ACKNOWLEDGMENTS

Before acknowledging the assistance of thosewho helped in many ways to realize the SolLeWitt exhibition, I must first thank the artisthimself. His perception and discrimination setthe tone for the selection orthe works, and hisingenuity and good humor were invaluable inplanning the installation.On behalf of the trustees of The Museum of

Modern Art, I wish to express gratitude to thecollectors, museums, and galleries whosenames are listed below, as well as to those whopreferred to remain anonymous, for theirgenerosity in lending to this exhibition. Wedeeply appreciate the aid given by the Na-tional Endowment for the Arts in Washing-ton, D.C., a federal agency. Without this sup-port, the exhibition could not have takenplace.Grateful appreciation is due jennifer Licht,

formerly of the Department of Painting andSculpture, who first proposed the exhibition.I sincerely appreciate the interest and help ofWilliam Rubin, Director of that department,and of all its members, in particular LauraRosenstock and Vera Elizabeth Kalmykow,Curatorial Assistant and Secretary, who haveworked closely on all phases of the exhibitionand the book that accompanies it.Other staff members who have played im-

portant roles in this project include the follow-ll1g: Rosette Bakish, Mary Lea Bandy,Eleanor Belich, Stanislaus Bodden, CollinsBruce, William Burback, Esther Carpenter,Emil Cioc, Daniel Clarke, Henry Cohen,Fred Coxen, Patrick Cunningham, AshleyDiaz, Marie Frost, William Grant, BurtonGolden, Linda Gordon, Patricia Houlil13l1,Dianejablon, Frances Keech, Kate Keller, An-toinette King, Robert Kobayashi, Peter Linzy,Barbara London, Dennis Longwell, DanielLubrano, Guiseppe Maraia, Peter Mcintyre,john Mincks, Mali Olatunji, Richard Palmer,Auilio Perrino, Emilio PopPo, Eloise Ric-ciardelli, Gilbert Robinson, Bernice Rose,john Rufo, August Schulze, TrudySchwartzman, Albert StevcIlton, RichardTooke, Susan Wei ley, Fitzroy Williams,William Williams, and Bruce Wolmer.John Weber, Susanna Singer, and Anthony

Sansotta of the john Weber Gallery providedvaluable documentation on LeWitt's career

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GALLERY TALKS:

and information on specific works. Paul Ton-er, representative of the Dwan Gallery, hasbeen very helpful, as has Annemarie Verna ofZurich.Warm thanks from us all, including Sol

LeWin, to his assistants who worked on thewall drawings throughout the exhibition andhelped to assemble the structures: DianneBolhagen, A kira Hagihara, JunkoKJwashima, Kazuko Miyamoto, MartineRapin, Stephan Stavris,jo Watanabe, Qui QuiWatanabe, Ryo Watanabe, and Mimi Whc[']['r

Daily all:00 p.m.These informal talks in the Sol LeWitt exhibi-tion are designed to introduce Museumvisitors to the artist's work.

Thursdays at 6:00 p,m,These talks in the Collection galleries willfocus on works since the 1960s thatphilosophically and stylistically relate to Se-rial/Minimal/Conceptual art.

LECTURES:LENDERS TO THE EXHIBITION

February 11, Saturday, 10:00 a.m.Sol LeWitt will discuss his work in a programespecially for students and teachers held inco~jllnction with his current exhibition. Tick-ets are free of charge and available at theLobby Information Desk. Ticket holders willbe invited to view the exhibition after theprogram.

Dr. Angelo Baldassarre; Dr. and Mrs. LorenzoBonomo; Mr. and Mrs. M. Boulois; DanielBuren;]. Frederic Byers III; Beatrice Conrad-Eybesfeld; Dr. Luea A. Dosi-Delfini; VirginiaDwan; Dr, and Mrs. Aaron H. Esman; Mrs.Marilyn Fischbach; Philippe and Maya Gar-boua; Gilman Paper Company Collection;Susan Ginsburg; Mr. and Mrs. Sy Greenbaun;Laura Grisi; Donald judd; Robert King As-sociates; Mr. and Mrs. Ronald S. Lauder; SolLeWitt; Ira and jennifer Licht; Lucy R. Lip-pard; Robert and Sylvia Mangold; Mr. andMrs. Morton Neumann; Mr. and Mrs. 5.1.Newhouse, Jr.; Giuseppe Panza di Biumo;Parasol Press; Henry Pearson; Michael M.Rea; FER; Dorothea Rockburne; Estate ofRobert Smithson; Dr. Paul M. Vanek; MartinVisser; Dorothy and Herbert Vogel; RuthVollmer; Annina Nosei Weber;john and KayWeber; Mimi Wheeler

K unstmuseUl11 Basel; Wadsworth Atheneum,Hartford, Connecticut; The Tate Gallery,London; New Britain Museum of AmericanArt, New Britain, Connecticut; The Museulllof Modern Art, New York; Whitney Museumof American Art, New York; The'St. LouisArt Museum; San Francisco Museulll ofModern Art

