1986_4_11_Stathis
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Transcript of 1986_4_11_Stathis
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3 8 1986
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* * *(Major Papers),
(Short Papers)(Round Table Discussions).
GeorgetownDumbarton Oaks.
Georgetown Healy Hall
Georgetown, (4Dumbarton Oaks, Walters
, Art Gal.1ery 6Silver Treasure from Early
zantium, (17 Timothy
Gregory Evening in
- 2.
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888 rP 1)yopLou
, (5
1991,
1\ . 1 '
Virginia, 11ilos Velimirovic
Jorgen Raasted, Gregorios Stathis, Dimitri Stefanovic11ilos Velimirovic, 1983
11onumenta 11usicae Antiquae Euro-pae Orientalis )3,
1981xocl
The Interpretation 4 of Byzantine Chant3. 1) u 1), Antiquae EUl opae
OrientalisJJ 21-23 1983), [1983],940-944.
4. s V e m r v cRe-interpretation of Byzantine Chant?
Reinter
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889
J orgenRaasted Gregorios Stathis, Kenneth Levy Dimitri Conomos.
Milos Velimirovic.
\ - < ,
Session 39 43u s c
August 5 2:00-5:00 Georgetown Universitys V e m r v c Chair
- e n n e t h L e v Tlte Melodic Fabric Byzantine Hymns.- J 6 r g e n R a a s t e d Tltoughts the TtansC1 iption Rules
the Monumenta J1fusicae Byzantinae.G r g r s S t a t h s,
D m t r C n m s The InteI'pI'etation Byzantine Chant.
r s a n t a l e b c - a r n New ApI'oach t the Form the ByzantineChant,G v n n a r Automelo e testo poetico e teSto musicale,
pI'etation. Tlte Interpretation '6 The Interpretation.
Re-interpretation - 5 43 55 63 39 59 7
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890Session 59 ,55)
us i cAugust 7 2:00-4:30 Georgetown University
e e t]1 L e Chaire e r J e f f e r Lost Melodies oj tlte Rite oj. JeI'usalem, and SUI -
rirals and Latin Chant RepeI'toires.e t e r We c h e, (,Some ObseI'rations the nterpI'etation oj SignatuI'es
and Accidentals East and WesD>,a a R b e t s Good FI'iday TI'isagion Coptic ChuIch.
S t e f a e J a a k a k s - e r a , Simple and Kalophonic Settingsoj Pasa ,G e g r e s, Koukouzelian Didactic Song as id Ttrans-cription oj Russian KondakarianS u s s e G u d r u m g b e r g, The CI'eation and the Disappearance oj
Greek Old LectionaI'Y'
G e r d a W r r a m, BegI'ijj und Struktur des Nenano.D a e u a t s, SuI'rey oj Musical Manuscripts Va-
tican.
Sessiom 7/. 63)u s c
August 8 1:30-3: 50 Geol getown Unive rsityJ r g e R a a s t e d, Chair
e a c h e a, PI'oblem oj Postbyzantine Musical Exegesis-SeQenleenth CentuI'y Musical Exegesis Ukraine.
a s t a t a U 1 f f M ]] e (,Thc CoIlnection betweenMelodic and SteI'eotype Text Phrases Slaronic Stichcra.J a L. R. c c as a The and StI'ucture oj RussianS e t ] a a u j u m d e v (Ps, 140,1) , EchoswiilII'end der Postbyzantinische Periode.
d r a a S r ] Remarks the Romanian Response jvIu-sical Tradition.
c h a s S s h d ) v s k BorI'owed Chants SlaQic oj. theSticheI'arion. .
S e. b a s t a n a r b u u c u r. Contributions roumaines dans le domaine deculture musicale byzantine au
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89
Bulgarski Rospev) Kiev Staff Nota-tion).
Milos Velimirovic,
laii>Levy- Raasted -Stathis.
Levy Raasted
Kenneth Levy, Princeton,The Classical Melos of Byzantine Hymns
Levy
auo
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892
' , \ '10,
Jorgen Raasted,Oliver Strunk,
Monumenta Musicae Byzantinae, 1970Handbook of the Middle Byzantine Musical Notation il
lyard,1958
Transcripta
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8. g We 11 e S lements vVesternAmerican Series, vo1ume 1,1947.
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