002 English Ezine

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Englishzine Juillet.

Englishzine Juillet. Number #02.March 2016.Edited by Alfred Juillet F.

Contents:

Asa Earl Carter (September 4, 1925 – June 7, 1979) was a Ku Klux Klan leader, segregationistspeech writer, and later western novelist. He co-wrote George Wallace's well-known

pro-segregation line, "Segregation now, segregation tomorrow, segregation forever", and ran forgovernor of Alabama on a segregationist ticket. In addition, under the alias of supposedlyCherokee writer Forrest Carter, he wrote The Rebel Outlaw: Josey Wales (1972), a novel thatled to a 1976 National Film Registry film and The Education Of Little Tree (1976), a

best-selling, award-winning book which was marketed as a memoir but which turned out to befiction.

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In 1976, following the success of his Western novel The Rebel Outlaw: Josey Wales (1972) andits 1976 film adaptation, The New York Times revealed Forrest Carter was actually southernerAsa Earl Carter. His background became national news again in 1991 after his purportedmemoir, The Education Of Little Tree (1976), was re-issued in paperback, topped the Times

paperback best-seller lists (both non-fiction and fiction), and won the American BooksellersBook of the Year (ABBY) award.

Prior to his literary career as "Forrest", Carter was politically active for years in Alabama as anopponent of the civil rights movement: he worked as a speechwriter for segregationist GovernorGeorge Wallace of Alabama, founded the North Alabama Citizens Council (NACC) – anindependent offshoot of the White Citizens' Council movement – and an independent Ku KluxKlan group, and started a pro-segregation monthly, titled The Southerner.

Asa Carter was born in Oxford, Alabama in 1925, the second eldest of four children. Despitelater claims (as author "Forrest" Carter) that he was orphaned, he was raised by his parentsRalph and Hermione Carter in nearby Oxford, Alabama. Both parents lived into Carter'sadulthood.

Carter served in the United States Navy during World War II and for a year studied journalismat the University of Colorado on the G.I. Bill. After the war, he married India Thelma Walker.The couple settled in Birmingham, Alabama and had four children.

Carter worked for several area radio stations before ending up at station WILD in Birmingham,where he worked from 1953 to 1955. Carter's broadcasts from WILD, sponsored by theAmerican State's Rights Association, were syndicated to more than 20 radio stations before theshow was cancelled. Carter was fired following community outrage about his broadcasts and a

boycott of WILD. Carter broke with the leadership of the Alabama Citizen's Council movementover the incident. He refused to tone down his anti-Semitic rhetoric, while the Citizen's Council

preferred to focus more narrowly on preserving racial segregation of Blacks.

Carter started a renegade group called the North Alabama Citizen's Council. In addition to hiscareers in broadcasting and politics, Carter during these years ran a filling station. By March1956, he was making national news as a spokesman for segregation. Carter was quoted in a UPnewswire story, saying that the NAACP had "infiltrated" Southern white teenagers with"immoral" rock and roll records. Carter called for jukebox owners to purge all records by black

performers from jukeboxes.

Carter made the national news again on September 1 and 2 of the same year, after he gave aninflammatory anti-integration speech in Clinton, Tennessee. He addressed Clinton's high schoolenrollment of 12 black students, and after his speech an aroused mob of 200 white men stopped

black drivers passing through, "ripping out hood ornaments and smashing windows". They wereheading for the house of the mayor before being turned back by the local sheriff. Carter appearedin Clinton alongside segregationist John Kasper, who was charged later that same month withsedition and inciting a riot for his activities that day. Later that year, Carter ran for PoliceCommissioner against former office holder Bull Connor, who won the election. Connor later

became nationally famous for his heavy-handed approach to law enforcement during the civilrights struggles in Birmingham.

In 1957, Carter and his brother James were jailed for fighting against Birmingham policeofficers. The police were trying to apprehend another of the six in their group, who was wanted

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for a suspected Ku Klux Klan (KKK) shooting. Also during the mid-1950s, Carter founded a paramilitary KKK splinter group, called the "Original Ku Klux Klan of the Confederacy". Carterstarted a monthly publication entitled The Southerner, devoted to purportedly scientific theoriesof white racial superiority, as well as to anti-communist rhetoric.

Members of Carter's new KKK group attacked singer Nat King Cole at an April 1956Birmingham concert. After a more violent event, four members of Carter's Klan group wereconvicted of a September 1957 abduction and attack on a black handyman named JudgeEdward Aaron. They castrated Aaron, poured turpentine on his wounds, and left him abandonedin the trunk of a car near Springdale, Alabama. Police found Aaron, near death from blood loss.(Carter was not with the men who carried out this attack). In 1963, a parole board, appointed byCarter's then-employer Alabama governor George Wallace, commuted the sentences of the fourmen convicted of attacking Aaron.

In 1958, Carter quit the Klan group he had founded after shooting two members in a disputeover finances. Birmingham police filed attempted murder charges against Carter, but the chargeswere subsequently dropped. Carter also ran a campaign for Lieutenant Governor the same yearthat saw him finish fifth in a field of five.

During the 1960s, Carter was a speechwriter for Wallace. He was one of two men credited withWallace's famous slogan, "Segregation now, segregation tomorrow, segregation forever", part ofWallace's 1963 inaugural speech. Carter continued to work for Wallace, and after Wallace's wifeLurleen was elected Governor of Alabama in 1966, Carter worked for her. Wallace neveracknowledged the role Carter played in his political career, however:

Till the day he died, George Wallace denied that he ever knew Asa Carter. He may have beentelling the truth. 'Ace', as he was called by the staff, was paid off indirectly by Wallace cronies,and the only record that he ever wrote for Wallace was the word of former Wallace campaignofficials such as finance manager Seymore Trammell.

When Wallace decided to enter national politics with a 1968 presidential run, he did not inviteCarter on board for the campaign, as he sought to tone down his reputation as a segregationistfirebrand. During the late 1960s, Carter grew disillusioned by what he saw as Wallace's liberalturn on race.

Carter ran against Wallace for governor of Alabama in 1970 on a white supremacist platform.Carter finished last in a field of five candidates, winning only 1.51% of the vote in an electionnarrowly won by Wallace over the more moderate Governor Albert Brewer. At Wallace's 1971inauguration, Carter and some of his supporters demonstrated against him, carrying signsreading "Wallace is a bigot" and "Free our white children". The demonstration was the lastnotable public appearance by "Asa Carter".

After losing the election, Carter relocated to Abilene, Texas, where he started over. He beganwork on his first novel, spending days researching in Sweetwater's public library. He distancedhimself from his past, began to call his sons "nephews", and renamed himself Forrest Carter,after Nathan Bedford Forrest, the first Grand Wizard of the Ku Klux Klan and a general of theConfederate army who fought in the Civil War.

Carter moved to St. George's Island, Florida in the 1970s where he completed a sequel to hisfirst novel, as well as two books on American Indian themes. Carter separated from his wife,

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who remained in Florida. In the late 1970s, he again settled in Abilene, Texas.

Carter's best-known fictional works are The Rebel Outlaw: Josey Wales (1973, republished in1975 as Gone To Texas) and The Education Of Little Tree (1976), originally published as amemoir. The latter sold modestly – as fiction – during Carter's life; it became a sleeper hit in thelate 1980s and throughout the 1990s.

Clint Eastwood directed and starred in a film adaptation of Josey Wales, retitled The OutlawJosey Wales (1976), after Carter sent the book to his offices as an unsolicited submission, andEastwood's partner read and put his support behind it. At this time, neither man knew ofCarter's past as a Klansman and rabid segregationist. In 1997, after the success of the paperbackedition of The Education Of Little Tree, a film adaptation of the second book was produced.Originally intended as a made-for-TV movie, it was given a theatrical release.

In 1976, Carter published the sequel to The Rebel Outlaw: Josey Wales, entitled TheVengeance Trail Of Josey Wales which Clint Eastwood planned to film as a sequel to TheOutlaw Josey Wales, but the project was eventually cancelled.

In 1978, Carter published Watch For Me On The Mountain, a fictionalized biography ofGeronimo. It was reprinted in 1980 in an edition titled, Cry Geronimo!

Carter spent the last part of his life trying to conceal his background as a Klansman andsegregationist, claiming categorically in a 1976 The New York Times article that he, Forrest,was not Asa Carter. The article details how as Forrest, Carter was interviewed by BarbaraWalters on the Today show in 1974. He was promoting The Rebel Outlaw: Josey Wales, whichhad begun to attract readers beyond the confines of the Western genre. Carter, who had run fora campaign for governor of Alabama (as Asa Carter) just four years earlier in a campaign whichincluded television advertising, was identified from this Today show appearance by severalAlabama politicians, reporters and law enforcement officials. The Times also reported that theaddress Carter used in the copyright application for The Rebel Outlaw was identical to the onethat he used in 1970 while running for governor. “Beyond denying that he is Asa Carter”, theTimes noted, “the author has declined to be interviewed on the subject. ”

When the story of Carter’s deception hit the news, it was inevitable that Clint Eastwood would be drawn into the controversy. From Clint Eastwood: A Biography by Richard Schickel, published by Alfred A. Knopf New York 1996:"Clint was on location, making Unforgiven, when this article appeared, and he sent a politeletter to the Times, pointing out that he had met the man he knew as Forrest Carter only once.He also observed, “If Forrest Carter was a racist and a hatemonger who later converted to beinga sensitive, understanding human being, that would be most admirable. ”"But maybe that wasn’t the case either — or possibly Eastwood was being diplomatic. Schickel

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also relates that Clint’s producer on Josey Wales, Bob Daley saw another side to Carter:"He saw a decent side to the man, reflected in warm, supportive letters he received from Carteron the death of his father. He also saw vicious anti-Semitism, directed at William Morris agents,when the arguments about money started up. He finally came to the conclusion that Carter was

basically an opportunist, willfully burying – but not necessarily abandoning – his racism so thathe could rejoin decent society."Carter was working on The Wanderings Of Little Tree, a sequel to The Education Of LittleTree, as well as a screenplay version of the book, when he died in Abilene on June 7, 1979. Thecause of death, reported as heart failure, was alleged to have resulted from a fistfight with hisson. Carter's body was returned to Alabama for burial near Anniston.

No one will ever know what Carter ’s thoughts and attitudes really were, whether he was, asClint Eastwood thought, "a hatemonger who later converted to being a sensitive, understandinghuman being." But the evidence, such as his public denial that he was Asa Earl Carter, wouldsupport Daley’s claim that he was an opportunist, whose attitudes could and would be put tothe side where financial gain was concerned.

But having said that, as the popularity of the books would attest, Carter was a good writer whowrote stories that were not racist, and depicted Indians in a light that had never really been seenin main stream fiction at that time.

Carter is certainly an enigma. And despite what his actual beliefs may have been, there is nodenying that Gone To Texas is a great western story, and a thoroughly entertaining read.´´´´´Here's an Internet Archive/Open Library find (not on Carlo's List).

It's a complete cover-to-cover Internet Archive/Open Library scan in .pdf format of the 1979Reed Books oversized trade paperback First Edition of Fantastic Planets by Jean-Claude Suaresand Richard Siegel, with text by David Owen.

Thanks should go to the original scanner at the Internet Archive/Open Library.

I've uploaded the file to Mega.

It's a .pdf file contained in a .zip file (which is a searchable .pdf with OCR'd text). Afterdownloading the .zip file, simply unzip it and extract the .pdf file.

Fantastic Planets. By Jean-Claude Suares And Richard Siegel. Text By David Owen ([Danbury, NH: Reed Books (a division of Addison House, Inc.), 1979]) (160 pages) {PDF} (24.4 MB)https://mega.nz/#!Atl2QCIB!_a08_AzxTldETPcPyXwHtqdW1pv7WZmx33Ob0UbvwEc

Fantastic Planets is a pictorial book on science fiction in movies and tv, in comics, and inliterature. It was originally published simultaneously in both hardcover and large format trade

paperback in 1979 by Reed Books. It's profusely illustrated with 54 color photographs and 138 black & white photographs, including a few reproductions of pulp covers and illustrations.

From the dust jacket:"They've landed! They've landed!" With the initial panic over, the burning question is, "Wheredid They come from?" The authors of Alien Creatures now take you on an incredible visual

journey to the planets and galaxies that spawned them.

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As the mysteries of our own earth become yesterday's news, Man seeks other homes wherehuman and other life exist. His unquenchable thirst for the Unknown has compelled him to turnhis eyes to the heavens, and his imagination toward the enigma of the Universe.