March 14, Tuesday, 8:30 p.m.SOL LEWITT: AN INTl<ODUCTION

Robert Rosenblum, Professor of Fille Arts, NelliYOrk University,

March 21, Tuesday, 8:30 p.m.SOL LEWITT WHAT'S IN A NAME'

Donald K uspit, Professor oj A/1 History, UIII'-versity ofNon!l Carolil/a, Chapel Hill,

These lectures by two of today's most notedcritic-historians will focus on Mr. LeWitt. As-sociated with the Minimalists of the 1960s, SolLeWin has had a profound influence on thecurrent generation of Conceptual and post-Conceptual artists. By considering LeWitt's~ork in the context of contemporary artistic~ssues these lectures promise to illuminate theImportant recent movement toward an artemphasizing ideas rather than sensual pleas-ure, Advance tickets at Lobby InformationDesk at $4, Members $3, Students $2, or bysending payment and a stamped, self-addressed envelope to the Education Office,The Museum of Modern Art 11 West 53Street, New York, New York 10019.

Paula Cooper Gallery, New York; Gloria Cor-tella, Inc., New York; Dwan Gallery, NewYork; Rosa Esman Gallery, New York;Sperone Westwater Fischer, Inc., New York;john Weber Gallery, New York; and KonradFischer Gallery, Dusseldorf.

A.L.

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SOLLEWITT

Edired mid with an InrYOdllctioll by Alicia Legg.r:SS'ly' by Lury Lippard, Bemice Rose, Robertp ,(lIn/iin:

This comprehensive monograph is to an im-portant degree a book by the artist as well asabout him, The entire book has been designedby Sol LeWitt following his own modularprinciples. The nearly 300 illustrations wereselected by LeWitt as a representative presen-tation of the development of his ideas and hisart. Notes by the artist accompany the illus-trations, and a selection of his writings on var-ious subjects is also presented. The three es-says provide independent assessment of theartist's aesthetic and intellectual approach to

signal concerns of contemporary art andcomment on his role in the Minimal and Con-ceptual movements, This book, the definitivework to date on Sol LeWitt, covers a widerrange than the exhibition it accompanies. Itincludes in text and illustration the artist'searly geometric, Illodular, and serial works aswell as drawings and his most recent concern,the wall drawings.184 pages; 274 illrlStratiOlls (16 ill color)

0427. clothbound $22.50 (members $16.88)0428. paperbound $12.50 (members $9.38)

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1To order Sol Lewitt by mail, write to Cus-tomer Sales Service, The Museum of ModernArt, 11West 53 Street, New York, New York10019. Indicate clothbound or paperboundedition citing item number and enclose check,including 50~ postage for the first copy or-dered and 20~ for each additional book. NewYork State residents please add applicablesales tax.

COPYRIGHT© 1978

THE MUSEUM OF MODERN ART, NEW YORK

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Ex.I-t,119:f

THIS EXHIBITION HAS BEEN MADE POSSIBLE BY THE GENEROUS SUPPORT OF THE NATIONAL ENDOWMENT FOR THE ARTS, WASHINGTON, D.C

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AExh_1197_MasterChecklist

CHECKLISTOFTHE EXHIBITION

The chccklisr IS arranged chronologically withineach section Dimensions arc given ininches andccntunctcrs height preceding width precedingdepth Sbecr SIZt'S arc' given for drawings: whennot complcn-Iv visible. SIght sizes an: g1\'(,11 Datesof drawmy;s arc enclosed m parentheses when theydo not appc.\r all tht \\ arks themselves !3ecJusewall drlwlIlgs :Ire \ aTI,lbk dimenSions of \\ ails 111tht l'XlllbltlOl1 arc gl\'l'n Works dlustra(L,d 111TheMuselllll ofMockrn Art S Illonograph on SolLcWltt.He I1ldlCHl'd by figure Tlllillba Asterisksmdlelte worb dlustrattd III the chcckltst

STRUCTURES1911,10" NOTEXII.

1 IVaI! SrWrllOl', B/(l{k(I96:UOd on canvas andp:l1lHcd wood. 39 x39Y~ x24 Ys Il1 (98 9 x99 3 x61 2(m) Pn VJtl' collection, courtesy WadsworrhAthenculll, Hartford (FIgure 13)

IfIlJO,t2 Wall S,mnllrc, Blij/'{196:U ad on C.lllVaSandpainted wood, 62'1. x62'1. x9% 1!l (158 1x 1581 x243 erll) Pnvate colkctlon, courtesy WadsworthAtheneulll, Hartford (Flguf\.' 2)

1971.10,103 Wall Slrllclllrc, WhIte (1962) OJ! on canvas andpalJ1ted wood, 447Jsx44Y2x19% m(114xl13lx50cm) Pnvate colkctlon courtesy WadsworthAtheneum, Hartford (FIgure 14)

