1986_4_11_Stathis

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    3 8 1986

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    88 7

    * * *(Major Papers),

    (Short Papers)(Round Table Discussions).

    GeorgetownDumbarton Oaks.

    Georgetown Healy Hall

    Georgetown, (4Dumbarton Oaks, Walters

    , Art Gal.1ery 6Silver Treasure from Early

    zantium, (17 Timothy

    Gregory Evening in

    - 2.

    -

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    888 rP 1)yopLou

    , (5

    1991,

    1\ . 1 '

    Virginia, 11ilos Velimirovic

    Jorgen Raasted, Gregorios Stathis, Dimitri Stefanovic11ilos Velimirovic, 1983

    11onumenta 11usicae Antiquae Euro-pae Orientalis )3,

    1981xocl

    The Interpretation 4 of Byzantine Chant3. 1) u 1), Antiquae EUl opae

    OrientalisJJ 21-23 1983), [1983],940-944.

    4. s V e m r v cRe-interpretation of Byzantine Chant?

    Reinter

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    889

    J orgenRaasted Gregorios Stathis, Kenneth Levy Dimitri Conomos.

    Milos Velimirovic.

    \ - < ,

    Session 39 43u s c

    August 5 2:00-5:00 Georgetown Universitys V e m r v c Chair

    - e n n e t h L e v Tlte Melodic Fabric Byzantine Hymns.- J 6 r g e n R a a s t e d Tltoughts the TtansC1 iption Rules

    the Monumenta J1fusicae Byzantinae.G r g r s S t a t h s,

    D m t r C n m s The InteI'pI'etation Byzantine Chant.

    r s a n t a l e b c - a r n New ApI'oach t the Form the ByzantineChant,G v n n a r Automelo e testo poetico e teSto musicale,

    pI'etation. Tlte Interpretation '6 The Interpretation.

    Re-interpretation - 5 43 55 63 39 59 7

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    890Session 59 ,55)

    us i cAugust 7 2:00-4:30 Georgetown University

    e e t]1 L e Chaire e r J e f f e r Lost Melodies oj tlte Rite oj. JeI'usalem, and SUI -

    rirals and Latin Chant RepeI'toires.e t e r We c h e, (,Some ObseI'rations the nterpI'etation oj SignatuI'es

    and Accidentals East and WesD>,a a R b e t s Good FI'iday TI'isagion Coptic ChuIch.

    S t e f a e J a a k a k s - e r a , Simple and Kalophonic Settingsoj Pasa ,G e g r e s, Koukouzelian Didactic Song as id Ttrans-cription oj Russian KondakarianS u s s e G u d r u m g b e r g, The CI'eation and the Disappearance oj

    Greek Old LectionaI'Y'

    G e r d a W r r a m, BegI'ijj und Struktur des Nenano.D a e u a t s, SuI'rey oj Musical Manuscripts Va-

    tican.

    Sessiom 7/. 63)u s c

    August 8 1:30-3: 50 Geol getown Unive rsityJ r g e R a a s t e d, Chair

    e a c h e a, PI'oblem oj Postbyzantine Musical Exegesis-SeQenleenth CentuI'y Musical Exegesis Ukraine.

    a s t a t a U 1 f f M ]] e (,Thc CoIlnection betweenMelodic and SteI'eotype Text Phrases Slaronic Stichcra.J a L. R. c c as a The and StI'ucture oj RussianS e t ] a a u j u m d e v (Ps, 140,1) , EchoswiilII'end der Postbyzantinische Periode.

    d r a a S r ] Remarks the Romanian Response jvIu-sical Tradition.

    c h a s S s h d ) v s k BorI'owed Chants SlaQic oj. theSticheI'arion. .

    S e. b a s t a n a r b u u c u r. Contributions roumaines dans le domaine deculture musicale byzantine au

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    89

    Bulgarski Rospev) Kiev Staff Nota-tion).

    Milos Velimirovic,

    laii>Levy- Raasted -Stathis.

    Levy Raasted

    Kenneth Levy, Princeton,The Classical Melos of Byzantine Hymns

    Levy

    auo

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    892

    ' , \ '10,

    Jorgen Raasted,Oliver Strunk,

    Monumenta Musicae Byzantinae, 1970Handbook of the Middle Byzantine Musical Notation il

    lyard,1958

    Transcripta

    1

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    89.

    Jorgen Raasted60)(wrong signatures)

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    8. g We 11 e S lements vVesternAmerican Series, vo1ume 1,1947.

    9.

    1 -7 1986,) .

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