These flights of fancy take place on huge and powerful spaceships. Melodramatic landings in theMoon's eye, dangerous visits to Mars with Flash Gordon, the Moon's enigmatic monolith,Barbarella's city, the Forbidden Planet, skies full of suns and moons that shine upon ominousdeserted places, all reached at speeds where time and space stand still. But where doesspeculation end and reality begin?

As we near the 21st Century, science at last seems to be catching up with the fabulous creationsof SF literature and cinema, but the NASA spacecraft that have traveled to the Moon, Venus,Mars, and beyond seem but dull imitations of the marvelous visions of Jules Verne and H. G.Wells, brought brilliantly to life by George Melies, Stanley Kubrick, Steven Spielberg, andGeorge Lucas.

Will we really find Cylons and other dastardly intergalactic armies with whom to do battle in theeternal struggle of good vs. evil? Movies, television,and comics shout a resounding, "Yes!"

Find out for yourselves! Travel at the speed of light with Richard Siegel, J-C Suares, and DavidOwen as they reveal the Moon, Mars, the rest of the Solar System, and the Great Beyond, on a

journey you won't soon forget."

About Jean-Claude Suares:

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Jean-Claude Suares (March 30, 1942 – July 30, 2013) was an artist, illustrator, editor, andcreative consultant to many publications, and the first Op-Ed page art director at The New YorkTimes.

Suares was born on March 30, 1942, in Alexandria, Egypt, to a Sephardic father. He and hisfamily moved from Egypt to Italy when he was a teenager. Later, he moved to New York,where he briefly attended Pratt Institute. In the 1960s, he joined the U.S. Army paratroopers andwas sent to Vietnam, where he worked on staff for Stars and Stripes. He also spoke severallanguages. In 1973, Suares arranged an exhibition of Op-Ed art at the Musée des Arts Décoratifsin Paris. For over 30 years his comic drawings appeared in The New York Times, on the coversof The New Yorker and The Atlantic Monthly, and in other periodicals and books. He wrote,edited or designed scores of illustrated books. He was also involved in book publishing. Heworked with Jacqueline Kennedy Onassis at Doubleday. He also designed Michael Jackson’sautobiography, Moonwalk. Suares was in one movie in 1973, It Happened In Hollywood.

A resident of Harrington Park, New Jersey, Suares died on July 30, 2013, at EnglewoodHospital and Medical Center in Englewood, New Jersey as a result of a bacterial infection. Hewas 71.

About Richard Siegel:Richard Siegel (1955-) is an American illustrator, comics artist, filmmaker, and author. He is theauthor of the SF novel Alien Plague (1979), under the pseudonym Stephard Noir, in which amedical Disaster is sourced to the Outer Planets. Under his own name, he is best known for anSF satire framed as a photo-documentary, The Extraterrestrial Report: The First FullyDocumented Account Exposing The Awful Danger From Beyond (A & W Visual Library,1978), which spoofs various paranoias, including UFO "sightings". More recently, from 2005 to2007, Siegel contributed several sf spoofs to the Weekly World News.oooooooooAlfredo Juillet Frascara, 71 years. He was born in Santiago de Chile, May 30 1944, is a Chilean

painter, author and sculpturer. He is the author of the SF novel "Jaukmoon", "Mars", "Knapp",and many others. He currently lives in the field, still working in his projects, and the last novel is"Kenate", where the action happens in the Second Brana. Some of his works appears in Scribd.999999999999999Here's an Internet Archive/Open Library find (not on Carlo's List).

It's a complete cover-to-cover Internet Archive/Open Library scan in .pdf format of the 1997 Tortrade paperback reprint of The Williamson Effect, edited by Roger Zelazny.



The Williamson Effect. [Original Stories In Tribute To Grand Master Jack Williamson]. EditedBy Roger Zelazny. [Introduction By David Brin] (New York: Tor (A Tom Doherty AssociatesBook), [1997]) (349 pages) (Cover art by Nicholas Jainschigg) {PDF} (35.9 MB)https://mega.nz/#!p4cGBTRJ!ZGvMfAc41uaOfwC1nqAPFY9ekiJMDIwM-ftEpydVMnM

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90 · Risk Assessment · Ben Bova · nv *116 · Williamson’s World · Scott E. Green · pm *117 · Emancipation · Pati Nagle · nv *146 · Thinkertoy · John Brunner · ss *163 · The Bad Machines · Fred Saberhagen · nv *190 · The Human Ingredient · Jeff Bredenberg · ss *207 · Child Of The Night · Jane Lindskold · ss *223 · A Certain Talent · David Weber · nv *246 · Nonstop To Portales · Connie Willis · nv *275 · No Folded Hands · Andre Norton · ss *289 · Darker Than You Wrote · Mike Resnick · ss *295 · Near Portales... Freedom Shouts · Scott E. Green · pm *296 · Worlds That Never Were: The Last Adventure Of The Legion Of Time · John J. Miller ·na *343 · About the Contributors · Misc. · bg

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bscans] Henry King, Director: From Silents To Scope - Henry King (1995) {PDF} Mega Link lunes, febrero 8, 2016, 3:35 pm Marcar como no leído

De:"Mike Russell [email protected] [pbscans]" <[email protected]>A:"[email protected]" <[email protected]>Encabezados completos Vista imprimibleHere's an Internet Archive/Open Library find (not on Carlo's List).

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It's a complete cover-to-cover Internet Archive/Open Library scan in .pdf format of the 1995Directors Guild of America trade paperback First Edition of Henry King, Director: From SilentsTo Scope by Henry King.




Henry King, Director: From Silents To Scope. By Henry King. Based On Interviews By DavidShepard And Ted Perry. Edited By Frank Thompson (A Directors Guild of America Publicationin association with the Giornate del Cinema Muto([Los Angeles, CA]: Directors Guild ofAmerica, Inc., [1995]) (viii, 230 pages) {PDF} (31.6 MB)https://mega.nz/#!BwFSUb5B!5S2JOVXNDrtJwG67aU9eLXdmnYwlWPUHX8yUB-mCzFI

Henry King, Director: From Silents To Scope is an autobiography of Hollywood director HenryKing (1886-1982), compiled from a series of interviews with him which were conducted

between 1976 and 1981.

From the Editor's introduction:"In this book, Henry King talks at length and in great detail about his life and career, whichspanned virtually the entire history of American cinema. ("I'm a pioneer," King Vidor once toldKevin Brownlow. "I've been in this business for years. But even when I first got to Hollywood,Henry King was going strong.") He worked within nearly every conceivable kind of filmmakingstyle: from the filmed-on-location shorts for Lubin in the Teens to the foreign epics of theTwenties like The White Sister (1923) and Romola (1924, both filmed in Italy), to the glossycinema of the Twentieth Century-Fox factory in the Thirties, Forties and Fifties....

Henry King never wrote an autobiography but he was interviewed in great depth several timeslater in his life. The Directors Guild of America, having commissioned some of these interviews,elected to, in effect, construct an autobiography from them.

King's words in this book are drawn from two sources: a series of interviews with King between1976 and 1981 by film historian David Shepard; and a lengthy oral history conducted by TedPerry in 1976. As editor, the task of turning this mountain of conversation into a book seemedstraightforward enough. I was to take well over a thousand pages of interviews and transformthem into a first person narrative, as though King were telling the story of his life and careerindependent of an interviewer....

I hope that the reader will find this informal visit with King as fascinating and informative as Ihave. His storytelling style is rather like his directorial technique: simple, uncluttered andworkmanlike, but filled with details of character and incident that make the stories come alive.For such a prolific artist, King was a remarkably personal filmmaker, drawing on details andemotions from his own past to bring his pictures to life."

About Henry King:Henry King (January 24, 1886 – June 29, 1982) was an American film director, who was born inChristiansburg, Virginia.He waa active as a director from 1916 to 1962, directing many

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well-known films including Jesse James, The Song Of Bernadette, Twelve O'Clock High, andCarousel (see Filmography below).

Before coming to film, King worked as an actor in various repertoire theatres, and first started totake small film roles in 1912. He directed for the first time in 1915, and grew to become one ofthe most commercially successful Hollywood directors of the 1920s and 1930s. He was twicenominated for the Best Director Oscar. In 1944, he was awarded the first Golden Globe Awardfor Best Director for his film The Song Of Bernadette. He worked most often with TyronePower and Gregory Peck and for 20th Century Fox.

Henry King was one of the 36 founders of the Academy of Motion Picture Arts and Sciences,which awards excellence of cinematic achievements every year, and was the last survivingfounder. He directed over 100 films in his career.

In 1955, King was awarded The George Eastman Award, given by George Eastman House fordistinguished contribution to the art of film.

During World War II, King served as the deputy commander of the Civil Air Patrol coastal patrol base in Brownsville, TX, holding the grade of captain. In his final years, he was the oldestlicensed private pilot in the United States, having obtained his license in 1918.

FILMOGRAPHY:1916 - Little Mary Sunshine1917 - The Mate Of The Sally Ann1918 - Powers That Prey1918 - Social Briars1919 - Where The West Begins1920 - One Hour Before Dawn1921 - Tol'able David 1922 - The Seventh Day1923 - Fury1923 - The White Sister 1924 - Romola1925 - Stella Dallas1926 - The Winning Of Barbara Worth1926 - Partners Again1927 - The Magic Flame1928 - The Woman Disputed 1930 - Hell Harbor 1930 - Lightnin'1931 - Merely Mary Ann1931 - Over The Hill1933 - State Fair (uncredited)1933 - I Loved You Wednesday1934 - Marie Galante1935 - One More Spring1935 - Way Down East1936 - The Country Doctor 1936 - Ramona1936 - Lloyd's of London

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1937 - Seventh Heaven1937 - In Old Chicago1938 - Alexander's Ragtime Band 1939 - Jesse James1939 - Stanley And Livingstone1940 - Little Old New York 1940 - Maryland 1940 - Chad Hanna1941 - A Yank In The RAF1941 - Remember The Day1942 - The Black Swan1943 - The Song Of Bernadette1944 - Wilson1945 - A Bell For Adano1946 - Margie1947 - Captain From Castile1948 - Deep Waters1949 - Prince of Foxes1949 - Twelve O'Clock High1950 - The Gunfighter 1951 - I'd Climb The Highest Mountain1951 - David And Bathsheba1952 - The Snows Of Kilimanjaro1953 - King of the Khyber Rifles1955 - Untamed 1955 - Love Is A Many-Splendored Thing1956 - Carousel1957 - The Sun Also Rises1958 - The Bravados1959 - This Earth Is Mine1959 - Beloved Infidel1962 - Tender Is The Night

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2. Ace 66014. Perry Rhodan 31: Realm Of The Tri-Planets. By K. H. Scheer (New York: AceBooks, 1973) (159, [1] pages) (Cover art by Gray Morrow) {PDF} (30.1 MB)https://mega.nz/#!dxd0jRYL!Nhv2ly6hWn5elBSm1CKD2ho0rerZ7U0PGurLJCWl25Y

3. Ace 66018. Perry Rhodan 35: Beware The Microbots. By Kurt Mahr (New York: Ace Books,1973) (155, [5] pages) (Cover art by Gray Morrow) {PDF} (33 MB)https://mega.nz/#!1kEkQLZY!pdwKqCy0W7vj272UQTsPXK_V13XliyliEfKRU07fVL8

4. Ace 66021. Perry Rhodan 38: Project: Earthsave. By Kurt Brand (New York: Ace Books,1974) (160 pages) (Cover art by Gray Morrow) {PDF} (36 MB)https://mega.nz/#!ppUjxJgS!SEp4yIxCJXGiSypDAfSvFbohVnwOmW8FNQP7FKwIPls

Note: The edges of a couple of pages are clipped at the edge and the edges of others oddlyrepeated. This is the way this one was scanned by the Internet Archive.

