Colophon, Contributors, Cordialities, Closure Chance Convergence KeyAuthor(s): Arthur AndersonSource: Art Journal, Vol. 53, No. 3, ... An Issue to "C" (Autumn, 1994), p. 86Published by: College Art AssociationStable URL: http://www.jstor.org/stable/777445 .

Accessed: 15/06/2014 09:21

Your use of the JSTOR archive indicates your acceptance of the Terms & Conditions of Use, available at .http://www.jstor.org/page/info/about/policies/terms.jsp

.JSTOR is a not-for-profit service that helps scholars, researchers, and students discover, use, and build upon a wide range ofcontent in a trusted digital archive. We use information technology and tools to increase productivity and facilitate new formsof scholarship. For more information about JSTOR, please contact support@jstor.org.

.

College Art Association is collaborating with JSTOR to digitize, preserve and extend access to Art Journal.

http://www.jstor.org

This content downloaded from 188.72.126.41 on Sun, 15 Jun 2014 09:21:59 AMAll use subject to JSTOR Terms and Conditions

Colophon, Contributors, I :

This ..... issue to C was desktop published by Phil Simkin in Phila- delphia, Pennsylvania and finalized in Grand Forks, North Dakota in a 1958 Airstream Safari 22' trailer and at NSCAD visiting artist residence, Halifax Nova Scotia. Computer equipment included a Centris 650 with 48 megabytes Ram, its 230 Quantum internal-HD and the editorial loan of a Daystar Digital Image 040 accelerator DSP board with Quad and Charger Control, a Quadra 650 8/230 CD, an external Micropolis #1210 one Gig HD, an external Connor one Gig HD, a Bernoulli 150 Universal removable cartridge drive,a Spirit Syquest 88c and Procom Syquest 88 removable cartridge Drive, PLI[170 external LID, a-Microtek HR flatbed scanner, an Omniscan hand scanner with OCR Direct,an Apple LaserWriter Pro 600 laser printer, HP Deskwriter 550C, Stylewriter II, a Sony 1730 monitor, Apple 12" RGB, NEC 4FG, Spirit NEC-74 CD,a 180 powerbook 14MB and 120 D, Supra internal fax modem, HP-310 deskwriter, two Brother 700 fax machines, Federal Express, Express Mail and ATT calling card phones. Software utilized included Pagemaker 5.0a, Word 5.1, Adobe Photoshop 2.5, Fractal Paint 2.0, X-2, Kai Power Tools 2.0, Caere Direct, Adobe typefaces, an assortment of system extentions and applications including Norton's Utilities 2.0 (Disk Dr.!), Central Point Mac Tools 3.0, Extension Mgr., Stacker 1.01, FWB HardDisk Toolkit 1.5.1, and applications as needed including SuperPaint 3.0, Freehand 4.0, Illustrator 5.5, Ofoto 2.0, Aldus Preprint 1.6, Axion serial switch, Super ATM Menu Fonts 4.06 and Mac Draw, Claris Works and so on.

The original four-color lithograph insert (age 65-66) was published by artistLois Johnson. The print was Heidelberg KORS off- set press printed on 17 lb.UV Ultra at The University of the Arts BorowskV Center for Publication Arts in Philadelphia with the inter- continen al collaboration of Master Printer Lori Spencer, in an edition of 14,000. My considerable thanks to all contributors magazine per- sonnel and particularly anyone I coerced in the past four years, col- laborator or not, with mv .....an issue to "C" cajoling to climb on board. Perhaps the concept behind this printed ex ression is destined to be continued.. .at issue to see too? Clearly, a criticalcommunicationjunc- ture yet to come! Contributors:

c Arthur Ataereon,

a SQSso.artist, spetds most pof his time i the studio on pastel landscapes. His interest in the graphic computer leads

to entirely different ideas and images.

c Warren Anle is a site sculptop and ins allation artist who works

with environmen al issues. His collaborator Jnet K fpan is professor of art history and chair of Liberal Arts at Moore College of Art and Design in Philadelphia.

S Penny Balkin lach is an artist writer, tnd

cultural tleorisb who has lived in Greece off and on since 0o70. nerbook Pubdlic Art in j thda- delphia was published by Temple University Press in 1992.

c Neil Benson is a freelance photojournalist, artist of Logan, Philadelphia roots and a founding member of Dumpster Divers.

tK~i~Ka~thrynIl•dgn is ,rincipal ipd professofrf history Sir Wilfred Grene ollege, Memorial University ot I ewoundland, and chair of the Minister's Advisory Board on Gender Integration in the Canadian Forces.

c David Cadbury is a Vculaf•or sailor, and construction contracter

consultant who resides in Bar Iarbor, Maine.

c Cynthia Carlson is a painter, professor at Queens College, CUNY, Art Journal Board member and recipient of numerous national and international commissions and residencies.

c John Clauser is Founder of the Yellow Springs Institute. An ar- chitect, writer, and radio producer, his work on has appeared in Drama Review, Leonardo, High Performance, and on National Public Radio.

