11.12.08_AshleyLudwigPortfolio

ASHLEY LUDWIGMASTER OF LANDSCAPE ARCHITECTURE / DEC 2011 UNIVERSITY OF PENNSYLVANIA / SCHOOL OF DESIGN

ACADEMIC WORKLANDSCAPE ARCHITECTURE & URBAN DESIGN

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THE LAFITTE CONNECTION STUDIO IV: NEW ORLEANS / SPRING 2011 / DAVID GOUVERNEUR, NICK PEVZNER

STORMWATER CITY: PULL IN THE WATER, PULL IN THE GREEN STUDIO III: URBAN TRANSFORMATION / FALL 2010 / DAVID GOUVERNEUR

TACONY / DELAWARE PARK: COMMUNITY & WILD STUDIO II: GROUND WORK / SPRING 2010 / KAREN MCLOSKEY

THE SCHUYLKILL RIVER TRAIL: PLATEAU & PLATFORM STUDIO I: TRAVERSING LANDSCAPE / FALL 2009 / DILIP DA CUNHA

DRAWING PLACES TOPICS IN REPRESENTATION / FALL 2011 / VALERIO MORABITO

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PAGE 16

PAGE 30

PAGE 40

PAGE 44

PAGE 50

PAGE 60

PAGE 66

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COMPETITION WORKLANDSCAPE ARCHITECTURE & URBAN DESIGN

STUMPTOWN EDGE: GROWTH OF A CITY, GROWTH OF A TREE IFLA STUDENT COMPETITION 2011 / CHRIS MARCINKOSKI / W. ANDREW MCCONNICO

10 LANES: INTERTWINE, INTERACT, INTERCHANGE IGS HAMBURG 2013 GARDEN COMPETITION / W. BECKY JEE, BRIAN SCHUNDLER, JEFF MCLEOD

PROFESSIONAL WORKARCHITECTURE

MARC BY MARC JACOBS STORE MADRID / 2008 / JAKLITSCH GARDNER ARCHITECTS

OBJECT OF DESIRE INSTALLATION MEATPACKING DISTRICT DESIGN 09 / MAY 2009 / JAKLITSCH GARDNER ARCHITECTS

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5ACADEMIC WORKLANDSCAPE ARCHITECTURE & URBAN DESIGN












6THE LAFITTE CONNECTIONSTUDIO IV: NEW ORLEANS / SPRING 2011 / DAVID GOUVERNEUR & NICK PEVZNER

COASTAL WETLAND LOSS & GAIN

7New Orleans has issues: dying ecology, poor drainage, disconnected public space, unsafe neighborhoods, and an isolated tourist economy. New Orleans and the Iberville neighborhood are in need of new connections at various scales. The design reestablishes the street grid and creates an urban park across the post-industrial Lafitte Corridor. The new park draws people with active program while working to manage stormwater drainage and introduce Louisianian ecology. Four large connections across the corridor embrace the vitality of the French Quarter and community of Treme to create distinct urban conditions emphasizing history, remembrance, food, and play.

DYING ECOLOGY

8DISCONNECTED PUBLIC SPACE

UNSAFE NEIGHBORHOODS

POOR DRAINAGE

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EXISTING LAFITTE CORRIDOR RECONNECT URBAN FABRIC BRINGING BACK THE CANAL

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BIG CONNECTIONS MARSH TERRACES TO LIVE OAKS NEW LAFITTE CONNECTION

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ST. LOUIS CEMETERY #1

CONGOSQUARE

IBERVILLE HOUSING PROJECT

MUNICIPALAUDITORIUM

MAHALIAJACKSONCENTER

STORYVILLEPARK

NEW BASIN STREET

ORLE

ANS AV

E

ST ANN ST

ST PET

ER ST

ST LOUIS ST

CONTI ST

BIENVILL

E ST

N VILLERE ST

MARAIS ST

CARONDELET BASIN

TREME ST

BASIN ST

N RAMPART ST

ST LOUIS CEMETERY #1

ST LOUIS ST& BASIN ST

BASIN STNEUTRAL GROUND

STORYVILLEMUSEUMST. JUDE

STORYVILLE PARK SECTION

DETAIL PLAN

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N VILLERE ST

MARAIS ST

TREME ST

BASIN ST

N RAMPART ST

STORYVILLEPLAZA

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STORYVILLE PARK: SECOND LINE ROUTE

