, who drives an S5: “Audi has done an incredible job building rocket-fast cars that don’t look ostenta-tious or lame. A friend who plays guitar in an arena rock band drives an A7. It looks tame, but when you get inside the car, it’s like the

cockpit of the space shuttle. But he can park it in Silver Lake and not look like the punch line of a joke on Entourage.” Says Criminal Minds actor Shemar Moore, “When Iron Man came out and I saw the R8, I lost my mind. I said if and when CBS gives me a raise, I’m going to get one.” Moore turned 40 and gave himself the car as a birthday present.

Other car companies reach out to the industry — BMW, Ford and GM among them — but Audi has been relentless. A beachhead was established during the 2009 awards season when Audi launched its first “influencer” program, designed to get Hollywood engaged with the brand and behind the wheel. Audi put in place an armada of 90 white Q7 TDI diesel SUVs to roam the streets of Los Angeles

Audi has waged a full-frontal attack on the hearts, minds and wallets of Hollywood since 2006, displacing BMW and Mercedes-Benz as the Hollywood car du jour with a savvy com-bination of sponsorships, product placements and an expensive-to-maintain fleet of 35 VIP and 30 chauffeur-driven vehicles in Los Angeles and New York that,

according to Audi, directly increase sales. “The entertain-ment community influences audiences around the world,”

says Audi of America president Scott Keogh via e-mail. “You can

feel it when you speak to customers and dealers. They cite movies, TV shows

and events that we have been involved with. It puts Audi

in the conversation.”Audi’s understated, form-follows-

function designs also sync perfectly with Hollywood’s post-recession aversion to unvarnished bling. “I wanted something that wasn’t gaudy but comfortable and elegant,” says Mauricio Umansky, CEO of high-end real estate firm The Agency. Adds

STYLEAUTOS

L ook to the iron man 3 premiere outside the El Capitan Theatre in Hollywood in April. There’s Robert Downey Jr. pulling up in a 2014 R8 Spyder he drove

himself. Over there, it’s Gwyneth Paltrow arriv-ing in an A8L TDI clean diesel as are castmates Don Cheadle and Guy Pearce. There’s Ben Kingsley pulling up in a A8L, Hayley Atwell arriving in a Q7 TDI and Chris Evans, Jon Favreau and Zachary Levi all in A8Ls. Audi had more than 40 chauffeur-driven cars on hand at the premiere, all part of its plan to take over Hollywood, or at least its driveways.

Look at the parking queue for any recent high-profile Hollywood event — the Elton John AIDS Foundation Oscar viewing party, the Women in Film pre-Emmys and Oscars receptions, the Chrysalis Butterfly Ball, an Art of Elysium Golden Globes event, the Motion Picture & TV Fund’s Reel Stories, Real Lives fund raiser and the brand’s own Golden Globes and Emmy preparties — and you’ll see an armada of Audi sedans and SUVs, drivers idling, waiting to whisk away Diane Keaton, Elizabeth Banks, Jessica Chastain, Michael Sheen, Joel McHale, Keira Knightley, Damian Lewis, Dustin Lance Black, Josh Lucas and Brian Grazer.

how audi took oVER hollywood

Once barely on the industry’s radar, the German carmaker has waged a quiet war against Mercedes and BMW through relentless event

sponsorships and A-list loaners (up to a year!) By Jon Alain Guzik

Moore

Castelaz

Downey and wife Susan at the Iron Man 3 premiere in front of an Audi R8 Spyder, featured in the film. Above, Downey as Tony Stark with the

R8. Audi provided cars and technical assistance to the filmmakers.

Audi by the NumbersTHR loitered at two industry hotspots and counted. The final score from the valet:

2-3 P.M.SPAGOAudi ......................7

BMW ....................11

Lexus ................... 6

Lincoln ................. 6

5:30-6:30 P.M.FOUR SEASONSAudi ......................7

BMW .................... 8

Lexus ................... 9

Mercedes ............ 20

photographed by Mike Lorrig

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STYLEbeauty

PINK POUT POW!Give ’em some serious lip this spring as winter’s red fades

and color goes from bubble gum to bright fuchsia By Meg Hemphill

Fisher

Deschanel

Super-PigmentedLuminous Creme

lipstick in Vento by Bite Beauty.

