10 key trends for Collections in 2012
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Transcript of 10 key trends for Collections in 2012
Copyright Collections Trust 2011. Published under a CC license
10 key trends for 2012
Nick Poole, CEO, Collections Trust
Copyright Collections Trust 2011. Published under a CC license
Where next for Collections Trust?
• Support museums, archives, libraries and galleries in unlocking the potential of their collections, by:
– Providing know-how– Developing and promoting excellence– Challenging existing practices– Pioneering new ideas– Bringing experts together
Copyright Collections Trust 2011. Published under a CC license
Our work
• 5 Programmes
– OpenCulture– Collections Link– Culture Grid– Excellence in Collections– International
• ‘Excellence in Collections’ brings together standards-related activity including SPECTRUM, BSI PAS 197,PAS 198 and Museum Accreditation
Copyright Collections Trust 2011. Published under a CC license
Collections Link
• Social & professional networking for the Collections community – create groups, share knowledge and expertise, connect with professionals in the UK and Europe
• Preserves expertise, avoids short-termism, ensures that the sector is learning from each other and remains fit for purpose
• http://www.collectionslink.org.uk
Copyright Collections Trust 2011. Published under a CC license
Culture Grid
• Unlocking the potential of digital Collections for online audiences
• Brokering culture-sector content to media partners
• Developing new applications for cultural content
• 1.3m objects available for open re-use
• Incubating digital business models
• http://www.culturegrid.org.uk
Copyright Collections Trust 2011. Published under a CC license
10 Key trends for 2012
Copyright Collections Trust 2011. Published under a CC license
1. Museum Accreditation
A simplified standard designed to provide a minimal indication of the key elements of delivering a successful museum service.
Each section closely integrated with the others as part of a continuum.
Centred around the defining principle of a strategic Mission – hence improvement is relative to the Mission, not to other museums.
Copyright Collections Trust 2011. Published under a CC license
Museum Accreditation Scheme
• Not a radical departure from previous version
• Creates requirements around audience engagement, which include online access to Collections
• A presumption towards open access online
• Self-assessment and reporting
• Due for launch at MA Conference on 3rd October
• Collections Trust workshop on Accreditation & Collections, 4th October
Copyright Collections Trust 2011. Published under a CC license
2. SPECTRUM 4.0
• Intended to simplify and clarify SPECTRUM
• Designed to support the rationalisation & improvement of Collections processes in your museum
• Developed via the Collections Link Standards Wiki –http://standards.collectionslink.org.uk & supported by CG Vocab Bank – http://www.vocman.com/culturegrid
• Developed in partnership with MODES & other SPECTRUM Partners
• Emphasis on SPECTRUM as a procedural standard, supported by a framework of information/structural standards/protocols
Copyright Collections Trust 2011. Published under a CC license
Copyright Collections Trust 2011. Published under a CC license
Copyright Collections Trust 2011. Published under a CC license
http://standards.collectionslink.org.uk
Copyright Collections Trust 2011. Published under a CC license
http://www.vocman.com/cultureGrid
Copyright Collections Trust 2011. Published under a CC license
3. Visualisation
• Connecting datasets, with less emphasis on structural interoperability and greater emphasis on using data to support management processes.
• Applications include:
– Data quality visualisation– Integrated pest mapping & monitoring– Collections care/environmental control– Participation/use– Strategic planning– Collections Mobility/loans
• Increasing number of visualisation-based platforms under development in 2011-12
Copyright Collections Trust 2011. Published under a CC license
4. Narrative Middleware
• Increasing number of 3rd party and integrated tools which interface with multiple data sources to create ‘narrative’ packages, such as learning objects, exhibition plans or research resources.
• Drawing together:
– Collections object records– Digital assets– Internal learning/educational material– Other research resources– Data from Wikipedia, dbpedia & others– JORUM and other learning resources
• To watch: ResearchSpace from British Museum & Mellon Foundation
Copyright Collections Trust 2011. Published under a CC license
5. They (we) want your data
• An abbreviated list of people who want your object records & pictures of your Collections in 2012:
– Culture Grid– Europeana– BBC Digital Public Space– Technology Strategy Board Digital Marketplace– Public Catalogue Foundation– Google Art Project– Wikipedia– JISC/MIMAS– ArtFinder– DC-NET– Many, many others!