1171./:I:<J ExH.NlfWL.'{4 IVall Sf/H(/Ure (j 963) od on can vas and pallltedwood 61Ysx61Ysx26m(!558x1558x66clll)Dwan Gallery New York (FIgure 17)Iqn iP91

5 IVaff Plue ("Hockey Stlck") (I964)Pall1tedwood, 66% X9'/4 x2Jf4 III (1693 x23 5 x6 8 cm)CoJleetlon Lucy R LIppard, New York(FIEure 47)J'/71, ,,~{p6 llrall Srm(/ulc (1965) Palllted wood72YsxI6Y.xI5% III (183 2x41 2x39 6cm) Estate01 Rolxrt Smithson (FIgure 24)

MODULAR STRUCTURES1177./~S-'

7 Srl1lldUig OpUJ SIll/nUl<, Black ri964)p,llJ1tld

SERIAL STRUCTURES;~71IG'i¥ ~". 2/1-2;'h~ O"hi

21 Huybnd\?CIr.( 4. Std/lvlol'le) (1964) Pallltl'd woodwith ten compartments COlHa1Jll11gphotographs byBarbara Brown, los Angeles, and ~ I1ghtseach C"OmpartmelH 10% x9% x9% 1I1

(26 9x24 3x24 3 cm), ovcrall1O% x96x9% 111

(26 9x243 7x24 3 em) Pnvate collection,courtesy Wadsworth Atheneum, Hartford (FIgure135. SchematIC Heprcsentatlon)

1'J7~:lo</- ~'1h"'ld~v.r (~t:;n,Vcc<./alotjm!o,rYlahOVJ ct$ a&cve-) Il-¥Cep~

Pencil, IOYsxl11n (27 5x27 Scm) CollectIonDorothy and Herbert Vogel New York ,7J~S',7. 5°'9 .

I/{(C, '! 111!?Oll" 01 Horinnnot, Slrmghl LJlle~ IrollJTop to BilllOIlI, and Vhtlcal Slri11lt'll Lml'5lrolll Lllf 10RIghi 1\)72 Plllandlllk.14%;14%1J1(37x37crn] Colleen.a, Dr and Mrs lorenzo HonomoBan, iLll,>, (Fl~l1rl I()\)) S''iht 1t1 'Iz. II. 1't':Jhs II7 ''!?1. ~" l}~ Cj It ~-1-'C(.."""')5 JlCCUSII'I "11'1 oj Vor Slrrlllthl Llu1:J rIouzlJIllal

jrom Top to BMlo//l al1d Vnllwl }101l1 Lrfi fo RIghi1972 Pcn and tnk, 14% x14% lJl (37x37 cm)ColketlOl1 J)j and Mrs Lorenzo BonomoBan, Italy ,l~17. S'J lR

76 SIICClIIJ1'(' R('II" 01 Sflmgltl, 11.'111(01LIIICI /10111Llfllo Rilthl <Jlld SlI((1'1\I !'t' ROil':' 0/ \lot-SllilJltltl,Honzollidl Lilli' (;ll/11 7~lP I,l BOrt'l//1 1972 Pen andll1k, 14'is x 14% 11l (37 xJ7 llll) Collection Dr andMrs Lorulzu Bonomo Ban, Italy,Q1),(,,1377 Ydloll' Lillej, .\ol.smlJ~~hl, \1[1/ Tr.llIrllJJ1g (1972)Pen and colored lllk, 13x 13 III (33 x33 cm)

t COliCctlO1l 1)00uthy and Herbert Vogel<4 New Yo,k

, 11 1.l,ti(14-78 Rlpl)I,III'Hl~ R9..f.11973 Paper,13Y2xI3Y2Jl1(341 x3t Il m) CollectIon Ruth Vollmer,"Jew Yo,k

11,1. ?~1-79 FI!leu' 1 old;, ~hlllal, rIO/l201lIal, DlI1g,'lwl Ltftalld RI~IJI "I 411 f III 11 COmIJllJr1fIOII' 1976 15fulded g \ P 'pel pIeces, perl and mk, 25 '/2 x 25 Y2III (648 'if H lJl1) Pnvate collectlon, courtesyNew Br III ,'V1USCUlllof Amencan Art N'iwBntall1, \' ,l1lCllCut ~'ijh+2'i'1,,)( .2.~'/~~ ),'t17,t :;.~ {il1..\i)l &1 .. " rn80 " 1/1 r 1 1111'\ /\'(1f SUrlIghl, Nol Tiwrillog (1977)Pen and 1.;. 14% x13Y4 1J1 (37 I x33 4 cm) PrtvatecoIlectlO ~uurtesy Nt\\ Bntal11 IIJ.useum ofAmertca \rt, New Bntalll, ConnectIcut(hgure 1 ~)

ARCS, CIRCLES, ANO GRIDS~ ,<)11, "''6't

81 Clrrle 1<)71Pen and lllk, pt'nCl!, 16x 16 111

(40 6x4C '\ cm) Private colkctlon New York(Figure 2 't)'Q17, ";('1'~2 Gild, ( IJcles, Arcs IWIIl FOlll Suln and FOllrCOYIJHS 1<)71 Pen and mk SIght 11Ye x 11Ys lJ1

