13th ANNUAL - artdirectors.org FITTS, Graphic Designer DAVE KELSEY, ... BOB TOPOL, Lead Scenic...
Transcript of 13th ANNUAL - artdirectors.org FITTS, Graphic Designer DAVE KELSEY, ... BOB TOPOL, Lead Scenic...
CHANGELINGJAMES J. MURAKAMI, Production DesignerPATRICK M. SULLIVAN, JR., Art DirectorPAM CARTMEL, Assistant Art DirectorADRIAN GORTON, JEFF HUBBARD, DIANNE WAGER, Set DesignersDOREEN AUSTRIA, Graphic ArtistGARY FETTIS, Set Decorator
THE CURIOUS CASE OF BENJAMIN BUTTONADG AWARD WINNER
DONALD GRAHAM BURT, Production DesignerTOM RETA, Supervising Art DirectorRANDY MOORE, SCOTT PLAUCHÉ, KELLY CURLEY, MICHÈLE LALIBERTÉ, Art DirectorsMOLLY MIKULA, NITHYA SHRINIVASAN, AARON HAYE, Assistant Art Directors
LORRIE CAMPBELL, RYAN HECK, JANE WUU, CLINT WALLACE, RANDY WILKINS, TAMMY LEE, MASAKO MASADA, Set DesignersRICHARD BENNETT, CHRISTOPHER ROSS, IllustratorsJANE FITTS, Graphic DesignerDAVE KELSEY, DraftspersonVICTOR J. ZOLFO, Set Decorator
FROST/NIXONMICHAEL CORENBLITH, Production DesignerBRIAN O’HARA, GREG VAN HORN, Supervising Art DirectorsMICHAEL E. GOLDMAN, JAY PELISSIER, Assistant Art DirectorsLORRIE CAMPBELL, Set DesignerMARTIN CHARLES, Graphic DesignerSUSAN BENJAMIN, Set Decorator
MILKBILL GROOM, Production DesignerCHARLEY BEAL, Art DirectorSUSAN ALEGRIA, Assistant Art DirectorCHAD OWENS, Set DesignerCRAIG HALSTEAD, Graphic DesignerTOM RICHARDSON, Scenic Foreman LAUREN ABRAMS, RICHARD J. BLAKELY, JASON BYERS, DALE HAUGO, JAMES SHEFIK, Scenic ArtistsBARBARA MUNCH, Set Decorator
DOUBTDAVID GROPMAN, Production DesignerPETER ROGNESS, Art DirectorADAM SCHER, MIGUEL LOPEZ-CASTILLO, Assistant Art DirectorsDAWN MASI, Graphic DesignerBOB TOPOL, Lead Scenic ArtistELLEN CHRISTIANSEN, Set Decorator
Opposite page, top: Richard
Bennett’s Photoshop® enhanced
sketch of a train station for THE
CURIOUS CASE OF BENJAMIN
BUTTON. Inset, left to right:
Construction coordinator
Jonas Kirk, Victor Zolfo, Donald
Burt, presenter Marisa Tomei,
and Aaron Haye. Bottom: Jim
Murakami’s pencil sketch of the
telephone switchboard room
for CHANGELING along with a
photograph of the fi nished set.
This page, from top: Nixon’s
San Clemente music room for
FROST/NIXON, Harvey Milk’s
Castro Camera Shop for MILK,
and Sister Aloysius’ classroom
for DOUBT.
