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FEDERAL BUREAU OF INVESTIGATION

FREEDOM OF INFORMATION/PRIVACY ACTS SECTION

COVER SHEET

SUBJECT: WALTER ELIAS DISNEY

PART 1 OF 2

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I ut hie owner. being more eel!�ning. walked Wa.|.hinIton&#39;;~rtree� ts for two den um-eeolnlzed.

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n interference against Washing-&#39;0 taabhitting �eld of autograph

uaten. Walt Disney came here

d yr: ?html&#39;yh:°th.�� �the �uhimghuine as mkzng w -4; M �n� ».&#39;u;&#39; red 5;_ paren am an ewde which Intgirl have wantedgnu the creator oi Donald ande maestro 0: me w&�d&#39;a �reatesmenagerie ae In e. _e lahe saw halt ot gaahtngtcn-&#39;; sigma

belore tame lor leavinl. He in morenti &#39; than Donald. "_ »_

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thinkinl about an lealh�e a latte:as the war.

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O�ice Memorandum - UNITED STATES GOVERNMENT1&#39;0 =� DIrector, FBI Att&#39;n: Training and Inspection DAT! December 16, 1951+

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f� Re SAC Letter 51+�-51+ dated 10/7/51+. _,_;._£_,____ 4 &#39; ..I 4 .-v�if POSITION or D8� / " 1 3 ", , CONTACT e e> 1&5. �PProved by Bureau as SAC chm�:�__ Mr. WALT DISNEY is the Vice-President in charge of production and

the founder of Walt Disney Productions, Incf, 2|+0O west Alameda Street,*&#39;�*: Burbank, california. Kr. DISNEY is extremely prominent in the motion pictnrm

_ industry and his company is the foremost organization in the production ofcartoons.� - .- - ~,::,~_&#39;.__ . 4., __ ..,3 SERVICES CONTACT cm 1=1:1u-�om; - &#39; i

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§~"the American Broadcasting Company - Paramount -.�1l._&#39; Theaters, Inc. , for the production of a series of television shows which4, for the most part are scheduled to be filmed at Disneyland, a multimillion

{J-,1 dollar amusement park being established under Mr. DISNEY�! direction inthe vicinity of Anaheim, California. Mr. DISNEY hafvolunteered representa-

&#39;-,.§ tives of this office complete access to the facilities of Disneyland for use,*»§&#39;~ in connection with official matters and for recreational purposes.. &#39; 7.-7-15- ?� &#39;.~ Iv-

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RE: WALT DISNEY

BACKGROUND

WALT DISNY was born in Chicago, Illinois, on December 5, 1901.He received his elementary and high school education in the schocls of thatcity and became a commercial artist in 1919. Between 1919 and 1922 he pro-duced a number of cartoons and in 1928 created Mickey Mouse, his most famouscartoon. - -

Mr. DISNEY has been associated with his brother, ROY O. DISNEY,in the management and operation of the Walt Disney Productions since the �i-establishment of the company by the brothers in the early 1930&#39;s. Mr. &#39;DISNEY resides with his wife and family in the Holmby Hills section ofLos Angeles.

DEROGATORY INFORMATION .

No derogatory information concerning this individual appears inthe files of this office.

SAC RECOMMENDATION

Because of Mr. DISNEY&#39;s position as the foremost producer ofcartoon films in the motion picture industry and his prominence and wideacquaintanceship in film production matters, it is believed that he can beof valuable assistance to this office and therefore it is my recommenda-tion that he be approved as an SAC contact.

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WIJI¢r= W EY PRODUCTIONS ~-- _/!�ICKEY.MOHSE NEWSREEL � -- /.-. 1» <L 11- &#39; � " §:ni;;�:£7_{/�xcxzy MOUSE cum � /&#39; ~--�"-""&#39; &#39; /.*.MERICr�".N BROADCASTING COMBANY4,.=,¢A+0D/3~9/ � � "

On January 18, Mr. Jerry A}92S{ms, local repr_esent_a_tive for WaltDis &#39; &#39;1_&#39;1¢_Y P_170duCt1011S, lQl_5.New Jersey Aveni1e�__192Io1_-_t_hwe st, phone ME¢�rT>&#39;;5&#39;S1i£2}1"s-i6 §3z&#39;.home phone JAckson 2-Z023, came to the Bureau unannounced and took a regular tour.He was very much impressed with the tour and returned on January 19, 1956, to _d t . . . . .e ermine if it would be possible for him to take motion pictures for the television show,Mickey Mouse Club. &#39;

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He presented his plan to Agent Kemper. He said that Walt DisneyProductions s onsor t 1 &#39; &#39; &#39;p s a e evision show over the American Broadcasting Com anb t - - � P Ye ween 5.00 and 6.00 P.M. for children. The program has an audience of 20, 000, 000.

He said that the show is broken down into four parts.1. Mickey Mouse Newsreel 2. Youn Star fg s o Hollywood Who Dance and Sin3. Careers Under Title "What I Want 4. A Walt Disney Cartoon

To Be" "

f: &#39;~He said that the show gets meticulous screening and that they do not putanything on which would in any way be offensive to either parents or children. He said,

for example, they will not even show anyone hunting or any form of brutality.He said that he would like to take a rou f hild � l

ve two short scenes which would run about twominutes on the Mickey Mouse newsreel. He would like the first scene to be done on therange which would show the Agent shooting at a bull&#39;s-eye target and would be basedon the fact that the FBI Agent is a great marksman and would be something which thechildren would look up to. In the second scene he would like to show how fingerprintsare taken with the children watching and then a short showing of the fingerprint file. Hedoes not want to emphasize the criminal side of fingerprints but would merely like topoint out how many fingerprints we have and show how theyysxegrve a. humanitarian purpose

§�/"/&#39;-4éé 7&#39;.� .2/YThe entire film would be shot without sound and would run about 300 feetHe s �d that fta1 a er -the film was shot the narrati n ould be dubbed � an ,_ would want .us to check the narration beforehand. � = ~�=Enclosure &#39;~<1» 4 RECORDED - 4 2-». ~so = �Q 1 &#39;_ "&#39; = " &#39;.. -- -~ ..:�*"¢ réh ~*�/

4 4 g p o c ren, .i.f possible,&#39;»;¢�f&#39; �the children of Special Agents, and ha

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Mr. Nichols January 20, 1956

In regard to sponsors Mr Sims said that the s onsorshi &#39; ul. p p 18 m tipleand the attached list shows the various sponsors. These sponsors, of course, areaimed at hild &#39;_ c ren. Include dog food, cereals, canned milk, candy bars and popcorn.

A check of our files fails to show any information on Sims, and WaltDis h &#39; &#39; �ney, w o 15 founder of Disney Productions of Burbank, California, is an approvedSAC contact in the Los Angeles Office. He has been most helpful. 94-4-4667-2! 92_RECOMMENDATION:

In view of the tremendous audience and the fact that this would requireery little work on our part, it is recommended that we call Sims and tell him that-ewe will be glad to cooperate in his venture.

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extremely sorry and said perhaps he would call us at some later d ta e to know if we couldhelp him. Kemper told him to feel free to do so. &#39;

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I O I O O O I O I O C Q I O O I O O I I O I I I O I I O U O I I II I O O I I I O I I Q I O I I I O I O O I I I I O I I U O O O O Q I O I Q

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A I On February 2? 1956 S. , , A0 Malone of Los Angeleswas visiting with $48 Contact Walt Disney. Disney mentioned thatin connection with his Disneyland Amusement Park he is presentlydeveloping a "science qf tomorrow" section. He raised the questionas to whether it would be possible to prepare a dis la d -p y or emonstration qf how science is employed by the FBI iI n law enforcementthrough its Laboratory and Identification Divisions.

Disney volunteered that the FBI is foremost in thisfield, and its operations are qf great interest to all.smericansand particularly so to the young people. Disney commented thatgovernment agencies have in the past been reluctant to t� �

par icipate�in any displays of a commercial nature where adm�issions arecharged to enter a particular area but wanted to present this ideato Malone_for relay to the Bureau to determine the Director&#39;sreaction.

In the event the Bureau feels that it would be possibleto assist in such a project, Disney would then q�ficially endeavorto more specifically outline the hp ases qf his idea so that eachcould be fully considered by the Bureau.

AII. Disney also mentioned that his company is currentlyproducing a television series known as the ¢Hickey.House Ulub"

televised daily over the American Broadcasting Network. Thisprogram is designedffor child audiences and it is Disney&#39;s desireto acquaint American childr i &#39; &#39;en w th various employment opportunitiesin numerous fields of American endeavor. . &#39;

Disney would like to featu]-�e a series of program ~onthe FBI and law enforcement as a career. as has no specificoutline in mind. at presented this thought to 5A0.lalone in orderto secure the Bureau&#39;s initial &#39; reaction and if favorable wouldthen draw up specific ideas for presentation and clearance

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III. Disney appears to be a very reliable individual andhas been quite friendl with thy e FBI. He is an approved $40Contact. Bis television programs have been very popular andeducational and have been conducted on a high plane. The Disney-land Amusement Park qapears to have been popularly received. .$,Disney&#39;s two proposals at this stage seem rather vagueand it might be desirable to ha h� &#39;ve im furnish more facts so thateach can be considered.

REC� 0.�.-".�-ENDA TI ON ;

um. Nichols consider this matter and q�fer hisrecommendations to the Director and carry on through with notifica-tion to 5M0 Malone at Los Angeles.

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&#39;1 6 The Bureau bee considered very carefully your contacts with �Q &#39;._ [alt Dleney and hie deeire to include the FBI in hie Dilneyland Amusement J� and aleo a televieion eeriee over the Mickey Moule Club of the Amerlcéi*-">k�_&#39;,Bt0adcae1:l.n.g Company. V &#39; - --$-< . - *1.� -, §- " 1&#39;�: Pleale advlee Mr Dieney that at the present time our commit-_ 1 ate are extremely heavy and that it 1| not poeeible to cooperate in thie regard.

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t e&#39;r_.,§..;&#39;.__....__ ,1Ho investigation has been conducted by theFBI concerning the captioned individual. However,

this Bureau�: tiles reflect the receipt or a tlierieeued by the Council tor Pan-American Democracyadvertising the �Night of the Americas� to he held &#39;at the Nhrtin Beck Theater on February 1h, l9h3, in�ew York City. The flier carried a partial liet oraponeora and guests or honor which ingéalgd the name -r �V &#39; ~ k- �o alt Dianey. IBLJ , ~»-T "*L

The Council for Pan-American Democracy&#39;haabeen d "iea gnated by the Attorney General of the UnitedStates pursuant to Executive Order 10450.�,- The �People: Voice,� ieeug or Jan _ _ _ 1,;&#39;_ mg; 3.]-¢~qg9hh, contained an article captione "�ew Hh;&#39; _;§ ~;"�&#39;-:7 4 *ponaore Tribute to Art !bung.&#39; The article_�!g&#39; �� &#39; ""forth that "New Nausea" was eponeorinim: maid? L_ting _ -to pay tribute to Art Young, Dean of rican Cartoonietawho died recently. It vac indicated that the geetingwould be held on January 27, 19th, at Manhattan Center,Zggh and Bth Avenue, in New York City. Along the . -ividual eponaora or the meeting was listed the name"Walt Dianey.1g¢! .

X. according to the Special Committee on Uh- &#39;American Activitiea in ite report dated March 29, lqhh,"New Maeeea� is a �nationally circulated weekly Journal

i _ &#39;�"�{Ihe�fereeo1n&hintgrpation in furniahid-to out las a reeult or your request toi�In"fBI tile check and in"not to be construed aa a clearance or a nonclearance orthe individual involved. Thin information in furnishedfor your uac-and should not be diggeminated_cut;ide_crIOU!� Qg&#39;O�¢1. qJ J": K/_&#39;§/� $4 -" Y é ¢� 7-nejdg ..1-8:; ones 1? 56 INDEX my %

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of the Bureau, e producer,For the informationl 56 that the above captioned motion picturh s been selected to receive {

October 211, 9 tact oi� this office, a ducers Guild at an _ _who is an SAC conthe annual Milestone Award of the Screen Prod for February 3, 1957 the Beverly Hilton __� » F1 ?r¢.si.s1.¢r.1.@ -;&#39;-1;?-c.

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The award recognizes DISNEY S cars in Hollywood, contributions wrichds. ,pictures during his 33 yebrought him a total of 25 Academy Awarhave al so

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.-1- �J /ii iii�; - . .92 "92 Mr. Wait Disney ,

2400 Alameda Avenue " H,Burbank, California c � &#39;

DearMr. Disney: 4" 1 � - _~ »_ 7 �.-_ i Mr. John r. Malone, Special Agent in cm-gen: v

our Los Angeles Office, has advised me of the annual MilestoneAward of the Screen Producers Guild which is to be presented toyouonfebruary 8, 1957. » _ ; .»

~ . You must derive great satisfaction from this &#39;recognition, and I want to be among the many persons in thiscountry who will extend congratulations to you on this occasionYour work in the past has been a credit not only to the motion .

A picture industry but to the entire Nation, and I want toassure youoi my every good wish for continuing success. _ ;

_, &#39;~ &#39; - Sincerelyiyours, G V A__ ._ . -- _ .V:!3§5T&#39;Hc~.7&#39;re1-":� �

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WALTDISNEY

November Z6, 1% /&#39; 0

Dear Mr. Hoover -

It was good of you to take time from your busyday to send me your very complimentary letterof November 9th.

To say that I am pleased about the forthcomingMilestone Award is definitely an understatementand my only hope is that I will always be able tolive up to it and be deserving of this great tributeYour congratulations in this connection aredeeply appreciated.

Warmest regards and many thanks.

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March 1, 1957 Vq~J/4~pA!*OV}¢Mr. Louis B. Nichols &#39;Assistant to DirectorFederal Bureau of Investigation .Washington, D. C. A/&#39;

// 3-Dear Nick:

It is a pleasure to_announce to you that I am nowconnected with �altigigney as their newsreel repre-sentative in Uashington, D. C. .

:Had the privilege of meeting Mr. Malone of your Los 5Angeles office and talked over plans for a series ofstories regarding your organization. As;you know, theDisney Studios, from what I have seen while here,really does a thorough job on any undertaking theymight assume. You can be sure a real story will bemade which will give the young generation an idea ofthe great work done by your organization led byDirector, J. Edgar Hoover.

Hope to see you soon after my return and go over plansfor coverage of the Federal Bureau of Investigation.Kindest regards.

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On.February 28, 133%, SA JOHN M. CASHEL and I,6at the suggestion of Mr. WAL ISNE , head of the e-cap iohedconcern, conferred with Mr._Bg;;F%K%SH, Mr. ¬;LL¥?%g§�and Mr. i,HUGO JOHNSON, members of the sney organiza on&#39;s televisimn§�production staff, regarding the possibility of their companyproducing a film on the FBI Laboratory in conjunction withthe 25th anniversary of that division. QLCLF .

Q,¢F1z "�*f�_"Mr. WALSH&#39;a�d r: PARK are engaged in TV filmactivity at the Burbank Studios while Mr. JOHNSON, who wasformerly with the Paramount Pictures, Inc. Newsreel inWashington, D.C., for a number of years, is now engaged insimilar activity for the Disney company,having recently Joinedthe organization. Mr. WALSH, who is the head of the TelevisionProduction Division of the Studio, advised that Mr. DISNEYis interested in filming the show on the FBI, but feels thata production on the Laboratory would be impossible at thistime because of the amount of work which would be involvedI and the limited time available between now and the Laboratoryanniversary. He pointed out that it took the concern approxi- ,,mately one and a half years in preparation and filming to fpproduce the "atom bomb� film which was designed with an , �?educational slant in order to enlighten the public. This ~;f�

_ Assistant DirectorDONALD J. PA SONS

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type of film is usually not profitable for the company;however, Mr. DISNEY likes to do films of this type occasionallyas a public service. » ,

For some time, according to Mr. WALSH, Mr. DISNEYhas been interested in producing something featuring the FBIeither for his Disneyland television show or the Mickey MouseClub television production. WALSH explained that Mr. DISNEYfeels that a show about the FBI with a Laboratory feature could-

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be readily produced in time for the fall, 1957 Mickey MouseClub program. Mr. WALSH pointed out that this program isdesigned to have an educational appeal particularly to thoseJuveniles in the 12-lh year age bracket. At the present timethe club has an estimated audience of 18 million, Monday throughFriday. The program is one hour in length; however, commencingin September, 1957, the Mickey Mouse Club program will bea half-hour program and will be televised between 5:30 p.m.and 6:00 p.m., Pacific Standard Time, daily, Monday through »Friday,over the American Broadcasting Company network. Mr.WALSH mentioned that a series of five programs running over i�ra one-week period could be very effectively done concerning

this Bureau.

Mr. WALSH and his associates mentioned that thereis a great hunger on the part of American youths today forfacts about organizations such as the FBI. A program formatshowing a lh-year-old boy something about FBI qualifications,training, facilities and careers could be effectively producedand would have a tremendous audience appeal. Mr. WALSHstated that the company has done similar shows on airlinepilots and dairymen. In both instances the response from thejuvenile audiences indicated that more programs of this typecould be effectively utilized. The Mickey Mouse Club isplanning to feature more programs in its 1957 program onfacts about interesting careers for the benefit of its juvenileaudiences.

It was mentioned to these gentlemen that any FBIparticipation in a program of this type would have to beapproved by the Bureau, whereupon Mr. JOHNSON mentioned thathe is personally acquainted with Assistant to the DirectorLOUIS B. NICHOLS and is returning to Washington, D.C., onWednesday, March 6, 1957.» He suggested that he would liketo confer with Assistant to the Director NICHOLS on Friday,March 8, 1957, in Washington, D.C. and requested that Mr.NICHOLS be apprised of his desire for an interview concerningthis matter. Mr. JOHNSON stated that he will call Mr. NICHOL&#39;sOffice for an appointment following his arrival in Washington,D.C.

The foregoing is being brought to the attentionof the Bureau for its information and appropriate action�in connection with the Walt Disney Productions� suggestions.

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non . D. J. masons B ~¢~=--173¥ szgiont _-&#39; Pm;-_wsjscr /J4 LABORATORY ::;:=:&#39; -?.5.§.h.. .;A.§-Pn..Y§§.s.§_R._Y___ Tr 8%

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to 8 MR. TOLSON

0 RUDE!Therefore, November of this year will be the 25th anniversary. We have "_ ��°�_-been making some tentative plans for commemoration of this anniversar &#39; -y .and some long range planning is necessary if we want to take advantage of &#39; __some of the better publicity media. : / �

./&#39; , 1.-�/ -I have had a small committee considering some of the many 0 0�possibilities and in particular whether we would want to make thi

s occasionsubject of a nation-wide television broadcast. Certainly if we did, we wouldwant to seek th be est type of program. One of the committee mem ersL bo &#39;a ratory Supervisor C. E. Thompson, suggested that since Wa�ybisneyhas gotten into large scale educational programs such as the one rece tl11 Yon the atom bomb, something of this caliber would insure a large audience

Walt Disney is an SAC contact in Los An 1

program on science in law enforcement commemorating our 25th anniversary, /&#39; _but to do so without making any commitments whatsoever

SAC Malone has advised me that Disney was very pleased with heidea and put Malone in touch with members of the Walt Disney Television AT-Productions staff. Even though films of this type are not profitable for thecompany, Mr. Disney likes to do this type occasionally as a public service. &#39;His production staff has proposed doing a film for use in the fall of 1957.Walt Disney Productions has a series of educational programs designedparticularly to ap eal to th 12 1. I p e - 4 age bracket-but at the present time have ti t d . . . _ _ . ._ an es ma e audience of 18 million. This program is known as the MickeyMouse Club, and in September of_1957 will be on for a half hour each day,Monday through Friday, 5:30 p. m. -to 6:00 p_. m. Pacific Standard Time 8:_3O p. m.to 9:00 p. m. Eastern Standard Time!. They would like to do a series of fiveprograms to take an entire week 4&#39; " *1 " -"&#39;-"""0 &#39; 9. 4� .�w U{iii

One of the Disney Productions staff is Mr. Hugo Johnson, formerlywith Paramount Pictures, Inc , Newsreel in Washington D C. , . . He knowsMr. Nichols and intends to be in Washington this week. He advised SACMalone that h ould &#39;e w like to talk to Mr. Nichols about this and said he wouldcall . ic 0_1s&#39; o see if he could on Friday, Mar h.8. -. I D _ . - &#39; _�_�:�

s,,_.J-"°j SEE ADDENDUM PAGE 2! he Ava 5 1951

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Memo Mr. Parsons to Mr. TolsonRe: FBI Laboratory - 25th Anniversary

I think the caliber of the documentary and educational films �"prepared by Disney Productions is recognized as being of the highest and weshould further explore the possibility of seeking publicity for the Bureautlu~ough the medium of the Disney programs commemorating the anniversary ofthe Laboratory. We, of course, will have to have more details as to whatwould be involved and also as to commercial sponsorship. &#39;

RECOMMENDATION: �_

It is recommended that if at all possible Mr. Nichols see theDisney representative, Mr. Johnson, and explore the possibilities of a �filmed television program commemorating the Laboratory&#39;s 25th anniversary.

ADDENDUM: LBN:jmr! 3-6-57 I will, of course, see Hugo Johnson when hecomes to the Bureau and he has now written me as indicated by the attached letter.This does present a rather awkward situation since we have heretofore turned downWalt Disney Productions as indicated in Mr. Jones� summary of January 20, 1956,which is also attached. I think that in view of the approach that has now been madewe are pretty much in a position where we are going to have to do something andI think we will have to explore the matter when Johnson does come in. I have twoor three other things in mind, one of which will be a 7-minute feature with theArt Baker program, "You Asked For It." This is being submitted separately.

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ce visit of Hugo Johnson on Monday in relation to preparing Z"? -�-a show on e 25th anniversary of the Laboratory.

It is not felt that the Mickey Mouse Club is the proper placeto publicize this anniversary. It is a good show. It comes on at 5:30 P. M.each weekday and is aimed at the "small fry. "

~= If we are going to do this, we should do it right and tryan ge Disne to do a one hour Disneyland show which at present is at 7:30P. M. on Wednesday night.

his wifeThis show has an adult and juvenile appeal. Kemper/and his �

boys saw the show last Wednesday night and it was a story of the development ofaviation. It was done with animation and motion picture. It was excellent andmaintained the interest of young and old.! If we could get Disney to do a one-hourshow on Disneyland which would be a history of science in law enforcement we

J would have something that would be worth our efforts.*5

By animation we could show ancient, medieval, dark ages and 19th44.. century law enforcement practices, the branding of the criminal, the dunhng offa-F the witches, etc. This would, of course, require careful research.!

Then using Sherlock Holmes with his magnifying glass and=0.

Sir Henry with his fingerprints we could begin to bring law enforcement up to date.Scientific law enforcement would reach its cul tion in the Director&#39;s establish-ment of the Laboratory in 1932. _ - __f r . S ?/- %- Z 4 4;//We could then with motion picture film go in o the atoryI ~ show its tremendous impact on the profession of law enforcement. This would

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make a worthwhile, educational program which would do the &#39;B�a&#39;u.a tremenda "=°"==*°&#39; nzconosn-e2 mm-5 APR gm 1,.;,7�°

- The Mickey Mouse Club is a series of short&#39; keep the attention of the very young who have a very low concentration riod.

To do 5 stories would mean that it would have to be done on a very juvenile level. When Kemper talked to �Sims of Mickey Mouse Club back in January, he said that�ag policy of a/bfsglutely no gums cr any type of violence.!

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It is doubted very seriously if they would have 5 half-hourspots with nothing but the Lab which would mean that we would have -

4 ,. , no continuity.

- RECOMMENDATION:

Recommended that when you talk withdohnson you explorethe idea of doing it on Disneyl and.

