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GZBs&Ema 9fHA|5<D*ns HMai-Gmu' {Flitting Raiment) A Mechanical Orizuru Folder PBSffift' 10 Shu"suke mumm» ISISlO’tZ Shizuoka Cicada nn-b* Robert J. Lang SM0f/ft>kSEi(ll Crease Pattern Challenge SlU 600r Ea Mask of Ape Kasumi Seishi T'C/MIS Event Information Origami Exhibition in Kitakamu Iwate-Ken ilKflfbHyThematic Series with Diagrams PtoSb'3.=.yb-Vjm Jllfcl^fSbS Thu Stories oi Mol tow Units ; Kawamura Miyuki : *>s<*5E Origami Odds and Ends : Yamaguchi Makoto mttnmwmm m kf Takagi Satoshi's the Origami Reference Room : Takaghi Satoshi >13 84
Transcript of archive.org maga… · GZBs&Ema . 9fHA|5
GZBs&Ema 9fHA|5<D*ns HMai-Gmu' {Flitting Raiment)
A Mechanical Orizuru Folder
PBSffift' 10 Shu"suke
mumm» ISISlO’tZ Shizuoka Cicada
nn-b* Robert J. Lang
SM0f/ft>kSEi(ll Crease Pattern Challenge
SlU 600r
Ea Mask of Ape Kasumi Seishi
■T'C/MIS Event Information
Origami Exhibition in Kitakamu Iwate-Ken
ilKflfbHyThematic Series with Diagrams
PtoSb'3.=.yb-Vjm ■ Jllfcl^fSbS Thu Stories o i Mol tow Units ; Kawamura Miyuki
: *>s<*5E Origami Odds and Ends : Yamaguchi Makoto
mttnmwmm ■ m kf Takagi Satoshi's the Origami Reference Room : Takaghi Satoshi
>13 84
j= (joas) <?m& The Purpose of Japan Origami Academic Society
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Chapter 1: Name and Purpose
Article 1: Name 1. This society is to be called Nihon Origami Gakkai in Japanese.
2. This society is to be called Japan Origami Academic Society in English.
3. The abbreviated name of this society is JOAS,
Article 2: Purpose
1. The purpose of JOAS is to promote studies of origami, diffusion of origami, and both
domestic and international association of all origami-lovers.
2. The studies of origami mentioned above includes designing, designing techniques, criticism, mathematical studies, educational studies, history, bibliography, studies on the preferential right, studies of industrial and commercial design, and so on.
3 The diffusion of origami mentioned above includes widening appreciation of origami, expansion of the community of origami-lovers, scouting and rearing the origami talent, and
SYMBOLS FOR FOLDING
Line indicating valley fold
aitff u as
Line indicating mountain fold
Fold paper forwards
Fold paper backwards
mm®* olts
Making a crease line
s&t sisar Turn paper over Pull out
Rotation
<45 A magnified view tZ6
A hidden line
Wt, ffLo.i<t Push paper in
l&i! (£±)
3s (£T)
-ft: n (p.32) Smoking Can Kill You! (Upper right) Mask of Ape (Lower left) by Kasumi Seishi (P.32)
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(8¥BJ: ±(iSSSfe) Comments : Hojyo Takashi .
■ ■ ■
M A G A Z
TAMIL IDAN
□ □□□□□□□
No.
StDE/T hematic Series with Diagrams
R 4 jii#*i*3r The Stories of Mellow Units
Try This Unit On!
