2006 FirstLight Catalog FirstLight Cat.pdfcomplete emergency room’s worth of props. Cast members,...

Dear Colleague,

Our 2006 publication represents ouron-going commitment to continue tobring you value-added programmingand learning materials to enhance yourteaching and studying of the media arts.

Discover all the new programming wehave in store for you. For TV Production,we have the second program in our""JJoouurrnneeyyss BBeellooww TThhee LLiinnee"" series producedby the AAccaaddeemmyy ooff TTeelleevviissiioonn AArrttss &&SScciieenncceess – EERR TThhee PPrrooppMMaasstteerrss - page 3.For Stage Combat, we are excited torelease the three program, CCoommpplleetteeUUnnaarrmmeedd SSttaaggee CCoommbbaatt SSeerriieess taughtby two of the most prominent fight

directors in Americantheatre - David Leongand J. Allen Suddeth- page 2. For Actors -MMiikkee FFeennttoonn''ss AAccttoorrssWWoorrkksshhoopp - a must seefor anyone that aspires to be an actor!- page 3.

For easy on line ordering, please godirectly to our website at www.first-lightvideo.com.

Sincerely,Michael Bennett, President

New Programming

Index Guide

www.firstlightvideo.com Film, Video & TV ProductionER-The PropMasters . . . . . . . . . . . . . . . . . . . . . . . 3Editing with Final Cut Pro. . . . . . . . . . . . . . . . . . . 8Digital Video Production . . . . . . . . . . . . . . . . . . . . 8

Unarmed Stage CombatLearning the Basics ` . . . . . . . . . . . . . . . . . . . . . . . 2Perfecting the Fundamentals . . . . . . . . . . . . . . . . 2Mastering the Techniques . . . . . . . . . . . . . . . . . . . 2

MediaWomen’s Representation In The Media . . . . . . . . 3

Acting & DirectingMike Fenton’s Actors Workshop . . . . . . . . . . . . . . 3Speaking of Creativity . . . . . . . . . . . . . . . . . . . . . 23

Make Up & Special EffectsJack Pierce - The Man Behind The Monsters

Back PageMaking Wolvy. . . . . . . . . . . . . . . . . . . . . . . . . . . . 21Tribute to the Wizard of Oz . . . . . . . . . . . . . . . . 21Tribute to Dick Smith. . . . . . . . . . . . . . . . . . . . . . 21Tribute to John Chambers . . . . . . . . . . . . . . . . . . 21

■ Acting & Directing . . . . . . . . . . . . . . . . . . 22-27■ Audio Production . . . . . . . . . . . . . . . . . . . . . . .12■ Broadcast & Print Journalism . . . . . . . . . . 16, 17■ Dance/Stage Combat . . . . . . . . . . . . . . . . . 28, 29■ Digital/Multimedia . . . . . . . . . . . . . . . . . . . . . .13■ Film, Video & TV Production . . . . . . . . . . . . . 2-8■ Film, Video & Post Production . . . . . . . . 2, 13-15■ Lighting & Camera . . . . . . . . . . . . . . . . . . 3, 9-11■ Radio Production . . . . . . . . . . . . . . . . . . . . . . . 22■ Sets, Props, Costumes & Makeup . . . . . . 2, 20, 21■ Scriptwriting . . . . . . . . . . . . . . . . . . . . . . . . 4, 28■ Speech & Mass Communications . .17, 18, 24, 25■ Visual Language & Media Studies . . . . . . . . 8, 19■ Writing For The Media . . . . . . . . . . . . . . . . . . . 4■ How To Order . . . . . . . . . . . . . . . . . . . . . . . . . 31

FFiirrsstt LLiigghhttVideo Publishing

Michael BennettPresident

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FFiirrsstt LLiigghhtt VViiddeeoo is continually acquiring newprogramming for distribution. Please contact MichaelBennett directly at [email protected] regardingall new product submissions.

newThe Complete Unarmed Stage Combat SeriesHow to create safe, believable, exciting fights on stage, taught by two ofthe most prominent fight directors in the American theatre. Apractical and visual tool for students, actors, and teachers alike, that will

reduce the chance of injury to stu-dents and actors and make yourclass or production a success!Stage fights are a vitally important part ofmany productions, and the truth is thatwhen a fight is not properly staged, even asimple slap can be dangerous. David Leongand J. Allen Suddeth have over 24 Broadwayand 750 Television episodes between them,and are teachers at The Juilliard School,

Rutgers, VCU and NYU. With step-by-step instruction, these award-winning Fight Directorsand Master Teachers show you how to "hit without hurting" in a three part series ofclasses. Shot on a sound stage with multiple cameras, each program teaches students thetechniques in great detail, while highlighting the safety elements behind the illusions.

Unarmed Stage Combat 3:Mastering the TechniquesGreat as a class cul-mination, or for playswith unarmed fights.Learn advanced combi-nations and unarmedfight sequences as well aschoke from behind,elbow strike, right hookblock, contact stomach punch, straight kick andkick to the stomach. Plus the tricks of the tradeyou need to create and maintain exciting, safe,unarmed stage fight.45 min. F1181DVD . . . . . . . . . . . . . . .$99.00

Unarmed Stage Combat 2:Perfecting the FundamentalsA must for perform-ers and teachers!This DVD builds on thetraining taught in thefirst program includingwrist grab with break,duck, non-contact stom-ach punch, strangle hold,upper cut, cresent kick and much more. It spot-lights valuable lessons on acting and performingfights, combat safety, stage fright and adds sev-eral new techniques.45 min. F1180DVD . . . . . . . . . . . . . . .$99.00

Unarmed Stage Combat 1:Learning the BasicsGreat for beginners,drama teachers, playdirectors and dramacamps.This DVD includesinstruction in pushes,pulls, knaps, slaps,punches and falls, plus fighting distance, eyecontact tips, stance and balance. Tips are alsoincluded for teachers plus sections on stagingand rehearsing fights.45 min. F1179DVD . . . . . . . . . . . . . . .$99.00

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3 Program DVD Series FCOMBATSET SAVE $30 ONLY . . . . . .$267.00Each DVD comes with downloadable Teachers/Student study guide.

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Order: 1-800-262-8862 Fax: 1-310-574-0886 [email protected] www.firstlightvideo.com 3

Academy of Television Arts & Sciences Foundation PresentsJourneys Below the Line

Ideal for Production, Mass Communication Classes & Students Wanting to Enter the TV BusinessFeaturing primetime series and the people who create them, Journeys Below the Line captures, up close and personal, the realistic inner workings of thecraft and technical jobs that are essential to the creation of successful television. Each program of the series illustrates an exciting creative career area by observingand interviewing top professionals. This Academy of Television Arts & Sciences produced series will take you deep inside the television industry where few havebeen privileged to visit. Incorporating exciting on-set production footage and insightful interviews with cast and crew, these powerful presentations willboth enlighten and educate audiences around the country.

24 - The Editing Process24 - The Editing Process - goes behind the scenes with the editors of the FOX Television hit, 24 and emphasizes thejobs contributing to the distinctive editorial look and style of the series. Follow the shooting of a 24 scene in a metrostation, focusing on the script supervisor, Anne Melville, and the notes she makes that help the editor. Then follow thesenotes to the editor’s room where Scott Powell uses them to build the scene. As Scott works on this scene and others hediscusses the various aspects of his job and how he approaches editing so that his work follows 24’s overall style. Director Jon Cassar sits with Scott and gives his input to the work in progress. Throughout the program many otherswho work on 24 discuss their involvement with and appreciation of the editorial process. Lead actor Kiefer Sutherlandintroduces the show and tells how a visit to the editing room helped him improve his acting. Other actors, includingElisha Cuthbert, Carlos Bernard, Reiko Aylesworth, and Penny Johnson-Jerald, comment on their perceptions of theimportance of editing and script supervision. Comes complete with Bonus Material and a CD-ROM for Students and Faculty• Includes suggested curriculum material for television production courses currently taught in university and collegeFilm/TV programs.• Includes outtakes and interviews with representatives of the editors guild and the script supervisors guild.30 min. F1152DVD . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . $79.00

ER - The PropMastersER - The PropMasters - goes behind-the-scenes of the multi-Emmy®-winning show and NBC Television hit, ER toshow the technically demanding job of prop masters Rick Kerns and Rick Ladomade and their crew. See a stunt sceneof the collapse of a third floor balcony loaded with party goers and learn how a plastic BBQ and rubber beer cansmade it safer for the stunt people. In a scene involving the birth of a baby, see the crew, dressed in scrubs, positionand operate an animatronic baby while the scene is actually being filmed. Witness the construction and evolution ofthe prosthetic for the “pregnant” mother. Also learn how the prop people handle ordinary medical props such as nametags and stethoscopes and everyday items such as cell phones and pizzas.Executive producer and director John Wells talks of the early days of ER and the challenges involved with building acomplete emergency room’s worth of props. Cast members, the production designer, and heads of special effects andstunts emphasize the teamwork necessary to produce the fast-paced gritty reality of ER. Comes complete with Bonus Material and a CD-ROM for Students and Faculty• Includes suggested curriculum material for television production courses currently taught in university and collegeFilm/TV programs.• Includes outtakes and interviews with actors and other ER principals.30 min. F1172DVD . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . $79.00

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Women’s Representation In The Media:Content, Careers and Criticism

Communicator Crystal AwardWinner of a 2005 Telly Award - Open“Women and Media” by Dr. Cindy Lont is a fastmoving program with visuals of past and presentmedia and interviews with Dr. Maurine Beasley,Sheila Gibbons and Junior Bridge, all foundationalscholars in the field of women and media. The pro-gram focuses on four areas: the reclaimed historyof women who created media, the media portrayalof women, women’s inclusion in the media work-force and how men perceive media differently than

women which affects what we read, see and hear from the media. “Womenand Media” is a perfect introduction to Women, Minorities and MediaCourses or a section on media in a Women’s studies course.45 min. F1177DVD . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .$79.95

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F E A T U R E S O F T H E P R O G R A M• How the Business works • Resumes • Headshot• Video Demo Reels • Managers • Agents • ColdReadings • Showcases & Generals • AuditioningTechniques • Scene Work with Auditioning Actors

Mike Fenton’s Actors Workshop“A must see for anyone that aspires to be an actor!” - FrankMarshall: Director, Producer: Signs, The Sixth Sense, Raiders ofthe Lost Ark.Mike Fenton, with over 35 years of casting experience and renowned castingdirector of titles such as The Godfather II, Back to the Future I, II & III, TotalRecall, E.T., shows his expertise covering in depth, topics such as EntertainmentBusiness Primer, Resumes, Headshots, Video DemoReels, Managers, Agents, Auditions and more.Includes over 5 1/2 hours of valuable advice, questionsand answers and some of the most interestingstories ever told by the ultimate industry insider.5 hours F1178DVD . . . . . . . . . . . . . . . . .$99.00

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Writing For ComedyThis program looks at various aspects of comedy writing: the ingredients ofcomedy; finding the story; the three-act structure; the writing processand writing for a character.It features Australian scriptwriters Geoffrey Atherden and Sue Ingleton,US writer Carl Saulter (Moonlighting) and UK writer Alan Plater.54 min. F995 . . . . . . . . . .$149.00 F995DVD . . . . . . . . . . .$149.00

Writing For RadioFour expert radio writers talk about their craft-writing radio drama. Explorethe unlimited potential of radio as a medium of the imagination.Topics include: the characteristics of a good radio writer, how to workwithin the limitations of time slots and tight budgets, plot development, theproper use of stage directions in radio scripts, the use of music, soundeffects, the radio audience and much more.44 min. F731 . . . . . . . . . .$149.00 F731DVD . . . . . . . . . . .$149.00

Narrative & StructureWith Scott Frank (Minority Report, Out of Sight, Get Shorty) &Steven Zaillian (Gangs of New York, Hannibal, Schindler's List)This program teaches how to get started, the mainidea and servicing it, finding a movies spine, sourcesof inspiration, outlining, characters' relationship withstructure, description, research, instinct vs. tech-nique, writing a script vs. selling one.Subjects covered include: How to tell a good story,which stories are worth telling and which aren't, char-acter arcs; real and illusory, finding a movie's spine, theuse of myth and theme as organizing concepts.90 min. F1119 . . $59.95 F1119DVD . . $79.95

CharacterWith Nick Kazan (Bicentennial Man, Fallen, Reversal of Fortune)& Paul Attanasio (Sum Of All Fears, Donnie Brasco, Quiz Show)Learn the mystery of character, character dictatingplot, character information, biographies, real charactersvs. fictional characters, writing a franchise character,rules to break and not to break.Subjects covered include: Who should be yourprotagonist? Does plot or character come first? Howdo you find the right characters to suit your needs?How do you get a character to do what you want?How to you get your characters to do what they want?90 min. F1116 . . $59.95 F1116DVD . . $79.95

Dialogue & DescriptionWith Bruce Joel Rubin (Stuart Little 2, Deep Impact, Jacob'sLadder, Ghost), Ed Solomon (The In-Laws, Charlie's Angels,Men In Black) & Dana Stevens (For Love Of The Game, &City Of Angels)

This program teaches text and subtext, conveyingemotion of the character and the situation they're in,research, rewriting dialogue, character profiling andspecificity of vision.Subjects covered include: Something you write orsomething you hear. Should it be realistic? How tocondense a good scene. Should a movie have one"voice"? Description: minimizing dialogue. Is theremagic in description or should it simply be clear? Howto persuade benumbed executives to read your description.90 min. F1118. . . $59.95 F1118DVD . . . $79.95

AdaptationWith Phil Alden Robinson (Sneakers, Field Of Dreams) & RobertNelson Jacobs (The Shipping News, Chocolat) & Eric Roth (Ali, TheHorse Whisperer, Forrest Gump, The Postman)This program teaches highlighting the good parts and trouble spots, research,

visualizing and dramatization, non-fiction vs. fiction,the echo effect, online research vs. physical, changingdirections, genre material, staying fresh and externaliz-ing characters' thoughts.Subjects covered include: What to include. How toavoid the 200 page screenplay. How faithful should yoube to the original? Is it easier to adapt fiction or non-fiction, trash or art? Which books, plays and stories willmake good movies. How to rectify problems withoutalienating a book's fans?90 min. F1117. . . $59.95 F1117DVD . . . $79.95

First presented as part of the Writer's Guild Foundation’s prestigious Words into Pictures event, each program features Hollywood's topmotion picture and television writers, discussing specific aspects of the art of writing for screen & the different approaches to their craft.

Writing For TelevisionFour veteran television writers discuss the components of a successfultelevision script and reveal their own working methods. Topics includetelling a story with pictures; creating a character; generating dialogue;collaboration and role playing; the rewrite process; adapting a novel;researching and developing a major miniseries.48 min. F701 . . . . . . . . . .$149.00 F701DVD . . . . . . . . . . .$149.00

Writing For FilmFour top screen writers discuss the nuts and bolts of their craft. Topics includefinding a story, research techniques, character development, dialogue, thethree act script structure, plot and subplot, formula scripts, re-writes, thepitch, formula script pitfalls, how to overcome writer’s block and more.52 min. F715 . . . . . . . . . .$149.00 F715DVD . . . . . . . . . . .$149.00

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FF II LL MM ,, VV II DD EE OO && TT VV PP RR OO DD UU CC TT II OO NNComposing Images for Video, Film & PhotographyRecommended for field & studio production as well asphotography classesEvery location features an infinite number of potentialimages and knowing how to see and frame theseimages defines the quality of a visual product. Enter anew visual environment, interpret the important visualcomponents, break these components into their indi-vidual pieces and then record the images in a way thatbest communicates a visual story. 15 min. F1145 . . . . . . . . . . . . . . . . . . .$149.00

F1145DVD . . . . . . . . . . . . . . . .$149.00

Understanding Lighting for Video,Film and PhotographyIdeal for video field production, film and photography coursesThis fast-paced program covers the importance oflight for quality images in any medium. Includesdozens of creative tips for using natural light,existing interior light, standard lighting fixtures andprofessional lighting equipment. Also covers the useof gels, reflectors, filters, and other tools tocreate interesting images and programs. 20 min. F1147 . . . . . . . . . . . . . . . . . . . .$149.00

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The Directors SeriesFor those students who are studying directing, the over 5 hour Director’sSeries is the complete guide to directing a Hollywood caliber feature film. Disc 1: Time and Again - Feature FilmDisc 2: Production 1Disc 3: Production 2Disc 4: Post-ProductionOver 5 hours F1155DVD . . . . . . . . . . . . . . . . . . . . . . . . . . . .$299.00

The Producers Series For those would be Hollywood producers, The over 5 hour Producer’s Seriesis the complete guide to producing and marketing their own “Blockbuster”. Disc 1: Time and Again - Feature FilmDisc 2: Pre-Production 1Disc 3: Pre-Production 2Disc 4: Post-ProductionDisc 5: MarketingDisc 6: Producer’s Notebook - Contains all the paper structure you need tomake a Hollywood caliber movie on a budget of next to nothing.Over 5 hours F1156DVD . . . . . . . . . . . . . . . . . . . . . . . . . . . .$299.00

The Studio Series - The CompleteFilm School in a Box – 7 Disc Set & Workbook Disc 1: Time and Again - Feature FilmDisc 2: Development & Pre-ProductionDisc 3: Production 1Disc 4: Production 2Disc 5: Post-ProductionDisc 6: MarketingDisc 7: Producer’s Notebook: Contains actual shooting script with notesfrom director Jason J. Tomaric himself and all the paperwork generatedduring the making of “Time and Again.” Blank templates you can use foryour own projects! Contains all the paper structure you need to make aHollywood caliber movie on a budget of next to nothing.As a SPECIAL BONUS, you will also receive the complete rough footagefrom one of the scenes from “Time and Again” that you can load into yourcomputer to practice editing! Work off the actual camera logs generatedon set and edit away! Disc 8: CD-ROM Filmmaker’s WorkbookOver 6 hours F1157DVD . . . . . . . . . . . . . . . . . . . . . . . . . . . .$499.00

Film School in a Box Series - How To Make a Low Budget MovieFor teaching aspiring producers, directors, editors, cinematographers, writers or actors, as well as all the other crafts that go into making

and marketing a feature film, this multipart DVD and CDROM program illustrates in detail how to create, deliverand bring a low budget film to market. Covering the filmmaking process from Development to Marketing, the

programs are designed to guide you through each step of the process, not by Hollywood tycoons,but by real independent filmmakers who started with an idea and not much else!Not only will you hear from the cast and crew themselves, who made an award winningHollywood caliber movie (Time And Again) for under $5,000 from start to finish, but listen as anEQUIPMENT RENTAL HOUSE manager tells you HOW TO GET FREE GEAR, or learn secrets to workingwith a Talent Agency to get REAL ACTORS inexpensively - even free! Learn how to get permits toshut down streets, find make-up artists and even how to work with an audio recording studio tomix the soundtrack.Features award-winning director - Jason J. TomaricPurchase the complete Studio version, a special Directors only version, or the Producers version.

