03 - Heritage, Creativity and the Public

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    Cultural heritage, curation & creatiWeek 03 - Heritage, creativity & the public

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    if its our heritage, who are the we?

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    1937 Bunreacht na hEireann

    Act 2 - It is the entitlement and birthright of ev

    person born in the island of Ireland, which inclu

    its islands and seas, to be part of the Irish Nat

    That is also the entitlement of all persons otherwqualified in accordance with law to be citizens

    Ireland. Furthermore, the Irish nation cherishes

    special affinity with people of Irish ancestry liv

    abroad who share its cultural identity and heritage

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    1999 heritage awareness survey

    The term heritage is generally associated in

    public mind with the past, history and the hist

    built environment, as well as the cultural dimenssuch as music and language. It is far less rea

    associated with the natural environment

    landscape, and the wildlife that inhabits it.

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    demographic changes

    immigration apprx. 10% non-Irish born (419,733)

    integration & racial tensions 2004 citizenship referendum

    with Europe coming together, its important to keep your owimage.

    35-45 year old, Dublin

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    2005 Wicklow Heritage

    Survey

    When it comes to defining heritage, the vast majority of peo

    in Wicklow (71%) equate protecting Wicklow's heritage with

    protecting our identity" and this is closely associated with'protecting our roots', with almost eight out of every ten peo

    expressing pride in their heritage.

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    2007 heritage awareness survey

    Its from our past, its dead.12-14 year old, Dublin.

    Its our ancestors and what they did years and years ago, the way they lived

    45-55 year old, Sligo.

    The language, history, knowing where weve come from or what has made Irish

    people what they are. 35-45 year old, Dublin

    When people ask you about your heritage, you automatically think of where you c

    from yourself

    18-25, female, Tralee.

    If you just say heritage you think locally, if you say Irish heritage, you think nation

    50+ year old, Co. Galway

    What makes us different from other countries.

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    2007 heritage awareness survey

    Development has caused increased concern over preservation of

    heritage

    Increased awareness corresponding to increased threat (same as

    defensive stance found in 1999) (lack of strategic plan)

    Preserving the true essence vs. overly commercialising

    Exposure to heritage engenders national pride and teaches us ab

    our ancestors

    One in 4 Irish people vs. the public

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    Changing attitudes

    1999 Survey

    Identity (what it means to be Irish)

    Conservative/conservationist

    Wicklow 2005

    Identity / roots

    2007 Survey

    National pride (who we are - one in four Irish people)

    Conservative/conservationist

    Social change - no mention of demographics of immigration, foreign nationals, asylum seekers or stat

    peoples

    Academic texts of Irish heritage or heritage in Ireland

    lack of engagement with immigration or multi-culturalism

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    Heritage and social power

    Owernership/Responsibility

    the people in power 15-16 year old school girl, Galway

    Its their responsibility and not really mine directly. 35-45 year old, Du

    The national heritage (HC 2007)

    The countrys inheritance (Heritage of Ireland 2000)

    Authority for the genesis of the idea of the Irish state

    Self-evident autocratic heritage (vs. democratic heritage)

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    Integration?

    Spatial and Temporal Axis

    although people be neighbours spatially, it does not follow that

    they will constitute a community over time (Luke Gibbons 2007

    1999 Recommendation 6

    Participation and involvement by the public in heritage activitie

    should be more actively encouraged through funding of loca

    events and community heritage projects

    Whose locality? Whose community? Whose state?

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    emerging/ignored heritages

    Anna Lo - first ethnic minority politician elected at a nation

    level in Northern Ireland, and the first politician born in Eas

    Asia elected to any national parliament or assembly in the

    United Kingdom/EU?

    1962 first Chinese restaurant in N.Ireland

    Rotimi Adebari - Nigerian asylum seeker elected Portlaoise

    mayor (2007)

    1602 - Jewish mayor of Cork

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    Implications

    An emerging multi-cultural Ireland may result in heightening

    awareness of the past and our changing traditions/cultures.

    (HC 2007)

    Who are the we? (Lentin/McVeigh)

    Can racism (exclusion) support and strengthen the heritage

    sector?

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    Emotions made manifest

    Top down integration (assimilation)

    you can be here if you fit into our self-project

    desire for our lifestyle (food stores, shops - service industry)

    But anxiety if it threatens sense of self/group identity

    Fear for legacy (I want my kids to look/act like me)

    NIMBYism - Not in my back yard

    Not in my biological yard.

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    Cultural heritage & identity

    Cultural heritage is widely recognised across Europe as a

    vehicle of cultural identity. How much people know about

    cultural heritage depends both on what is done to promote iand also on the capacity of Europeans to become familiar w

    and appreciate their own culture and those of the other EU

    Member States.

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    Constitutional racism

    Racism without race (Lentin/McVeigh)

    Absorbed into liberal structures of the state

    Jure sanguinis

    Biological/genetic essentialism - conflated with heritage/

    community - for ownership of spaces and objects

    Naturalising/reifying hierarchies

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    Heritages of constitutionalracism2004 Citizenship Referendum

    2004 National Monuments Amendment

    1995 Heritage Act

    Heritage Council Policies

    naturalising/sociailising objects as basis for racial prejudice

    Potential for Minister to destroy heritage as needed in the public interest

    What constitutes the public interest?

    What is to protect inner city/marginalised immigrant heritage?

    What rights do these peoples have?