Kawamura Miyuki
RB *?*<'**
Origami Odds and Ends
ti'hjfchJiyC? Simple Bags
Yamaguchi Makoto
RM»/Articles
»« RIMSKO©*omz* %mm* Let's Enjoy Math through Qrigamics Ha^a Kazuo
r^uu \zwftmzmr® I can divide a given rectangular sheet of paper into equal length parts of an optional prime number vertically and horizontally with my empty hands. Part 2,
OU—XT7 lose-up
m }jfti*'S<t)*iS3& Mal-Ginu1 (Flitting Raiment)
- A Mechanical Orizuru Folder
Ito Shunsuke
p-'» it* wcommnmm m* & Takagi Satoshis the Origami Reference Room Takag] satoshi
mtQd* -*rtH©*iWfcr2tt«s riftflODfcJ £ r?Eo>^J - Kusabana-Tsutsumi1 (Flowers Wrappers)
Yoshitora's Pictures of a Woman in Long-Sleeved Kimono and a Flowers Wrapper
WfDESi^Diagrams and Crease Patterns
“ ISKUD-tzS Sizuoka Cicada
□ A- h * J • Robert J. Lang
“ SRflBWfDlctlBtt! Crease Pattern Challenge!
5s Mask of Ape
a u Kasumi Seishi
/Color
Origami Photo Gallery
Witt • #{$££ Comment si; Hojyo Takas hi
R18 buJii m Origami Sampo Indeed
fffJg HAITI* Orisue Hiyori Geta
Maekawa Jun
P.33 '<-n-7*)b'sr-G>ma Paper Folders on File krfc -r •« # Th :»*<-** r^r'-L/ Thok! Yenn Vomaguchl Makoto
I □-^/Columns
P.7 m s Another Origami Beginner's Struggles and Agonies Tachibana Motoi
P.10 J/fD$EfflH52 Origami and Jts Neighbors Fuse Tomoko
P.31 parse tl
Orisuzi ("Fold-Creases”) Aba Hisashi
tB¥B/lnformation
P.34 1mmst i 5i«Hse JOAS 2003 (the 14th year) Report and Projects for 2004
P-3B D Rabbit Ear
HOI Information about 10th Origami Tanteidan Conention
Origami Exhibition in Kitakami, Iwale-Ken
Kawarmira Miyuki
% 6 §g v h Try This Unit On!
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-zm^/vrziikit, e A 1 SI-em^iETiC^Dj ! If folded with a large sheet of paper, each module can be used as a hat. So, this is a hat which you can try on at a party and assemble afterwards. Enjoy!
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© '> L It IfT Sf* W ITr 5 , The model becomes 3-D.
Top view.
Side view. Do the same on the opposite side.
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6 type i units
'l\ick the flaps inside. Do the same on the reverse side ®
Inside reverse fold.
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Flap r j w_ ? \\Flap
* "A J Side view. ^
Flap
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The PARTY HAT Type 1 unit
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The module has no pocket. You need six for assembly.
/Assembly
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aSLTTSH., The structure of the assembly is the same as the assembly of the planes of a cube.
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The model becomes 3-D. O
party hat 6 type 2 units
Side view
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The PARTY HAT Type 2 unit
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ftciilfcwi;. Side view. Do the same on the opposite side.
6
No photo
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The PARTY HAT Type 5 unit
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fettfewi;. Squash the pocket. Do the same on the left side.
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Side view. Do the same on the opposite side.
CD Do the same on the
The model becomes 3-D.
Enjoy your arrangement!
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Another Origami Beginner s Struggles and Agonies
SB5S mww/v-xi Simple but Impressive Animals
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A Mechanical Orizuru Folder Mai-Ginu' (Flitting Raiment)
A Mechanical Orizuru Folder
110 Shunsuke
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13
Let's Enjoy Math through Origamics Haga Kazuo
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^ WA & xmmkw a tzrr s r & m «* j t r a a ■■? - The Significance of "Noctilucent Gems" and "Choji-Ya Hina Dzurup
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Memorial of a novelist Nagai Kafu in Johkanji temple (Minami-Senju Arakawa- ku Tokyo)
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T here was a novelist Nagai 1 Kafu (1879-1959) who was
stubborn, remained aloof from others, hated violent moderniza¬ tion, loathed militarism, and loved old Japan. Recently, I found his memorial that was shaped like TATOU (a kind of origami pack¬ age). He walked around Tokyo and Chiba, and saw phantoms of pre-modern towns. I described this article in traditional Japanese style as a dedication to him.