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0 &#39;1 &#39;r" ,- I" -Q swam Hr/~L1 I 1 -=/7.237:_ Trotter ._Hugo Johnson, w fo many years was with Paramount §�j;�j_�R;,&#39;;Newsreel, is now with the _Wal isne ion More arti l l �_______ P cu ar y, Hollomu� _he is with the Walt Disney Newsreel, which is produced essentially for _" °��,""youngsters and is presented on television in the early evening. Disney&#39;sprograms have essentially been directed to the 6 to l7-year old age group and "in th &#39;e forthcoming season Disney wants to have the Bureau figure into his dailyprogram in 2 areas, both of which would run from l2 to l5 minutes.

In the first one Disney wants to give a picture and tell a storyon fin er &#39; tY g prin s, as well as to give the youngsters an indication of what they._ xvlould see if they were to visit the Bureau headquarters. This film would beQ �lent. There would be no sound and could be done with a minimum of work and. would include a few shots in the Identification Divis&#39; fion, a ew in the Laboratory,~ and some classroom scenes. Secondly, they would like to do another one of from12 to 15 minute t � &#39; &#39; &#39; &#39;4 s a Qiantico which would go into firearms, crime scene searches�-92 and the general routine of the training of an agent. &#39; ,

�. IIQ Their general format is to have some youngster ask a question/&#39;and then the youngster is shown seeing what the other kids see on the TV screenso in the shots in the Bureau they would want to use some young boy who eitherJohnson could select or could be the son of some Bureau representative. Hugothought that some of the old film zcould be worked into this, for example, &#39;a few feet of the old Duquesne case film which would be ve

ry exciting. As wecould have the complete control over this and since it would not entail an awfullot of work, it would be my recommendation that we go ahead and do it.

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ADDENDUM; 3-2s-57; LBN:rm we �uh "��For record purposes, I told Hugo Johnson that we would o alo

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and that t-his could not be done until after the Easter rush In the meantlmeJohnson will come to the Bureau and spend a day or so with us getting thmgsplanned in the near future.

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&#39; �Hollomun _/_/�/ accordance with arrangements previously made, §==dv�-�Mr. H of Walt Disn_¢_;:-y__§_>_1;qgiuc1:ionsLy:as taken on detailed toursthrough the Laboratory, the Identification Division and the Bureau facilitiesat Quantic V� &#39; &#39; &#39;0, _i_r_g}__ni&#39;a, on April 16 and 17, 1957, by SA James T. Murphy.Mr. Johnson is working on two and possibly three 15-minute

newsreels concerning the Bureau which will be produced by Walt Disney andD telecast in either October or November of this year. The story will be toldthrough the eyes of a young boy. Actually, it is felt that what we will reallyhave is a motion picture tour of Bureau facilities. Since the age of the audiencefor these newsreels is young, there is a need for constant action throughoutthe films.

Since the facilities here at the Justice Building will beextremely crowded during the Easter period we probabl &#39;t, y won have anywork in this building for two to three week h

s; owever, there does not seemto be any reason why we can&#39;t get underway with the filming both at theIdentification Division and at Quantico. �

- Mr. Johnson is very enthusiastic about this project and hasstated that he will contact your office for final details.

RECOMMENDATION: V/ _For information.

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�I _!/ _ f�osenz&#39;Tumxn92./ Irotter 1" We bad agreed some time ago to do two short television N§§&#39;."¬$Tfilms for the Walt Disney Sunday afternoon newsreel for youngsters with �°

Hyo<.�!hnson7_&#39;I�fiey7-ut�course, will not be used until in the fall and weJWIII have the approval of the material.

% We �51""; Checking into the schedules, we will have a class at Quanticothe first four days of next week. There will not be another class down therewhich could be used for this purpose until sometime in August Accord 1

. mg yII told Hugo Johnson yesterday that we could do the Quantico material the firstthree days of next week.

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1>¢/ &#39;"���-.. .<=.-. *~&#39; �ugo Johnson advised Murphy today that the film which was takenat Quantico t week turned out excellently, according to a call which he hadreceived from the Disney people in Hollywood last night. Johnson said that theDisney people are well pleased with the results to date.

Tomorrow �/15/57! Johnson is starting out with the IdentificationU Division story. The following was suggested to him as a possible outline:

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*4. .2. � W -The young boy who is the theme of these stories, Dirk Metzger, is a�member of the Boy Scouts. As you know, the fingerprinting meritbadge of the Boy Scouts depends upon the submission of 5 sets of legiblePersonal Identification prints, and if desired, the Bureau files the PIprints of the Scout himself. In order to stress the civil aspects of theIdentification Division, we will have Dirk enter the Ident Building and .ask the question, "Who am I?" We will then show Dirk being fingerprintedon a PI card and the resultant classification and location of his previouslyfiled fingerprints. The narration would stress the public service functionof the Identification Division to the general public and is a message whichcertainly could stand wider understanding. Since the civil prints areseldom searched and the area where they are stored is almost devoid ofactivity, we would shoot the location of Dirk&#39;s prints in the femalecriminal section which is fairly busy and provides a good backgrotmd;however, it will be absolutely assured that this section of the files eon-tsi-n-scivil prints. �I, bk�?-&#39;/ca

After this bit showing the civil value of prints we would then touch upon athe handling of criminal fingerprints in Ident treating it in a strictlydocumentary fashion. On Wednesday we intend to shoot around Dirk danthee establish §Iac_§§ where lg want him on Thursday afternoon.

. Trotter has been advised of our plans to be at Ident Wednesday andThursday afternoon and an electrician will standing by. &#39;

On Thursday afternoon at 2:00 P. M. , in, &#39;tion to some Ident shots, wewill shoot a classroom scene in classrqo I 2 here the Justice Buildingthe new Agents class which is &#39; in s " n::J/_�;;_,_»__,; - / 92

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In order to give this classroom shot a little interest we will haveMr. L. A. Francisco cl� the Training Division lecturing the newAgents and then have Inspector Whelan enter the classroom andconsult brie�y with Francisco. Mr. Whelan will be dressed in amanner which will lend itself to identi�cation. We will then ask theclass and the youngster to identify Mr. Whelan after he has left theroom. We will pull this without the knowledge of either the classor the youngster and take shots over his shoulder as he writes hisimpressions on a piece of paper. Johnson feels that the narrationcould have the young television viewers do the same thing and thengive the accurate description at the end of the program. This seemslike a good device to hold the interest of a young audience for aclassroom scene. Messrs. Tamm and Fletcher have been consultedand they have no objection.

Johnson also mentioned to Murphy his earnest desire to get one shotof young Dirk shaking hands with the Director. Hugo says that hecandothi &#39;thhi h d d liht ds wi s an camera an one �g an that he could getset up in a matter of minutes in the Director&#39;s outer office and withQe shooting the Director could come out of his inner gfjigg and greetyoung Dirk. As you have en previous y a vised this young manmakes an exceptionally fine appearance and is the son of a MarineCorps Colonel assigned here to the Fiscal Section of U. S. MarineCorps Headquarters. This would certainly be a most worthwhileshot for the series and all the film being taken is of an extremelywholesome nature which is in keeping with the Disney tradition. It isfelt you might like to discuss this possibility with the Director and ifpossible give us sufficient notice,if approved,to arrange to have theyoungster taken out of school for the film. Of course, Johnson stillhato shoot the Laboratory after the tours slacken up and school will be overat that time and the film with the Director might be more propitiouslyhandled at that time. .

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$Uij1I2wALT ,1 I ~ Rosen .__...m soN, I>IIorocIRAt>IIi:&#39;§; /~, [,1 _5 / $33,:ynmiggkrzo R, CENTRAL FIGURE. � ;1»;==-R- ,- FILM 0 DIRECTOR I H21?� .351;;_&#39;_ &#39; 4=ao P. M., MAY 16, 1957 w�af-_Em 1/�ti .$-$1�The Walt Disney Productions are currently filming phas s of theBureau&#39;s Identification, Laboratory and training operations for a new televisionseries to be inaugurated this fall. Hugo Johnson is the photographer assigned tothis task. Dirk Metzger, aged 13, is the central figure in the films. This seriesof films is aimed at a yoimg audience and is "seen through the eyes" of DirkMetzger who will also narrate these films. �

. Metzger is not a professional actor and he Q greatly impressed;. £ the Bureau personnel with whom he has come in contact during the course offilms shot at Quantico last week.

DATA IN BUFILES:

Bufiles are negative regarding Dirk Metzger. His father is ColonelLouis Metzger, United States Marine Corps, who is currently assigned to the FiscalSection of the Marine Corps Headquarters here in Washington. Colonel Metzgersis a career marine and served as the Marine Corps attache at the American Embassy. in London, England, for three years prior to returning to the United States ¢-K� approximately nine months ago. Bufiles are negative regarding Colonel Metzger; .92however, Special Agent E. C. Kemper&#39;of the Crime Records Section addressed ag oup of Marine Corps wives at Quantico in 1953. His appearance evoked a mostcsi-dial letter from Mrs. Louis Metzger and the Director wrote Mrs. Metzger onMarch 31, 1953, thanking her for her kind comments. �2-38641-2&3!Hugo Johnson is a veteran newsreel cameraman who for many years

was associated with Paramount Pictures here in Washington. Bufiles contain noidentifiable derogatory data concerning Hugo Johnson; however, it should be pointedout that he is extremely well disposed toward the Bureau z the Director and_hain the past, performed newsre&#39;e.1,jobs iwolving the Bursa ,~- _ -44 -"~/_,&#39; -&#39;RECOMMENDATION: I &#39;;_"_j 9fX£0.; I , / t -None For information olhl <3 5 MAY 17 1957 Q�!5° - M1" Ni°h°1s . ADDENDUM� 5-15 g§0§.[t§P=&#39;1§

_ . 2 &#39; 9 __ y ,,_, 1Egg, H°u°��?"" &#39;, Appointment confirmed pursuant t6&#39;DTI&#39;-&#39;ectb&#39;r&#39; instructions <" 8! : .,._ i... _. 1&#39;...-1 iiror 4:30 p.m., May 16.

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_ . Nichols ._.Ilqu ; M. &#39;7 Bodrdmun .... Belmont _Mohr .__� Parsons _.=v»:=¢r= nuoo JOHNSON /&#39; $222�:

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"Jr You will recall that Hug<92§:>1mso11,/who is now associated with..the Wa.lt�Disney people here in Washingto , is preparing a couple of featurefilm presentations for release on television next fall. SA Murphy spent Mondayand Wednesday of this week at Quantico with Mr. Johnson where a wide varietyof film was taken depicting various phases of our training operations. Johnsonappears to do a most� competent job and is most enthusiastic about this project.Basic outline for these film presentations is centered about a 13-year-old boy.In other words, these films will be seen through the eyes of a boy in the agegroup to which Disney is making his pitch. The boy in this case is namedDirk etzger, the son of a Marine Corps Colonel stationed here in Washington.Young etzger is an extremely personable and well-mannered youngster who isideally suited for this type of work. He has appeared in other Disney productionsbut is not a professional actor.

Johnson has one more bit of film to take in order to complete thistraining feature. He wants to take a few classroom shots here in the JusticeBuilding. The present class of new Agents will be at Quantico through May 16 butzwill be back here for more classroom work. It is suggested that we wait untilthe new Agents are here for the classroom scenes but that Johnson can get to workduring the week of May 13 on the second reel of his feature series which will concernthe Identification Division and Laboratory. Because of the pressure of tours, it isfelt that we should start with him in the Identification Division. Young Metzgerwill also appear in this sequence.. Since he is in school, we will use him one ,afternoon over at the Identification Division to establish him in the various sceneswe desire to shoot and on a second day we will do our shooting around him.Rfa] _ .-:;_;_ 1_ /.&#39; / - i __RECOMMENDATION3 mUmDRl>g U __4 _______._? �

It is recommended that you contact Hugo alohnspngsnd advise him thatwe can begin shooting at his convenience in the Identification Division next week butthat we will wait until the week of May _20 to complete the�fm on waning in orderthat we can utilize the new Agents class which will be here 1n92the Justice Buildingat that time.

cc - Mr. Tamm, Attention: Mr. Fletcher /cc ~ Mr. Trotter 9292,92Q �g §6? g"-"-92&#39; Q-&#39;. �I " .JTM: J. -_ &#39; g

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I to = Mr. Nicho92§f92&#39;92§¢92_ nan: July 18, 1957n _y q/ gi.».?sV_&#39;30� 3 &#39; � S / 0¢Idmd�_

Belmont ._D u mwnjncn WALT msnnv PRODUCTIONS .1 3311";. &#39;rv mm an FBI i &#39; M- m --_

Trotter _..__ . NeuseV � Tole. Room

You will -recall that arrangements were made for Walt $313: :Disney Productions to film material concerning the Bureau for two 92 "television programs, each of fifteen minutes duration/this fall The �_£a:_rne_1;a__m_a,n was H1_1g5%Iohnson_, and the final shooting was completed Vyesterday. Film was taken at the Identification Division, Quantico andthe laboratory. 92 1,-.;_ -V--1.

In view of our heavy tour scheduling, the laboratorysequences were shot on Tuesday and Wednesday of this week and thatcompleted the assignment.

The entire operation was ve smoothl dry y one and Mr. Johnsonwas most cooperative and enthusiastic. We will, of course, see all thefootage prior to broadcast.

RECOMMENDATION:

For information..92/W �

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-BACKGROUND: e Ziiffli

You will recall that we cooperated with Hugo§:Io_hnson ofWalt Disney Productions here in Washington /in the production of aseries of 92.films concerning the FBI for use in January, 1958, for the "Mickey MouseNewsreel. " The Disney people are elevating the age plane of this series so -§"that it will be of primary interest to youngsters in the 12 to 16 year age bracket.I The films we worked with Johnson on concerned the FBI Laboratory, theIdentification Division and the training afforded Special Agents. These filmshave been edited into four separate shows with a running time of 11 minutes apieceCURRENT DEVELOPMENT:

On October 1&#39;7, 1957, Mr. Johnson brought the work print of thisfilm to the Bureau where it was viewed by Messrs. Nease, Kemper, Murphy andyou. All in all, the film is well done and certainly complimentary to the Bureau.This particular print did not have sound but we have received the script and thereare a few points we would like changed in the script and a few switches in asequence of the film_itself.

It is felt that the best way M to handle this would be to sendthe attached memorandum to Los Angeles enclosing a blind memorandum of thechanges we would like to see made. The changes are basically minor and nodifficulty should be experienced in seeing that they are accomplished. _ I

Mr. Johnson advised that after the sound track is synchronizedwith the film the four films will be sent back for our viewing and it is felt that theDirector and Mr. Tolson would probably like to see them at that time.RECOMMENDATION �NDEXED � 55 *

7 - - [�mum-55 7*/-�-I -*/at 7 1.It is recommended that the attached letter enclosing blindmemorandum be sent to the SAC in Los Angeles and that the blind memorandumof suggested changes be presented to Mr. Newsreel Editorof Walt Disney Productions. L» - /. . .. .__.." ""&#39; ��&#39;"

Enclosure.4i-I-u2.�.&#39; ,e-.z§;/ 69 .4 OCT 3 1957 " W�f5M=é"s B i *- .

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SAC, Los Angeles October 22, 1957

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l ET1RBANK,"cALiFoR&#39;i¢IZ92 ; &#39; .&#39; RESEARCEHCRIME nsconns! .

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. e f Z There is enclosed a blind memorandum should be broughtto the attention of Mr. William C. Park, Newsreel Editor oi Walt Disney

~ Productions. - "

- For your information, the Bureau has cooperated fully withWalt Disney Productions in the preparation oi tour films concerning the »

» _ Bureau for use on the "Mickey Mouse Newsreel" television program scheduled0. -

for telecasting in January, 1958. The work copy oi this iilm was recently &#39;3 viewed at the Bureau, and the blind memorandum enclosed enumerates suggestedchanges and additions which the Bureau very much desires be made in the finalprints of these films.

3 o &#39; rm; matter should be handled expeditiously, and results oil your me�ting with Mr. Park should be promptly made known to the Bureau.A» E�l&#39;3� &#39; � Q ~&#39;-IE e i ~ --� .92

"Yo?" ,3" �Blind M 0 &#39; .

t Follow-up 10/a1/51 B. . A 92 _ Z/éé_7- 20a - - &#39; &#39; ...¢..&#39; _, D" - &#39;NOTE: See Jones to Nichols memo 10/18/57 re "Motion �Pk FBI;

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Scene 5--In conducting the crime scene search,it is deemed advisable to eliminate the shot whereBirk actually picks up the gun and ejects the clip.It is felt that after Dirk spots the gun the next scene ~

&#39; _ should show him picking up the cartridge cases which . .: --1- - � is covered in Scene 8. The handling oi a supposedly - ,

�~__-&#39; __ loaded weapon by a boy oi D_irk&#39;s age is not considered "- appr<>pr1=w-

&#39; Scene 8 --Line 8 oi the narration should ma, "Agents . . ..&#39; : might notb&#39;eable._.-._.�?- -» ~ i -&#39; -�" A

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. Scene ll-¢Line 1 d the narrative should read, &#39;_&#39;. . .he -- -has a son ordaughter_...._" h 4 i �

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- Scene 18--The narrative should read, "As iwas soon "-to iind out, one of the FB1&#39;s most important Laboratory _

" aids in �ghting crime is the reference files. . . and that�: &#39;just where the handwriting expert headed. These tilescontain. . . . "

Scene 24--Line 1 oi the narrative should reed, "X learnedwhen A��ntl �ee ee_&#39;_&#39;-4» v. L� A �ff K _ :__ I I "

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- Scene 80--The last two lines oi the narrative should read,* "Alter the iurnace has been lowered and turned on ior e &#39;

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Scene l--This scene should begin with the iiim oi » iDirk entering the identification Division Building - " _ pwhich is shown in Scene 87 oi Episode l. This would &#39;give the Episode the logical sequence it requires. - 4|_ e

. _

Scene l--in line 3 oi the narration, the word "department"should be deleted and the word "division" inserted. " ; p -,1

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Scene 4--Line 5 oi the narration should read, "146 * " 92§..--millioniingerprints...." __ -; ,» _ . -

Scene 8--Line 8 oi the narration should read, "&#39;l5,000 H _ -cli�<i8lneIcli¢8binet...-&#39;~�- &#39;:_- » _ l "

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Scene 1: ~-Line 2 should bechanged_to 5.�, . .m theiileswhicharesearched.",_ N .� __ pScene 18--Line 4 of the narration should have the word"identi�cation" inserted in place oi the word "police. "

Scene 14--Line 8 should bechsnged to read, ". . Jdentiiicaiionrecordisprintedni�f - _;;= t -~ &#39; ,

am. 1a--n is mt that the u-miuen hetween the iilm 011/the identification Division and the introduction oi the Nani ��spy case is a little rough. it is ielt that this matter couldbe adequately handled by sdding the iollowing to the end oithe narration ior Scene 18: "But the FBI has other ways tocatch wrongdoers--" S w . _; �_ __-&#39;-

Scene 20--Line lie! Scene 80 should be changed to reed, . . -"4 6 . ring just before World War II. ",-._ ,_ .- . - -.1,

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M_E»MORAN-BUM RE FBI" S&#39;E�Ri�E$&#39;--"MICKEY MOUSE NEWSREEL�

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- , _»�_.--,-. "»_.. .&#39;

Scene 4--The name "Remington" should be deleted, I &#39;-and the name "Proctor" should be inserted. .

Scene 6--This scene should have an establishing shotof the FBI Academy Building proper following Dirk&#39;s _entrance at the sentry gate oi the Marine Corps .Base at Quantico, Virginia. Prior to the scenes oiAgents tiring weapons, it is strongly ielt that the scenes �taken in the FBI Academy Building oi Dirk learning howto handle a gun saiely should be utilized. One oi thereasons the FBl"was interested in this series was toput across to youngsters a lesson in the safe handling ofguns. Following that, there is a need for a long _establishing shot of the ranges themselves. With thisinsertion, it would be necessary to cut down on some oithe actual tiring scenes. , &#39; &#39; _ g . � 1 ¢ &#39; �

_ g»_- _»" . _:

Scene 19--The words "looking st him" should be deleted, �and the words "with the shotgun" should be inserted.

.� &#39; � - e 1 - &#39; ~_ _ &#39;- , .

Scene 81--The scene oi the Agent iiring two revolvers f_ 4simultaneously and breaking the clay targets does not &#39; &#39;show the targets themselves breaking. &#39;l� I e is __available, and it is an um,u the scene 1 &�mH=it should show the Agent&#39;s the clay targets.w u _- ~- _Scene :1--&#39;rnisE3§elQ$s on a place. ns g ..§.;n;entering the Identification Division Buildin .. ere_nq_ _s_uc_hclass as iollows in Scene 88 is held. Dirk � &#39;__ sums;read, "To iind out how it works, come with me into a class-room where new FBI Agents are being trained. "

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92 - .

,1

__0

__ _ ._.._- NOTE: See Bulet to Los Angeles 10/22/57 re "Motion Picture Re FBI,; Walt Disney Productions, Burbank, California, Research Crime�..&#39;- LQ L!�: Records!, J Mgrs

�iv. �J. &#39;

General Observations

&#39; There is one sequence oi action which should be correctedin the interest oi logical continuity. in Episode 2, Scene 20, Dirk is "-lhownentering s classroom with s Special Agent. Then, in Episode 8, &#39;Scene 12, Dirk is shown being introduced to this very same Agent. Logicwould dictate that when the series is shown what is now Episode 8 shouldbecome Episode 2, and what is now Episode 2 should be Episode 8. _ »&#39;= " -Except tor the introductory portions oi each of these Episodes wherein &#39;Dirk is shown on a studio set, there would be no known reason why thischange in the interest oi chronological development could not be made.. ,- 92> -, 4 -»

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Q Q - - p so ;1� &#39;Doug Duitsman - 1o/11;/57 A

1 EXT. DAY - DIRK HETZGER AGAINST BACKDROP OF WASHINGTON, D. C.WITH CAPITOL BUILDING IN FOREGROUND, AS SEEN THROUGH WINDOW.DESK IN FOREGROUND.

OPEN CLOSE UP on window; pull back to find Dirk in HEDIUH SEpartially facing backdrop. He speaks before turning. ,FADE IN &#39;

DIRK looking atbackdrop! -

Washington, D. C. -- quite a place... turns to

camera! &#39;-&#39;...believe me! I&#39;m Dirk Metzger.Maybe some of-you-will remember me asa Mickey House Club foreign correspondent

_ from a couple of years ago. Well, Halt;92 Disney has now assigned me to cover�=. Washington. . . gestures with &#39; ~hand at backdrop! � � �

...not from the tourist angle, as we justsaw...but Washington from the inside. Uhat

, goes on behind those big doors? As 1 ,Hickey House Club reporter I did a little .exploring, and for the next �NO WEEKS, _I&#39;m going to show you what I saw...

{5 &#39; where I went...what I did. Follow me.l: 7 7092 �92 92° 7 .. - 3 -r92&#39; &#39; &#39; I

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�S ~< --. -�"�"*...&#39;T.. �&#39;

. &#39;92:�._ " ,.-v� . .&#39; 4I " FBI Narration!

B21414-091.;-G - Episode 1Doug Duitaman - 10/ll/S7

SCENE

�J7 �IS Washington

».

¢ 17 A _

�V �I . - .. ¢4__> ___ 3- -._ . ,.,. __:~;_-- ~ _

. �/-

NARRATION

WASHINGTON, D. C. -- THE CAPITAL OF OUR COUNTRY...A.N&#39;D

ONE OF THE HOST BEAUTIFUL CITIES IN THEUORLD. EVERY

YEAR, SUMMER AND WINTER, THOUSANDS AND THOUSANDS OF

TOURISTS COME TO VIEW ITS HAGNIFICENT BUILDINGS.� I �

BUILDINGS THAT SPELL FREEDOM FOR ALL US 160 MILLION

=.. , . . ..��r. ." . ..&#39; _. . - <._-1.1-;_ rx; ;~#_��_=; < 5.1; ."", ~- _. . . . _ . _ : 4 1-&#39;_~,a., I .<~_;,.,,_-,». -_.--. _ __ &#39;_-. - -. > _ . _ 4 .. _. t . >__.. __.___.:_,. > >___ _. .w 1-, ;,.,_ »---_ » - 92- ~ _ , " &#39; -"�

.