(28 3x28 3cm) Pnvatecolleetloll,courtesy NcwP Italn MuseuJll of Amencan Art. New Hntalll,ConnectIcut1'r'11. ~qq

83 ArTS triml One COIIICI 1972 Pen ,md mk, pennI,14% x14% 111 (37 I x37 1 cm) CollectIon Dr andMrs Lorenzo Bonomo, Ban, Italy (FIgure 200).~,), (POO

8J Arc;,Jmll1 Ollt Side 1972 Pen and mk, pcncll,14%xI4% 1I1 (371x37 1 cm) CollectIon Dr dndMrs Lorenzo Bonomo Ban, Italy

1'177, ;,pO.,5 Cmle, 1972 Pen ,md l1lk, penClI, 14% x14% m

(37 1 x37 1 cm) CollectIOn Dr and Mrs LOrt:nzoBonomo, Bart, ItalyIn), ,r~l<

*86 Circle" GruIs, Arcs [rom FOllr Comers al/d FourSides 1972 Pen and mk, 14% x 14% m (37 1x37 1cm) Collectlon Dr and Mrs Lorenzo Bonomo,Ban, Italy (FIgure 1\)7),q)). ;';0,· i-, 't

87 brawJ/lgChi1l11,1J,1J1 lV1972 Pcnandcolored mk, four sheets earh 9% x 14% III

(24 5x37 1cm) CollectIon Dr and MrsLorenzo Bonomo Ban, Italy/Q)1. rue"

88 Gnd 1972 Pen and mk, 14% x 14% 1ll

(37 1x37 1 cln) Collect!on Dr and Mrs Lorenzo

LOCATION,n1.52-0

94 Loral1011 oj au 41( 11)73 Pen and mk, penCil.12x 12 III (30 5 x30 Scm) Pnvate collectIon,courtesy New Bntalll MUSCUJll of Amencan ArtNew Bntal11. Conm'ctlCut1'l17';I~t

9S Lilies 10 ami 110/11 CoTam POIIII;, 1974 Pen andmk, penol, 22 x 22 III (55 9 x 55 9 cm) CollectionRobert and SylVIa Mangold, Wash111gronvllle,New York;~", 5~1o

96 7111' LllcallOn ofSl\ CCOlIJctnc FIgllll's 1974 Penand tnk, pencil, SIght 22 x 30 111 (55 9x 76 2 cm)Pnvate collectlOll cOllrtesy New BntaU1 Museumof Amencan Art, New Bntam ConnectICutI, ,~-,-" ~12.97 LmrjrollJ FOIlr COlliers Study for thc aquatmtsLwes 10 Spl'rifir POll1tj (Black Set) (1975) PCll andlllk 011 acetate. Sight 18 x 18 111 (45 6 x45 6 cm)Pnvate collectIon, courtesy New Bntalll Museumof Amencan Art New Bntam, Connectlcut1~11, ';SIO

98 LmesfrollJ /h., Own Study for the aquatmtsLl1les to SpI'Cific POWls (Black Sct) (1975) Pen andmk on acetate, SIght 18 x 18 m (45 6x45 6 cm)Pnvate collectlon. courtcsy New Bntalll Museum

,of American Art, New Bntam, ConnectICut

Iq11. '1)13lJl) LII/ojrolllilli \lU/Ji'lllll 01 all( .)1111 Study ford1l' aqu.rtmts LI//1 \ 10 .spl nf/c P,lHllj (131 ick Set)(llJ75) Pen and ink pencil ou ncctatc SIght 18 x 181Jl (45 (,x45 6(111) Pri v.ucrolicctiou courtesyNrw Unum Ml1~eLJJ11of AllllrlCal1 Art NewBritain. COTIJ1LCt!UltIQn, S'~I100 Lillt I 110111 jJ,lll1" Il' P,lllill (llJ75) Pen ,md mkon all'tate SIght 1?oJ x It! III (45 5 x45 5 tm) PrIvatelolkctlOll. (OUltl'Sy NlIv !Jntam Museulll ofAmencall Art Nl\\ Unt,ull. COJlnectlcut (Figure255)10,17, j",&~101 rIlt L'UIIIOl! (1/,1 LIllI' (llJ75) PCll .1l1d tnk onaCeLltl slglll IB x It! III (45 5 x45 5 CJll) Pn\atecolkctlon courtesy Nl w BrItalll MuseuJl1 ofAnlencall Art Ne\\ I3ntalll ConlKCtlcut

Iq-, -, 5~'f1}2 !?u} LfIll \ /ll'1I1Ihl Ifldp"H1r of tlr, Lt/l Side, BilltLll/co 11ll/llllte \{ldp,'1111 ,'I IIIi' Rilthl Side, 1111(1 h'lIol1J

