1 t2c @ ITI
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Transcript of 1 t2c @ ITI
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One Table Two ChairsCultural Exchange Project
ITI Music Theatre NOW International meeting
Jönköping, Sweden, 22 – 26 May 2013
Danny Yung
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One Table Two Chairs (1T2C) is a standardized set design in traditional Chinese theatre.
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A different arrangement of One Table Two Chairs is symbolic of a different scene.
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Grand Seat (大座 ), with the table in front a chair, suggest the office of military general, high-ranking mandarin or the like.
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Grand Seat in an oblique direction (斜場大座 )
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Double Grand Seats (雙大座 )
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Casual Seat (小座 ), with a chair in front of the table, may suggest a lobby, or a small living room, among other scenes.
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Casual Seat with One Side Chair (一旁椅 )
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Table put lengthwise with one chair at one side and another on top (高台 ), symbolizes a tall platform or a mountain.
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Table with a chair at both sides aligned in a straight line, symbolizes a bridge or a hill.
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One Table Two Chairs has been adopted by Danny Yung since 1997 as a platform…
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… to initiate creative cross-region, cross-discipline and cross-cultural dialogue, negotiation, critique and collaboration.
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The project has commissioned more than 100 20-minute contemporary stage works since its inception.
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Collaborating Artists
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Collaborating Artists
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Collaborating Artists
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Zuni Icosahedron
ITI Music Theatre NOW International meeting
Jönköping, Sweden, 22 – 26 May 2013
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One Hundred Years of Solitude 10.0 – Cultural Revolution (2011 Hong Kong; 2012 Singapore)
Zuni Icosahedron, founded in 1982, is a Hong Kong based international experimental theatre company.
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Zuni has produced more then 180 original productions of alternative theatre and multimedia performances...
One Hundred Years of Solitude 10.0 – Cultural Revolution (2011 Hong Kong; 2012 Singapore)
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...and has been active in video, sound experimentation and installation arts…
One Hundred Years of Solitude 10.0 – Cultural Revolution (2011 Hong Kong; 2012 Singapore)
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…as well as in areas of arts education, arts criticism, cultural policy research and international cultural exchange.
The Trial (1994)
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Over the years, Zuni has been invited to more than 30 cities in Europe, Asia, and America for cultural exchange and performances.
The Trial (1994)
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Zuni is one of the nine major professional arts companies in Hong Kong...
The Trial (1994)
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and has established itself as a premiere experimental theatre locally and internationally.
Two or Three Things You Want to Know About Hong Kong (2004)
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Since 2009, Zuni becomes Hong Kong Cultural Centre’s venue partner, and produces a series of theatre works and outreach education programmes.
Two or Three Things You Want to Know About Hong Kong (2004)
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Theatre is a real time real space experience.
Two or Three Things You Want to Know About Hong Kong (2004)
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In the theatre, we laugh, cry, think, and experience all the vicissitudes of life together in the same space and in the same period of time.
Corbu and Kahn (2009)
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Zuni Theatre starts with exploring all of the possibilities in the theatre –
Corbu and Kahn (2009)
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traditions and technologies, dialogues and movements, politics and entertainment, history and philosophy, sense and sensibility…
Corbu and Kahn (2009)
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Theatre is not life, but life can be enlightened by theatre –
Hua-yen Sūtra (2007, 2008, 2013 Hong Kong; 2008 Taipei)
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regaining lost feelings and memories, recounting the good and bad of the world, searching for various possibilities of living and life.
Hua-yen Sūtra (2007, 2008, 2013 Hong Kong; 2008 Taipei)
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This is Zuni Theatre; this is the power of real time, real space of theatre.
Hua-yen Sūtra (2007, 2008, 2013 Hong Kong; 2008 Taipei)
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Avant-gardes are elite warriors who lead the troops to explore the future.
Tears of Barren Hill (2008 Hong Kong; 2009 Yokohama; 2009 Rotterdamse; 2009 Singapore)
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Avant-garde art is a pursuit of ideal and a mission to reinvent culture:
Tears of Barren Hill (2008 Hong Kong; 2009 Yokohama; 2009 Rotterdamse; 2009 Singapore)
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to revisit the past, to criticize the present, to subvert the mainstream, to guide thinking, to inspire imagination,
Tears of Barren Hill (2008 Hong Kong; 2009 Yokohama; 2009 Rotterdamse; 2009 Singapore)
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…to resist the kitsch and the superficial, and to create experiences that reflect intellectuality, humanity and diversity.
Looking for Mies – God is in the Details (2009, 2011)
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Avant-garde art is of relative force of constructive revolution which pushes for social, political, and aesthetic evolution.
Looking for Mies – God is in the Details (2009, 2011)
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It is neither entertainment consumption nor political propaganda, nor is it purely an artistic behaviour.
Looking for Mies – God is in the Details (2009, 2011)
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It interacts with the society and influences social development.
A Tale of The Forbidden City (2009, 2010, 2013 Hong Kong; 2012 Suzhou)
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Zuni’s avant-garde art looks for all boundaries in social systems and artistic value,
A Tale of The Forbidden City (2009, 2010, 2013 Hong Kong; 2012 Suzhou)
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…and challenges all sorts of ideological bottom lines; through experimentations in different areas –
A Tale of The Forbidden City (2009, 2010, 2013 Hong Kong; 2012 Suzhou)
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…creative theatre, installation arts, cultural exchanges and policy initiatives, exhibits a progressive and pioneering force.
Book of Ghosts (2009)
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“…their success was based on meticulous preparation and creative talent.” — Professor Jonathan D. Spence, Sterling Professor of History Emeritus,
Department of History, Yale University
Book of Ghosts (2009)
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“Zuni's efforts in promoting and instigating developments in arts and culture have been highly remarkable.” — Hans-Georg Knopp, Secretary-General of Goethe-Institute
Book of Ghosts (2009)
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"…the essential cultural asset of Hong Kong." — Lin Hwai-min, Founder and Artistic Director of Cloud Gate Dance Company
Stage Sisters (2010, 2012)
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"The experimental theatre of Zuni has become an exchange platform for exploring spirits of humanism.” — Toshio Mizohata, Programme Director of BankART 1929
Stage Sisters (2010, 2012)
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"Nourishing generation after generation of cutting-edge talent." — Professor Zhang Longxi, Foreign Member of the Royal Swedish Academy of Letters, History and Antiquities
Stage Sisters (2010, 2012)
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Danny YungExperimental Theatre
ITI Music Theatre NOW International meeting
Jönköping, Sweden, 22 – 26 May 2013
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Flee by Night
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2004 Oslo; 2010 Shanghai, Yokohama, Hong Kong, Singapore; 2011 Taipei; 2012 Hong Kong
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A revamp of the kunqu solo act Flee by Night.
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Yung's closing sequel in his Experimental Traditional Theatre Trilogy following The Outcast General and the award-winning Tears of Barren Hill.
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The Spirits Play
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2011 Hong Kong; 2012 Tokyo, Singapore
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Inspired by work of the same title by the late Singaporean director Kuo Pao Kun.Joint Venture between Hong Kong, Nanjing and Tokyo.
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Experiments the combination of Kun opera and Noh theatre while addressing the issues of war and memory.
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Lao Jiu
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2012 Singapore
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In search of Singapore theatre doyen Kuo Pao Kun, based on the set of One Table Two Chairs.
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A 20-minute contemporary stage work by exploring Kuo’s most popular and accessible work, Lao Jiu.
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THANK YOU