Post on 31-Jan-2021
`Techrtical `Flexibility'`For `FlutistS
A book oforganizeddaily practice routines
9~r,Geoffrey Gilbert
B-369$9.95
SOUTHERN MUSIC COMPANY
Publishing Division
SAN ANTONIO, TEXAS 78292
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Scale sequence
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B-369
MAJOR SCALESin fours
Nos. 6 and 12
Phrasings: Nos. 1 and 7 = =~•=
etc
Nos. 2 and 8=~•
oc.
Nos. 3 and 9
Nos. 4 and 10
etc.
Nos. 5 and 11=
(single)
~• (double)
The passages in brackets should he practicedFirst, before the complete scale .
••
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AL •
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©Copyright 1988 by Southern Music Company, San Antonio, Texas 78292International copyright secured . Printed in U .S .A . All rights reserved .
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B-369
MINOR SCALES (Harmonic)
Phrasings : Nos. 1 and 7
=(double)
T~_ K
Nos. 2 and 8 ~• etc.
Nos . 3 and 9 etc .
et
Nos. 4 and 10
~ etc .
Nos. 5 and 11
Nos. 6 and 12=
(double)
*In Nos. 2 and 8, at fast tempi, it can be anadvantage to use double tonguing as
illustrated . Try this method and persevere.
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B-369
MINOR SCALES (Melodie)
Phrasings : Nos. 1 and 7
Nos. 2 and 8
Nos . 3 and 9
Nos. 4 and 10
Nos. 5 and 11 ~• (single)
Nos. 6 and 12 ~~ (single)
b
====etc .
1
etc.
6
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B-369
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8
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ARPEGGIOS (Major and Minor)
Phrasings : Nos. 1 and 7
Nos. 2 and 8
Nos. 3 and 9
Nos. 4 and 10
Nos. 5 and 11
Nos. 6 and 12
4
6
etc.
etc.
~~ (double)
(double)
etc.
NOTES:
1 . Omit the trill key on either top B flat or B natural where it is followed by top D .
2. Try using middle finger for top F sharp in descending where it follows top B natural .
3. Remove right hand little finger on top E in descending where it follows top A.
ss
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.
Minor
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B-369
DIMINISHED and DOMINANT CHORDS
f,
1
4 .
5 .
6 .
7 .
8 .
9 .
10.
11 .
12.
8
E~m~ a rmro-.
etc.
6
etc .
~~ (double)
etc.
etc .
etc.
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r-rrrrrrrr
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rr--9
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rrrrr-rr---~rr-rrrr
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B-369
b. bss
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10
b.
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11
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-------_~~~~-i rrr
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12 AUGMENTED CHORDS, WHOLE TONE SCALES,and CHROMATIC SCALES
Phrasings : Augmented chords and whole tone scales, numbers 1 thru 12, on page 10.Chromatic scales, numbers 1 thru 12, on page 10 .
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B-369
Augmented
-3- -3-Also : 13 . iz7!r etc.
14 .
etc .
15 .
16 .=
.. :• . -• etc .
4
etc.
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Ír.
• .
b. `- • i a
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B-369
b
Whole Tone Scales
Chromatic Exercise
4 Limes twice
.• iAIP
b
once each
a
13
b.Ii. •b. . ti b. i
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r r
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r
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w~r
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48
Phrasings : 1 .
etc.
etc .
etc.
4 .~•
(single)
AUGMENTED CHORDSin sevens
5 . rrr~rrr • (double)
6 .~•
(double)
7 • rrr~rrr• (triple)
8 . r= (triple)
nr
V
s
r odo
dodir A •
0
n
9
19
Ir
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6
lo
CHROMATIC INTERVALSPhrasings 1 thru 12 as in scales in fours .
b -0,
9 .~•
etc .
10 ..rrrrrr •
etc.
T K T T K T K
11 . rrrrrrI, (triple and double)
12 .T K T K T K T
•
(double and triple)
-~
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w---r COr:arMM
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~~~~~---~---
if..---v =Mo~~
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b~t s ~-- # ~ b b
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3) L.~
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B-369
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52
~) F major
MAJOR CHORDS (commencing on the third)
--r~~r~-rrrr~- -- _r ~•1«9-33
W-M.~ff
-: --rc--r AMIF ~r
t
r
'/
∎∎∎
--- !!_=
---
---
--_--•nri
r--
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r
-- •--r •-
0.r
-r-__-- •-
-- __r.aun
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NOTE: Phrasings 1 thru 12, plus 13, 14, 15, 16, for the exercices above .(see page 11 for phrasings 13, 14, 15, and 16)
Phrasings 1 thru 12 plus 13, 14, 15, and 16 .2) A flat major
A major
MAJOR CHORDS (commencing on the fifth)
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B-369
Gb major G major
B flat major
(Continue raising by half-steps)
r
(Continue raising by half-steps)
--i
I .
r•
//
Exercise One (Version A)
Exercise Two (Version A)
o~a~~~Ma
rM
Pa:r~~-v~
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M/
-- ~.
r:'~
Version AI
/,• / t -a--t-t ~It t t t s t t tVersion BI
ALlo- lo-
2
2
3 3
3
3
3
4
3
3
5
3
3
4
6
3
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~-tM/üf
_:77_ ._~ ori rr imio=0~ mori
53
amommommo 05 OMOITT! !-•
COM un
-tua ~maama mun
Roba !!!
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