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Transcript of 1025Newsweek
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PAINTING LEE KUAN YEW HAMAS TALKS PEACE
PLUS
NEWSWEEK’s 2010Green Rankings
Want to Save the Planet?
*And 9 Other
Radical Solutions
MAKE A GREENER BURGER*
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Vol. CLVI, No. 17. October 25, 2010 © 2010 by Harman Newsweek LLC., 395 Hudson Street, New York, NY 10014-3669. Printed by Times Printers Pte Ltd and Ringier Print (HK) Ltd. All rights reserved. Copyright under the International Copyright Convention. Copyright reserved
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SCOPE 7
Forget the Taiwan-China détente; the Haiti
aftershocks hit the elections; a British rebellion
against Rupert Murdoch; the next Chile? ;
and more
THE TAKE 15
Essays by
owen matthews, daniel gross, ezra
klein, robert j. samuelson,
and jacob weisberg
FEATURES
Top 10 Green Ideas 24
From burgers to atoms.
The U.S. Top 100 29
Tech companies lead the list.by kathleen deveny
The Global Top 25 34
IBM comes out in front.
The Green Filter 35
But is GoodGuide a business? by ian yarett
America’s Holy Writ 38
The Tea Party and the Constitution.by andrew romano
CULTURE
Art Painters take on Lee Kuan Yew 51
Interview Zhang Yimou 54
The Good Life Kayaking in style 55
The Last Word Khal ed Meshaal of Hamas 60
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‘That things in
Chilean mining will
now be different.’
RESCUE WORKER MANUEL GONZALEZ
ON HIS THOUGHTS DURING THE RESCUE
OF 33 CHILEAN MINERS WHO SPENT 69
DAYS UNDERGROUND AFTER A CAVE-IN
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CHILEAN PRESIDENT SEBASTIÁN PIÑERA EMBRACES THE FIRST MINER RESCUED.
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china’s recent bellig-
erence toward Japan has
worried its neighbors, including Taiwan,
which the mainland regards as a prodi-
gal son. China has been drawing Taiwan
closer with improved trade links, and the
June signing of a breakthrough free-trade
agreement between the two entities will
bind Taiwan’s economy even tighter to the
mainland’s. Yet while both sides speak of
improved relations, economic ties haven’t
led to substantial political improvements.
In fact, military tensions between the two
are increasing. Despite Chinese Premier
Wen Jiabao’s vague reassurances that his
government will withdraw 1,600-plus
missiles pointing at the island, Taiwan’s
deputy defense minister has said that
the mainland military threat is growing.
Taiwanese president Ma Ying-jeou just
announced that the country will keep
buying arms internationally, and China’s
defense minister, in a recent meeting with
his U.S. counterpart, said that Taiwan
remains the main point of contention
between the two superpowers.
Although tensions are much lower than
they were under Ma’s pro- independence
predecessor, peaceful reunifi cation—the
holy grail of China’s Taiwan policy—seems
less and less likely: a study published
in September by the Taiwanese United
Daily News revealed that 16 percent of par-
ticipants support full independence while
only 5 percent want reunifi cation with
China. (The same study in 2000 showed
that 12 percent supported independence
STRAITTENSIONS STILL HOT by isaac stone fish
fair and inclusive
elections in Haiti may
prove impossible. When the country
goes to the polls on Nov. 28 to choose a
new president, the post-quake logistics
present huge challenges: some 230,000
dead have to be purged from voter rolls
and 1.3 million more displaced have to
be reregistered.
But an even greater threat is actu-
ally Haiti’s electoral commission itself,
which is under fi re for sidelining 15
candidates without explanation and
excluding the Lavalas party, which
stands in opposition to the current pres-
ident, René Préval. In this case, shoddy
democracy bears a danger that could
have long-reaching consequences. If
A FUTURE RESTS ON ELECTIONSby jacob kushner
CHINA
HAITI
SCOPE INTERNATIONALIST
Haitians don’t trust their government,
they could hinder the reconstruction
process by resisting the government’s
attempts to evict them through eminent
domain, or relocating to a new displace-
ment camp. In Haiti’s history, lesser
things than mass evictions have sparked
riots and brought the country to a stand-
still. Furthermore, international inves-
tors and donors are likely to be skittish
about a government tainted by illegiti-
macy. “Flawed elections now will come
back to haunt the international com-
munity later,” 45 U.S. representatives
recently wrote to Secretary of State Hill-
ary Clinton. Port-au-Prince may end
up with a strong leader. It also needs a
legitimate one.
and 9 percent wanted reunifi cation. )
The Chinese government’s aggressive
territoriality, coupled with its refusal to
undertake meaningful political reform,
fosters the deep-seated hesitance that
characterizes Taiwanese views of unifi ca-
tion : the same poll found that 54 percent
of Taiwanese residents had negative views
of the Chinese government, viewing it as
tyrannical and autocratic. Despite decades
of economic reform in Beijing, the diff er-
ence between the two government’s politi-
cal systems is sharp.