KEYTO PAGES 16-17 Arthur Anderson, 1994

g Fg~

l\1~

~~~~ 2YN /a ~z N-J i?ct( PiJ 7I 4>

A Chance Convergence of Caravaggios Cohorts with the C6zanne Clan

a. Cz. Woman with Coffee Pot. c.1890 n. Car. Salome. 1606-7 b. Car. Bacchus. c.1597 o. Ottavio Leonl. Drawing of Caravaggio. c. Cbz. Louis Gulllaume. c.1882 p. CLz. Boy in the Red Vest. 1888-90 d. C~z. Mardi-Gras. 1888 q. Car. The Fortune-Teller. c.1594 e. C hz. StillLife with Putto. 1895 r. 06z. TheArtistrsSon,Paul. 1885 f. Car. Victorious Amor. c.1601 s. C6z. Boy in the Red Waistcoat. 1888-90 g. Cbz. Two Cardplayers. 1892-3 t Car. The Little Bacchus. 1593-4 h. Car. Saint John The Baptist c.1605 u. GCz. Mme. Cbzanne in Conservatory. 1891-2 . C6z. Lady in Blue. 1898-9 v. Car. Youth with a Ram. c.1602 j. Car. Alof DeoWignancourt. 1607-8 w Car. Boy Bitten by a Lizard. 1596-7 k. Cbz. Uncle Dominique as a Monk. c.1866 x. Car. Basket of Fruit c.1600 I. Car. Medusa. 1600-1 y. C6z. Still Life with Apples. 1890-4 m. Cz. Self Portrait, c.1880 z. Car. Sleeping Cupid 1607-8

c Connie Coleman and Allan Powell make video and television in Philadelphia. Connie is adiunct associate orofessor at The University of the Arts; Alan is associate professor at Temple University. They re- side in Bucks County, Pennsylvania with their pet, T.V., and several active compost piles.

c julie Courtney founded the temple gallery. She was a Consulting Curator for the institute of Contemporary art and is Currently, Co- director of "prison sentences: the prison as site/the prison as subject."

c Johanna Drucker is a writer and scholar who teaches Contempo- rary Art and Critical Theory at Yale University. Recent publications include Navratology (Druckwerk) and The Visible Word (University of Chicago Press). Her Partner Brad Freeman is a book artist and

rinter at SUNY Purchase, NY. He is editor of the Journal

rofArtists" Books, JAB, and is currently working on his latest book MuseLink.

c John Formicola, a painter concerned with gender differences from an Italian-American point of view, has works in numerous collections and museums. He is a Philadelphia based dealer in 19th and early 20th Century painting trading as Chew & Formicola.

c Marilyn Jahn PhD. is an associate professor of sociology at Gwynedd-Mercy College in suburban Philadelphia. Her interests include innovation in art and science and women's intellectual contributions.

c Gail Jardine, page 75

c Lois M. Johnson, is an artist / printmaker who exhibits her archi- tecturally insoired limited edition prints and books nationally. She is Professor of Printmaking/Book Arts at The University of The Arts, Philadelphia,PA.

c Martha Kearns is a poet, critic and bio rapher. Her works in- clude Kathe KoUwitz: "Woman and Artist" and "'Ply Lifetime Listens to Yours". She is completing "King Christina", a drama.

c John Kosmer is a contributor to commercial and public televi- sion. In addition to his freelance writing and photography, he is a col- umnist and home improvement editor for Victorian lomes magazine.

c Peter Kruty has a letterpress studio in Brooklyn, New York and teaches at The University of the Arts in Philadelphia. c Carolyn Law, page 80

c Tom Levy began makinf documentarv photofraphs in 1967 with

a Language Arts project and Vista in Philadelphia.tIe documents per- forming arts process and contemporary culture and has been photo- graphing PhirSimkin's work since 1974.

c Beauvais Lyons is director of the Hokes Archives and a _rofessor in the Department of Art, University of Tennessee, KnoxvilleTN.

c Marlene MacCallum is a printmaker living in Corner Brook, New- foundland where she is an assistant professor in the Department of Vi- sual Arts at Sir Wilfred Grenfell College, Memorial University of New- foundland.

c Lenore Malen is an artist and writer and executive editor of Art Journal. She teaches in the graduate painting department of Parsons School of Design, New York,`NY.

c Don Matzkin, page 85

c Libby Newman is director of the University City Science Center Esther M. Kline Art Gallery, Philadelphia Pa.

c Pat Oleszko has a large body-(of work)-laboring heavily un- der dis Guise: The World Is A Stooge. Fouling absurdity to its nimits she creates solo performantz, (rather expansive) costumes props and inflatables, films installations and assordid events, ever addressing the polemic, he who laughs, lasts.

c Frederick S. Osborne is a scul tor and dean of the School of the Pennsylvania Academy of the Fine Arts, Philadelphia Pa.

c Tom Porett, a professor and director of Academic Computing at The University of the Arts in Philadelohia, is a Guggenheim Fellow who works with computers creating digital art works.

c Laurel Reuter, page 59

c Bob Rogers, havine started in MA, came from AL without a banjo on his knee. by way of IL, NE, KCAI and TLW, to Halifax where he teaches at NSCAD.

c Sid Sachs is an artist critic writer who lives in New Jersey and is gallery director at Marian Locks .Gallery, Philadelphia.

ce W.H. (Chip) Schilling received an MFA Degree in Book Arts from The University of the Arts, Phila. He resides in Minneapolis, MN.

c Phil Simkin, page 9

c Sara M. Smith, page 13

c Lori Spencer is a printm ker/book artist lecturer and master printer at the Borowsky Center for Publication Arts, The University of the Arts, Philadelphia.

c Franz Spohn says, he's guilty and he did it! His is a creative mind that oroduces prints, children's books, and a TV Series for children about art; He hlives in Ohio and likes to cook, dance and instruct.

c Judith Tannenhaum, page 59

c Jeannie E. Weiffenbach, page 58

c Josephine Withers, page 28

c Anne Wittels lives in Palos Verdes, California, with her retired aerospace engineer husband Jerry Wittels. She is an artist writer, book critic, and activist LA citizen. She's also my Calif. cousin!

David Cadbury, c-scape II, 1994

This content downloaded from 188.72.126.41 on Sun, 15 Jun 2014 09:21:59 AMAll use subject to JSTOR Terms and Conditions