EXCELLENCE IN PRODUCTION DESIGN FOR A PERIOD FEATURE FILM
Apri l – May 2009 | 1716 | PERSPECTIVE
© Universal Pictures
© Universal Pictures
© Paramount Pictures
© Miramax Films
© Focus Features
18 | PERSPECTIVE Apr i l – May 2009 | 19
THE SPIDERWICK CHRONICLESJAMES BISSELL, Production DesignerISABELLE GUAY, Supervising Art DirectorDAVID GAUCHER, CHRISTA MUNRO, JEAN-PIERRE PAQUET, ROBERT PARLE, Art DirectorsMEINERT HANSEN, IllustratorFRÉDERIC AMBLARD, BRENT LAMBERT, ALEX TOUKAN, MARIO CHABOT, LUCIE TREMBLAY, CÉLINE LAMPRON, Set DesignersCARL LESSARD, Graphic DesignerJAN PASCALE, Set DecoratorPAUL HOTTE, CDN Head Decorator
WALL•ERALPH EGGLESTON, Production Designer
Opposite page, top, left to
right: Kevin Kavanaugh, Simon
Lamont, Construction Manager
Leigh Gilbert, presenter Fred
Willard, Nathan Crowley, Peter
Lando, and Naaman Marshal.
The photo shows Director Chris
Nolan’s garage with a mock-up
of the Batbike which he and
Nathan Crowley constructed
with parts from Home Depot.
The sketch is Nathan’s. Bottom:
Guy Dyas’ pencil sketch of
a pre-Columbian temple for
INDIANA JONES AND THE
KINGDOM OF THE CRYSTAL
SKULL. This page, top to bottom:
Tony Stark’s shop for IRON
MAN, a SketchUp® model of
the SPIDERWICK mansion,
along with a photograph of the
fi nished set, and the animated
trash-compacter, WALL•E.
© Paramount Pictures
EXCELLENCE IN PRODUCTION DESIGN FOR A FANTASY FEATURE FILM
THE DARK KNIGHTADG AWARD WINNER
NATHAN CROWLEY, Production DesignerKEVIN KAVANAUGH, SIMON LAMONT, Supervising Art DirectorsNAAMAN MARSHALL, CRAIG JACKSON, MARK BARTHOLOMEW, STEVEN LAWRENCE, JAMES HAMBIDGE, Art DirectorsTOBY BRITTON, PETER DORME, PHILLIS LEHMER, Assistant Art DirectorsNEAL CALLOW, ASHLEY WINTER, Stand-by Art DirectorsSTEPHANIE GILLIAM, Set DesignerANDRE CHAINTREUIL, ROBERT WOODRUFF, Computer Set Designers JAMIE RAMA, DAN WALKER, Concept ArtistsJIM CORNISH, Storyboard ArtistJOANNA PRATT, Graphic ArtistPETER LANDO, Set Decorator
INDIANA JONES AND THE KINGDOM OF THE CRYSTAL SKULLGUY HENDRIX DYAS, Production DesignerMARK MANSBRIDGE, Supervising Art DirectorLAWRENCE A. HUBBS, LAUREN POLIZZI, TROY SIZEMORE, LUKE FREEBORN, Art DirectorsPATRICIO FARRELL, NICK NAVARRO, DEAN WOLCOTT, Assistant Art DirectorsRODOLFO DAMAGGIO, COLLIN GRANT, ED NATIVIDAD, NATHAN SCHROEDER, MILES TEVES, IllustratorsMARK HITCHLER, KEVIN LOO, JOSH LUSBY, WILLIAM TALIAFERRO, Set DesignersCLINT SCHULTZ, Graphic DesignerJASON MAHAKIAN, Lead Model Maker TONY BOHORQUEZ, JEFF FROST, Model Makers LARRY DIAS, Set Decorator
IRON MANJ. MICHAEL RIVA, Production DesignerDAVID KLASSEN, Supervising Art DirectorRICHARD F. MAYS, SUZAN WEXLER, Art DirectorsMICHAEL E. GOLDMAN, WENDY RIVA, Assistant Art DirectorsRYAN MEINERDING, RODOLFO DAMAGGIO, PHIL SAUNDERS, IllustratorsPHILIP KELLER, DAVID LOWERY, STEPHEN PLATT, ERIC RAMSEY, Storyboard ArtistsWILLIAM J. LAW III, Senior Lead Set DesignerERNIE AVILA, NOELLE KING, Set DesignersKEVIN CROSS, Specialist Digital Set Designer ANNE PORTER, Junior Set DesignerDIANNE CHADWICK, Graphic DesignerTONY BOHORQUEZ, Model MakerLAURI GAFFIN, Set Decorator
© Warner Bros. Pictures
© Paramount Pictures
© Paramount Pictures
© Walt Disney Pictures
