Understanding the Score - Film Music Communicating to and Influencing the Audience

Merging Genres in the 1940s - The Musical and the Dramatic Feature Film

Nor the Eye Filled With Seeing - The Sound of Vision in Film

Gaze From the Heavens, Ghost From the Past

Selective Attention in Two-Part Counterpoint

Straus - Uniformity, Balance, And Smoothness in Atonal Voice Leading

Satie's 'Entr'Acte' - A Model of Film Music

Music in the Classical Hollywood Cinema - The Most Romantic Art of All

Cinema, Scored - Toward a Comparative Methodology for Music in Media

Timing and Vulernability in Three Hitchcock Films

McCaldin - Mahler and Beethovens Ninth Symphony

Towards a Theory of Musicodramatic Practice in Film

Bartok Analysis Step by Step.

Neumeyer - Thematic Reading, Proto-backgrounds, And Registral Transformations

A Source-Studies Approach to Michael Nyman's Score

A Guide to the Study of Microtonal Intonation in Recent Viola Repertoire

Scoring for the Specter - Dualities in the Music of the Ghost Scene in Four Film Adaptations of 'Hamlet'

Daniel Aspectual Hearing

Barthes Grain of the Voice

Music, Myth, And Education - The Case of the 'Lord of the Rings' Trilogy