130521 Rem Koolhaas 2014 biennale concept Final PDF...
Transcript of 130521 Rem Koolhaas 2014 biennale concept Final PDF...
14th International Architecture ExhibitionVenice 2014
Rem KoolhaasProposal: May 2013
Central PavilionElements of Architecture
ArsenaleMonditalia
National Pavilions1914–2014
Absorbing Modernity
Fundamentals
xx
Fu
nd
amen
tals
A
rchi
tect
ure,
not
arc
hite
cts.
..
An
umbr
ella
them
e fo
r th
e na
tiona
l pav
ilion
s: fr
om n
atio
nal
to u
nive
rsal
...
The
Ars
enal
e as
per
form
ance
spa
ce...
A n
ew k
ind
of V
enic
e A
rchi
tect
ure
Bie
nnal
e...
T he
2014
Ven
ice
Arc
hite
ctur
e B
ienn
ale
– ca
lled
Fund
amen
tals
– w
ill co
nsis
t of t
hree
mai
n co
mpo
nent
s:
Elem
ents
of A
rchi
tect
ure
– a
rese
arch
-bas
ed e
xhib
ition
in th
e C
entr
al
Pav
ilion
exp
lorin
g th
e of
ten
over
look
ed b
ut u
nive
rsal
ly fa
milia
r ele
men
ts
of a
rchi
tect
ure:
the
floor
, the
doo
r, th
e w
all,
the
ceilin
g, th
e to
ilet..
.
Abs
orbi
ng M
oder
nity
– th
e na
tiona
l pav
ilion
s of
the
Gia
rdin
i and
el
sew
here
will
shar
e a
sing
le th
eme:
sto
ries
of th
eir n
atio
nal a
rchi
tect
ural
fro
m 1
914
till 2
014.
To
enha
nce
the
cohe
renc
e be
twee
n th
e na
tiona
l pr
esen
tatio
ns, f
or th
e fir
st ti
me,
ther
e is
an
invi
tatio
n to
the
pavi
lions
to
com
mun
icat
e w
ith th
e di
rect
or a
bout
the
them
e.
Mon
dita
lia –
pro
vidi
ng th
e st
agin
g in
the
Ars
enal
e fo
r the
firs
t co
llabo
ratio
n be
twee
n th
e A
rchi
tect
ure
and
Dan
ce, T
heat
re, M
usic
B
ienn
ials
and
the
Film
Fes
tival
.
Toge
ther
, the
se e
xhib
ition
s an
d ev
ents
per
form
an
“aud
it” o
f arc
hite
ctur
e,
aski
ng: W
hat d
o w
e ha
ve?
How
did
we
get h
ere?
Wha
t are
our
po
ssib
ilitie
s, a
nd w
here
do
we
go fr
om h
ere?
Rem
Koo
lhaa
sM
ay 2
014
Cen
tral
Pav
ilion
E
lem
ents
of
Arc
hit
ectu
re
Ele
men
ts o
f A
rch
itec
ture
: Wh
at b
uild
ing
s ar
e (s
till)
mad
e o
f E
xhib
ition
of w
ork
in p
rogr
ess
by H
arva
rd G
SD
stu
dent
s, R
otte
rdam
, N
ovem
ber
2012
.
Cen
tral
Pav
ilion
Ele
men
ts o
f A
rch
itec
ture
A w
indo
w is
not
a w
indo
w is
not
a w
indo
w a
ny m
ore.
– af
ter
Ger
trud
e S
tein
F
rom
the
Ren
aiss
ance
onw
ards
, the
dis
cour
se o
n ar
chite
ctur
e w
as
larg
ely
base
d on
the
defin
ition
and
ana
lysi
s of
arc
hite
ctur
al
elem
ents
. Alb
erti’
s si
x el
emen
ts (
loca
lity,
are
a, c
ompa
rtiti
on, w
all,
roof
, and
ope
ning
; 145
2), G
ottfr
ied
Sem
per’
s fo
ur e
lem
ents
(he
arth
, ro
of, e
nclo
sure
, mou
nd; 1
851)
and
Le
Cor
busi
er’s
Fiv
e P
oint
s of
A
rchi
tect
ure
(pilo
tis, f
ree
faca
de, o
pen
plan
, lon
g w
indo
w, r
oof g
ar-
den;
192
8) w
ere
all,
in v
aryi
ng d
egre
es, e
ffort
s to
ana
lyse
the
his-
tory
of b
uild
ings
. But
sin
ce th
e gl
obal
izat
ion
of m
oder
n ar
chite
ctur
e in
the
seco
nd h
alf o
f the
20t
h ce
ntur
y, th
e po
ssib
ility
of a
n el
emen
tal
syst
emat
izat
ion
of a
rchi
tect
ure
has
been
larg
ely
igno
red.
