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3
COORDINATOR
TEAM
Laura de Haro [email protected]
Noemí Sánchez Martí[email protected]
Lourdes [email protected] de Haro [email protected]
Aurora Ruiz [email protected]
Sonia Matas [email protected]
Marina Guerrero Martí[email protected]
MANAGER
EDITORS
DESIGN EDITOR
LOGO DESIGN
TRANSLATOR
As we were a bit tired of listening to the same question all the time, we decided that it was time to ACT.
Bipolares was born into the Fine Arts Department of the University of Murcia, as a three-monthly ma-gazine about artistic innovation.
Bipolares aims to create a link bet-ween opposites, between the two sides of the same coin.
Bipolares talks about eternal and ephemeral things, nights in light and days in shadows.
Bipolares are Words and at the same time, Silence.
Therefore, in our first issue, we invite you to cross the thin line of what is unlikely to happen, of what you may say saying nothing.
So...What do you exactly do
in Fine Arts?
Bipolares Colective C/Perú Nº10
30310, Cartagena, Murcia www.bipolaresmagazine.com
[email protected] 188-2012
ISSN 2254-3589
4
Every new publication must be welco-med since it means some restlessness and positioning, passion and bustle:
the creation pillars.The birth of this publication is more than reasonable because it comes from the
heart of the Fine Arts Department in the University of Murcia. Its own nature gene-
rates ideas, concepts, lights and shadows, in colour and black&white...and all these
elements need mutual understanding.A magazine is a window to look through it,
to observe...an object that can be touched and even smelled...a magazine is reflexion.
And the students and alumni of the Fine Arts Departments have opened a window which let
us know about their world, their feelings and emotions by means of illustrations, photogra-phies, words... and silence.
So let’s celebrate the birth of Bipolares and pay attention to what our contributors may show us.
We need windows to look through and look at, we need to escape from the noise that the lack
of culture creates so we can dip into the silence of emotions.
JUAN ÁLVAREZ Illustrator at “El Jueves”
5
ÍNDEX
68
9101213
14161718
COVER/ 1WORDS UNDERWATERLIDIA MÍNGUEZ RABADÁN
CLAP CLAPELENA LÓPEZ MARTÍN
GAMES IN PROSE AND VERSEMªDOLORES ABRIL
WORDS TAMERCRISTINA FRANCO RODA
WORDSADRIÁN MADRID
EMPTY WORDSAL GARCÍA
WORDSABINA ANTÓN CARDENAL
UNTITLEDCRISTINA OSUNA MIGUELES
UNTITLEDSONIA MATAS SALAS
EAT YOUR WORDSMªDOLORES GARCÍA ABRIL
THERE ARE THINGS…NUR GONZÁLEZ
1
6
I try to show another way of understan-ding words and silence through these two pieces of work. Sign language and Braille use different alphabets and both of them
pass on a message with soundless words.
11
Word
s. Ad
rián Mad
rid. P
hotography
Since words flow like the water, they glide, soak us, cover us all over, make us shiver, wrap us, they tell us and they pamper us, they attack us, defend us, get us closer, as if i were you and you were me, and the two of us are you, because 60 % of us is water and we need it...as we need words.
12
Word. Sabina Antón Cardenal. PhotographyEmpty words. Al García. Ilustration
The illustration is a visual me-taphor which shows what poli-titians use words for. The speak and distract from what it is really important. Meanwhile, people do not react.
This leaflet aims to show the un-veiled secrets, the words, the sto-len intimacy, so hard to share in any love story.
18
Nur González
There are things:
There are things that I haven’t saidThere are things that I should’ve saidThere are things that I regret to sayThere are things that you should knowThere are things that we should talk aboutThere are things that we should keep silentThere are things that we should tellThere are things that we should faceThere are things that make us cryThere are things that make us laughThere are things that make us singThere are things that hurt our soulsThere are things that give us wingsThere are things that take us downThere are things that steal our soulsThere are things to be saidFor we already said them, our tongue was stolen.
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SILENCES
Your silence and mine make a different speechabout the emptiness, an abyss,impending words, a penitent kiss,being in a black list
Our silence lasts a thousand years,and in the blink of an eyemakes us a couple full of fears,their echoes are eternal,and their edges, peaked
Our silence makes a different speechit is different, eternal.