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Location Sound For Video with Wes Cavalier For Students in the Field of Location SoundThis program teaches the basic techniques used formixing and recording quality location sound fortoday’s digital video cameras - 8mm, Mini DV andDVcam. Learn the techniques and equipment you willuse to get quality sound for your video production.

P R O G R A M C O N T E N T S• Using handheld dynamic mics • Using shotgun mics& boom poles • Lavalier & Wireless Mics • Audio Mixer& Mixing Multiple mics • Troubleshooting handheldmics • Troubleshooting Shotgun mics • Troubleshooting Lavalier & wirelessmics • Troubleshooting Audio Mixer & Multiple Mic Mixing 30 min. F1158DVD . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .$49.00

Beginning Film & Video Making: Camera & LensesValuable both for classroom instruction & at campus librariesso students can review the material on their ownThis program focuses on cameras and lenses, aimedtoward the beginning film and videomaker.Featuring a “film crew” shooting at a miniature golfcourse and a go cart track, this program teachesstudents each step & concept of the filmmakingprocess in a visual manner. Samples such as how thedolly shot and zoom shot are executed and how theylook on camera are valuable materials for studentlearning.Comes complete with study guide.

P R O G R A M C O N T E N T S• The film camera gate: claw, aperture, aperture plate, pressure plate • Thefilm transport mechanism • Methods of setting focus: zooming & physicallymeasuring the distance • Focussing the diopter • Prime lenses & zoom lenses• Focal length (wide, normal, telephoto) • Depth of field • Camera/subjectdistance influence on depth of field • Perspective • Choice of focallength/camera to subject distance • Space • Techniques of zooming &dollying • Techniques of crane, booming & tilting • Techniques of panning& tracking • Aperture & iris opening • F/stops14 min. F1142 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .$99.00

F1142DVD . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .$99.00

Shooting the Talking HeadFor TV field production, broadcast news & studio productioncoursesWhether shooting for video or film, the so-called talking head is one of the mostcommon subjects in the viewfinder and subsequently, on-screen. This programcovers the essentials of composition, lighting, perspective and sound for record-ing interviews and making subjects come alive on camera. A great primer forcreators of news, documentary, institutional and dramatic programs. 15 min. F1146 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .$149.00

F1146DVD . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .$149.00

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Basic Field Production: Sound RecordingThis program follows the soundrecordist step-by-step throughadvance planning, evaluating thelocation, choosing the right equipmentfor the session, mixing strategies, testrecording and session procedure.32 min. F777 . . . . . . . . . .$149.00

F777DVD . . . . . .$159.00

Basic Field Production: LightingThis program follows the cinematog-rapher through an interview shoot ashe demonstrates a variety of optionsfor creating a distinctive look withlimited equipment. This is lighting youcan do from the back of a van.24 min. F778 . . . . . . . . . .$149.00

F778DVD . . . . . .$159.00

How To Make Your Own Great VideosWith Just A Camcorder

Awards Portfolio Winner- Media & Methods Magazine“This outstanding tape should be in anyschool library or classroom where thebasics of video production are taught.”- The Book Report

With the right guidance, the video camcorder can bea powerful learning tool, encouraging teamwork,creativity and discipline. In this 25 minute videotape,award-winning instructor Stu McGowan leads viewersthrough all the steps necessary to make great videos.Viewers are taught the basic steps of organizing,

producing and shooting a short video program using a camcorder. Thisinstructional video is perfect for introducing classroom video projects wherescenes of a student workshop are shown and where students are observedplanning and videotaping a short program.25 min. F985 . . . . . . . . . . .$99.00 F985DVD . . . . . . . . . . .$119.00

Basic Field Production Series“Entertaining and very informative.” - Fran Stoddard, Champlain CollegeThese programs follow a small crew through a location interview shoot, as they plan their strategy and solve dozens of typicalfield production problems. Clear dramatizations, humor and 3D animation make each point vivid and memorable.

2 Program Series F806 . . . . . . . . . . . . . . . . . .$298.00 ONLY $249.00 2 Program DVD Series F806DVD . . . .$318.00 . .ONLY $268.00

Make Your OwnInstructional Video Productions“Students listen to my shop clean-upinstructions more when they see me on thescreen than they do when I say it live!”- Ron Smith, UC Santa Barbara Help avoid endless repetition by making your ownsuccessful “do-it-yourself” videos for theatre (and allkinds of) instruction. This program includes numer-ous useful examples of “how-to” footage used in:student recruiting, inventory documentation, talkinghead reports, facility tours, CLEAN-UP procedures,important safety guidelines and many more.45 min. F1109 . . . . . . . . . . . . . . . . . .$119.00

Video Production Principles and TermsBasics in Audio: Part IMost people interested in video focus on the visualpart of the production and creation, rather than theaudio components. Terms like Television & VideoProduction, emphasize the visual part and assumeaudio is along for the ride. This is a big mistake. Ifyou have poor video reception but the audio is OK,you can still understand it. If you have poor audioand good video, it is very hard to understand andcontinue to watch the program.35 min. F1129 . . . . . . . . . . $79.95 F1129DVD . . . . . . . . . . . $99.95

Basics in Audio: Part IIThere are three types of sound: Voice, Sound Effects and Music. This programfocuses on recording the voice. Other components which video students needto review are music and sound effects. It includes an interview with the ownerof an audio post production house who discusses his work with the DiscoveryChannel. Examples of good and poor audio use within video programs helpstudents understand how important audio is to their video production. 29 min. F1130 . . . . . . . . . . $79.95 F1130DVD . . . . . . . . . . . $99.95

Camera OperationWinner: 2003 Videographer Award ofDistinctionThis introductory-level program focuses on cameracomponents, white balance, zoom, focus, depth-of-fieldalong with the dos & don’ts of basic camera operation.28 min. F1128. . . $79.95 F1128DVD. . . $99.95

Basics in Lighting: Part IThis program was created for students in introductoryand intermediate video courses and focuses on theproperties of light and how to avoid potential lightingproblems.19 min. F1131. . $79.95 F1131DVD . . . $99.95

Basics in Lighting: Part IIWinner: Communicator Award of Distinction Created for students in introductory and intermediate video courses, thisprogram focuses on building on the information from Lighting I and focuseson lighting instruments and technique.17 min. F1133 . . . . . . . . . . $79.95 F1133DVD . . . . . . . . . . . $99.95

Basics of EditingU.S. International Film and Video Festival Creative ExcellenceAward WinnerAn introduction to basic linear editing concepts for students. This videoprovides a general understanding of how to create a story, avoid jump cutsand edit like a pro. 28 min. F1132 . . . . . . . . . . $79.95 F1132DVD . . . . . . . . . . . $99.95

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Introduction To Floor Managing“Certificate of Special Recognition for Educational Television.”-Television Society of Australia Penguin Awards.This program dramatizes the duties of the floor manager in a multicamerastudio interview including such topics as, the role of the floor manager inestablishing mood on the set, cueing and time signals plus communicationwith the director. The second half of the program demonstrates the floormanager’s duties in a simple dramatic situation through several rehearsalsto the final take.25 min. F705 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .$149.00

Multicamera Direction PlanningIn this program, we sit in on the planning and production of a multicamera

video shoot. Steps along the wayinclude the first read through,the design meeting, setup of therehearsal space, rehearsals, plan-ning of camera coverage, finalcamera scripting, the productionmeeting, the technical run-through and the shoot day. Wefollow the roles played by thedirector and assistant director,

production designer, lighting director and the technical director. At the end ofthe program, we see the finished dramatic scene.30 min. F704 . . . . . . . . . . .$149.00 F704DVD . . . . . . . . . . .$149.00

Screening “Middlemarch”: A Study In TV ProductionThis lavish and comprehensive package from theBBC provides a unique opportunity to look at aproduction from every angle (the 1994 BBC/WGBHadaptation of George Eliot’s Middlemarch). Thewriter, director, production designer, DP and othermembers of the team lead students through everystep of the process, from conceptualization andproduction to packaging and distribution.The program includes detailed analysis of fivecomplete scenes from the Masterpiece TheaterSeries, using each scene to explore a whole set ofissues, from conceptualization to packaging.90 min. F909 . .$179.00 F909DVD . .$179.00

Location Sound RecordingVeteran recordist Bill Linton uses animation anddemonstrations to illustrate the various microphonetypes and pickup patterns.Included are examples of microphone selectionand operating techniques for dozens of locationsituations, from press conferences to strollinginterviews; from parties to phone booths; fromnoisy streets to pastoral settings.The special problems of lavaliere and radiomicrophones are covered in separate sections.37 min. F708. . . . . . . . . . . . . . . . . . . $149.00

AD: Organizing The FilmsetFollow Mike through the production of the short feature “Second Story Manin Minneapolis.”With a low budget and tight schedule plus setbacks and disasters rangingfrom the arrest of the caterer on day one of production to sudden schedulechanges, actor illnesses and almost constant rain, this is the role of the AD inreal-world production.Features detailed roles of the other members of the production department.50 min. F324 . . . . . . . . . . .$149.95 F324DVD . . . . . . . . . . .$149.95

Chroma Key TechniquesThese days anyone with two video cameras & aswitcher can add chroma key techniques to theirrepertoire, opening up limitless possibilities. Thisfascinating program shows a wide range of chromakey techniques. Each example is broken down intoits component parts so that you can see exactlyhow it was achieved. Features a dramatic sequenceincluding interiors, exteriors and the transitionsbetween them, constructed entirely from chromakeyed foregrounds and backgrounds. Techniquesshown include such refinements as the casting ofshadows and reflections onto chroma keyed sets.30 min. F743 . . . . . . . . . . . . . . . . . . . .$149.00

Script To ScreenFollow director Brian Bell as he prepares a stage play for television.Discover how information and emotions communicated on the stagethrough lengthy dialogue can be communicated on the screen throughvisual means.30 min. F702 . . . . . . . . . . .$149.95 F702DVD . . . . . . . . . .$159.95

The Video Toolbox:How To Make A Video Program

The indispensable A to Z of video production.“This excellent program offers full coverageof professional video production - amonumental accomplishment.” - Booklist.A fast moving, imaginative and humorous introduc-tion to the video production process. Two detailed,fictionalized case studies are followed fromconception to completion and interwoven withexplanatory graphics, animation, practical advice andtechnical tips. This 90-minute program is divided intoeight segments, each of which could be used as thebasis for a class. Practical follow-up activities are alsosuggested at the end of each major segment.

90 min. F801 . . . . . . . . . .$179.00 F801DVD . . . . . . . . . . .$179.00

8 M A J O R S E C T I O N S I N C L U D E :• The Concept • The Director's Role • The Story • Screen Language• Writing • The Shoot • Editing • Budget • Schedule

P R O G R A M H I G H L I G H T S• 20 minutes of rushes are included to allow you to edit your own versionof the example scene from the “road movie.” You can edit from the pointof view of any of the three major characters and for edit choices todramatically affect the meaning and mood of the scene.

Creating Digital Movies Ideal for Students, Teachers, Professionalsand For Classroom StudyThis documentary goes behind the scenes to showthe making of a low budget digital video short,“Wrestler and the Babe.” Designed as an educa-tional experiment, follow filmmaker Nick Kypros,cinematographer Addi Thorisson and a studentcrew as they discover the challenges of shootingvideo, film style.60 min. VHS F1102 . . . . . . . . . . . . . .$119.00

DVD F1102DVD . . . . . . . . . . .$149.00Comes complete with Study Guide.

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The Advertising And The TV Commercial Series This series of five training videos examines how television commercials are made and who they affect. Each video isaccompanied by comprehensive study notes.

The 'Nike' TV Commercial Every aspect of a NIKE ad is dissected to reveal theextraordinary path of the making of a TV commer-cial. Here the creative director of the advertisingagency explains the thinking behind the commercial.He outlines their original brief and analyses thestrategy they used to achieve the effect theywanted. This is followed by an explanation of theproduction of the commercial itself.33 min. F962 . . . . . . . . . . . . . . . . . . . . .$89.95

F962DVD . . . . . . . . . . . . . . . . .$99.00

The Making Of The 'MMM'CommercialThe first TV commercial for new FM radio station'MMM' is historically one of the most interesting andtechnically brilliant pieces of visual advertising everseen.Here viewers are introduced to the technicalelements of concept development, complexanimation, special visual effects and light manipu-lation, together with a shot-by-shot explanationof how the commercial was made.40 min. F961 . . . . . . . . . . . . . . . . . . . .$89.95

F961DVD . . . . . . . . . . . . . . . . .$99.00

Advertising: The Hidden LanguageDr. Philip Bell of the National Academy of Advertising shows how successfulads implicate the viewer in the completion of fantasy narratives.50 min. F742 . . . . . . . . . . .$49.95 F742DVD . . . . . . . . . . . .$59.95

The Role Of The Advertising AgencyThis program features Australian-owned advertising agency Box Emery &Partners, offering a privileged look at the way an agency works and how itproduces the materials that will promote the products and services of itsclients.25 min. F963 . . . . . . . . . . .$89.95 F963DVD . . . . . . . . . . . .$99.00

Adobe Premiere 5.1 Video Editing Made EasyJam packed with valuable information, this video is theway to get a head start in the field of non-linear editing.If you’re a current Premiere user, this video will be aninvaluable asset to keep you fresh or to train others. Covers: System connections & set up, editing in theconstruction window, editing transitions & special effects,editing titles & graphics, slow and fast motion, usingfilters, editing audio, outputting to videotape and motiongraphics.150 min. F996 . . . . . . . . . . . . . . . . . . . . . . .$69.95

Adobe Learning Premiere 6.5 Tutorial CDLearn Premiere 6.5 & DVD Authoringwith DVDit!The following tutorials will help students master ADOBEPremiere 6.5 and teach you how to make DVD’s fromyour edited productions. Includes nine comprehensive,easy-to-follow lessons on one CD-ROM and all the videoclips, audio clips and images you’ll need to master thetutorials.F1310CD . . . . . . . . . . . . . . . . . . . . . . . . . . . . .$99.95

The Role Of Research In AdvertisingThis program looks at the role of research into public attitudes to advertise-

ments and how the results of thisresearch can affect both the salesof the product and the way inwhich the product is advertised. Itincludes a lively debate whichillustrates the ongoing and emo-tive conflict between the creativeprocess and the requirements ofresearchers and clients.36 min. F964 . . . . . . .$89.95

F964DVD . . . .$99.008

Digital Video Production“Everything you need to know aboutmaking a “digital” movie. Over 6hours of technical tips and tricks,explained as simply as you’re gonnaget it.” - Lorenzo Semple Jr.,ScreenwriterThis collection will not only get youstarted with Premiere Pro, it’ll get youfinished!This Windows-based tutorial features Adobe’s“Premiere Pro” editing software and over 6

hours of instruction on 3 DVD’s. Whether you want to produce and directyour own Movies, make Music Videos, Commercials, or any VideoProduction, this “How-To” will guide you through the entire process. The setincludes five hours of Editing with Premiere Pro, 45-minutes with theMini-DV Camcorders, along with additional segments on Lighting, Directing,and more.6 Hours 3 DVD Set F1175DVD . . . . . . . . . . . . . . . . . . . . . . . .$149.00