&#39; 2 sireet scene §m"F1RsT QDESTION_WAS wHE§?~Q§ I START? THAT WAS EASY.I HEADED DOWN PENNSYLVANIA AVENUE...AND NADE A BEELINEFOR THE BIG JUSTICE DEPARTMENT BUILDING -- HEADQUARTERSOF THE FBI! I &#39;

~ > _ _ A _u 3 meet_Hoov9r; LUCKILY, I wAs ABLE TO so RIGHT To THE TOP ,- THE NUMBE> ONE G-MAN, MISTER J. EDGAR HOOVER. pause!&#39; I FOUND�

i - .OUT HE KNEW ALL ABOUT THE MICKEY MOUSE CLUB...AND HEAGREED IN A MINUTE TO OPEN ALL DOORS FOR THE INSIDE

. V-

STORY OF HIS WORLD-FAMOUS ORGANIZATION! &#39; V

1|. walk to statue wait two seconds!... BUT FIRST HE WANTED T0 snow MESOMETHING -- ONE OF HIS FAVORITE POSSESSIONS...A BRONZESTATUE AN INDIAN MOUNTED ON A PONY." TOLD PIE IT

HAS DONE BY EH-E&#39;!i9�!ON&#39;, THE FAMOUS SCULPTOR./L� fa&#39;0afTb&#39;§

5 turns stat-.1m.. _. wait one second!... MISTER HOOVER HAS BEEN CHIEF OFTHE FBI SINCE 1921.}. WHEN WAS ONLY ZQ YEARS OLD.� pau;

MEETING -HIM WAS A YRETTY BIG "I&#39;HIRILL1

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32hh-09B-c - Episode� � �� Page 2

SCENE

6 Marine gate

92

7 CU reload

8 agents in line

9 CU Tommy Gun

10 targét .

11 show pix-~

T=-:1�-6

NARRATION

AT MISTER HOOVER&#39;S SUGGESTION, I HEN

MARINE CORPS BASE AT QUANTICO, VIRGINIA - HOM OF THE

FAMOUS FBI ACADEMY. THIS IS WHERE ALL NEW AGENTS ARE

TRAINED IN THE USE OF FIREARMS...AND THE LATEST METHODE

IN FIGHTING CRI . SPECIAL AGENT BELL WAS ASSIGNED TOI - ; /,.- In 1* ¢

=~&#39;g1gg}§,_A§3�g=3�- ",fi;�,3�,~,,"�;.�_L�§�QZ ;7@3~.�+;.:-3A.? $1.5s¢ar¢+~évg;1>;»/<--e:1�<b �s/ma /M3 -""°EEEE:3E &#39; AGENT, WHETHER HE wonxs IN THE FBI LABORAT on IN FIELD OFFICES THROUGHOUT THE COUNTRY, LEARNS To

TAKE CARE OF HIMSELF IN A sun BATTLE. HE&#39;S TAUGHT To

sBooT~EAéT...ANB SHOOT STRAIGHT!

THEY WEAR SPECIAL HIP HOLSTERS FOR LIGHTNING-FAST ACTIC

ONE OF THE FBI&#39;S MOST USEFUL WEAPONS IS THE THOMPSON

SUBMACHINE aux. AGENTS USE IT on RAIDS AGAINST

DANGEROUS CRIMINALS BECAUSE OF ITs TREMENDOUS FIREPOWER... &#39; &#39;

.

J.--1:&#39;-5&#39;

824!.;-091;-C - Episode� W J� Page 3SCENE NARRATION

12 G-man THIS BUILDING IS FULL OF GOOD GUYS, LIKE THIS G-MAN

13 Dillinger

1!.; agent walks;

15 -pan crook.»

16 agent waves

17 towel face

1

18 crook draws

189. g-man

18b Dillinger

19 two bad men

I :===s _

20 takes coyer

WEARING A BADGE...

, .

AND THE FOUR GANGSTERS WE JUST SAW. THE AGENT&#39;S JOB

IS TO PATROL THE STREET AND SHOOT ONLY THE BAD MEN.

AGENT BRANT GETS THE JOB!

&#39;THAT&#39;S ALL FOR BABY FACE NELSON.

92 .

A FRIENDLY HUNTER DRAWS A WAVE INSTEAD OF A BULLET.

THIS MAN COULD BE ANYBODY...SO THE AGENT COVERS HIM,

BUT DOESN&#39;T FIRE!

RECOGNIZE HIM? AL BRADY..-

THERE&#39;S THE G-MAN.

AND RIGHT NEXT DOOR - DILLINGER!

WW� THEM//v. " JHO7TWO GUNMEN AT ONCE. THE G-MAN SHOOTS THE ONEAEGOKTNG

AB FIRST...T_HEN THE OTHER.

HERE, AGENT BRANT TAKES COVER BECAUSE HE&#39;S.NOT suna

wanmnmn wars MAN IS nzacnxns FOR A sun, on HISHANDKERCHIEF,

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_ NARRAT ION I -SCENE

21 boy OOOPS...WHER.E&#39;D HE COME FROM? AGENT BRANT TELLS HIM TOCOME OUT BEFORE HE&#39;S USED AS A HOSTAGE.

:1 .

TOO LATE! pause! THE JOB HERE IS TO TALK FAST, BUTNOT TO SHOOT. SAFETY OF� THE BOY COMES FIRST}

22 runs for pole

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. DIRK l . 4Now let&#39;s get back.to the firing range.But first, I hope you have a pencil .and paper handy, because 1n a minute we&#39;regoing to play a game...so you can see -�what kind of a special agent you&#39;d be.�FADE our

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fadé in!...23 agenfq draw ; wait two seconds!... I AT IBM DRAW! ASeFAST AS-�n

. - &#39;3. &#39; BILLY THE KID. THE FBI CALLS THIS ITS DUELLING COURSEWHERE AGENTS TRY TO OUT-DRAW EACH OTHER. &#39;

2L light THIS LIGHT TELLS THE WINNER. �

ZS moving target MOVING TARGET, OR STATIONARY TARGET -� IT&#39;S ALL THE SAMETO THE SHARP-SHOOTING G-MAN.

26 lights THE LIGHTS SHOW.A PERFECT SCORE!

27 LS fire rifle wait for sh0ts!.. TODAY, OUR FEDERAL AGENTS MUST BE&#39;FAMILIAR WITH EVERY TYPE OF WEAPON IN THE ENDLESS WARAGAINST CRIME AND CRIMINALS. wait two seconds!... AREPEATING SHOT GUN IS ONE OF THE MOST POWERFUL...ASTHIS SHATTERED, HEAVY, WOODEN BOX PROVED TO ME.

26 trick shoot nvany FBI AGENT IS A MARKSMAN. IF YOU non&#39;m smnxzvzME...WATCH mars: A

ID

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B2Hl|.-09131--I-O - EDISOIIB C Page 5&#39;!K

SCENE &#39;

29

30

31

32

33

311-

35

36

37

»~~ ._&�_&#39; _~»-�-~,�- 1� pg - , ~�1*Y=�""��&#39; &#39; � ��

CU Dirk

agent fixfepi 5 592&#39;>&#39;_&#39;-2 :

boykman

judo

throw punch

choking

boy tries

< � &#39; aw *2-_~~1..21:1;-<&#39;¥�§~ � �

up steps

NARRATION

NOV SPECIAL AGENT LIGHT AIMS AT THE BLADE OF AN ME..-

THE AE SPLITS THE BULLET IN @.ALF...HITTING_ BOTH TARGET

AND Hun EITHER mum -- mums no DIF M cs: . §5¢"�°fr a6¢..S�no+ 5�! Q�"__~j.-3-L92�+s. bf� k�I5solv§ to! t

AGENTS MUST BE ABLE TO FIGHT WITHOUT GUNS, TOO. THE AACADEMY&#39;S GYMNASIUM THEY PICK UP ALL SORTS OF TRICKS

IN HAND-TO-HAND FIGHTING. . .LIKE JUJITSU. . .AND BELIEVE

ME, IT&#39;S NICE TO BE OH TE LAN&#39;S SIDE.

TAKE MT ADVICE. NEVER THROW A HAYMAKER AT A G-MAN. YOU

MIGHT END UP LIKE THIS.&#39; .;;-.

OB CHOKE HIM, FOR THAT MATTER. LIKE CRIME, IT DOENS&#39;T

PAY. HE&#39;S TRAIRED TO TAKE CARE OF HIMSELF IH ANY

SITUATIOH . . .AGAINST ANY OPPORENT, BIG OH SMALL.

SPEAKING OF SIZE, I GOT MI TURN, TOO -� AHD, A FUNNY -

THING, IT&#39;S ACTUALIE EASY TO THROW A MAN TWICE YOUR �

WEIGHT. pause! NOV TO PLAY OUR GAME! ~ &#39;I-<-92

4 ~1

I CALL IT, THE CASE OF THE WIDE OPEN EYES] &#39;

. .- ._�.4-_m..: ._

TO FIND OUT HOW IT WORKS, COME WITH HE INTO %-F3-I-�S

. .¢.,

B2l.{l;-091;}-C - E1�>Issdo PAgeCENE NARRAT I ON

38 LS classroom VHERE, A CLASS OF NEW SPECIAL AGENTS RECEIVES INSTRUCTION

ON IMPORTANCE OF EPING YOUR EYES WE OPEN. IN

OTHER WORDS, SEE WHEN YOU LOOK. DON&#39;T MISS A THING,

BECAUSE IT COULD LEAD TO THE CAPTURE OF A DANGEROUS

CRIMINAL. pause! THIS MAN FOR INSTANCE. OBVIOUSLY,

HE YEARS A HATCH. BUT WHAT ELSE DO YOU NOTICE ABOUT HIM

THE AGENTSI MUST BE TRAINED TO TAKE IN EVERY DETAIL.

1 HANDKERCHIEF IN HIS BREAST POCKET...DA.RK TIE WITH A SMALLDESIGN...SINGLE-BREASTED SUIT...BRIEF -CASE. TH BE WERE

FAIRLY EASY, BUT A GOOD AGENT CAN TELL YOU THE MAN&#39;S

APPROXIMATE WEIGHT...HOd TALL HE IS...�TZ-IE COLOR OF HIS

EYES. GETTING AN ACCURATE DESCRIPTION IS IMPORTANT TO

THE G-MAN. IT&#39;S A VITAL PART OF FBI TRAINING.

IF YOU&#39;RE LIKE ME, _YOU DIDN&#39;T SEE TOO "MUCH...BUT MOST39 bay writes

OF THE AGENTS HAD HIM PEGGED TO A �T�. NO FOOLING...

THERE&#39;S NO FOOLIN&#39; A SPECIAL AGENT OF THE FBI}

I�. ail

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IFBI Live Action! Page 282hh-09h-C - Episode l

3 MEDIUM SHOT - Dirk Metzger in front of backdrop.

FADE IN -

DIRK

Well, that&#39;s how the game works. Now soyou may test yourself, I&#39;m going to callin a friend of our&#39;s and_give you twentyseconds to look him over, But don&#39;twrite anything until I tell you. Remember...look.°.observe...then write it down.

- looks off stage!Okay Tommy,.. 92 _

Tomy Cole enters wearing Derby hat! dark tie, sport coagg�twith turned up collar, white handkerchief in breast pocke

and he�s carrying across his chest a Mattel thunder-burpmachine gun, his right thumb is bandaged and on his lefthand he wears a huge ring. &#39;

DIRK

, continuing!...this is Tomy-Gun Tommy - public enemynumber one - alias Tomy Cole, Houseketeer.

TOMMY

to camera!Hiya mugs!

DIRK

All right...start looking. _ sets clock! &#39;

Tomorrow, I&#39;ll be back with a couple ofmore surprise cases on how the FBI works,I&#39;ll tell you then what you should havenoticed..;and you can check yourself.

looks at clock,_fiye seconds pass, "alarm goes off! &#39;

Time&#39;s up...so now start writing. Tomyand I will see you tomorrow. So long!

FADE OUT

IQI I� 4

FBI Live Ac!� .! D»821,1;-091+-c - Episode 2 �&#39;Doug Duitsman - 10/lh/S7 1 &#39; g

1 INT. DRY - DETECTIVE OFFICE. CLUTTERED DESK IN CORNER OF ROOMINCOMING AND OUTGOING BASKETS ARE FILLED TO OVERFLOWING WALLBEHIND DESK IS COVERED WITH "WANTED" SIGNS AND BLOWN-UPFINGERPRINT IMPRESSIONS¢ ~ - "

FULL SHOT- - with feet

to Dirk&#39;s

FADE IN-

- Dirk Metzger is sprawled out in chair behind deskpropped on top. Seated to the side is Tommy Cole

dressed in his gangster clothes of yesterday, He&#39;s handcuffedleft hand. Dirk looking at Tommy.� ~

DIRK

turns to camera!Hi gang!

, gets up, Tommyfollows!

Special Agent Dirk Metzger at yourservice...and this 15006

holds upcuffed arm!

...Tommy-Gun Cole -- ex-big shot._ he starts around desk,"Tomy follows!

I&#39;ve got a couple of more cases to showyou today as we continue our "behind-the-scenes" look at the FBI. But first, bt&#39;ssee how you did on yesterday&#39;s "open eyes"case. Tommy...you&#39;ll remember...was ourstar. »0ne of the first things you shouldhave spotted was his hat... p

_ points to � &#39;&#39; each item!...he was also wearing a dress shirt,dark tie, sport coat with turned-up _collar, handkerchief in his breast pocket.He was carrying a toy machine gun...hisright thub was bandaged, and he had thisbig ring on his left hand; If you got alleight, call yourself a super G-man; Butif you also guessed his weight at around135 pounds and his age at about 15, consideryourself a super, super G�man.

unfastens cuffs!Thanks Tommy for helping us play our game,you&#39;re a free man nowi

TOMMY

If you don&#39;t mind, I&#39;d like to stay --I want to see more! - 1

CONTINUED!

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�ll! A �Hg� Page two82hh 09h C - Episode 2

CONTINUED "-Q

DIRKHell, today we&#39;re going to explore �"the Fingerprint Bureau...and see howthe FBI keeps tabs on every knowncriminal in the United States. It&#39;spretty terrific. In-getting the storyfor the Mickey Mouse Club, I was toldfingerprinting is a fool-proof method ofidentification. This was hard tobelieve, so I decided to play a littletrick...and find out for sure, Let meshow you what happened...in a case, Icall, "WHO AM I?� 4

S - - FADE nnm

SE1 Nan-a1_:ion! �;j&_ §/$2/�*2 iDi��*&#39;%2�:;° - EE*i3?§1>"57 , //1» /WM �F �7""-°*ug sman

SCENE

1 mee§,man-

2 explains prints

3 man walks in

92

4 print Dirk

u}--� _*. _-_@

F3§§I A

4

&#39; NARRATION

HE ALL mow MY NAME Is DIRK ME&#39;1&#39;ZGER...BU_&#39;1� WHEN I VISITED

THE F&#39;BI&#39;S IDENTIFICATION DIVISION, I was INTROIl!yCED TO. Pl»./:5/O

MISTER c. LESTER TROTTER, HEAD OF THE , AS

MISTER X. HE HAD NEVER SEEN M BEFORE.-.SO I CHALLENGED

HIM TO TELL ME MY REAL NAM. YOU CAN IMAGINE MY SURPRISE

WHEN HE SAID, "OKAY -- THAT&#39;LL HE EASY...UITH FINGER-

PRINTS...BECAUSE NO TWO PERSONS� FINGERPRINTS ARE THE

SAM!"

IT SOUNDED FUNNY, BUT HE CALLED M FINGERPRINTS MY »

NATAL AUTOGRAPH...AND IT&#39;S ONE AUTOGRAPH THAT CANNOT BE

FORGED. BUT I STILL WASN&#39;T CONVINCED HE COULD IDENTIFY

M. pause for buzzer!... THAT&#39;S WHEN HE BUZZED FOR A

FINGERPRINT SEARCHEH...

A HAN I&#39;D NEVER SEEN BEFORE. HIS NAM WAS HAROLD ,

CHRISTENSEN...AND HE WAS ASSIGNED TO FIND OUT MY REAL

mm: -- IF as comm ,_ -i

dissolve to!

THE FIRST THING HE DID WAS TAKE HE TO BE FINGERPRINTED.

I HAD BEEN THROUGH THIS BEFORE WHEN I QUALIFIED FOR H!

FINGERPRINT MRIT BADGE IN THE BOY SCOUTS. &#39;SO I KNU I

my PRINTS �gs somzwmsas onrxm wrrn mm FBI. BUTrams ms: 315- nxnuou FINGERPBINTS ON-FIIE A 5�WITH THAT MANY, I FELT PRETTY SURE THE¥&#39;D NEVER FIND

HINE. AND EVEN IF THEY DID, IT&#39;D PROBABLY TAKE WEEKS -

mas , I... ,. &#39;_ .. . I-.. , .-.> _ J.

A * l . Q . ;�@&#39;5I A", disselve to! _ v_ .__..._...92&#39;,»_-:.._..__._:_-I-<angq § _.;""1-&#39;»�| &#39;!._? .&#39;. ~ /._ . .. .»...- » »~ _ ~- . ,_ _ . �=1... -&#39; - ~ -

924SCENE

S classify prints

6 opens file

7 CU card

8 HS room

&#39;F¬§§

8 pushes button

92

d2l&l|--O9l4.-C.- Episode Page 2�°~

NARRATION _

FACED WITH THOSE ODDS, I SORT OF FIGURED MISTER

CHRISTENSEN WOULD GIVE UP BEFORE HE STARTED...BUT HE

WENT RIGHT TO WORK CLASSIFYING MY PRINTS. THAT&#39;S HOW

FINGERPRINTS ARE FILED -- BY CLASSIFICATION...AROHES|

LOOPS, WHORLS AND SO ON. A NAME MEANS NOTHING HERE.

NAMES CAN CHANGE...FINGERPRINTS, NEVER.

dissolve to!

AFTER HE HAD MY PRINTS CLASSIFIED HE WALKED RIGHT&PVERTO A DRAWER. BUT I STILL WASN&#39;T WORRIED. THERE NUST

BE AT LEAST SEVERAL HUNDRED PRINTS WITH THE SAME _

CLASSIFICATION_AS MINE. LIKE FINDING�A NEEDLE IN A

HAYSTACK, I FIGURED. ~

WELL, HOW D0 YOU LIKE THAT...DIRK METZGER1 IN A MATTE?

OF MINUTES, HE PICKED MY CARD OUT OF MILLIONS -- AS IF

HE KNEW MY NAME ALL THE TIM. wait two seconds!...

AND ON THE BACK, HE FOUND MY ADDRESS...BIRTHDATE...

AND A MILLION AND ONE OTHER THINGS. GOLLY!

, .

WELL, THAT WAS SIMPLE 2 BUT THE FINGERPRINT DIVISION

AS A WHOLE IS A PRETTY COMPLEX OPERATION. 23,000 NEW

FINGERGPRINT CARDS ARRIVE AT FBI HEADQUARTERS EVERY DAY

EACH ONE IS QUICKLY DATED AND SENT TO ANOTHER ROOM

WERE THEY ARE CHECKED AGAINST THE CARD INDEX SECTION.

I .

PUSH-BUTTON FILE CABINETS MAKE THIS A CONVENIENT, SPEED

OPERATION. FUN, TOO. A SEARCHER CAN POUR THROUGH, |§=,¢a¢A cnbinaf |

75,000 OARDSAWITHOUT EVER LEAVING HER SEAT�.

- i� .n

_ 1}~4_.�_~_" � � @i>~ih»¢ �-� E5 A

. . . �

82M.-09l|.;0 - Bpiuide é 2.}. 3scam: zmmmron .&#39;-

9 HS push button HERE, THE NEW FINGERPRINT CARDS ARE SCREENED TO SEE IF.

THEY&#39;RE ALREADY ON FTIE...AND, IN THE CASE OF A CRIMINAI

IN THE HOPES OF MAKING AN IDENTIFICATION. FINGERPRINTS

OF SUSPECTED CRIMINALS AND THOSE FOUND AT THE SCENE OF A

CRIME ARE RECEIVED HERE FROM POLICE DEPARTMENTS ALL OVEP

THE COUNTRY. � &#39;

10 men classify WHILE THE LADIES ARE BUSY, THE MEN ARE BUSY; TOO --&#39; &#39; CLASSIFYING NEW INCOMING PRINTS. ALL PRINTS SENT TO

THE FBI FOR A RECORD CHECK ARE SEARCHED SO POLICE CAN

BE NOTIFIED AT ONCE OF ANY CRIMINAL RECORD. THIS IS

5 HIGHLY TECHNICAL WORK. ACCURACY IS A MUST!94- _

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. - fade in !

92

UPPER-RIGHT HAND CORNER OF EACH NEW FINGERPRINT"CAR$9IS PHOTOGRAPIED. THIS IS TIE WAY THEY MAKE INDEX CARDS.

THE UPPER�RIGHT HAND CORNER CONTAINS ALL THE INFORMAT I015

NEEDED -- NAME, BIRTH DATE AND SO ON. ;

EVERYTHING IS DONE IN A� JIFFY. TIE ROLL OF- FILM ISDEVELOPED ON A PHOTOSTAT MACHINE -- -EACH PRINT BEING

EXACTLY THE SIZE OF TIE INDEX CARD. THIS MACHINE

HANDLES 1,250 CARDS AN HOUR...SAME AS THE CAI°IE&#39;RA...AN&#39;D

IT SURE BEATS HAVING TO TYPE EACH ONE.

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821114-O91;-C - Episode ii O � 0 Page I4.SCENE

13 copy machine

ZIJ4. paper out

15 LS office

16 looks in micro.

>-.

NARRATION

wnzu A CRIMINAL&#39;S FINGERPRINTS ARE SENT IN BY POLICE&#39; an em: �u! wH..&#39;.s1*1:f-FLFI1-i�-$4_d£.2-� "ONLY ONE CARD IS KEPTF%RIlIIEHIiIHhIEIIIIi. ANY

REMAINING CARDS ARE FILED IN A JACKET ALONG&#39;�ITH A I. �

FRESHLY PRINTED, UP-TO-DATE cor! or HIS Rosie RECORD./IJ¢In+|- #0� Q I + 0!�

THAT&#39;S WHY THE FBI IS CALLED THE CENTRAL CLEARING HOUSE

FOR CRIMINAL IDENTIFICATION IN THE UNITED STAXESI..I!¢.92f.�~&#39;¢*¢�f-&#39;c&#39;92 _f¢s0C_BAL{ If� "Lt-BECAUSE AFTER THEZS§§22;E§;Asé2¥h;:oiII IS nswugyzn In

THE POLICE...AND THEY KNOW IN A MINUTE OF THEIR susranr

CRIMINAL ACTIVITIES ANYWHERE IN THE co�nway. &#39;

&#39;.a

THE FBI ANSWERS THOUSANDS OF REQUESTS EVERY-DAY FROM

POLICE DEPARTMENTS SEEKING INFORMATION THROUGH FINGER-s

PRINTS -- THE IDENTITY OF A LOST PERSON...DISASTER

VICTIM. IN LESS THAN THREE DAYS, THE ANSWER IS ON ITSWAY!