Apri l – May 2009 | 2120 | PERSPECTIVE
QUANTUM OF SOLACEDENNIS GASSNER, Production DesignerCHRIS LOWE, Supervising Art DirectorPAUL INGLIS, JOHN KING, JAMES FOSTER, MARCO RUBEO, MIKE STALLION, Art DirectorsPETER JAMES, NEAL CALLOW, Stand-by Art DirectorsMATT ROBINSON, DEAN CLEGG, GAVIN FITCH, SANDRA PHILLIPS, Assistant Art DirectorsCHRIS BAKER, IllustratorHEATHER POLLINGTON, LAURA GRANT, Graphic Designers ANNA PINNOCK, Set Decorator
GRAN TORINOJAMES J. MURAKAMI, Production DesignerJOHN WARNKE, Art Director GARY FETTIS, Set Decorator
THE WRESTLERTIMOTHY GRIMES, Production DesignerMATTHEW MUNN, Art DirectorTRAVIS CHILD, Scenic Artist THEO SENA, Set Decorator
BURN AFTER READINGJESS GONCHOR, Production DesignerDAVID SWAYZE, Art DirectorDEBORAH JENSEN, JEFFREY MCDONALD, TOBIN OST, NITHYA SHRINIVASAN, Assistant Art DirectorsGREGORY HILL, Graphic DesignerALEX GORODETSKY, Lead Scenic Artist NANCY HAIGH, Set Decorator
Top: A wonderfully detailed
rendering for the gunfi ght and fi re
scene from QUANTUM OF SILENCE,
along with a white model of the set.
Center: Jim Murakami’s sketch of
Walt’s back porch for GRAN TORINO.
Bottom: The mean streets of New
Jersey in THE WRESTLER.
Above: Mumbai
provided the major
settings for SLUMDOG
MILLIONAIRE.
Right: Mark Digby
and presenter Taraji
P. Henson. Below:
Gregory Hill’s sketch
of Krapotnik’s offi ce
for BURN AFTER
READING.
© 2008 Danjaq, United Artists, CPII
© Fox Searchlight Pictures
© Warner Bros. Pictures
© Fox Searchlight Pictures
© Focus Features
EXCELLENCE IN PRODUCTION DESIGNFOR A CONTEMPORARY FEATURE FILM
SLUMDOG MILLIONAIREADG AWARD WINNER
MARK DIGBY, Production DesignerABHISHEK REDKAR, Art DirectorARWEL EVANS, Stand-by Art DirectorMANOJ N. BHOYAR, WAHID SHAIKH, Assistant Art DirectorsBRENDAN HOUGHTON, Storyboard ArtistPRAVEEN KUMAR HENDWAY, SUSHIL KUMAR GIRI, Graphic Designers MICHELLE DAY, Set Decorator
Apri l – May 2009 | 2322 | PERSPECTIVE
THE TUDORSTOM CONROY, Production DesignerCOLMAN CORISH, CARMEL NUGENT, Art DirectorsMELANIE DOWNES, Standby Art DirectorLIZ COLBERT, Assistant Art DirectorAHNA PACKARD, Set DesignerPILAR VALENCIA, Graphic DesignerJENNY OMAN, Set Decorator
UGLY BETTYMARK WORTHINGTON, Production DesignerCHARLES McCARRY, Art DirectorLARRY BROWN, ERIC BRYANT, Assistant Art DirectorsJIM WALLIS, Set DesignerROB BERNARD, Scenic Graphic ArtistALEX GORODETSKY, Charge Scenic ArtistRICH DEVINE, ARCHIE DAMIGO, Set Decorators
PUSHING DAISIES MICHAEL WYLIE, Production DesignerKENNETH J. CREBER, Art DirectorPHILIP DAGORT, JEFF OZIMEK, Set DesignersKIM PAPAZIAN, Graphic DesignerHALINA SIWOLOP, Set Decorator
TRUE BLOOD SUZUKI INGERSLEV, Production DesignerCAT SMITH, Art DirectorMACIE VENER, Assistant Art DirectorDAN CAPLAN, Storyboard ArtistDANIEL BRADFORD, Set DesignerCINDY CARR, RUSTY LIPSCOMB, Set Decorators
EXCELLENCE IN PRODUCTION DESIGN FOR AN EPISODE OF A ONE-HOUR SINGLE-CAMERA TELEVISION SERIES
MAD MENADG AWARD WINNER
DAN BISHOP, Production DesignerCHRISTOPHER BROWN, Art DirectorSHANNA STARZYK, Assistant Art DirectorCAMILLE BRATKOWSKI, Set DesignerROBIN RICHESSON, Graphic DesignerAMY WELLS, Set Decorator
Opposite page, top:
Lighting and mood are
an important element
of MAD MEN’s design.