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Editing with Final Cut ProWinner of an International Telly Award.Designed as part of an introductoryseries on the technical and aestheticaspects of video production and post-production, these programs have beenclassroom tested!Geared toward the novice editor, this programintroduces editing practices using Apple’s FinalCut Pro editing software. Learn the basics ofediting from logging and capturing yourfootage, to printing to tape and everything elsein between. Filled with shortcuts and tips, thisprogram follows a post production project from beginning to end.45 min. F1173 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .$79.95

F1173DVD . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .$99.95(See page 6 for additional programs in this series)

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Introduction To TV LightingLighting director Bob Forster demonstrates3-dimensional lighting for one or more peopleon a set. Split screens and graphics showchanges to the lighting setup and the effect ona close up. Learn how to create both day andevening lighting effects for an interior and colorcorrection alternatives for scenes combininginterior and exterior lighting.20 min. F757 . . . . . . . . . . . . . . . . . .$149.00

Feature Film LightingRussell Boyd, director of photography on such filmsas “Picnic at Hanging Rock,” “Tender Mercies” and“White Men Can’t Jump,” discusses the lighting ofscenes from his work in technical terms, includingsuch specific problems as rain scenes and the use ofnets in interiors and exteriors. Examples range fromhis near-documentary work on Philip Noyce’s“Backroads” to the elaborate musical numbers ofGillian Armstrong’s “Starstruck.”56 min. F718 . .$149.00 F718DVD . .$149.00

The 16mm CameraIn Part I of this program cinematographer BillConstable demonstrates all the major systemsand operations of the 16mm camera. In Part II,Constable examines twelve major camerasystems, providing a virtual out-of-the-boxmanual and an evaluation of the advantages anddisadvantages of each system. For classroom use,the program is divided into 27 segments.195 min. (2 tapes)F719 . . . . . . . . . . .$299.00

The Virtual Bolex™ 2.0 16mm Camera TutorialAn Interactive Guide For Beginning Film Students & For Those New To The BolexProduced By Robert F. Arnold, Associate Professor Of Film, Boston University.The Virtual Bolex is an interactive tutorial & reference guide for the 16mm Bolex reflex movie camera, commonlyused in beginning filmmaking classes at many universities. The tutorial is designed to permit students to getvirtual hands-on practice with the camera and camera anatomy, to become familiar with the film loadingprocedure, controls for setting frame-rate, exposure, lenses & filters, focus, before and in-between the limitedtime they may have access to the camera for actual shooting. The reference material supplements the limitedBolex camera manual. Additional information includes using the Variable Shutter to control exposure, in-cam-era special effects, prime and zoom lenses, filters for color and black and white film and more. According toSam Kauffmann, fllm professor at Boston University and author of the most popular book on Avid editing,“The Virtual Bolex is like having the camera and the instructor right there in front of you.”

For Mac, OSX and Windows. CDROM F1105 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .$69.95

Double Exposure - The Voice Of The CameraFor Film Studies & Film StudentsThis program explores how films work technicallyand artistically and provides insight into theHollywood camera and crew system. It teaches stu-dents to develop an image from initial inspirationinto a coherent and well-reasoned scene, to buildcamera skills and to enhance their ability to think,speak and write critically in an increasingly visualand technological culture. It provides significantrole training and illustrates the collaborative craftof film and media pre-production, production,postproduction and distribution using pioneers,contemporary technicians and screen artists.Comes complete with detailed work book.

43 min. VHS F1108 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . $39.9525 min. DVD F1108DVD. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . $44.95

Lighting Technology For Theatrical LightingInteractively explore the world of theatrical lighting technology in this CDthat teaches all about the basics and more!Learn at your own pace about the physics oflight, how electricity works, how differentlighting instruments are used to manipulatelight, how to safely use electricity and evenhow to troubleshoot problems in your lightingsystem.F1103 . . . . . . . . . . . . . . . . . . . . . . .$89.95

Conducting Light On A ShoestringIdeal for College & High School design/production classes aswell as introduction and appreciation courses.This program illustrates the creative processes of ‘conducting light’ to thestage within the confines of limited space and budget. It followsprofessional lighting designer David Lee Cuthbert through his designprocess from initial ideas to the final production at the award winningSledgehammer Theater in San Diego.33 min. F1112 . . . . . . . . . .$119.95 F1112DVD . . . . . . . . . .$139.95Shedding Some Light:

Basic Stage LightingTeach basic stage lighting without hauling tons ofgear into the classroom. Host Michael Lamirand,Theater Director at Ball State University, examinescommon types of lighting units, reviews lightboards and accessories, provides basic principles ofelectricity and shows how to lay out and read alight plot. Tricks and techniques are divulged whichare used to achieve extremely difficult effectswhile maximizing the number of takes each day.95 min. F645 . . . . . . . . . . . . . . . . . . .$119.00

F645DVD . . . . . . . . . . . . . . . .$149.00F645 CDROM . . . . . . . . . . . . .$149.00

Conducting LightPresented by David Cuthbert this program takes thehassle out of demonstrating the “how to's” of stagelighting. Subjects covered include basic stage lightingequipment, cabling, hanging and focusing procedures,lighting accessories, essential maintenance, colormedia, color temperature area lighting and safety.Ideal for college level, secondary/middle schoolstudents. Topics covered include: studio practice,lighting design, color temperature, lighting meteringand use of practical lamps.30 min. F982 . .$129.00 F982DVD . .$149.00

F E A T U R E S O F T H E P R O G R A M• The Steadicam • The Responsibilities of a Director of Photography• Camera Framing • A Brief History of Panavision • Camera Movement •Drawing the Audience into the Film • Crossing the Line.

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Shooting For Realism WithAllen Daviau & Sacha Vierny

Allen Daviau (E.T., The Color Purple, Empire Of TheSun) and Sacha Vierny (Hiroshima mon Amour; TheCook, The Thief, His Wife and Her Lover, Prospero’sBooks) are given the same script and set. Daviaucreates a series of intricate setups, clearly explainingeach problem he encounters and the solutions hefinds by using filters, lights and F-stop changes.Vierny experiments with a simple and elegantcamera move that encompasses much of the actionbut presents him with a new challenge: hiding thedolly track. Computer graphics of the lighting setupsas well as side-by-side comparisons of the finishedscenes help you to better understand the techniquesand appreciate the results.55 min. F802 / F802DVD . . . . . . . . . .$89.95

Shooting For Black & WhiteWith Allen Daviau & Denis LenoirAllen Daviau (The Falcon and the Snowman,Avalon, Bugsy, Twilight Zone, The Color Purple)takes students back to the golden age ofcinematography - the 1920’s. He painstakinglyrecreates the shooting style by employing thefiltration, vignetting, aspect ratios and shotcoverage of the period. In doing so he evokes thespirit and dynamic of the B&W silent screenmasterpieces. Denis Lenoir (Monsieur Hire, DaddyNostalgie/These Foolish Things, Paris Awakes,Shuttlecock) creates an intriguing comparison tothe work of Daviau by using modern cinematictechniques featuring a moving camera. He shootswith both color and B&W stock to make thecomparison complete.55 min. F805 / F805DVD . . . . . . . . . . . . . . . . . . . . . . . . . . . . .$89.95

Shooting For Fantasy WithSacha Vierny & Denis LenoirFrench cinematographers Denis Lenoir (MonsieurHire, Paris Awakes, Shuttlecock Zone) and SachaVierny (Hiroshima mon Amour, Prospero’s Books,Stavisky) explore the world of cinematic fantasyand magic. Vierny generously shares one of hisspecial secrets, showing how to create a magicalbeam of light without the usual need for a smokedfilled room. The effect is electric. Lenoir takes youthrough each step of his lighting design and alsogives invaluable information about the use offluorescent lights.This program explores the techniques that makemagic on the screen, but more importantly thecinematographer’s creative thought process behindthe magic.55 min. F804 / F804DVD . . . . . . . . . . . . . . . . . . . . . . . . . . . . .$89.95

Shooting For Drama WithRobby Muller & Peter James

Robby Muller’s credits include Repo Man, ParisTexas, To Live and Die in L.A. Peter James shot Alive!,Rich in Love and Driving Miss Daisy. Both were giventhe same script and set constraints. The beautifulimages they created reflect their different back-grounds and philosophies on the art andbusiness of filmmaking.Muller creates a moody and impressionistic feel thatis characteristic of his approach. James on the otherhand neatly sidesteps the problems caused by a cyctoo close to the set and creates a wider view ofthe windswept dusty cafe. Both men prove to begenerous teachers, sharing many creative andtechnical insights that come from years behind thecamera. The video culminates with a split screen

comparisons of each cinematographer’s finished piece.55 min. F803 / F803DVD . . . . . . . . . . . . . . . . . . . . . . . . . . . . .$89.95

Lighting Dances With Wolves With Dean Semler“An invaluable source of information andinsight!” - R. Levi, Director ofPhotography, Graduate Film Division,Columbia UniversityDean Semler (Road Warrior, City Slickers, DeadCalm) demonstrates the techniques that won himan Academy Award for the cinematography of“Dances With Wolves.” Dean’s background in doc-umentary films is a major influence on his visuals.This workshop recreates the lighting of an interiorfireside scene from “Wolves”, using an exact replicaof the teepee set. The workshop footage was shotanamorphic, using a Panavision camera and a crane.29 min. F785 / F785DVD . . . . . . . . . . .$89.95

Location Lighting With Geoff BurtonLocation lighting, utilizing the equipment onetruck can carry, is the most common task a youngcinematographer will face. Geoff Burton (The YearMy Voice Broke, Flirting, Wide Sargasso Sea)condenses his many years of location lightingexperience in this highly practical and usefulworkshop. Geoff’s approach emphasizes maximumuse of natural lighting resources (daylight and practicals) and imitating these sources with thelight he adds. Geoff shows how to work with thelimitations of location space and design (in thiscase three rooms of a cramped apartment) ratherthan against them. He demonstrates how faststocks and fast work can be critical to success.

29 min. F788 / F788DVD . . . . . . . . . . . . . . . . . . . . . . . . . . . . .$89.95

Kodak Cinematography Master Class SeriesIn this training series nine of the world’s finest cinematographers share their wealth of experience in a workshop setting, as theyguide you through a series of professional lighting problems both in the studio and on location, 3-D computer animations vividlyillustrate the approaches they take to solving them. This unique series, sponsored by the KODAK Worldwide Student Program, willbe of value both to students and working cinematographers. F784 8 Program Series . . . . . . . . . . . . . . . . . .$719.60 ONLY $579.00

VF784DVD 8 Program DVD Series . . . . . . . . . . .$719.60 ONLY $579.00

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”Spectacular!” - Jack Watson,Movie Maker MagazineJohn Seale (Rainman, Gorillas in the Mist, Witness)conducts an intensive and inspirational lightingworkshop in the studios of the Australian Film,Radio and Television School. The dormitory setfrom “Dead Poets Society” was painstakinglyreconstructed for this workshop. Even moreimportant than the technical knowledge itcontains is the insight this program gives intoSeale’s working philosophy.28 min. F786 . . .$29.95 F786DVD . . .$89.95

Studio Lighting: A Comparative Workshop WithDonald McAlpine & Denis LenoirTwo internationally renowned cinematographers light the same shots fromthe same dramatic script in this back-to-back workshop. Don McAlpine(Patriot Games, Breaker Morant and My Brilliant Career) and Denis Lenoir(Monsieur Hire, Clear and Present Danger and Mrs. Doubtfire) vividlydemonstrate how differences in creative style and approach affect theimpact and tone of the scene. This program is packed with technical infor-mation, demonstrations & insights into the cinematographer.59 min. F787 . . . . . . . . . . .$29.95 F787DVD . . . . . . . . . . . .$89.95

P R O G R A M H I G H L I G H T S• Will guide you through the lighting setups for summer, for winter, for

night and for day.• Tricks and techniques to achieve extremely difficult effects while

maximizing the number of takes each day.

KODAK Training WorkshopsThe Ideal Programs To Lead You To Film School. A series of interactive, multimedia, educational CD-ROMS from KODAK.

Color & Light In Motion Imaging"Color and Light in Motion Imaging" provides a fundamental knowledgeof color and light and describes how color images are captured in chemicaland electronic imaging systems while describing thefactors that play a role in controlling exposure.Discover how light is captured in film, light sourcesand video, basic systems for producing light, colorsystems for film and video application, camera speed,depth of speed and more.

Subjects Covered Include:• What is Light? • Primary Colors. • Color Wheel.• Capturing Light. • Controlling Exposure.• F-Stop. • Shutter Speed. • Film Speed.

Comes Complete with Student Workbook.45 min. F1122CDROM . . . . . . . . . . . . .$79.99

The Nature Of Film"The Nature of Film" describes the art and scienceof motion picture film including the basics ofimage capture, processing and sensitometry. Thisprogram teaches film backing, film anatomy, pro-cessing, spectral sensitivity curves, grain size andfilm speed and more.

Subjects Covered Include:• What is film? • How Film Works.• Color Film. • Sensitometry.• Attributes of Film. • Motion Picture Film.


The Art Of Lighting For Film"The Art of Lighting For Film" provides a fundamental knowledge ofmotion picture lighting types, principles, techniques and applications usedto produce a desired “look”. It teaches soft and hard lighting sources, howto control light by positioning, light direction, filters, light accessories,ratio, exposure and more.

Subjects Covered Include:• Lighting. • The Quality of Light.• Controlling Light.• Controlling Light Accessories.• Lighting Ratios.• Lighting The Scene. • Exposure.


What Is Cinematography"What is Cinematography" provides a detaileddescription of the cinematographer’s tools and theirapplication in the art of filmmaking. Discover how tocreate different time periods, color compensating,light balancing, color temperature conversion, plan-ning lighting, positioning the camera, composing theshots and movement of the camera. Plus alternativeprocessing techniques that a cinematographer canuse to achieve a desired look including push process,pull process, silver retention and cross-process.Comes Complete with Student Workbook.45 min. F1124CDROM . . . . . . . . . . . . .$79.99

Motion Picture BusinessProvides an overview of the filmmaking process, and explains the roles andresponsibilities of the industry professionals in each department including thedirector, producer, screenwriter, location manager, casting director, cine-matographer, assistant director, costume designer, set designer, make-upsupervisor, cameraman, script supervisor, sound designer and editor.45 min. F1126CDROM . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .$79.99

Light It RightThe Essential Guide to Lighting forVideoJoin the experts as they examine the lightingtechniques that will help turn your ideas intotop quality, professional productions. Teaches:light theory, tools and terms of lighting, studiolighting, indoor/daytime light, outdoor/night-timelight. 30 min.F814. . . . . . $29.95 F814DVD . . . . .$39.95

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The Shaping Your Sound SeriesHosted by engineer, producer and master teacher, Tom Lubin, “Shaping Your Sound” is the acclaimed series of programs designedto teach professional recording techniques to engineers, video production personnel, musicians and home recordists. Dozens ofdemonstrations, animated sequences and live music examples in HiFi stereo make each tape a powerful learning and reference tool.

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Shaping Your Sound DVD!The five programs in the original Shaping Your Sound Series have now been condensed into two feature-packed DVD's.

Microphones, Mixers & Multitrack RecordingTeaches how to best mike, record and mix drums, guitars, pianos, horns, vocals, strings and more. Plusanalog multi-track recording & multitrack recorders, tape editing & dozens of examples, animations& visuals showing expert recording skills.180 min. F009DVD . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .$99.00

Signal ProcessorsLearn how to use EQ to open up the sound of your recordings, how to use compressors & gates to alterthe dynamics of any instrument by emphasizing or diminishing the attack, sustain or release of each note.See dozens of demonstrations showing you exactly how to get the most out of reverb & delay effects.180 min. F010DVD . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .$99.00

Mixers And MixingSit behind the console with Tom Lubin as he takesyou through every step of a 16 track mix, from thefirst rough mixes through shaping and blending eachinstrument using ED, reverb, delay, panning anddynamics. Learn how to get maximum flexibilityfrom your console and how to read block diagramsto choose the best route through your board.84 min. F006 . . . . . . . . . . . . . . . . . . . .$99.00

Equalizers, Compressors & GatesTom Lubin shows how to use EQ to make roomfor each instrument texture. Animated graphicsintroduce you to the various types of EQ curvesand devices, while step-by-step demonstrationsshow you how to set up ED for any instrument.Learn how to use compressors and gatesto shape the dynamics of any instrument byemphasizing or diminishing the attack, sustainingor releasing each note.83 min. F004 . . . . . . . . . . . . . . . . . . . .$99.00

Reverb And DelayDigital delays can add echo, create delays andproduce the effects of phasing, flanging andchorusing. A digital reverb can literally shape thespace where your sound happens - move the wallsand change their texture, turn your studio into acavern or cathedral. Tom Lubin demonstrates thebehavior of sound in a variety of real environmentsincluding a selection of before and after demon-strations which let you see and hear the shaping ofpre-delay, delay time, early reflections, diffusion,along with the additional components of customizedreverb and delay effects.83 min. F005 . . . . . . . . . . . . . . . . . . . .$99.00

MicrophonesTom Lubin shows you the various types of micro-phones and demonstrates how the variables of size,mass and pickup pattern effect a microphonessound. Learn how to develop a feel for choosingthe right microphone in any situation plus strategiesfor miking drums, guitars, horn and string ensembles,pianos and vocals.84 min. F003 . . . . . . . . . . . . . . . . . . . .$99.00

Multitrack RecordingTom Lubin takes you through a complete 8-trackrecording session, including pre-production, ses-sion planning and preparation, the basic sessionand the overdubbing process. Learn how to get thecleanest possible sound from your recorder, strate-gies for bouncing tracks and techniques for sculpt-ing sound with precision erasure, editing and speedshifting.65 min. F007 . . . . . . . . . . . . . . . . . . . .$99.00

Sound SuccessEssential Guide to Audio for VideoGood audio is essential for good video. Thisprogram teaches the tools, terms and tech-niques needed in order to capture and edittop-notch audio for video.Teaches:Microphone types, Wired or wireless, indooraudio, outdoor audio, editing audio & audiosweetening.30 min. F815. . $29.95 F815DVD. . $39.95

2 DVD Set F011DVD SAVE $10.00 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .ONLY $188.00

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Editing is a powerful art form that can make or break a good video or film.Teaching video editing effectively requires access to raw footage, audio,actors, and a well-crafted script. This unique program and educationalresource, provides the tools to teach the concepts, theories and practices thathave become the visual language of our current media form. With over twohours of raw footage, multiple subplots, multiple characters, music, soundeffects, graphics and compositing elements this program provides numerousways for students to reconstruct the film and edit the program.