IT&#39;S REALLY TERRIFIC HOW THEY CAN TAKE ONE LITTLE

FINGERPRINT...PICK OUT A UNIQUE QUALITY...AND TRACE ITTHROUGH MILLIONS TO THE RIGHT PERSON. MISTER CHRISTENSESHOWED M HOW IT&#39;S DONE...BUT ONE QUESTION STILL

BOTHERED ME. HOW DO THEY GET SOMONE&#39;S FINGERPRINTS I?HE DOSN&#39;T WANT TO GIVE IT? pause! IT WAS AIFOOLISHQUESTION] I HAD LEFT MY PRINTS ON THE TELEPHONE.

821}-I-I.-09�-FM-&#39;0� - Episode ii 0 Page 5scans =1 __ " ..nRATION

17 gets bottle

18 shows print

19 title

20 enter room

21 pix starts

-Q

Iv

TO MAKE THE INVISIBLE THUMBPRINT AND PALM IMPRESSION

STAND OUT, MISTER CHRISTENSEN USES A LIGHT COLORED

POWDER. THAT&#39;S BECAUSE THE PHONE IS BLACKa IF IT WERImum, mm usn BLACK POWDER. &#39;1

. &#39; - .

THERE...AS PLAIN AS DAY. NEXT HE WOULD PHOTOGRAPH IT -

THEN LIFT IT WITH BLACK TAPE. THAT WAY, IF THE TAPE92 .MARRED THE PRINT, HE&#39;D STILL HAVE A PICTURE OF IT.

DUST...PHOTOGRAPH...LIFT -- mass MORE nmsonscams nozswr PAY. BUT T/"5 FBI �A5 �HERwm/5&#39; To CA"?!-H I»-1K0/mD0§,R S&#39;

AND NOW, THE.CASE OF TH ENEMY SPIES.

AS A FEDERAL AGENCY, THE FBI&#39;S NUMBER ONE JOB IS TO K32

AMERICA FREE OF ENEMY SPIES. IN ONE OF THE LECTURE

ROOMS, THEY WERE GOING TO SHOW AN ACTUAL FILM TAKEN BY

FBI AGENES nming was INVESTIGATION or-&#39; AN ENEMY srz K/N�JUST ¬ r~ --a~nze-Bxm:r�1qz wonm WAR II. THEY GAVE ma: A szn RIGHTUP FRONT. &#39;

QUALITY OF THE FILM WASN&#39;T VERY GOOD.;.BUT, AS EVIDENCE

IT SURE DID THE JOB. THE FILM WAS TAKEN THROUGH X�RAY

GLASS FROM AN OFFICE NEXT TO THE MEETING PLACE OF THEENEMY SPIES. IT WAS ONE-WAY GLASS -~ THE FBI COULD SEE

THROUGH IT, BUT TO THE SPIES, IT LOOKED LIKE A MIRROR.

1u92

:192s�,- V i�l�.

I

&#39; &#39; * MEDIUM SHQT 3%.; ;?;>�__ M llFADE *� "

DIRK �

Yes, in peace; or war...the FBI does a &#39;big job keeping our country safe td live�in. Tomorrow, we&#39;ll go looking for clue 8000and follow FBI agents ate bp y step as theytrack down a bank robber. I hope you&#39;lljoin me then. So long. -

FADE GUT

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-1 R-;i�5;&;&#39;l ~.

MEDIUM SHOT Dirk stand 1 E Ar_. ...,,,. __&#39;-~�:i:.:=�T. . V,-.~,-. .., 3- _-" "-._,_».~¢: &#39;�%§

s co ing at pictures ot&#39;b1o -.�Q%~R&��u@w&#39;%*a finger 1 tpr n n -hanging on wall behind ieaké� ~§*�5--"�»-"=5-5

zsa�_ . ,3�-, &#39;7;-.&#39; "vi

turning toward;&»�I>w

_J� &#39;1.-.-. ..>~,."" .-Ptf�_.,.� Acm,-. -~~- .

camera, walks over_ to desk!

Let&#39;s return now to complete our inspectionof the FBI� s modern Fingerprint Bureau,>§§?

EE FADE OUT

sang-o9u¢cSCENE

22 camera

23 camera

/I" "Ir

> 1 ..._

C

J-I], V�3&#39;

&#39;1-_¢ _-v me-

.-_

- Episode 2 U _. U P8136 6NARRATION

A SPECIAL CAMERA TOOK MOVIES OF EVERYTHING THAT WENTON... A CLOCK AND A WALL CALENDAR SROUED THE EXACTTIME. THE ENEMZ AGENTS WOULD BRING IN STOLEN SECRETSAND TURN THEM OVER TO THEIR LEADER -- WHO WAS REALLYA counmnnsrz FOR THE FBI. THE ROOM was ARRANGED so THESPY wounn ALWAYS sxw FACING was CAMRA.

92 .THIS WENT ON UNTIL THE FBI KNEW EVERY MEMBER OF TEE; SPYRING. 33 SPIES WERE ARRESTED AND YUT BEHIND APERFECT JOB -- ONE OF MANY BY OUR FBI. .

14.�! *3�-.�<,&#39; -u-92v- ..,. .- . .&#39; -_ . 7,1. 7?.�»_*- &#39; �-&#39;<c--~-:- ». - -,. _. _iv _. I �;~ 1 _, E? . _~&#39;V &#39;q;g.~&#39;_.-_�_~ ..,-... F� Q _.&#39; . � � � > &#39;.&#39; - . . > - . . &#39;~ 1~ _ , . e 0 . &#39; ~ . , � .� " ¢:&#39;-- -~ we"-~§_~ - A� .&#39;... .&#39;*.- -... :».;..~_".&#39;~..&#39;¢ ».&&#39; _-.,¢C �92-"v-92""-�¢~il�92 Joni�--�-&#39;~ &#39;92&#39;v¢- �: =-�- --<-5 - �*4-&#39; "-

~ § ~

FBI Live L: G!. .B2hh-09h-C . d 3Doug Duitsman - I8/IQ/57

1

>-

INT.DAY - DETECTIVE OFFICE. SAME SET USED IN PREVIOUS EPISODEFULL SHUT - Dirk is leaning over desk rumaging through paperslooking under books, etc. There&#39;s a long printed nemtie inthe middle drawer, out of sight.- ;FADE IN .&#39;l

DIRK

muttering tohimself! &#39;

I know it&#39;s here someplace... looks up to Ldiscover audience!...Oh, hi, everyone. I&#39;ll be right &-with you. - &#39; &#39;" continues search,finally pulls outmiddle drawer!

H$re 18... �&#39; � pulls out tie!...One of the clues in today&#39;s bigcase. " -

starts aroundto front of desk!

If you missed our first two episodes,my name is Dirk Metzger...

jumps up and sitson desk!

...and I&#39;m right in the middle of tellingyou all about the FBI

CAMERA starts to dolly in.

DIRK _ continuing! _You know, the collecting and safe keeping

of evidence... gestures&#39;withtie!

is a vital part or FBI work. Police, too,for that matter. Without clues, a criminalwould seldom be caught. Luckily though,they all seem to forget something. _¢

jumps down off desk! 5In gathering my story on the FBI... _*

starts back A �around desk! �

...I got to visit the scene of a make-believe_ murder. It was a training exercise for new

agents and the clues were planted. That&#39;swhy I call it... -

� ,%I1?/~¢é-5%�, &#39;7 &#39; � °�FADE OUT

.3>45-3&#39;

~1,.921&#39;,»

92�

FBI Narration! �&#39;l H "Ag82m-091�-c - Episode 3Doug Duitsman - 10/11/57

scmm

1 title

2 seareh.scena

3 put in bag~

N measure

5 agents search

NARRATION

...THE CASE OF TOO MANY CLUESI _

IT TOOK PLACE IN A WOODED SECTION NEAR THE FBI ACADEMY

IN QUANTICO, VIRGINIA. A WOMAN&#39;S BODY HAD BEEN FOUND.

IT WAS ONLY A DUMMY, OF COURSE -- BUT AS TRAINEES, OUR

JOB WAS TO FIND EVERY SINGLE PLANTED CLUE. THE NECKTIE

WAS EASY.92 .

IN REAL LIFE, CRIMINALS RARELY LEAVE SO MANY CLUES.

BUT THE TRAINEES LEARN THAT EACH PIECE OF EVIDENCE MUST1

BE PROPERLY COLLECTED, IDENTIFIED AN!EXAMINED...OR IT

IS OF LITTLE USE LATER ON IN THE COURTROOM.

THE LOCATION IS IMPORTANT,

EXACTLY WHERE EACH CLUE IS

INCH. &#39;

I DISCOVERED THERE&#39;S A LOT

THE SCENE OF-A CRIME...AND

NEW AGENTS LET ME HELP. I

TOO. THEY MUST,RECORD

FOUND -- RIGHT DOWN TO THE

OF DETAIL REQUIRED IN smn

I FELT» PRETTY LUCKY THAT TFIE

DID PRETTY soon, Too -- IF I

DO SAY S0 MYSELF. I WAS FIRST TO FIND THE GUN wad?

.u5 AUTOMATIC. pause! m015�?-@ 3&#39; i� GE.

6 pup gh I00�Mn �gal� +0 mmITmn-.wTmn-emmm�sm .2 M�%@5§�

.9c c K. Scan:L4nu:Lin=h�8

car-fr my S, -

� .82hJ.|.-09l.|.-C - Episode 3 Page 2SCENE

B find shells

9 measure

10 walk to door

11 closer angle

12 CU Dirk

>-

mnmvrron

nor FAR AWAY, I FOUND -Iwo FIRED srmus. I PICKEZD mamur wnn A THIG so I WOULDN&#39;T ma mm cmsxms. IF. I

ManSCRATCHED THEM AGEMS Mm TO CU-ECK TO SEED

IF THEY WERE FIRED BY THE GUN I HAD JUST FOUND.

OF COURSE, ALL THIS CALLED FOR MORE MEASUREMENTS.

wait three seconds!... SEARCHING THE SCENE OF A CRIME-- MAKE-BELIEVE on NOT -- was AN INTERESTING .IoB§?*&#39; BUTom: THING STILL BOTHERED ME. wan cm ma: FBI FIND omFROM ALL nus EVIDENCE�! &#39;

&#39; dissolve to!

I FOUND THE ANSWER AT THE FBI&#39;S LABORATORY IN WAS!-IINGTOI?. $_$I.S2&#39;:6./.v1". 1! 1.&L<2.&#39;.c_&D. c. THE MEIR� IN amass Is A MAN NAMED masons --

MISTER DONALD J. PARSOBB, WHO HAS BEEN WITH THE FBI FORMORE THAN go mans. - I

gen! ~ pqom-|1&#39;¬&I ourzss MAYBE H3 HA8 Ai�ii on oi wno IsA MICKEY MOUSE CLUB FAN...BECAUSE THE MINUTE I TOLD HI};WHAT I WANTED...AND FOR WHOM, HE II&#39;IMEDIATELY PICKED UPTHE PHONE.

=4I DIDN&#39;T KNOW IT AT THE TIME, BUT THEY HAD RECEIVEDWORD OF A BANK ROBBERY IN NEW YORK...S0 HE CALLED IN ONEOF HIS STAFF -- AGENT RENE BIDEZ TO LET ME FOLLOW THECASE!

I

I92

- _ _ 1 &#39;827.114. 091+<C Episode �g Page 3SCENE NARRATIO

13 title

114. down hal-1 &#39;

1E �bit le

-.- -1

16 walk into room

1

17 puII Out note

18 to f1lesA &#39;

~�.�C&#39;

I CALL IT, THE CASE OF THE BUNGIED BANK ROBBERY...AND

YOU&#39;LL SOON SEE WHY! -

I FOLLOWED AGENT BIDEZ DOWN THE HALL TO A ROOM CALLED

THE DOCUMENT SECTION. THAT &#39;8 WHERE THEY HAD THE FIRST

BIG CLUE... » _

92 .. . .THE MISSPELLED NOTE! ..

- .. ..

THE DOCUMENT SECTION IS WHERE ALL HANDWRITING AND

FORGERY CASES ARE HANDLED. H IN THIS CASE, THE BANK

ROBBER PASSED A NOTE TO THE TEIJIER. IT WAS QUICKLY

SENT TO THE FBI...MARKED SPECIAL!

LIIE ALL EVIDENCE, IT WAS WRAPPED IN PLASTIC...FOR

PROTECTION. IT READ, �THIS IS A STICK UP.� &#39; BE QUITE

AND LIVE." ANYONE CAN SEE THE ROBBERMEANT TO SAY

"QUIET" INSTEAD OF "QUITE" -- BUT THIS WAS THE FBI&#39;S

FIRST IMPORTANT CLUE.

AS I _WAS_8OON TO FIND OUT ONE�0F THE ."FBI �S MOSTI ,� _?-< &#39;- - f-. ~ i , .

IMPORTANT LABORATORY AIDS IN FIGHTING CRIME -IS THE

REFERENCE FILESNAND THAT&#39;S JUST �HERE THE HANDWRITINGEXPERT BEADED. E FEE CONTAIN� ALL KINDS OF� HAND-

WRITING SAMPLES. . . COPIES OF FORGED CHECKS. . .ANONYMOUS

IET&#39;1&#39;ERS...AND EVERY KNOWN MAKE OF TYPEWRITER LETTERS.

THE JOB IS TO MATCH THE NOTE AGAINST SIMILAR NOTES USED

BY BANK ROBBERS IN THE PAST.

19 finds note

20&#39; donipares note

is

21 waves goodbye

22 CU examiner

»-I:

&#39;2}.<.~

.�__:�_3, 1 ..&#39;

-;...,<&#39;_�..,

�r ...-"V-.92-1.5 A-,--=&#39;.--W -<-,"J.-~= _ A,..._. -I".�.~: .&#39; �.-<.--.,.

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SCENE NARRATION

LOOK! THE SAME NOTE! WELL, ALMOST ANYWAY- THE WORDS

"HOLD UP" HAVE BEEN OHANGED TO "smcx UP" - BUT "QUIET"

IS ALSO MISSPELLED.

!- THE HANDWRITING EXPERT NOTES THE PRINTING IS PRACTICALL

. IDENTICAL...AND HE IS ALMOST CERTAIN ONE MAN WROTE BOTHmoms. on THE BACK, HE FINDS wan ma mms -- TEE MAN�

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I LEFT THEN BECAUSE I KNEW THE EXAMINER WOULD BE BUSY

FOR THE NEXT FEW MINUTES. HE HAD TO RELAY THIS

INFORMATION IMEDIATELY TO THE FBI AGENT IN CHARGE OF

BANK ROBBERY INVESTIGATIONS.

IN A MATTER OF MINUTES...AND WITHOUT MOVING MORE THAN~ 15 FEET FROM HIS DESK, THE FBI AGENT WAS SENDING OUT Tl

NAME OF A GOOD SUSPECT. I GUESS THAT&#39;S WHAT THEY MEAN

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ElllL.PACT up_| s N E Y T33,500 wan._�.Ve.!t Di: =.cy&#39;a "new seven-yea:t an exec prodtcer and generasupervisor o1 Disneyland will be

voted upon by Disney stockhold-ers� May 16 mceti� in Burbank.According to pro _es sent stock-

holders yesterday, new deal hasalready been approved by Bank of

§America, National Trust vi Sav-ings A:::.;n., and Pr92.*.:le.i-tisl Insur-ance Co. of America, from whomDisney company has made substan-tial loans.

Under terms of new sgree_mentdated Jan. 1 1981, .-&#39;:&#39;alt Disneywill receive $§ 500 a week, increaseof $500 weekly and $1,668 eachweek in deferred gaymrts to himor his family on eath! for periodgit one and a half tunes length of

se cea.Payments, according to roxy,represents increase of $26,080 an-

nually. The deterred _ paymentswill begin with expiration ofseven-year deal or extensionthereof, but not later than Jan. 1,

Diane also is to be availablefor conégtation during G-efcrreda . ~ -.péglfifra also will vote on an

amendment to continue contractof WED Walter E. Disney En-te rises! to render architecturalan? desé�lng services to Disney-land so s,10ss."Disneyla:dek 1:11.!� �:5! WED

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Patents and eo yrights "&#39; by-Qitllir Eall�es sbalf be jointly

tstobemew cosA_ _bo=l-a-hpn em. .Durin �scal &#39; year ended Oct.1, 1960,�!isneyland paid WED En-

terprises $181,000 for services.Under new amendments, e�ectiveFeb. 17, 1961, pro�t would havebeen agrproximatcly $65,000, beforetaxes, �Which is more in line withbasis of fccs charged by otherarchitectural and designing �rms.�

19% Of �Moon Pi!ot&#39; . -� _Disney&#39;s contract dated April 8,1958, called for $8,000 weekly plus

expenses; also 25% option in foa-ture �lms live! which he mustadvise before production starts. Heis to contribute in proportion ofinterest acquired in such �lm :!,He recently acquired 10% in "MoonN39 &#39; 0 ld &#39; 1 i i

isneys o pact axaired De¢_81, 1959, and was extended a year.. Anderson�; Pay 806 " &#39;

-For the �scal year ended Get.1 1060, Disney received $156,000;William XI, Anderson, veepee incharge of studio omrationa and di-rc�tof, $89,000: y O. Diane ,president and director, $52,000;Cardon Walker, veepee in chargeof advertising and sales director,$31000: Gl,}Xl¬IQ;d.R. Leasing, vice;c mnan o oa veepee, generacounsel and director, $31,800. I ,

Purina same year, WED waspaid $188,885. Gross income of thecompany in respect of which suchroyalties were paid amounted to$2,811,181. WED made rental pay-ltlhlaiiianeyland of $164.27 ns all ga Jo railroad, an:�i¢�09?0;0.on okra on o1__monora&#39; systems

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alt Disney CallFor Boost ln P �

_ New srn�vymem contract with WaltI Disney. to voted on by stockholders_ at the soecial meeting called for Mayl6pat the Disn?dstudio,fcalls for a hike;ln_l$n &#39;swe romthenres-I_! en _$3l%O to $35Y08,&#39;y according to p statement mailed to stockhol rs "&#39; ye terd-ay. Shareholders also will be.&#39; asiévi to ratify the recent merger "ofwholly-owned subsidia Disneyla d| Continued on gage 4!, ___mi� _FlZontinued from Page I!_ into parent com ny. In the fiscal: year ended last I, Disneylandeam net profit of $l,408.789.I P ;.y statement also discloses that&#39; undo" his old contract Disney was givenj an option to buy an undivided owner-j ship interest of up to 25% in -. any mo_ picture except cart

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Nd thTrue Lite Adventures" 0:0�: f&#39;P .. I� and Places" series! Droduced byeopth:i cl�-lmpany, such option being exercisable .-rior to start of a picti.-re and requiring _�lm to contribute to the cost Of theProduetion, buttodateDi$neyhasnotexercised such option except for a re-cent l0% interest in the film tenta-tively titled �Moon Pilot." _

The pay boost asked by Disney is tocornperuata for services in connectionwith Disneyland which Disney�: WVEnterprises has been servicing at l &#39;than cost for several years. .Proxy statement also shows tWilliam H. Anderson, v-p in chargeDisrlley studio operations. is paid $89,-a year R 0. Disney. president,$5 000; ?ardon Walker, v-p,$52, , end Gunther R. Lessing. gem .arai counsel, Vice-dtairrnan, $31, 00e_ _ _ .-_. __.~ _ *

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&#39;-�=73, blvated Film WI,not-.111: 92 � . Los Angeles Herald-_ ed 4.8118� m 1-hiQlfgmkygnnmmm f Express

Date 11- /1 1-;

Los Ange lea Division

Editor: IEKRT H.KRAUCH

RE: PEOPLE-&#39;I�0�PEOPLEPROGRAM

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FEDERAL BUREAU OF INVESTIGATION

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COVER SHEET

SUBJECT: WALTER ELIAS DISNEY

PART 2 OF 2

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FEDERAL BUREAU OF INVESTIGATION

FREEDOM OF INFORMATION/PRIVACY ACTS SECTION

SUBJECT: WALTER ELIAS DISNEY

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an an e�rea&#39;han1_,�Leo cowboy," and Mickey Mouse�: melger, Walt Disney, were standing staunchlythe House Un-American committee this _waek es� {cur and maybe &#39;more_$o come! screen

were cited for cuntempt. e. _~ - e_

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kkic lizhi-s..�lute Chair-5! uddrasedisaying:

committee he ioundno �eld when communism inmore �rmly entrenched than inlloHyvee|l."_ .

�_l�!-I2 CITATIOI8 met withehindignant roar of the movie-goingpublic; angered by the penecutioni0! the screed writers, whose scriptsare hnwn to be devoid or my;mlk w the Yiarricades. " f

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At the same time,� Cari1lo}��led a -telegram with the commit--!he congratulating it on its work;§WalL_-Disney likewise. Disney.�hawever, behtedly shied that hema not intended to leave the �im ~=u&#39;»°passion," when he testitied oou-�

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� C ad or alive. Ir. CLRISON also e Loo angeles Local dxapter of theAmerican Federatiorfof Téachers has been doninated by Communists.� Many teachers,he added, have refused to Join thfunien because of its Communist leanings and __have complained to the Brent Union. Hr. CARLSON related that n recent schoolboard election in the City of Los Lngeles brought out 24, 51.3 votes for_an unsuccessfulCommunist candidate which in itself is a null proentage but indicates the strengthof the Party.

,W?i&#39;;§ISNE! also appeared before the House committee on Un-inerican Activitieson October Z, 947 and stated that the artiste had been trapped by Communist laborleaders and that one Bellywood mien leader once said he could use the Hatinal LaborEelatisns Beard �as it served ite�purpese". no-. mam nanod Ir. amzszur roisoxusm, .head of the Conference of Studio thiens, as the nan the called a strike at th Disneystudies and refused to agree to an election in the plant. At the insistence of hisartists, llr. DISIEI said he demanded a plant election to determine if Mr. SOREIELLhad the majority he claimed onong the artists. -llr. DISNEY, the last witness before.the Committee recessed its investigation of Communion in Hollywood for the weekend,said he believed llr. SORBELL� was a Cenmmist and added that the first groups to sneerhim after the strike was called were the Communist front organizations throughoutthe world. nu-. msm-:1 listed as commno front organisations &#39;mVoterel, "The Peoples World", "PIP, and "me D15-11 Iorkeri. lg. 915573! said Communists17d&#39;r�i�t�>Ehind the labor novnent and believed they should be smoked out so that trmliberalisn by real Americans can go on without the taint of Communion.

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0; the following day llr. ILL�! DISNEY sent� a telegras. to ti: House Committeeon Q;-goo:-ions Lgtivitigs and stated um. he had erred the previous aai"�"Ei�5""�-testimony wherein he called the league or Iomsn Voters" a Communist front organization.He wanted to have this statement stricken from the record, stating that he was inerror and that the "League of Ines Voters" was not a Communist front organizationas he had previously stated; this� te1&#39;s&#39;gram�wss�r&#39;ead into the record by �llirnan�IHOMAS of the House Cennittee on In-American ietivities. ~ o

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CONTENTS &#39;

ktoba II, 1041: -Tuthnony d-

B. A. Smith ............ --.- ............... --. ...... .-..-.A. B. lackie ............ -.. ............... --.-----..--....Louis J. Runall ....................................... --.-Jack L. Warner ......... -.. ........................... --.-Samuel Grosvenor Wood.--.-.... ........ --.. .......... --..Louis Burt Mayer ..... -.&#39; ......................... --.-_.......Ayn Ram! ................................... --. ...... --.-

October 21, IOQ7:Tl�mony d�- a

Adolph Meajou ......................................... .-John Charles Mo�tt ..................................... _.Rupert Hughes ................................... --.----.

October 22,1047: , �~~Tutimony of-

Jamel K. McGuinn$ .................................. ..,Robert Taylor ........................................ --..Howard Rushmore" - ................................ .-.--Mon-ie Rynkind ................................ --. ...... -.