LUI1:' 110111 th,' Cll!1t I IlJ75 Pen ,md colored mk.pl:J1nl. SIght 15x 14YR111 (38 x37 7 c 111) Pnvatecollce tron, eourtl sy Nl W 13r1l,l1nMuseum ofAml'flUn An Ne\\ BritaIn Connecticut1'l77.1a.5Q103 r Ire Lll alhlll "t <l H/JI(' Ji 1(lIIgl1, a H I/o IiiParallcfoglall1, r1 Red Cmlt', alld a Blalk SqlwJt' 1976Pen and colored lllk lxnnl, 18x18m (45 7x45 7cm) Colkwon Mr md Mrs S I Newhotlse.jr \.New York $Il.jht- 1'rI)l.J77/¥,"(l-fi'.wx 4",'fG.rn;i''17, 102.0104 Llli1lllJll 01 GH'll!lII I( h,ltllll." 1<)77 Pen andJIlk, pUlcd 14Ysx14% 111 (35 8x36 9cm)Collection Lam;] Gnsl Rome (Flgure 259)

POSTCAROS1~,1, 10:l;

122 Untitled Postmarkedjap:m,1970 Pen andlllk on postcard, 4 x 5% lJ1 (10 2 x 142 cm)CollectIonlraandjenlllfer LIcht, New York191J'Io~ I

123 ntltled (Blue Square) Postmarked England,1970 Pen and lIlk on postcard, 4 Ye x~ &;'1(10 5xl4 9 cm) Collection Huth Vollmer, NewYork

1917.lR~%124 Untitled (Scribble) Postmarked England,dare illegible (1970) Pc» and ink on postcard4'/8 x SYe III (10 5 x 15em) Private collrcrion NewYork"}77,IO"/5

125 Untitled (Vertical Curved Lines) PostmarkedEngland, 1970 Pen and ink on postcard, 4Yll x5Y8III (10 5x14 9un) CollectIon Henry Pearsoll,New York1977, lR9D126 Untltled (Black Circle) Postmarked Italy,1970 h:n and mk on postcard, 4x ~1 lu.t(10 2x 14 Scm) Collectlon Ruth Vollmcr, NewYork197), \p11

117 Untltkd Postll11rkcd YugoslavIa, dateIllegible, 1971 Pen and l11kon postcard, 3% x5%III (9 x 142 cm) Colkcnon Dorothy J.nd HnbcrtVogel, Nn ....Yorklq 17.1013

128 36 LIiI/;, [ill rIP [roJH SL Stamped Italy, notpostm,Hked,1971 Pl'n and mk on postcard,4Ysx5Ye 111 (10 4x14 9cm) Collectlon HenryPearson, New York1'177, ~'15. j-./O129 Set 01'10 Pos/rards wah VI'lbal Dt'slgnsPostmarked USA, 1971 Pen and colored Ink onpostcard, each 3 Y2 X 5 lf2 III (8 9 x 14 cm) CollectlonLucy H LIEpard, New YorkICl'7', lP 1C-t'

130 A Gal1goj ColollsjrollJ SLloJL PostmarkedUSA, 1973 Pen and mk on postcard, 4VRX5Ys III(10 5 x 149 cm) CollectIOn Ira andjenl1lfer Licht,New Yorkl'i77. /OlfL

131 The LOCat/0I1 oj a P01l1r (Anywhere 011 Ihe Card)Postmarked USA, 1974 Pcn and Ink on postcard,4'1a x61l1 (10 5x15 crn) CollectIon Henry Pearson,New YorkI'i 77, 10'1+

132 A LJllf, Nol Slra1~IrI, Bl'gUlIl1l1g at fIJI.'HCglllllJlIg, EI/dlllg allhc Elld Postmarked USA,IlJ74 Penandlllkonpostcard,4Ysx6'1~m(105 x 155 cm) Collectlon Henry Pearson, NewYork1~11'TOI

133 A Lilli' Nol Slrarghl, SlarrmgalJd ElldJIIgPostmarked Italy, 1974 Pen and mk on postcard,4Ys x5% III (10 4x14 8cm) Collectlon Ira andjel1l11ter LICht, New York,9)-'.(g~'t'134 UntItled (Square) Postmarked USA, 1975Pen .md mk on postcard, 4'/R x5Ys III (10 3x14 9cm) Pnvate colkctlOn, New York1917.5~'t,I-.,S

135 Set of /5 Po:,trards wl/h DeSIgns III ColorPostmarked USA, 1975-76 Pen and colored mk,penCIl 011 postcard, each 4 x6 lJ1 (10 x 15 cm)Collectlon Susan Gmsbucg, New York19-,7,(P'JIJ:i,I-.IS136 Set of15 Poslcard;, wltlJ VC/1Ical, Brokw LmesPostmarked USA, 1975-76 Pen and colored mk,penClI 011 postcard, each 5 x6 '12 III (12 7 x 16 5 cm)CollectlOn Lucy R LIppard, New York,Q17 ~/,!,'-.'5