The Premise: Smithee's Lecture is a 25 minute short video featuring fivestudents in a mad rush to attend a lecture given by famous Hollywooddirector, Alan Smithee. The story-line has multiple characters and subplotsgiving students an opportunity to edit their own version of the story, whilelearning the various styles and methods of storytelling an editor has attheir disposal. There are a number of subjects featured including split editing,logging, compositing, media management, sound mixing and a number ofperformance-based decision making. The program also teaches parallel editing,montage editing and continuity editing so students can practice these editingstyles. One scene is fully slated to teach synching audio.

The original shooting script and the producers finished version are alsoincluded so professors can demonstrate how the program can be cut togetherand the different approaches an editor might take.F1115 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .$299.99P R O G R A M C O N T E N T S

A- Course Components: 9 DVDsB- Raw Footage

Running Time: 2 1/2 hoursFor digitizing into a video editingcomputer via firewire

C- Audio: Embedded @ 48kHz D- System: Quicktime 5 or higher

E- 3 Source CDROM's1. Sound Files & Composition

Media for CompositingSpecial Effects

2. Music Disc3. Graphic Media

F- Instructor's Manual &Shooting Script

Smithee's Lecture: A Digital Editing Exercise For Film & Video

F E A T U R E S O F T H E P R O G R A MSubjects Covered Include: • Logging • Media management • Importing Media • Parallel Editing • Montage Editing • Thematic editing • Continuity Editing• Split ends (J & L cutting). • Performance-based decision-making.• Compositing. • Synching • Sound Editing, Mixing & Sweetening.

A Dynamic Educational Resource Designed For Use In TheClassroom Where Video Editing Is Taught.Telly Award Winning. By Award Winning Filmmaker, David Liban

(Not available for preview)

The Basics Of Multimedia“Timely and relevant”- Dr. Lionel S.Duncan, Morgan State UniversityMultimedia brings together graphics, animation,audio, video and text to create a new kind ofexperience. The resuIts turn passive viewers intoinvolved participants, opening up new possibilitiesfor education, art and entertainment.This entertaining program examines the basicingredients of multimedia, including hardware,software, scripting, interactivity and even robotics.Included are interviews with industry experts andexamples of widely varied multimedia presentationsfrom interactive databases and living books to virtualreality experiences.20 min. F658 . . . . . . . . . . .$149.00 F658DVD . . . . . . . . . . .$149.00

Computer Animation MagicSee how computer animation sequences are built up step-by-step, from wireframe models to the addition of color, lighting and texture. See the effectiveuse of computer graphics in advertising, news production, business commu-nication, architectural and product design, education, medicine, scientificresearch, real time simulation, children’s games and dramatic production.58 min. F626 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .$149.00

Computer VisionsJoin Ray Tracy, the world's first computer generated television host, on aninternational journey through a fantastic universe of images and storiescreated by artists on the cutting edge of computer animation.58 min. F625 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .$149.00

Computer DreamsThis video anthology plants you at the drawing board of some of the mostingenious digital effects ever created. Witness the birth of the lovable NestorSextone, the amazing computer generated actor with a thousand expressionsand Captain Power, featuring live action and digitized robots working in unison.58 min. F627 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .$149.00

Design Effective Desktop Video GraphicsGraphics created on your computer can look terrificor terrible when transferred to video. “DesigningEffective Desktop Video Graphics” explores the use oftext, line, color, backgrounds and graphic design foreffective communication of your message. Specialemphasis is placed on designing graphics that willwithstand the limitations of the video signal,including resolution, contrast tolerance, colortolerance and the potential for flicker andinterference patterns.Considerations for readable text include density, size,style, edge treatment and anti-aliasing. The visualportion of this fast-paced program is made upalmost entirely of graphics designed to demonstrate

the points being made.14 min. F322 . . . . . . . . . . . .$89.00 F322DVD . . . . . . . . . . . .$99.00

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The New Age Of Digital Video CompressionFrom CD-Roms and desktop video-conferencingto satellite TV and the internet, digital videocompression is revolutionizing the way and howinformation is handled.In Part I author and industry consultant Mark Longprovides an overview and brief history of digitalcompression, defines basic concepts, examines thedifferences between the analog and digital worldsand explores the wide range of compressionapplications.In Part II, Long uses simple language, analogies anddetailed animated graphics to guide us throughthe bewildering terminology and methodology ofdigital compression, with emphasis on MPEG, to

emerging compression standard.71 min. F928 . . . . . . . . . . .$149.00 F928DVD . . . . . . . . . .$149.00

Post Synchronization: The Editor’s RoleThis program shows the shooting of a periodscene on a noisy location. Follow threepossible dialogue replacement proceduresincluding the original method in which thefilm and guide track are cut into shortloops, the “rock and roll” procedure using syn-chronous rollback, and the modern AutomaticDialogue Replacement or ADR method.For each procedure we see exactly how guidetracks are prepared, how the recordingsession is executed, and finally how the newtracks are integrated with sound effects andmusic to create a polished final track.28 min. F765 .$49.95 F765DVD .$49.95

Music For FilmBritish composer Ron Goodwindemonstrates film musicproduction procedures with anemphasis on timing andsynchronization. He shows howtimings for a scene are takenby a music editor and thentransformed onto a score by thecomposer. He demonstrates theuse of click tracks and discussestheir pros and cons.Goodwin illustrates his presenta-tion with excerpts from his scores for “The Trap” and “Where EaglesDare” and shows how a basic theme can be developed and used in awide range of ways throughout a film.55 min. F762 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .$149.00

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The Film ScoreRenowned American film composer MilesGoodman (La Bamba, Little Shop Of Horrors) workswith an engineer and symphony orchestra torecord the score of a feature film. The director,composer, composer’s assistant and engineer allgive their perspective as the creative workproceeds.24 min. F759 . . . . . . . . . . . . . . . . . . . .$49.95

F759DVD . . . . . . . . . . . . . . . . .$59.95

Animation GamesThis award-winning programs gives you an overview of animationtechnique as well as segments on puppet animation, cutout animationand pixelation.51 min. F745 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .$49.95

The Role of the Assistant EditorAll the basic procedures of the film editing room are covered including log-ging & edge numbers, syncing dailies, shot breakdown and preparation ofa cut work print.45 min. F720 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .$49.95

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Acrylic Heads And HandsFeatures step-by-step demonstrations on the technique for makingsophisticated acrylic heads and hands for special effects sequences.12 min. F764 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .$49.95

The Role of the Script SupervisorA detailed examination of the duties of the script supervisor and thecomplex issues of continuity.28 min. F717 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .$49.95

F E A T U R E S O F T H E P R O G R A MTopics include: Preprocessing • Motion compensation • Discrete cosinetransform • Quantization • Huffman coding • MPEG encoders • Datarates • Inter-operability between different systems using the MPEGstandard, the Open Systems Interconnection Model and Digital SatelliteTransmission.

An Editing ExerciseHands on editing experience.Includes all the shots from a sequence of a TV historical drama.The scene lends itself to a variety of dramatic approaches and containsspecial problems to be solved as well as opportunities for split edits anddouble track editing. The director’s edited version is included at the end of theprogram. An ideal introduction to the practical and creative aspects of film& video editing. The package includes a shot list and marked script.15 min. F721 . . . . . . . . . .$149.00 F721DVD . . . . . . . . . . .$149.00

Creative Editing Techniques for Non-Linear EditingIdeal for video editing and field production courses. Non-linear editing software has opened the door to a seemingly-infinitenumber of creative possibilities. The software can do almost anything youask it to do, but you may not always have the time to come up with ideasto make a program stand out. This program demonstrates dozens of easy toimitate techniques that will work with any non-linear program, includingtechniques to maximize layering, motion, text, effects, razor tools andmore. 15 min. F1151 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .$149.00

F1151DVD . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .$149.00

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Off-Line Editing: An IntroductionThis program covers the mechanics and strategies of the off-line editsession, from raw footage to the final cut. Topics include linear and non-linear editing, control track and time code, blacking, window dubbing,logging, assembly and insert editing, straight cuts, split edits and multi-generation editing technique.38 min. F780 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .$149.00

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Video Post Production“A good overview of off-line editing,on-line editing and sound mixing... highlyrecommended.” - Video Librarian MagazineThis program presents an entertaining overviewof video post-production basics. Topics includepre-production planning, the efficient use of timecode and user bits, structuring the off-line edit tomake the on-line edit fast and economical, digi-tal effects, audio sweetening, digital audio andmixed format film/tape procedures. This state-of-the-art presentation serves as its own example,making elaborate use of digital effects andgraphics. A clear introduction to the sometimesbewildering world of video post which is as

useful to communications specialists as it is to students.28 min. F714 . . . . . . . . . . . .$149.00 F714DVD . . . . . . . .$159.00


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The Hold-Up – An Editing Exercise – with Roger EbertThis is the most widely used training film for editing students in use today! “A classic profile of how to use camera angles, sound and effects to create effective tension-filled drama.” - Professor Robert Johnson, Jr., Framingham State College“I am very pleased. Exactly what I needed for the course.” - Warren Carter, TV Production, Golden West College

Nationally syndicated film critic Roger Ebert takes students from rushes to the final cut of a dramatic bandrobbery scene. Mr. Ebert’s commentary provides insights into basic editing techniques such as matching action,parallel editing and continuity, as well as, the effects of camera angles, point of view andreaction shots. The film concludes with two edited versions, illustrating the widely different approaches aneditor might take in assembling the sequence. Unedited, slated rushes are available in various video and filmformats, providing students with an opportunity to edit their own version of the scene. The sequence is designedso that it can be edited as a silent film or with single or double system sound.20 min. VHS F623A . .$119.00 F623J CDROM: 480x360 (No Audio) “mov” & “avi” . . . . . . . . .$119.0017 min. VHS Rushes F623B . .$119.00 F623K CDROM: 320x240 (Non-Synced Audio Clips) “aif” & “wav”$149.00

The Hold-Up DVDFor Computer Based Editing Systems The new DVD version of The Holdup for Windows and Mac includes the instructional film (with the Roger Ebert commentary), alongwith separate files of video clips in both “mov” and “avi” formats at 480 X 360 resolution, and unsynced audio clips in both “aif” and“wav” formats. F623DVD . . . . . . . . . . . . . . . . . .$149.00F623DVD Rushes . . . . . . . . . . . .$149.00

P R O G R A M H I G H L I G H T S• Matching action • Parallel editing • Camera angles • Reaction shots

Non-Linear Editing Using The Avid®

One of the best training videos of its kind!Each step of non-linear editing using an AVID® isexamined in this comprehensive training package.Instructor and experienced editor Jason Ballantinetakes viewers through basic Macintosh® concepts,AVID® system and file management, basic andadvanced editing techniques, menus, project setup, logging, digitizing, syncing, trim mode func-tions, audio tracks, picture and audio dissolves, EDLoutput, video mastering and file backup.Invaluable for both film or video based projectsthis program takes you through each step withrecaps, handy hints and informative graphics in aclear and direct manner, making this program oneof the best training videos of its kind. This program features interactiveexercises and a 77 page guide book with course notes.60 min. F968 . . . . . . . . . . .$179.00 F968DVD . . . . . . . . . . .$179.00

Editing Techniques: Reducing TimeLearn the various ways in which an editor can manipulate time by using cut-ins, cut-aways, parallel action & other useful time-reducing techniques. Filmmaking almost always involves the compression of time. Discover the pros andcons of basic time reduction techniques including camera movement, jumpcuts, exits, entrances, cut-aways, parallel action and visual effects. Completerushes for the sequence are provided so that students can create their ownedited version. Includes rushes.10 min. VHS F779 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .$149.00

3/4“ F779Q . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .$199.00

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Avid Xpress DV & Avid XpressPro Basic Editing Training DVD“I highly recommend the GeniusDV, AvidXpress DV - Pro Training Basic Editing.John Lynn presents the material in a waythat is easy to understand.” - Taylor Bush

The Avid Xpress DV and Avid Xpress Pro training DVDis an incredible training tool for those who need tolearn the software quickly. This training DVD coversall the basics of editing, including: drag-drop edit-ing, how to capture, timeline editing, trimming,three-point editing, audio mixing, effects and transitions, multiple videotracks, the Avid title tool and how to output. 60 min. F1144DVD (2 Disc Set) . . . . . . . . . . . . . . . . . . . . . .$179.00

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F E A T U R E S O F T H E P R O G R A M• The Avid training DVD is divided into 10 modules - approx. 1 hour in

length. • MAC & PC compatible. On camera visuals from certified Avid Instructor

‘John Lynn’.• Includes an additional CD-Data disc that contains the raw material for a

broadcast quality commercial.

BEST SELLER

THE HOLD-UP

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Media On Trial: Story Of The StorytellersFirst Place 1999 Broadcast EducationAssociation Documentary CompetitionThis program documents media coverage of theOklahoma City Bombing Trials. It analyzes many ofthe media practices that draw intense criticism,including the differences between tabloid andmainstream coverage; impacts of judicial coopera-tion; reporter objectivity; journalist emotions,sources and spin; victim and jury treatment; themedia swarm; legal analysis; competitive pressures;organizational versus individual motivations forstyles of coverage; print and broadcast cooperation;coverage ground rules; technology impacts; publicand governmental reactions to efforts to improvethe media image and more.56 min. F987 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .$149.00

Crisis On CampusCrisis On Campus is an exciting new editing exercise from the producers of “The Hold Up.” It is specifically designed for

broadcast journalism students, but will be useful for all students of editing technique.This realistic simulation of a major breaking news story is played out by the students, faculty and staff of the University Of NewOrleans, SWAT Team and professional crews from two local TV stations. The core of “Crisis On Campus” is 40 minutes of rushes,available in VHS or 3/4,” which students can use to edit their own version of the story. The footage includes complete coverage bythe two news teams, aerial footage from the helicopter and “shaky-cam” coverage from the home video camera. Interviews includethe University Chancellor, the Director of Campus Police, the SWAT Team coordinator and Public Information Officer, friends andrelatives of the perpetrator and the hostages and students caught in the crossfire. Voice-over and stand-ups by reporter Noel Osigianare also provided. To make the exercise most meaningful and realistic, it is recommended that each student editing “Crises OnCampus” create and record his or her own story and stand-ups. Editing possibilities are virtually limitless and will depend heavily andrealistically on the “time slot” allotted to the story by the instructor.The “Crises On Campus” package also includes a 12-minute introductory video hosted by former ABC foreign correspondent and

anchor Richard Anderson, that presents the basic situation and uses the “Crises On Campus” material to demonstrate the best use of video coverage, sound bites,reaction shots, stand-ups and natural sound.40 min. VHS F916 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .$149.00 F916DVD . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .$159.0040 min. 3/4” F916Q . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .$189.00

A View From Behind The Viewfinder:A Day In The Life Of AnENG Camera PersonSpend a day with each of three photojournalists atKPNX Phoenix, from a morning staff meeting tothe rush to edit the day’s stories for broadcast.Experience the pressures of the photojournalist’smany roles and witness the teamwork that’s vitalto getting the story. These photojournalists musthustle while carrying 50 pounds of equipment,use their street smarts and communication skillsto conduct interviews and understand thereporter’s perspective enough to grab the shotsneeded to tie the story together.45 min. F940 . . . . . . . . . . . . . . . . . . .$149.00

Get Real, Get Paid: Work For A NewspaperTelly Awards, Silver Statue.A fast paced, overview of career opportunities in the newspaper business.News, sports and entertainment reporters reveal what they love about theirjobs: the freedom (the pace is dictated by what’s going on, not bya timeclock), variety and excitment (you could be at a political demon-stration or next to a burning building), importance (sometimes it’s yourjob to right a wrong) and the chance to meet all kinds of people (fromlocal athletes to Larry Bird).Interviews with a photographer, graphic artist, cartoonist and othershighlight that there are many additional roles involved in producing apaper - from designing and selling ads to running the presses. The advicefrom these professionals is to be true to your interests. Education andexperience are important, but the passion to do the job is what makes yousuccessful.12 min. F938 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .$119.00

F E A T U R E S O F T H E P R O G R A MPresents two ways the rushes could be edited:• As a breaking story for the six o’clock news,

featuring live coverage from the scene.• As a wrap-up on the eleven o’clock news after the

crises has been resolved.