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mm■ Msg® _ Comments : Hojyo Takashi PHOTO GALLERY
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*.mrcz2tmz \m\mta\ (M ■ b SR6*(1859KBTirpj/B* S:R(P.16) Utagawa Yoshitora's "Furisode-no Onna (Provisional; Woman in Long-Sleeved Kimono)" from the Takagi Satoshi's Personal Archives (P.16)
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Shizuoka Cicada
Designed by Robert J. bang Copyright ©2004. All Rights Re served.
□A—h ■ j -
Translated by Tateishi Koichi/SIR ’ il-HltS—
I have a\ways loved die cicada insect. One of my fond
memories of growing up in Georgia was collecting the
cicada shells from the trees around our house, (We don't
have them where I live in California.) The cicada was also
a model I attempted to fold in origami from a very young
age, but perhaps because f like die subject so much* 1 urn
very critical of each one 1 fold* I have designed several;
each time coming closer, I hope, to capturing the essenceof
the subject-
This newest one is titled "Shizuoka Cicada, opus 445T I
named it"Shizucka Cicada" because I was inspired to fold
ii from examining the cicadas on the trees when we visited
Shizuoka during the excursion after the Tanteidan convention*
Opus 445 means it’s my 445th diagrammed design.
One of the challenges in doing the the same subject multiple
limes is that the structure of each design must be quite
different if I want the model to look different. In some of
my previous designs, J attempted to emphasize the eyes,
but after looking at the real insects in Shizuoka, I realized
that 1 didn't have the proportions of the body right in my
previous work, and all ihc effort on the eyes was wasted* I
also realized that the body of a cicada is qui te solid and 1
felt that my previous designs did not convey that solidity.
While 1 have done insects that are round on the tops of
their bodies. J wanted to make a cicada that was round on
the underside as well, to give it a more solid body. So 1
developed this design in which the layers Lhai carry the
legs wrap around from top to bottom, giving a cross section
that is round on hii1h top and bo11oin.
Another difference from my previous cicadas is that ibis
model is not made from a uniaxial base, I have described
the theory of uniaxial bases in nty book. Origami Design
Secrets. (Of course, readers of Origami Duneidan Magazine
are familiar with many of the concepts of uniaxial bases
biu with different names, because several Japanese folders
discovered die same concepts and have described them
over the years,) While I continue to work on the models
and theory of uniaxial bases, 1 am most interested in my
designing in moving away from purely uniaxial bases and
instead constructing hybrids of uniaxial bases combined
with other techniques.
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s/iras^ Comments in Memory ofThoki Yenn (Origami
Denmark, which exists only in The Clouded Mind ofThoki himself)
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Fuse Tomoko: Thoki liked his pseudonym in Japanese Tokj £>rrToki (=Japanesecrested ibis) Garden)" (he h:d his deep interest in haiku), Thoki not only folded paper but he WEkS also a kiriganii f= cutting paper) and pantomime master J never fofget his act im- pmmptu sviih John Smith, in which a sheet of pa¬ per became birds, waves, penguins, sky, and pro¬ duce tunes. Thoki was a folder but he was be¬ yond that. No one can deny that he was always at the center ot lolders'scircle. Good bye and so long, Thoki-son.
Biddle Megunu:
Thoki's interests are not only in origami, but he was famous ;tnd active in paper animated cartoons and magic, loo. But, he was most interested in watching people, and his critical eyes sometimes surprised triers. 1 lira mcl him 15 years ago at live BOS Convention, His superb kifigami perfor¬ mances "captivated^ me. Since then, we visited each other so often in UK and Denmark and had so many fun times with origami, magic, and kirigami.
Thoki’s famous eccentricity can be exemplified with tf>e fact that he was imprisoned in Germany- occupied Denmark in the WWIJ days as he made satirical cartoons about Hitler.