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0 1/2 MILE

HISTORIC STREAMSPA STATE ROADSSITE BOUNDARY% IMPERVIOUS COVER

CULVERTED STREAMS CSO OUTFALLS

STORMWATER CITY: PULL IN THE WATER, PULL IN THE GREENSTUDIO III: URBAN TRANSFORMATION / FALL 2010 / DAVID GOUVERNEUR

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55% RUNOF

F

15% IN

FLITRATION

30% EVA

POTR

ANSP

IRATION

10% RUNOF

F

50% IN

FLITRATION

40% EVA

POTR

ANSP

IRATION

Stormwater City directly addresses the need for better stormwater management on multiple levels by filtering, absorbing, and collecting rainfall instead of contributing to Philadelphias overburdened sewer system. Responding to existing CSO outfalls and the post-industrial relics of the site, blue and green piers of open space extend from the river into the site. These wetland, park, and aquaculture piers provide the framework from which a new urban waterfront district is formed. The proposal utilizes a history of food production to strengthen the areas identity and transform NE Philadelphia into a place with a new industrial future and better social interaction.

SIDEWALK VS SEDGE

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SITE BOUNDARY

CONTEMPORARY ART MUSEUM

CRAMPS MARKET

PHILADELPHIA CENTER FOR AQUACULTURE

N. BEACH STREET

FRAMEWORK PLANPULL IN THE WATER, PULL IN THE GREEN

IDENTIFY THE NODES

FORM THE SPINE

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0 125 250 500

AQUACULTURE PIERS: COLLECT

OPEN SPACE PIERS: ABSORB

WETLAND PIERS: FILTERCOMBINED SEWAGE SYSTEM

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0 125 250 500

ART MUSEUM ANCHOR

COMMERCIAL ANCHORAQUACULTURE ANCHOR

0 125 250 500

GREEN STREETS NET

PEDESTRIAN CIRCULATION NET0 125 250 500

AQUACULTURE PIERS: COLLECT

OPEN SPACE PIERS: ABSORB

WETLAND PIERS: FILTERCOMBINED SEWAGE SYSTEM

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BOARDWALK DISTRICT PLAN

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1:50 SCALE MODEL

TIDES & TOPOGRAPHY

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WETLAND DETAIL PLAN & PLANTING

WATERFRONT SECTION

PULL IN THE GREEN

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WORLD: $70 BILLION/YR INDUSTRY US: $1 BILLION/YR INDUSTRY

$9 BILLION SEAFOOD DEFICIT

FAO

$10.8 MILLION IN AQUACULTURE GRANTS

US PRODUCTION BY SPECIES (METRIC TONS)

USDANOAA

CHINA: 69.57%

*TOTAL IMPORTS IN $MILLIONS

02002 2003 2004 2005 2006 2007

10000

20000

30000

TROUT OYSTERSMUSSELSSALMON

TALAPIA

$114.6

$1950.0

$994.2

$355.4

$5768.8*

AQUACULTURE IN NE PHILLY

HYDROPONICS

STORMWATER COLLECTION

GREYWATER REUSE

TROUT

AMERICAN SHAD

MUSSELS

PULL IN THE WATER: AQUACULTURE PRODUCTION TODAY

WATERFRONT SECTION

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WORLD: $70 BILLION/YR INDUSTRY US: $1 BILLION/YR INDUSTRY

$9 BILLION SEAFOOD DEFICIT

FAO

$10.8 MILLION IN AQUACULTURE GRANTS

US PRODUCTION BY SPECIES (METRIC TONS)