Isla Fisher wore a bold lip shade by

the brand to The Great Gatsby’s New York premiere;

$24, at Sephora, Beverly Center

Long-LastingThe new formula of

Chanel’s Rouge Allure Luminous

Intense Lip Colour in Extatique is less

creamy, helping it stay on longer, $34, at Chanel, Beverly Hills

Sheer ShadeLightweight

lipstick in Roman Holiday by Nars, $26, at Nars flagship,

West Hollywood

Silky SmoothShiseido’s Perfect Rouge lipstick in

Bubblegum Pink has hyaluronic acid

that locks in moisture, $25, at Barneys

New York, Beverly Hills

Limited EditionRouge A Levres matte

lipstick in Silly by MAC from the brand’s spring 2013 Fashion

Sets collection, $15, at MAC Pro Store,

West Hollywood

Ultra HydratingLa Creme Lip Cream

in Marshmallow Bunny by Too Faced.

Makeup artist robin glaser uses

the brand’s lipsticks on Zooey deschanel

on New Girl; $21, at Sephora, Beverly Center


Updated: 12/20/13

MaRk MilleR Deputy Executive EditorMiller joined THR in Jan. 2013 after serving as Director of Editorial Operations at Newsweek/Daily Beast. Prior to this, he was West Coast editor there, overseeing pop culture and entertainment and, after that, was Chief of Correspondents. S TePHen gallOWay Executive Editor, FeaturesJoined THR in 1993. A graduate of Cambridge and AFI, Galloway created THR’s signature Roundtable Series as well as the high-profile Power 100 Women in Entertainment Mentorship Program that pairs inner-city youth with Hollywood execs.

Degen PeneR Culture EditorJoined THR in October 2010. Pener was previously the editor-in-chief of Angeleno, entertainment director of Details magazine, editor-at-large and West Coast editor of Elle, staff writer at Entertainment Weekly and columnist for The New York Times Style Section and New York.

MaT THeW BellOni Executive EditorFormerly an attorney at an entertainment litigation firm in Los Angeles, Matt joined THR in 2006 to write for THR’s Hollywood, Esq. blog. In addition to heading the THR newsroom, Matthew continues to moderate THR’s roundtable series.

k iM MaS TeRS Editor-at-LargeJoined THR in June 2010. The award- winning journalist is also the host of weekly radio show, The Business. Previous work includes covering entertainment for The Daily Beast, contributing editor at Vanity Fair, covering politics for The Washington Post’s Style section and a contributing editor at Time. TODD MCCaRTHy Chief Film CriticJoined THR in October 2010 after a near life-long career as an internationally regarded film critic at Variety. He is also the filmmaker behind several documentaries.

T iM gOODMan Chief TV CriticJoined THR in October 2010. Goodman built his reputation as one of the most distinctive voices writing about television as a long time critic, columnist and blogger (The Bastard Machine) for the San Francisco Chronicle.

SHiRle y HalPeR in Music EditorJoined THR in October 2010. Has covered music as a senior writer for Entertainment Weekly and recently wrote about American Idol full-time for the Los Angeles Times while also contributing to Rolling Stone. She is the author of three books.

CaROl MCCOlgin Style EditorCovered fashion for six years at Us Weekly (including annual style issue and style specials) before joining THR in Oct. 2010. Carol oversees all Hollywood Style fashion content and market coverage both in-book and online. MeRle ginSBeRg Senior Style WriterJoined THR in October 2011. The Senior Lifestyle Editor is a best-selling author, television personality and leading expert on entertainment fashion who has covered style for WWD, People, W, Harper’s Bazaar, Rolling Stone, The New York Times Magazine, Today, Entertainment Tonight and Access Hollywood.

eR in WeingeR Style Editor, THR.comJoined THR in March 2013. She was previously designer Kelly Wearstler’s director of digital content and fashion, and before that a staff writer for the LA Times Image section.