“E
lem
ents
of A
rchi
tect
ure”
in th
e C
entr
al P
avili
on w
ill b
e an
atte
mpt
to
trac
e th
e hi
stor
y of
arc
hite
ctur
e’s
univ
ersa
lly r
ecog
niza
ble
– th
ough
infin
itely
var
ied
– ba
sic
elem
ents
. Eac
h ro
om w
ill b
e de
vote
d to
an
indi
vidu
al c
ompo
nent
(st
air,
door
, win
dow
, flo
or, c
orrid
or e
tc.)
.
Ele
men
ts th
at u
sed
to b
e th
e sp
ecia
lity
of a
rchi
tect
s –
the
ceili
ng
and
the
win
dow
, but
als
o ev
en th
e fa
çade
– h
ave
beco
me
devi
ces
and
cede
d to
mor
e ad
vanc
ed te
chno
logi
cal d
omai
ns. B
ut d
espi
te
the
atte
mpt
s of
par
amet
ric a
rchi
tect
ure
to m
erge
form
erly
dis
tinct
ca
tego
ries
like
roof
, wal
l, an
d w
indo
w in
to a
con
tinuo
us a
rchi
tect
ur-
al s
urfa
ce, t
he fu
ndam
enta
l ele
men
ts o
f arc
hite
ctur
e en
dure
, alb
eit
in s
omet
imes
rad
ical
ly d
iffer
ent f
orm
s…
By
look
ing
at th
e ev
olut
ion
of a
rchi
tect
ural
ele
men
ts th
at a
re c
om-
mon
to a
ll cu
lture
s, fu
ndam
enta
ls w
ill a
void
the
Eur
ocen
tris
m th
at
still
cha
ract
eris
es a
rchi
tect
ural
dis
cour
se.
75m
68m
20m
4
EN
VE
LOP
E (F
AÇ
AD
E)
INTE
RIO
R/
PAR
TITI
ON
W
ALL
WIN
DO
W
STA
IRFLO
OR
RO
OF
HE
AR
TH
(CH
IMN
EY
/HE
ATIN
G)
CO
RR
IDO
R
DO
OR
ES
CA
LATO
R/
ELE
VATO
R
CE
ILIN
G
LOB
BY
RA
MP
LIG
HT
BAT
H (T
OIL
ET)
BA
LCO
NY
HIS
TOR
Y
INTR
OD
UC
TIO
N
SC
ALA
TC
LEVA
TOLE
EIL
ING
STO
RY
TTS
TTOTOOOR
ORRR
NTR
OD
OP
E (F
AÇ
OPPP
OP
(FA
INTE
RPA
RTI
TIO
N
WA
LL
WIN
DO
W
STA
HE
AR
THE
Y/H
EA
EA
EA
EA
EA
EY
/HEE
EY
/HE
Y/HH
(CH
IMC
HI
CCH
IC
HI
OR
RID
OR
ORO
OR
OOO
OO
LOB
RA
MP
AA
LIG
HT
H (T
OILLIL
((
ALC
ON
Y
N
A
Cen
tral
Pav
ilion
Ele
men
ts o
f A
rch
itec
ture
Test
for
exhi
btio
n-as
-han
ging
-boo
k,R
otte
rdam
Dec
embe
r, 20
12
Ele
men
ts o
f A
rch
itec
ture
: Wh
at
bu
ildin
gs
are
(sti
ll) m
ade
of
Res
earc
h by
Har
vard
GS
D s
tude
nts,
R
otte
rdam
, Nov
embe
r 20
12.
Cen
tral
Pav
ilion
Ele
men
ts o
f A
rch
itec
ture
The
door
in tr
eatis
es: r
evea
ling
the
sign
ifi-
canc
e an
d ar
chite
ctur
al v
aria
tions
of t
he d
oor
acro
ss e
ras
and
regi
ons.
..