Recently, Thoki lud been so ill that he quit join¬ ing origami conventions worldwide and running Origami Denmark, He lived his proud life in a home l or the aged, f will never abandon the an of kirigami that he taught me,
Ynniagurhi Mnkiitu:
J once had a chance to be on TV w ith Thoki- san. It was just about w hen the Gulf War broke out. In that program, we had done some origami performances m front of Danish people and the program experimented with how they react to the art of paper folding, l really had fun. as 1 lived in Denmark when I W'as young.
We also folded a huge dinosaur to get her out of a 6.5m x 6.5tn sheet of paper. The fold¬ ing process was like wrestling with paper.
B*tff8£^£(J0AS)
JO AS 2003 (the 14th year) Report and Projects 1 for 2004 1
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1) Membership
The number of subscribers has
decreased a little in our 14th year, as
much as the number of JO AS members.
We are receiving more applications
through internet, but we need to have
at the same place. As this is our IOth
year, the Convention will be “different”.
The conventions in other areas of Japan
(Kansai (Spring) and Shizuoka
(Autumn)) are also to be held as usual.
We hereby thank the local organizers for
their efforts.
2004^6$300 1more subscribers. Our recent media
number. We are almost sending out the
2003^8 n 22 H si
**>*«*#*. *w#sk& Jiitfttflu nmicm, sjii mm, m a&±iiu imm
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III
5th special gifts for the JOAS member,
so please wait a little while.
2) The Yoshino Issei Fund
We appreciate your contribution to
the Yoshino Issei Fund for the year 2003.
In the year 2003, we invited Robert Lang
and Jean Baden-Gillette to the 9th
Origami Tanteidan Convention with the
fund. The year 2004 is the Convention's
10th year, so we are planning inviting
four from abroad (of which one is an
open invitation). As for the travel fund
for our Japanese members, there were
no applications in 2003. We can aid one
or two prospective folders going abroad
for origami studies. Contact the JOAS
secretary for application.
The Yoshino Issei Fund Financial Report 2003
Earnings by Contribution 358,600
Expense (Two Folders Invited) 400,000
Balance 2,536,026
3) The Origami Tanteidan Convention
The 9th Origami Tanteidan Convention (Aug. 22-24, 2003, Toyo
University, Tokyo) had more than 250
registered participants. The 10th
Convention will be held in Aug, 21-23
We are planning to found the Origam
Library (the name provisional) fo;
archiving various documents ot
origami. We already have the place, sc
we are currently discussing the way o:
making the documents open to oui
members. We plan to start running it ir
this year. To do this, we definitely neet
volunteers who take care of the
documents there.
Also, we will start certifying JOAS
Origami Instructors to facilitate the use
of models and diagrams published bj
JOAS, The licensing of Origam
Instructors will start from the coming
Kansai Convention in April, 2004.
5) The General Meeting and the Board
The Fiscal Report for the year 200;
will be done in the JOAS Genera
Meeting immediately before the 10tl
Origami Tanteidan Convention. If yoi
are a registered member for our 15tl
year, you will be notified of the Genera
Meeting.
Approved in the General Meeting ir
Aug. 22,2003, the Board of JOAS now
consists of Okamura Masao, Kawasak
Toshikazu, Kawahata Fumiaki, Kimun
Yoshihisa, Nishikawa Seiji, Hator:
Koshiro, Tateishi Koichi, Hojyc
Takashi, Maekawa Jun, and Yamaguch
Makoto, Feel free to ask them things
about JOAS.
35
10th Origami Tanteidan Convention Update The Yoshino Issei Fund In¬ vited Folders
Tliis year, we will have David Brill, Tom Hull, and EricJoisel, and one more 10 be selected in April. As it is our I Oth Anniversary, we have decided to double the num¬ ber of invited folders, so don't miss it!
