Post on 11-Jan-2016
Small Island ArtSmall Island Art
Potential UntappedPotential Untapped
Susan MainsSusan Mains
Copyright Susan Mains 2005 Do not reproduce without express permission
IXth Interdisciplinary Congress of the Society for Caribbean ResearchDepartment of Social and Cultural Anthropology, University of Vienna Austria., December1-4 2005
Caribbean Art by Veerle Poupeye
Antigua, Dominica, St. Lucia, St. Vincent, Grenada
St. Vincent
•History
•Language
•Style of Government
•Currency
•Political Associations
Definition of Contemporary ArtArt that benefits from Institutional Support
Exhibition—National International
Critical Discourse--
Art that reflects the here and now, regardless of its positioning in the western political art hierarchy
Barriers
•Limited Art Education
•Art Considered a subject for low ability students
•Material resources limited or non-existent
•Not endowed with national appreciation for art—no monuments or art in public places
•No Art Schools
•No Museums
•Artist themselves stereotyped as “crazy people”
•Natural disasters disrupt life and work
Steps to “Success”
•Independent Work
•Gallery
•Residency
•Art Fair
•Collected by Important Collector
•Collected by International Museum
Validation Process
It is a seal of approval from the world of art on their creative process.
The documentation of the art and the artist leaves a legacy for generations who follow.
It has the potential to shape a national consciousness for their country.
More Barriers
•Misconceptions of Caribbean Art
•Only Naïve or Intuitive
•“Haitian” label given to all
•Even Islands with Institutional structures suffer
•Tensions because of “Expatriate” artists
First World Gallery
•Casual Buyer—Nice picture for above the sofa—must match•Collector
•Art is an investment
•Researches the Artist
•Who else has bought his work
•Where has he been exhibited
•Will the work hold its value
•Will the artist continue to produce
This conscious behaviour not seen in buyers of Caribbean Art
•“Caribbean” label causes consumer to stereotype the work
•Lack of Documentation of work
•Too few Caribbean art writers and critics
•Expensive for artists to hire freelance writers
Work of the Caribbean has not been embraced by the mainstream at international art fairs, so no precedent for the value of the work.
Art Basel Miami Gallery Distribution
USA Canada, 41
Europe, 49
Latin America, 7
And one gallery from the African Continent
195 Galleries from 30 countries
Art Miami 2006
Diaspora Vibe Gallery included on the strength of its artists.
The Escape
•Galleries bow to the popular so they can survive
•Artist turn their backs on their identity
•Everyone loses
Steve McQueen wins Turner Prize 1999
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Latin Success
•Government and Institutional Support for Artists
•Art a part of the school curriculum
•Years of documentation
•Islands have benefited by association with larger countries
Art Auction at Christy’s November 2005
Fernando BoteroJunta Militar 1973 Oil on canvas. 92 x 76.1/2 in. Expected $750,000-950,000
Rufino Tamayo, Girl with Yellow Flowers (Muchacha con flores). 1946, Oil on canvas. 44 x 34 in. Expected $600,000-800,000
Wifredo Lam Habana. 1944, Oil on paper laid down on canvas37 x 28.1/2 in. $250,000-350,000.
DominicaEarl
Etienne
Contemporary Artists of the Small English Speaking Caribbean
“Papa Bois”
DominicaEllingworth Moses
St. LuicaArnold Toulon
AntiguaHeather Doram
St. VincentCaroline Sardine
GrenadaRichard Buchanan
Lyndon Bedeau
Suelin Low Chew Tung
Brian Bullen
Oliver Benoit
Susan Mains
Camille Pissaro
Pablo Picasso
Wilfredo Lam
You can give us documentation
“If you are the big tree We are the small axe Ready to cut you downWell sharp, to cut you down.”
“Bob”