Rudolf Flotzinger on the Question of Modal Rhythm as Reception

Paul Chihara

bridges2011-97

Concept and Context a Historiographic

Strange

Crumb Apparition

G. Scelsi - Okanagon for Harp, Contrabass and Tam-tam - Score

Trio Maderas

G. Scelsi - 1964 - String Quartet No. 4 - Score

G. Scelsi - Hispania Tryptique - Score

G. Scelsi - Anahit - Full Orchestral Score

Richard Barret 13 Selfportraits

Foto Lachenmann

The Theory of Perception in the Aesthetic Conception of Lachenmann a 'Redefinition' Trial of the Functional Aspect of Music

Sections of Exergue Evocations Diaolgue With Timbre

On My Second String Quartet ('Reigen

Ferneyhough Interview 1

Dict1

Premio CasaAmericas Convocatoria2017