P R O G R A M H I G H L I G H T S• Brilliant but unbalanced physics major Jimmy Jerrold, his body wired with explosives, is holding twohostages on the roof of the University Performing Arts Center. As a helicopter and a SWAT Team witharmored personnel carrier converge on the spot, Jerrold panics and opens fire on students in the quadbelow. Two news teams and a passerby with a home video camera capture the chaos and the tensenegotiations that finally lead to Jerrold’s surrender and the safe release of the hostages.

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VR-Reporter - CDROMThe VR-Reporter is an electronic news gathering and news reporting simu-lation for college students in broadcasting programs. Students use thisinteractive simulation to maneuver around a 360° crime scene to interviewindividuals and to capture B-roll footage. During the investigation, theytake notes and make follow-up phone calls. After completing the investiga-tion, notes and a timecode tape log of interview responses and B-rollfootage are saved to disk. Students re-write the story, record voice-oversand edit their news package. CDROM Available For Windows or Macintosh.F307D MAC & F307D PC . . . . . . . . . .One year license . . . . . .$149.00F307F MAC & F307F PC . . . . . . . . . .Unlimited time license .$349.00

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Covering The Big Story: The O.J. Simpson VerdictThis program was shot in Los Angeles on the day of the O.J. Simpson trialverdict as reporters, photographers, engineers, editors, producers andbureau chiefs scrambled for coverage, negotiated for precious satellitetime, struggled with logistics in the middle of a mob scene and tried to findthe angle that would give their story the edge.The program includes interviews with producers and reporters from ABCNews and A Current Affair as well as local stations from around the country. 28 min. F937 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .$149.00

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Media Literacy: The AudienceMost people think of “audience” as those who watchtelevision, listen to the radio, read a magazine or news-paper or surf the web but “media are businesses.“ Inthe same way a hardware store sells nuts and bolts, themedia sell product - YOU – the audience. Guaranteeingan audience to advertisers is what the media do and ithas to be the “right” audience - those with money tospend on the advertised product or products. Thisprogram examines the concepts of demographics,psychographics, how ratings affect media, targeting and on-line advertising. 24 min. F1135 . . . . . . . . . $79.95 F1135DVD . . . . . . . . . . . $99.95

Hollywood Inside Out:The Television IndustryA fast-paced, comprehensive look at how networksitcoms and dramatic series are made. Shot on theset and behind-the-scenes, this video featuresmany of television’s top producers, writers andcraftspeople, sharing their insights on the creativeprocess. All phases of the production process arecovered, from concept and casting to shooting andfinal post-production.40 min. F965 . . . . . . . . . . . . . . . . . . .$149.00

F965DVD . . . . . . . . . . . . . . . .$159.00

Hollywood Inside Out:The Music IndustryThe business and creative aspects of the musicindustry are fully examined in this detailedinstructional video. Includes interviews with topsongwriters, artists and record company executivessharing their experiences on the hit making process.This program also explores the issues ofartist development, packaging, marketing anddistribution.40 min. F967 . . . . . . . . . . . . . . . . . . .$149.00

F967DVD . . . . . . . . . . . . . . . .$159.00

Mass Communication The Electronic Darkroom:The Future Of Photography

A terrific video for an introduction tomass media courses as well as traditionalphotography and computer courses.Photography has merged with the computer. Thisprogram will show students the future of photog-raphy. Trends in photography show that computersare not only replacing the darkroom but film itself.Dr. Sam Winch walks you through the process ofphoto image to print. Discover how a typicalcollege newspaper uses the new technology.Discover how a digital camera captures an image &how the photo can be changed to fit a newspaperor magazine layout. The photo-editor showsstudents how the AP Leaf Picture Dest provides

images to newspapers across the country and the managing editor alsoexplains the economics of such a system. Finally see how the associatedpress uses its network of photographers & how it makes these photos.33 min. F992 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .$89.95

Mass CommunicationHow Television Ratings Work

Discover what those television ratingsreally mean.Television programming including news, sports andentertainment is driven by RATINGS. In this video,students will discover how ratings are determinedby using randomly selected households acrossAmerica.This program shows how sampling takes place andhow homes are selected to participate. Using peo-ple meters, see how rating companies know who iswatching a particular program and how ratingsdrive the radio and television industry. This videowill help clear up the confusion on what thosetelevision ratings really mean.

20 min. F990 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .$89.95

Mass Communication Cable Television:How It WorksExcellent for use in broadcast courses.This program shows you why and how cabletelevision was started, reviewing the Head End,Distribution system and House Drop whileexploring some of the major cable operations.From a “community antenna” project serving onlyremote areas in the 1940’s to the country’s largestprivate construction program passing nearly onehundred million homes today, cable television is apowerful media source.30 min. F991 . . . . . . . . . . . . . . . . . . . . .$89.95

The Hollywood Inside Out SeriesThese programs reveal the intricate innerworkings of the entertainment industry. Each includes interviews & behind the scenes coverage oftop professionals engaged in the day-to-day creative process. An excellent resource for the next generation of television & music makers.

Media Literacy: EthicsThis program focuses on those who work as mediaprofessionals whether they are public relations spe-cialists, journalists, photojournalists, advertising exec-utives, newspaper editors or camera operators. In themedia it’s not just about what we say but what weshow and how we show it. Visuals, whether they arevideo, photos, or how we put together photos andwords, often have more impact and more credibilitythan words alone. This program includes interviewswith journalists from the Washington Post and USA Today.com who talkabout ethical standards at both print and on-line newspapers.31 min. F1134 . . . . . . . . . $79.95 F1134DVD . . . . . . . . . . . $99.95

Media Literacy: Creating MediaMost students have little experience creating mediaand assume creating media is an easy process. Fornewspapers, you collect some information, write astory, type it out and lay it out. With a computer,how hard can that be? Part of the intrigue of mediacreation is it looks so easy. This program takes stu-dents on location to a behind-the-scenes look at aradio station, television news show, a regional news-paper and a national on-line newspaper to see howmedia is created in a top media market. 16 min. F1136 . . . . . . . . . $79.95 F1136DVD . . . . . . . . . . . $99.95

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MusicThis program explores the wide-ranging formsand functions of music for the screen. A series ofcompelling dramatized scenes highlight theevocative and emotive power of music, ascomposer Bruce Smeaton discusses the structureand purpose of the score he has created for eachscene. 16 min. F756 . . . . . . . . . . . . . . . . . . .$99.00

EditingThis episode explores the ways in which editing isused to reconstruct, rearrange or fragment physicalspace and sequences of events. This program uses ahallucinatory psychological drama involving anestranged couple, a child and a fiery auto wreck toshow how editing is used to compress time, createimaginary spaces and pull the viewer throughsuccessive layers of dream and reality. 10 min. F754 . . . . . . . . . . . . . . . . . . .$99.00

Image And ScreenDiscover the sensory qualities of the filmedimage, including luminosity, definition andgrain. Thompson shows how it is possible tomanipulate exposure, depth of field and otherfactors to enhance or undermine an illusion ofreality. 14 min. F753 . . . . . . . . . . . . . . . . . . .$99.00

FramingThe positioning of a camera “puts frame around the world” and divides it intooff-screen and on-screen space. See how the very choice of framing candefine relationships, tell a story, create or release tension. Learn how we canconvey information about off-screen space: the world in front of, behind and“all around that world” defined by the frame itself.10 min. F747 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .$99.00

Orientation Of The CameraThompson shows how we orient ourselves in spaceby a combination of what we see and other phys-iological cues. Moving images lack these othercues so special efforts must be made toprovide the viewer with a sense of balance andequilibrium. Learn how moving images can beused to deliberately disturb the physiologicalequilibrium of the viewer.11 min. F752 . . . . . . . . . . . . . . . . . . .$99.00

Shot Sizes & Framing FaultsThis program defines the basic shot types of thefilm and video vocabulary from wide shot to bigcloseup and discusses the most effective use ofeach. Learn how to build up an action sequencefrom a combination of framings and the psycho-logical impact of common framing errors.9 min. F748 . . . . . . . . . . . . . . . . . . . .$99.00

Lenses And PerspectiveIn a series of convincing demonstrations,Thompson shows that the position of the vieweror of a camera, is the governing factor in theperception of spatial relationships in the thirddimension. He lays to rest the mistaken ideathat lens focal length affects the appearanceof depth.9 min. F750 . . . . . . . . . . . . . . . . . . . .$99.00Movement And Moving

The CameraThompson examines the way the human eyemoves as it interacts with a visual scene anddemonstrates how movement of the cameramust accommodate but not duplicate the move-ment of the eye. Three types of movement areanalyzed: movement within the frame, move-ment of the frame and movement of the cameraitself.11 min. F751 . . . . . . . . . . . . . . . . . . .$99.00

RhythmThis program begins by exploring the wealth ofnatural and mechanical rhythms in the worldaround us. Thompson shows that rhythm in filmor video can be achieved by editing, by move-ment within the frame independent of editing orby the use of sound. He shows how these strate-gies can be combined in imaginative ways. 10 min. F755 . . . . . . . . . . . . . . . . . . .$99.00

The Third DimensionOur eyes and brains use a variety of visual cues toconstruct three dimensional space. Thompsonshows how we can use these cues to definespecial relationships or to fool the eye. Thisprogram includes a number of startling opticalillusions.7 min. F749 . . . . . . . . . . . . . . . . . . . .$99.00

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Lessons In Visual LanguageSilver Medallion, Television Society of Australia, PenguinAward for Best Closed Circuit Television Education Program,Educare Australian Film Awards, Special Commendation.Ideal for Students in Visual Communication.This award-winning series, devised and narrated by PeterThompson, deals with the fundamental language of all mov-ing images. Each program is crammed with dramatic exam-ples and startling concepts guaranteed to stimulate creativityand provoke discussion.

A Movie Lover's Guide to Film Language:Classic Scenes from Timeless Films Learn How To Understand the Components of Film"This program is very well done. The division into overview,clip and instruction is excellent. This will help teachersexplain the technology of film in a very concrete andinteresting manner." - Alvernia College, PA“An outstanding presentation.” - Kevin Gray, NACEThe program consists of a general introduction to film language and

five "lessons" covering the major elements of cinematic language:LIGHTING, CAMERA, MISE EN SCENE, SOUND and EDITING. For each of these lessons there is a short overview to introduce the lessonand its film clip, which consists of an "original clip"of a scene from a classic film. This is followed by an"instructional clip" that shows the same scene againbut with synchronized voice-over commentaryabout the use of film language it illustrates. Themovie scenes come from recognized film classicssuch as: Carol Reed's "The Third Man" (Lighting),Buster Keaton's "The General" (Camera), Fritz Lang's"M" (Mise en scene), Sergei Eisenstein's "AlexanderNevsky" (Sound), and Alfred Hitchcock's "Sabotage"(Editing). This program is interactive allowing students to go directly from the intro-duction, to any of the five lessons, to supplementary information about theclassic films or to the glossary of film terms used in the program. 45 min. VHS F1137 . . . . . . . . . . . . . . . . . . . . . . . . . . . . .$79.9545 min. CDROM F1137CDROM . . . . . . . . . . . . . . . . . . . . . . .$79.9545 min. DVD F1137DVD . . . . . . . . . . . . . . . . . . . . . . . . .$119.00

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Order The Series on DVDand SAVE $440!

DVD Part 1:Camera, Orientation, Framing,Shot Sizes, Lenses & Perspective50 min. F1139DVD . . . . . . .$275.00

DVD Part 2:Editing, Rhythm, Music,Image & Screen, Third Dimension57 min. F1140DVD . . . . . . .$275.00

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Fundamentals Of Scenic Painting★★★★ Four Stars - Highly recommended.“Ranson is an expert on the subject. Filledwith practical information.”- Video Rating Guide For Libraries.This ambitious introduction to scenic paintingexamines the basic components of paint (pigments,fillers, bases and binders), the characteristics anduses of various media (oil and water base paints,shellacs and varnishes, spray paints, bronzingpowders and more) and a wide range of tools andapplication techniques (brushes, rollers, sprayers,sponges, dusters, stencils, rag roll, pounce wheel

and much more). Host Ron Ranson shows specific application methods offoliage, stone, brick, planking, wall paper, architectural detailing, ageing,sky textures, highlights and shadows.81 min. F612 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .$148.00

Where Do I Start: Basic Set ConstructionThis program demonstrates basic setconstruction from start to finish.David Shawger, Ball State University SceneDesigner and Technical Director, covers buildingsupplies and tools, the construction of flats andplatforms, the assembly of window and doorframes, the addition of hinging, stiffeners andjacks, moldings and other finishing touches. Plusthe transport and assembly of the completed set.The accompanying teacher’s guide includes aprogram outline, suggested plans for flats,windows, doors, jacks and platforms, a sample floorplan, illustrated glossary and select bibliography.72 min. F646 $119.00 F646DVD $149.00 F646 CDROM $149.00

How Do I Paint It?David C. Shawger, Associate Professor, SceneDesigner at Ball State University, hosts this "howto" video illustrating scene painting techniques ina step-by-step manner that will dramaticallyimprove your sets. Includes cross hatching, paintstamping, glazing, finishing, dry brushing, stenciling,stippling, marbling, spattering, wood graining,feather dusting and brick painting. 83 min.F978 . . . . . . . . . . . $119.00 F978DVD . . . . . . . . .$149.00F978 CDROM . . . . $149.00

Play It Safe: Introduction To Theater Safety“These videos will be the cornerstone ofour yearly safety campaign.”- Carey Lawless, Production Manager,Columbia University, YorkSafety habits every theater and production workershould learn! Save yourself the emotional and legalproblems of an accident and make sure everyone inyour theater or production team watches this tape!Play It Safe gives you hundreds of guidelines, exam-ples and rules so that theater workers can developsafer work habits. The facts are prepared in anamusing & memorable style. This program is dividedinto six sections: Basic OSHA regulations, generalsafety practices, chemical hazards & personal protection equipment, stagelighting safety, costume shop safety and scene & prop safety.82 min. F698 . . . . . . . . . . .$148.00 F698DVD . . . . . . . . . .$158.00

Firearm Safety On Stage“Had the crew of “The Crow” followedthe advice in Firearm Safety Onstage,Brandon Lee would be alive.” - Arts,Crafts and Theater Safety (ACTS)This program teaches actors & technicians to properlyuse guns onstage. Gun & theater special effectsexpert Rovert Chambers demonstrates the following:sound considerations, history of firearms, propercleaning procedures, how guns work & safety checks.Contrary to popular opinion, the use of blanks foronstage firearms scenes is not a guarantee of safety.A must for all administrators, directors, stage man-agers, actors and students. Strongly recommended

for production groups & classes in acting, stagecraft, props, directing andstage managing plus theater faculty & EHS advisors.45 min. F651 . . . . . . . . . . .$129.00 F651DVD . . . . . . . . . .$149.00

Design - An IntroductionDesigner Dennis Gentle provides a fast paced andentertaining introduction to design for film and TV.Gentle uses actual productions and examples todemonstrate the process of scene design andconstruction. He also examines the role of thedesigner in coordinating costume design andselection, props, makeup and special effects to giveeach production a unified style.18 Min. F716 . . . . . . . $119.00 F716DVD . . . . . . .$119.00

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The Pattern Development Video★★★★ Four Stars - Highly Recommended."The Pattern Development Video will be ofinterest to classes in costuming or anyoneinvolved in producing theatrical costumes." - Video Rating Guide for Libraries.

