Top 10 Classical Series - Vol. 3

VOCAL / KEYBOARD SCORE

Wedding Solos

The Top 10 Classical Vocal Solos

1

In Voce Editions - Top Ten Classics Series

VOLUME 3

Wedding Solos

(High Voice) This Collection contains 10 of the “Top 10” Classical Wedding Music Selections chosen

for Preludes, Seating of Mothers, Signing of the Register and Reflections. The pieces are arranged for High Voice (Soprano or Tenor) with keyboard

accompaniments, which may be played on organ, piano or keyboard.

They range in difficulty from moderately easy to moderately difficult.

To play midi sound files for these pieces, click here www.ozemail.com.au/~bfk/Midis/TTMidis.html

1. Ave Maria …………………………………………. F.SCHUBERT 2 2. Ave Maria………………………………………….. C. GOUNOD 6 3. Panis Angelicus………………………………….. C. FRANCK 10 4. Bist du bei mir ………………………………….. J.S. BACH 14 5. O Perfect Love …………………………………… J. BARNBY 17 6. The Lord’s Prayer ………………………………. A.H. MALOTTE 19 7. Simple Gifts ……………………………………….Trad. SHAKER TUNE 24 8. Jesu joy of man’s desiring…………………… J.S.BACH 26 9. Nulla in mundo pax …………………………… A. VIVALDI 30 10. Allelujah- from Exultate jubilate …………………….. W.A. MOZART 35

Edition Copyright © 2008

2

e=66Molto lento

Ave Maria(medium - high voice) F. Schubert

Op.52

pp

6

6

6

6

6

6

6

6

A1.

p

ve- - - - Ma ri

-

- - - - -

A2.

ve- - - - Ma ri

-

- - - - -

p

aa

-

MaGra

p

ti

tera

- -- - -

Deple

--

-

3

i.na.

--

OMa

rari

--

proa- -

nogra

bis- pec

ti

-

caa

--

-

tople

ri-

busna,

- -

- OMa

rari

--

oa

- -

ragra

- proti

3

-noa

- ple

3

-

bisna,

-

OA

rave

--

O

f

raA

pro

ve

3

-noDo

mi

3

-

-

-

bisnus,

pecDo

cami

--

tonus

--

rite

- bus,cum.

--

nuncBe ne

mf

- -

4

etdic

inta

-

hotu

in

ramu

-li-

more

- ri-

tis,bus

-

-

inet

ho

be

ra

ne

- -

- -

mor

di-

tis

3

- no

3

strae,

ctus,

- -

-

in

et

hobe

rane

--

mordic-

tis,tus

--

morfru

tisctus

3

--

noven

strae,tris,

--

ven

intris

-

rit.

ho

tu

ra

i

- -

- -

mor

Je

tis

3

- no

3

strae.

sus.

- - -

-

pp

5

A tempo

A

ve- - - - Ma ri

-

- - - - -

A

ve- - - - Ma ri

-

- - - - -

a.

-

a.

-

2nd VerseDal Segno

pp

dim.

6

ModeratoAdaptation by Charles Gounod

of Prelude No.1 from "Das Wohltemperirte Klavier" by J.S. Bach

Ave MariaHigh Voice in G

p

A

ve

- - - -

Ma

-

pp

ri

a

- - - - - -

Gra

ti

- - - - a- ple

na,

- -

cresc. pp

7

Do

mi

- - nus- te

cum,

-

be

ne

- -

-

cresc. pp

cresc.

di

-

cta

- - - - tu

in

p

mu

li

- - - - e

ri- - bus

-

et

be

ne- dic

- tus

- -

cresc.

p

8

fru

ctus

cresc.

- - - ven

tris

- - -

cresc.

tu

i- Je

sus

-

San

cata

-

Ma

p

ri

a

-

San

cresc.cta

Ma ri

- a

-

f

Ma

cresc.molto

ri

a

-

o

ra

- - pro no

bis

-

pp

9

no

cresc.bis- - pec

molto

ca- to

ri- bus,

-

nunc

fet

in

cresc.

cresc. molto

f

ho

ff ra,

- - in ho

ra

- - mor

tis

- no

strae

-

ff

A

men.