Fro
m D
oor:
Str
etch
ed T
hres
hold
, by
Bet
h E
ckel
s in
Ele
men
ts o
f Arc
hite
ctur
e,
Har
vard
GS
D R
otte
rdam
Stu
dio
2012
.
YIN
GZ
AO
FAY
UA
N B
OO
K 2
Chi
nese
trea
tise
1000
A.D
.
Dep
icte
d by
Yao
Che
nzu
follo
win
g th
e W
este
rn p
ract
ice
of a
rchi
tec-
tura
l tre
atis
es o
r bu
ildin
g gu
ides
, writ
ten
in 1
929,
pub
lishe
d in
195
9
(App
r.)
LATE
12t
h - E
AR
LY 1
3th
CE
NTU
RY
Bas
ed o
n S
ansk
rit d
escr
iptio
ns, t
he U
ttung
a to
rana
as
depi
cted
in
The
Tor
ana
In In
dian
And
Sou
thea
st A
sian
Arc
hite
ctur
e by
P
arul
Pan
dya
Dha
r, 20
10
Uni
ted
Sta
tes
Fra
ncis
D. K
. Chi
ng, 2
008
“Doo
rs a
nd d
oorw
ays
prov
ide
acce
ss fr
om th
e ou
tsid
e in
to th
e in
terio
r of
a b
uild
ing
as w
ell a
s pa
ssag
e be
twee
n in
terio
r sp
aces
. Doo
rway
s sh
ould
ther
efor
e be
larg
e en
ough
to m
ove
thro
ugh
easi
ly a
nd a
ccom
-m
odat
e th
e m
ovin
g of
furn
ishi
ngs
and
equi
pmen
t. Th
ey s
houl
d be
lo
cate
d so
that
the
patte
rns
of m
ovem
ent t
hey
crea
te b
etw
een
and
with
in s
pace
s ar
e ap
prop
riate
to th
e us
es a
nd a
ctiv
ities
hou
sed
by th
e sp
aces
... F
rom
an
exte
rior
poin
t of v
iew
, doo
rs a
nd w
indo
ws
are
im-
port
ant c
ompo
sitio
nal e
lem
ents
in th
e de
sign
of b
uild
ing
faca
des.
The
m
anne
r in
whi
ch th
ey p
unct
uate
or
divi
de e
xter
ior
wal
l sur
face
s af
fect
s th
e m
assi
ng, v
isua
l wei
ght,
scal
e, a
nd a
rtic
ulat
ion
of th
e bu
ildin
g fo
rm.”
Italy
Seb
astia
no S
erlio
, 155
1
“The
des
ire c
ame
into
my
min
d to
form
in a
vis
ible
des
ign
seve
ral
gate
way
s in
the
Rus
tic s
tyle
s, b
ut w
hich
wer
e m
ixed
with
diff
eren
t O
rder
s, th
at is
, Tus
can,
Dor
ic, I
onic
, Cor
inth
ian
and
Com
posi
te...
And
I ad
vanc
ed s
o fa
r as
to m
ake
a to
tal o
f XX
X, a
lmos
t car
ried
away
by
an a
rchi
tect
ural
fren
zy...
for
the
com
mon
ben
efit
not o
nly
of
this
fine
Kin
gdom
of F
ranc
e...b
ut a
lso
for
the
bene
fit o
f all
inha
bite
d co
untr
ies.
..”
CO
LUM
N
FRIZ
E
CO
RN
ICE
CH
INA
1105
AD
IND
IA12
th C
EN
TUR
YIT
ALY
1551
UN
ITE
D S
TATE
S20
08
ME
TER
S
NL
MA
X. H
EIG
HT
BE
TWE
EN
LA
ND
ING
S:
4 M
(1
3’-
0 1
/8”)
NL
MA
X. S
LOP
E B
EFO
RE
RA
ILIN
G I
S R
EQ
UIR
ED
US
A M
AX.
HE
IGH
T B
ETW
EE
N L
AN
DIN
GS
: 3
.66
M (
12
’-0
”)
IRE
LAN
DU
KN
ETH
ER
LAN
DS
PE
RU
US
AC
HIN
A
Cen
tral
Pav
ilion
Ele
men
ts o
f A
rch
itec
ture
Sta
ircas
e in
Osc
ar N
iem
eyer
’s It
amar
ay P
alac
e, B
rasi
lia, 1
970.