October 23, 1947:Tctimony d�� "

It-ad Niblo .... _-------..----.._--.-..--------------------.Richard Maa.u.lay----.-.-_---------..----.---.-.------.-...Robert Montg0mery-_..-----.---.-.-.---------.------..---.George L. Murphy---;_------.-.--..-----.----...---.-.-----

Ronalg°13eagan.--.---...-----...------.-.-----..----.--..--G1?! P"-----~-------------~---------------------~-~Ian McCarty ........................ -.---------- ....... ..

October M, 1541: .Toatimon 01-

lah Bogus ..................... --. ............... .-.-Oliver Carlson ............................. --: ....... --.--Walau E. Dinnoy ................................. .-..-....

@October 27, 1947:

Teltimony ol-John Howard Ipwaon-. .............................. --.-_--louin J. Rmmrll ................................... -._-..-.-E-is Allen Johnston. ........................ --..........-.

Ootobor 28, 1947:Tqaimony d-

Dalton Tmmbo ............................... --;-....-.--Louis J. Banal] ............................ -..-..-...---...Boy M. Brewer ......................................... .-

immanent of Paul V. IeNutt.. ........... -.------.;...---..-...-Tutimony d� &#39;

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218 coanmmsar IN awrron rrrmma rxncsrrrr

Actors Guild, aa to the possible in�ltration within that organization.Aa you are aware we have heard numerous witneses on theWriters Guild. Those are all the questions I have at this time.

The Pmmlax. Mr. Wood!Mr. Woon. No queaions.The Clumaux. Mr. Nixon!Hr. Nrxox. No� uastions.The Caar1rru.92&#39;.%Ir. McDowell!Mr. McD0wu.r.. No gestions.The Cnamarax. Mr. ailt -Mr.~Van.. No questions.The Crnraarax. There is one thing that vou said that interested me

very much. That was the quotation from Jefferson. That is just whythis committee was created by the House of Representatives, toacquaint the American people with the facts. Once the Amencanpeople are acquainted with the facts there is no question but whatthe American people will do a job, the kind of a job -that they wantdone; that is, to make America just as pure as we can possibly make it.

We want to thank you very much for corni here today.Mr. Ruoax. Sir, if I might, in regard torihat, say that what I wastrying to and didn�t do very well, was also this other fear.I detest, I a hor their philosophy, but I detest more than that theirtactics, which are those of the �fth column, and are dishonest. but atthe same time I never as a citizen want to see� our country becomeurged, by either fear or resentment of this up, that we ever oom-promise with any of our democratic princigg through that fear orresentment. I still think that democracy can do it.

The Caaraarax. We a with that. Thank you very much."Mr. Smith, Mr. Russelirhlr. Leckie will escort those three witnesesfrom the room, please, if they care to go at this time.

The Chair would like to make this announcement. The Chair wouldlike to announce the witnesses for this afternoon. The witnesses thisafternoon will be Mr. Leo McCarey and Mr. Gary Cooper. We wi�recess until 2 o&#39;clock.

Thereupon, at 12 noon, a recess was taken until 2 p. m.!~ AFTERNOON ESION�

The Cnamxax. The meeting will come to order. Everyone willplease take their aeata.

The Chair would like to announce at this time that the witnessesfor tomorrow are Mrs Lela Rogers, Mr. Boy Brewer, Mr. Walt Disney,and Mr. Oliver Carlson. I

The �rst witness. _Hr. S1&#39;ar:rr.mo. Mr. Chairman, there will be two witnesses this after~

noon, Mr. Gary Cooper and Mr. Leo McCarey. After that, thanare crane matters that may be taken up in executive session, if that ispom e.

The Cmumrax. The committee will meet in executive session thiaafternoon when the hearing ia concluded to take_ up thoee_mattera.

Hr. Gary Cooper, will you please stand and raise your right hand!Do you solemnly swear that the _t.estunon you are about to give isthetruth thewho etruth,andnot.hrngbuttliatmth,aohe1pyouGodl9

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The CHAIBXAII�. The meeting will come to order.Mr. Stripling, the �rst witnes.Mr. Smrruxo. Mr. Walt Disney is the �rst witnes, Mr. Chairman.

big? Cmunxax. Mr. Disney, will you stand and raise your rightDo you solemnly swear the testimony you ere about to give shall¬!dtl;e truth, the whole truth, and nothing but the truth, so help youMr. Dlsxzr. I do.The Camuux. Sit down. ~&#39; .

TBTIIOIY 01&#39; WALTER E. DISNEY yMr. Snmnmo. Mr. Disney, will you state your full name and prm~cut address, lease! &#39;PMr. Drsxzr. Walter E. Disney, Los Angeles, Calif. .Mr. Snnuxo. When and where were you born, Mr. Disney! __

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coummxsm m MOTION ricroiu: mnusrnr 281

Mr. DISNEY. Yes. sir. �Mr. Snurnmo. What is your occupation!

~ Mr. Dis»:-E:-r. Well. I am a producer of motion-picture cartoons.Mr. STRIIPLIKG. Mr. Chairman, the interrogation of Mr. Disney

will be done by Mr. Smith.The CHAIRMAN. Mr. Smith. � &#39;Mr. SIITE Mr. Disney, how long have you been in that business!Mr. Disxizt. Since 1920.Mr. Satrra. You have been in Hollywood during this time!Hr. Disinrr. I have been in Hollywood since 1923.&#39;~/Mr. Surra. At the present time you own and operate the _Walt Dia-

Q B b Qilif Qiie ttudio at ur an �L &#39; .{I12 Dismrr. Well, I am one of the owners. Part owner.Mr. Santa. How many people are employed there, approximately!Mr. Disxnr. At the present time about 600.Mr. Sitrrn. And what is the approximate larget number of em-

ployees you have had in the studio? &#39;Mr. DIBXEY. Well, close to 1,400 _at times. _

_ Hr. bxrn_1. Will you tell us a little about the nature of this par-£i §_l:;il-a£s§i<�l,::c;,ytei;e�type of pictures you make, and appronniatelysir. Dx.s192&#39;§r.b:&#39;uel;, Enninly cartoon �lms. We make about 20 short

cu jects, an a t eatures a year.Mr. Sxrra. Will you talk just a little louder, Mr. Disney!Mr. Dlstitr. Yes, sir.Mr. Sitrra. How many, did you say! -Mr. DISNEY. About 20 short subject cartoons and about 2 features

per ear.Msi. SMITH. And some of the characters in the �lms consist of--�Mr. Disxzr. You mean such as Mickey Mouse and Donald Duck and

Snow White and the Seven Dwarfs, and things of that sort. ~Mr. Surru. V�iere are these �lms distributed! _Mr. DIBXEY. All over the world.Mr. San-rn. In all countries of the yorldt �Mr. Disxzr. Welhexoept the Bumian eountries. _ &#39;�r. SMITH. Whv aren t they disti_&#39;ibuted_ui Russia, Mr. Disney!

r. Dmxzr. Well, we can t do business with them.Mr. Smra. What do you mean by thatt .

_ Mr. Disirzr. Oh, well, we have aold_them some �lms a good many§ars_ ago. They bougtht the Three Little and used it throngussia. And they loo ed at a lot of our egictunes, and I think theyran a lot of them in Rusia, but then_tiirn_ them back to us and saidthey didn t want them,_they didn&#39;t suit their purposes. _ _foiiriéfilglrgdagsthe dialogue in these �lms translated into the various

&#39; /� Mr. DERBY: Yes. On one �lm we did 10 foreign "versions. Thatwas Snow White and the Seven Dwarfs. _ _

Mr, Satrni. Have you ever made any pictuies in your studio thatcontained propagnda and that were propaganda �lms!

Mr: Disi~&#39;_z1. _ ell, during the war we di _. We made quite a few-�worlnng with different Government a_%icies. We did one for theTreasury on taxes and I did four anti- itler �lms. And I did oneon my own for Air Power. _ - -

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$2 � XIMHUNISH IN MOTION PICTURE INDUSTRY

_ Mr. Sim-ix. From those pictures that you made have you any opin-ion as to vghether or not the �lms can be used e�ectively to dimeminatepro van ahi!:PD1sr:i:r. Yes, I think they proved� that. _

Mr. Sairru. How do you arrive at that conclusion! .Mr. Dxsznzr. Well, on the one for the Treasury on tans, it was to

let the people know that taxes were important in the war e�ort. Asthey explained to me, the had 13,000,000 new taxpayers, people whohad never paid taxes, andy they ¬?l8_lDBd that it would be ;r£{>ossihleto_prosecute all those that were elinquent and they wan to putthis stoigebefone those poo le so they would get their taxes in early.I made �lm and after the �lm had its run the Gallup poll or -nation polled the public and the �ndings were that 29 percent 0§�a�0people admitted that had in�uenced them getting their taxs in earlyand givmg them agicture of what taxes Wlll do.

Mr. Sam-a. Asi e from those pictures you made during the war,have you made any other pictures, or do you permit pictures to bemade at your studio eontaininghprop daiMr. DISNEY. No; we never re. the war we thought itlass thdi�erent It was éhe �rséh time we ever allowed anything&#39; e t to in �lms that otlnng� &#39; tn Q;�lms that wgld be liarmful in aenynivay Sig any ;-oup orWe have large audiences of children and di�erent grou and we tryto keep them as free from anything that would o�end atiyyjhody as pos-ailila We W0l&#39;1k!g!lJ�d time that nothilng of that sort creeps in.

- $lI&#39;l&#39;H- studi thetime that you beliezrguare amnguhqgdr l§a.3s:i;rt, 8H!pl :>;:d theprerlsentHr. Disrmr. No; at the present time I feel that everybody in my

atndio is 100 percent American. &#39;Mr. Sllrrn. Have you had at anyutiime, in. our opinion, in the past,have 581:3 at� any time in the past any employed at

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Mr. Diaxar. Yes; in the past I had some people that I de�nitely feelwere Communists

Hr. Sacrrn. As a matter of fact, Mr. Disney, you experienced a$�h!t!iijg092ll&#39;8$92%dlO,d.ldy0IlDl1l _. li&#39;I&#39;!. es. "

Mr. Slum. And is it your opinion that that strike was instituted�immune� "� "e; %"&#39;*:��"::. 125;" *&#39;Y:;*"*&#39; "&#39;&°mu_. . . e,_i pro 1_ sowi time,an �teldf?i1l l CZi:imu1nst group trying to take over my artists and the;

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The Cnamxax. Do you say they did take them over!gr; gisi~&#39;zr."§h�y did takligiegi over.. aura. &#39; u &#39; t to th &#39; 1 I

Dunn�. It cage dilly attention wheeshmdrglz�g�tignedfemy boys,came to me and told me that Mr. Herbert Sorrelli

it D?� �§°�tt.�?£�§i�¬°"°"&#39;Z rrxr. er _ rne.wastryingtotakethemov. Iexplained to them that it w_as none ot my concern, that I haderbeencautioned to not ev �ll: with any of my boys on labor. They saiditwasnptamattero ritwasjustamattei-ofthemnotwan&#39;togow1thSorl&#39;ell,andthey&#39;hadheardthatI&#39;wasgoingtoaigng�

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284 oommrxtsu m ucrnon mmzru: nmusrar

The Cnannaas. In other words, Mr. Disney, Communists out thereamenred you because you wouldn&#39;t knuckle under? _ &#39;Mr. Dxsxzr. I wouldn�t go along with their way of <g:tmg. Iinsisted on it. going thro h the National Labor Relations d. Andhe told me outright that�-��e them as it suited his purposes.

The Cnamautx. Supposimv you had given in to him, then whatwould have been the outcome? _Mr. Dxsxnr. Well, I would never have lgiven in to him, because itwas a matter of principle with me, and �ght for principles. Mybovs have been there. have grown up in the siness with me, anddidn�t feel like I could sign them over to anybody. They were vul-nerable at that time. They were not organized. It is a new industry.

The Cnamuax. Go ahead, Hr. Smit .Mr. Sxrru. How many labor unions, approximately, do you have

operating in your studies at the present timelMr. Dxsmzr. Well, we operate with around 35-1 think we have

contacts with 30.M r. Santa. At the time of this strike you didn�t have any grievances

or labor troubles whatsoever in your plant?Mr. Dxsxsr. No. The only real grievance was between Sorrell and

the boys within my plant, they demanding an election, and they nevert it.

SGML Surra. Do you recall having had any conversations with Mr.Sorrel] relative to communism?

Mr. DISNEY. Yes, I do.Mr. Sauna. Will you relate that conversation?Mr. Disinzr. Wel , I_didn�t pull my punchm on how I felt. Ha

evidently heard that I had called them all a bunch of Communist.s�-and I believe they are. At the meeting he leaned over and he said,�You think I am a Communist, don�t on,� and I told him that allI knew was what I heard and what I had seen, and he laughed andsaid, �Well, I used their money to �nance my strike of 1937, and hesaid that he had gotten the money through the personal check of someictor, Ilgddi �t name the actor. I did.n�t go into it any further.

ust e .IMr. Snzrrn. Can you name any other individuals that were active

at the tiime of the strike that you believe in your opinion are Com-mumsts

Mr. Dlsxzr. Well, I feel that there is one artist in my plant, thatcame in there, he came in about 1938, and he sort of stayed in thebackf-round, he wasn&#39;t too active, but he was the real brains of this,and believe he is a Communist. His name is David Hilberman.

Mr. Surra. How is it spelled!Mr. Dxsrnzr. H-i-l-b-e-r-m-a-n, I believe. I looked �into his record

and I found that, No. 1, that he had no religion and, No. 2, that hehad spent considerable tune at the Moscow Art Theater studying artdirection, or eomethinlg.Mr. Satrm. Any ot era, Mr. Disney!

Mr. Dzsxzr. Well, I think Sorrell ta mire tied up with them. If heisn&#39;t a Communist he sure should be one.

Mr. Slarm. Do you remember the name of William Pomeranee,did he have anything to do with it?

Mr. Diexar. Yes, air. He came in later. Sorrell put him in changeas busines manager of cartoonists and later he went to the Screen

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, Ioonuimisu IN iwriou eicrtsas IKDU8&#39;l�BY 283

Sorrel], and they said that they wanted an election to prove that Sorrelldidnft have the mayority, and I said that I had a right to demand anelection. So when Sorrel] came I demanded an election.

Sorrel! wanted me to sign on a bunch of cards that he had there thatheclaimed were the mayority, but the other side had claimed the samegng. I told Mr. Sorrell that there is only one way for me to go and

at was an election and that is what the law had set up, the NationalLibor Relations Board was for that purpose. I_Ie la_ughed_ at me andhe said that he would use the Labor Board as it suited his purposesand that he had been sucker enouglh to go for that Labor Board ballotand he had lost some ele_cti_on- cant remember the name of the

one vote. He said it took him 2 years to get it back. He saide woul strike, that that was his weapon. He said, �I have all of the

tools _o:f the trade sharpened,� that I_couldn�t stand the ridicule or thesmear of a strike.� I told him that it �was a matter of prmciph withme, that I couldn t go on working with my boys feeling that I hadsold them down the ri_ver to him on his say-so, and he laughed at meand told me I was naive and foolish. He said, you can�t stand thisstriilileé ggign 8:13?!� §o:;:r;dé :&#39;l:laltl;lll 8 a dust bowl out of your plant.

Mr. Dismm &#39;11; said he would make a dust bowl out of my plant ifhe chose to. I told him I would have to go that way, sorggthat hemigllit be age to� do all that, but I would have to stand on t. Theresu t w t e strnc .I belieaifed alt that time that Mr. Sorrell was a Communist because ofall the things that I had heard and having aeen his name apparingon a number of Commie front things. W&#39;hen he_pulled the strike the�rst people to amear_me_and put me on the unfair list were all oftheCommie front organizations. 1_¢an t rememher them all, they change-ao often, hut one that is clear in my mi_nd is the League of WomenYoters,� the Peflrgles World, the Dai y W oi-ker, and the PM Magazine-in New York. ey smeared me. Nobody came near to �nd out whatthe true facts of the thing were. And I even went the same-amear in South America, through some Commie periodica in SouthAmerica, and generally throughout the woéld all_ of the COXHBIIQ�

r campaigns against me an my P161-HPQ. jggrhllr?s In what fashion was that smear, Mr. Disney, swat.f .

tygrl.! Well, they distorted everything, they lied� there was.no wa on could ever counteract an &#39;ng that they did; they formed�Y Ypicket lines in front of the theaters, and, well, they called my plant asweat-shop, and that is not true, and anybody in Hollywood would;prove it otherwise. They claimed there were not true at alland there was no waly you could �ght it back. It was not a labor prob-lem at all because- mean, I hatg�everlliadllabggxmuble, and I thinkthat ouldhebanked b an yin 0 .lI_:s!��i&#39;B- As : mgtlleryof Fact, you have hllw many unions operat-

l tm�gggg. Exciiaeme justaminute. Iwouldliietoaakaquestion. Pardon me. ~

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UJMMUNISM IN MOTION PICFURE INDUSTRY 285

Actors as their business agent and in nirn he put in another man bythe name of Maurice Howard, the present business agent And theyarena-l-ls tied up with t.he same out�t.Mr. Siirrri. What is your opinion of Mr. Pomeranoe and Hr.Howard as to whether or not they are or are not Communists!Mr. Diaxizr. In my 0¬l!il0D they are Communists. No one has anywav of provingvthose t in�s.� _ _ _Hr. SITTII. ere on a le to produoe during the strike!Mr. Disxsr. Yes, I did, because there was a very few, very smallmajority that was on the outside, and all the other unions ignored allthe lines because of the set-up of the thing. �Mr. Sllrru. What is gout personal opinion of the Communist Party,Mr. Disney, as to whet er or not it is a political party!

Mr. Disxrzr. Well, I don�t believe it is a political party. I believeit is an iin-American thing; The thing that I resent the most is thatthey are able to get into t ese unions, take them over, and representto the world that a group of people that are in my plant, that knoware good. 1000é§ercent Americans, are trapped by this group, and theyare represen to the world as supporting all of those ideologies, andit is not so, and I feel that they really ought to be smoked out andshown up for what they are, so that all o the good. free causes inthis country, all the liberalisms that really are American, can go outwithout the taint of communism. That is my sincere feeling on it.Mr. SM_lTB. you feel that there is a threat of communism in themotion-picture in ustry.Mr. DlS.92&#39;EY. hes, there is, and there are many reasons why theywould like to take it over or get in and control it, or disrupt it, butI don�t think they have gotten very far, and I think the industry ismade up of good Americaiis, just like in my plant, good, solidAmericans. &#39;

My boys have been �ghting it longer than I have. They are tryingid: get out from under it and they will in time if we can just showem u .Mr. There are presently pending before this committee two

bills relative to outlawing the Communist Party. V92&#39;hat thoughtshave you as to whether or not those bills should be pased?

Mr. Dissent. Well, I don�t know is I qualify to speak on that. Ifeel if the thing can be proven un-Ameriean that it ought to be out-lawed. I think in some way it should be done without interferingwith the rights of the ple. I think that will be done. I have thatfaith. Without interlzing, I mean, with the good, American rightsthat we all have now, and we want to preserve. .

Mr. Surru. Have you any suggestions to o�er as to how the indus-�1r§ean be helpedjn lighti_ng�this menace? rd _ g kmIr. DL8.92ET. Vi ell, thin there is a good start town it wthat I have been handicaéiped out there in �ghti it, because theyhave been hidingbgehind is labor set-up, they geil�iemselves closelytied up in the la r thing, ao that if on t to get rid of them theymake a labor case out of it. We mustlreep �the American labor unions

clean. We have got to �ght for them. .iieaagandta. .I88.I ethlbitll ietnglett from/WA! Lglitter an a-Anerlean Activities. dated liovmin 8? I041. at " ~ at

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Hr. Snrra. That ia all of the qumtions I have, Hr. Chairman. - *_ The Cnanuux. Mr. Vail. .

Mr. VAIL. No questions. i - � ~The Cmmxax. Mr. McDowell. i _M1-.Mc_Dowzu.. No questions. , � �Mr. Disxnr. Sir! &#39; &#39; &#39; � � *

Mr. M_cDow1:uh I ha-veino"que�stions. You have been a good witnes. ;,Hr. Drama". Thank you. .

The Cuanmax. Mr. Disney, you arefthe foiggth produger we halye l"speaking, the same and that is that the Communists have made Ainroads, have attemie inroads. I just want to point that out be-cause there seems to a very stro unanimity among the producers »

actors and writers testify to the same. There is no doubt but what themovies are probably the greatest medium for entertainment in theYlnited States and in the world. I think you, as a creator of entAr- &#39;tainrnent, probably are one of the greatest examples in the profession.I want to congratulate you on the form of entertainment which youhave given the American people and given the world and congratu-late you for taking time out to come here and testify before this corn;znittee. He has been very helpful. _ ,�Do you have any more <1�uestions,Mr. Striplmgl . _ - g

Hr. Slrrm. I am sure e dos not have any more, Mr. Chairm§n&#39;.~__&#39;Hr. Sriuruxo. No; I have no more questions._ XThe Cruxmun. Thank you very much, Mr. Disney. .The Chair would like to announce that the witnesses on Monday "�

will be Mr. Eric Johnston. Mr. Roy Brewer. John Howard_Lawson,Dalton Trumbo, Mr. Alvah Bessie, and Mr. Emmett Lavery. &#39;

We stand adjourned until Monday. Whereu n, at 2 : 30 p. m., an a journment was taken until 10: 30 .a. m., Moncgy, October 27, 1947.!

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HEARINGS REGARDING THE COMMUNIST lNFlI.TRA-TION OF THE MOTION-PICTURE INDUSTRY

�Z-�i-��-

&#39;1�E&#39;ESDAY, OCTOBER 28, 1947

HOUSE or Rr.rRr.si:x&#39;ra&#39;r1vi:s,COMMITTEI-I ox Ux-Amrmmx Ac&#39;rivrrn-zs,

Waslizrigton, D. U.The Committee met at 10: 30 a. m., Hon. J. Parnell Thomas chair-

man! presiding.Statf members present: Mr. Robert E. Stripling, chief investigator;Messrs. Louis J. Russell, H. H. Smith. Robert B. Gaston, investigators,and Mr. Benjamin Mandel, director of research.

The CHAXRDI.-92N. The meeting will come to order.The record will show that a subeommittee is sitting and those present

are Mr. McDowell. Mr. Vail, and Mr. Thomas.Mr. Stripling, the �rst witness.Mr. S�rmrL1.92&#39;e.. Mr. Cliairnian, before we call the �rst witness I

would like to read into the record a telegram which was received yes-terday from 9292&#39;alt Disney, who has previously testi�ed. It says:""

Some Cmlfllsitm has arisen over my testimony regarding the League of WomenVoters. My testimony referred to the year 19-ll. at which time several wonnenrepresented theniselves as being from the League of 9292&#39;<-men Voters. 1 want youto know that 1 had no intention of critieizim: the League of 9292&#39;ou1en Voters as ofnow. Please see tlmt this is read to the eominittee on Monday and that it isadded to ni_92 tv.~=tinn»ii_92&#39;. W.921.&#39;r Dzsszr.

I ask that that he made a part of the record.The �n.92n:M.92.92&#39;. 92&#39;v&#39;ithout objection, so ordered.Mr. S&#39;1&#39;mruxo. The �rst witness, Mr. Chairman, will be Mr. Dalton

T rumbo.The Cu.92m.92x.92.92&#39;. Mr. &#39;1�:-umbo.tnke the stand. Mr. Dalton Trumho, accompanied by Robert 92V. Kenny and Bart-

ley Crum, counsel, take places at witness table.!The CnAm.92x.92x. Raise. your right hand. please.Mr. Trunibo, do you solemnly swear that the testimony you are about

to give is the truth, the whole truth, and nothing but the truth, so helpyou God?

Mr. TRCMBO. I do.The Cn.92um.92r<. Sit down, please.