5. Ace 66023. Perry Rhodan 40: Red Eye Of Betelgeuse. By Clark Dalton (New York: AceBooks, 1974) (153, [7] pages) (Cover art by Gray Morrow) {PDF} (33 MB)https://mega.nz/#!s49F2ZrT!QWutppIokW0EuOgvjF7bXANOr1YizHJz-Nz6OvlHVXw

6. Ace 66025. Perry Rhodan 42: Time's Lonely One. By K. H. Scheer (New York: Ace Books,1974) (153, [7] pages) (Cover art by Gray Morrow) {PDF} (31.7 MB)https://mega.nz/#!w8dA3QxT!9IRAT2Ire9Mz06EuLubq3ex5QfHE8HT2xktg-nlzHtk

7. Ace 66045. Perry Rhodan 62: The Last Days Of Atlantis. By K. H. Scheer (New York: AceBooks, 1975) (155, [5] pages) (Cover art by Gray Morrow) {PDF} (36.6 MB)https://mega.nz/#!JgkEEQAL!7v5pcyIcjOkCqIFGuYk23HuL6LcjKxGaA0pyHYCi8ag

8. Ace 66049. Perry Rhodan 66: The Horror. By William Voltz (New York: Ace Books, 1975)(160 pages) (Cover art by Gray Morrow) (Missing pages 51 to 106) {PDF} (21 MB)https://mega.nz/#!oxV2hbpZ!Ks0Ted8cxFDIIg5rnm6suWUslSgXh8ZcMmg_FsC6xZw

Note: This book is missing pages 51 to 106 from the Perry Rhodan story.

9. Ace 66052. Perry Rhodan 68: Under The Stars Of Druufon. By Clark Dalton (New York:Ace Books, 1975) (158, [2] pages) (Cover art by Gray Morrow) {PDF} (27.5 MB)https://mega.nz/#!MwdWTCZQ!jbC6kibgd6vIKLG5xY5mL9u4G6Zu3qBbuS2CBUoNciA

10. Ace 66053. Perry Rhodan 69: The Bonds Of Eternity. By Clark Dalton (New York: AceBooks, 1975) (155, [5] pages) (Cover art by Gray Morrow) {PDF} (24.6 MB)https://mega.nz/#!wwsWSAhC!rcVsHmGVn1Wq6YxxkimP-6V5LHVcHenmPRdu2v22kLk

Enjoy!------------------------------------------------Syria...................... Goty Pycook

When you read an article about Syria in the Western media, always remember:1. Regime = Syrian legitimate Govt2. Brutal Dictator Assad = Syrian legitimate President Bashar Al Assad 3. Regime forces = Syrian National Army

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4. Regime loyalists = Syrian civilians defending their villages5. Regime supporters = All non jihadist Syrian citizens6. Moderate opposition = terrorists who kill Syrians for regime change7. Rebels = Saudi Arabia and Western backed terrorists8. Activists = One man based in the UK who is an ex convict in Syria9. Pro Regime militia = Hezbollah and Syrian fighters helping the Syrian Army against rebels10. Assad regime = The Syrian administration led by President Bashar Assad.11. Freedom fighters = Multi national terrorists working together for government change inSyria?

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Science Fiction Greats,,,,,,,,,,,,,,,Alfred Juillet.

It began publication in 1965 as Great Science Fiction. It became Science Fiction Greats withissue #13 in 1969, then became SF Greats Magazine for issue #18 in 1970, then became SFGreats for the rest of its run from issues #19 to #21, publishing its final issue in Spring 1971.

CONTENTS:Science Fiction Greats v01n13 [1969-Winter] (Ultimate Publishing Co., 50 ¢, 132pp, digest)fep • Robert Silverberg Issue: An Editorial • (1969) • essay by Robert Silverberg4 • Guardian Of The Crystal Gate • (1956) • novelette by Robert Silverberg (Originally

published in Fantastic, August 1956)4 • Guardian Of The Crystal Gate (reprint) • (1969) • interior artwork by uncredited 30 • The Happy Unfortunate • (1957) • short story by Robert Silverberg (Originally published inAmazing Stories, December 1957)

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31 • The Happy Unfortunate • (1957) • interior artwork by Llewellyn49 • Cartoon: "We interrupt this program to bring you an important bulletin!" • (1957) • interiorartwork by Frosty50 • Hole In The Air • (1956) • short story by Robert Silverberg (Originally published inAmazing Stories, January 1956)51 • Hole In The Air (reprint) • (1969) • interior artwork by Virgil Finlay61 • Look Homeward, Spaceman • (1956) • short story by Robert Silverberg (Originally

published in Amazing Stories, August 1956, as Calvin Knox)63 • Look Homeward, Spaceman (reprint) • (1969) • interior artwork by Llewellyn74 • O' Captain, My Captain • (1956) • short fiction by Robert Silverberg (Originally publishedin Fantastic, August 1956, as Ivar Jorgensen)74 • O' Captain, My Captain (reprint) • (1969) • interior artwork by Virgil Finlay83 • Cartoon: "I wonder who the center one's for?" (reprint) • (1969) • interior artwork byuncredited 84 • The Lunatic Planet • (1957) • short story by Robert Silverberg (Originally published inAmazing Stories, November 1957)85 • The Lunatic Planet (reprint) • (1969) • interior artwork by uncredited 99 • Cartoon: "It's nice we can make a little spending money while here on Earth." • (1957) •interior artwork by Frosty100 • Call Me Zombie! • (1957) • short story by Robert Silverberg (Originally published inFantastic, August 1957)101 • Call Me Zombie! • (1957) • interior artwork by Llewellyn111 • Vault Of The Ages • (1956) • short story by Robert Silverberg (Originally published inAmazing Stories, August 1956)111 • Vault Of The Ages (reprint) • (1969) • interior artwork by Novick 119 • The Blue Plague • (1957) • short story by Robert Silverberg (Originally published inAmazing Stories, July 1957)130 • Cartoon: "I had a feeling the authorities would question us sooner or later." • (1957) •interior artwork by Frosty

bep • Cartoon: "She wants us to put her in orbit. She says she needs the publicity." (reprint) •(1969) • interior artwork by Frosty

bep • Cartoon: "I've tried everything–maybe it's atmosphere they need." (reprint) • (1969) •interior artwork by Frosty

CONTENTS:Science Fiction Greats v01n15 [1969-Summer] (Ultimate Publishing Co., 50 ¢, 132pp, digest)2 • The Protector • (1962) • interior artwork by Virgil Finlay4 • Before Eden • (1961) • short story by Arthur C. Clarke (Originally published in AmazingStories, June 1961)4 • Before Eden • (1961) • interior artwork by Virgil Finlay16 • Speed-Up! • (1964) • novelette by Christopher Anvil (Originally published in AmazingStories, January 1964)16 • Speed-Up! • (1964) • interior artwork by Dan Adkins38 • Speed-Up! [2] • (1964) • interior artwork by Dan Adkins43 • Arena Of Decisions • (1964) • short story by Robert F. Young (Originally published inAmazing Stories, March 1964)43 • Arena Of Decisions • (1964) • interior artwork by George Schelling [as by Schelling ]52 • Arena Of Decisions [2] • (1964) • interior artwork by George Schelling [as by Schelling ]55 • Arena Of Decisions [3] • (1964) • interior artwork by George Schelling [as by Schelling ]62 • The Protector • (1962) • short story by John Jakes (Originally published in Amazing Stories,

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pages) (Cover art by Denis Gifford) {PDF} (14.1 MB)https://mega.nz/#!Yx0zBQgL!q-HPZUG-KAU1I4o1WY00XWt7H0Y-henzU0CFqCE8O9U

Discovering Comics is a brief but information-packed history of British comic papers (and acouple of American comics, Famous Funnies and Action Comics).

Denis Gifford (26 December 1927 – 18 May 2000) was a British writer, broadcaster, journalist, prolific comic artist and writer (most active in the 1940s, 50s and 60s, and an historian of film,comics, television, and radio. Gifford's work was largely for humor strips in British comics, oftenfor L. Miller & Son. He was a highly influential comics historian, particularly of British comicsfrom the 19th century to the 1940s.

Gifford was also a committed comic collector of British and US comics, and owned what has been called the "world's largest collection of British comics."

Gifford's collection was the product of his lifelong passion for comics and popular culture, andhis highly prolific research work was an attempt to provide a comprehensive history of theephemeral. Particularly in the early decades of his writing on the subject, pop culture drew littleattention from academic research and Gifford was particularly passionate about the mostobscure examples of vintage comics, film, television and radio, and determined that they should

be recognized, chronicled and remembered before extant copies were lost.

Despite his hopes that his vast collection might form the basis of a national museum of comics,through an archive such as the Victoria and Albert Museum National Art Library Comics andComic Art Collection, it was broken up and auctioned off in 2001 after his death, "leaving 12tons of paper at his home to be cleared and sorted." Bob Monkhouse reflected in the foreword tothe auction catalogue of The Denis Gifford Collection on how one "whose researches were someticulous have allowed this vast gathering of treasures to have swollen into such unruly anduncatalogued confusion". The sale was described in the auction pamphlet as "surely the largest

private collection of annuals, books, cartoons, cinema history, comics, ephemera & originalartwork ever to come on the market. The collection, housed in some 600 boxes and weighingten tons, arrived on a groaning lorry and took five men nearly three hours to unload. We expectsales to run to some 4000 lots."

CONTENTS:Introduction: The Editor's Chat! 3Ally Sloper: Side-splitting, Sentimental And Serious! 4Comic Cuts: One Hundred Laughs For One Half-penny! 7The Big Budget: Three Papers For One Penny! 10Puck: Bright Wings of Colour And Fancy! 14The Rattler: Twelve Pages! Free Footballs! One Penny! 19The Dandy: Our Funsters' Wiles Will Bring You Smiles! 23Famous Funnies: 100 Comics - 10 Cents! 27Action Comics: It's A Bird! It's A Plane! It's Superman! 49Eagle: The New National Strip Cartoon Weekly! 54Pow! For The New Breed Of Comic Fans! 57British Comics Since 1960 60Index 62

From the back cover:

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About this book:"The comic paper is a familiar sight on every bookstall in the land. No family home is without itscollection of battered Beanos; no attic or junkshop complete without its pile of tattered Eagles.Perhaps comics are too familiar, too common to care about, for only Great Britain is without itslearned society of comic strip historians (as found in France), a serious magazine devoted tocartoon archaeology (as in Italy), or an Academy of Comic Book Arts (as in America). Which isa pity, for comics were born in England.

In this concentrated but definitive history, Denis Gifford traces the evolution of the comic andits heroes from 'Ally Sloper' to 'Dan Dare', from 'Weary Willie and Tired Tim' to 'DesperateDan'. Along the way he exposes a trade secret here and drops a hint to comic collectors there,illustrating the whole with pictorial gems from his own vast collection."

About the author:"Denis Gifford has been collecting comics since he learned to read on Chick's Own, anddrawing comics since he contributed 'Magical Monty' to All Fun in 1942 at the age of fourteen.Better remembered (and better drawn!) are some of his characters which appear on the cover ofthis book: 'MarveIman', 'Jim Bowie', 'Stonehenge Kit the Ancient Brit', 'Flip and Flop','Steadfast McStaunch', 'Our Ernie', 'Mrs. Entwhistle's Little Lad', and of course, Kuthben KooKoo who komperes 'Koo Koo Klub' kurrently in Whizzer and Chips. After a long careercartooning for Beano, Knockout and Comic Cuts, Denis Gifford suddenly threw in his nib andturned to the typewriter. He wrote People Are Funny for Radio Luxembourg, the first dailycomedy series on television, the opening show for BBC 2, and the long-runningradio panel game, Sounds Familiar. He has also published three books about films: BritishCinema, Movie Monsters, and Science Fiction Film."

0000000000000000000000000

Heinlein.................. By

Robert A. Heinlein: America As Science Fiction. By H. Bruce Franklin (Galaxy Book GB 610)

(Science-Fiction Writers Series) (New York:

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Oxford University Press, 1980) (xiv, 232 pages) (Cover art by Kelly Freas) {PDF} (36.4 MB)https://mega.nz/#!Zhl0wYbD!1PYd5LdAtb_V2mYsTfxisQrcieOU6a8cAdJOsv4DKEE

Robert A. Heinlein: America As Science Fiction was the first full-length study of Robert A.Heinlein's life and literary career. It was originally published in hardcover in 1980 by OxfordUniversity Press. This trade paperback edition marked its first appearance in paperback.

From the back cover:"In 1939, a 32-year-old former naval officer— disabled by tuberculosis saw an ad in ThrillingWonder Stories offering a $50 prize for the best amateur story. Thus began the career of RobertA. Heinlein.

Today, with thirty-six books in print and an audience of many millions, Heinlein is our most popular, controversial, and influential sf author. Known as "the dean of science fiction," he haswon the Hugo award four times, and has been acclaimed by segments of American life asdisparate as the U.S. Naval Academy, the libertarian movement, and Charles Manson. Wordscoined in his fiction have become part of our language.