.....
upda
ted
to c
urre
nt s
tand
ards
Fro
m S
tair:
Dan
gero
us a
nd E
ndan
gere
d, b
y Je
nny
Hon
g in
Ele
men
ts o
f Arc
hite
ctur
e, H
arva
rd G
SD
Rot
terd
am
Stu
dio
2012
.In
tern
atio
nal s
tairc
ase
guid
elin
es.
2012
2003
2009
19
97
1952
1952
1953
1956
2000
1984
1932
1932
1962
1960
1952
1939
1995
195620
10
1930
1932
1932
1964
1934
1926
1912
1988
1909 19
58
1958
1922
1954
Con
stru
ctio
n /
last
mod
ifica
tion
of n
atio
nal p
avili
ons
“Abs
orbi
ng M
oder
nity
” is
an
atte
mpt
to m
obili
ze th
e in
divi
dual
hi
stor
ies
of th
e na
tions
rep
rese
nted
at t
he b
ienn
ale
to c
reat
e an
ov
ervi
ew o
f how
, sin
ce 1
914,
the
natio
nal c
hara
cter
istic
s of
eac
h co
untr
y’s
arch
itect
ure
have
see
min
gly
evol
ved
into
a s
ingl
e, g
loba
l ae
sthe
tic.
Und
er th
e in
fluen
ce o
f war
s, d
iver
se p
oliti
cal s
yste
ms,
diff
eren
t st
ates
of d
evel
opm
ent,
natio
nal a
nd in
tern
atio
nal a
rchi
tect
ural
m
ovem
ents
, var
ious
edu
catio
nal p
hilo
soph
ies,
indi
vidu
al
arch
itect
ural
tale
nts,
net
wor
ks, a
nd te
chno
logi
cal d
evel
opm
ents
, ar
chite
ctur
es th
at 1
00 y
ears
ago
wer
e id
entif
iabl
y “F
renc
h” o
r “I
ndia
n” o
r “C
hine
se”
have
bec
ome
seem
ingl
y in
terc
hang
eabl
e.
Nat
iona
l ide
ntity
has
bee
n sa
crifi
ced
to m
oder
nity
.
Eac
h na
tion
will
, in
its o
wn
way
, illu
stra
te h
ow th
eir
coun
try’
s ar
chite
ctur
e ab
sorb
ed m
oder
nity
ove
r th
e la
st 1
00 y
ears
. Is
it st
ill m
eani
ngfu
l to
talk
abo
ut a
Bel
gian
arc
hite
ctur
e, a
Sw
iss
arch
itect
ure,
a B
razi
lian
arch
itect
ure.
..? T
he a
rchi
tect
ure
of th
e pa
vilio
ns th
emse
lves
cou
ld p
lay
a cr
ucia
l rol
e in
eac
h ex
hibi
tion.
Nat
iona
l Pav
ilion
s19
14–2
014:
Ab
sorb
ing
Mo
der
nit
y
IND
ON
ES
IAJA
PA
N
FR
AN
CE
NE
THE
RLA
ND
S
CH
INA
GE
RM
AN
Y
NA
TIO
NA
L P
AV
ILIO
NS
- 1
914
NIG
ER
IA
MID
DLE
EA
ST
SW
ITZ
ER
LAN
DIT
ALY
RU
SS
IA
UN
ITE
D K
ING
DO
M
Wha
t hap
pene
d in
bet
wee
n?W
hat r
emai
ns o
f nat
iona
l sty
les
toda
y?
NA
TIO
NA
L P
AV
ILIO
NS
- 2
014
IND
ON
ES
IAJA
PA
N
FR
AN
CE
NE
THE
RLA
ND
S
CH
INA
GE
RM
AN
Y
NIG
ER
IA
MID
DLE
EA
ST
SW
ITZ
ER
LAN
DIT
ALY
RU
SS
IA
UN
ITE
D K
ING
DO
M
...I b
ehel
d it
mar
vello
usly
dar
k.