THR eDItORsJANICE MIN Editorial Director

Min joined THR in June 2010 to spearhead the transformation of the 80-year-old brand, earning her a 2012 NEJ Luminary Award, named a 2012 “Hollywood Mavericks” in Details Magazine, and 2011 Game Changers in Media nod from The Huffington Post. As editor-in-chief of US Weekly, she was named one of the Post’s Most Powerful Women in New York (2007) and one of Crain’s 40 Under 40 (2006). She regularly appears on Today and Entertainment Tonight and has been featured in The New York Times, USA Today, The New Yorker and on Nightline.

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Updated: 12/20/13

WeSle y MannPhotographed for THR: Robin Williams, Jimmy Kimmel, Mary Tyler Moore, Michael J. Fox, Mark Ruffalo, James Earl Jones and Martin Scorsese.

JOe Pugl ieSePhotographed for THR: Steven Spielberg, James Cameron, Peter Jackson, Michael Bay, Hugh Hefner and the casts of Entourage and Glee.

MaRy ROz z iPhotographed for THR: Julia Louis-Dreyfus, Melissa McCarthy and the 2011 Oscar Actress Roundtable, which included Glenn Close, Viola Davis, Carey Mulligan, Octavia Spencer, Charlize Theron and Michelle Williams. FRank W. OCkenFelS 3 Photographed for THR: Brad Pitt, Chloe Grace Moretz, Larry Flynt, Ben Affleck, the 2012 Oscar Director’s Roundtable, David Fincher.

Peggy SiROTa Photographed for THR: Snoop Dogg, Sidney Poitier, Halle Berry, the 2013 Emmy Drama Actor’s roundtable, Angelina Jolie, Jennifer Yuh Nelson JeSSiCa CHOu Photographed for THR: Set visits with the casts of Breaking Bad, Modern Family, Revenge, Behind-the-scenes photos of the Oscar and Emmy roundtables.

auS T in HaRgR aVe Photographed for THR: Bill Clinton, Daniel Day-Lewis, Steven Spielberg, Ricky Gervais, Kristen Stewart, photo/video lounges at ComicCon, Sundance Film Festival, and Toronto Film Festival. RuVen aFanDOR Photographed for THR: Nicole Kidman, Hugh Jackman, Sofia Coppola, Marion Cotillard, Michael Douglas, the 2013 Oscar Actor’s Roundtable, casts of Les Miserables and Skyfall.

THR PHOtOGRaPHeRs

Wesley Mann

Joe Pugliese

Mary Rozzi

Frank W. Ockenfels 3

Ruven Afandor


Updated: 12/20/13


THR.COM

t h e i n s i d e r’ s g u i d e T o E n T E rTA I n M E n T A n D T h E hol ly wo oD l I f E s T y l E .

11MILLION*

MONTHLY UNIQUE S

45%FEMALE

55%MALE

AUDIENCE

A F F LU ENC E

PURCH ASI NG & I N FLUENCER POW ER

AVERAGE AGE 40 COLLEGE GRAD 76% POST/GRADUATE DEGREE 20%

GiVE ADViCE AbOUT ELECTROniCS 160 mAkES/infLUEnCES TRAVEL bUSinESS DECiSiOnS 204

GiVE ADViCE AbOUT mUSiC 152 READ/POSTED PRODUCT REViEwS OnLinE 285

GiVE ADViCE AbOUT OnLinE ShOPPinG 174 DESCRibE OnLinE APPAREL SPEnDinG AS “hEAVy” 169

GiVES ADViCE On wEbSiTES/inTERnET COnTEnT 181 GiVES ADViCE On TRAVEL 147

AVERAGE hhi: $80K AVERAGE hhi $100k+: 38%

Over-index across categories with online shopping habits

Source: comScore September 2013; nielsen @plan Q2 2013


Updated: 12/20/13

e aRSHOT by Shirley Halperin

What music people are talking about.

inSiDe inDieThe digital destination covering the world of

independent filmmaking.

MOVieS Breaking

news, box office

charts, reviews,

video and photo

galleries, trailers

and clips.

T V Breaking

news, reviews,

ratings, video and photo

galleries, blogs and

clips.

MuSiCBreaking

news, charts, blogs, video and photo galleries

and clips.

THe BuSneSS Breaking

news for the core industry

audience as well as

international, labor, political

and real estate

content.