Here is the only full-length study of Robert Heinlein's entire career. H. Bruce Franklin providesa detailed examination of each of Heinlein'stales and novels (including his 1980 novel The Number Of The Beast), the only complete

bibliography of his works, an annotated list of writings about him, and original new material about his early life. Franklin also explainsHeinlein's key role in spreading science fictionthroughout American culture in the form of movies, television serials, comic books, and games.

Franklin sees Heinlein as a central cultural phenomenon, an incarnation of "America as sciencefiction," expressing some of the deepestdreams and nightmares of a rapidly changing society. By exploring Heinlein's imagination,Franklin offers us a new way of comprehendingAmerica moving through the Depression, World War II, the Cold War, the Vietnam War, therebellions of the 1960s, and the crises and apocalyptic visions unfolding from the 1970s into the1980s. (A volume in the Science-Fiction Writers Series).

H. Bruce Franklin is Professor of English and American Literature at Rutgers University, Newark, and author of such seminal books as The Wake Of The Gods: Melville's Mythology,Back Where You Came From, and The Victim As Criminal And Artist. His Future Perfect:American Science Fiction Of The Nineteenth Century (GB241) opened science fiction toserious study as literature."

"Given that Heinlein is as central to modern science fiction as science fiction is to contemporaryAmerican culture, the serious study of Heinlein's work should illuminate both contexts. Such isindeed the case in Franklin's lucid and trenchant analysis. Not only does he provide a series ofinterpretations literally bristling with insights but the controlling dynamic which Franklindiscovers at the heart of Heinlein's fiction. . . has implications for both the nature of the genreand the nature of American society." - David Ketterer.

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In this book Disch makes several arguments: That America is a nation of liars, and for thatreason science fiction has a special claim to be our national literature, as the art form bestadapted to telling the lies we like to hear and to pretend we believe. That Edgar Allan Poe wasthe first SF author (as opposed to authors such as Mary Shelley or Cyrano de Bergerac). Andthat the three greatest SF authors are Poe, Jules Verne and H. G. Wells. He levels attacksagainst writers who in his opinion have attempted to trick or manipulate readers by presentingscience fiction as fact—namely Erich von Däniken and L. Ron Hubbard—and examines the useof science fiction to promote a political ideology, singling out Ursula K. Le Guin's feminism andRobert A. Heinlein for advocating the growth of the military-industrial complex. The book alsoexamines the manner in which the real world is represented in science fiction allegory, such asthe argument that the aliens of Star Trek represent non-Caucasian humans, and that sciencefiction provides an insight into the strategies of the American military.

About The Author:Thomas Michael Disch (February 2, 1940 – July 4, 2008) was an American science fictionauthor and poet. He won the Hugo Award for Best Related Book – previously called "Best

Non-Fiction Book" – in 1999, and he had two other Hugo nominations and nine Nebula Awardnominations to his credit, plus one win of the John W. Campbell Memorial Award, a RhyslingAward, and two Seiun Awards, among others.

In the 1960s, his work began appearing in science-fiction magazines. His critically acclaimedscience fiction novels, The Genocides, Camp Concentration, 334 and On Wings Of Song aremajor contributions to the New Wave science fiction movement. In 1996, his book The CastleOf Indolence: On Poetry, Poets, And Poetasters was nominated for the National Book CriticsCircle Award, and in 1999, Disch won the Nonfiction Hugo for The Dreams Our Stuff Is MadeOf, a meditation on the impact of science fiction on our culture, as well as the Michael BraudeAward for Light Verse. Among his other nonfiction work, he wrote theatre and opera criticismfor The New York Times, The Nation, and other periodicals. He also published several volumesof poetry as Tom Disch.

Following an extended period of depression following the death in 2005 of his life-partner,Charles Naylor, Disch stopped writing almost entirely, except for poetry and blog entries –although he did produce two novellas. Disch committed suicide by gunshot on July 4, 2008 inhis apartment in Manhattan, New York City. His last book, The Word Of God, which waswritten shortly before Naylor died, had just been published a few days before Disch's death.

Disch was born in Des Moines, Iowa, on February 2, 1940. Because of a polio epidemic in 1946,his mother Helen home-schooled him for a year. As a result, he skipped from kindergarten tosecond grade. Disch's first formal education was at Catholic schools; which is evidenced in someof his works which contain scathing criticisms of the Catholic Church. The family moved in1953 to St. Paul in Minnesota, rejoining both pairs of grandparents, where Disch attended both

public and Catholic schools. In the Saint Paul public schools, Disch discovered his long-termloves of science fiction, drama, and poetry. He describes poetry as his stepping-stone to theliterary world. A teacher at St. Paul Central, Jeannette Cochran, assigned 100 lines of poetry to

be memorized; Disch wound up memorizing ten times as much. His early fascination continuedto influence his work with poetic form and the direction of his criticism.

After graduating from high school in 1957, he worked a summer job as a trainee steel draftsman, just one of the many jobs on his path to becoming a writer. Saving enough to move to New

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York City at the age of 17, he found a Manhattan apartment and began to cast his energies inmany directions. He worked as an extra at the Metropolitan Opera House in productions ofSpartacus for the Bolshoi Ballet, Swan Lake for the Royal Ballet, and Don Giovanni, Tosca andothers for the Met. He found work at a bookstore, then at a newspaper. At the age of 18, a

penniless, friendless, gay teenager, he attempted suicide by gas oven, but survived. Later thatyear, he enlisted in the army. Disch's incompatibility with the armed forces quickly resulted in anearly three-month commitment to a mental hospital.

After his discharge, Disch returned to New York and continued to pursue the arts in his ownindirect way. He worked, again, in bookstores, and as a copywriter. Some of these jobs paid offlater; working as a cloak room attendant in New York theater culture allowed him to both

pursue his lifelong love of drama and led to work as a magazine theater critic. Eventually, he gotanother job with an insurance company and went to school. A brief flirtation with architectureled him to apply to Cooper Union, where he was told he got the highest score ever on theirentrance exam, but dropped out after a few weeks. He then went to night school at New YorkUniversity (NYU), where classes on novella writing and utopian fiction developed his tastes forsome of the common forms and topics of science fiction. In May 1962, he decided to write ashort story instead of studying for his midterm exams. He sold the story, "The Double Timer",for $112.50, to the magazine Fantastic. Having begun his literary career, he did not return to

NYU but rather took another series of odd jobs such as bank teller, mortuary assistant, and copyeditor – all of which served to fuel what he referred to as his night-time "writing habit". Overthe next few years he wrote more science fiction stories, but also branched out into poetry; hisfirst published poem, "Echo and Narcissus", appeared in the Minnesota Review's Summer 1964issue.

Disch entered the field of science fiction at a turning point, as the pulp adventure stories of itsolder style began to be challenged by a more serious, adult, and often darker style. Thismovement, called New Wave, tried to show that the ideas and themes of science fiction could

be developed beyond the simple engineering-mechanical approach of traditional SF. Rather thantrying to compete with mainstream writers on the New York literary scene, Disch plunged intothe emerging genre of science fiction, and began to work to liberate it from some of its strictformula and narrow conventions. His first novel, The Genocides, appeared in 1965; Brian W.Aldiss singled it out for praise in a long review in SF Impulse. Much of his more literary sciencefiction was first published in English author Michael Moorcock's New Wave magazine, NewWorlds.

Disch was widely traveled and lived in England, Spain, Rome, and Mexico. In spite of this, heremained a New Yorker for the last twenty years of his life. He said that "a city like New York,to my mind, is the whole world", keeping a long-time New York residence overlooking UnionSquare.

Writing had become the dominant focus of his life. Disch described his personal transformationfrom dilettante to "someone who knows what he wants to do and is so busy doing it that hedoesn't have much time for anything else." After The Genocides, he wrote Camp Concentrationand 334. More books followed, including science fiction novels and stories, gothic works,criticism, plays, a libretto for an opera of Frankenstein, prose and verse children's books such asA Child's Garden Of Grammar, and ten poetry collections. In the 1980s, he moved from sciencefiction to horror, with a series of books set in Minneapolis: The Businessman, The M.D., ThePriest, and The Sub.

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His writing included substantial freelance work, such as regular book and theater reviews forThe Nation, The Weekly Standard, Harper's, The Washington Post, The Los Angeles Times,The New York Times, the Times Literary Supplement, and Entertainment Weekly. Recognitionfrom his award-winning books led to a year as "artist-in-residence" at William and Mary College.During his long and varied career, Disch found his way into other forms and genres. As a fictionwriter and a poet, Disch felt typecast by his science fiction roots. "I have a class theory ofliterature. I come from the wrong neighborhood to sell to The New Yorker. No matter howgood I am as an artist, they always can smell where I come from."

Though Disch was an admirer of and was friends with the author Philip K. Dick, Dick wouldwrite an infamous paranoid letter to the FBI in October 1972 that denounced Disch andsuggested that there were coded messages, prompted by a covert organization, in Disch's novelCamp Concentration. Disch was unaware and he would go on to champion the Philip K. DickAward. In his final novel, however, The Word Of God, Disch got his revenge on Dick, with astory in which Dick is dead and living in Hell, unable to write because of writer's block. Inreturn for a taste of human blood, which will unlock his ability to write, he makes a deal to go

back in time and kill Disch's father, so that Disch will never be born, and at the same time to killThomas Mann and thereby to insure that Hitler wins World War II.

He maintained an apartment in New York City, sharing it and a house in Barryville, New York,with his partner of three decades, poet Charles Naylor. Disch's private life remained private, forthe most part. He was publicly gay since 1968; this came out occasionally in his poetry and

particularly in his 1979 novel On Wings Of Song. He did not try to write to a particularcommunity: "I'm gay myself, but I don't write 'gay' literature." He rarely mentioned his sexualityin interviews, though he was interviewed by the Canadian gay periodical The Body Politic in1981. After Naylor's death in 2005, Disch had to abandon the house, as well as fight attempts toevict him from his rent controlled apartment, and he became steadily more depressed. He wroteon a LiveJournal account from April 2006 until his death (he committed suicide by fatallywounding himself in the head via gunshot), in which he posted poetry and journal entries.

Disch was an outspoken atheist as well as a satirist; his last novel The Word Of God was published by Tachyon Publications in the summer of 2008. His last published work, the posthumous story collection The Wall Of America, contains material from last half of Disch'scareer.

''''''''''''''''''''''

Heliosium said:

Many if all the translators were old timers without any connection with the man in the Moon,rockets and voyages to the space , so they could not connect a god with an astronaut, nor agolden ray with a spaceship. Upon that, they were paid to be on site translating by: religiousorganizations that will not permit to change the tradition that mantains them in high position byany way. Etc.

ppppppppppppp

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The Blue Book Magazine

[v89 #3, July 1949] ed. Donald Kennicott (McCall Corporation, 25¢, 144pp, letter)

These United States...XXXI—Iowa · Benton Clark · cvThese United States...XXXI —Iowa: The Heart of America · Anon. · nf; illus. Benton Clark Readers’ Comment · [The Readers] · lc

_ · [letter] · James L. Dalton · lt _ · [letter] · Nick Zell · lt _ · [letter] · Agatha Brungardt · lt2 · Serenade in Leadville · Lynn Montross · ss; illus. John Fulton9 · The Tiger’s Hour · Herbert Ravenel Sass · ss; illus. Charles Chickering16 · Normandy Break-Through · C. Donald Wire & Forrest Shugart · nf; illus. Hamilton Greene25 · Flags of Our Fathers · H. Bedford-Jones · ex The Blue Book Magazine Jul 1942, as “ToYou, Old Glory”; excerpt from the first story in the “Flags of Our Fathers” series. The excerptwas published in the July 1942 issue and the full story in the August 1942 issue.26 · A Frame for the Duke [The Old Neighborhood] · Joel Reeve · ss; illus. Raymond SisleySport Spurts · Harold Helfer · cl34 · Dogs of Destiny [Part 1 of 3] · Fairfax Downey · nf; illus. Paul Brown38 · Songs That Have Made History: XIII. Aj, Lúcka, Lúcka! · Fairfax Downey · nf 39 · Pie in Ye Sky · Captaine John Smith · ia; brief extract from A Booke of Captaine JohnSmith, 1622, illuminated and illustrated by Peter Wells; illus. Peter Wells40 · Sleuths with Sirens · Stewart Sterling · nf; illus. Raymond Thayer 44 · By Appointment · Arthur Gordon · ss; illus. Frederick Chapman50 · Picturesque People: XIV: The Incredible Captain Boyton · John Ferris · nf 54 · The Passing of Effie · Harry Botsford · ss; illus. Charles ChickeringBirds Are Like That · Simpson M. Ritter · cl58 · Sea Toll · Bill Adams · nf; illus. Raymond Sisley65 · Cloudy in the West · Allan Bosworth · ss; illus. Loran Wilford 70 · The Rolling Tons · William E. Barrett · na; illus. John McDermott84 · Position Unknown · Peter Dollar · ss; illus. Grattan Condon89 · Bronc’ Stomper · Frank Bonham · ss Liberty Apr 28 1945; given as “The Bronc’ Stomper”in the Table of Contents; illus. Charles Hargens96 · The Devil’s Luck [Benvenuto Cellini] · Wilbur S. Peacock · ss; illus. John Fulton108 · Star of Doom [Part 1 of 2] · Lewis Sowden · sl; illus. John McDermottibc · Who’s Who in This Issue · [The Editor] · cl [Lynn J. Montross; Harry Botsford; ArthurGordon; H. Bedford-Jones]; profiles & photos of Lynn Montross, Harry Botsford; profile only ofArthur Gordon; photo and obit of H. Bedford-Jones148 MB

http://www.mediafire.com/download/70dv200x799xlok/Blue_Book_v089_n03_%5B1949-07%5D

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The Best Mysteries Of Isaac Asimov.