TESTIMONY OF DALTON TRUMBO

Mr. TRUMBO. Mr. _Chairman, I have a statement I should like toad into the record, if you please-���1&#39;8

" See appendix, p. 539, tor exhibit 05. 329 �

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calamari� organization founded on thephclplel rant consideration in the purchase

will not patronize those edablhlr

In make 0 thorough invert!-ption at rtunlty to talk with yon.

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VknrbmvnhulowuonMwwult�nmedn Am. Burbank, Oalttornh

Rwn|-n,8,1947.-81:00-Am¢r!cnnProp.,Vol.6.IndnbyIuh1n¢unlqaort1ng8er�ee.Ola}:-1-u::;IrUn-A.umu1rAcIn@,cu: lepvuutcuoa,

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J. PAIIILTIGIAI, -Ulnivnon.

Athlt:_ Jon Btu, cum.

hlxlibit CL Daily Worker, lepizmher 6, 1%, pap 5; article by John Howardanon. _Ixh.lbltG2.DnllyWorkr,I�&|&#39;nnry�,1985.DlI¢5. ~

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No 31;!� or Oonnnmxn hr! Elan-anon Qua-10:11 Bowun hwnonRune: John Howard Imnuu. 1944 Gard No. �-�Addrsu:4M20old1ntzr&nyouAvn. &#39;0Ity:L.A. Oonnty:LA. agm: x1. .NuneotdubzNew ardisnedmz 12/10/44. 104-

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lhle I Fannie White X NegroOccupation: Writer. - _ _Industry: lotion Picture. &#39;lumber of: C10 AFL Ind. Union X No Union P. W.1| member club lnblulber �x Daily Worker? Yea X� No

��_ lxnnrr M. Bvlruu-�lh1c Jonunon, �

81Atn&#39;n"our!urrI:8oul:orB:rl:|:nnrrv:aorrltOoxaIuoI1&#39;lI &#39;UITIDBIATBDIAXIIIOA

To: Donald T. Appell. _ &#39;Ion ue hereby commanded to lnmmon Eric Johnston, Pmlident. lotion Picture

AnociationotAmerion.1GI!Iiye8troatNW.. Washington, D. 0.. hohenndappeubefore the Committee on Un-Ame:-tun Activitian at the Home at Raprenanutivmn tbeUnihad Stneu,otwnichtbeHoa.J.Pnrneli&#39;I&#39;bouuinchirImn.nndbei|tohdngwithhimumiuotn�nonluuompropuladornhsnittadrelndngtothoinvctiption of the movie on Un-Ame:-inn ActivitiesInd original dnnhl�tioa at

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�advised that� would like the ,1 &#39;Director to ref-.-r an idea of hers regarding the pro-&#39;duction of Walt Disney cartoons with a religious themeto Mr. Disney, since she knew that the Director&#39;sname would impress Mr. Disney more than her own.She also stated that she had written to Mrs.Eisenhower, imploring her to appeal to Mir. Disney andhad received a reply from the Department of Health,Education and Welfare which stated they thought itwould be better for ulzerg to 3¢%_l2l}1_ � ate directly __92gith

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�Mr. A. H. Belmont,» Hay 26, 1956

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spoke withcalled for e re .

prevention of JuvenileDelinquency and that she had recently written a_letter toMrs. Eisenhower suggesting that possibly someone could prevail

1 th li i th in his movie andupon Halt Disney to deve op e re g ous emetelevision cartoon for children he f rther advised that herletter had been answered by a Division of Reports,

ti th tDepartment of Health, Education n e are, sugges ng ashe contac direct relative to the suggestion. Thepurpose of call to the Director was to determinewhether he wou presen the idea to Hr. Disney for her sinceshe knew of his interest in Juvenile Delinquency.

I told her that I would ca quest to the Director�:attention. I also pointed out to that, sinxe she hadpreviously called her suggestion t e a tention of Mrs. Eisenhowe:who had in turn referred it to the Department of Health, Educationand Welfare as the interested governmental agency, she might desireto follow the suggestion of that department since it was a matterwithin the Jurisdiction of the Department of Health, Education and

welfare. ��then stated that she could see that nr. Hooverprobably wou no -want to take the matter up with Ire Disney in ~_view of her previous referral of it to the White House and laterto the Department of Health, Education and Welfare, and that shewould follow the sugge3�%pn of the Departmezt of Health, Educationand Welfare and contac �gagbsney direct. 3--3�J_>1//___-5 X]

-5-6"-"!"FtII*"§&#39;��:��-�She expressed egg admiration for the Director andthe work of the Bure udi@~m%maaation. Bureau filecontain n?__identii&#39;iable information concerning-: � s JUN119.5? �&#39;7 -&#39;»&#39;i�his is for gag iniormatignggss

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U I"O�ice Memorandum - UNITED STATES GOVERNMENTillr. I�. A. mm June 25, 195-6

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received a call from�vith whom s y spo e on llay 26, 1956.

&#39; Qpreviously called regarding a suggestionwhich she es re o have the Director make ts Ialpiisneyrelative to the production of filne for movie and televisionpurposes based on the Bible. She has previously sugges thisto th Ihite House and her suggestion was referred to�w Division of Reports, Department of Health, Educa ion* n e jars, who suggested that she contact Ir. Disney directlyregarding her idea. . V

She called to received a letterdated June 6, l956, from secretary tsHr. Disney, acknowledging and pointing outthat a schedule for production of pictures has been set forseveral years in advance. The letter also commented thatthis suggestion had been submitted numerous tines by otherpersons.

�tated that she wondered if the Directorwould take t e ma er up with Ir. Disney.

I pointed out to her that since the natter had

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previously been referred by the Ihite House to the Department 9of Health, Education and Ielfare that she might wish to makeknown to them the reply which she had received from Ur. Disney.

mentioned that she had met the Directorprior to at a banquet st the llayflower Hotel;that ehs was very impressed with the Director; and thoughtthat perhaps he might help her in this matter. Bureau files

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March ll, 1959we � ;. 92 O ~ / &#39;

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Dear Mr. Hoover: V

Will you please run rush name checks on the individualslisted below who are being considered for appointment tothe Advisory Committee on the Arts, National CulturalCenter? Biographical information is enclosed. *

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Sincerely, . i

Henry Roemer McPhee

,3 to the President > .

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~=-�~ Li 100-11.872 �. n ,4undertaken by tho Litt o i&#39;hea£aeL9aild of Les angeles. The plan calls for -= a ccnplete coverage cf instruction in all phases of theatrical life. Reg-nlar classes in playvriting, acting and technical instruction will begin in�ll?-1&#39;7» I19! 0110:: from lellywoed filn studios, local and chain radio3 ;§;Zi°§?.;f�».i§�%... 3.93.2 ;;3Z§Z.2&#39;.i22f�¬I¬?. &#39;£�.F>�.&#39;»-.;§£.""��1§�;,1<§§.�T�L&#39;EZ,�f,�;§11cal editor of the Sentinel being elected ohairnan of the rd. u!

e It went on to list the following as officers of the organisation; "Officers are IOBL ISSLB, president: OTTQQUHISOI, EARLXQOBIISOR, REX1" IIGRAK d_IDUIS TEES. vice-presidents; , executive secretary;&#39; FLOREWC A132, recording secretary: BERIIO , corresponding secretary;CLARERC RGRAIB, financial secretary: IDR LL52, parliamentarian: l�glmvQQLEOQS, , treasurer; ll3RE&#39;DI&#39;r§¬__HA�!&#39;CH&#39;ER, assi treasurer; Rev. ILLTER .7., !923R_1a_I1&#39;_, chaplain �and :. a..,".,mn-ms, auditor.� �4!

1�! Wi &#39; RIB has been elected honorary president I&#39;i;h such1 ti cc as these be considered for the adviser boardp X in; y _ a RSO LLS, &#39;HE!l�;%§!LAllKFOR1&#39;, Rev. GL4 RUSSELL, C CE IUSE, ERNE%_�IHITMiN;-_%1[_~}.g4,=z_1&#39;z12_,_ PP-AlW~w&#39;rrLE. , L�gnngmn, JR. . won &#39;;~r IRBL ..ST, 0HA.RLOTlf BASS, JOH1I&#39;LRF&#39;IELD, HEIEFXAHAGAI, ARCH BEL ,O S g DUDL:§;ICH01S and r:921§92ma1sos. u!f The organization is in the process of diving into two groupeI known as the hecutivo and Dramatic Section. The Executive section will con-� duct all of the business affairs, the Dramatic section to deal with the

rehearsals and instruction. the dramatic section is to be called the Bronzel Showcase. LAURA BOIIAI has been elected kecutivo Director of this branch.92 at various intervals it is_contcsp1ated that playlets, skits and other§ dramatic works will be presented at ccnmmity affairs. The purpose of such1* skits is to train prominent youngsters for starring roles and offer outletsp for experienced players. the sane plan applies to radio productions. [4!

ao1uc!; q11.unn of c.c.s. em be 1; charge of tn. radio azu-eion and will assist in training students in this Iork. A 5,000 nmbex-shipcampaign has been launched with nembershfp to the guild being open tointerested laynen, as well as theatrical aspirants. �! &#39;Further information concerning this guild can be obtained atcu. tcaporary guild headquarters. 11.30 �lest 35:1. Street, telephone Parkway0791, or by contacting LEO!-MARIJIICK, sentinel office, 1050 �st h3rd Place,telephone Allzns 8191;. 14!

_ In an article appe in; in the December Zlet issne of the _Sentinel, it related that OLARE!¥3 UUsE, veteran stage and screen actor,had endorsed the Inter-Racial rilm a§i Radio Guild. The article fu:-ther M}�M~E�bNr/_ 31 _ 1�/VT/Ag

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�I. FM N, Chairman of the Board Vice President, ParamountQ Studios!WALTER FQQWANGER, President and Managing Director. Producer,

Universal Studios.!E. J H, Vice President id-G-ll Studio executive!KBNEM �I � acGO&#39;W&#39;AN, Vice President Producer, 20th Century-Fox!zaimg-Jo�ass, SecretaryP. RJKGUTH-, Treasurer.

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$5 WEST 42 STREET. NEW YORK 36, N. Y. LONGACRB 3-4-6080 &#39; . -~-a - " �?4 �_-=¢m:-1.=.n=.&#39;:&#39;-*LU;-;i:alI"M;U .L ¥i92i ~J&#39;.92§-&#39;!a.»!~92-&#39;!é � FD

�I!§"r- �M �Q Hp <T_:�__:r_�! .HF5""&#39;;" M U&#39;N.-Lihmd L December 25. 1953[! !TEy1.£�.]Ji..592-/<5F55§lig Vol. &#39;1. No. 52Dear Subscriber: D _ -

BIG BUSINESS FIRMS IGNORE IMPORTANT FACTS ABOg§x&§NPO PRODUCTIONS.The Communist-serving records of two op officials of Tempo Prod-

uctions. which produces TV commercials. were given by COUNTERATTACK over ayear and a half ago on April 4, l952!. This newsletter also reported atthe time that Tempo Productions had done work for some of the biggest TV ad-vertising agencies and sponsors in the nation...and it asked this question:

- How many TV viewers would knowingly buy products of firms that aresubsidizing Tempo Productions? " &#39; " " �I I "*"�"&#39;�&#39;�" &#39;"""���&#39;""&#39;

_ �7� That&#39;s still a good question...in view of facts cited in the 1952-53survey of TV film commercials recently released by Ross Reports. This surveyreveals that Tempo Productions has profited in the last year from work done

� PBELL SOUP CO. S-COLUMBIA, INC TV receivers!.YSLER CORP Plymouth Division! NTINENTAL OIL CO Conoco!. "

~ cmrc AUTO-LITE co. so srmomo 011.. �/ ERAL rooos conr. /em-:1=.n.t morons cone.A usm-101.1: FINANCE coar. /mine co Quick elastic starch!yarn on. or cmmgt. s m�gson a. sous Car Plate wax!:on-:12 a. omens Tide! ILj34!ORRIS "Players" cigarettes!._,/§%gBROOK F_ frozen foods!. �;� gH TON, INC Old Spice products!.srermzn a son candy!. /�élgnonno BRANDS mc.

a_ ICAN HOME FOODS, INC Geo Washington Instant Coffee!.OLGATE-PALMOLIVE CO shaving cream, Cashmere soap!. -

The following U S advertising agencies were the media through whichTempo Pro ctions got the business of these corporations:W /ggurou a BOWLES INC. &#39; !a,éeATEs a co.

,¢&#39;DINCER-FITZGERALD-SAMPLE INC. _WARD WHEELOCK CO, INC.- .-~s a umquarrs. ~ ~ cn. a rnnsanzr me

,/�M%§rANN�1-ZRICKSON mo. /150 AGENCY INC.__,¢NEEDHAN. LOUIS &_BRORBY INC. N ER & SON INC.

Xbourron ADVERTISING inc.Here are the facts about Tempo Productions that these firms have

for e following business corporations:ICm CHICLE CO Chiclets!. WN 8= WILLIAMSON TOBACCO CO Kools!.

been ignorant of,3 ave deemed of li le consequence 0- WILLIA ANCE and DAVLD4¥LBF§_P;iAN are theoowners of the firm.Their records are as follows: ;,1*�:�__,_ &#39;

. POMERANCE, a former NLRB examiner. was active in Hollywood from1941 to 1946. He was a business agent for the Screen Cartoonists Guild andthen exec¢seo&#39;y of the Screen Writers Guild when it was Communist-dominated!.Before going to Hollywood. he assisted the Communist-controlled American Com-munications Association in organizing Postal Telegraph employes in the South.The fol�oziag are some of the Communist fronts he has supported: &#39;

. I 92eople&#39;s Educational Center CP School on West Coast!. American

Published weekly. Copyright 1953 by American Bolineu Consultants, lnc.; J. G. Keenan, President;A. E. Cullen, Vice-President; F. J. McNamara, Editor; L. F. Budenz, Contributing Editor.

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Youth for Democracy actually the Young Communist League!, Hollywood Demo?cratic Committee. Hollywood Writers Mobilization, and Hollywood IndependentCitizens Committee of the Arts, Sciences and Professions.~ §QT?5§EWER, for years a key leader in the fight to oust Communistsfrom the film industry, testified in the 1947 Hollywood hearings that POMER-ANCE was active in forming the Communist-controlled Conference of StudioUnions in 1944, and that he was a leader in creating "chaos and anarchy" inthe 1946 studio strike. This strike was staged by the Conference of StudioUnions in its bid to take over the studio unions in the film industry andput them under Moscow&#39;s control. It was defeated by the AFL�s Int�l Allianceof Theatrical Stage Employee under the leadership of BREWER.

POMERANCE was identified as a Communist Par%%_jCP! member by threewitnesses in the 1951 Hollywood hearings. C &#39;92 ER, who has beenidentified as a member of one of the espionage cells in Washington, testi-fied that he stayed at POMERANCE&#39;s home when he visited Hollywood in 1946."rrrr-�"&#39;?0MERANCE took refuge in the Fifth Amendment when he testifi6d""i�"before the House Committee on Un-American Activities in Feb, l952...to avoidanswering the following questions:Whether or not he was a CP member the day before he testified;whether or not he solicited funds or support for Communist fronts from ACAofficials while employed by that union in the Thirties; whether he led thefight against banning Communists from the Los Angeles Central Labor Councilin 1944; whether he was a CP member when a member of the Los Angeles CentralLabor Council, the Screen Writers Guild and the Screen Cartoonists Guild,and an NLRB employe; whether he got his job in the Screen Writers Guildthrough the Communist faction on the Guild&#39;s board; whether he was associatedwith various Communist fronts, and whether or not he taught at and helped setup the People&#39;s Educational Center.

�IDAV! HILBERMAN, like POMERANCE, formerly worked in Hollywood. Hewas a film animator and an executive of United Productions of America, ananimated cartpgu&#39;�roducing company COUNTERATTACK, Sept 15, 1950, pp 1 & 2!.

_ WALT DISNEY testified in the 1947 Hollywood Investigation that hebelieved HILBERMAN was a Communist and the real brains behind the CP4ledstrike against the Disney Studios in 1938. He also said he checked HILBER-MAN&#39;s record and found he had studied at the Moscow Art Theatre.HILBE�.RMAN was identified as a CP member in the 1951 film probe byMrs BERNIg§rffEURY, one of the witnesses who identified POMERANCE as a partymember. he testified that she attended party meetings at HILBERMAN�s homeand that, while her husband was in the Army, either POMERANCE or HILBERMANoften drove her to party meetings at other places.

Tempo Productions grosses an estimated $250,000 or more per year.The firm is doing much better now than it was when COUNTERATTACK first ex-posed the records of HILBERMAN and POMERANCE in April. 1952.Big business corporations that have ignored COUNTERATTACK&#39;s factsfor the past 1% years are the major source of income for Tempo Productions.These firms are giving substance to LENIN&#39;s remark that the capitalist classwould supply its own gravediggers. VQOUNTERATTACK repeats the question it asked when it first gave thefacts on the Communist backgrounds of POMERANCE and HILBERMAN:

How many TV viewers would knowingly buy products of firms that aresubsidizing Tempo Productions? " .9 .

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"NIGHT OF THE AMERICAS

New Yorkers have an unprecedented opportunityto see and hear these distinguished artists,leaders and statesmen

wwcmzwz LOMBAHDO TO_LEDANO PAB1p_ _l921ERUDAPresident of the{Confederation Great Chilean Poetof Latin American Workers Consul General to Mexico

Chairman

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Chainnan of the Evening_ CONALD OGDEQ,STEWART

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Program of Song, Dance and Music by CelebratedAmerican and Latin American Artists

All Seats Reserved, Prices range from 83¢ to $3.50"

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FRANCISCO92C,&#39;92STILLO92 NAJERAMaxi an Ambassador to the U.S.A.

P.ODOLF§92.92-ZICHELSChilqag Ambassador to the U.S.A.LUIS F.&#39; UACHALLA

Bolivian bassador to the U.S.A.CAPITAN c@1£�%,@;; ALFAROEcuagorian assador to the U.S.A.RAFAEL: de la92COLI192�A

Mexican Minister Plenipotentiary to the U-S.A.:.nam?g_aac1xos

Gxatamalan Kinister to the U.S.A.

Mexic Qin ter to the Soviet Union

Se or o Peru

LUIS EUNO -LARIN

LUIg92_UI"T&#39;NI1J.92IRIE

Pres den of. é th .JAC¢UE .ROUMAIN &#39; _

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&#39;Affaires to China

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Dear Sir:

mlo of the :~me.r£caa" XeFebruary 14, 19%;!»

fhore is P180 encloucd one cowy of a 1:-rflet announcinh numeeting and getting forth a or-rtlrl list of nonmru and guest: ofhonor. 9292

A copy of this resort to hing incorporate»! in the lnnntigv-tlon{JreM!nU_v. being oonductod. conceminv the Counvil for Pan-»m~r1c:=-IDemocracy.

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Very truly yours,

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DONALD OGDEN STEWART I/-_~/L.-92 f �!_ H�!-v

PROGRAM OF $OIXG< DANCE AND MUSIC BY CELEBRATED- AMERICAN /IND LATIN AMERICAN ARTISTS. - . .. � _. __._ . ._.

Mexilan Antbaswdm to the U. S. A.

RODOLFOIMICHELSChilean Ambauador to the U-S.A.

LUIS F.� GUACHALLA- Bvlinian Avnlussqtlnr to tIIe IJ.$.A.

CAPITAN COLONIELOYIALFAROEruadmian Ambassador to the U. S. A.

RAFAEL dc |=Ic0u.92A

ADRIANIRECINOS&#39; �uatamnlan M5:5-Ier In Mr U. S. A.LUIS IQUINTANIIILA

Mexican Minister to the Soviet Union

Saddler o _LUISKIUNQ MARIN -President of the Senate 0] Pnevto Rico

JACQUES� RQUMAIN &#39;Haitian Charge d�A/Iaires to Mexico

ALFQNSKY It &#39;CASTR !&#39;vALL.E_ llexienl Clcrge d&#39;AIIa&#39;re.1 to Ciina

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e e edlcated, its-gan rs to combating

Communism and Fasmism with--ln the industry "

ed president, that?acme writers have been injecting ,eommunlstio propaganda into,their mm plays. This, he de

the allian will ht.ill-1&#39;94!» &#39; . . aThe alliance, ifzeaof prlncglles, said: ,�We d ourselves in sharp-

revolt against a rising tide orCommunism, Fascism and km-1dred beliefs, that seek by sub_versive means to undermine and�change this way oi� lite; groups,that have forfeited their right to-"exist in um country at ours be-Icause �theyseek to achieve their;change by,means other than &#39;

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V throwing cxyztalpaper weights with builtin _mowetormI. &#39;

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�at the atenographel-&#39;1 record. ere it wand white: the League or Women Voters.

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_ a &#39; &#39; told the House Un-American1 &#39; took over hisgm 5! Um! Communjm

, 1937 jurisdictions! strike Indbowl" 0! Mickey Mouse�: Ho!

I 1112 1-Ran»: of Mi;-key. Dou.92d*. llu-Ir and smrn of othrr cartoon� d92an¢-un aid he held wt ,

qgllnn UM Communist: And �n-llly cleanrd lhrm from Ml studio.

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Illnrnl lo-sllfird ma! 1 lop NewYurk age-nl cl the CommunistPl�y in am! I0 Holly-wont h1% to �u-� progugmdn n:92.M~Lil Ind dluppvarvd bk-I� undermyilerious r�vumzlanrn l�rrQ Ir!!-1| to rlk with Ur party.

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�her of the House Committee onun-American A Repreeemtative RJ_§§_gnl_ _Li1.__8epuhlicanet Illinois, reproveil �the pi-eee

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ee of the oommittee. 1 _� Qhe iegielato: criticised the oomv~ee1 0; the �lm industry and �newe-paper cohnnniete and editorie.liete"tor in�uencing the thinking _d theAmerican public with �the effect0! depreciating the e�orte" of aj�committee eetabiiehed by Congreee.

The creator �oi Mickey Mouse.Bei�¬__ZiJ!xn___e wee the principal�w1¬i&#39;J{&#39;ic �&iay&#39;e iieuing in the

mmittee&#39;e investigation of theegrea of in�ltrationto the movie capitah. .Del¢fibin[_ the ilbor trouble»

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On February 1,, 19M, seventy-five persons representing actors,J:-" A r prodncers,,directors, executives and writers net at the Beverly-Iilshire ;

_e Hotel, 1» Angeles, to fora the uonou PIGTURE AILIAHCE roa run Pn:snm- �*T = TION OF AMERICAN IDEALS.

On February 5, 19M, the Lee Angsles Time printed an articlehaving the title, "Leaders oi� Film Industry Form Anti-Red Group". The

-. article states that virtually all the speakers directed their remarks solelyTi at Coulaunissn although the statement of principles of the Alliance is to

combat "a rising tide of Conunnisn, Fascism and kindred beliefs that seekby subversive means to underline and clange this wayot lite." The article

states that SAKIWOOD, Producer, who was elected President of the organization,in outlining the group&#39;s ail in his acceptance speech in referring to thesubversive elments stated, "these highly indoctrinated shock units of thetotalitarian wrecking crew have shrewdly led the people of the United Statesto believe that Hollywood is a hot bed of sedition and subversion, aui that

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tion a timely one and spoke of the trouble s ersive elements had caused . in the� Authors� League after it had mnctioned smoothly for many years. -_ BORDENEHASE, writer, told of Gosnnnists wrecking a Hod Carriers� Union� &#39; which had helped organise when he was a "sand hog" despite his and others&#39;

efforts to preserve it. The article quotes him as saying that the subversiveelement wrecked the organisation by dividing members and now the Communistsare "taking over the notion picture industry." It was announced that member-ship in the group is open to anyone in the notion picture industry; however,applicants will be investigated to keep out those with subversive tendencies.

� ~ vdth Fascism." The article states that declared the organisa-¢&#39;,I__.