China has long claimed Taiwan as one
of its “core interests”; it has also recently
included the South China Sea on that list,
which also cites Tibet and Xinjiang, and
refers to issues for which it allows no com-
promise . But until China can convince the
Taiwanese that it has their best interest
in mind, it might just have too many core
interests to juggle.
8
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after the last chil-
ean miner was rescued
from the San José mine, rescue worker
Manuel Gonzalez ascended from the
700-meter-deep drill hole, and Presi-
dent Sebastián Piñera asked what he
was thinking on the way up. Gonzalez
replied: “That hopefully things in Chil-
ean mining will now be diff erent.” This
near-tragedy will surely bring about
changes in Chilean mining. But several
other countries are in line for the next
big accident if they don’t also take a cue.
Topping the list is China, with 2,631
accidental miner deaths last year, fol-
lowed by some former Soviet states
(Kazakhstan, Ukraine, Russia), as well
as Colombia and Turkey. Statistics
vary, as many accidents are not even
reported, but the International Federa-
media baron rupert
Murdoch is once again
setting his sights on London. His
$54 billion News Corp., which already
owns The Times of London and tabloid
The Sun, now plans to shell out $12 bil-
lion for a full takeover of broadcaster
Sky TV. If the deal happens, media
analyst Claire Enders has predicted
that Murdoch will control half of the
U.K.’s newspaper and TV markets
within a decade.
In a rare show of unity, Murdoch’s
rivals in the British media are clam-
oring for the government to block
the sale. His papers may have backed
David Cameron’s Conservatives
in the election, but Murdoch is not
likely to get the government’s bless-
ing now. For one thing, Cameron’s
party failed to win an outright vic-
tory despite Murdoch’s support. For
another, the decision on whether to
allow the takeover belongs to busi-
ness secretary Vince Cable, a fi ercely
pro-regulation Liberal Democrat
who recently raised a storm by pub-
licly warning that “capitalism takes
no prisoners, and it kills competition
when it can.”
tion of Mine Workers’ Unions estimates
that overall, 12,000 workers die in acci-
dents each year. Mining has always
been a risky activity, but experts blame
lax laws and enforcement, inadequate
worker training, and low investment
in technologies for the unusually high
accident rates in some countries.
Workplace accidents are not the only
worry. In July, the Chinese mining com-
pany Zijin caused a massive acid-waste
spill in the Ting River that poisoned
drinking water for some 60,000 people.
Zijin has been moving to expand into
other nations, such as Peru, which is
a worrisome trend, says Keith Slack, a
senior policy adviser at Oxfam America.
These countries must push for reform.
The next mining disaster is unlikely to
have such a miraculous ending.
LONDON MEDIA TURNS ON ITS BARONby william underhill
BY THE NUMBERS
LIKING LIQUIDITYDebt issuance to emerging
markets skyrocketed in
September, refl ecting a
preference for liquidity by
sovereigns and corporations,
according to a new report from
Bank of America Merrill Lynch.
WHICH COUNTRYWILL SEE THE NEXT MINING DISASTER?
by jimmy langman
CHILE
BRITAIN
��Issues this year over
$1 billion
��Percentage of issues
that took place in
September
���Billions in emerging-
market issuance in
September
��� Billions in sovereign
issuance in September
9
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TEA PARTY EVANGELISTS CLAIM THE CONSTITUTION AS THEIR
SACRED TEXT. WHY THAT’S WRONG.
AMERICA’S HOLY WRIT
by andrew romano
since winning the republican senate primary in
Delaware last month, Christine O’Donnell has not had
trouble getting noticed. When the Tea Party icon admit-
ted to “dabbl[ing] into witchcraft” as a youngster, the
press went wild. When she revealed that she was “not a
witch” after all, the response was rabid. O’Donnell has
fudged her academic credentials, defaulted on her mort-
gage, sued a former employer, and campaigned against
masturbation, and her eff orts have been rewarded with
round-the-clock coverage. Yet few observers seem to
have given her views on the United States Constitu-
tion the same level of consideration. Which is too bad,
because O’Donnell’s Tea Party take on our found-
ing text is as unusual as her stance on autoeroti-
cism. Except that it could actually have consequences.
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CULTURE
The Minister as Muse
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As Singapore’s first prime minister, Lee Kuan Yew, reflects on his
mortality, artists are experimenting with his image in their work.
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The vibrant water-
color shows a gaming table with three
playing cards, each depicting a diff erent
portrait of the same man. Small fi gures
kneel at the corners pleading, “Papa,
can you help me not be frightened?”
and “Papa, don’t you know I have no
choice?” They are lyrics from the gay
anthem “Papa, Can You Hear Me?” from
the Barbra Streisand fi lm Yentl ; the man
featured on the cards is Lee Kuan Yew,
Singapore’s fi rst prime minister, who is
often described as a father fi gure—albeit
an authoritarian one—to the young
nation. New York–based Singaporean
artist Jimmy Ong incorporated the lyr-
ics to refl ect the anxieties of a generation
of gay men in a city-state where homo-
sexual activity remains a criminal act
punishable by up to two years in prison,
while the card motif is a nod to the
much-debated opening of two casinos
earlier this year.