PRe T-a-RePORTeR

The style site covers the

intersection of style, fashion,

beauty, and Hollywood curated by

THR’s in-the-know style team.

CulTuReHollywood

lifestyle coverage,

from travel and real estate to

tech, auto, dining, books

and more.

PHOTO Highly-

trafficked galleries from

all major entertainment

events, red carpet

premieres and exclusive

THR photo shoots

ViDeO Original,

exclusive and sponsored

video content in a single, interactive

destination.

iDOl WORSHiP by Shirley Halperin

Idol mania is tracked with daily recaps, reviews and

the buzz around TV’s biggest show.

l iVe FeeD Your daily jolt of TV news and

buzz.

BaS TaRD MaCHine by Tim Goodman

THR’s chief TV critic juggles his anger, insight, fear,

power and adoration for the current TV season.

He aT V iSiOnby Borys Kit

What’s hot in the world of fanboy entertainment, from blockbuster

films to the comic books that inspire them.

THe R aCe Who’s winning the

major awards- season races and

what it means.

HOlly WOOD, eSQ . by Eriq Gardner & Matthew Belloni

The intersection of entertainment and law.

aWaRDSAll the

people, places and predictions on the road

to the Oscars and Emmys.

THR.COM BLOGs aND CHaNNeLs I n Du s T ry & l I f E s T y l E c on T E n T w I T h A n Au T hor I TAT I v E voIc E

THR.COM CHANNELS

THR.COM BLOGS


Updated: 12/20/13

PRET-A-REPORTER t h e n e w s t y l e s i t e f r oM

T H E H O L LY W O O D R E P O RT E R

Launched in November 2013, Pret-a-Reporter covers Hollywood style, fashion and beauty from THR’s insider vantage point. Led by style editor Erin Weinger, the site features style and beauty content — from runway to red carpet — filtered through the discerning lens of Hollywood. Daily, weekly and seasonal content fuel addictive engagement to young fashionistas across the country.

POWeR SHOPPing Hollywood stars and tastemakers provide virtual shopping lists and share their favorite shops in LA and beyond.

SHOP THe lOOk Modules in content that allow users to buy the outfits being buzzed about.

DReSS Du JOuR Daily highlights the best dresses from the night previous including who wore it, where, and who made it.

DeSigneRS DiSH Candid Q&As with fashion designers ranging from major names to avant garde & under the radar talent.

WaRDROBe ROOM Photo galleries that go behind- the-scenes inside glamorous costume departments of the hot TV shows, movie sets, and music tours.

Reel l iFe Profiles on entertainment industry personalities and their stylish business pursuits

Pret-a-rePorter newslet ter

Exclusive content delivered directly

to your inbox


Updated: 12/20/13

MOBile-OP T iMizeD THR. COM

THR’s redesigned mobile site delivers breaking news on a site designed to facilitate deeper user engagement

with a sleek new layout, infitite scrolling, enhanced navigation

and list display, swipable galleries, videos, and social sharing and commenting.

iPaD aPP The re-launched iPad Edition is an addictive, clickable,

gorgeous and innovative app that delivers the weekly magazine in full with all

sorts of fun extras in the form of photos, videos and a

breaking news feed powered by THR.com.

neWS aPP FOR iPHOne & anDROiD Formatted for easy

navigation, this all-new app provides users with breaking entertainment

news and access to all THR.com site channels, blogs

and video content.

aWaRDS anD FeS T iVal aPP

Extensive Oscar and Emmy content packaged

in an app chock-full of the latest awards news,

bios and reviews.

The THR Festival app gives mobile and iPad users

instant access to screening guides, party coverage, video

galleries and more!

NEWSLETTERSA suite of nine daily, weekly and seasonal e-newsletters

cover breaking industry-focused news across continents: headlines, daily ratings, box office, film festivals,

our Daily Edition PDF, and the Pret-a-Reporter newsletter

E-MAIL DATABASEA database of industry-only readers is a powerful direct-

marketing tool that provides advertisers with e-mail access to 100K of Hollywood’s most sought-after consumers: the catalysts who

start conversations, ignite trends and drive culture.