137 Set oflS Postcards Postmarked USA, 1975-76Pen and colored mk, pcnClI on postcard, each5x6'1. JI1 (12 7xl6 4cm) CollectIon BeamceConrad-Eybesfeld, Pans,Q77,IO'tT138 All Lllle;, Exttpt •HflIry Peanol/" Stralc!led OutPostnurked USA, 1977 Pen and mk on postcard,4% x6 HI (11 5 x 15 3 cm) Collectlon HenryPearsoll, New YorkIq-,-"1-03

13<) Untitled Postmarked England, date dleglblePen and mk on postcard, 4'1e x6 m (10 5x 149 cm)CollectIon lta alldjl'l1mfer LICht, New York1'11" lplO140 Unntled Postmarked England, date IllegIblePen and mk on posturd, 4Ys x5Y~ 1I1 (10 5x 15 ClI1)CollectIOn Dorothy and Herbert Vogel,New York

PHOTOGRAPHIC PIECES1'177.1050

141 CllIiojGllds 1976 64colorphocographs,30Y4 x 30 Y2 m (J6 8 x 77 5 cm), each photograph3x3m(76x76cm) CollectlonDr and Mrs ~I '/Aaron H Esman, New York 's''jhf )..~1'1~x:.z.q ~19'77.1199 1'1-", T)< ?<f <pc"",)

142 PlIOI,) vIFfOIellcc R 609 1976 Cut p,lper, Sight24Ys x27% 111 (63 I x60 3 cm) PnYate collection,courtesy New Bntam Museum of Amencan Art,New Bntal11, Connecttrut (FIgure 270)

E l<.H, N'i Or." "=i143 Blick ItW 1977 Two black-and-whItephotogLlphs one set from a senes offollrtecn,10Ye x 17 'Is 111 (27 6x43 5 cm) The Museulll 01

Modern Art, New York AcqUired WIth lllatchll1gfunds from Mrs john D Rockefeller 3rd and tl1l'Natlon;']l Endowment for the Arts177'6. Ii+144 PlwloCllds 1977 EIghteen color photographs.14 Y2 x23 111 (36 9x 584 cm), each photograph 3 x3Jl1 (7 6 x 76 cm) Pnvate collectlon, courtesy NewBntaIJ1 Muscum of Amencan Art, Ncw 13ntalll.ConllectKut1~77. ,;2.1~145 Ph1l10o[C/,//lIal"tmi!Jaflall R 730 1977 CUtpaper 16x157/sm(405x402c111) Pnvatecollection, courtesy New Bntaln Museulll ofAmerican Art. New BrItaIn ConnectICut(FIgure 271)

Books. vnre(W"te('~dIA)C.Vk:Jn9 dra..u...::lnq ":> ,ql~, f&&. J - • 10 (.,e4/....A selecnon of books by Sol LeWltt and 1040 "-etlirdflllscellantolls \\ orkmg drawlllgs are mcluded III ~heets.)the exhlbltlon Because so ll1llch txhlbltlOn spacehas been gIVt'J] to wall drawl1lgs -more wIll beshown J11 tins eXhlbltlon than have ever beforebeen assembled III one place-the MuseuJll ofModern Art ISnot able to mclude LeWItt's prIntsFortunatdy, tht Drooklyn Museum concurrently ISpresentIng SOL LeWITT GRAPHICS fromFebruary 4 through March 4, prOVldlllg theopportul1lty ofseemg leWltt's complete OCllvreIn New York

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Working drawmgs for checkbstno 117 All COIIl{;llIal1()!Jj of 4.1(\)ltlIl! COIllel (and Sldo, Strarghl, Nor-Sllmg/II,and B/Okell LlIIe, Pen and mk Pnvate collection courtl'sy New Bnta1l1 Museum of Aml:fllJn Art.New Br'tam, Conneltlcut 1'11~. J!p1.;

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WALL DRAWINGS\17

eft 119Black 115-'0

G~ -116!:l. WALL ~ WALL 114

~ DRAWINGS F DRAWINGS

171 Yellow 118 """- -I- 1060-

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~ IR~SERIAL~ 19S' STRUCTURES STRUCTURES