Inset: Presenter Vincent
Kartheiser, Shanna
Starzyk, Dan Bishop,
Amy Wells, Chris
Brown, and Camille
Bratkowski. Bottom:
An offi ce set with a
beehive motif for
PUSHING DAISIES. This
page, top to bottom:
Aunt Sookie’s house
was a constructed set
in Malibu for TRUE
BLOOD; Tim Conroy’s
pencil sketch of Wulf
Hall, Jane Seymour’s
family home in THE
TUDORS; and a soft-
pencil sketch of a
conference room,
displaying Mode
Magazine’s signature
circles, for UGLY
BETTY, along with a
photograph of the
fi nished set.
© American Movie Classics © HBO
© American Broadcasting Co.
© Warner Bros. Television
© BBC/Showtime
Apri l – May 2009 | 2524 | PERSPECTIVE
Top: The sets are
always jammed
wall-to-wall in CBS
Radford’s Stage 19
for LITTLE BRITAIN
USA. Inset: Michael
Wylie, presenter
Nadine Velazquez, and
Greg Grande. Above:
Leonard and Sheldon’s
apartment for THE
BIG BANG THEORY,
and a production
shot from HOW I
MET YOUR MOTHER.
Right: A production
shot from RULES OF
ENGAGEMENT. Bottom:
Charlie’s Malibu
beach house on stage
at Warner Bros. in
Burbank for TWO AND
A HALF MEN.
EXCELLENCE IN PRODUCTION DESIGN FOR AN EPISODE OF A MULTI-CAMERA TELEVISION SERIES
LITTLE BRITAIN USAADG AWARD WINNER
GREG GRANDE, MICHAEL WYLIE, Production DesignersDAN MALTESE, BRIAN STULTZ, Art DirectorsK.C. FOX, JIM FERREL, Set Decorators
THE BIG BANG THEORY JOHN SHAFFNER, Production DesignerFRANCOISE CHERRY-COHEN, Set Designer ANN SHEA, Set Decorator
HOW I MET YOUR MOTHER STEPHAN OLSON, Production DesignerDANIEL SAKS, Set Designer SUSAN ESCHELBACH, Set Decorator
RULES OF ENGAGEMENT BERNARD VYZGA, Production DesignerJOE PEW, Assistant Art Director JERIE KELTER, Set Decorator
TWO AND A HALF MEN JOHN SHAFFNER, Production Designer FRANCOISE CHERRY-COHEN, Set Designer ANN SHEA, Set Decorator
© Home Box Office
© CBS/Warner Bros. Television© Twentieth Century Fox Television
© S
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© NBC Universal Television
© Twentieth Century Fox Television
© H
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EXCELLENCE IN PRODUCTION DESIGN FOR AN EPISODE OF A HALF-HOUR SINGLE-CAMERA TELEVISION SERIES
Top: A subterranean tunnel for WEEDS. Inset: Bill
Durrell, presenter Elizabeth Perkins, Joe Lucky, Julie
Bolder, and construction coordinator Mark Powell. Left,
top to bottom: Jack’s offi ce from 30 ROCK, Set Designer
Lynn Christopher’s pencil sketch for IN TREATMENT,
and a highway rest stop constructed for THE OFFICE.