DIGItaL eXteNsIONs Ac c E s s E n T E rTA I n M E n T E n T h u s I A s T s

Ac r o s s pl AT f or M s A n D DE v Ic E s

MOBILE


Updated: 12/20/13

eVeNts CaLeNDaR

SUNDANCE FILM FESTIVALDATE january 16 – 26 LOCATION Park City, Utah ATTENDEES Varies by location

PRET-A-REPORTER OFFICIAL LAUNCH PARTY DATE january/february 2014 LOCATION TbD Los Angeles ATTENDEES TbD

NOMINEES NIGHT (OSCARS)DATE february 2014 LOCATION Los Angeles ATTENDEES 300 people

STYLISTS LUNCHEONDATE march 2014 LOCATION Soho house, hollywood ATTENDEES 50 people

NEW YORK POWERDATE April 2014 LOCATION The four Season, nyC ATTENDEES 200 people

DESIGN SHOWHOUSEDATE April 2014 LOCATION Los Angeles ATTENDEES 200 people

POWER OF STYLE (MEN) DATE April/may 2014 LOCATION new york or Los Angeles ATTENDEES Approx. 100 people

POWER LAWYERS BREAKFASTDATE may 2014 LOCATION beverly hills ATTENDEES 150 people

WHITE HOUSE CORRESPONDENTS WEEKEND EVENT DATE may 2014 LOCATION washington D.C. ATTENDEES TbD

CANNES FILM FESTIVALDATE may 2014 LOCATION Luxury Cannes

location (yacht, private home etc.) ATTENDEES Approx. 150 people

NY SCREENINGSDATE june – September 2014 LOCATION Various nyC &

hamptons locations ATTENDEES Varies per screening

COMIC-CONDATE july 2014 LOCATION San Diego ATTENDEES Approx. 120k+

PHILANTHROPIST OF THE YEAR EVENTDATE july 2014 LOCATION Los Angeles ATTENDEES 200 people

NOMINEES NIGHT (EMMYS)DATE August 2014 LOCATION Los Angeles ATTENDEES Approx. 250 people

TORONTO INTERNATIONAL FILM FESTIVALDATE September 2014 LOCATION TbD, Toronto ATTENDEES 200 people

NEW YORK FASHION WEEKDATE September 2014 LOCATION TbD, new york ATTENDEES TbD

POWER BUSINESS MANAGERSDATE October 2014 LOCATION Los Angeles ATTENDEES 150 people

KEY ART AWARDSDATE October 2014 LOCATION TCL’s Chinese Theatre, LA ATTENDEES 1,200 - 1,400 people

POWER OF STYLE (WOMEN)DATE October 2014 LOCATION Top LA Location,

e.g., Spago, beverly hills ATTENDEES Approx. 50 people

BEAUTY LUNCHEONDATE november 2014 LOCATION Los Angeles ATTENDEES Approx. 40 people

NEXT GEN: 50 UNDER 35DATE november 2014 LOCATION TbD, hollywood ATTENDEES 300 people

WOMEN IN ENTERTAINMENTDATE December 2014 LOCATION beverly hills hotel ATTENDEES 600 people

Custom eventopportunities

available


Updated: 12/20/13

… a visually lush weekly magazine…

Web traffic & advertising have soared in part because Ms. Min produces much more consumer-oriented entertainment coverage.”THE NEW YORK TIMES JUNE 2013

If you want to celebrate print magazines, why

not feature Janice Min, who is turning The Hollywood Reporter from a dying trade into a thoughtful, glossy exploration of everything Hollywood… with a crackling, obsessive website to boot.”SLATE, JUNE 2013

A broader interest weekly magazine

packed with big photos and incisive contextual features.” ELLE

The Hollywood Reporter [is] a slick, power-

focused, visually appealing package of Hollywood news and gossip, with a website whose skyrocketing traffic levels...changed the Hollywood trade publication model.” USA TOdAY

Some people here now refer to the revamped

Reporter, with its social-scene pages and power-lunch tidbits mixed with exposés and frothy celebrity features, as the “new” Vanity Fair.”THE NEW YORK TIMES, FEB. 2013

[Janice Min] has transformed the

trade into a glossy nexus of trendspotting, profiles, and insider intelligence that demands the consideration of the elite in Hollywood and beyond.” dETAILS, NOv. 2012

The revamped Reporter is a hit with readers

and not only because it looks pretty. Ms. Min has delivered a more relevant, provocative style of journalism.” THE NEW YORK TIMES OcT. 2012

[Janice] Min has launched an ambitious oversize glossy magazine... think W by way of Studio City.”