- - - - - -

dim.

rit.

rit.

A

p

men.

- - - - - -

pp

10

Andante ma non troppo

Panis angelicus

Cesar Franck Text: St. Thomas Aquinas

Organ/Piano

p

poco rall.

A tempo

Pa

nis

- an

ge- li- cus

-

fit

pa

nis

- hom i- num

-

Dat

pa

nis

- cae

li- cus

- fi

gu

- ris- ter

mi

- num;

-

11

O

res

mi

ra- bi- lis

-

man

du

- cat

- Do mi- num

-

Pau

per,

-

pau

per

-

ser

fvus- et hu

mi- lis.

-

f

Paup

per

-

pau

cresc.

per

-

ser

f

vus,- et hu

mi- lis.

-

p

cresc.

f

poco rit. A tempo

Pa

nis

- an

-

mf

mf

12

Pa

Descant Voice or instrument

nis

- an

ge- li- cus

-

fit

pa

nis

- ho mi- num

-

ge li- cus

-

fit

pa

nis

- ho mi- num

-

f Dat

pa

nis

-

Datf

pa

nis

- cae

dim.

li- cus

- fi

gu

- ris- ter

mi

- num;

-

cae

li- cus

- fi

gu

- ris- ter

mi

- num;

-

O

res

mi

-

O

cresc.

res

mir

a- bi- lis

-

man

du

- cat

- Do mi- num

-

ra

cresc.

bi lis

- -

man

du

- cat

- Do mi- num:

-

f Pau

per-

f

13

Pau

per- et hu

mi

- lis,

-

pau

per

- ser

vus- et hu

mi- lis,

-

ff Pau

per-

cresc.

rall.

Pau

ff

per- - et hum

dim.

i

- - lis.

-

pau

per

- ser

dim.

vus- ser

vus- et hu

mi- - -

-

lis.p

p

14

AndanteOriginal composer

Gottfried Heinrich Stölzel (1690-1749)

Love song from the Anna Magdalena Songbook

Bist, Du bei mir collated by Johann Sebastian Bach (1685-1750)

Bist

mfDu

If thou art with me, then will I gladly go unto death and to my rest. Ah, how satisfying will my end be, as thy fair hands close over mine eyes!

bei mir,

geh'

ich

mit

Freu

den

-

mf

zum Ster

ben

- und

zu mei

ner

- Ruh,

Zum

Ster

ben- und

zu mei

ner-

Ruh.

Bist

Du bei

mir,

geh'

cresc.ich

mit

cresc.

Freu

den

-

Zum Ster

- ben

und

zu mei

ner

-

15

Ruh,

Zum

Ster

- ben

mei

ner- Ruh.

Ach,

fwie

ver

-

f

gnügt

Wär

so

mein En

de,,

-

Es

p

drück

ten

-

p

Dei ne- schö

nen

- Hän

de

- mir die

ge treu

- en- Au

gen- zu!

Ach

wie

ver gnügt

-

wär

so

mein

En

de,

-

16

Es drück

ten

- Dei

ne- schö

nen

- Hän

de

- Mir die

ge treu

- en- Au

gen-

zu!

Bist

f

Du bei

mir,

geh'

ich

mit

f

Freu

den

-

Zum Ster

ben

- und

zu mei

ner

-

Ruh

Zum

allargando

Ster

ben- und

zu mei

ner- Ruh.

p

allargando

p

17

AndanteJoseph Barnby (1838-96)

arranged by Bernard Kirkpatrick Text: Dorothy Frances Gurney

O Perfect Love

mf

dolce e espress.

3 3

3 3

mp

mf

f

1.2.3.