USDANOAA

CHINA: 69.57%

*TOTAL IMPORTS IN $MILLIONS

02002 2003 2004 2005 2006 2007

10000

20000

30000

TROUT OYSTERSMUSSELSSALMON

TALAPIA

$114.6

$1950.0

$994.2

$355.4

$5768.8*

AQUACULTURE IN NE PHILLY

HYDROPONICS

STORMWATER COLLECTION

GREYWATER REUSE

TROUT

AMERICAN SHAD

MUSSELS

freshwater mussels

trochophore larvae veliger

larvae

coconut fiber rope

sockingbouchot growth

harvesting

declumping

edible product RESTAURANTS

MARKETS

TIDAL INDUSTRY

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INDUSTRIAL PIERS TO PRODUCTIVE TIDAL MARSH

MARSH TERRACING FILTERS RIVER WATER BIVALVE FILTERS BECOME TIDAL INDUSTRY

WATERFRONT SECTION

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EXTEND THE CITY TO THE RIVER

PIER PARKS ABSORB STORMWATER

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TACONY / DELAWARE PARK: COMMUNITY & WILDSTUDIO II: GROUND WORK / SPRING 2010 / KAREN MCLOSKEY

EXISTING CONDITIONS

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Situated in NE Philadelphia along the industrial edge of the Delaware River adjacent to the working class neighborhood of Tacony, this project aims to transform a flat, derelict site into a viable public park. The phasing process first seeds the edges and establishes the various maintained zones allowing for the non-maintained spaces to fill in the rest of the large park. Building on the growing interest in community gardens as cultural stimulus and tying into the greater Fairmount Park system, this park provides unique adjacent conditions in which wild spaces and structured orchards, gardens, farms, and plazas can interact.

EXPLORATORY MODELS

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DELAW

ARERIV

ER

PENNYPACKCREEK

SEPTAR

7TOTR

ENTON

I-95DELAW

AREEXPY

RESIDENTIAL

INDUSTRIAL

SEPTAR

7TOPH

ILLY

FRANKLIN AV

ENUE

STATE

ROAD

DELAWARE

RIVER WA

TERFRONT

TRAIL

CO

TTMA

N AVEN

UE

TACONYPARK

LINCOLNHS

RECCENTER

MOREPRISON

PRISON

HOLMESBURGJCTSTATION

PENNYPACKPARK

ST.DOMINICSCEMETARY

PENNYPACKPARKTRAIL

AERIAL OBLIQUE

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STITCH, GATHER, PROGRAM

STUDY MODEL

DELAW

ARERIV

ER

PENNYPACKCREEK

SEPTAR

7TOTR

ENTON

I-95DELAW

AREEXPY

RESIDENTIAL

INDUSTRIAL

SEPTAR

7TOPH

ILLY

FRANKLIN AV

ENUE

STATE

ROAD

DELAWARE

RIVER WA

TERFRONT

TRAIL

CO

TTMA

N AVEN

UE

TACONYPARK

LINCOLNHS

RECCENTER

MOREPRISON

PRISON

HOLMESBURGJCTSTATION

PENNYPACKPARK

ST.DOMINICSCEMETARY

PENNYPACKPARKTRAIL

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RIVERS EDGE

SITE PLAN

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INFILL PHASE: NON-MAINTAINED / MAINTAINED

0 YRS

2 YRS

5 YRS

10 YRS

INITIAL PHASE: LANDFORM / CIRCULATION

SEEDING PHASE: PLANTING / PAVING

PROPAGATION PHASE: SUCCESSION / PROGRAMMING

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PLAZA

LAWN

PRODUCTION

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WOODLAND

WETLAND

MEADOW

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THE SCHUYLKILL RIVER TRAIL: PLATEAU & PLATFORMSTUDIO I: TRAVERSING LANDSCAPE / FALL 2009 / DILIP DA CUNHA

SURVEY SECTIONS

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This studio focused on the process of traversing the landscape to create a site record utilizing hand-drawing, photography, and digital media. My design explored the similar yet disparate forms of plateau and platform. Drawing off conditions found in the intimacy of the forest and the movement of the highway, the dialectic manifested in an exploration into path and plaza, movement and repose.