Tentative Schedules August 20(Fri.) Place: Inoue Enryo HalLToyo Uni¬ versity Morning: JOAS General Meeting Afternoon: I Symposium "Origami in Japan and Worldwide" Chair: Maekawa Jun Panels: EricJoisel, David Brill. Ok am ura Masao, Deborah Fore¬
man Takano, Higa Yuten. and Mi ura Seisuo interpreters: Tateishi Koichi, Haiori Koshiro Panels discuss origiuni. the art of pa-
per folding, and its cultural significances, 2 A Huge Origami Class by Eric JoLsei (perhaps towards more than 300 audiences!) "The Base for Masks" Enjoy (he professional expertise of a world-famous folder! 3 Lee lures Tom Hull (40 minutes) and a lecture
by a Japanese folder (40 minutes) 4 A Commendation Ceremony for G hosts and Goblins Origami Con¬ tes! (Details in our last issue)
August 21 (Sat) 1 Tanteidan General Meeting
A speech
Speaker
2 Origami ■ This year,
which can hi We are sure models of v 3 Origami -
Talk with i Issues about their paiblei 4 Party!
We will hi versity. No i
a subway.
August 21 \ Origami 2 Auction Various on
be up. Join i
Instruct©:
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A speech by a Yoshino Issei Fund Invited
Speaker
2 Origami Classes This year, we have more than 20 classrooms
which can hold Origami classes at the same time. We are sure that you can enjoy folding origami models of various types and difficulties. 3 Origami Counseling Talk with our origami counselors on various
issues about origami. Anyone is invited to show their problems and share them with others. 4 Party! We will have a party this year IN Toyo Uni¬
versity. No need to walk far down south or take a subway.
August 22 (Sun.) 1 Origami Classes throughout the day 2 Auction Various origami goods and books are about to
be up. Join us, or you miss something.
Instructors Sought For! As this year's convention is bigger in size, we
need more origami class instructors than usual. The model to teach need not be your original,
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so anyone is welcomed. JOAS will help you to clear the copyright issues, if you are to teach a model created by someone else.
"Origami Instructor" to Be Licensed Starting from April, 2004, JOAS will license
the "Origami Instructors", who are skilled at teaching origami models. To become an Origami Instructor, you need to teach a class in one of the three Tanteidan Conventions (Tokyo, Kansai, and Shizuoka), and your class will be screened by a JOAS board member. If you pass the screening process, you are licensed, and you will receive a right to teach some copyrighted models published in our magazines (the list will be given to the awardees), until the end of the Instructors' term.
Volunteers Needed! We need more volunteers than usual, as the
size of the convention will be huge! For those who can handly both Japanese and English flu¬ ently, the interpreter’s job will be best fit. In particular, we seek for an interpreter or two who can do interpreting mathematical concepts used for origami.
Of course, we need voluntary workers in other
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37
aspects of the convention. So, please tell us if you are willing to help us!
Origami Yokai Contest Welcomes Brand-New Models The contestants should submit their origami
models of yokai, a category of monstrous be¬ ings which include goblins, vampires, (perhaps) Frankenstein's monster and Medusa but ex¬ cludes some of ghosts (like Casper), fairies and Godzilla.
Confused? Don't worry. Even Japanese are not sure whether ogres are yokai or not. The submitted models should not be yet publicized in any forms. The models are examined by three groups of people: Mizuki Shigeru, the master of yokai cartoons, who will give the Mizuki Award, Toyo University professors, who will give the Inoue Enryo Award (Inoue Enryo was the founder of Toyo University and he studied yokai), and the JOAS board members, who will give the Tanteidan Award. The awarded mod¬ els and some of the others submitted will be exhibited at the Convention Site. Details will be in the Origami Tanteidan website.
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Hakusan Bunkyo ku 113 0001 Tokyo JAPAN / Cover Photo: “Mask of Ape” “Smoking Can Kill You ! “Produced by
Kasumi Seishi: Photographed by Matsuura Eiko / Publisher: Nishikawa Seiji f Editor in Chiel: Yamaguchi Makolo l
Edilor: Malsuura Eiko, Kamiya Satoshi / Edilortal Design : ORIGAMI HOUSE / Translator: Taletshi Koichl
38
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