Copyright Collections Trust 2011. Published under a CC license
6. Collections Mobility
• The Government, the Arts Council, your Local Authority, the Museums Association and the European Commission are coming after your Collections in store
• Simplifying loan agreements, relaxing provisions for long-term loans and funding exchange programmes in UK and Europe
• Ensuring that when an object goes on loan, the documentation is persistent between the donor and recipient museums
• Automating repeat loans/basic loan documentation
Copyright Collections Trust 2011. Published under a CC license
7. Cloud
• Increasing emphasis on Cloud-based Collections Management applications
• Storing datasets in ‘the Cloud’ and interfacing with them via a browser
• Increasing number of entry-level Cloud-based offers during 2012
• BUT issues around data integrity, security, connectivity
• Increasing number of flexible/hybrid solutions (including MODES Complete!) and the rise of the integrated API/management interface
Copyright Collections Trust 2011. Published under a CC license
8. Digital Sustainability
• We’re making a lot of Digital stuff, and funders are getting nervous about how much of it will be here in 10 years time - closely tied to organisational sustainability!
• Fundamentally depends on not adopting any one particular approach, but on fine-tuning inputs and process to deliver a product which satisfies defined needs
• To watch:
– Digitisation Standards/Strategies– Funder requirements– Digital Content Supply Chain– The rise of ‘boutique’ (as opposed to ‘mass’) Digitisation
Copyright Collections Trust 2011. Published under a CC license
Copyright Collections Trust 2011. Published under a CC license
9. Workflow
• Systems which know how far through a process you are
• Systems which prompt you to complete specific tasks
• Systems which include messaging/transport layer which ensures that all of the participants in a particular process are up-to-date
• Making more efficient use of resources such as conservator time and using opportunities such as transport/packaging & relocation to prompt sub-processes like conditional checking or inventory
• Self-documenting systems which publish your Procedural Manual dynamically
Copyright Collections Trust 2011. Published under a CC license
10. Write once/repurpose ∞
• Your Collections data needs to support an ever-increasing number of outputs, from web to print, kiosk, learning package, aggregator, user interface, commercial product, open educational resource etc…
• A fundamental principle of the design of MODES XML and now MODES Complete
• Creating new outputs or products is a question of writing a new transform, not of rewriting the whole record
• BUT – inventory-level data is going to be hard-pushed to support this multiplicity of outputs. Next-gen cataloguing may need to include eg. photo library keywording, folksonomic classification and multiple licensing according to use
Copyright Collections Trust 2011. Published under a CC license
Key trends for 2012
• Accreditation• SPECTRUM 4.0• Visualisation• Narrative middleware• They want your data• Collections Mobility• Cloud• Digital Sustainability• Workflow/process automation• Write once/repurpose many times• + Digital Asset Management, Data Cleaning, Digital Repositories & many more!
Copyright Collections Trust 2011. Published under a CC license
Conclusions
• Many of these applications are under development, but will take time to filter into the featureset of Collections Management Systems
• Futureproofing is vital – which is a core principle of MODES Complete
• Your collections data is a product, with a real value, but the chances are it’s not (yet) up to the job
• Collections Management is one of the at-risk areas in museums – we have to demonstrate how all of this effort delivers value for the museum’s mission
• Tell me what I have got wrong!
Copyright Collections Trust 2011. Published under a CC license
OpenCulture 2012
• Annual Great Collections Management Exhibition and Conference
• June 19th & 20th 2012
• At the Oval, London
• Come and find out whether I was right about 2012!
• www.collectionslink.org.uk/openculture2012
Copyright Collections Trust 2011. Published under a CC license
Contact
Nick PooleCollections Trust
@NickPoole1
http://www.collectionstrust.org.uk