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Spiritual Parents
by
Billy McBride
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Copyright 2012, by William McBride
ISBN 978-1-300-17367-0
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Why did Othello kill himself after his end speech? If hewas trying to cheer himself up it didn't work. If he washoping to be free and more open he could have lastedlonger to help his reputation not appear as selfish.- Ora
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The lady from 3,2,1 Contact believes in her own soul, butdoes she trust it?- Ora
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33:44 Ha-Shem coming to the tent of Abraham and Sarah.32:20 Ha-Shem hovering over the waters.31:40 Rebecca sitting on the idol.30:30 Animals into the ark.
29:50 Flood.
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29:16 Splitting Red Sea.28:45 Fleeing the Egyptians.28:14 Esau eating.
27:40 Isaac's servant's tale.26:40 The rainbow.
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26:00 Flood.25:45 Babel's broken languages.25:09 Jacob wrestling the Angel.
24:38 Ha-Shem hovering over the waters.23:50 Esau eating.
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23:10 Dinah's troubles.21:59 Animals into ark.21:00 The Israelites moving in the wilderness.
20:19 Rebecca giving water to servant.19:20 Ha-Shem separating water from air.
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18:50 Coming to Abraham's tent.18:06 The dove being sent off.
17:19 Balaam's ass.16:30 Pharaoh's men and Moses throwing staffs.15:40 Esau giving up birthright.
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15:00 Manna.14:00 Burning bush speaking.
13:13 Moses defending the slave.12:30 Pharaoh's decree to kill the first born males.
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11:55 Sarah and Hagar arguing.
11:22 Adam blessed with Eve.10:39 Noah building the ark.10:10 The ark of the Tabernacle.9:40 Moses on the mountaintop for forty days.
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9:14 The Golden Calf.8:44 Esau arguing with Isaac.
8:22 The rainbow.7:54 Flood.
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7:20 Moses' last poem.
6:39 Dove coming back with twig.5:55 Hagar leaving her child to die.5:16 Go Fourth said to Abraham.4:38 Be fruitful and multiply animals.
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4:05 Sodom and Gommorah.3:35 Moses' scales.
3:09 Eve biting the fruit.2:44 Adam made out of red clay.2:08 Moses' poem at the end.
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1:50 Fleeing the meteor-destroyed city.1:11 Sarah barren.
:44 Laban, master over Jacob.:20 Pillar of Fire.
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Who is that? You're met him before.- Diana, guiding Billy's eyes to an unfocused portrait
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I don't know. I don't ever remember meeting anyone before.- B'nayvoovah
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Laying my cards out on the table and my Spiritual Parents,Rosalinda and Robbie laying out theirs:
Me: (to make them upset) - I could mock them and fightwith them.
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They: (to make me upset) - We could talk while your wivesare talking to make it seem as if they are us.
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Me: I could stop playing music.
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They: We could make you lose a sense of structure andschedule and therefore bring you worry.
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Me: I could read in a way that would bug you.
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They: We could distort the room to make you feel as ifyour life is an illusion, as if your brain was in a vat.
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Me: I could predict things and ask you not to look at
Hokhmah or I could bring up my bad times (like my $5.00 pair of glasses, my Earth Dad's spankings, your smokingand cancerous death, the way you argued without making
progress with a few).
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They: We could bug you and distract you from talking withyour wives; we could bring up bad topics like forced
conversion, hell, fagit, and thus make you argue with us.
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Me: I could ignore you when you are doing me favors and being good and useful.
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They: We could make you feel like others are bad andwatching you to do harm to you later.
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They: We could make you feel as if your entire world isevil and give you a sense of doom and despair.
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Me: I could talk to myself in public and make gestures
which would be improper.
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They: We could make you work at things, on projects,
which you would not like doing at the time.
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Me: I could make dumb noises to bug you.
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They: We could be serious all of the time and stern-faced.
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Me: I could not take the things you say seriously and makefun of you with my wives.
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They: We could talk as if you weren't part of our projects.
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Me: I could complain about things more and by doing so bring harm to me.
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They: We could talk to you in your moments of maritalintimacy to spoil the time.
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Me: I could do things you ask me not to do, like dance,etc...
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They: We could make you feel bad that you can't do somethings you want to do, like dance, eat, live.
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Me: I could conspire against you with my wives.
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They: We could call you silly names like "kike," "fagit,"and "atobot." We can make you feel as if you are anatobot, or as if you are a clone.
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They: We can make you feel more inferior.
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Me: I can call you "Bing" and "Bot" to make you look likestupid computers.
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They: We can disown you.
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Me: I can disown you.
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Me: I can be wimpy and sentimental.
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They: We can wobble you and make you feel as if we arehaving sex with you.
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They: We can nefesh the environment (speak through theenvironment) in a bad way to you.
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Me: I could act prideful and like a know-it-all jerk.
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They: We could not praise you appropriately for the gooddeeds which you do.
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Me: I could choose not to remember what I was asked byyou to do, like dance, or keep my pen out of my mouth, ornot to pick my hair.
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Me: I could repeat things to you which make you lookdumb, or I could stammer.
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They: We could interrupt you way of good readings so asto frustrate you.