OO

Grant

perper

them

fectfect

the

--

life,love,

joy

beall

which

legato

3 3

3 3

3 3

3 3

3 3

3 3

hunowbright

theirman

ens

-

-full

thought

earth

astrans

ly

-sur

cend

sor

--

ranceing,

row,

--

-of

low

grant

tenly

them

-

derwe

the

-

3 3

3 3

3 3

3 3

3 3

3 3

charkneel

peace

iin

which

- ty

prayer

calms

- - and

be

all

steadfore

earth

-

fastyour

ly

- faith,

throne

strife,

3 3

3 3

3 3

3 3

3 3

3 3

18

ofthat

and

pa

theirs

to

tientmay

life's

- hope,be

day

andthe

the

quilove

glo

etwhich

rious

--

braveknows

un

enno

known

--

3 3

3 3

3 3

3 3

3 3

3

3

durend

mor

ance,ing

row

--

-

withwhom

that

childyou

dawns

likefor

up

- truste

on

-

thatver

e

-

fearsmore

ter

-

-

notnow

nal

-

3 3

3 3

3 3

3 3

3 3

3 3

painjoin

love

dim.

orin

and

death.one.

life.

Final time.

3 3

3 3

3 3

3 3

p

19

Lento, religioso

The Lord's Prayer(for High Voice)

Albert Hay MalotteSimplified accompaniment by

Bernard Kirkpatrick

ppp

Our

Fa

ther,

-

3

3

3

3

3

3

3

3

3

3

3

3

ppp

pp

which

art

in

heav

en,

-

3

3

3

3 3

3 3

3

pp

pp

Hal low- ed

3

- be

thy

rit.

3

3

3

3

3

3

3

3

rit.

20

Name.

a tempo

accel.

poco più mosso

p

Thy

king

dom

-

3

3 3

3 3

accel.

3 3

3

poco più mosso

3

3

3

3

a tempo

p

come.

mp

Thy

will

be

done

in

p

3

3 3 3

3

3

3

3

3

3

p

3

3

L.H

earth,

p

as it is

in

Hea

ven.

- -

3

3 3

3

pp

p

21

3 3 3 3 3

3

3

3

3

3

pp

molto espressivo e sempre legato

pp

Give

us

this

day

our

3

3

3

3

3

3

3

3

3

3

3

3

dai

p

ly

- bread.

And for

3

give

-

poco accel.

us

our

debts,tres

pas- ses

-asas

p

3

3

3

3

3

3

3

3

3

3

3

3

p

p

22

rall.

rall.A tempo

A tempo

we

we

for give

3

- those

for

who

3

3givetres

-

pass-oura

3

3debt

gainst

-

ors.us.

-

3

3

3

3

3

3

3

p

3 3

3

3

3

3

p

And

lead

us

3

not

in to- temp

3

ta

- tion,

-

but de

3

li

mf

- ver

3

- us

from

mp

3

3

mf

3

3 3

e

vil:

-

mf

For

Broadly

thine

fis

the

3

king

dom,

- and the

3

3

3

mf

3

f

3

3

3

3 3 3

23

pow

er

- and the

3

glo

ff

ry

- - -

for

3

3 3 3

ff

3 3 3 3

e

ver,

- - - - -

A

f 3 - - -

3 3 3 3

f

3

3 3 3

Tempo 1

Tempo 1 rall.

men.

p

mf

p

pp

ppp

24

Simple GiftsA traditional

American Shaker Tune c.1848

'Tis the gift to be simple

Joyfully

mp

'Tis the gift

to be sim

ple,- 'tis

the gift

to be free,

'tis the

gift

to

come

down

where

you ought

to be;

And

when

we find

our selves

in

the

place

just right

'Twill

be in

the

val

ley- of love

and

de light.

-

25

When

true

sim pli

- ci- ty

- is gained,

to

mf

bow

and to bend

we shan't

be

a shamed,

- to

turn,

turn

will be

our de light,

- till by

rall.

turn

ing,

- turn

ing

- we come

out

right.

26

AndanteJohann Sebastian Bach (1685-1750)

Church Cantata - BWV147 "Herz und Mund und Tat und Leben"Jesu, Joy of Man's Desiring

English text: Robert Bridges

p

3

3

3

3

3

3

3

3 3

3

3

3

3 3

JeThroughmf

p 1.

2.

su,the

- joy

way,

of

where

man'sHope

deis

sir

guid

- ing,

ing,

--

Ho

Hark,

ly

what

-

1st time p

2nd time mf

wispeace

-dom,

ful

- love

mumostsic

-

bright,rings,

27

Drawn

Where

by

the

Thee,

flock,

our

in

souls

Thee

as

con

pir

fid

-

-

ing,

ing,

-

-

Soar

Drink

to

of

un

joy

cre

from

- a

death

- ted

less

-

-

light.

springs.

cresc.