Ong’s work is a relatively rare example
of a contemporary artist incorporating
Lee’s image, even though Lee has domi-
nated Singapore’s political landscape
since the young nation’s independence
in 1965. Lee stepped down as prime min-
ister in 1990 but has remained involved
in government and holds a cabinet posi-
tion with the title “minister mentor .”
His image has the power to evoke strong
reactions, yet unlike Mao Zedong, whose
image has been embraced by legions of
Chinese artists, Lee has remained a dis-
tant, often taboo subject for many Singa-
porean artists. “I can only speculate that
it is self- censorship at work,” says Ong.
“Even in my artwork I am self- censoring,
like using Yentl’s lyrics in place of my
own voice.”
But just as the 87-year-old Lee has
started in recent interviews to contem-
plate openly his own mortality, some
artists are also beginning to refl ect on
Lee’s life and legacy. Several recent
art exhibitions have used his image
to explore the notion of nationhood,
though never too critically. “Reevalu-
ations are part of anyone’s legacy, but
to do so while someone is still in offi ce
colors the eff ort with all the anxiety of
politics,” says Jason Wee, a Singaporean
artist also based in New York. “Mao is
no longer in offi ce , and Lee still is.”
Wee has been working on a series of
portraits of Lee, using shampoo bottle
caps arranged to create a pixelated eff ect.
Titled No More Tears, the portraits are
a nod to Lee’s rare emotional moment
in 1965, when he cried on television
announcing the separation of Singapore
from Malaysia and Singapore’s future
looked uncertain. Wee has also gone
beyond mere iconographic representa-
tion, examining how deeply the aging
statesman’s infl uence runs over the city-
state’s citizens. In the recent exhibition
Beyond LKY at Singapore’s Valentine
Willie Fine Art Gallery, artists were
asked to refl ect on a Singapore without
Lee . Wee installed a tall, dark, granite
sculpture in the shape of the number
one, inscribed with the words in mem-
CULTURE ART
Wee’s No More Tears; Ong’s
painting.
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ory of my father, mr. lee, along with
Self-Portrait (Yellow, Green and Red Mr.
Lee) , an ink portrait in which the art-
ist looks like Lee. “I decided on a self-
portrait, but one that shows how little
control I have over my genetic, national,
and ideological paternity,” says Wee.
Others at the exhibition also refl ected on
Lee’s infl uence on Singaporeans, posi-
tive and negative, though many did not
use his iconography.
The British had no qualms about
promoting Sir Stamford Raffl es and
other colonial fi gures when they ruled
Singapore, and to this day a tall, white
statue of the “founder” of colonial Sin-
gapore still stands proud along the Sin-
gapore River. Surprisingly, ever since
the city-state gained independence in
1965, it has continued to celebrate the
names of colonial pioneers on monu-
ments, streets, and bridges, rather than
embrace new modern-day heroes. As
the fi rst generation of political pioneers
has begun to pass on, there have been
occasional calls to celebrate them and
their achievements, but the Singapor-
ean government, and in particular Lee,
has always shied away from anything
that could be construed as creating a
cult of personalities.
Few of Asia’s other longtime leaders
have hesitated using public art to pro-
mote themselves; Philippine President
Ferdinand Marcos had his own bust
carved into a hillside in central Luzon,
and Mao’s image was so pervasive that
it was not only on offi cial buildings,
but also in every single household. Lee
has preferred the nation building to
be carried out in other media, such as
newspapers and textbooks. “The cult of
personality makes him uncomfortable,”
says Tom Plate, author of Conversations
With Lee Kuan Yew. “He thinks it’s tacky.
Until very recently, he didn’t even want
to talk much about aspects of personal-
ity and his personal life.”
Gallery owner Valentine Willie points
out that artists have probably been reti-
cent to use Lee’s image in their works,
because offi cially, the use of any cabinet
minister’s image requires approval from
the Media Development Authority. Yet he
also acknowledged that at his recent exhi-
bition he did not seek any permission nor
did he encounter any problems. Indeed,
some of the works were reproduced sev-
eral times in the state- controlled media,
which could be considered a subtle
endorsement. “The greatest censorship is
self- censorship,” says Willie. “We’ve lived
for so long under a regime where we can’t
do this or that , it’s almost ingrained in our
psyche that we don’t go there.”
That’s defi nitely changing. A fi nalist
for the 2010 Sovereign Asian Art prize,
whose winner will be announced early
next year, is an oil painting in the pop-
art style of a young Lee relaxing with his
family. It is by Ong Hui Har, who tackled
the private side of the political leader in
a one-woman show earlier this year. The
true test will be if and when she and her
colleagues tackle the other side.
53