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[The Master's Choice Of His Own Favorites]. By Isaac Asimov (Garden City, NY: Doubleday& Company, Inc., 1986) (xiv, 345 pages) (Cover art by Robert Aulicino) {PDF} (35.4 MB)https://mega.nz/#!c4FFkSzK!qzgIg6d_c8-RJb7xwxUiy_o2xet2j7cOjR3khvMgk4Y

The Best Mysteries Of Isaac Asimov is a collection of thirty-one mystery stories by IsaacAsimov, seven of which were previously uncollected. It was originally published in hardcover in1986 by Doubleday & Company.

CONTENTS:"I have chosen the stories I consider the best and not necessarily those that critics or readers do."So says Isaac Asimov of this marvelous newanthology, the first "best of" edition of his extraordinary mysteries.

From the classic Black Widower and Union Club series to a wide variety of other intriguingtales, many of the thirty-one selections in this volume have never before been collected in bookform. Each is introduced with a short and lively commentary from the Good Doctor himself, andall add up to the perfect Asimov formula for sheer entertainment and pure delight.

Discover here "The Obvious Factor," the haunting account of a young woman's psychic power,and of a mystery more bizarre than the supernatural; "The Sign," a clever tale that appliesknowledge of the zodiac to solve a grisly murder; "A Problem of Numbers," in which the key toa young man's happiness lies in the solution to a cryptogram—if he can find it; and twenty-eightother puzzlers that bring a dazzling new luster to an age-old and timeless genre.

With its potent mix of mayhem and madness, eerie twilight places and startling reality, The BestMysteries Of Isaac Asimov offers a feast for fans and a very special treasury for those meetingthe Master for the first time.

Isaac Asimov has written over 340 books on subjects ranging from the Bible and Shakespeare tomath and alien encounters. He is perhaps the best known—and certainly the best loved—of allscience fiction authors, with over ten million copies of his works sold worldwide....The BestMysteries Of Isaac Asimov is the companion volume to The Best Science Fiction Of IsaacAsimov..."

CONTENTS:The Best Mysteries Of Isaac Asimov Isaac Asimov (Doubleday 0-385-19783-7, August 1986[July 1986], $17.95, 345pp, hc) Mostly non-sf/fantasy, associational. Collection of 31 storiesincluding some sf mysteries. 7 of the stories have not been collected before.xi · Introduction · in3 · The Obvious Factor [Black Widowers] · ss EQMM May 197317 · The Pointing Finger [Black Widowers] · ss EQMM July 197331 · Out Of Sight [“The Six Suspects”; Black Widowers] · ss EQMM December 197347 · Yankee Doodle Went To Town [Black Widowers] · ss Tales Of The Black Widowers,Garden City, NY: Doubleday, 197463 · Quicker Than The Eye [Black Widowers] · ss EQMM May 197477 · The Three Numbers [“All In The Way You Read It”; Black Widowers] · ss EQMMSeptember 1974

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Heliosium saying.....................by Heliosium.

That God (a kind of The Force, but having control of it all , as it is inside Nature) exists, doesnot mean the jewbible is true. The Bible is a edited version of the Sumerian tablets plus thehistory of Jewland, with every notion they could grab from the neighbor´s legends. Seems Godhas never talked with Moses, never has come as Jesus the man, and simply because is part of theworld. Does not need to "come".Why?Look "matter", existing in a minimum quantity inside the atom, that in true words, is only

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vibration, so it really does not exist. Why? Because God is a spirit that built Universe out ofnothing more than his vibration, that He increases and make worlds.

0000000000

Dime Mystery Magazine v10 n04 [1936-03]

Dime Mystery Magazine began its monthly run in December 1932 as Dime Mystery BookMagazine, which contained a "two-dollar novel" and two to three short stories for ten-cents.The content was the general mystery/ detective fiction like that found in Dime Detective. Thecovers of each issue featured the image of a book, on the cover of which appeared the actualcover-art. It suggested that one was indeed receiving a full-length novel for the price of amagazine. The long novel form proved problematic, however, and the title was failing after justa few issues.

Steeger, hoping to create a companion title to Dime Detective, decided to move the magazine ina new direction with the October 1933 issue. In doing so, Steeger created a new genre: "weirdmenace" or "shudder" pulps. In this transformation, the magazine dropped both the "Book" fromits title and the book from its cover art. Steeger also changed the form of the magazine: ratherthan one large novel, he included a half-novel sized novella, two to three shorter novelettes, andseveral short stories.

Inspired by Grand Guignol French theatre and Gothic melodrama, the weird menace genre wasa combination of mystery and terror; this combination is more of a continuum, however, andoccasionally, the magazine's individual stories tend towards hardboiled detective fiction on theone hand or outright horror on the other. The editors, although lax in their demand for a specificmixture of the two genres, were consistent in their demand for a natural/ rational, if oftenunbelievable, explanation behind the seemingly-supernatural, sensational plot twists integral tothe story. Regarding the preferred content, Terrill stated:

In Dime Mystery Magazine we want the same strong emotional terror, but are more apt todemand a definite mystery angle. Here we also prefer lay characters who by force ofcircumstances are thrown into a terrific plight, where there is a sinister menace against the heroand heroine. We do our best to keep away from detective characters of any kind; the newspaperreporter is also overdone. Doctors, lawyers, clerks, lay figures in ordinary walk of life are the

best material. And in Dime Mystery, we demand a convincing motivation for the villain'sactions. He may be mentally unbalanced, may be suffering from a complex, but he should befiendishly clever, should have a sound reason for his villainy. We will permit a strong scientificangle if within the realm of the possible, but we prefer to avoid the pseudo-scientific.... [I]n allcases the villain should be brought to heel by the direct efforts of the hero.

Villains in these stories were often physically deformed and/ or psychopathic killers who "carriedout horrible and unaccountable murders" through greed- or lust-driven motives, while "the singlegreatest threat in the weird menace story was the dread of vivisection."

Dime Mystery only credited its artists in the first two years of its history, and so many of thoseartists now remain unknown. Delos Palmer and Walter M. Baumhofer are two very famousexceptions, however, from the beginning of the magazine's run. Baumhofer illustrated the

premier covers for The Spider and Doc Savage. He also sold work to the slicks, includingCosmopolitan and McCall's. Known interior-artists include John Fleming Gould, a Popular

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Publications workhorse, and Amos Sewell, who also did work for The New York Times andThe Saturday Evening Post.

The peak of the "weird menace" phase of Dime Mystery coincided with the most profitable yearfor its publishing house; Popular Publications had one hundred and thirty pulp titles that wereread by thirty million people a month in 1937. Since the Audit Bureau of Circulations listsPopular’s publications as a master group, combining its titles into one statistic, determiningspecific circulation numbers for Dime Mystery is difficult. Nonetheless, considering that Popularcontinued the genre in titles such as Terror Tales and Horror Stories, other publishing housesattempted to emulate the genre, and that the magazine was relatively long lived (1932-1949),we can surmise that the title was quite popular, especially during its iconic sensual, violentincarnation.

Like any good mystery plot, the denouement of Dime Mystery’s sadism phase quickly followedits 1937 climax. By late 1938, the magazine had almost entirely phased out its over-the-top sexand violence. Hoppenstand and Browne blame "formula saturation" for the demise of thesadistic phase of weird menace, and suggest that audiences had become desensitized to theviolence and sensationalism of the formulaic fiction. From 1938 to 1940, the "defectivedetective" characters took over the content of the magazine as the "sex-sadism" was phased out.Rather than concentrating on "weird menace," the fiction contained a deformed or diseased herodetective who "protected society against the most ghastly of villains…and guarded 'normal' folkfrom being afflicted with the most abominable of physical terrors." Heroes were more"humanized" through their afflictions. No longer idealized, they instead overcame terrible

physical obstacles and ailments.

CONTENTS:Dime Mystery Magazine [v10 #4, March 1936] (10¢, 128pp+, pulp, cover by Tom Lovell)

8 · Necklaces for the Dying · Frederick C. Davis · na34 · Death’s Warm Fireside · Paul Ernst · ss40 · Brides for the Beast · Wayne Rogers · na67 · Bedfellow from Hell · Larry Moore · ss76 · The Embalmers · Garry Grant · nv95 · Locked in with Death · Dale Clark · ss104 · Convicts from Hell · George Alden Edson · nv115 MB

http://www.mediafire.com/download/9r7526fse2m0r14/Dime_Mystery_v10_n04_%5B1936-03%5

ooooooooooooooooooooooooooooooooooooo

Please donate through PAYPAL to [email protected] and good bye.

000000000000000000000000000000000000000000000000000000019:54 28-03-2016

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It's a complete cover-to-cover Internet Archive/Open Library scan in .pdf format of the 1979Bantam Books paperback reprint of Wolfshead by Robert E. Howard.



Wolfshead. By Robert E. Howard (Bantam 12353-X) (New York: Bantam Books, 1979) (147,[5] pages) (Cover art by Paul Lehr) {PDF} (29.9 MB)https://mega.nz/#!p9EQiRCB!eAqZIYtuwKAuOHeshcPS8EEdIhnkDEKyhjceohmR5z4

Wolfshead is a collection of short stories by Robert E. Howard. It was originally published in paperback in 1968 by Lancer Books. This 1979 Bantam Books paperback edition omits onestory from the Lancer Books edition ("The Cairn On The Headland") and adds an introduction

by Robert Bloch.

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From the back cover:"THE FIENDS OF HELL TAKE MANY SHAPES ...

Like the bloated toad devil of The Black Stone; the forty-eyed monster of The Valley Of TheWorm; and the black, shadowy guardian of The FireOof Asshurbanipal. Like Satha, the mightyserpent whose fangs drip a venom that can burn through stone. And Wolfshead, the demon ofthe full moon.

To engage them in mortal combat: heroes to match all monstrous guiles, godlike men to pale alllegends. Here, from the pen of the master, are classic tales of horror adventure that will quickenyour heartbeat, and draw you into the throes of nightmare."

CONTENTS:WolfsheadRobert E. Howard (Bantam 0-553-12353-X, September 1979, $1.95, 147pp, pb)Reprint (Lancer 1968). Adds an introduction by Robert Bloch and omits the last story.1 · Introduction · Robert Bloch · in5 · The Black Stone · ss Weird Tales November 193125 · The Valley Of The Worm [James Allison] · nv Weird Tales February 193449 · Wolfshead [de Montour] · nv Weird Tales April 192675 · The Fire Of Asshurbanipal · nv Weird Tales December 1936102 · The House Of Arabu · nv Avon Fantasy Reader 18, ed. Donald A. Wollheim, Avon

Novels Inc. 1952, as “The Witch From Hell’s Kitchen”128 · The Horror From The Mound · ss Weird Tales May 1932

About The Author:Robert Ervin Howard (January 22, 1906 – June 11, 1936) was an American author who wrote

pulp fiction in a diverse range of genres. He is well known for his character Conan the Barbarianand is regarded as the father of the sword and sorcery subgenre.