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    UNESCO and diversity

    Diversity constitutes the very essence of the different types o

    heritage - be they monumental, movable, intangible or world

    heritage. As symbolic spaces for sharing, they provide the msuitable common ground for the promotion of mutual

    understanding and enrichment between cultures. (UNESCO

    2007)

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    Conservation and

    conservatism

    What kind of state are we integrating into / participating in?

    What is the civic constitution of the state?

    What is the civic constitution of heritage?

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    PROJECT

    DATE 2008-2009 WWW.PLACINGVOICES.COM

    PLACING VOICES - VOICING PLACESTHE MONTO & CLANBRASSIL ST, DUBLIN

    http://www.placingvoices.com/http://www.placingvoices.com/http://www.placingvoices.com/
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    PLACING VOICES - VOICING PLACESTHE MONTO, DUBLIN

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    PLACING VOICES - VOICING PLACESTHE MONTO, DUBLIN

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    PLACING VOICES - VOICING PLACESTHE MONTO, DUBLIN - WWW.PLACINGVOICES.COM

    http://www.placingvoices.com/http://www.placingvoices.com/http://www.placingvoices.com/
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    PROJECT

    DATE 2008-2009 WWW.PLACINGVOICES.COM

    PLACING VOICES - VOICING PLACES

    THE MONTO, DUBLIN

    http://www.placingvoices.com/http://www.placingvoices.com/http://www.placingvoices.com/
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    PROJECT

    DATE 2008-2009 WWW.PLACINGVOICES.COM

    PLACING VOICES - VOICING PLACES

    THE MONTO, DUBLIN

    http://www.placingvoices.com/http://www.placingvoices.com/http://www.placingvoices.com/
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    PROJECT

    DATE 2008-2009 WWW.PLACINGVOICES.COM

    PLACING VOICES - VOICING PLACES

    THE MONTO, DUBLIN

    http://www.placingvoices.com/http://www.placingvoices.com/http://www.placingvoices.com/
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    PLACING VOICES - VOICING PLACESTHE MONTO, DUBLIN

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    PROJECT

    DATE 2009 WWW.PLACINGVOICES.COM

    CLANBRASSIL ST

    http://www.placingvoices.com/http://www.placingvoices.com/http://www.placingvoices.com/
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    PROJECT

    DATE 2009 WWW.PLACINGVOICES.COM

    CLANBRASSIL ST ZINESSEAN LYNCH

    http://www.placingvoices.com/http://www.placingvoices.com/http://www.placingvoices.com/
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    PROJECT

    DATE 2009 WWW.PLACINGVOICES.COM

    CLANBRASSIL ST ZINESSEAN LYNCH

    http://www.placingvoices.com/http://www.placingvoices.com/http://www.placingvoices.com/
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    PROJECT

    DATE 2009 WWW.PLACINGVOICES.COM

    CLANBRASSIL ST ZINESSEAN LYNCH

    http://www.placingvoices.com/http://www.placingvoices.com/http://www.placingvoices.com/
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    PROJECT

    DATE 2009 WWW.PLACINGVOICES.COM

    CLANBRASSIL ST ZINESSEAN LYNCH

    http://www.placingvoices.com/http://www.placingvoices.com/http://www.placingvoices.com/
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    THE HOME PROJECT - URSULA RANI SARMA - CLANBRASSIL STREET, DWWW.IARCHITECTURES.COM/THEHOMEPROJECT.HTML - WWW.PLACINGVOICES.COM

    http://www.iarchitectures.com/thehomeproject.htmlhttp://www.placingvoices.com/http://www.placingvoices.com/http://www.placingvoices.com/http://www.iarchitectures.com/thehomeproject.htmlhttp://www.iarchitectures.com/thehomeproject.html
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    THE HOME PROJECT - URSULA RANI SARMA - CLANBRASSIL STREET, DWWW.IARCHITECTURES.COM/THEHOMEPROJECT.HTML - WWW.PLACINGVOICES.COM

    http://www.iarchitectures.com/thehomeproject.htmlhttp://www.placingvoices.com/http://www.placingvoices.com/http://www.placingvoices.com/http://www.iarchitectures.com/thehomeproject.htmlhttp://www.iarchitectures.com/thehomeproject.html
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    THE HOME PROJECT - URSULA RANI SARMA - CLANBRASSIL STREET, DWWW.IARCHITECTURES.COM/THEHOMEPROJECT.HTML - WWW.PLACINGVOICES.COM

    http://www.iarchitectures.com/thehomeproject.htmlhttp://www.placingvoices.com/http://www.placingvoices.com/http://www.placingvoices.com/http://www.iarchitectures.com/thehomeproject.htmlhttp://www.iarchitectures.com/thehomeproject.html
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    THE HOME PROJECT - URSULA RANI SARMA - CLANBRASSIL STREET, DWWW.IARCHITECTURES.COM/THEHOMEPROJECT.HTML - WWW.PLACINGVOICES.COM

    http://www.iarchitectures.com/thehomeproject.htmlhttp://www.placingvoices.com/http://www.placingvoices.com/http://www.placingvoices.com/http://www.iarchitectures.com/thehomeproject.htmlhttp://www.iarchitectures.com/thehomeproject.html
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    diversity does not equal

    dissonance

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    HIPNOSAXIS BALLYMUN, DUBLIN, 2009

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    LUNITICAXIS BALLYMUN, DUBLIN, 2009