Silences. Nur González. Poetry
24
the Internet has stopped being
an instrument of a few people
in order to become a part of our
daily life, another element together
with telephones or television
which is more necessary for the
connections and communication
of today. How does the Internet
interact with social activities
such as having a conversation or
going to the corner shop? In my
opinion, online communication
does not annul physical relations
but reinforce them. Problems arise
when those relations turn more
important in web life rather than
in real life. That is when locations
disappear, silence becomes
evident. “Cybersociety” gives us
other communicative tools which
modify our behaviour.
Postmodern people live and work
within a stressful pace of life. Time
is an influential and rare asset,
people work from their houses,
interact through a screen, and that
screen rules their behaviour. But in
silence.
BIBLIOGRAPHY:
Bauman, Zygmunt. La globalización,
consecuencias humanas. Buenos Aires: FCE,
(1999).
Delgado, M. El animal público. Madrid:
Anagrama, (1999).
Featherstone, Mike. Cultura del consumo y
posmodernismo. Buenos Aires: Amorrortu,
(2000). Capítulo II “Teorías de la cultura de
consumo”, Capítulo VI “Estilos de vida y cultura
de consumo”, Capítulo VII “Culturas urbanas y
estilos de vida posmodernos”.
Gergen, K. El yo saturado: Dilemas de identidad
en el mundo contemporáneo. Barcelona:
Paidós, (1992).
Turckle, S. La vida en la pantalla: La
construcción de la identidad en la era de
Internet. Barcelona: Paidós, (1997).
WEB SITES:
Ortigosa Pastor, Ana y Ibáñez Moreno, Ana.
Comunicación en Internet. Constructivismo
social e identidad virtual. Logroño, (2006).
Visita realizada en noviembre de 2009.
http://www.revistacomunicar.com/index.ph
p?contenido=detalles&numero=27&articu
lo=27-2006-27
Raúl Estal Ilustration2
2
25
Obdulia Muñoz NicolásEssay
Computers are a part of our
communicative habits, they
transmit personal information
and connect our world. Physical
presence is no longer important
for communication, we may be
ubiquitous, being without being
allows us to be superheroes,
coexistence is online. Building
an identity is one of the goals
of anyone in life, being personal
makes us different and we become
different through classificatory
items of our daily life, as Bordieu
has pointed out:“Taste classifies
and it classifies the classifier”1.
“Identity etymology already
explains an “one’s own identity” or
rather the “quality of being yourself”
but, how does the Internet modify
this? Speaking is not a condition,
my keyboard silence gives me
information about the world and
the people. The Internet has
changed consumption, making it
affordable, interceding between
our online interactions, but it has
also changed our way of speaking,
of interacting, even silence has
changed. During the last ten years,
CYBERSOCIETY
OF SILENCE
Bourdieu, P. Distinction: A Social Critique of the Judgement of Taste, trad. R. Nice, Londres: Routledge & Kegan Paul. (1984).
1
34
Postpainting depression. Chari Cámara Bevia. Ilustration
This comic trys to make fun of the moment when we face a painting, when we usually want to see beyond the surface. We are interested in the concept or the symbolic meaning and we forget, at the same time, to analize what they convey, we forget our own feelings.
36
INDEX
38
34
35
23
BACK COVER/ 40SILENCE UNDERWATERLIDIA MÍNGUEZ RABADÁN
EXQUISITE XIJOSE M. ROS GARCÍA & SONIA MATAS SALAS
POSTPAINTING DEPRESSIONCHARI CÁMARA BEVIA
UNTITLEDRAUL ESTAL
UNTITLED PABLO HERNANDEZ
SWOUNDSPABLO HERNANDEZ
UNTITLEDTONI MULA MARTÍNEZ
UNTITLEDROSA TENDERO FUENTES
UNTITLEDJOSE M. ROS GARCÍA & SONIA MS
CYBERSOCIETY OF SILENCEOBDULIA MUÑOZ NICOLÁS
SILENCESNUR GONZÁLEZ
40333231
272625
There is no sound to be heard in this picture. It is calm, quiet...I stand still, the surface edge touching my mouth. Whereas I feel silence under the water, there could be noise outside.
37
JUAN ÁLVAREZIllustrator at “El Jueves” Magazine
BORJA MORGADO AGUIRREFine Arts Department, University of Murcia
ISABEL TEJEDAFine Arts Department, University of Murcia
CONTRIBUTORS
38
Exquisite XIJose Miguel Ros García y Sonia Matas SalasMicrorrelato
Water in my lungs, air fighting to escape from my lips. The Police, an ambulance, bystanders, but...silence.
Untitled. Raúl Estal. Ilustration