Howard was born and raised in the state of Texas. He spent most of his life in the town of CrossPlains with some time spent in nearby Brownwood. A bookish and intellectual child, he wasalso a fan of boxing and spent some time in his late teens bodybuilding, eventually taking upamateur boxing. From the age of nine he dreamed of becoming a writer of adventure fiction butdid not have real success until he was 23. Thereafter, until his death by suicide at age 30,Howard's writings were published in a wide selection of magazines, journals, and newspapers,and he had become successful in several genres. Although a Conan novel was nearly publishedin 1934, his stories never appeared in book form during his lifetime. The main outlet for hisstories was the Depression-era pulp magazine Weird Tales.

In the pages of Weird Tales, Howard created Conan the Barbarian, a character whose culturalimpact has been compared to such icons as Batman, Count Dracula, James Bond, SherlockHolmes, and Tarzan. With Conan and his other heroes, Howard created the genre now knownas sword and sorcery, spawning many imitators and giving him a large influence in the fantasyfield. Howard remains a highly read author, with his best works still reprinted.

Howard’s suicide and the circumstances surrounding it have led to speculation about his mentalhealth. His mother had been ill with tuberculosis his entire life, and upon learning she hadentered a coma from which she was not expected to wake, he walked out to his car and shothimself in the head.

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.Howard's first published novel, A Gent From Bear Creek, was printed in Britain one year afterhis death. This was followed in the United States by a collection of Howard's stories, Skull-FaceAnd Others (1946) and then the novel Conan The Conqueror (1950). The success of Conan TheConqueror led to a series of Conan books from publisher Gnome Press, the later editor of whichwas L. Sprague de Camp. The series led to the first Conan pastiche, the novel The Return OfConan by de Camp and Swedish Howard fan Bj örn Nyberg. De Camp eventually achievedcontrol over the Conan stories and Conan brand in general. Oscar Friend took over from Klineas literary agent and he was followed by his daughter Kittie West. When she closed the agencyin 1965, a new agent was required. De Camp was offered the role but he recommended GlennLord instead. Lord began as a fan of Howard and had re-discovered many unpublished piecesthat would otherwise have been lost, printing them in books such as Always Comes Evening(1957) and his own magazine The Howard Collector (1961–1973). He became responsible forthe non-Conan works and later restored, textually-pure versions of the Conan stories themselves.

In 1966, de Camp made a deal with Lancer Books to republish the Conan series, which led tothe "First Howard Boom" of the 1970s; their popularity was enhanced by the cover artwork ofFrank Frazetta on most of the volumes. Many of his works were reprinted (some printed for thefirst time) and they expanded into other media such as comic books and films. The Conan storieswere increasingly edited by de Camp and the series was extended by pastiches until theyreplaced the original stories. In response, a puristic movement grew up demanding Howard'soriginal, un-edited stories. The first boom ended in the mid-1980s. In the late 1990s and early21st century, the "Second Howard Boom" occurred. This saw the printing of new collections ofHoward's work, with the restored texts desired by purists. As before, the boom led to new comic

books, films and computer games.

00000000Here's an Internet Archive/Open Library find (not on Carlo's List).

It's a complete cover-to-cover Internet Archive/Open Library scan in .pdf format of the 1984Baen Books paperback edition of The Zanzibar Cat by Joanna Russ.

The lower left-hand corner of the back cover of the copy scanned by the Internet Archive wasdamaged (not affecting text).




The Zanzibar Cat. By Joanna Russ ([New York]: Baen Books, 1984) (286 pages) (Cover art byJames Gurney) {PDF} (25.5 MB)https://mega.nz/#!JkMlkIiQ!t-tRLxfVtS_Y5kUpH107wF6MvIe3K7O6YVeLzvyjPp8

The Zanzibar Cat is a feminist science fiction collection of short stories by Joanna Russ, first published in hardcover in 1983 by Arkham House. It was the author's first collection of shortfiction and was published in an edition of 3,526 copies. The story, "When It Changed", won a

Nebula Award in 1972. "Old Thoughts, Old Balances" won a 1977 O. Henry Prize under thetitle "The Autobiography Of My Mother".

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This September 1984 Baen edition marked its first appearance in paperback. The contents differfrom the Arkham House hardcover, dropping three stories: How Dorothy Kept Away TheSpring; Poor Man, Beggar Man; Old Thoughts, Old Presences and adding three others: TheMan Who Could Not See Devils; Dragons And Dimwits; The Precious Object.

From the back cover:"Anything can happen in Zanzibar. If you travel there, prepare for the unexpected.

In Joanna Russ's Zanzibar you'll meet a society of women who do not need men,- a lovely butheartless vampire,- a female adventurer named Amelie. You'll meet romance and intrigue...and danger. You will not return the same."

"No one combines science fiction/fantasy devices and...insistence on the personal more skillfullythan Russ." - LOCUS.

CONTENTS:The Zanzibar Cat Joanna Russ (Baen 0-671-55906-0, September 1984 [August 1984], $3.50,286pp, pb) Collection, contents revised from Arkham House 1983 edition.9 · When It Changed · ss Again, Dangerous Visions, ed. Harlan Ellison, Garden City, NY:Doubleday, 197222 · The Extraordinary Voyages Of Amélie Bertrand · ss F&SF September 197942 · The Soul Of A Servant · ss Showcase, ed. Roger Elwood, Harper & Row, 197365 · The Man Who Could Not See Devils · ss Alchemy & Academe, ed. Anne McCaffrey,Garden City, NY: Doubleday, 197084 · Gleepsite · ss Orbit 9, ed. Damon Knight, G.P. Putnam’s, 197193 · Nobody’s Home · ss New Dimensions II, ed. Robert Silverberg, Doubleday, 1972116 · My Dear Emily · nv F&SF July 1962147 · There Is Another Shore, You Know, Upon The Other Side · ss F&SF September 1963166 · My Boat · ss F&SF January 1976192 · Useful Phrases For The Tourist · ss Universe 2, ed. Terry Carr, Ace, 1972198 · Dragons And Dimwits · vi F&SF December 1979205 · Corruption · ss Aurora: Beyond Equality, ed. Vonda McIntyre & Susan Anderson,Fawcett, 1976222 · The Precious Object · nv Red Clay Reader #7 1970244 · The New Men · ss F&SF February 1966256 · A Game Of Vlet · ss F&SF February 1974274 · The Zanzibar Cat · ss Quark #3, ed. Samuel R. Delany & Marilyn Hacker, PaperbackLibrary, 1971

About The Author:Joanna Russ (February 22, 1937 – April 29, 2011) was an American writer, academic andfeminist. She is the author of a number of works of science fiction, fantasy and feminist literarycriticism such as How To Suppress Women's Writing, as well as a contemporary novel, OnStrike Against God, and one children's book, Kittatinny. She is best known for The FemaleMan, a novel combining utopian fiction and satire.

Enjoy!0000000000000This is a single issue of Metropolitan from August 1915, extracted from a Google

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Books-scanned bound volume of Metropolitan (May-October 1915). It's missing the inside backcover and back cover as well as pages 1 (the table of contents page?), 2 (ads?), 35 (half of a carad), and 36 (ads).

The last words of the Walter Lippmann article on page 34 are jumbled up by the typesetter,reading "loranor-" which should read "law and or-" and picks up again on page 37 with the restof the word "der,"

In addition to a .pdf version, I created a .cbr version.

I've uploaded the files to Mega.

CBR Version:Metropolitan v42n04 [1915-08] (The Metropolitan Magazine Company) (68 pages) (Cover art

by Penrhyn Stanlaws) (Missing Pages 1, 2, 35, 36, -ibc, -bc) {CBR} (Google Books) (72.8 MB)https://mega.nz/#!Nok1xagS!r45jfueLQmq31sg2QTinkNeq3pn-cMwYBtcvIb_zjrQ

It's a .cbr file. No .zip file, this time.

PDF Version:Metropolitan v42n04 [1915-08] (The Metropolitan Magazine Company) (68 pages) (Cover art

by Penrhyn Stanlaws) (Missing Pages 1, 2, 35, 36, -ibc, -bc) {PDF} (Google Books) (25.4 MB)https://mega.nz/#!4xNFlSzT!zyAaY8vEnrAnOFzcXQIk8Lp0klyU3pn1FkgKKcfLJSE

It's a .pdf file (which is a searchable .pdf with OCR'd text). No .zip file, this time.

The lead article on the Serbian Campaign of World War I in this issue was written by JohnReed. John Silas "Jack" Reed (October 22, 1887 – October 17, 1920) was an American

journalist, poet, and socialist activist, best remembered for his first-hand account of theBolshevik Revolution, Ten Days That Shook The World. He was married to the writer andfeminist Louise Bryant. Reed died in Russia in 1920, and was buried at the Kremlin Wall

Necropolis, one of only two Americans to have been given this honor in Russia, the other beinglabor organizer Bill Haywood. The Academy Award-winning 1981 film Reds, starring WarrenBeatty, is based on his life.

CONTENTS (This is a complete contents list which I compiled from the FictionMags Indexand the pages of the magazine, including the illustrator's names):

Metropolitan [v42 #4, August 1915] (The Metropolitan Magazine Company, 15¢, 68pp)Details supplied by Denny Lien.3 · Serbia Between Battles · John Reed & Boardman Robinson · ar · Illustrated by BoardmanRobinson10 · Peace Insurance By Preparedness Against War · Theodore Roosevelt · ar 13 · The Olympian Lookout · Art Young · hu14 · Erased By The Censor · The Editor · ed 15 · The War And The Jews · Israel Zangwill · ar 16 · The Frame-Up · Richard Harding Davis · ss · Illustrated by May Wilson Preston19 · Transmutation · Henry Kitchell Webster · ss · Illustrated by Everett Shinn22 · Matt Looks Upon The Wine · Inez Haynes Gillmore · ss · Illustrated by W. T. Benda25 · Three-Alarm Casey · John A. Moroso · ss · Illustrated by F. E. Schoonover

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27 · The Revolutionist · M. Artzybashev · ss · Illustrated by George Hood Wright28 · Then I’ll Come Back to You [Part 4 of 8] · Larry Evans · sl · Illustrated by W. D. Stevens32 · To-Day And To-Morrow: Law And Order · Walter Lippmann · ar

The Metropolitan Magazine was an American monthly magazine published in the late 19th andearly 20th century (365 issues from February 1895 - August 1925). Still a standard magazine in1912, it became an oversize slick before 1920 (perhaps in 1915 - 1916).

Publication History:February 1895 – March 1903, as Metropolitan MagazineApril 1903 – August 1903, as The New MetropolitanSeptember 1903 – October 1913, as Metropolitan Magazine

November 1913 – December 1922, as MetropolitanJanuary 1923 – June 1924, as Metropolitan With The Girl Of To-dayJuly 1924 – September 1924, as Metropolitan MagazineOctober 1924 – August 1925, as Macfadden Fiction-Lover's Magazine

Publishers:?: John Brisben Walker Oct-1924 – Aug-1925: Bernarr Macfadden

Editors:?: John Brisben Walker 1904 – ?: John Kendrick BangsOctober 1924 – August 1925: F. Orlin Tremaine

Formats:February 1895 – September 1911: standard, illustrated, often with posed photographs

November 1911 – February 1922: 11" x 14"February 1922 – August 1925: 9.5" x 11"

Frequency: Monthly.

About The Cover Artist:Penrhyn Stanlaws was born March 19, 1877 in Dundee Scotland as Stanley Adamson. When he

became an illustrator, he changed his name to avoid confusion with the name of his older brother, painter and illustrator, Sydney Adamson.

Stanlaws' art could be found on numerous magazine covers throughout the 1910's and 20's,including the Saturday Evening Post, The American Magazine, Collier's, Life, Judge, TheMetropolitan Magazine and Hearst's International.

He was best known for his magazine cover-art depicting beautiful women. His "Stanlaws Girl"rivaled the "Gibson Girl" and was modeled on silent star Anna Q. Nilsson. In 1915, tragic earlysilent film star Olive Thomas was another of Stanlaws' subjects in the famed nude "BetweenPoses". Other early stars who posed for him included Mabel Normand and Florence La Badie.Stanlaws would actually move to California to direct a few films himself in the early 1920's.

Prior to that though, while still in New York, Stanlaws organized a syndicate to build the Hoteldes Artistes which still stands on 1 West 67th Street. Built as a co-op, but with rental units as

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exiled Stygian prophet Horaspes. He is likely to need it soon, as his queen Nitokar has been poisoning him. The thieves hope to plunder the new tomb and the ancient catacombs underlyingthem. Conan investigates the catacombs between flings with Zafriti and Abaddrah's princessAfrit and a spell in captivity during which he must battle an antagonist armed with snakes.