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Q A similar article appeared in the nos Lngeles bcaniner February 5,191.1», and stated tint the Alliance will war on Comunists and their sympathi-sers in the industry. The article stated that the meeting at the BoverLv-Wilshire Hotel! cliaaxed several weeks or quiet organisation work within the

qg studios. The article further mentioned that the organisation was spurred bythe recent Iriters&#39; Congress, held at the University oi� California, Los Angels

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Director, F31 _ February 9, 19%BI: THE IDTIOII PICTURE LLIAEE FOR

THE PRBHVATION OP AIHIICAI IDEAIS. .92�

has ever known; that system which, in the present emergency, has &#39;1&#39;athered an effort tint, mre than aw other single factor, willmake possible the Iinning ct this ear.

"As meiaers of the notion picture indnetzy, we must face andaccept an�&#39;espec&#39;ial responsibility. lotion pictures are inescapablyone of the world&#39;s greatest forces for in�uencing public thougatand opinion, both at hon and abroad. In this fact lies sols:obligation. We refuse to permit the effort of Communist, Fascist,and other totalitarian-minded groups to pervert this powerfulsodium into an instrument for the dissemination of an-Americanideas and beliefs. Is pledge ourselves to fight, with every mansat our organised cusand, my effort of any group or individual,to divert the loyalty of tin screen from the free America thatgave it birth. And to dedicate our can work, in the fullest possiblemeasure, to the presentation of the American scene, its standardsand its freedoms, its beliefs and its ideals, as we know them andbelieve in thn."

The officers amounced are as follows:

President an 000First Vice-President IALTTD IE!Second Vice-President CEDRIC�IBBONS-mm Vice-President nomnhjumcSecretary LOUIS D 1LEH&#39;l�OlITreasurer _ CLARHCEExecutive Secretary csoxm /BRUCE .

Members of the hecutive Qomnittee iere announced as follcvss:

> mum K./l cGU1NNES, _Chairman &#39;sonmm ems: cum-*1 " .v1c&#39;roa�rLn|nac caszx smsouA880 omnsvu no -loom-1;&#39;noo �F uaomam mum! sm�czar mm no arsxnm

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Dlrector, FBI

RE THE 1-i0TIQ.u P_lC&#39;I&#39;URE AI-LIA! CE FOR&#39;I&#39;PIF&#39; P&#39;R$EHVATION OF AMEPICAI" IDFJJSIZ�F IiIL�."�I0&#39;»I CQ92iCERI92IHG � M

Dear Sir

to the Bureau into the Bureau

Reference is made to the lettercase dated February 9, 19/414, as well the letter

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Both of these letters pertain to the sctivlties of the Potion&#39;P1cture Alliance for the Preservatxon of Amemcan Ideals, or as it is mostpooularly known, the EPA.

The EPA orlginallqr was organlzed to combat " ris tide ofmmunism, fasc*92 sm, and kindred beliefs that seekdernine and change this way of hfe." Specifi

atlon was concerned with combattmg communism.

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RE: THE EEOTION PICTURE ALLIANCE PCB.THE PRESERVATION OF AI-£T.ICAN IDEALS

INFOFLIATION QENCERNING

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Of additional interest. is the article appearing in the February1.1+, 19%, issue 0 the Time 1-{agazine wherein the pictures of ROSALINDYRUSSELL,adress, and DUDLE�&NICHO1&#39;.S, writer, who are referre to in the articleas being leftists, apoear wit the pictures of WAL&#39;1�i9ISNEY and SM! �.&#39;.&#39;O0Dwho are dubbed by the artic as rightists. This article, a copy of whichis beinv retained in inst t file, mentions that the leftists started abattle against MP5 b ouncing a Free World Association dimer starringVice President REL. AILRCE. The article said that the rightist MFA!quickly formed a cl " of their own. The article goes on to mention thatH;-392�RY YEALLACE, who was late for dinner, was taken by mistake by hismotorcycle escort~ to the Beverly Hilshire Hotel, where the EPA was meeting,and on learning of the mistake hurried him over to the Beverly Hills Hotelwhere the Free World Association dinner was awaiting �.éALLACE&#39;s presence.

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SUBJECT: M01101! PIC ALLIANCE IOR THE PPESER A IOU O1� A.lE&#39;B{CLU _mm.s;Information Concerning &#39;

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Dear Sir: _ l I � :;&#39;!1a>�n1-Ry-..._.. .DATE _.%---- MN ________________ __ ,

Reference is made to the letter i cted to the Bure _____________ __ _instant case dated March 22, 1911!;, in which the activities of t &#39; pPicture Alliance, as well as the attacks on it by the Communist ?arty, arenoted. Additional information received from infomants and gleaned fromnewspaper publicity is noted herein.

&#39;_ On Page h, Paragraph 2, of referenced letter, it is noted theSenator ROBERT R.92PJ�Y&#39;l92.-*01.DS of North Carolina read a letter sent to him b"A Group of Your Friends in Hollywood" the Congressional Record. Acopy of this letter was published by th I, .ol1ywood Writers Mobilizationallegedly a Communist-controlled orgwizi�ion, in the "Daily Variety" and �~ &#39;

&#39; the "Hollywood Reporter" on March 13 19 . An answer to this advertisementby the Hollywood Writers Mobilization was an advertisement placed in the"Daily Variety" on March 17, l9hh, entitled, "Repudiation oi� a Smear." Msame advertisement appeared in the "Hollywood Reporter" on March 20 19and in the "Weekly Variety" printed in New York for the yreek of March 22,, .l9h1:. A copy of this advertisement appearing in the "Weekly Variety" ofMarch 22, 19241;, which is self-explanatory, is being furnished the Bureauthis letter.

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Director, FBI May 10, 191111

RF: THE MOTION PICTURE ALLIANCEI !�IFOP.I-L~1T ION G! NC EPN ING

"The ENG action followed a resounding slap handed the MFA areek ago when the writers organization refused an BRA offer to discussthe M?A&#39;S purposes. Instead, the Screen Writers commended the actionof their executive board in participating in a Hollywood WritersHobilization advertisement in the trade papers which linked the ERAto arch defeatist Senator REYNOLDS.

"How many of the invited groups will attend is problematical.The Screen Actors Guild may turn it down. Most of the other unions,however, will a�cend. It is unlikely that representatives ofconservative MG}! will sit down to battle their own baby.

"�Lé.P.N&#39;£P.S Should Join

"On the other hand, Warner Brothers--which has led the fightfor procressive denocratic pictures» has everything to gain by sup-»ort-ire thebfight of the SWO. �."i.1.RN&#39;£�RS-at the opposite pole from !£G!!-- tspurned the original, highly-ballyhooed MPA banquet a few weeks agowhich started the battle.

"That affair was dominated by MGM and Paramount -1 GAP.�x7&#39;é!OF�FRand his wife ;S_._-92@P_& were the only legitimate actors present. The MPAis dominated by SAM WOOD, president; SMY, well-lmown laborbaiter a vice-president, and CEDRICQ IBBONS NOPJIMBQALEOG andCL&#39;.P.H!;JE&#39;£.:.iOIf.TN as officers. Colonel RUPERT WGGHES, HEARST&#39;S man inHollywoo , is another big shot. " 92 - &#39;

"Democratic Hollywood laid down the gauntlet a few weeks agowhen, at the time of the origir MFA banquet--most of Hollywood gathered�together in the Free World Associa with Vice-President I51-_T~§>I=1_l" A...~. LACE as guest of honor.

. "The Free World Ages o dazzling roster of film es--Dud1e3 §ichols, Thomas�-lfann,¬ Jimi&#39;?:;,=-Gagne}, 0rson"#e1les, Jo &#39; rfield,?IaltenrJKanger,92V!alte1/§�idgeo &#39; _,&#39; other box office st_ on themale side; Rita-_Hayworth, 0livia�»d&#39;s~�Eavillan&#39;d, Joan�.-,&#39;Fontain8, .B_§.�f-te

92Qavis, Ingrid~3grgman, Rosalindf�ussell and others in the ladies lineup."r " ~ �

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Dlrector, FBI 353? 19, 19111:

RE T"E IJOTIOP PICTW� ALLIATINFO&#39;°...ATION CONuEFNI�3

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, Q .+ u hokl +he Amerucan way o+UR purposes are o pworkers; +o educa+e, no+ +o sme92i+e_, on +921e scre_&#39; "&#39;lWe&#39;s&#39;ee+< +o maize a ra�ymg place +or +he vest s|92en+ ma|or|+y o+ Y our&#39;__+e9292ow;__wor92:ers; +o gave vorce +0 +heir unwaverang loye92+y +o de cra+ic� +orm&#39;s"and so +o dro92�n ou+ +he 92&#39;ugh92y vooa|, 92unahc frmge o+&#39; &#39; ++ our �te9292ow coun+rymen +he vrsuon o+ a grea+

4-� d|ss|clen+s;_&#39;+o presen o+ d un u ho92dmg +he Amerucan +a|+hhave no o+hers.

MOTION morum: ALLIANCE ron THE PRESERVATION or AMERICAN IDEALS *0 F F I C E R S

sm wooo. Presldoni s 0 U6!-ITON, Soerehry�WALT DISNEY Firs!� Vice-Preshloni LOUICEURIC GIIIONS. Second Vieo~Prosidon+ CLARENCE IIDWN, &#39;l&#39;rO_I$IrOl�||OlMAN_TA92llOG, Tlllrll Ylcd-Prilldilf UIOICI IIUCI. hea�vo SOQJRIlxzcninvz ooumrru -

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Lasl Weeki March 4th to be exa t Th" &#39;. Of _ e Preservation o

92l:g92°§l�l:3l�wd83!Sl went all the way from _H°nyR- Rsvmlds D!. of North Carolina ¢

The Se"al&#39;°" 3¢¢9Pfed the messa. , on t e Senate floor22: Slipped it to the clerk for inclusion in the

gressional Record, th t d &#39; -ra_mpa_nt American emotiian. riminihgigdyfiwill find it as of March 7th Pa e A4220under the Senat � t&#39;tl � Q - iilt�s not an thin or? I e of our own Firstor th S Y g o which either the Alliance�

e enator need be proud. _ itTh e Alliance was apparently after publi¢ify

_ izzled, the Senator merely I�-assing itinto the hopper without trying to read it totthe Senate or even crying &#39;timber." Andpaper so short, too. The Dailies also oassed it ~by. But "Variety" is going to give it what wethink is needed publicity within the trade.

This Alliance letter, which butters up Sena-tor Reynolds beyond ration value, starts outby iypifying him as "the Nostradamus of theTwentieth century." Don&#39;t bother to look itup. We did. "Nos" was the old French astrolo- 1ger who could look at the stars and predict alayoff. ln other words, trouble.

So if the Alliance has trouble on its mind ofone kind or another, let&#39;s really go to work anddig some up. Or, it the Alliance is on the levelabout presenting its case, let&#39;s find that out,too. But there&#39;s no need to go all the way toPennsylvania Avenue on the subject. The Alli-ance doesn&#39;t have to go any further than Holly-wood and Vine where the "Variety" Coast of-fice is located.

This invitation is extended due to two para-graphs in the Alliance&#39;s letter to Senator Rey-nolds. One reads:

"Because of the flagrant manner in wh&#39;ch theMotion Picture industrialists of Hollywood havebeen coddling Communists and co-operatirg withso-called intellectual superiors they have helpedto import from Europe and Asia, there has beenorganized in Hollywood the M.P.A.�The MotionPicture Alliance�-For the Preservation at Ameri-can Ideals."

Nuts! Name the Communists. Narre theso-called Intellectual superiors. &#39;What makesthem "so-called intellectuals," and whii arethe Motion Picture industrialists to whom theyare superior? - ,

. ° a5l&#39;""9ton. Th t l &#39;3 lump *0 Plant a missive i~i:thaSe°i&#39;liaSlosrkl{,ol:1i-clthe picture business and Hauywooidoncerning

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- Reprinted from ..vwieiy- Wally! GI ii! raaiiy, Mach 15, 1,4!, .

TIME TO NAME NAMES"0" Qieture Alliance Fl. C &#39; e MO; lh-vllff &#39;;�;!�Y;°¢i lh�t such outstcmding representa-

_ 9 Went. patriotic Hmerican element ofthe Motion Picture Industry felt it compulsory to°&#39;9<Z&#39;_1Il9 to combat the �tote/itorian-minded groups�"&#39;°&#39; "&#39;9 "7 the industry for �the dissemination ofun-American ideas and beliefs� is roof �iqf 1|h _ _ _P suc1 ¬;gP&#39;~:7e:1vef Znd do exist in the industry. Qt/79;.

_ 0 _ upert Hughes and Fred Niblos and2;?�-fg&#39;;"e7� ""l°�&#39;9e"¢e would not feel it orelement i-ilui/i&#39;y&#39;f§ organize Me decent pamo�cwelfare a d cf� m us�y fo compo, Mam for �le� s el!� 0" the American people."-Not for a minute does �Varie �- _ _ ty accept the§E_"l¬_g&#39;l:fftl1_e_very information of the Alliance

&#39;.:2";.:&#39;z°* �P� �i."�°&#39;~��° @~=~*==hess» .Hu he Nibloafggl�g t e picture busi-

_ _ o e ough tosubstantiate accusations such as these.

Let the.Alliance name these "totalitarian-minded groups" it states are working to thedetriment of the picture business in Hollywood.Tomorrow, the next day, or next week; theAlliance can have without charge as many"Variety" pages as is needed to name theseindividuals and groups it maintains are un-American and subversive. And every individ-ual and group that the Alliance names will_be offered an equal opportunity to answerwhatever charges are made. &#39;

"Variety" has two purposes in view. &#39;Eitherto help drive into the open the und yiralaleelement within thepicture industry w�lzich -itis claimed is there, or to put an end to thisambiguous Hollywood name-calling. Nor does"Variety" mind reiterating its opinion that thewhole thing has a pro- and anti-Rooseveltfoundation. _. -7» .&#39; ~

A few weeks ago the Alliance walked into"Daily Variety�s" office, paid for a page ad,and the next morning saw not only its adbut an editorial wishing it well. That is ourregret, a boot on a matter of policy. The Alli-ance can get its money back on that onewhenever it wishes. "Variety" weekly! mustalso take the rap for the muff along with thelIDa"Y&#39;ll . :_;_ I:-&#39;

The Alliance, however, has now seen fit tocarry an industry matter outside the trade. Ithas gone as far as Washington.

Never mind going outside. Come down toHollywood and Vine. .

Lay it &#39;on the line, or get off and, stay offthe line.

The declares Sid. " --

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miquwouwa son THBJDIRECTOEI: - _ , p

&#39; Re =. /Qcnfxou Pxcrunz ALLIAN

4, 1944, seventy-five�Titi==.=_~

Pi}ele well-known members _ uremzodziosr, 1><.>..P.h.e..2:eaLd.en¢ys Wig DISNEY, CEDRI IBBGNS,

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re-to vice-presidencies; Linus n _ mow, cmmmzc mm,

" xecutiveectors and writers as secrete reasurer anspectively. __ � &#39;

L, . p&#39; An Executive Committee of about fifteen members was elected withJALES ! {McGL&#39;I2INES as chairman. 1£cGUINNES is actually the spearhead of

this or anization and is an executive producer at M-G-M Studio . TheExecutive Committe contained such well- own names as �CT __§ ___-RUPER§<l-YUGI-iES_, r1=.u§@1sLo,�&#39;-an.» and XIN9¥ElDOR;"amdng"6�th&#39;ers.In thei;-__staten:ent of pri.nc_ip]:_e_§?_ this prgani.z.ati0n=§1».?-isle. in

p§_rt_; "In our special field _of motion p_i_ctures, me, resentwthejrgwingil�pressisn "°�3£�~T{hi5..}*!d.P5t?Y_.15 ".�§d§.,.�?2.,9g:».-�nd.dDmin8-t5<1-JU-h�nmmitlistsaradicals and ¢¥a2=&#39;1<1-&#39;po£s.&#39; We refuse tolpermit the effort of Communist,Fascia an "&#39;5thei*"tE5talitarian-minded groups to pervert this powermlmedium motion picture industry! into an instrument for the dissemimtionof un-American ideas and beliefs."

&#39; The initial meeting of this organization received a great dealoi� publicity, both in the motion picture trade journals and the local news� -papers, most of which cemented upon it very favorably. Of course, the - /&#39;�People&#39;s world,� West Coast Communist organ published at San Francisco,ridiculed the organization and its purpose. The �People&#39;s World� statedin part: "It is that this Alliance is in reality an attempt by defeatistforces--for whom HEARST speaks--to drive a salient into Hollywood. Itspurposes are to clamp down on the production of win-the-war films and toprepare a reactionary Republican ag,£a._cI§,7on 5-&#39;4

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K . __ , _.,�,»,,,,,,;&#39;,,,¢,,.� oormcn. or somxiroon oomas ma &#39; m,¢°m.¢ 6-2a-my -- 1� ~ - with obvious purpose of combating &#39; �HON PICTURE ALLIANCE �

� son ms Prwsmzvnxow or msaxcm xnmt, popularly known as _&#39;Pk! The IPA was oroatod in Feb. 191;]; by some ct the top &#39;1,2,0 lywco p ,purpose of combating Communism in motion picture studios.t the LTPAPrior to formaticmcf tho Council, tho attack again:ms munlz. hm, »y"»wL1.Y�&#39;con mrms L"!BILI7.A.&#39;1&#39;IOH, leadingc¢m~_92m1-+ n-out organisation in Hollywood. The Council has�

as-56!; organized for 2-year period. Pu12;og,e_s no outhercin, V-ix Y~�"&#39;u-3, H.and gctgévities since f notoa,&#39;& _ &#39; � . otvtfu ./ " - ~"&#39;."~"&#39;"--v&#39;» .q V r _ _. .. "No.1 » �92� 4 by c P 0 _ �kn _-I . - r _ 92

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�_&#39;#._~.&#39;!�.:;_;4j.,§>._~;~ _,§I&#39;£__;._ ._ __~ part cu ar e.., g; ,-�rs�? 5&#39;-*# studios. This organization crystallized into the MOTIOII PICTURE ALLIANCE I-�OR .th EPA in.;£&#39; +5 <;-- i��"_5; *__ _,/JIHE _P?.ESER�IATION DE� AVERICAU IDEALS, more &#39;pcpu1ar1;&#39; kno1m_as .e , _ &#39; I

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£3; I article states� that m1cmm&#39;I e&#39;eeu-1e»ei:I&#39;=.§.§;;&#39;§;-;u=1writer! declared the organisation a timely one and spoke� of� t1xe�trou�<;].:e�::�=�<-�i�;;�~¢�j�-�subversive elements had caused in the Authors�. League� after it "had _j;-"-;�--~_? &#39;e�umtioned _-smoothll for Mn? years. ?~"�.�;�._,_ :-.&#39;_&#39;."_f".;_--:_..T3&#39;F&#39;~§1 §_f;;;I~_�;e�-;�_-�~/-"r

scenes. cmsnw &#39;, lletro-Goldwyn-in neyerii-1ter!&#39;§" &#39; jg� ;_ee�__artic1e,_ told of Communists wrecking a Hod Carriers Union Ihich he �hadhelped organize and the article quoted him as saying that the subversivejelement wrecked the organization by dividing members and not the Comunists -1are "taking over the motion picture :i.ndustry"¢eYT&#39; :--?j- �_ _ _ _ e,»_ 2-.. ._ _~;-1� - F� ~._e92 �-.- . _ . . . » ~ * Q &#39; -- . .-.- .¢ - -.{J _ _ _ __ �_ , . . ...,5 &#39; Q I It was further announced that membership i.n"the_ clubhe open to anyone within the notion picture industry but that. _applicairt.e "would be investigated to keep out those withsubversive tendencies. �7-&#39;* -&#39; A.~ ~-~ . ;. - . 92l ---- &#39;

The TEA, which is a volunteer organization non-profit!,published their statement of principles in both the "VARIE&#39;I&#39;I"_ and the Avaoznmon REPORTER" on February 7, 19hh,&#39;1m1e_e are t116_P1&#39;in_<:ipa1. govie &#39; .trade papers in the Lee Angeles area. _&#39;1�he&#39; statement _of principles" .published is asfollowez _. - - __ _

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_ _, "We believe sh, and like, the American way of life; the liberty -

V preserve; the freedom to speak,� to think; to live,__ to jorpehip,work and to govern ourselves, asindividuals, as �free me_n;"the _� Lright to succeed or failvas free men, according to the Yni_e_asure� of

� our ability and our strengthe * w t&#39;fi_�; _==,,4,"�__" ~&#39; ". V . ~ - �_ &#39; -. - �. ,=~ �_9 �at-2... _92. . _ 4 ~ , , - . . .. _, . ._..

_, __ » p&#39;Believing "in these things; we find ourselves e,"&#39;eeee,e&#39;eee1g;- r> -_ against a rising tide of Communism, Fascism and kindred beli&#39;e£s,�; �.

,, ~�-_ _ ._ that seek hy subversive means to undermine and change this way of&#39;-&#39;4__e&#39;._ 1�

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ia 1;. life; groups that have forfeited their right to exist iii thil.,.. _ country oi� ours, because they seek to achieve their �change �by. , =

_ neans other than the vested procednreot the ballot and toidet�- V" " the right oi the _ma_Joritg opinion oi� the people to rule. &#39; -.5. . .

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growing impression that this industry is made up of, "... ,&#39;_ _ , Ie believe that we represent the vast najority of the ___;_._ 1,, "

people who serve this great medim of expression. _ But ~ -;.f_-1unfortunately it has been an unorganized majority. A

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_ .. -1 J. --&#39;~~&#39;.&#39;don, of the rights of the individual, make this great &#39;Ia , ; majority reluctant to organize. But now we must, or .. _1

we shall meanly lose �the last, best hope on earth.� .� -_~ .1&#39;s.:_&#39;~~»_r~.,&#39; ..; - ~ "~=~ - "Ls lmericans, we have no new plan to offer. �Iewsnt _55 &#39;_ no new plan, we want only to defendagainst its * 3&#39;-

-7.�1. .,~:-1..-;_ enemies that which is our priceless heritage; that; 1&#39; freedom which has given man, in this country, the =

- fullest life and the richest expression the world has I Z~� - ever known; that system which, in the present emergency,0:11 � has fathered an effort that, nore than any other single .. &#39;.; <-I ~__ _:&#39;�-< � e factor, will make possible the winning of this war. 7 ~ I �

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"As members of the motion picture industry, we must faceand accept an especial responsibility. Notion picturesare inescapably one of the world&#39;s greatest forces for _-,

92.__ &#39;I » . abroad. In this fact lies solemn obligation. We refuse 92&#39;3; to permit theeffort of communist, Fascist, and other � __&#39;

5� " &#39;totalitaria.n-minded groups tovpervert this powerful� .~ . » _&#39; � nediun into an instrument for the dissemination of Y~ - , . »_"- . _ un-American ideas and beliefs. Ie pledge ourselves to. _.

- fight, with every means at our organised command, aweffort of any group or individual, to divert the . --loyalty of the screen from the free America that - �

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Second Vice-President. CEDRIC GIBBONS Executive- Chief, Art Department, -

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&#39; etnnd for independence and freedom from the dictate; ;~oi� a picture theater monopoly. fold ct the great .

" expense and time involved by SDIUBL GOLIWIII in &#39; -_ _ M _ puking the production only to be told upon the &#39; Q." _. .

completion of it that he ehall not be pernitted &#39;p to chow hie picture but dictated by e theatre , .

&#39; monopoly. Telegram receivedby SAMUEL GOLD!!! _ _&#39; at Reno, Nevada from UL! DISNEY, author and --4"-*~--_-.