DEN BDOKWORKS:-~20 L- 13 EtJr EARLY WOOD ~

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~ 111111PIECES 91

tI41 IslDRAWINGS IFramed)-.1L II,

PLAN OF THE EXHIBITION

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SCULPTURE GAR

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LINES1~77, IJ,I/64 DraJl'Jlt~JIII/(' 3,1970 1970 Pell ,md mk,19% x 19% III (50x50 cm) Collection Dr AngeloBaldassarre, Ban, Italy,Q17,120'1.I-.llP I~O'TE)(li,N'i(i5 LlHls AppulxlIlWlcfy 011(' CwtlJ/llln LOllgDli1Il'll al l~alldoll1 UII/Ig Four Co/tJl' tI/id 7 hellCOIlllmla/lorll 1970 Pen and colored mk, sIxteen ARCS AND LINESsheets e;]ch 19% x 19% In (49 9x50 I CIll) ,Q11.1I0w _ . (,0'3'Collection Dr Angelo Baldassarre, Barl, Italy 90-92 Three K1.1/kll(lt DIaI1JJllg;,jOl SIt"li' III BellI,/''117, 103C] ~66 Smvbfc J)rawllIg (1970) Pen and colored mk, SlIJllzer/mld'lI Klmllhalle, Ocrobcl 7-Nwl'JllvU 19penClI.ISYexom(459x152cm) Col1eetJon 1972 1972 Penandmk S%xI2YS111 (21 7x307Dorothea Rockburne, New York (FIgure 176, cm) CollectIon Dorothy and Hel bert Vogel,color) I New York;~)" .. II ,Wn,,2.9(P67 Sn: Dlal/ll/lg:" Oll/-Illch LOllg L1I1e, 1970 Pen 93 Plmlj01 It'illl DlillIJlJ1g, Sail Fralic/.,ro.HlIsUlIl1 o[and l11k, 51 '12 x42 '12 III (130 8 x 107 9 cm) An 1975 Pen and colored l11k, pencIl, 30 I'Rx 40 YeCollectlon Dr Paul M Vanek, Ann Arbor~?/ ,I 11l (76 6x101 8 cm) San FrallClsco Museum ofMlcblgan,ClshetlK-Jf'Atl1 sl1nt NI}}"iYW 'i' :\ ModernArt T B WalkcrFoundatlonFund1~77,1J...'O l't2-l!')I. '511(,.ffl; 'Purchase68 Drall'lIlgJlIly 10, 1971 1971 Pen and lJ1k,14J/ex14Yslil (36 5x36 6cm) ColJectlonDr Angelo Baldassarre, Ban, ItalyjQ17, r3:3/.f-

69 Plan jor FIJ)('-Pm1 Piece al The 5010111011RCllt.r.:el1!1CIII1MII5Cl/ll1 1971 Pen and Ink, penClI,recto and \CTSO11x8 Y2 III (28x21 5 cm)CollectlOn Dat1lcl Buren, Pans('l,7j 51~70 Ti.ll Thousand Lmes, Fwc Illches LOllg, wllhm a/1AI"l'a "j9y' \ 7% Il/rlrCl 1971 Penol, 9Y2X91/2 111

(24 2x24 2 cm) Pnvate collectIon, collrtesy NewBntaln Museum of American An, New Bntaln,Conneetlcut (FIgure 188)5'''il'lt 93(&~ 'PJ'i$" ,1"177. 5.2;{ (l.~,"1l' .z=.,'k.fh)

71 Allernale Parallel, Slrmghl, Brokf/l, alldNot-SIYi11gilr L1I1es oj Ralldolll Lengrh jroll1 the RighISidl oj Ihl' Page 1972 Pen and mk, pend 14x 14 111

(35 6x35 6 cm) CollectIon Susan Gmsburg,New York19)7.5L3

72 F10I/II!lf' WiJrd(s) "An", Blue LIIJI', to I-milCOII/ers, Glel'll LlI1C, 10 Four SIdes, !/Ilil Red Lllle,ht'IIIIf'f/! fhe Wmds 1972 Pen and colored mk onpnl1ted page, 8% x91ll (21 8x22 8 cm) Pnvatecollection, courtesy Ncw Bntalll Mustulll ofAmencan Art, Ne\\ Bntaln, ConlltctlCUt(FIgure 183)19,-" lRl'i-

73 Shvl1, S/ralghl Llllcs NOI TOllrlrlllg, DraWl! alRrllJdolil ilnd EJle/l/Y DUln/mled aIle! fhe Area 1972

WALL ORAWINGSjQ7'is". /10 Nor E)(H105 Bo.\ Nllmber 11I'111r DlawlIl.I! SII1('s1, 11, Ill,HIllA (1969) PCll,J! OIl pal1lted alulllInum,6ftx477!Bx47XlIl (1S1 'h121 5x121 3cm) Pau],lCooper Gallery Nl\\ York (Flgurc 1:)6, nght)Iq1~, 17$

106 Lml';, 1IJ F(iW J)lIull"Il' (i<)6lJ)PenCl!. 14 ftxl2ft 6 111 (4 III 26 7 cm x 1 '11 R1 cm) PnvarecollectIon I Paris1''171;:.179

107 5f1i1l,I!/a LUICI Ttl! fll,!r( \ L (11Ig, \'(1/ TOllcl1ll11!(1970) Pencl!. 12 It x 1(, It 11~ In (3 III 65 8 cm x4 m909 (111) Collectloll of tIle J.rtlSt1'11'iS.I~O108 VelumI1.ll1l", \'[I{ SII'II\?hr, \c1t TOIII/Ilng(llJ70)PeI1ClI, 12 ItxI7hl)l. 111 (.l m65 8ClllX5 m423 cm) CollectIon of the drtlstI~n. 1'61 ,\