Above: Earl’s trailer park for MY NAME IS EARL.
WEEDSADG AWARD WINNER
JOSEPH P. LUCKY, Production DesignerWILLIAM DURRELL, Art DirectorJULIE BOLDER, Set Decorator
30 ROCKKEITH IAN RAYWOOD, TERESA MASTROPIERRO, Production DesignersFRED KOLO, PETER BARAN, Art DirectorsELINA KOTLER, Scenic ArtistJENNIFER GREENBERG, Set Decorator
IN TREATMENTSUZUKI INGERSLEV, Production DesignerMICHAEL MAYER, Art DirectorLYNN CHRISTOPHER, Set DesignerCAROL BAYNE KELLEY, Set Decorator
MY NAME IS EARLRANDY SER, Production Designer JOHN ZACHARY, Art DirectorDOUGLAS BERKELEY, Set DesignerMONICA FEDRICK, Graphic DesignerJULIE KAYE FANTON, Set Decorator
THE OFFICE MICHAEL G. GALLENBERG, Production DesignerMATT FYNN, Art DirectorW. RICK NICHOL, Set DesignerSTEVE ROSTINE, Set Decorator
Apri l – May 2009 | 2726 | PERSPECTIVE
THE LIBRARIAN 3ROBB WILSON KING, Production DesignerCHRISTINA E. KIM, MICHAEL WARD, Art DirectorsWRIGHT MCFARLAND, SARAH FORREST, Set DesignersDEREK WENTWORTH, IllustratorMICHAEL DAIGLE, Scenic Lead ArtistROGER JOHNSON, Graphic ArtistLUCI LEAR, Set Decorator
LONE RIDERYUDA ACCO, Production DesignerKATHLEEN MCCARTHY, Set Decorator
RECOUNTPATTI PODESTA, Production DesignerCHRISTOPHER TANDON, Art DirectorKIM LINCOLN, Graphic ArtistHERMAN MCEACHIN, JOHN E. THOMBLESON II, Scenic ArtistsRALPH MEHTA, Set Decorator
EXCELLENCE IN PRODUCTION DESIGN FOR A TELEVISION MOVIE OR MINI-SERIES
JOHN ADAMSADG AWARD WINNER
GEMMA JACKSON, Production DesignerDAVID CRANK, CHRISTIAN MOORE, Supervising Art DirectorsJOHN GOLDSMITH, TABOR LÁZÁR, Art DirectorsDAN KUCHAR, MIKE WARD, Assistant Art DirectorsTED HAIGH, Graphic DesignerRICHARD SALINAS, Lead ScenicKATHY LUCAS, Set Decorator-U.S.A. SARAH WHITTLE, Set Decorator-Hungary
THE ANDROMEDA STRAINJERRY WANEK, Production DesignerDAN HERMANSEN, JOHN MARCYNUK, Art DirectorsDOUG GIRLING, LIZ GOLDWYN, Assistant Art DirectorsMERLIN DERVISEVIC, Set Decorator
Opposite page, top:
Budapest stood in for
Paris in JOHN ADAMS.
Inset: Presenter
Jim Parsons, David
Crank, Gemma
Jackson and John
Goldsmith. Bottom: The
laboratory set from
THE ANDROMEDA
STRAIN. This page,
top to bottom:
LIBRARIAN 3 used an
immense number of
visual effects shots,
Yuda Acco’s marker
and pencil sketch of
Hattaway Mercantile
for LONE RIDER, along
with a photograph of
the finished set, and
the set for Al Gore’s
national campaign
headquarters from
RECOUNT.