The situation escalates when the villainous Horaspes unleashes his true scheme, and an army ofthe undead attacks Abaddrah. After much mayhem, Conan comes out of it all with the jewel hesought in the first place.

Reviewer Ryan Harvey considered the novel "the best Leonard Carpenter entry in the series I'veyet read," writing that "it starts weakly and episodically, but slaps together a busy and excitingconclusion." He felt it "heads into Indiana Jones territory, and is basically an Egyptiantomb-robbing adventure in a fantasy setting." Despite "the derivative tomb-robbing plot [i]t hasa touch more horror to it than other pastiches, and I always appreciate a pastiche writer willingto dig down into the more horrific side of the Weird Tales legacy."

From the back cover:In the ancient land of Shem, Conan joins with tomb-robbers to loot the untold wealth piled upin the huge royal mausoleum, yet so simple a decision enmeshes the mighty Cimmerian inintrigues and danger on every side.

Nitokar, devious queen of Shem. Zafriti, sultry Stygian dancer. Afrit, beautiful young princessand rebel. Each wants Conan—as a man, and as a tool to carry out her designs. Sentenced toslave at building the greatest tomb Shem has ever seen,condemned to death in the Court Games,Conan finds himself confronting the evil plans of the Necromancer Horaspes, who would rulekingdoms beyond life. To survive, Conan of Cimmeria must conquer the Armies of the Dead; tofail means the death of the world.

Plus a Special Bonus! CONAN THE INDESTRUCTIBLE —a history of Conan and his times by L. Sprague de Camp."

About The Author:Leonard Paul Carpenter (born 1948) is an American writer of fantasy and science fiction.

Among Carpenter's works are eleven Conan novels published by Tor Books. He has also writtenthe science fiction novel Fatal Strain later re-titled Biohacker, the historical fiction novelLusitania Lost, and a number of short stories, articles and poems.

Carpenter's work has been published in the magazines Amazing Stories, Asimov's ScienceFiction, Eldrich Tales, and 2AM, as well as the anthologies Dark Lessons (1985), L. RonHubbard Presents Writers Of The Future Volume I (1985), The Year's Best Horror Stories XIV(1986), Horrorstory Volume 5 (1989), The Year's Best Horror Stories: XVII (1989), ShortSharp Shocks (1990), The Cthulhu Cycle (1996), Serve It Forth — Cooking With AnneMcCaffrey (1996), L. Ron Hubbard Presents Writers Of The Future Volume XV (1999), and L.Ron Hubbard Presents The Best Of Writers Of The Future (2000).

Carpenter has been the recipient of the Writers of the Future award and the Origins Award forBest Game Related Fiction.

Selected Bibliography:

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Conan Novels:Conan The Renegade (1986)Conan The Raider (1986)Conan The Warlord (1988)Conan The Hero (1989)Conan The Great (1989)Conan The Outcast (1991)Conan The Savage (1992)Conan Of The Red Brotherhood (1993)Conan, Scourge Of The Bloody Coast (1994)Conan The Gladiator (1995)Conan, Lord Of The Black River (1996)

Other:Fatal Strain (2003 - electronic publication only)Biohacker (2011) (Re-issue of Fatal Strain)Lusitania Lost (2011)

ooooooooooooooooooooooooooooooooo

Here's a webfind (not on Carlo's List) of the 1984 book The Faces Of Science Fiction by PattiPerret in EPUB and MOBI formats.

In 1984, photoessayist Patti Perret and (the now vanished) Bluejay Press released a collection of photographs of eighty-two of the best-known science fiction authors of the day entitled TheFaces Of Science Fiction which was published simultaneously in both hardcover and trade

paperback formats (the hardcover had a much smaller print run). Each author contributed a personal statement to accompany their photograph. In those pre-Internet days, the book offeredmany science fiction fans the first opportunity to actually see what their favorite authors lookedlike. Both the hardcover and softcover versions of the book sold out quickly. The book becamean instant collector's item and was used for autographs at science fiction conventions. Acompanion volume, The Faces Of Fantasy, was published by Tor in 1996.

Sadly, this EPUB version of the book is poorly formatted and doesn't do justice to the book.

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The book was originally published in an oblong format with most of the photographs filling anentire page. In this EPUB, the photographs of the authors, which are the main attraction of the

book, are for the most part turned on their side (!!). In a mobile device such as an eBook readeror tablet, I suppose you could turn the device to view the photographs properly but trying toview them on a computer monitor is a royal pain. This is a book that someday really deserves a

proper scan.

Thanks/blame should go to the original scanner.

The Usual Disclaimer: This EPUB is not my work, so I can't vouch for the proofreading. If thereshould be errors in spelling, punctuation, or any other anomalies, I apologize, but please do not

blame me!


It's an EPUB (and MOBI) file contained in one .zip file. After downloading the .zip file, simplyunzip it and extract the EPUB or MOBI files.

The Faces Of Science Fiction. By Patti Perret (Blue Jay Books, 1984) {EPUB, MOBI} (7.83MB)https://mega.nz/#!9lkmUA4A!4eUjmLvBJgPEXFP1svvqIgUteXx5lTbYAX84m3QTlkM

pppppppppppppppppppppppppppppppppppppppppp

It's a complete cover-to-cover Internet Archive/Open Library scan in .pdf format of the 1986Ballantine Books / Del Rey Books paperback original of The Cunningham Equations by G. C.Edmondson and C. M. Kotlan.


As a bonus, I’ve included a “Jerry eBooks” EPUB version of the book found on LibraryGenesis. These “Jerry” EPUBs are usually nicely formatted and proofread, but here’s the usualdisclaimer anyway:

The Usual Disclaimer: This EPUB is not my work, so I can't vouch for the proofreading. If thereshould be errors in spelling, punctuation, or any other anomalies, I apologize, but please do not

blame me!


It's a .pdf file (and an EPUB file) contained in a single .zip file (the .pdf is a searchable .pdf withOCR'd text). After downloading the .zip file, simply unzip it and extract the .pdf and EPUB file.

The Cunningham Equations. By G. C. Edmondson And C. M. Kotlan (Ballantine 33037) (NewYork: Ballantine Books (A Del Rey Book), 1986) (295 pages) (Cover art by Barclay Shaw){PDF + EPUB} (47.6 MB)https://mega.nz/#!UpcwjLjR!W_ORCtNkQQDMZGH54NKH1xztQpb_0qb_wPc5ZZSFI7A

The Cunningham Equations is a science fiction novel by G. C. Edmondson and C. M. Kotlanwhich was originally published in paperback in June 1986 by Ballantine Books / Del Rey Books.

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It was the first volume in The Cunningham Equations trilogy, followed by The Black Magicianin 1986 and Maximum Effort in 1987.

From the front cover:“Thousands wanted greater intelligence, and they got it —but money was the smallest part of the

price.“

From the back cover:“THE PAWN AND THE LIVING DEAD:Blaise Cunningham was a Nobel-Prize winner, the world's foremost expert in artificialintelligence and one of the best computer programmers alive. He was also a falling-down drunkwhose only friends were an intelligent computer, a good woman, a bad scientist, and a frisky

puppy named Dobie.But Cunningham had plenty of enemies, including a couple of would-be dognappers. Theywanted Dobie, and Cunningham didn't know why. He was afraid they'd kill the puppy, and hecouldn't allow that. Even a drunk has to have some principles.It was a while before Cunningham realized that he was just a pawn in a game where science waswarring for men's souls and thousands of lives had already been sacrificed!”

G. C. Edmondson has been writing science-fiction short stories and novels for several decades.He lives in Lakeside, California.

C. M. Kotlan, a resident of O'Brien, Oregon, has been an editor of pulp fiction. TheCunningham Equations is their second collaboration."

About The Authors:G. C. Edmondson was the working name of science fiction author Garry Edmonson (full name"José Mario Garry Ordoñez Edmondson y Cotton") (October 11, 1922 in Washington state –December 14, 1995 in San Diego, California). According to the obituary published in LocusMagazine, Edmondson was born in Rachauchitlán, Tabasco, Mexico. During World War II heserved as a U. S. Marine.

Although generally called a science fiction writer he also wrote Westerns using the names KellyP. Gast, J. B. Masterson, and Jack Logan. As he could also speak six languages he didtranslating work as well. His science fiction career began during 1955 with a story in themagazine Astounding. He later produced several novels which gained some note for theirinterest in time travel and Latin America. Several writers, including Gardner Dozois, tend toconsider him as a neglected author.

Charles Michael Kotlan (29 March 1940 - 3 December 2009) was a science fiction author whowas born in New Mexico. He co-authored four novels with G. C. Edmondson in the 1980s.

Selected Bibliography: Novels:Chapayeca also published as Blue Face (1972)T.H.E.M (1974)The Aluminum Man (1975)The Man Who Corrupted Earth (1980)

The Ship That Sailed The Time Stream Series:

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1. The Ship That Sailed the Time Stream (1965) Nebula Award nominee for Best Novel2. To Sail The Century Sea (1981)

Novels written with C. M. Kotlan:The Takeover (1984)

The Cunningham Equations Trilogy:1. The Cunningham Equations (1986)2. The Black Magician (1986)3. Maximum Effort (1987)

Novel written under the pseudonym "John Cleve" (with Andrew J. Offutt):Spaceways #12: Star Slaver (1983)

Collections:Stranger Than You Think (1965)

Enjoy!

Your comments and feedback are always welcome.

Mike R __._,_.___ Posted by: Mike Russell <[email protected]>Reply via web post • Reply to sender • Reply to group • Start a New Topic • Messages in thistopic (1)

Have you tried the highest rated email app?With 4.5 stars in iTunes, the Yahoo Mail app is the highest rated email app on the market. Whatare you waiting for? The Yahoo Mail app is fast, beautiful and intuitive. Try it today!FREE USE NOTICE: This group shares classic bo000000000000000000000000000000It's a complete cover-to-cover Internet Archive/Open Library scan in .pdf format of the 1960Doubleday & Company hardcover First Edition of A Decade Of Fantasy And Science Fiction,edited by Robert P. Mills.




A Decade Of Fantasy And Science Fiction. Selected By Robert P. Mills (Garden City, NY:Doubleday & Company, Inc., 1960) (406 pages) (Dust jacket design by Mel Hunter) {PDF}(51.2 MB)https://mega.nz/#!RwUDRJSZ!HCSVvvuH3NZUksNEaKpCn54tcaz4MDupgq1LCWLH9ns

A Decade Of Fantasy And Science Fiction is an anthology of twenty-five short stories, selectedfrom the pages of The Magazine Of Fantasy And Science Fiction. It was originally published in

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hardcover in 1960 by Doubleday & Company. In March 1961, it was reprinted in hardcover bythe Science Fiction Book Club. It was published in paperback by Dell in January 1962.

From the dust jacket:"The first issue of The Magazine Of Fantasy And Science Fiction appeared in 1949 and theannual collection of the best from that magazine quicklyestablished itself as the finest in the world. For its tenth anniversary, the distinguishededitor-in-chief of Fantasy And Science Fiction, Robert P. Mills, has chosen twenty-five of the

best stories from the last ten years—none of which has appeared in the previous nine annuals.

The stories range from the wryly humorous to the deadly serious, from the purely ingenious tothe downright sinister. Included in the list of topnotchauthors are: Graham Greene, John Masefield, Anthony Boucher, Poul Anderson, Howard Fast,Isaac Asimov, Theodore Sturgeon, Ogden Nash, Alfred Bester, and Oliver La Farge. A DecadeOf Fantasy And Science Fiction is a superb collection of stories, all told by masters of their craft."