As
in th
e A
rsen
al o
f the
Ven
etia
nsB
oils
in th
e w
inte
r th
e te
naci
ous
pitc
hTo
sm
ear
thei
r un
soun
d ve
ssel
s o’
er a
gain
,
For
sail
they
can
not;
and
inst
ead
ther
eof
One
mak
es h
is v
esse
l new
, and
one
rec
aulk
sTh
e rib
s of
that
whi
ch m
any
a vo
yage
has
mad
e;
One
ham
mer
s at
the
prow
, one
at t
he s
tern
,Th
is o
ne m
akes
oar
s, a
nd th
at o
ne c
orda
ge tw
ists
,A
noth
er m
ends
the
mai
nsai
l and
the
miz
zen
Dan
te, T
he In
fern
o, C
anto
xxi
e vi
dila
mira
bilm
ente
osc
ura.
Qua
le n
e l’a
rzan
à de
’ Vin
izia
ni b
olle
l’in
vern
o la
tena
ce p
ece
a r
impa
lmar
e i l
egni
lor
non
sani
,
ché
nav
icar
non
pon
noói
n qu
ella
vec
e10
chi
fa s
uo le
gno
novo
e c
hi r
isto
ppa
le c
oste
a q
uel c
he p
iù v
ïagg
i fec
e;
chi
rib
atte
da
prod
a e
chi d
a po
ppa;
altr
i fa
rem
i e a
ltri v
olge
sar
te;
chi
terz
eruo
lo e
art
imon
rin
topp
aó
Ars
enal
eM
on
dit
alia
Map
of I
talia
n P
enin
sula
from
the
Tabu
la P
eutin
geria
na
(5th
Cen
tury
) su
perim
pose
d on
the
Ars
enal
e (1
106-
)...
Bec
ause
the
leng
th o
f the
Ars
enal
e ty
pica
lly c
reat
es a
seq
uenc
e of
indi
vidu
al e
piso
des
that
typi
cally
do
not c
onne
ct to
form
a s
ingl
e na
rrat
ive,
we
prop
ose
to d
edic
ate
it to
a s
ingl
e th
eme
– th
e st
ate
of
Italy
– a
nd to
mob
ilize
fiel
ds n
ot ty
pica
lly p
rese
nt in
the
arch
itect
ural
bi
enna
le to
rep
rese
nt a
ll as
pect
s of
Eur
ope’
s m
ost c
ruci
al c
ount
ry in
a
form
that
com
es c
lose
to e
nter
tain
men
t, a
Bre
chtia
n re
vue
that
will
ta
ke p
lace
in a
sin
gle
Italy
“se
t,” b
ased
on
the
Cin
ecitt
a tr
aditi
on o
f th
eatr
ical
tran
sfor
mat
ion.
Ars
enal
e Th
e Tr
aum
a o
f It
aly,
or
Exo
du
s R
ever
sed
Ars
enal
e M
on
dlit
alia
Ars
enal
e M
on
dlit
alia
The
Con
sequ
ence
s of
Lov
e, P
aolo
Sor
entin
o
Mar
co P
aolin
i
On
the
Con
cept
of t
he F
ace,
Reg
ardi
ng th
e S
on o
f God
, Rom
eo C
aste
lucc
i
Set
des
ign
by D
ante
Fer
retti
Set
des
ign,
Dan
te F
erre
tti
Par
sifa
l, R
omeo
Cas
telu
cci
Lago
s B
usin
ess
Ang
els,
Rim
ini P
rtok
oll
Ars
enal
e S
po
glit
alia
Zha
n W
ang,
Urb
an L
ands
cape
s,
Alig
hier
o B
oetti
- C
arto
line
Ast
ratte
1987
, MA
DG
RE
Insp
iratio
ns fo
r a
thea
tric
al c
olon
izat
ion
of th
e A
rsen
ale.
..
Ars
enal
e M
on
dlit
alia
Il D
ivo,
Pao
lo S
oren
tino
Dan
te F
erre
tti a
nd P
asol
ini
Vitta
Mia
, Em
ma
Dan
te
Wun
derk
amm
er F
orte
, Ric
ci/F
orte
The
Div
ine
Com
edy,
Soc
ìeta
s R
affa
ello
San
zio
Rob
erto
Sav
iano
Cin
ecitt
a, R
ome
Ser
gio
Sce
na, R
omeo
Cas
telu
cci
Cin
ecitt
a
Bie
nn
ale
as u
rban
sit
e
It w
ould
be
inte
rest
ing
to lo
ok a
t fur
ther
de
velo
pmen
t pot
entia
l for
the
two
bien
-na
le s
ites.
..?
?