© Larry Levinson Productions
© Home Box Office
© Turner Network Television
© Home Box Office
© A&E Television Networks
Apri l – May 2009 | 2928 | PERSPECTIVE
EXCELLENCE IN PRODUCTION DESIGN FOR AN AWARDS SHOW, VARIETY, MUSIC OR NON-FICTION PROGRAM
80TH ANNUAL ACADEMY AWARDSADG AWARD WINNER
ROY CHRISTOPHER, Production DesignerJOE CELLI, Art DirectorGLORIA LAMB, MATT STEINBRENNER, Assistant Art Directors
2008 PRIMETIME EMMY AWARDSJOHN SHAFFNER, JOE STEWART, Production DesignersMATTHEW RUSSELL, Art Director
MTV VIDEO MUSIC AWARDS 2008 HOLLYWOODKEITH IAN RAYWOOD, SCOTT STOREY, Production DesignersSTAR THEODOS KAHN, ARTHUR CHADWICK, JAMES PEARSE CONNELLY, ANDREW STUMME, Art Directors
SATURDAY NIGHT LIVEEUGENE LEE, AKIRA YOSHIMURA, KEITH IAN RAYWOOD, Production DesignersN. JOSEPH DETULLO, Art DirectorHALINA MARKI, MARK RUDOLF, Lead Scenic Artists
TRACEY ULLMAN’S STATE OF THE UNIONDAN BUTTS, Production DesignerKATE BUNCH, Art DirectorBRITT WOODS, Set Decorator
Top: The set for Marketa
Irglova and Glen
Hansard who performed
“Falling Slowly” from
the film ONCE at
the 80TH ACADEMY
AWARDS. Inset: Roy
Christopher. Above: A
full-color model of the
set for 2008 PRIMETIME
EMMY AWARDS. Right:
the home base for
SATURDAY NIGHT LIVE.
Bottom: A Photoshop
rendering for the MTV
VIDEO MUSIC AWARDS.
Top, left to right: A
presentation model
for the CAPITAL ONE
– SANTA commercial,
and a sketch for the
FARMERS INSURANCE
– DROWNED CIRCUS
commercial. Center:
Adam Olson Davis,
presenter Paul
Macarelli, and Jeffrey
Beecroft. Far left: Paul
Sylbert and presenter
Richard Benjamin. Left:
Presenter Ron Howard
is upstaged by George
Lucas.
© American Broadcasting Co.
© AMPAS
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orks LIFETIME ACHIEVEMENT AWARD
Paul Sylbert
CAPITAL ONE COMMERCIAL “SANTA”ADG AWARD WINNER
JEREMY REED, Production DesignerROBERT SILLS, Illustrator
FARMERS INSURANCE COMMERCIAL “DROWNED CIRCUS”
ADG AWARD WINNER CHRIS GORAK, Production DesignerADAM OLSON DAVIS, Art DirectorTRACY GAYDOS, KEVIN KALABA, Assistant Art DirectorsKLAUS HASMANN, Set Decorator
CAPITAL ONE COMMERCIAL “SQUID”JAN ROELFS, Production DesignerERIK POLCZWARTEK, Art DirectorFAY GREENE, Assistant Art DirectorJOHN CHICHESTER, Set Designer
CHEVY COMMERCIAL “DISAPPEAR”SEAN HARGREAVES, Production DesignerKEVIN KALABA, Art Director
VICTORIA’S SECRET COMMERCIAL “HOLIDAY”JEFFREY BEECROFT, Production DesignerSEBASTIAN SCHROEDER, Art DirectorDAWN SEVERDIA, Assistant Art Director
OUTSTANDING CONTRIBUTIONTO CINEMATIC IMAGERYGeorge Lucas
EXCELLENCE IN PRODUCTION DESIGN FOR A COMMERCIAL, PROMO OR PUBLIC SERVICE ANNOUNCEMENT OR MUSIC VIDEO 2008