3

3

28

Word

Theirs

mf

of

is

God,

beau

our

ty's

-

flesh

fair

that

est

-

fash

plea

ion'd.

sure:

-

-

f

f

With

Theirs

the

is

fire

wis

-

of

dom's

life

ho

im

liest

-

pas

trea

- sion'd,

sure:

-

-

Stri

Thou

dim.

ving

dost

- still

ev

to

er

-

truth

lead

un

Thine

-

dim.

3 3

29

known,

own,

p

Soar

in

ing,

the

- dy

love

ing

of

- round

joys

Thy

un

-

3 3

3 3p

Throne.known.

dal segno

30

LarghettoAntonio Vivaldi (1678-1741)

Keyboard reduction: Bernard Kirkpatrick

Nulla in mundo pax sincera"Aria" from the Motet -RV630

f

There is no sincere peace in the world without bitterness. Amidst punishments and torments, the soul lives contented in the sole hope hope of chaste love.

mp

Nul - la

in mun

do

- pax

sin cer

- a

- si

ne-

p

31

fel

le;

- pu

ra

- et ve

ra,

- Dul

cis- Je

su,- est

in te.

f

Nul la

- in mun

do

- pax

sin ce

- ra

- Si ne

- fel

le;

-

p

pu ra

- et ve

ra

- dul cis

- Je

su

- est in

te.

f

32

Nul

la_in-

p

mun do- pax

sin ce

- ra- si

ne- fel

le;- pu

ra_et- ve

ra,- Dul

cis

Je

su,- - - - - - - - - - pu

ra_et-

ve ra,- Dul

cis Je

su,- est

in te.

Dul

cis

-

33

Je

su,- est

in te.

f

fine

In

ter- poe

nas- et

tor men

- ta,- et

tor

p

men ta- Vi

vit a

ni- ma

- con ten

- ta,- Vi

vit a

ni- ma

- con ten

- ta- Cas

ti- a- mo

ris,- cas

ti- a-

34

mo- ris so

la- spe.

Vi

vit- a

ni- ma

- con

-

p

ten ta,- In

ter- poe

nas- et

tor men

- ta,- et

tor men

- ta- Cas

ti_a-

mo

ris- so

la- spe,

In ter- poe

nas- et

tor men

- ta- vi

vit-

a

ni- ma

- con ten

- ta- Cas

ti_a- mo

ris- so

la- spe.

Da Capo

35

Vivace

Alleluja

W.A. Mozart

from "Exsultate, jubilate"

f

Al

Soprano

le- lu

- ja,

- Al

le

- lu

- ja,

-

al

le- lu

- ja,

- Al

le- lu

- ja.

-

p

Al

le- lu

ja,

- Al

le

- lu

- ja

-

al

le

- lu- ia,

- Al

le- lu

- ja.

-

Al

le

- lu

- ja,

-

Al

le

- lu

- ja,

-

f

p

f

p

36

al le

- lu

- ja,

- al

le

- lu- ja,

-

f

p

f

p

f

al le

- lu

- ja,

- al

le

- lu- ja,

-

f

p

f

p

f

al

le

- - lu- ja,

-

p

_

ja,

al le

- lu

-

ja

-

37

al

le- lu

- ja,

- al

le

- lu- ja,

-

al

le- lu

- ja,

- al

le

lu- ja

-

al le

- lu

- ja,

- al

-

le

lu

- ja,

- al

cresc.le

- lu

- ja

-

cresc.

f

al

- - - - - - - -

p

p

38

- - - - - - - - - - - - -

p

- - - - - - - - - - - - -

p

fp

fp

fp

le- - - - - - - - lu

- ja

-

f

p

al

le- lu

- ja,

- al

le- lu

- ja

-

39

f

al

le- lu

- ja,

- al

le- lu

- ja,

- al

le

- lu

- ja,

-

fp

fp

f

al

le- lu

- ja,

- al

le- lu

- ja,

- al

le

- lu

- ja,

-

fp

fp

f

al

le

- - lu

- - ja.

- -