Reviewfacultyweb.kennesaw.edu/dcolebec/studyguides/test3...Medici family Early Renaissance •...

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Review Test 3: Renaissance

Transcript of Reviewfacultyweb.kennesaw.edu/dcolebec/studyguides/test3...Medici family Early Renaissance •...

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Review

Test 3:Renaissance

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Renaissance

• “Rebirth”• 1400 – 1530’s• Rediscovery of Classical (Greek and

Roman) art• Began in Italy• Realism based on observation• Mathematical application to art

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Renaissance

• Illusion of space and depth (3-D)• One point linear perspective (vanishing

point)• Atmospheric perspective• Aerial perspective• Foreshortening• Use of light and dark• Background detail

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Renaissance

• Patronage:• Church still provided patronage• Ruling families in city-states begin to

patronize artists• The city-state of Florence, Italy served as

a birthplace of Renaissance art

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Early Renaissance

• Sculpture:– Human figures, usually life-size– Nudes of males and females– Commissioned by guilds and private patrons– Bronze, marble, terra-cotta– Major sculptors:

• Ghiberti• Donatello• Verrocchio

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Donatello

• David• C1440s• First unsupported

bronze statue

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Verrocchio

• David• 1473-75• Commissioned by the

Medici family

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Early Renaissance

• Separation of foreground, middle ground, and background

• Other major artists:– Giotto: crossover from Middle Ages– Brunelleschi: mathematical calculations for

perspective– Masacchio: perspective in paintings– Angelico: light and shade to give depth– Mantegna: foreshortening

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High Renaissance

• Shift from Florence to Rome• Focus on artists as geniuses• Focus on individualism• Focus on mankind, here and now• Idea that society civilizes people• Both religious and secular subjects• Chiaroscuro: use of light and dark• Realistic detail

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High Renaissance

• Sfumato: blurry, soft effect– da Vinci’s Mona Lisa

• Major artists:– Leonardo da Vinci– Michelangelo– Raphael– Titian

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Leonardo da Vinci

• Mona Lisa• 1503-5• Use of sfumato

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Leonardo da Vinci

• The Last Supper• 1495-8

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Michelangelo

• David• 1501-4

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Michelangelo

• Ceiling of the Sistine Chapel

• 1508-12

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Michelangelo

• La Pietà• 1498-9

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Mannerism

• Reaction to harmony of Renaissance• Virtuosity of artist held great importance• Intellectualism• Elitism• Emotional coldness• Distortion of space (seems too shallow)• Figures distorted/elongated• Multiple focal points that contradict each

other

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Mannerism

• Grotesque proportions• Rising spiral/swirling line• Major artists:

– Parmigianino: The Madonna of the Long Neck– Titian: full-length portraits– Tintoretto: light– El Greco: eclectic, elongated