THE dAILY BEAST

The right combo of sizzling entertainment

and hard breaking news.” INdIEWIRE

THR has become the city magazine for a company town of

movers and shakers.” THE HUFFINGTON POST

Source: burrellesLuce, 2012

Editorial Director Janice Min named

one of the 2012 Hollywood

Mavericks in Details Magazine.

BRaND OF ReCORDw I T h 13 0 + bI l l Ion M E DI A I M pr E s sIons

I n 2 01 2 , THR i s e n t e rta i n m e n t ’ s br a n d of r e c or d. bu T D on ’ T TA K E ou r wor D f or I T. . .

winner of ten 2013 Southern California Journalism

Awards from the los Angeles press club, including best news

website and entertainment journalist of the year.

‘‘ ‘‘

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Updated: 12/20/13

pub date ad CLose mateRIaLs due

eDItORIaL CaLeNDaRof THR ’s 47 yEArly IssuEs, ThEsE ArE onEs wITh added luXury consumer appeal .

edItoRIaL foCus/speCIaL featuRe

*Editorial content subject to change

JAN 2 DEC 26 DEC 27 WELLNESS SPECIAL FEATURE

JAN 8 JAN 2 JAN 3 GOLDEN GLOBES ISSUE

JAN 15 JAN 8 JAN 10 INDIE ISSUE SUNDANCE FILM FESTIVAL PREVIEW

JAN 22 JAN 15 JAN 17 MUSIC ISSUE THE GRAMMY AWARDS

JAN 29 JAN 22 JAN 25 THE WINTER OLYMPICS SPECIAL FEATURE

FEB 5 JAN 29 JAN 31 POWER LUNCH ISSUE (LA, NY, TOP INTERNATIONAL MARKETS) NEW YORK FASHION WEEK COVERAGE & HOLLYWOOD JEWELRY STYLE FEATURE