CONTENTS:A Decade Of Fantasy And Science Fiction ed. Robert P. Mills (Doubleday, 1960, $4.50, 406pp,hc)Introduction · Robert P. Mills · inThe Martian Shop · Howard Fast · ss F&SF November 1959Walk Like A Mountain [Silver John] · Manly Wade Wellman · ss F&SF June 1955Men Of Iron · Guy Endore · ss 1940; F&SF Fall 1949Rabbits To The Moon · Raymond E. Banks · ss F&SF July 1959The Certificate · Avram Davidson · ss F&SF March 1959The Sealman · John Masefield · ss The Manchester Guardian April 12 1907; F&SF July 1955The Sky People · Poul Anderson · nv F&SF March 1959The Causes · Idris Seabright · ss F&SF June 1952The Hypnoglyph · John Anthony · ss F&SF July 1953A Tale Of The Thirteenth Floor · Ogden Nash · pm F&SF July 1955Spud And Cochise · Oliver La Farge · nv A Pause In The Desert 1935; F&SF December 1957Unto The Fourth Generation · Isaac Asimov · ss F&SF April 1959Jordan [People] · Zenna Henderson · nv F&SF March 1959Will You Wait? · Alfred Bester · ss F&SF March 1959Proof Positive · Graham Greene · ss Harper’s October 1947; F&SF August 1952Shock Treatment · J. Francis McComas · nv 9 Tales of Space and Time, ed. Raymond J. Healey,Holt 1954; F&SF April 1956Gandolphus [Fergus O’Breen] · Anthony Boucher · ss F&SF December 1956; revised fromOther Worlds June 1952.The Last Shall Be First · Robert P. Mills · vi F&SF August 1958A Trick Or Two · John Novotny · ss F&SF July 1957Lot’s Daughter [David Jimmon] · Ward Moore · nv F&SF October 1954Saturnia Celia · Horace Walpole · vi The Letters Of Horace Walpole 1903; F&SF April 1957Fear Is A Business · Theodore Sturgeon · ss F&SF August 1956Meeting Of Relations · John Collier · vi The Yale Review December 1941; F&SF January 1959First Lesson · Mildred Clingerman · ss Collier’s June 22 1956; F&SF December 1956To Fell A Tree · Robert F. Young · nv F&SF July 1959

About The Editor:Robert Park Mills (1920-1986) was an American crime- and science fiction magazine editor and

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literary agent.

Mills was the managing editor of Ellery Queen's Mystery Magazine beginning in 1948 and TheMagazine Of Fantasy And Science Fiction from its inception in 1949; he took over as editorupon the resignation of Anthony Boucher in 1958; while EQMM was sold by publishersMercury Press in 1958 to B. G. Davis, Mills briefly remained on staff there during the transitionand continued to edit Mercury Mystery Book-Magazine till its folding. From 1957-1958, he alsoserved as editor of Venture Science Fiction Magazine. Under Mills, F&SF won three HugoAwards for best magazine (in 1959, 1960 and 1963). He also edited several "Best of" volumes

based on the contents of F&SF among other anthologies. He was succeeded as editor by AvramDavidson in 1962.

Enjoy!0000000Here's an Internet Archive/Open Library find (not on Carlo's List).

It's a complete cover-to-cover Internet Archive/Open Library scan in .pdf format of the 1973Ballantine Books paperback edition of The People Of The Mist by H. Rider Haggard.




The People Of The Mist. By H. Rider Haggard. Introduction By Lin Carter (Ballantine 23680)(New York: Ballantine Books, 1973) (xii, 365 pages) (Wraparound cover art by Dean Ellis){PDF} (71.1 MB)https://mega.nz/#!QhlVRJRD!gEHAZWO9iOGMtTJhBT0wIConoKiPDme7h653E-L0qB4

The People Of The Mist is a classic lost race fantasy novel written by H. Rider Haggard. It wasfirst published serially in the weekly magazine Tit-Bits, between December 1893 and August1894; the first edition in book form was published in hardcover in London by Longmans inOctober, 1894.

The work's importance was recognized in December, 1973, by its revival by Ballantine Books asthe sixty-third paperback volume of the celebrated Ballantine Adult Fantasy series.

The People Of The Mist is the tale of a British adventurer seeking wealth in the wilds of Africa,finding romance, and discovering a lost race and its monstrous god.

The penniless Leonard Outram attempts to redress the undeserved loss of his family estates andhis fiancee by seeking his fortune in Africa. In the course of his adventures, he and his Zulucompanion Otter save a young Portuguese woman, Juanna Rodd, together with her nursemaidSoa, from slavery. Leonard and Juanna are plainly attracted to each other, but prone to

bickering, and their romance is impeded by the watchful and jealous Soa. The protagonists seekthe legendary People of the Mist, said to possess a fabulous hoard of jewels. On finding them,they immediately become embroiled in the turbulent political affairs of the lost race, which isriven by a power-struggle between its king and the priests of its giant crocodile god. The heroicOutram can do little more than react to events. The action climaxes in a hair-raising escape by

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tobogganning a large flat stone down a steep glacier.

"Per ardua ad astra", the motto of the Royal Air Force and other Commonwealth air forces, firstadopted a generation after publication, has been attributed to a passage from the book: "To hisright were two stately gates of iron fantastically wrought, supported by stone pillars on whosesummit stood griffins of black marble embracing coats of arms and banners inscribed with thedevice 'Per Ardua ad Astra'.

About The Author:Sir Henry Rider Haggard, KBE (22 June 1856 – 14 May 1925) — known as H. Rider Haggard

— was an English writer of adventure novels set in exotic locations, predominantly Africa, and a pioneer of the Lost World literary genre. He was also involved in agricultural reform throughoutthe British Empire. His stories, situated at the lighter end of Victorian literature, continue to be

popular and influential.

About The Ballantine Adult Fantasy Series:The Ballantine Adult Fantasy series was an imprint of Ballantine Books which has beenconsidered a high-water mark in fantasy publishing. Launched in 1969 (presumably in responseto the growing popularity of Tolkien's works), the series reissued a number of works of fantasyliterature which were out of print or dispersed in back issues of pulp magazines (or otherwisenot easily available in the United States), in cheap paperback form—including works by authorssuch as James Branch Cabell, Lord Dunsany, Ernest Bramah, Hope Mirrlees, and WilliamMorris. Sixty-five volumes had been published by the time the series concluded in 1974.

Envisioned by the husband-and-wife team of Ian and Betty Ballantine, and edited by Lin Carter,it featured cover art by illustrators such as Gervasio Gallardo, Robert LoGrippo, David McCallJohnston, and Bob Pepper. The agreement signed between the Ballantines and Carter on

November 22, 1968 launched the project. In addition to the reprints comprising the bulk of theseries, some new fantasy works were published as well as a number of original collections andanthologies put together by Carter, and Imaginary Worlds, his general history of the modernfantasy genre.

The series was never considered a money-maker for Ballantine, although the re-issue of severalof its titles both before and after the series' demise shows that a number of individual workswere considered successful. The Ballantines supported the series as long as they remained the

publishers of Ballantine Books, but with their sale of the company to Random House in 1973support from the top was no longer forthcoming, and in 1974, with the end of the Ballantines'involvement in the company they had founded, the series was terminated.

The Ballantine Adult Fantasy Series proper, May 1969 to April 1974:This is a checklist of volumes published as part of the series, based on a listing by Lin Carter inImaginary Worlds: The Art Of Fantasy with the addition of books new to Ballantine publishedunder the Unicorn's Head colophon thereafter. Inexplicably, Carter's study Lovecraft: A LookBehind The "Cthulhu Mythos" (1972) is never listed in the series, though published byBallantine. (It is inserted in the below listing where it would naturally fall.)

1. The Blue Star - Fletcher Pratt (May 1969) (#01602)2. The King Of Elfland's Daughter - Lord Dunsany (June 1969) (#01628)3. The Wood Beyond The World - William Morris (July 1969) (#01652)

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4. The Silver Stallion - James Branch Cabell (August 1969) (#01678)5. Lilith - George MacDonald (September 1969) (#01711)6. Dragons, Elves, And Heroes - Lin Carter, ed. (October 1969) (#01731)7. The Young Magicians - Lin Carter, ed. (October 1969) (#01730)8. Figures Of Earth - James Branch Cabell (November 1969) (#01763)9. The Sorcerer's Ship - Hannes Bok (December 1969) (#01795)10. Land Of Unreason - Fletcher Pratt and L. Sprague de Camp (January 1970) (#01814)11. The High Place - James Branch Cabell (February 1970) (#01855-9)12. Lud-in-the-Mist - Hope Mirrlees (March 1970) (#01880-X)13. At The Edge Of The World - Lord Dunsany (March 1970) (#01879-6)14. Phantastes - George MacDonald (April 1970) (#01902-4)15. The Dream-Quest Of Unknown Kadath - H. P. Lovecraft (May 1970) (#01923-7)16. Zothique - Clark Ashton Smith (June 1970) (#01938-5)17. The Shaving Of Shagpat - George Meredith (July 1970) (#01958-X)18. The Island Of The Mighty - Evangeline Walton (July 1970) (#01959-8)19. Deryni Rising - Katherine Kurtz (August 1970) (#01981-4)20. The Well At The World's End, Vol. 1 - William Morris (August 1970) (#01982-2)21. The Well At The World's End, Vol. 2 - William Morris (September 1970) (#02015-4)22. Golden Cities, Far - Lin Carter, ed. (October 1970) (#02045-6)23. Beyond The Golden Stair - Hannes Bok (November 1970) (#02093-6)24. The Broken Sword - Poul Anderson (January 1971) (#02107-X)25. The Boats Of The "Glen Carrig" - William Hope Hodgson (February 1971) (#02145-2)26. The Doom That Came To Sarnath And Other Stories - H. P. Lovecraft (February 1971)(#02146)27. Something About Eve - James Branch Cabell (March 1971) (#02067-7)28. Red Moon And Black Mountain - Joy Chant (March 1971) (#02178-9)29. Hyperborea - Clark Ashton Smith (April 1971) (#02206-8)30. Don Rodriguez: Chronicles Of Shadow Valley - Lord Dunsany (May 1971) (#02244-0)31. Vathek - William Beckford (June 1971) (#02279-3)32. The Man Who Was Thursday - G. K. Chesterton (July 1971) (#02305-6)33. The Children Of Llyr - Evangeline Walton (August 1971) (#02332-3)34. The Cream Of The Jest - James Branch Cabell (September 1971) (#02364-1)35. New Worlds For Old - Lin Carter, ed. (September 1971) (#02365-X)36. The Spawn Of Cthulhu - Lin Carter, ed. (October 1971) (#02394-3)37. Double Phoenix - Edmund Cooper and Roger Lancelyn Green (November 1971) (#02420-6)38. The Water Of The Wondrous Isles - William Morris (November 1971) (#02421-4)39. Khaled - F. Marion Crawford (December 1971) (#02446-X)40. The World's Desire - H. Rider Haggard and Andrew Lang (January 1972) (#02467-2)[Lovecraft: A Look Behind The "Cthulhu Mythos", Lin Carter (February 1972) (#02427-3)]41. Xiccarph - Clark Ashton Smith (February 1972) (#02501-6)42. The Lost Continent - C. J. Cutcliffe Hyne (February 1972) (#02502-4)43. Discoveries In Fantasy - Lin Carter, ed. (March 1972) (#02546-6)44. Domnei: A Comedy Of Woman-Worship - James Branch Cabell (March 1972) (#02545-8)45. Kai Lung's Golden Hours - Ernest Bramah (April 1972) (#02574-1)46. Deryni Checkmate - Katherine Kurtz (May 1972) (#02598-9)47. Beyond The Fields We Know - Lord Dunsany (May 1972) (#02599-7)48. The Three Impostors - Arthur Machen (June 1972) (#02643-8)49. The Night Land, Vol. 1 - William Hope Hodgson (July 1972) (#02669-1)50. The Night Land, Vol. 2 - William Hope Hodgson (July 1972) (#02670-5)51. The Song Of Rhiannon - Evangeline Walton (August 1972) (#02773-6)

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52. Great Short Novels Of Adult Fantasy I - Lin Carter, ed. (September 1972) (#02789-2)53. Evenor - George MacDonald (November 1972) (#02874)54. Orlando Furioso: The Ring Of Angelica, Volume 1 - Ludovico Ariosto, translated byRichard Hodgens (January 1973) (#03057-5)55. The Charwoman's Shadow - Lord Dunsany (February 1973) (#03085-0)56. Great Short Novels Of Adult Fantasy Volume II - Lin Carter, ed. (March 1973) (#03162-8)57. The Sundering Flood, William Morris (May 1973) (#03261-6)58. Imaginary Worlds: The Art Of Fantasy - Lin Carter (June 1973) (#03309-4)59. Poseidonis - Clark Ashton Smith (July 1973) (#03353-1)60. Excalibur - Sanders Anne Laubenthal (August 1973) (#23416-2)61. High Deryni - Katherine Kurtz (September 1973) (#23485-5)62. Hrolf Kraki's Saga - Poul Anderson (October 1973) (#23562-2)63. The People Of the Mist - H. Rider Haggard (December 1973) (#23660-2)64. Kai Lung Unrolls His Mat - Ernest Bramah (February 1974) (#023787-0)65. Over The Hills And Far Away - Lord Dunsany (April 1974) (#023886-9)

Enjoy!

Your comments and feedback are always welcome.

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