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tristesse (engraved)
april 2011
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contents*
page 4-18: anna atkins*
page 20-28: JrF - ‘on listening’*
page 30-31: Irmãs Brontë*
page 32-45: ieva sliazaite*
page 46-50: elizabeth fortnum / japanagram*
page 51-57: marie roux - ‘athabasca’
*page 58-60: joe stevens - diplopia film*
page 61-70: isabelle lombard*
page 71-78: bruno duplant - ‘neige’*
page 79-89: jürgen heckel*
page 90-93: maria silmon*
page 94-103: guido castagnoli - provincial japan*
page 104: engraved glass*
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Jez riley French - upon listening
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Latidos - Irmãs Brontë
prólogo: Prism and light
Latidos gathers a selection of stories with shared, uncommonways of perceiving the world. Sometimes realistic and at othertimes delirious and poetic in tone, the authors journey through
(briefly and fable-like) the hidden spaces between science,religion, paganism, nature, history, mythology and aesthetics, ina voracious curiosity and innocently available way of looking atthe world. Crossing over borders shamelessly, they are drawing
pathways as if to attempt to understand the world.
- Pedro Nora
The text above served as an introduction to the edition of Latidos published in Portugal in 2010. Each month a story from the collection, translated into
english for the first time, will appear in tristesse engraved.
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anticipation
Goethe found himself laid downbetween the short vegetation of the
mountain, receiving sun light,
adjusting his breath to the rhythmof the soil while, listening
attentively to the wind, he wasrectifying the image of his own self.
Intuitively, he felt a stormapproaching and that its arrival
would coincide with this discoveryprocess.
Joyful with the singularity of thesituation, he let his sight stretch faraway, in an effort to prolong the
pleasurable feeling found in furtherknowledge of his own body and of
his own Self, rescued from theunknown. Goethe embraced thenhis own destiny –the will to be at
one with the immense wholethrough metamorphosing himself
with the surrounding vegetation.
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/ ieva sliazaite /
ieva.sliazaite@gmail.com
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marie roux - ‘athabasca’
The Athabasca Glacier is probably the most famous glacier in northern America, with around 10.000
people walking on it every summer. It is part of the small surviving family of icefields that were covering
most of western Canada.
One of its main attractions is a bus route on the ice, which takes visitors to a small ice meadow where they
can get off and take a few steps.
It has also continually for the past 125 years lost surface due to the warmer temperatures. That’s probably
what also attracts curiosity, listening to the breaking and movement and being able to visually witness the
affect of the climate, walking around the rocky desert and small milky lakes that use to be covered in ice.
www.marieroux.info
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isabelle lombard
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bruno duplant - ‘neige’
bruno is a musican / artist based in france and has just
released his latest album on . point engraved editions
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Jürgen Heckel
www.isolohr.tumblr.com
www.monohr.comsogar@monohr.com
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Maria Silmon
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guido castagnoli
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guido castagnoli
provincial japan
Statement.
The pictures neither feature dashing population concentration, nor swiftly expanding or technocratic cities. Furthermore, there are no signs for the rather extreme minimalism, which is
often linked with Japans culture. Instead, we find ourselves facing a calming atmosphere and artful resolution, within the slightly surrealistic landscape of the Shizouka quarter.
Nevertheless, the locations portrayed in the photog raphs are very likely to appear rather alienating to an American audience. The items, the focus on room and structures and the striking
absence of humans calls to mind the work of photographers such as Stephen Shore, Robert Adams and others forming the “New Topography” movement. Provincial Japan is a series concerned with regional, Japanese landscapes. It is all the more remarkable taking the context of American audiences into account, in the way and manner it
hints into the direction of America's own Brummagem and regional landscape, which resonates strongly.
Biography
Guido Castagnoli was born in Turin, Italy, 1976. After his degree in Advertising Graphics and Communication, he began his career as an AD for a famous advertising agency in
Milan. His interest in photography came about, as he shot his first pictures with the old Leica belonging to his family. During the following years he gave his position at the agency up to
pursue a path completely devoted to photography. His work has been exhibited in public and private institutions in Ital y, Germany, England and Japan. He lives with his wife Seika and
their babies Mei and Emi in Genoa, Italy.
Contact info
info@guidocastagnoli.com
http://guidocastagnoli.com/
gallery: http://www.sashawolf.com/
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is this an advert I see before me ?well, of sorts, yes....
engraved glass exists as a label issuing limited edition cd’s by artists / composers from around the world for
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engraved glass exists as a label issuing limited edition cd s by artists / composers from around the world....for those of you with a passionate interest in contemporary visual art perhaps you would find much to inspire in
creative, non-mainstream music / sound too....
engraved glass is a not for profit label with proceeds going to fund future releases by established and emerging
artists + support the creative projects undertaken under the engraved glass name (including tristesse engraved)so do please visit the site:
engravedglass.blogspot.com
recent releases include: Jez riley French - ‘four objects’
Paul Khimasia Morgan - ‘empty frame’
Stefan Thut - ‘an ort, 1-9’Bruno Duplant - ‘one hour north’Richard Kamerman - ‘changes.txt’Anne Guthrie - ‘sitting, standing’
Julia Holter - ‘celebration’
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published by engraved glass / jrf
*all content is p&c by the artists involved
*content by jrf unless otherwise stated
*material from this publication should not be reproduced in any way without prior permission from the