The cutter or draper is at the heart of a costumeconstruction team and transfers a costume design-er's sketch into fully developed patterns andsupervises the work of the stitchers in turning thatpattern into a finished costume. Shows how tomeasurement, costume sketch, develop a paperpattern and fitting a design mock-up.75 min. F611 . . . . . . . . . . . . . . . . . . .$129.00

The Basic CostumerCostumer Carma Shawger covers costume research,the taking of measurements, costume acquisitionand maintenance and various approaches to patternmaking. She uses live models and historical illustrationsto take an in-depth look at the specific requirements ofElizabethan, Victorian and Jazz Age costumes.Costuming a theatrical production can be fun andrewarding with proper organization. This videohighlights 3 major time periods used frequently ineducational theater and shows how to costume aproduction efficiently and cost effectively. Coversorganization and research, Victorian era, measure-ments, Jazz era, acquisitions, patterns, Elizabethan era

and costume maintenance.73 min. F647 $119.00 F647DVD $149.00 F647 CDROM $149.00

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Basic TV MakeupMakeup artist Dawn Swayne provides some background on facialstructure and then presents step-by-step makeup procedures.30 min. F707 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .$49.95

TV Makeup: The Basics“★★★★ Four Stars - This program will have you up and runningwith brush in hand in 30 minutes.”- Videomaker Magazine

This program covers materials and equipment for abasic makeup kit with step-by-step demonstrationscovering: two base application techniques, eyeshadow, eyeliner, eyebrows, mascara, rouge, lips andpowder. Separate sections cover makeup for men,including treatments for baldness and beard lineand make up for dark skin, light skin, problem skinand children.Plus makeup errors, handy hints for cooling downactors sweating under hot lights and a two-minute“quick fix” technique for interviews.30 min. F800 . .$149.00 F800DVD . .$149.00

The Make-Up WorkshopA comprehensive “how to” video that coversthe essential skills required for makeup.This unique video leads several students through anactual make-up workshop illustrating make-uppreparation and application through simple step-by-step demonstrations and revision sequences.Each student is consulted individually with theircharacter's design and application. Covers suppliesand tools, corrective make-up, middle age make-up,old age make-up, special effects and more. 90 min.F975 . . . . . . . . . . . . .$119.00 F975DVD . . . . . . . .$149.00F975CDROM . . . . . . .$149.00

A Tribute to John ChambersPlanet of the Apes,The MunstersWith very few and special excep-tions, there is no more influentialan individual in the modernworld of special makeup effectsthan John Chambers. Throughgroundbreaking cinematic tri-umphs as pivotal as Planet of theApes, Chambers 30-year career inHollywood solidified his legacy as a technical master using plastic laminate,foam latex, mold-making, and prosthetic materials. Chambers left a lega-cy of excellence that continues to ripple through the work of his manypeers and proteges. 30 min. F1170 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .$99.00

Legends of Screen Make-UpA look back on the cinematic pioneers & masters of make up of the 20th century featuring John Chambers (Planet of the Apes),Dick Smith (The Exorcist), effects master Todd Tucker (Making Wolvy) and Jack Dawn (The Wizard of Oz)Legends of Screen Make-Up DVD 90 min. F1176DVD. . . . . . . . . . .$149.00 (Includes A Tribute to the Wizard of Oz, Dick Smith & John Chambers)

Painting HighlightsDrop in on a compilation of several college level painting classes featuringsome great ideas with bricks, dirty walls, wood graining and marble. Includesvideo guide, selected bibliography, sample class syllabus & two project out-lines. High school through college level. Divided into short, easy-to-showsegments.45 min. F980 . . . . . . . . . . . $79.00 F980DVD. . . . . . . . . . . . $99.00

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A Tribute to the Wizard of OzA special behind-the-scenes look at thetribute to honor the makeup genius ofJack Dawn and his team, from the 60-year-old classic film - The Wizard of Oz. Watch the authentic recreation of seven charactersfrom the film, led by a dream team of make upartists including Dorothy (Deborah Patino), theScarecrow (Kenny Myers), the Tin Man (KevinHaney), the Cowardly Lion (Bill Corso) and theWicked Witch (Ve Neill). This unique celebrationalso features current creature king Rick Baker,director Ron Underwood and Howard Smit (whoapplied Munchkin makeups in the original film). Italso includes original Munchkin Jerry Maren. 30 min. F1167 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .$99.00

A Tribute to Dick SmithThe Exorcist, Amadeus,The GodfatherA living legend and master ofspecial makeup effects. This pro-gram features exclusive interviewsof Dick with his closest protégés,including Rick Baker, KevinHaney, and Craig Reardon. Itincludes dozens of rare photosand film clips of Dick and hisrarest make-ups, many from his early days working in television along withphotos and footage from his classic films, including The Exorcist, AlteredStates, The Hunger, Amadeus, and many others. Additional guest speakersinclude Forrest Ackerman, Alec Gillis and Tom Woodruff, Michele Burke,and Lance Anderson. Special material from George Lucas and John Landis.30 min. F1168 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .$99.00

Making WolvyA must for students ofspecial effects.This unprecedented documentaryfeatures footage and behind-the-scenes material from Wolvy- a six-character fantasy film.Learn how effects master ToddTucker used a variety of methods,including facial prosthetics,puppeted creature suits, remotecontrol “animatronics,” special costumes, and puppeteering to realize hisunique vision.24 min. F1169 . . . . . . . . . . .$99.00 F1169DVD . . . . . . . . . .$119.00

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Announcing And PresentationA lively montage takes us through a typical radioday as six announcers on talk, news and musicshows provide insights into the specific require-ments of their formats and into their personalapproaches to gathering, organizing and present-ing material. Emphasis is placed on learning howto “be yourself” on the air rather than assuming afacade or persona. Topics include: research,scripting, scheduling, equipment operation andtechniques for using voice as an effective tool.28 min. F769 . .$149.00 F769DVD . .$149.00

The Radio InterviewMike Broadhurst interviews a number of top inter-viewers, including at one point, himself. The basictechnical requirements of the audio interview arecovered, with a strong emphasis on content andinteraction, how to prepare your questions, how toget the subject to relax, how to deal with subjectswho take over the interview, or respond in mono-syllables, or evade your questions altogether.The participants in this program act out many ofthese problem situations (often with humorouseffect) as they discuss effective strategies forhandling them.20 min. F771 . .$149.00 F771DVD . .$149.00

Radio DramaShaun McLaughlin, director of over 200 BBCradio plays, leads a master class at the AustralianRadio, Film and Television School in the rehearsaland production of a short radio drama. Part Ifeatures the rehearsal and recording processwith emphasis on creating the precise sonicenvironment and ambience for each scene. Part IIcovers the finished scene and Part III shows thecast at work and how each ambience and effectis achieved.55 min. F732 . .$149.00 F732DVD . .$149.00

Making A Radio CommercialThe production process of a humorous insurancecommercial is amusingly narrated by producersStreet Remley and Bob Dennis. We see them atwork with the client and with the actors as therecording session proceeds. The editing process isfollowed in detail along with the addition ofsound effects and the final mix. At each stepalong the way, aesthetic considerations arebalanced against the needs of the client.43 min. F733 . .$149.00 F733DVD . .$149.00

Radio NewsFive seasoned journalists present an in-depthview of radio news at work. Topics include newssources, item selection and scripting, preparationfor broadcast, presentation skills, telephoneinterviews, field reports and more. Procedures forcueing, labeling, cleaning and machine care areemphasized. A must for station volunteers andtrainees, whether at the college or professionallevel.38 min. F774 . .$149.00 F774DVD . .$149.00

The Art Of Radio AdvertisingTwo of America’s most successful radiocommercial producers, Bert Berdis and AlanBartzman, discuss their approach to concept anddevelopment, copyrighting and directing forradio ads.In the trademark style of “Bert and Bars,” theradio audience is not aggressively pitched at,but rather made privy to private, sometimeswhispered conversations. In this program theyemphasize selling through humor and describetheir team approach to the creative process.20 min. F734 . .$119.00 F734DVD . .$119.00

Radio TalkbackThis program explores a wide range of styles andapproaches for the live call-in show. A specialinstructional segment examines phone operation,delay systems and call dumping.35 min. F773 . .$149.00 F773DVD . .$149.00

EditingA straightforward presentation of the two basicaudiotape editing techniques: splice editing anddub editing. Graphics and overlays make theprocedures clear and examples of music andvoice edits are performed.16 min. F770 . .$119.00 F770DVD . .$119.00

The Basic Radio Skills Series“These tapes have made my job much easier. They are very useful in tying whole concepts together.” - Donald E. Smith, Associate Professor Communications, Elizabethtown CollegeThis training series is geared for the radio beginner or for those wanting to improve their practical knowledge. Each programprovides the most comprehensive introduction to both the technical and creative aspects of radio.

Acting In Restoration Comedy“Callow directs a workshop of youngactors & subjects them to his ownrigorous & scrupulous appraisal.”- Radio Times, London

Callow, one of Britain’s foremost actors, shows theway to attain clarity and hilarity in some of themost delighfful roles ever conceived for the the-ater. With the text as his inspiration, he shapes anactor’s sensibility, coaching a performance thatwill show full knowledge of the age. A 60-minuteworkshop directed by Simon Callow, using scenesfrom The Relapse by Sir John Vanbrugh.60 min. F3035 . . . . . . . . . . . . . . . . . .$59.95

Acting In High Comedy By Maria Altken“A lively session on high comedy, with examples from Coward, Wilde, Sheridan &Cosgreve.” - The London Sunday Times60 min. F3116 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .$59.95

Acting In Tragedy By Brian Cox“...in the end, it is we actors who are on the spot... Scenes that start rehearsal asstraight forward Shakespeare babble, assume dramatic shape.” - The Times, London60 min. F3114 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .$59.95

Acting In Shakespearean Comedy By Janet Suzman“Totally and incisively in charge, her unscripted preamble is a dramatic lesson in itself; withall the right places to create a dramatic effect you can cut with a knife. Her dissertation onthe difference between tragedy and comedy is masterly.” - The London Sunday Times60 min. F3115 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .$59.95

The Radio StudioThis program introduces the radio novice to theoperation of the hardware of the radio studio environment: console, microphones, telephonetalkback, turntables, CD players, cart players, taperecorders, cassette decks, DAT recorders and more.It includes procedures for cueing, labeling andcleaning machines.A must for station volunteers & trainees, whetherat the college or professional level.32 min. F993 . . $89.00 F993DVD . . $89.00

Radio WritingThe specifics of writing for news and currentaffairs, commercial copyrighting and radio comedywriting are covered in detail. These three distinctwriting skills are examined, together with thecrafts required for each. Specialists in each arealay out the basic requirements and share tricks ofthe trade.47 min. F775 . .$149.00 F775DVD . .$149.00

Radio Drama For The ClassroomA two CD set. The first has a teachers guide withinstructions, lesson plans and scripts. The second CDis an audio CD with music and sound effects to helpproduce the scripts. Includes music riffs and soundeffects for the 21 radio drama scripts.F309CD . . . . . . . . . . . . . . . . . . . . . . . .$39.00

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More Voice SkillsEric Vetro brings you to a higher level of vocaldevelopment. Learn to master the techniquesthat professional singers, speakers and actors use.Teaches voice strengthening and developmentfor compelling performances, how to improveyour speaking and singing voice and how to cul-tivate healthy habits to protect and maintainyour voice.47 min. F1266 . . . . . . . . . . . . . . . . . .$99.00

Voice Skills IIIEric Vetro shares the techniques and vocal exer-cises he uses with his all-star clientele inHollywood and on Broadway. This programteaches you how to maximize your voice’s flexi-bility and endurance, expand your vocal anddynamic ranges to their maximum capacity andhow to dazzle your audience with a captivatingstyle and beautiful voice.38 min. F1267 . . . . . . . . . . . . . . . . . .$99.00

Jokes and Their Relationto the Unconscious“Recommended.” – Library Journal“One of the most inventive pieces thecompany has produced…it’s all hilarious.”– Chicago TribuneChicago’s Neo-Futurists, aided by fellow assassinsSigmund Freud and Uncle Miltie, attempt to killcomedy by explaining why it’s funny – which onlymakes it funnier. “An intelligent examination ofwhat makes people laugh and one that actuallymakes people laugh.” Apollo Movie Guide.83 min. F862 . . . . . . . . . . . . . . . . . . .$34.95Comes complete with study guide.

The Drama Teacher’s CompanionCDROMA collection of lesson plans, scriptsand warm-ups for secondary dramateachers.This text was written, not to teach people to teach,but rather to give teachers materials to make theirteaching easier and to save them preparation time.Includes lesson plans, games, scripts and othermaterials designed for secondary drama students.The material is written in Adobe Acrobat and canbe printed the way they are, or it can be copied andpasted into a word processor and edited.F308CD . . . . . . . . . . . . . . . . . . . . . . . .$39.00

A Voice Of Your OwnBy Patsy Rodenburg“Patsy Rodenburg engages the heart, themind and the body.” - Richard EyreAn instructional program that teaches you howto balance the body, free and warm up yourvoice, center the body, develop a greater range,get rid of tension, keep the voice healthy, developefficient breathing, speak so that people want tolisten and support your voice.60 min. F3284 . . . . . . . . . . . . . . . . . . .$59.95

AA CC TT II NN GG && DD II RR EE CC TT II NN GGDirectors On Acting With Joel AsherThe relationship between Actor and Director is crucial. When it works

“Magic” can happen on the screen. When it doesn’t,careers can be ruined. This program presents fiveprominent film and television directors whoexplain how this collaboration works.60 min. F903 . . . . . . . . . . . . . . . . . . .$49.95

F903DVD . . . . . . . . . . . . . . . .$69.95

F E A T U R E S :Jane Anderson, Writer/Director The Baby Dance, IfThese Walls Can Talk.Gordon Hunt, Mad About You, Frazier voiceovers.Jeremy Kagan, Chicago Hope, Ally McBeal.Asaad Kelada, Dharma & Greg, Everybody LovesRaymond.

Getting The Part With Joel Asher“An extremely valuable tool for all actors.”- Asaad Kelada,Director, Designing Women, Night Court & Family Ties World-renowned acting coach Joel Asher shows you how to focus thepower of the imagination, breakdown scenes and read with non-actors.You’ll see actors in the class “audition” in six different scenes and watch asJoel’s coaching remarkably transforms their performances. 50 min. F902 . . . . . . . . . . .$49.95 F902DVD . . . . . . . . . . . .$69.95

Agents Tell It Like It Is With Joel AsherAward winning director and distinguished acting coach Joel Asher inter-views top commercial film and TV agents who candidly reveal what everyactor should know. Subjects covered include: what agents look for inactors, which actors get signed, what should actors look for in agents andwhat makes a good agent.50 min. F983 . . . . . . . . . . .$49.95 F983DVD . . . . . . . . . . . .$69.95

Casting Directors Tell It Like It Is What are casting directors really looking for? Joel Asher, award winningdirector & distinguished acting coach interviews Hollywood casting directorsto find out. Featuring Fern Champion, C.S.A. (Network, Naked Gun, SaturdayNight Fever) Danny Goldman, (National/Regional Commercials) Lindsay Chag,(Robin Hood-Men In Tights, Anything But Love) Joey Paul, C.S.A. (Adam 12,FBI: The Untold Stories, Great Detectives). 40 min. F984 . . . . . . . . . . .$49.95 F984DVD . . . . . . . . . . . .$69.95

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Hosted by Stacey StoneNine extraordinary individuals who haveexcelled in their fields reveal the secrets of theirCreativity. This program teaches how sensoryawareness affects the creative process, whatcreativity feels like and recurring themes- personal and professional.

F E A T U R E S :Joel Asher, Dori Atlantis, Richard Bruland,Fu-Ding Cheng, Gordon Hunt, Jon LawrenceRivera, Maria Royce, Mimi Seton, Stacey Stone &Charlayne Woodard.