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Me: I could babble on purpose.
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They: We could make you think nonsense.
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Me: I could pay less attention to you.
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Me: I could choose to think in a slower way which isn'tquick to the subject matter.
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They: We could keep you away from your wives andchildren.
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Me: I could repeat sayings so as to cause a distraction.
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They: We could bore you.
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Me: I could treat you as neurotics and talk to you with anattempt to cure you.
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They: We can call Mike.
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Me: I could crack jokes like: "What is my father going todo when he loses his hearing?"
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Me: I could call you bad names like "fool" "nerd" and"stupid."
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They: We can say things you don't like to hear like "nut-not," etc...
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Me: I could choose to be authentically angry at you.
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They: We can be silent and go away.
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Michael Cassio should have kept sober.- Pekhot
Why did Iago gamble with his own fate by his crime?
- Pekhot
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You cannot have a happy world without trust. One personlearns; then another.- Pekhot
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Why did Iago use the handkerchief plot to convinceOthello? Was it necessary when he was already convincedenough and trusted Iago?- Elaine
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Bottom from A Midsummer Night's Dream and Desdemonaare both male and female innocence and innocents.- Yafah
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Othello should have trusted Desdemona's words overIago's.- Tob Shbeeb
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Desdemona could have perhaps defended herself better.She invokes "love" as her word, but this has no effect onher mad husband.
- Jennifer
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Othello could have resigned as general after Cassio's fight.- Tob Shbeeb
Othello was good at persuading Brabantio of his love forDesdemona. Why did Othello not see through Iago?- Elaine
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Othello had a temper and hastily demoted Cassio on basisof it. Was he just trying to sleep? To force his troops to act
properly?
- Elaine
Othello is a man and Desdemona a woman. What if thesituation was reversed and Othello innocent butDesdemona tricked into believing he was unchaste by Iago.Could Iago have pulled it off? For he was close to her too,and probably smart enough. Then she might have killed
herself after finding out that the husband she had murderedwas chaste.- Lizbeph
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Othello was endowed with the ability to demote MichaelCassio. Could the play have worked had Othello andCassio had reverse positions?
- Elaine
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Why was Othello not mad at Brabantio? Had Brabantiosome authority over him? Othello's speech on why he wasa good guy to marry Desdemona was persuasive. What ifBrabantio rejected the reason of Othello's love and
therefore the marriage.- Yafah
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Why did Othello get married anyway? Why not sooner?And, why was the marriage all of a sudden? Did hedistrust his ability to persuade Desdemona's father before
he married as the moor trusted just as much his power tosway Brabantio after eloping?- Yafah
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Othello could have told Brabantio of his love for hisdaughter sooner.- Yafah
How deep was Othello's love? Why not as deep asDesdemona's.- Yafah
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Had Othello won every battle he faced as a general?- Yafah
Advise. Give it.
- Yafah
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Desdemona should have left Othello at the first sign of hismonstrosity.- Yafah
She should have found a better mate. It was too late in the play's action.- Yafah
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But, she could have left him.- Yafah
Desdemona could have gone under a disguise.- Yafah
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Desdemona and Emilia could have set a trap for Othello, orspied on him to see why he was acting bad.- Yafah
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B'nayvoovah, think of something creative to do with people.- Shay
We keep this over here, we reject that over there.- Shay
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I had a little nut collection in which the nuts would changecontainers and represented money for cuss words othersspoke.- Shay
There are eleven Calibans and one Ariel who are myservants. I am Prospero.- B'nayvoovah
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"Un" or "un-un." Those are your verdicts.- B'nayvoovah
What time is it?- B'nayvoovah
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What is Golf? The Falstaffiad.- Elaine
I love you.- Kabbalah
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Enthusiasm isn't the same as grotesqueness.- Kabbalah
Anything is welcome on paper as long as it is good writing.- Kabbalah
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There is a major difference between blaming people tohave control over the Time, and blaming them just for thesake of knowing who is to blame. The difference is justicefor the former, and victimization for the latter. It in legal
terms is a difference between a winning argument andwaiting for justice. The man I saw on the balcony bothgave the Merkabah and made me lose it, like a Supernova.- B'nayvoovah
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Chris, Bobby, Mike, David, Ben, Steve, Andy, Amy,Jessica, Matt, and X must all know that I am famous, eventhough it is a Tom Sawyerism.- B'nayvoovah
When they all know that I am famous, by our plan, thenthey will respect me and stop their horseplay.- B'nayvoovah
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Something like a Green Curtained Piano is needed.- Donna
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A W.A.S.T.E.-like conspiracy.- Donna
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Quotes from the naughty people: Questions the Calibansask me:
Caliban 1: What's a pragmatist?
Caliban 2: What's a liberal?Caliban 3: What's a Jew?Caliban 4: Are you crazy?Caliban 5: What's a B'nayvoovah?Caliban 6: Why are you a pragmatist?Caliban 7: Why are you a liberal?Caliban 8: Why are you Jewish?
Caliban 9: Are you a fag?Caliban 10: Why are you a B'nayvoovah?Caliban 11: What's wrong with smoking a little marijuana?
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FINIS