26071168 the Liberation of Sound Contacts With Edgard Varese Jean Claude Risset 1

Xenakis

xenakis

ligeti

Electroacoustic Music of Iannis Xenakis

Continuamente Integrating Percussion Audiovisual

Real Time Composition and Notation in Network Music

Scores Level Composition Based on the Guido Music Notation

Remote 3d Audio Performance With Spatialized Distribution

Conditions for Development of an Interchange Format For

Challenges and Opportunities of Multiple Processors Why

Music That Listens to Whats Going to Happen Internet

Thoughts on Parallel Computing for Music

Comment on Many Core Computing and Real Time Audio Software

Engraving Hammeringcasting Exploring the Sonic Ergotic

Towards a Typology of Feedback Systems

Maestro Using Technology to Improve Kinesthetic Skill

Variance in Repetitive Games Music

Computing With Chord Spaces

Smuse an Embodied Cognition Approach to Interactive Music