48 min. F1174DVD . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .$69.95

The HaintA wonderful example of southern storytelling.Features the “phenomenally tal-ented” Troy Mink (SeattleWeekly) playing 13 differentcharacters – from a ghost-bust-ing sheriff to a chain-smokingatheist. Comes with Study Guide.60 min. F861. . . . . . $34.95

F861DVD . . $39.95

Auditioning For CameraPaul Awad, professional director and acting teacher, guidesstudents through workshop exercises created to help actors make themost of their audition time, bring out their unique qualities and givethem a solid grasp of the auditioning process and the skills necessary toget the part. 35 min. F1121 . . . . . . . . . . $79.00 F1121DVD . . . . . . . . . . . $99.00

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AA UU DD II TT II OO NN II NN GGAudition: Series With Michael ShurtleffMichael Shurtleff teaches an approach to acting that helps students learn to locate their own inner strengthsand bring these strengths to bear with maximum energy and force in each role and each moment on the stage.In the four programs of “Audition: The Video Series,” Michael explores the 12 guideposts with a group of work-shop students. Each guidepost is articulated by Michael, then illustrated by the presentation and analysis of briefscenes. Michael probes relentlessly to help his students find the core of each scene and to take emotional risksalong the way. 4 Program VHS Series F931 . . . . . . . . . . . . . . . . . . . .$359.80 ONLY $279.00

4 Program DVD Series F931DVD SAVE $30 . . . . . . .$399.80 ONLY $369.80

Audition: Part ThreeCommunication and Competition: Getting beyondself- expression to true communication: a continu-ous cycle of messages and responses, energized bycompetition.Importance: Locating the dramatic core. Even aminor character must approach each scene as if theirlife will be destroyed if they don’t win.Finding The Events: “What’s really happening in theplay?” It’s always a change in relationship and theactor must locate that change and find a way tophysicalize it.30 min. F934 . . .$89.95 F934DVD . . .$99.95

Audition: Part FourPlace: Creating a sense of place even on a bare stage.The emotional relationship to place is more importantthan the place itself.Game Playing and Role Playing: Games and roles arenot insincere or fantasy, they are the structuresthrough which we process reality and relationships.Mystery and Secret: Articulation of role andmotive only go so far. At the core of any greatperformance is a core of mystery, of wonder and ofthe inexplicable.30 min. F935 . . .$89.95 F935DVD . . .$99.95

Audition: Part OneRelationship: Michael demonstrates that actors mustalways ask “Where is the love in the scene?” even ina scene of conflict, to get to the deepest emotionalcontent.Conflict: “What are you fighting for?“ Michael showshow actors must search out the conflict in everyscene. Without conflict, there is no drama.The Moment Before: Michael and his studentsexplore how to start a scene with full energy.Something must propel you onto the stage and itmust be an action, not simply an idea or a mood.30 min. F932 . . . .$89.95 F932DVD . . . .$99.95

Audition: Part TwoHumor: Humor is not jokes; humor arises from painand enables us to carry on in spite of it. Discover howto search out the humor in even the most tragic scene.Opposites: Whatever your motivation in a scene,your performance should also include its opposites;the tension in the scene will arise from sudden alter-ation between the opposites.Discoveries: A scene, even an audition scene, canquickly become rote. Michael shows how to keep“making things happen for the first time” through aconstant process of discovery.30 min. F933 . . . .$89.95 F933DVD . . . .$99.95

Auditioning For The Actor★★★★ Four Stars - Highly Recommended!University of California acting teacher William Antonshows how to evaluate your own strengths as anactor and then how to select material thatsupports those strengths. As actors provide examplesof monologues, prepared scenes, cold readings andsemi-cold readings, Anton critiques their performance.Going beyond do’s and don’ts for the audition itself heexplores pre-audition skills and strategies that willhelp an actor to feel prepared and confident. Actingstudents at any level as well as working

professionals, can benefit from this straightforward, easily assimilated plan.46 min. F613 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .$79.00

Audition Techniques This video prepares students or other aspiring actorsfor successful auditions in high school theater,community theater, university theater, professionaltheater and theme parks. Learn how to analyze andrehearse your monologue/song, prepare the audition,to vocally and physically warm up before the audition,proper and improper auditions, to select the rightmonologue or the right song, cold readings, prepareyour resume and photographs.70 min. F977 . . . . . . . . . . . . . . . . . . . . . .$119.00

AuditioningAllan Miller has taught and directed thousands ofactors including: Barbara Streisand, DustinHoffman, Meryl Streep, Lily Tomlin, Judd Hirsch,Dianne Wiest, Peter Boyle, Kirstie Alley, SigourneyWeaver, Ron Leibman, Bruce Davison, RueMcClanahan, Geraldine Page and Jim Caviezel,and has acted in over 200 films, TV shows andplays. Learn practical advice and techniques onhow to achieve a successful audition in any situ-ation, whether it's a cold reading, a warm reading,a prepared monologue or a call back. Miller directsactors as they give live auditions for him. The mostvaluable section of this tape are Miller's sugges-

tions for enduring the rigors of waiting for your name to be called and howto use the time to "tune up" and build confidence.43 min. F911 . . . . . . . . . . . .$79.00 F911DVD . . . . . . . . . . . .$99.00

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Voice SkillsDevelop your speaking and singing voice to it’s maximumpotential with this easy to use step-by-step programtaught by acclaimed voice teacher and vocal coach EricVetro. Discover the secrets to creating a commanding andpowerful voice. Learn superior breath control & vocalsupport. Develop better pitch and professional tonequality while discovering vocal power & versatility.45 min. F1265 . . . . . . . . . . . . . . . . . . . . .$99.00

F1265ACD (Audio CD) . . . . . . . . .$59.95



Performing Shakespeare★★★★★ Five Stars!“This video is a nuts and bolts buildingblock to support the acting curriculum.”- Video Rating Guide For LibrariesKathleen Conlin, Director of the Ohio Universityschool of theater, presents a unique and highlyphysical series of exercises that move fromexploration of specific words and phrases through thedevelopment of complete Shakespearean scenes. Thisdetailed process enables actors to merge visceral,physical, vocal and imaginative work with thedemands of complex text.75 min. F618 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .$148.00

Creative Drama & Improvisation“An excellent introduction to the art of improvisation and awelcome addition to all high school and college acting classes,as well as theater groups.”- Video Rating Guide For LibrariesHost Rives Collins of NorthwestUniversity leads a lively group ofstudents through a dozen theatergames and improvisational exercises.Collins emphasizes spontaneousresponse, visualization and especiallydivergent thinking. These exercises giveinvaluable tools for warm up, rehearsal, self-exploration & character development.110 min. F648 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .$119.00

Shurtleff On ActingAn unforgettable hour with the famous cast-ing director, author and teacher. He helpedlaunch the careers of Barbara Streisand,Robert Redford, Lily Tomlin, DustinHoffman, Bette Midler and many others.Join Michael Shurtleff for a dynamic series ofacting workshops. Learn how to find the core ofeach scene and how to take the emotional risksalong the way. The workshop scenes are comple-mented by remarkable interviews with Shurtleff,

Gene Hackman, Elliot Gould and others, unfolding the story of MichaelShurtleff's work with many of the luminaries of the American stage andscreen.60 min. F657 . . . . . . . . . . .$149.00 F657DVD . . . . . . . . . .$159.00

Acting One, Day OneWith Robert CohenBest selling theater textbook author Robert Cohen(University of California) describes and illustrates hisfour basic principles of acting. He employs a simpleexercise in which students first recite the AmericanPledge of Allegiance, then learn to act this text as partof a dramatic situation.These four points (Goal, Other People, Tactics,Expectations) are an essential starting point for thestudy of all acting methods and styles.35 min. F981 . . . . . . . . . . . . . . . . . . . . . .$79.0035 min. F981DVD . . . . . . . . . . . . . . . . . .$99.00

Movement For The ActorLearn an exciting process for developing a character!Dawn Mora and her students at NorthwesternUniversity present a graded series of movement exercises,from stretching and warm-ups through various typesof dynamic movement keyed to emotion and memory.By the end of the program students learn to “scorea text,” interpreting character and dialogue entirelythrough movement. This program is ideal formovement teachers and workshop leaders as wellas for students.20 min. F671 . . . . . . . . . . . . . . . . . . . . .$119.00

F671DVD . . . . . . . . . . . . . . . . . .$149.00F671 CDROM . . . . . . . . . . . . . . .$149.00

Advanced Workout For The ActorDevelop improved breathing and vocalprojection in this excellent follow up toVoice Workout For The Actor.In this sequel to the popular Voice Workout For TheActor, Susan Leigh focuses on the mechanics ofbreathing and vocal projection. Beginning with aremarkably effective relaxation sequence, Susanleads the viewer through a series of simple stretching,Yoga and rib awareness exercises leading graduallyup to a controlled vocal production. This tape can beused by the beginning actor to develop breath andprojection skills or by the experienced actor as a fresh

approach into solving old problems.40 min. F616 . . . . . . . . . . .$79.00 F616DVD . . . . . . . . . . . .$99.00

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Voice Workout For The Actor“★★★★ Four Stars - Highly Recommended!”- Video Rating Guide For Libraries“An excellent 30 minute whole-body work-out. Unlike exercise tapes, this program isappropriately low key and relaxing, since itis meant to prepare - not tire - the actor forperformance.” - Stage DirectionsVoice expert Susan Leigh provides the actor with acomplete voice and body warm-up. The sequenceincludes full-body relaxation and stretching,followed by exercises for pitch and resonance,clarity, dynamic vocal control and tongue twisters.This popular program can be use in a group setting or by the individual andserves as an effective preparation for classes, rehearsals and performance.Use three to four times per week for maximum effectiveness.33 min. F615 . . . . . . . . . . .$79.00 F615DVD . . . . . . . . . . . .$99.00

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Blocking A Scene:Basic Staging With Actors★★★★★ Five Stars!Michael Joyce and two student directors demonstrate the basic steps inblocking a scene. They begin with script analysis, dividing the scene into

working units, while providing practi-cal tips for laying out and developinga floor plan. Each student directortackles the same scene but with a dif-ferent approach while Joyce analyzesthe blocking process and discussesalternatives. The work demonstratedin this video is based on a scene fromShaw’s Candida.

70 min. F617 . . . . . . . . . . . .$148.00 F617DVD . . . . . . . . . .$158.00

What’s The Score? Text Analysis For The Actor★★★★★ Five Stars - Excellent!“Recommended for every library collectionsupporting a college, university or professionalschool theater curriculum.”- Video Rating Guide for LibrariesIn the first section of this fascinating video Dr. Arthur

Wagner (creator of The Graduate acting programs atTulane, Ohio, Temple and UC San Diego) presents apractical system for text analysis. Each action of ascript is examined in terms of immediate and overallobjectives and then related to personal experience. Thesecond section presents a powerful methodology forexamining character dynamics and interactions, based on the models of trans-actional analysis. Wagner illustrates his presentation with characters andscenes from “A Streetcar Named Desire” and other wellknown plays.What’s The Score? condenses a whole theory of character and relationshipsinto a concentrated 85 minute presentation. It is valuable not only for actorsbut for directors and writers as well.85 min. F614 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .$148.00


Mask MakingThis program begins with a rich overview of the useof masks in a wide variety of cultures, demonstratingfour basic mask-making techniques, ranging from asimple “plaster bandage” and papier-mâché tech-niques to subtle and flexible latex masks requiringthree work sessions for completion.54 min. F915 . . . . . . . . . . . . . . . . . . .$149.00

MaskThis program explores two fundamentals of masks asa supplement and complement to Mime technique.One set of exercises explores the use of “neutralexpression” masks to force students to learn toexpress emotion through posture and gesture, with-out reliance on facial expression. The remainingexercises explore the use of masks as a way ofinhabiting alternative identities, whether animal,human or phantasmagoric.54 min. F914 . . . . . . . . . . . . . . . . . . . .$149.00

MimeFollowing a brief history of the art of Mime, Bodonyipresents a series of carefully designed solo and groupexercises. In the earliest exercises students learn toisolate and articulate each body part from hands andfeet to limbs, head and torso to combining and co-ordinating body motions in increasingly complexways. Also includes exercises to provide studentswith a Mime vocabulary they can use to articulateobjects, environments, processes and stories.54 min. F913 . . . . . . . . . . . . . . . . . . . .$149.00

Mime Over MatterNow you can include a "mime" unit in your dramaclass or drama club. JodiRae Lynn, performer andmime instructor, can lead one person or a full classthrough these easy to follow mime exercises andmime illusions. Subjects covered include introductionto mime, exaggerated action, sections of the body,the lean, inclinations, walk 1 & 2, rotations, the sit,the wall, breaking down movement, the rope,creating a mime piece and the robot. Designedspecifically as a student participation video that willencourage creativity.101 min. F974 . . . . . . . . . . . . . . . . . . . .$119.00

F974 DVD . . . . . . . . . . . . . . . .$149.00F974 CDROM . . . . . . . . . . . . .$149.00

On The DirectorRonald Neame began his career at the end of thesilent era. He teamed with David Lean to make“Great Expectations” and “Oliver Twist” anddirected Alec Guinness in such classics as “TunesOf Glory.” His extensive experience not only as aproducer and director but also as a writer andcameraman allow him to speak with uniqueauthority about the complex chemistry within afilmmaking team.105 min. F602 . . . . . . . . . . . . . . . . . .$119.00

The Directing Process Dale McFadden, a winner of Chicago's "JeffersonAward" shows how to select, organize and directa theatrical production successfully. Features thehistory of directing, working with designers, howto select a play, the principles of staging, textanalysis, blocking and picturization, successful col-laboration and rehearsing the play. This program isnot only helpful to theater students but is also atremendous asset to first time directors.90 min. F973 . . . . . . . . . . . . . . . . . .$119.00

A Creative Partnership:The Actor & DirectorEducare Award For Educational Films,Open Award For Excellence.This program traces a segment of a feature filmfrom the early stages of casting through auditions,screen tests, character development, rehearsalprocess and the shoot. The focus is on the develop-ment of the actor/director relationship through thevarious stages of production. The dual narration bydirector and actors provides valuable insights forpeople working on both sides of the camera.37 min. F739 . . . . . . . . . . . . . . . . . .$149.00

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F E A T U R E S O F T H E P R O G R A M• Features dozens of colorful masks in a wide rangeof styles, from the subtle to the outlandish.

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Auditioning For CommercialsWhat type of commercials are there? How do you read acommercial script? What makes a successful audition?Learn the process of auditioning for commercials and how to put your bestfoot forward. Through a relaxed workshop dialogue with professionaldirector and acting teacher Paul Awad, students discuss and work throughexercises designed to give them the techniques and skills necessary for asuccessful commercial audition. 35 min. F1120 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .$79.00

F1120DVD . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .$99.00

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Body Language SkillsYour posture, facial expressions and how you moveyour body tell more than words can describe. PattiColombo, Tony Award nominated choreographer,teaches the art of conversation without words, how todevelop eccentric characters through body movementand the importance of what your body is communicat-ing to others. Discusses defining attitudes throughbody language and includes situational exercises. 47 min. F1268 . . . . . . . . . . . . . . . . . . . .$99.00


AA CC TT II NN GG && DD II RR EE CC TT II NN GGActing In Film By Michael Caine“Witty, articulate and always entertaining, Michael Caine takes the nuts and bolts of film acting to piecesand gives away more trade secrets in the process than you thought existed.” - The London Sunday Times“Caine knows so much, not just about acting, but about the whole business of filmmaking. You’ll belaughing, absorbed and enchanted.” - The Daily Mail“Caine demonstrates how sheer technique can mutate into something meaningful and moving.” - The ObserverAcademy Award winning actor Michael Caine, internationally acclaimed for his talented performances in movies for over twenty-five years, shares his personal insights into the art and science of film acting. Mr. Caine gives you a once-in-a-lifetime chance torob him blind! The man who’s hypnotized the camera lenses for a quarter of a century reveals the most closely guarded secrets onscript preparation. working with the director, forming a character, voice, sound, and movement. Pearl by pearl he lays out the Cainewisdom on everything from set politics to set decorum, the film bureaucracy and more!60 min. F3034 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .$59.95

The Working Actor: Teachers On ActingHow do you assist natural talent to full expression? What isgetting to the heart of acting all about? How is the power ofthe performance moved into film and television?Three prominent teachers discuss these issues as you view scenes from theiracting workshops with emphasis on specific improvisational techniquesand the building of a character step-by-step.21 min. F736 . . . . . . . . . .$149.00 F736DVD . . . . . . . . . . .$149.00

The Working Actor: Actors On ActingFour seasoned professionals talk about their craft. Their emphasis is onmaking a character come alive and evoking authentic emotional responseson stage. They also discuss approaches to body movement, research, workwith the scripts, rehearsal techniques and modes of actor/director com-munication.27 min. F735 . . . . . . . . . .$149.00 F735DVD . . . . . . . . . . .$149.00

The Theaters Of Asia: An IntroductionThis video is of special interest not only to dramateachers but to teachers of social sciences, culturalstudies and languages. The best of Professor DavidGeorge's private and unique collection of slides onAsian theater is now, for the first time, available onvideo. Accompanied by a commentary, which placesthe major forms of both Asian classical andfolk theater in their cultural context, this videointroduces Asian theater through the roles itplays in the lives of Asian people and its specialrelationship to young people. David George hasinterviewed dancers, actors, musicians, shamans,priests, scholars, mask-makers, choreographers andtaken detailed pictures of what he has learned.

50 min. F986 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .$149.00

Wireless Microphones In The TheaterThe CD-ROM is a self-directed and interactive learning tool with five learn-ing sections that teach all aspects of wireless mic usage, including equip-ment selection, attachment of mics, dressing in the hair, costume modifi-cations and production costs.Please specify PC or MAC format when ordering.90 min. F1110CD-PC . . . . . .$149.00 F1110CD-MAC . . . . .$149.00

Building A CharacterTruthful and realistic character development is thetheme of this insightful video.R. Scott Lank, Acting Professor at the University ofEvansville, guides a group of students though theprocess of character development, examining theelements of: character analysis, physical work, vocalwork, emotional work, combining all the elementsand rehearsal guidelines.86 min. F972 . . . . . . . . . . . . . . . . . . . .$119.00

F972 DVD . . . . . . . . . . . . . . .$149.00F972 CDROM . . . . . . . . . . . . .$149.00

Making The Play Featuring The Hemingway/Dos Passos WarsA one hour documentary that brings to life the experience of a profession-al theater production. Watch as the director shapes the play in rehearsal,the actors bring life to their roles, the set designer builds the set and danceand lighting are blended into the final production.60 min. F994 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .$79.95

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Mass Murder“Recommended.” – Library Journal“… an intense one-on-one encounter with a series of five serialmurderers. – Wall Street JournalSpend an intimate evening with the twentieth century’s most notorious seri-al killers, including Ted Bundy, Richard Ramirez (the “Night Stalker”), andAileen Wuornos (America’s First Female Serial Killer”).86 min. F860 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .$34.95Comes complete with Study Guide.