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SECTIONAL PHOTOWORK

PLATFORM / PLATEAU SECTIONSORCHARD MONTAGE

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DRAWING PLACESTOPICS IN REPRESENTATION / FALL 2011 / VALERIO MORABITO

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These drawings explore representation of place through music, film, photography, literature, and memory. New landscapes are envisioned by imaging and imagining beyond a singular drawing or photograph, specifically, the blue city of Chefchaoen, the hills of Greece, Invisible Citys Argia with the mountains of Norway, and Zion National Parks orange canyons.

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ZION MODEL

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50

1800s-1890 1891-1950 1951-1980 1981-2010

early Stumptown 19631889

STUMPTOWN EDGE: GROWTH OF A CITY, GROWTH OF A TREEIFLA STUDENT COMPETITION 2011 / CHRIS MARCINKOSKI / W. ANDREW MCCONNICO

51

In 1979, Portland, Oregon established the Urban Growth Boundary (UGB), a line around the city marking the divide between urban and suburban development and outlying farms, rivers, and forests. Over the past thirty years this boundary has continued to expand, raising the question: what good is a boundary that keeps changing? A city, like a tree, should not depend on a single line to define it. Instead, it should have an outer layer with mass, strength, and definition. The city edge no longer remains a line but becomes an area of opportunity to inform the public and activate the space. By transitioning from line to mass the UGB gains an identity and legibility.

1805: Lewis & Clark explore the Columbia River on their way to the Pacific.

1858: A Douglas-fir seedling grows in Portland.

1860: Portland nicknamed Stumptown after clearing a forest for city expansion.

1890: The seedling develops into a sapling and grows rapidly.

1910: The Hawthorne & Steel Bridges connect the city across Willamette River.

1923: Surrounding trees crowd the fir as it competes for resources.

1921: Portland creates the Cheny plan for streets, boulevards, and parks.

1952: The now 90 tall tree has developed a heartwood resistant to decay.

1968: The city redevelops the Willamette waterfront and downtown Portland.

2011: The fir has reached maturity with 9 thick bark protecting the phloem and cambium.

1979: Metro is created to manage urban growth.

1963 present

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MT HOOD

MT ST HELENS

COLUMBIA RIVER GORGE

COASTAL MOUN-TAINRANGE

WASHINGTON

OREGON

CASCADE MOUNTAINRANGE

WILLAMETTE VALLEY

PORTLAND

PACIFIC COAST

PORTLANDS RECREATIONAL REGION

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AGRICULTURE

SUBURBS RIVER

AGRICULTURE

SUBURBS

AGRICULTURE

FORESTINDUSTRY

CURRENT UGBRIVERSHIGHWAYSBUS ROUTESLIGHTRAIL LINES% IMPERVIOUS COVER% TREE CANOPY

CONTEXT LEGEND:

CENTER-FOCUSED PLANNING

ABRUPT EDGES

UNDER-UTLIZED EDGE

54

INFORMA

TION KIOSKS

HISTORI

C PLACARDS

VIEWIN

G PLATFORMS

MOBIL

E MEDIA

ART IN

STALLATIONS

COLUMBIA RIVER

WILLAMETTE R

IVER

Clackamas River Zone

Willamette River Zone

Tualatin River Zone

Troutdale Zone

Jantzen Beach Zone

Forest Park Zone

Coopers Mountain Zone

scale 1:150,000

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Walking through Forest Park you snap a photo of a swallow and plug

in to stumptown.com to report the sighting.