FEB 26 FEB 19 FEB 21 OSCAR ISSUE

MAR 5 FEB 26 FEB 28 POST OSCAR ISSUE: AWARDS WRAP-UP & RED CARPET PHOTO GALLERIES

MAR 12 MAR 5 MAR 7 STYLE ISSUE WITH TOP 25 POWERFUL STYLISTS PARIS FASHION WEEK COVERAGE

APR 2 MAR 25 MAR 28 REALITY POWER LIST & COACHELLA

APR 9 APR 2 APR 4 CHINA ISSUE

APR 16 APR 9 APR 11 NEW YORK ISSUE NEW YORK’S TOP 35 MOST POWERFUL PEOPLE IN MEDIA

APR 30 APR 23 APR 25 POWER LAWYERS ISSUE SALUTE TO MEN’S STYLE & TIMEPIECES

MAY 7 APR 30 MAY 2 CANNES ISSUE & INTERNATIONAL STAR OF THE YEAR HOLLYWOOD STYLE & FASHION IN CANNES

MAY 21 MAY 14 MAY 16 COMEDY ISSUE INCLUDING RISING STARS IN COMEDY

JUN 11 JUN 4 JUN 6 HOLLYWOOD’S TOP DOCTORS FEATURE

JUN 25 JUN 18 JUN 20 BEST OF HOLLYWOOD FEATURE INCLUDING TOP SPOTS TO SHOP, STAY, EAT, AND PLAY

JUL 16 JUL 9 JUL11 GETAWAYS & TRAVEL FEATURE

JUL 23 JUL 16 JUL 18 PHILANTHROPY ISSUE

AUG 13 AUG 6 AUG 8 SPORTS ISSUE WITH LIFESTYLE COVERAGE OF CELEBRITY ATHLETES

AUG 20 AUG 13 AUG 15 EMMY ISSUE

AUG 27 AUG 20 AUG 22 TORONTO FILM FESTIVAL POST EMMY ISSUE: AWARDS WRAP-UP & RED CARPET PHOTO GALLERIES

SEP 10 SEPT 3 SEPT 5 FOOD ISSUE LONDON FASHION WEEK COVERAGE NEW FACES OF FALL TV

SEP 17 SEPT 10 SEPT 12 FALL FASHION FEATURE WITH TOP 25 RED CARPET DESIGNERS

OCT 1 SEPT 24 SEPT 26 MONEY ISSUE WITH TOP ENTERTAINMENT BUSINESS MANAGERS MEN’S STYLE FEATURE

OCT 15 OCT 8 OCT 10 TV SHOWRUNNERS ISSUE POWER OF STYLE: ExECUTIVE WOMEN

OCT 22 OCT 15 OCT 17 HOME ISSUE & TOP HOLLYWOOD INTERIOR DESIGNERS

OCT 29 OCT 22 OCT 24 ART ISSUE

NOV 5 OCT 29 OCT 31 NExT GEN: 50 UNDER 35 ISSUE

NOV 12 NOV 5 NOV 7 BEAUTY ISSUE

NOV 19 NOV 12 NOV 14 HOLIDAY GIFT GUIDE & WATCHES SUPPLEMENT

DEC 10 DEC 3 DEC 5 POWER 100 WOMEN IN ENTERTAINMENT

DEC 22 DEC 16 DEC 18 THE RULEBREAKERS: YEAR IN REVIEW


Updated: 12/20/13

dIsCouNts

sIZe/posItIoN 1X 3X 6X 12X 24X 52X FULL PAGE

4 Color 27,200 25,840 23,290 20,400 16,490 14,535

BW 16,320 15,470 14,025 12,240 9,945 8,755 cOvERS & PREMIUM UNITS

C2/P1 62,560 14,535

C4 36,720 14,535

C3 31,280 14,535

Center 66,470 63,155 56,950 49,895 40,375 35,530

TOC & Masthead 34,000 32,300 29,155 25,500 20,655 18,190 Adjacencies SPREAd 4C 54,400 51,680 46,580 40,800 32,980 29,070

PARTIALS

1/2 P 4C 18,360 17,425 15,725 13,770 11,135 9,860

1/3 P 4C 14,593 13,855 12,495 10,965 8,840 7,820

1/4 P 4C 10,880 10,370 9,350 8,160 6,630 5,780

1/3 Bookends 27,200 25,840 23,290 20,400 16,490 14,535

1/2 P BW 9,713 9,265 8,330 7,310 5,865 5,185

1/3 P BW 7,344 6,970 6,290 5,525 4,420 3,910

1/4 P BW 4,976 4,760 4,250 3,740 3,060 2,635

AddITIONAL cHARGES (AddEd TO BW OR 4c AS APPROPRIATE)

Metallic 4,930 PMS 3,570 Process Color 2,210

• Gatefolds and other Special Units pricing available upon request

* These net rates apply to consumer advertisers only

PRINt Rates


Updated: 12/20/13

spaCe bLeed NoN-bLeed tRIm LIve (safe) aRea fULL PAGE 10.5” x 13.5” 9.25” x 12.25” 10” x 13” 9.25” x 12.25” 266.7mm x 343mm 235mm x 311mm 254mm x 330mm 235mm x 311mm

2-PAGE SPREAD 20.5” x 13.5” 19.25” x 12.25” 20” x 13” 19.25” x 12.25” 520.7mm x 343mm 489mm x 311mm 508mm x 330mm 489mm x 311mm

1/2 hORizOnTAL 8.8333” x 5.5849” n/A n/A 224.37mm x 142mm

1/2 VERTiCAL 4.25” x 11.6667” n/A n/A 108mm x 296.34mm

1/3 hORizOnTAL 8.8333” x 3.416” n/A n/A 224.37mm x 86.77mm


1/4 hORizOnTAL 8.8333” x 2.4998” n/A n/A 224.37mm x 63.5mm


1/4 SQUARE 4.25” x 5.5849” n/A n/A 108mm x 142mm

BLEEd PARTIALS, covers & SPEcIALITY SIZES STAND-ALONE BACK COVERS: mailing Label in Upper Right Corner Along Spine. Contact Production for back Cover, bleed Partial and other Specialty size specs and templates.