Straight“Fabulously intelligent, witty… and important.”

– San Francisco WeeklyStraight is a hilarious and subversive excursion into the world of conversiontherapy, where homosexuals are reputedly made “straight.” Join acclaimedwriter/performer David Schmader as he plunges into the heart of thisdangerous territory. Comes complete with Study Guide.100 min. F863 . . . . . . . . . . . $34.95 F863DVD. . . . . . . . . . . $39.95

The Magnificent Welles “An excellent program for any theater department.Recommended for academic libraries.” – Library JournalThis acclaimed one-man play charts the spectacular riseand fall of film genius Orson Welles. Marcus Wollanddeftly impersonates Welles in this performance that isboth a memoir of Welles’ breathtaking career and achronicle of his losing power struggle over TheMagnificent Ambersons, the movie that followedCitizen Kane. Opening black and white footage, a greatscript, various camera angles, occasional special effectsand audience reactions add variety to the performance. 93 min. F1101 . . . . . . . . . . . . . . . . . . . .$34.95

F1101DVD . . . . . . . . . . . . . . . . .$39.95Comes complete with Study Guide.

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Making A Good Script Great SeriesNoted Hollywood script consultant, Dr. Linda Seger, analyzes the elements necessary to make a good script great. Herclients include TriStar Pictures, MGM/UA, Turner Network, ABC and CBS."A must have for every writer, beginner or professional." - Barbara Corday, President Columbia Pictures Television

"An invaluable tool for the working writer."- Richard Walter, UCLA Department of Theater, Film & TV

Audio Series:A Guide for Writing & RewritingInc ludes a l l three programs SSttrruuccttuurr iinngg tthheeSSttoorryy,, CCrreeaattiinngg UUnnffoorrggeettaabbllee CChhaarraacctteerrss && EExxpprreessssiinnggtthhee TThheemmee..3 cassette tapes 156 min. F9693 . . . . . . . . . . . . .$79.9590min. F9791DVD 3 Program Good Script Great DVD Set . . . . . . . . . .ONLY $99.00

Expressing The ThemeIdeal for producers, executives and writers, "Expressing the Theme" is a three part programthat illustrates the concepts through referring to both classical and contemporary film.30 min. F971 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .$79.95

Creating Unforgetable CharactersAudiences remember characters - "characters that breathe,""characters that are larger than life" and "characters that arerich, exciting and dimensional." This program teaches you howto create the character's world to make it "ring true" so thataudiences understand and identify with it, create multi-dimensional and realistic characters and create strongcharacter relationships that pull the audience into the action.Detailed guide book included.30 min. F970 . . . . . . . . . . . . . . . . . . . . . . . . . . . .$79.95


The Sitcom Seminars Series-Writing TV ComedySituation comedy is a very specific type of program with its own rules and structures. Three of America’s most experienced sitcom writers and producersprovide an in-depth course in the theory and practice of comedy writing, various aspects of situation comedy and provide valuable insights into the writingand production process. Featuring producer/creator Norma Safford Vela (Roseanne, Designing Women) writer and lecturer John Vorhaus (The Wonder Years,Married With Children) and writer/producer Russ Woody (Murphy Brown, Slap Maxwell) as they explore every aspect of the sitcom craft. Along the way theyprovide a detailed guide to successful collaboration with agents, producers and the networks.

WHAT IS A SITCOM? 19 min. F790 . . . . . . . . . . . . . . .$49.95THE SITCOM WRITER’S COMIC TOOLBOX 36 min. F791 . . . . . . . . . . . . . . .$49.95THE SITCOM WRITER’S CRAFT 29 min. F792 . . . . . . . . . . . . . . .$49.95SITCOM RULES AND FORMS 30 min. F793 . . . . . . . . . . . . . . .$49.95DRAMATIC STRUCTURE & COMIC DEVELOPMENT 29 min. F795 . . . . . . . . . . . . . . .$49.95THE PRODUCTION PROCESS: PART I 30 min. F796 . . . . . . . . . . . . . . .$49.95A SURVIVAL GUIDE FOR SITCOM WRITERS 23 min. F799 . . . . . . . . . . . . . . .$49.957 PROGRAM SERIES-SAVE $40.00 F789 . . . . . . . . . . . . . .$309.65

Structuring The Story An invaluable tool for screenwriters showing what it takesto make a script both artistic, well crafted and ways to usestructure to support your personal vision. It will help developyour skills for telling a dramatic and compelling story,articulate the skills you know intuitively and help you analyzeand solve the problems to get your script back on track.30 min. F969 . . . . . . . . . . . . . . . . . . . . . . . . . . . . $79.95

Dance Class For The Actor - Level OneInstructed By Cathy RoeA full dance class for beginners that includes basic warm up,exercises for building rhythm skills, balance & flexibility exercises,strength training and a jazz vocabulary of 20 basic steps. It alsofeatures 25 dance steps commonly used in musical theater, followedby three “style study” routines for disco, showbiz and cabaret.70 min. F1106 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .$99.00

Dance Class For The Actor - Level TwoInstructed By Cathy RoeDance Training for the actor level two, builds on the first programwith a more advanced warm up, isolation study, full stretch, flexi-bility exercises, strength training and center exercises found in jazzand modern dance. Twenty more additional dance vocabulary stepsare introduced and three “style study” routines are featured whichinclude top-hat and kick, latin and waltz.70 min. F1107 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .$99.00

Video Dance & TheVideo Dance LecturesThis two program set is amust for anyone involved infilming dance.Join Bob Lockyer, BBC Director ofDance, in a two week workshop withseven choreographers and six videodirectors as they experiment andcollaborate in the unique art formthat creates “choreography for thecamera.”The companion video dance lecturesexamines how the human eye sees dance and traces the pathfrom a choreographer’s notation to a functional shootingscript. This program is a must for anyone involved in filmingdance, from ballet to rock video.55 min. Video Dance24 min. Video Dance Lectures2 Program Series F776 . . . . . . . . . . . . . . . . . . . .$249.00

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Combat For The StageRaoul Johnson, Associate Professor at LoyolaUniversity, teaches the fun-damentals of stage combatthrough the importance ofsafety and well planned chore-ography. Includes safety inthe use and selection of gunsand swords, stage falls, un-armed and armed combatchoreography plus the reviewand break-down of a swordfight performed.

96 min. F976 . . . . . . . . . . . . . . . . . .$119.00F976DVD . . . . . . . . . . . . . . .$149.00F976 CDROM . . . . . . . . . . . .$149.00

Stage Fight DirectorWith David Boushey★★★★★ Five StarsWhat is a Stage FightDirector? How does this per-son work with others on thecreative team to produce safefights onstage? Follow mastercombat choreographer DavidBoushey through severalweeks of rehearsals for arousing production of "Romeoand Juliet" at the UtahShakespearean Festival. Learn how he and hisactors turn the text into the adventure of theater.33 min. F610 . . . . . . . . . . . . . . . . . . .$79.00

Broadsword For The Stage &Screen: The De Longis MethodThis program is geared towardsthe intermediate to advancedswordsman and offers thetools to get you performingsafely, comfortably and effec-tively with the Broadsword.Teaches grip, targeting anddistance, standard andreverse guards, parries, foot-work, distance and timing,ceding or yielding parries,deflections, disarms, wounds and kills.108 min. F951 . . . . . . . . . . . . . . . . . . .$89.95Comes complete with Study Guide.

Stunts & Special EffectsA behind-the-scenes look at how they“make it” happen

This program featuresstuntmen and specialeffects co-ordinatorsas they show and tellhow stunts are creat-ed and co-ordinated.

Includes: gun fights, ahuman burn, high fall,jerk, fight scenes,squibs and explosions.49 min.F1143DVD . . .$19.95

Rapier Stage & Screen“I recommend this video highly.”– Nick Evangelista.

“Excellent presentation.”– Bob Anderson,Sword MasterFor actors who wish to increasetheir skills and hobbyists whowant to further their apprecia-tion of choreographed swordplay, this video teaches the DeLongis’ unique style of stageand film swordfighting inshort, sequential, easy-to-fol-

low lessons. Features parries, cuts and thrusts, basicand advanced footwork plus safety and skill.111 min. F950 . . . . . . . . . . . . . . . . . . .$89.95

(See page 28 for additional titles)

Swordsplay Theatrical FencingTim Weske is respected as one of today’s topSword-Masters in the film and television industry.

His unique sword system hasproven to be an effective,exciting and most importantlysafe method, producing dra-matic and unforgettableresults. Tim teaches the art offencing and fencing tech-niques in a way to rival themasters.Subjects covered include:• Philosophy & Parts of

the Weapon.• Footwork & Body Position.• Targeting.• Perries & Attacking.47 min. F1263 . . . .$99.00

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Order: 1-800-262-8862 Fax: 1-310-574-0886 [email protected] www.firstlightvideo.com

SwordPlay For Shakespeare DVD SeriesClassic Stage Combat For Performingthe Master’s PlaysThis in-depth series teaches students fightchoreography, movement and training.Each program breaks down each fight so that itcan be easily learned and rehearsed along withcomprehensive, on-screen fights and battles tohelp teach students & actors the intensity andtiming of full-out theatrical violence.Teaches safety tips and performance advicewhile creating thrilling ShakespeareanSwordplay.30-50 min. each.

SwordPlay for Shakespeare: Macbeth F1160DVD . . .$59.95SwordPlay for Shakespeare: King Richard III F1161DVD . . .$59.95SwordPlay for Shakespeare: Twelfth Night F1162DVD . . .$59.95SwordPlay for Shakespeare: Hamlet F1163DVD . . .$59.95SwordPlay for Shakespeare: King Lear F1164DVD . . .$59.95SwordPlay for Shakespeare: Taming of the Shrew F1165DVD . . .$59.95SwordPlay for Shakespeare: Romeo & Juliet F1166DVD . . .$59.95

Dance In Bali★★★ - 3 Stars - Video Rating Guide for LibrariesA behind the scenes look at the stunning danceculture of Bali. Filled with exclusive footage of theworld's most renowned traditional drama andtrance performances. From simple village settingsto glittering royal courts, this program takes youinside eleven of Bali's most dramatic dances toshow how intimately culture, religion and life areinter-twined in Bali. Comes complete with StudentWorkbook.

Upon The Sacred Stage:An Introduction to Sacred Dance30 min. F1153DVD . . . . . . . . . . . . . . . $69.00

The Art of a People:An Introduction to Secular Dance30 min. F1154DVD . . . . . . . . . . . . . . . $69.00

2 Program DVD Set SAVE $10FSETBALI . . . . . . . . . . . . . . . . .ONLY $128.00

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Pricing Policy:The sale prices and policies in this catalog are intended for school, library,corporate, government and institutional customers. We offer substantialdiscounts to students, home study users, and wholesale distributors. Call fordetails or email the sales department at: [email protected].

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If you are dissatisfied with the content of any video, return the tape with a letterof explanation within 30 days for full refund, or, if you prefer, credit toward analternative purchase. Returns of CD-ROMs and computer software acceptedonly if defective or unopened.

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Beginners Guide To AnimationSculpting Characters With ClayA great program for craft makers andstudent clay animators!Hollywood clay animator Mark Sawicki, shares hissecrets and techniques for sculpting cartoncharacters. This video describes the properties ofpolymer clay and the tools used to sculpt, bake andpaint the material. Teaches basic forms, the funda-mentals of posture, anatomy, the creation of acharacter and painting techniques.48 min. F957 . . . $79.95 F957DVD . . . $79.95Comes complete with study guide.

Shakespeare and the Spanish ConnectionThis documentary demonstrates the compatibility of two great culturesflourishing in the Americas - the Hispanic and the Anglo. Discover the keyrelationships between the two traditions as seen in English and Spanishdrama. Includes visuals from Spain (the Almagro Theatre, Velázquezpaintings from the Prado) and England (the restored Globe Theatre, theNational Portrait Gallery). Designed to show that both traditions share thesame origins in terms of theatre structure, practices and themes. Comescomplete with Student/Teachers Guide.30 min. B405DVD . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .$64.95

How To Create And Animate A Clay PuppetClay animator Mark Sawicki examines the funda-mental design concepts of the animation armatureand builds an inexpensive puppet skeleton basedon his character design. The puppet is then sculptedover the armature starting with the flexibleappendages and eyes (which are baked). Mark thenmoves on to sculpt the expressive face and finallythe body which is kept pliable for animation. NextMark demonstrates how to set-up a digital cameraand computer software to record your clay anima-tion. The program culminates in a demonstrationof how the animator uses mathematics to “timeout” the action and shows how the figure ismanipulated for each frame of a cycle.48 min. F958 . . . $79.95 F958DVD . . . $79.95Comes complete with study guide.

Advanced ShootingThis program focuses on the basic techniques to help refine shooting skillsand tell a better story. Teaches: shot sheets, logs, slates, lenses & filters,exposure & shutter, camera moves, handheld techniques and composition.30 min. F810 . . . . . . . . . . . .$29.95 F810DVD . . . . . . . . . . . .$39.95

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Basic ShootingLearn the basics to help you shootlike a pro. This program is designedto help students produce dynamicproductions and create top qualityprogramming. Teaches: buttonbasics, lighting, sound advice, artof composition, smooth moves &steady shots.30 min. F811 . . . . . . . . $29.9530 min. F811DVD . . . . . $39.95new

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Total Items Ground Express Next Day AirPurchasedOne item $7.50 $17.25 $34.00Two items $8.50 $18.75 $36.00Three items $11.25 $20.25 $38.00Four items $13.25 $21.75 $40.00Five items $15.25 $23.25 $42.00Six items $16.25 $24.75 Call For Rate

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Albert Whitlock: A Master of IllusionThe Creation of Special Visual Effects Featuring Mel BrooksWinner - Ohio Film FestivalUsing Mel Brooks “A History of the World - Part I” asa backdrop, “Albert Whitlock: A Master of Illusion”,takes a behind-the-scenes look at the creation ofspecial visual effects in the movie business. AcademyAward winner, Whitlock takes you to his studiowhere he reveals the secrets of a movies develop-ment, the intricate details involved in creating illu-sions and demonstrates the tricks which made him famous - from creatingdust storms to re-enacting “The Hindenburg Disaster.”30 min. F1159DVD . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .$79.95

Jack Pierce - The Man Behind The MonstersLegends of Screen Make-Up

One of the cinematic pioneers & masters of make-upof the 20th century & the legendary monster-maker.This program details the life of Jack Pierce, thelegendary monster-maker from Universal Studiosclassic horror period of 1928-1945. We see Pierce’swork on TThhee MMaann WWhhoo LLaauugghhss,, FFrraannkkeennsstteeiinn,, TThheeMMuummmmyy,, TThhee IInnvviissiibbllee MMaann,, TThhee BBrriiddee ooffFFrraannkkeennsstteeiinn,, SSoonn ooff FFrraannkkeennsstteeiinn and TThhee WWoollffMMaann through historical photos and footage and vialive actors.This program re-creates 15 of Pierce’s characters

with makeup wizard Robert Burman. Watch as costumes were created, setsconstructed and the many hours of makeup preparation. Actors werelifecasted, makeups were sculpted, molds were made and makeup applianceswere fabricated in prosthetic materials. 72 min. F1171DVD . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .$119.00

(See page 21 for New Make-Up legends of the Screen)

Acting One, Day OneWith Robert CohenBest selling theater textbook author Robert Cohen(University of California) describes and illustrates his fourbasic principles of acting. He employs a simple exercisein which students first recite the American Pledge ofAllegiance, then learn to act this text as part of a dramaticsituation.Goals, Other People, Tactics & Expectations are an essentialstarting point for the study of all acting methods andstyles.

(See page 25)

BEST SELLERScreening “Middlemarch”:A Study In TV ProductionThis lavish and comprehensive package from theBBC provides a unique opportunity to look at aproduction from every angle (the 1994 BBC/WGBHadaptation of George Eliot’s Middlemarch). Thewriter, director, production designer, DP and othermembers of the team lead students through everystep of the process, from conceptualization andproduction to packaging and distribution.

(See page 7)

Digital Video ProductionFeaturing Adobe Premiere Pro

This Windows-based tutorial features Adobe’s“Premiere Pro” editing software and over 6 hoursof instruction on 3 DVD’s. Whether you want toproduce and direct your own Movies, make MusicVideos, Commercials, or any Video Production,this “How-To” will guide you through the entireprocess. The set includes five hours of Editing withPremiere Pro, 45-minutes with the Mini-DVCamcorders, along with additional segments onLighting, Directing, and more.

(See page 8)

Editing with Final Cut ProGeared toward the novice editor, this programintroduces editing practices using Apple’s FinalCut Pro editing software. Learn the basics ofediting from logging and capturing your footage,to printing to tape and everything else inbetween.

(See page 8)

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2006 FirstLight Catalog FirstLight Cat.pdfcomplete emergency room’s worth of props. Cast members,...

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Transcript of 2006 FirstLight Catalog FirstLight Cat.pdfcomplete emergency room’s worth of props. Cast members,...