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- There is set out below a transcript oi� the speech.~ node by MAR! PI !FO2De z = . ,- _ . .e =~.-

- �Good evening I an proud to �be hereltoniglht to .4.-&#39;_ &#39;,. - present two most worthwhile causes, first, the benefits tor the oalp

�_ and hospital service committee oi� Reno, secondly, to take any stand *1A for independence and treedon from the dictates of a picture theatre eJ, .

nonopoly. I10! llr. 8AIUEL GOLD�-III telephonahse I dropped Iv personal "j�business for the time being in order to be here tonight, well knowing - Ithe vital importance ct this issue of monopoly, an issue not only *vital to ll;-. GOLD�!!! and all independent producers but to the �xture > �advancement of the American notion picture industry itselfy "

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I � "1 have mm mm comm! £31. betterhpartlof qt?-ilite as a nan of high purpose, of great courage, a producer oi� artistic

- integrity. It is suoh nen as SAMUEL GOLDIYI whose vision, courage and 5. inspiration has led and emanated the notion pieture tron the ohsou&#39;rity".,&#39;

of the Nickelodeon area up to the great and dignified mediun oi� entere v�tainment whioh it is today. To produce the filn "Ug.in Arne� Ir. GOLD!!!spent a whole year of intensive work and two and a lt nillion dollars =of his own; thst is a lot or time and a very great deal of money hut 4 "to that avail? Only to �be told upon the completion of a year&#39;s work *and expenditure of two and one-halt million dollars that he shall notbe permitted to show his picture but dictated by a theater monopoly.I would prefer and in this I an assured you would agree te git en s

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wooden chair a wooden bench or even on the floor to &#39;eee a line »-film then to�reet upon plush. covered opera chaira and to be forced $0 I115!�dull, atupid tiln in the noot elaborate novie palace in the country. -Io, -l " .-q friends all the grandeur of the �finest theater does not rake nor nnr_ a »great film. :1-am, mortar, plneh and soft ngm are eapty thi=s;h&#39;1:h=�#tine entertainnent which coaucnorates the very living sonl oi� the Q! "I-

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. &#39;92Ie are making history here tonight» 7°". Ir» OOIDIYQ ~ �_.and I, for we are taking our stand from ow inalienable rights for , .tree enterprise and a tree America to see to it that no pa, group. � ~ &#39;conbine nor monopoly ehall dictate where, when or how we_eha11 showOn!� plO$�!&#39;Oe � 4 , _� .

.-. - - - �Our boye, Anericanboye, thie very night on thefourcornere of the earth are tigxting and dying in order to protect Democracyand the American way ct life. Shall I! ha" 1% 1101110 Pi-i1 $116!? 9h9211we pernit the American way oi� life to perish here in the United stat"while our non are fighting for that sane God given right in every part »cf the ye;-141 Certainly not, ec I say it ie not merely whether -~thie one or a dozen oi� 111-. ooLm!n1&#39;s piotllrel do, or do not play in Renoor for that matter -in tin entire state or Hevada. I1; is rather the &#39;queetion whether he and I or other Aqericane are to be given an opportunityto carry on our livee and our bueinees openly, honcetly and fairlye

-_ �There are a number of wiree that have cone to us, too ,nuneroue to read here, co I shall read just thie one from an author whoa 1you all know, respect and levee I1; ie ILL! DISNEY, one oi� the outetandin; �independent producere oi� the notion picture induetrye It ie an indicationct how the creative workers of Hollywood feel about monopoly and I quote,&#39;8AIl&#39;UBL GOLDWYN, Rive:-eide Hotel, Reno, Ycvada, I heartily endoree your - ,ertorte to carry directly to the people oi� Reno and indirectly to the"Anerican public the question whether the notion picture industry ac an &#39; --induetry should continue to exist under American competition principlee - �or be throttled by nonopolietio reetrictione and linitationee When the - -ciunnels of notion picture reach the public are reetricted or blocked it ,-beheovee all oi� ue who are charged with reeponeibility to the public torthe induetry to break down these barriers. Igpending world competition 5which will be based on low cost and toetered by forning governmental � &#39;cndownengfranchiee and tariffs nakee it imperative that our haerican Yproducte at least in our own country be pernitted to operate withoutartificial obetacles being thrown in its path by selfish intereet. &#39;The American picture nuet continue to receive returae, oonnenenratewith the large coete and the better living etandarde of the peoplewhcnake- -then. Our government has recognised the inportancc ct lnerican filmac political and commercial assets in foreign relaticme tor lnerioa, to

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- �ll�gu-0-Brvm .Un$.teo,stetes.Atw.m¢.n-Rmoi_:~e=e1.ved a.from Samuel ldvryn, pusher oi�_1.!_1g Socie_t1__o1� Independent notion Picture Producersto the effect that the &#39;1� and D Junior.&:|ts1;prises, Inqqgoorated Md _t-aken an �{active in opposing the showing o1�_&#39;his pic

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The U1.1Le.<! sme=_A&t-omev .secured_.$lee.1&#39;%I!¢§_11&#39;smJ&sistsnt AttomcyGeneral Barge on _.;ugust 1&#39;7, 194-�. to oonductthe investigation. I74 Lugs: "21,1944 he asked the Bureau to conduct the investigetion which request Ins compliedwith on September 5, 1944 after the necessary clearance was received from the -Department. .

The inyestigation reflects that Goldwyn and _e_uh_1ect oounpazq could not ,&#39;agree on the terms under which these pictures were to be ehownhy the 1&#39; and _D &#39; /Junie;-_ kteajpriees eo Goldwyn showed these pictures_in the S1 Patio Ballroom at &#39;_R_eno. Subject company, through the city council,_tried to pre&#39;v_e_nt_th_of the Picture at the E1 Patio without success. at the shoeing, llaryz�ckforddelivered an address complaining apinst the nonopoliatic tendency on the part &#39;oi� moving picture theater omers. , u

25$ oi� subject company&#39;s stock ie omed by the bx Ieet Coast Theatersnhich operates throughout Calitornia, Oregon, Iashington, Colorado, Wisconsinand Kansas. Subject company operates all theaters atioiili &#39;l.$i#h&#39;ei*&#39;thsatersin northern Ihlitornia. & EN»? *~

. Q . £{. �$31-ZXEQ éa -30aQIr. Berie, in a press release concerning this hem [noted MMgay-in; thatthere havebeen eeveral instances inuhiohilllyependm __ Jaye,heddif-i�icultyinobtainingtheateretoahntheir�~odnotheoa .or.�eua!u.¢av&#39;¢~

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4; or October 19, 19_z._.{,,_92_,gr;e investigation of 15131�; _g_:g§b_e_1&#39;__Ia8,._ stcoxgplgtgd. As of that t ere wei§�oi&#39;1ts&#39;tl~a£n&#39;dii1&#39;Z�.[é�§Hs to interview Wal � Disney,Pickford and to determine from them any information in th �ir

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&#39; his est to edviee ofour investigation at Reno &#39; mtter by hmygge.gm or Qg " &#39; L-7�

Ojcreven, lhited states Attorney, Reno, reoeivedle eolpleinttr» Some]. Ooldlyn, tuber of �ne Society of Independent lotion Picture Pmdueereto the etfeo that the &#39;I."end D. Junior mterprieee, Inoorporeted, hed taken enactive pert in opposing the shoeing or his picture "Up in Ann" starring lb-nay Kayeend "They&#39;ve Got h Cove:-ed" teeim-in; Bob Hope.

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&#39; the Waited States Attorney secured �clearance �non Assistant Attomey GeneralJorge on August 17, 1944, to conduct the investigation. Q: August 2., 1944, I. re-quest roe received from him to nuke the investigation which In complied with onSeptember 5, _194.92�_., alter the assesses-y clearance no renived from the Department.DETAILS OF LLLBGKTION

�. It Ill eJ.1e:Q_ibet.l1J-Jbeetere .Iithin_ thirty-�ve _I_1._1gs__9{__h_eno,Iende,..lre_ .o!n.=e<l om oomw by ..I=1bJ~t. ¢=IsvIsxr..&#39;h1.9!1_ae.e!~._I_|I_I=1aa¢lr £91-the ehclqring or pictures in um. am an hm: bl!-n&.II!l!&#39;>l3._�_iI;_.1&#39;!.l_¢.I In Quinn. _egreeeent sith subject oolpuw for ihejhaiog o__t___the. gietnres, ALI.� leaded toehow the pictaree in e hell moon; that enhjeot tl::_&#39;o_ugh__i_te the manger,tried toggppnese he ebeing of the jlleilzres- through eq11u,;te_&#39;_n�4q_e,e__g;e_ git;eounoil. - - BB 3:9 - &#39;gums or pvmnggox - EX &#39; 40 I � 1&#39;-_.-_1-.p /7

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&#39; An article in the use Iork �tines under date of August 27, 1944, re�ectedthat Samel ooldvyn, an independent producer, had also had a "skiradsh" in hicagoafter he was unable to reach that he considered to be an equitable agreement withthe large theater owners in Chicago. At that tine he put "Up in Arms" into a smallindependent theater, namely the Ioods, where he received $175,000 for hie share ofthe house receipts against the $25,000 to $30,000 he previously got tron theChicago shoring of one or his films. A _

2i1.!�$>J&#39;.<=§...s9.=1=!§*1!_!..Im1§.is.._q!nes1..bx.the1o:;,_1!est._Q9§s$_..&#39;!�¥z§si=sF&#39;*h1a.h_92?3_�&9..§.h=t§nn15ut.-talifomil. ~Q==oon.Jssm-ozton. --Q0l0I�.l¢.°.e_ J!is.<2912!.1.¥Ls.*.=§K&n_s_as. SubJeg_t___conP5nI..a1_so_oPer.ates_nan7Ahsstsrs_g Hort-;1_e_;;z_;__§&#39;ali;9;nis. Inthe"Septenber 1., 191,4, issue oi� Tine lhgazine there is an article which statesthat Goldwyn has complained that independent movie makers, sud: as himseli�, arethrottled by the monopolistic najor production companies whim control theatersgrossizg 70$ of the 0.8. movie receipts! and theater chains which control asubstantial part of the rest!. He is quoted as saying that independents are forcedto sell their movies on a take it or leave it basis.

In B.°.!&#39;£1L.1.-£92..!!ET9§!.-!?&#39;.=1.¢.v.l.se__relsf-ins to.this one .111: b99.n..<1921°ted .4:sayingthat thereghave been several instances in,_ghich_Windependent. Pwduoers havehad__dit!iculty in obtaining theaters to show their product because of the Big Fived=1_£i!;._¢99tro}..1!n5i__!,!_i4 .&#39;!ls&#39;,.another nro<>£..th.st� the~.9.1&#39;izi-n@el..¢1s¢ree..o.f .1940 atNes I_orl:,,0,i__ty_92ra_s not s_atis£&#39;ac_to__ry. He___a_lso_s_t_ated_, {As long as the independentshave to deal with the Big Five for �xeaters _th&#39;ere_b"_e&#39;_,trouble&#39;.&#39; ,1;a11_tnej.the£ura&#39;_tne_y nos havewcontinne to be controlled.by...theBig Five companies,the__ind_epend_ent _pu-oducers will find it diificult to___get_ �screens .;_9_r; t.hg;&#39;w_pzoduct."amps or &#39;Inv1-zsnmnoli, &#39; "-

is of October 19, 194/» the investigationW___o,£&#39; _th.§,s___ga_atter_ afas__c9np1eted. is of that te there were outstanding leads to interview Walt1 ary�Pick1&#39;ord and to determine from them any in�

nossession conce stic practices; to interview �af the subject company relative to any acti<pr e s owing of the pictures; and to maintain contact vita theStates attorney for suggestions as to investigative leads he considers necessary.

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ANTITHIST ~ _--

- This memorandum is being preps:-ed to advise you of present -&#39;status of the investigation.

You will remember that s memorandum Ias directed to� thest his request. His interest in the utter concerned our investigation ot thisAntitrust utter st Reno end the part played therein by Doug Kaye.

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You will remember tint Ssm2é6�old1Iyn, lenber or the Society oi�Independent -lotion Picture Producers e s complaint to the USA, Reno, to theeffect that subject cospany had all notion picture outlets st Reno snd that whenhe tried to show his picture,��-Sn Arms", starring Diu@¬ye in s ballroomthe ldpal amber or subject co tried to suppress the dhosing of the picturethrough complaints nsde to the city council. _ _

This is to advise that by teletype the Salt Lake City Field Divisionadvised that all outstanding investigation in Les An;eles.Jzsd ;b,een.¢cmp1eted�cert W 1-Ym�i� Wllivilli-.=n¢.Y �Ibo �ill. "2? b=..&#39;l.Y§.ile.bl2.!1n&il Nqtssbqr 13-ihe Salt Lake City_o1�1�ice has xm-@r.mvesdatim ntjeno,Nevada whic_h__they state will be_coqr_p_1ete_d Ry Novegpher _12,_lQ_£,$- the Salt Lake _City =Field Division, 1i&#39;tZ1�e£yps&#39;&te<rxovemSei~ 10, was instructed to immediatelycontact the United States Attorney st Reno to determine that farther investigation,ii� snv, is desired after Ihich they should conduct en imediste investigation ofthe additional request received Iron him.

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SYNOPSIS OF FACTS

Induction,

ldtloannt Ill U9QQIIIOOI. all

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, : i the following inveetigatin no hy the writer. .IALtUIBII!,owne2andgroduee:ertheIAI.1&#39;�I$!8!UD1¢B,waointea- .viewed, ancl he advioed the rollowingz A I 1 _- &#39; 4» -

&#39; Uull�llnlwtatodthateaotothewenrtailaent ottheohowinget hie yieteree abroad, it nae noeeeeary for hin to out Gown en hie _etirt or enpleyeee at the otedio. he a result oi�

than:1: - ... 1-2

&#39; Ir tneareeultotthie1oIttt,theeonineteen nen, went around to the wnriono other� eopleyeee at e that nryrezinetely two hnnlred were &#39; &#39;

to be laid ett hy Ir..,DI8E. Al a reoelt etthie "diapering eenv �1 . _ ee1¢n,&#39; e general otrihe woo eallol at this etulio. A !icket line wao £_7" nintainoi .t m pt» of up maze, an! . "pen aqua-&#39; ea mm 1a 6

aen no or nel to revent any tneho tree entering th= � mi r .&#39; DIS!!! etetea that the-neiihe ilotigatoi the eta-ibo, &#39;7A� Eon hum; exhorbitant eeanaea npon hin in ee t enent tn.e to the extent that all aen were to he re-hired, and that no non

weretohetirelintho tntwro. 1:»

Ir. DIS!!! otatel that epproxiaately 40 aen to were out onotrihe eene hack to work in the two weehe tellewing lay Ii, 1941, the datethe otrihe who called. and at the tine at the interview, h. D138! etatedtherewereztfnenetineatenotrihe. IK M. ~ .

V - Ir. I18!!! advieed that he to theee elhontitent Aeaanle&#39; laale I1 the etrikero, negotiation were at a otanlotill, and the etrihero, -

non not being ehle to reaeh a eettlenent in their liepnte, leeilel to» � -eall in the 14.1.8.1. in order that their intlnenee oenld he neei to

" I-�e1&#39;i&#39;ect e "reel bleak.� Ir. D18!!! alvieed that this wee in order that ":&#39; the Paejeotieniete and lotion Hetero �eatre enployeoo do were all

nenbere of the I.L.l�.8.!. would then rernoo to operate the projectiont

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amohinea at the various theatres around the country ahsre IAI3� D18!!!iliimt are to he shown. A .

,_&#39;;&#39;§,�! that all men were to be re-hired, including those mem. . laid err, with Ir. DIS!!! round it necessary to lq

ett in order to redaoe his payreI_.l. .

&#39; �! mt all men eat ea strike Ieald receive titty pa: _- sent or their salary tor the time that they were eat -N U eastrihe. �» ~ _» - _ a.

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4 l ted that this agreement mas reached im erder�re I�to sompeasate the mea to would than he laid oft and the aonld he amable

theto rind other employment in the motion piotare industry in view attact that the industry would mot he able to absorb them at this parti-oular time.

l � �Ir.� D181!!! stated that this agreement was more than tair tothe strikers, and that at the third-�meeting

tin

away from thewhich was previously indicated at the first two meetings.

Ir. DIS!!! stated that as a result oi� this, the negotiationswere eompletelr broken don, and me tarther ettort has been made byeither yarty to seleiliatet _ _

- . &#39; Ir. I18!!! advised -that the Ipeal, Io. 858 of the strikersbad plaeed the strike situation before the Iederal conoiliator in the hasAageles Arse, hat that he did not favor doipg this because the matter -.would them he taken out of the studio&#39;s hands completely, ahd it IonldK!

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No� labor leader is Walt Disney, whofought the Screen Cartoonists&#39; Guildin 1941 with every tactic available including the notorious Willie Biotl!until his 600 employes forced a break-through against $16-$20 a week wagelevels. Another �friendly� witness.

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Henry Fonda hastake part in but he is one ofthe originators, with others in thesetwo columns, of 4-, Committee for theFirst Amendment,of the Constitution,�ghting the Hollywood inquiry as aviolation of constitutional freedom.

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Cregory Peck, by long&#39;odds Holly-&#39;wood�s most popular actor these days,is another member of the First Amend-ment Committee. Peck, who&#39;wor_kedup to stardom from a job as RadioCity guide, led show business&#39;s �ght

_ on the Taft-Hartley bill last Spring.

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keeping with hyblow remarks about"foreign notions etc.. said he had en-countered Red doch-ines� but couldnot recall a single �lm which con-

GaryC &#39;,"hoo sedFDR in92 � �. olv the pjzmpany he�:stained "Communist propaganda. _

Menjon, self-professed �Red-and witch-hunter .&#39; was F910?-

the committee�: �friendlies wit-certamly its best-dressed. He

Hollywood is a ¢ent1=;4;§Revere. -

Lela Rogers, mother of Ginger andbeldame of any and all reactionarymovements in Hollywood, got herselfinto a libel suit trying to do the HouseCommittee&#39;s work on radio�: TownMeetin recently. She opposes demo-cratic ideas in �lms.

Robert Taylor tried towiggle 05 fh�spot of having starred in and made Ilot of money� in! $0113 0f Emmi ""°���,l,up by admitting he was not foroedto make it. He �ngered for the Com-mittee numerous colleagues includingthe screen writer on his next picture-

/Dorothy McGuire, another Opponentof the Hollywood Iinquiry, is soon toappear with Gregory Peck and JohnGar�eld in cf�lld�ldffs Agrggmenfwhich is againsfatiti-Semitism, Bilbo�and Rankin.IShe stardom with her�rst Broadway Cllzuqiq.

Katharine Hepbum one evening last39"�: made a stirring s eech in Hol-lY*&#39;{00d at a Henry Wallace meeting�fllmh raised $32,000 for Progressive nfizeiis of Am_erica. At that_time shebranded the impendi&#39;ng�Hollywoodprobe a smear campaign,�

not one of Holly-" ither, but she is

Q founder-memberoffthe First Amend-ment Committee. A onetime Ziegfeld�girl she walked ii picket-lme once w�thFollies chorines! she is now Ho y-wood�; hardest-working actress. .

Van He�in also protest. So didMyma Loy�. Ava Cgrdner, Btlig�il.Meredith. $00185 S». Kauffnarzzh 8;�Hart. Olin Downes; Eddie �D;Paul I-lenreid, Marsha Hunt, AgnesMille, Paul Draper, Leonard Bernstein-Harold Rome and Richard Watts II-

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_ . &#39;I&#39;lnu_.i_Pursuant to llr. Nichols� request made in memorandum §§;=*";��_to Hr. Ilblson dated 12/4/56, a review of Bureau files has &#39; T,,,f5,4t:been made concerning the individuals on the list of tentative H» mm_ nominees for the President&#39;s Citizens Advisory Committee on,"-Mtg:Fitness of American Youth. .. * / - " I �

. 1&#39; »� T I�. "& Ix� ~�A blank memorandum is attached listing those &#39; 92&#39; f&#39;�""- individuals on which no derogatory information was located. ," _

A blank memorandum has been prepared on eachy individual where derogatory information was found, and these."

memoranda are attached. It is noted that some_of the derogatoryinformation has been secured from loyalty investi ati_ _ g one a_ndthis informati_oh_."should not be disseminated outside the Executivebranch of the-"0;gfbern_ment.

//IAri,__eac.h_ instance where derogatory information was -&#39;located a$id&#39;was. not suitable for dissemination outside the Bureau

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fhe "People&#39;s Voice," issue of January .15, 1944,eontained an article captioned "yew Masses gponsora Tributejo Art Young.� Ike article oet forth that ten linen" nae Q.gponooring a naoo looting to pay tribute to Art roung, Bean� ,

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if Anerioan ¢arteenioto the died recently. It nae indicated ,.&#39;that the meeting uould be held ell January 8?, 1944, O1 _ -Ianhai-tan Genter, 34th and 8th Avenue, in low fork City.lleng the individual lglneorl of the above meeting no Zieted �

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lie ido�aiion eet�for-th herein io etrieilgand not not Abe ieeeninaienl oatoide ef ;

o y d io not oe be considered ao e olearaaoe or _of the above individual» - __&#39;

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NAME CHICK

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~ lo inveatigation haa been conducted by the ,-&#39;FBI concerning the captioned individual. However, - u-thia Bureau&#39;e filea reflect the receipt of a flier -iaeued by the council for Pan-American Democracy &#39;advertieing the �light of tho American" to he hldat the nartin Beck theater on February lb, l9u3, in .»New York City. the flier carried a partial liet of -<aponeora and gueata of honor which included the name Aof �Halt Dieney.&#39;@;; -; .. V _- - ,hby-4 &#39;�

The council for Pan-American Deaocraey hae Abeen deeignated by the Attorney General of the United ,Staten pursuant to Executive Order lOq50.Q4J

�~ The �Peoples Voice,� iaaue of January 15,19kb, contained an article captioned ��ew Haaaea y "Sponeora Tribute to Art Young.� The article aet ¢_f_»forth that �New !aeaea&#39; nae eponaoring a naea meeting 5 �,to pay tribute to Art Young, Dean of American Cartooniata §z~who died recently. It was indicated that the meeting , ,"would be held on January 27, 19kb, at Manhattan 0entar;&#39;3hth and Bth Avenue, in New York City. Among theindividual a naora of the noetin was liated name

_ w . .-. ¢~ - .<_ >_ &#39;- --&#39; .

po yg _ _ the y"Halt Dianey�kul ,- __ ~_ ._ . _. _v __y _ t~ According to the special Committee on Un- , "

American Aetivitiea in its report dated March 29, lqhh, ,�Haw gaaaeaf ie a&#39;nationally circulated neokly journalof_the comnuniety2arty.�q�gi5Q5g7-35375!;;=,r ; fay}, .

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. *_� The foregoing information in furniehed to you �*-aa a result of your requeat for an FBI file check and ie_not to be conatrued aa a clearance or a nonolearance of Athe individual involved. Thie information ia furnished "for your use and ia not to be diea ted outaide of ryour a�enol-Q4.! R , " O2 6 &#39;-H2 �

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lug y entertqining to ell members!every �rmly in the land.� !

As yet on his Hollywood rounds,Little he hawwed no_other§

no eooolude. Yesterda he visited�220th-Fox, following hugs ufPp,ra¢§lmount and Disney Studios. Todayjbe visits Iondey I ,

d will endeuvoggp Gfop in IQ �bi; before he head; east;

Possibly his most in¬ensive sve been with Shurlock, tgr. Little �huttheir nature lust past. ��A&#39;s__k �hit.

-&#39;Shurlock," he �said. urlock v�!9nl_� l_not comment, either.

A "-~=&#39;1.~*:*»;&#39;"%*..=: :2-]>ersonny_e_ safe ""_meme; $6, about thegput o owing_�spirit V _tter" .{the Production Qt]-ntefidlwith: �Do you t&#39;hin�k&#39;1tdues�P " �"� He refraine_d,.however__from auydirect critieinrwith me� mun-

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