While out with your dog, a helpful kiosk directs you to a

river trail and new safe swimming area.

In Lewis & Clark State Park, placards mark important

landmarks along the discovery of the Pacific.

Driving along I-5, you look out the car window at illuminated

stumps along the UGB, marking the current edge.

At the tip of Hayden Island, you visit a new platform to view

the confluence of the citys two great rivers.

INFORMATIONExpand awareness & knowledge of the new edge

ACTIVITYActivate the new edge with trails & recreation

RECREATION ZONES:

MOBILE MEDIA:

INFORMATION KIOSKS:

HISTORIC PLACARDS:

ART INSTALLATIONS:

VIEWING PLATFORMS:

When Mt. Hood is too far for an afternoon hike, you visit one of seven larger recreation zones on the Stumptown Edge.

TROUTDALE ZONE

FOREST PARK ZONE

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UGB TRAILHIKING TRAIL

DEVELOPMENT

VIEWING PLATFORM

HIKE THE FOREST, VIEW THE CITY

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ART INSTALLATION

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UGB TRAIL

SANDY RIVER

PADDLE THE EDGE, BIKE THE EDGE

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SWIMMING PLATFORM

PEDESTRIAN BRIDGE

HIKING TRAIL

BIKE TRAIL

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10 LANES: INTERTWINE, INTERACT, INTERCHANGEIGS HAMBURG 2013 GARDEN COMPETITION / W. BECKY JEE, BRIAN SCHUNDLER, JEFF MCLEOD

N

500 2000

SITE PLAN

PALLET MOUNTAIN, LANES OF GRAIN

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The 10 Lanes of Ellis Island inform the framework for the garden with ribbons of global food staples representing the promise of bounty in the United States. As the lanes progress they become ever more intertwined, indicative of the cultural fusion of immigrants. The story of immigration, however, is not entirely an elegant and sinuous merging. Thus, a rigid grid of shipping pallets confronts our system of intertwining lanes, providing structures and scaffolds that support interaction and growth. Ultimately, the grid and lanes work together in a continually diversifying system of plants and stacked spaces providing for a multicultural interchange of American experiences.

GARDEN PLAN SERIAL SECTIONS

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BARLEY 11-15 PALLETS

AMARANTH 6-10 PALLETS

CORN 1-5 PALLETS

SUNFLOWER

QUINOA

SORGHUM

RAPESEED

WHEAT

STACKS OF PALLETSLANES OF GRAIN

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TRAVERSABLE 90% COVERED PALLET

60% COVERED PALLET

30% COVERED PALLET

GRASS

GRAINS

VEGETABLES

HERBS

TYPES OF PALLETS

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MARC BY MARC JACOBS STOREMADRID / 2008 / JAKLITSCH GARDNER ARCHITECTS

NEW DOUBLE-HEIGHT GLASS FACADE

67

Located in Madrid, the challenge was to create an open space with a young, industrial design to reflect the brand image. The resulting project used a system of folding and reflected surfaces: the double-height glass facade, the blue glass partition and blue floor, the L-shaped display unit at the entry, and the mirrored surfaces wrapping the walls at the rear vestibules. I was responsible for all aspects of the project from communication with local architects and consultants to construction documents to punchlist. This project allowed me to develop my skill for detailing by working out custom details for specialty fixtures.

EXISTING BUILDING

FIRST FLOOR PLAN

MEZZANINE PLAN

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DOOR DETAILS

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SALES FLOOR

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Playing off the intimacy of the layered thresholds of the store, the installation of a looking device in the Shelly Steffee retail space explores our perception of vision, desire, commodification, and their relationships to fashion. As well as developing the concept and curating the images, I took part in constructing the device for display during the Meatpacking District Design 09 during New York Design Week.

IMAGE WALL

LOOKING DEVICE

11.12.08_AshleyLudwigPortfolio

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