109 HOl/20111al Coiol Comp0;,lIe (197,;, Pennl 011

three \\oalb, one wall12x21 ft (3 111 (15 8 (Ill X611140 I tm), two \\,llIs 12x15 It (J m(l5 8CIll x4 J1l 57 2 cm) Uv PefJlllSSIOll ot the Trusteesof The Tate Gallery London19'1L ,~2.110 LIllIS, \'01 Slri11gh/ \01 fOliC/illIg (1971) PenCIl,12 ftx16 ft IV. III (3 III 65 8 cl11:.;4 III 90 9 cm)CollectIon of the artIst

,~(~~,; ~"'~'5,"':"<L'" 0, T.", !".I, s Le·:; (!~m)PenCIl, J2 [txl7 ft lJ'/2 HI (3 m 658 unx5 111 42 3cm) Collection GIIm,lll JlJper Company NewYork,q)'if .I~'t _

112 /111ItI(lCaSJII,~ ,\lIInh(,1 ojSlratghr LlIIujlOIl1 Lift10 Right, alld Siralglll LlI1' lfiOIll Top 10 BOIIoI11,IJ'lr!JIIJ a SiX-filCh Gild Q972) PenCl!' 14x 14 ft (4 1ll

267 clllx4 111267 cm) Collection of the artIst

197~,IS"1 3 Alcs, Orr/el, alld Gild (1973) PenCil, 14 ftx35 ft8 III (4 111 267 CJ1lx1O111 872 cm) Collection ofthcartIst I .

Iq-'ll. '~w114 rill' L(llatl(lll 01 Elglll POll/Is 6(73) PenCIl Jndcrayon, 14x 14 ft (4 111 26 7 un x4 111 26 7 cm)1 BOqlO.,1O},H1:1 Italy CollectIon of the artist

I 8J J,i~ld, Blue ClIrll", Blark AIH {lom FOJII Sid£'I lIJ5~I~/sl~,Jr Illld to Spcu(ir POll/I;, (1975) Pennimid Yellow AllIjt,'HI FOlll CVlller:, 1972 Pen andaACfed and crayon, 14 ft x IlJ ft 6 111(4 m 26 7 CI11x5 11194 3mk. 13xl3 111(33x33 cm) CollectIon Dorothy and em) ColkLtlOJl vi till ,Hlj~lHcrbertVogel, Ne\\ York 1£j1'6.1'iSls'117'ff't II ~ - See loan record 4heet 116 LOW/lOll (if Blark, Yel/ow, Red, alld Bille

SUatght, \IOf-SI/<lIg/Jf, 11IIdBlokw L1/Jt5 6975;PenClIand colored cravon, 14 ftx 14 ft 6 1Jl (4 m 26 7cmx4 lT1 41 9 cm) Collectlon of the artiSt19-,~, 1~9

117 AI! COlIJbJllrlllOlboj Arrjfiolll COllins and SIdes,Sllargla, Not Stlal\?hl, alld Bloketl LillI':' (I975)Whltechalk on black wall, onc r00111 16x39x 14 ft (4 J11

877 cll1xll J1lS8 7 CJllx4111 26 7cm) CollectIonof the artlstt:,(Flgurt 221)19-'~,hO

118 Thc LO{1l11011ojSI\ G,'oHJClrIf FlgIIIC;, (1975)PenClI and crayon, 14x 18 ft (4 111 26 7ell1 x5 III 48 6cm) Collectlon of the artIstI~l~'191 ,"'llg Illes 10 POIIIIS (111a Cnd WillI, LIII,~jIOIllCemer, Sides, ami COYllfYILJ976)White chalk 011

black wall, 14 ft x 18 ft 9 1ll (4 m 26 7 lin x 5 J11 71 4cm) Whltney Museulll of Ameflcan Art, NewYork. GIft of the GIlman FoundatIon (FIgure 251)191'>· 192.. (120 FI!If'CII-Pml B/ark Wltlle COlllp(lllle 1978)PenCIl, 14x 14 ft (4 111 26 7 Cll! x4 111 26 7 cm)CollectIon ~f the artist,~T~,\~3

121 TlJlec~Part Wall DmwlIlg LIII(,~ 10 PO/llls on aGnd (llJ78)YcI111Jj)Lme~jroll1 Celller, Red LIIJI'I [nll1l

Srdes Colored chalk on blue wall, 14x 13 ft (4 Jll

26 7cmx3 m96 2 cm) Rcd LII/esjlolll SIIIt's, l3IJ1eLlIlcsjrol!J COYlJI'rS Colored chalk on yellow wall.14ftx12 ft6m(4 m26 7C111X3m81 cm) YellowLillO [rolll Ccmer, B/lle LJ/1cSjro/l/ Comers Coloredchalkonredwall, 14x19ft(4m 267cmx5m791 crn) CollectIon of the arost

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