PRINt aD sPeCs

PRINTING web offset (SwOP) Saddle Stitched Publication trim size 10” x 13”

MECHANICAL REQUIREMENTS bleed ads should have a minimum .25” (6.35mm) bleed on all 4 sides and should include trim indications. Trim indications should be offset by .375” (9.525mm).

SAFETY All live elements, i.e. type on bleed ads, must be a minimum of 3/8” (.375 inch or 9.525mm) inside the final trim area.

GUTTER SAFETY 3/16” on each side (total 3/8”). Partial ads should be supplied to trim only.

FILE SUBMISSION All ad submission must be press-ready PDf/x1-a files via the THR ad portal, e-mail, CD or fTP upload.

DIGITAL AD REQUIREMENTS MEDIA THR prints PDf/x-1a files only. Export setting: ADObE ACRObAT 6 (1.5) or higher. Quality control depends on properly created PDfs.

DOwnLOAD: THR PDf Ad Export Settings for inDesign at: thr.com/ad/specs

or contact: [email protected]

• All rasterized files must be 300 DPi. Cmyk Tiffs must be 100% of final size.

• Transparencies must be flattened.

• Line screen is 150 l.p.i.

• Allow for 10% press gain when preparing Grayscale materials.

• maximum ink density: 300 total.

FONTS Embed all necessary fonts in PDfs.

COLOR The color space must be Cmyk or Grayscale. no RGb, LAb or embedded color profiles (such as iCC profiles).

no files with PmS colors will be accepted without prior notification.Otherwise, all PmS colors mUST be converted to Cmyk.

Surprinting on metallic inks will produce muted colors.

note any special color information on the Contact Proof.

LIABILITY THR cannot be held responsible for the quality of reproduction if these specifications are not adhered to.

Ads received after deadline may not publish in the desired issue.

THR will not be held responsible for changes the THR Production department must make to any ad that is inadequate or fails to adhere to THR Digital Ad Specifications.

THR is not liable for the final output if no Contact Proof is supplied.

THR will store files for 30 days.

PRODUCTION SERVICES THR maintains an in-house Art Department. Contact your sales rep for ad design details and rates.

FOR DEADLINES, AD SPECIFICATIONS OR TECHNICAL QUESTIONS:

Contact maya Eslami 323.525.2093

THR will accept your press ready PDf/x1-a files via the THR ad portal, e-mail, CD or fTP upload.

AD PORTAL Deliver ads through our Ad Portal: ads.thr.com

EMAIL [email protected]

POSTAL ADDRESS 5700 wilshire blvd. Suite 500, Los Angeles, CA 90036


Updated: 12/20/13

Publisher & Senior Vice President

lynne [email protected]

323.525.2192

Vice President, Consumer

Jonathon [email protected]

323.525.2063

THR CONtaCts

DETROIT

Colleen lafferty maiorana maiorana+Partners Ltd.

E: [email protected]

T: 248.546.2222

LONDON

alison smith E: [email protected]

T: +44-7788-591-781

AUSTRALIA/ NEW ZEALAND

lisa Cruse [email protected]

+64 21 566 699

ASIA

ivy lam E: [email protected] T: 852.2880.3405

LOS ANGELES 5700 wilshire blvd., Suite 500 Los Angeles, CA 90036

T: 323.525.2245

karbis dokuzyan Director, west Coast Consumer [email protected] // 323.535.2376

ben zaChariah Account Director [email protected] // 323.525.2038

Cathleen Cull west Coast Digital Account Executive [email protected]

NEW YORK 770 broadway, 15th floor new york, ny 10006

T: 212.493.4439

tyler moss del vento Exec. Director, fashion, beauty & Luxury [email protected] // 212.493.4332

roy kim Exec. Director, jewelry, watch & business Development [email protected] // 212.493.4107

JessiCa mCCourt Exec. Director, East Coast Consumer [email protected] // 212.493.4069

PRODUCTION

kelly Jones E: [email protected] T: 323.525.2163

2014 MEDIA KIT (download) - The Hollywood Reporter

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