SITE MAP

VISITOR GUIDELINESIn an effort to assure the

safety of all visitors and

the preservation of the

artworks, Laumeier asks

that all visitors adhere to

the following policies:

PETS

Pets are welcome visitors

in the Outdoor Galleries

at Laumeier, but they

must be leashed at all

times and picked up after

by owners. Pets are not

allowed during some

special events.

NO CLIMBING ON

SCULPTURES

Even though Laumeier’s

artworks are outdoors and

subject to the elements,

physical contact can still

do irreparable damage,

making it difficult to

preserve them for future

generations. Only select

artworks located in the

Emerson Children’s

Sculpture Garden may be

climbed upon. Please do

not climb on any artworks,

unless otherwise noted on

the sculpture’s object label.

ACCESSIBILITY

Laumeier’s public

restrooms are wheelchair

accessible, as are some

pathways. Vehicles are

allowed in Laumeier’s

parking lots only; please do

not drive on walking paths.

Parks and Recreation

programs and facilities

are available for people

of all abilities. Contact

Relay Missouri at

800.735.2966 to let

us know if there is an

accommodation that

would make a program

accessible to you or

your family.

In 2009, Laumeier

partnered with Lighthouse

for the Blind-St. Louis to

develop a series of bronze

maquettes (cast scale

models) for several

artworks in the Permanent

Collection, including a

topographic orientation

map of the Park, to help

visitors with sight

impairments navigate and

enjoy the artworks in

the Outdoor Galleries.

PHOTOGRAPHY

Laumeier’s artworks in

the Outdoor Galleries

make excellent subjects

and backgrounds for

personal photographs.

No photography or

videography of any kind is

allowed inside the Adam

Aronson Fine Arts Center.

Due to copyright

restrictions, visitor safety

and access concerns,

commercial photography

and videography is allowed

only with advance

permission from Laumeier.

Contact the Marketing &

Communications

Department at 314.615.5277

or communications@

laumeier.org with

questions or for more

information.

DIRECTIONS

Laumeier is located near

I-270 and I-44, 16 miles and

20 minutes from the

Gateway Arch. From I-44

Eastbound or Westbound,

exit at Lindbergh Boulevard

(Exit 277B), drive 0.5 miles

south to Rott Road (turn

right) and proceed 0.5

miles west to the Park

entrance (on the left).

PARK HOURS

Laumeier is open daily from

8:00 a.m.–30 minutes past

sunset. The Park is free and

open to the public

year-round, with the

exception of special events.

The new Adam Aronson

Fine Arts Center is open

Wednesday–Sunday, 10:00

a.m.–5:00 p.m.

The Park is closed to

the public the Thursday–

Sunday of Art Fair weekend

in May, Harvest Festival

Sunday in October and

Christmas Day.

OPERATING PARTNERS

Laumeier operates in

partnership with St. Louis

County Parks. Programs

are supported by the

University of Missouri-St.

Louis, the Regional Arts

Commission, Missouri Arts

Council and the Arts and

Education Council of

St. Louis.

LAUMEIER SCULPTURE PARK 12580 Rott Road / Saint Louis, Missouri 63127 / 314.615.5278 www.laumeier.org

NORTHERN GROVE

Richard

Fleischner

St. Louis Project, 1989 trees, shrubs, clover, grass

Glenn Burleigh

Tony Rosenthal

House of the Minotaur, 1980painted steel

Ryan Wasoba

Steve Tobin

Walking Roots, 2002cast bronze

Mikey Wehling and the Reverbs

MUSEUM CIRCLE

Terry Allen

Laumeier U-ME-UM, 1998 neon light in Plexiglass case

Ryan Wasoba

Niki de Saint Phalle

Ricardo Cat, 1999urethane skin on steel, ceramic tile, stained glass, mirrors, stones, in epoxy grout, silicone grout

Ellen The Felon

T. Kelly Mason

Laumeier Lamps, 2011 concrete base, electrical wiring, steel light pole, LED gobo projector, stainless steel gobos, Dichroic color filters, aluminum pipe, poly-metal, 3M VHB tape, rivets, urethane, paint

Ra Cailum

Judith Shea

American Heartland Garden, 1992 Public Goddess, 1992rose garden, pink slate tiles, iron and wood benches, cast bronze, burnished gold foil, wrought iron

Eric Hall / Superfun Yeah Yeah Rocketship

Kim Yasuda Hunt + Gather, 2012mixed media

FERRING FAMILY FOUNDATION MUSEUM LAWN

Anthony Caro Java, 1976COR-TEN steel

Black Dwarf (KennySnarzyk) / Shut-in

Mark di Suvero Bornibus, 1985–87steel, cable

UFO vs USA / Brett Underwood and Audio Vulture

Pearl Fryar Topiary, 2013hetz juniper trees

Joe Harl and Robin

Machiran

Wattle and Daub,2014mud, wood

Jene Highstein Ada’s Will, 1990reinforced steel, concrete, paint

Cosmic Afterthoughts / Thomas Sutter

Richard Hunt

Tower Hybrid, 1979COR-TEN steel

Jay Zelenka Sol LeWitt

Intricate Wall, 2001–04concrete block

Albert Kuo

Ken Lum

The Space Between Scott and Plessy, 2013cast bronze, wood, mixed media

Tony Tasset

Eye, 2007fiberglass, resin, oil paint, steel

Rosco

Ernest Trova

Abstract Variation Lozenger No. 3, 1980 stainless steel

The Conformists

Ernest Trova Falling Man/Study (Wrapped Manscape Figure), 1984stainless steel, edition 4/6

Dré Wapenaar

Treetent, 2005canvas, wood, powder coated steel, edition 2

US English / David Burnett

Frances

Whitehead

Hortus Obscurus (The Dark Garden), 1997plants, limestone benches, iron border

N.N.N. Cook

EASTERN WOODLAND

Harriet Bart

Without Words, A Reading Room, 1998metal, gold leaf, boulders, concrete

Albert Kuo

Johann Feilacher

Redwood I, 1997redwood

John Tamm-Buckle / Camaro

Jackie Ferrara

Laumeier Project, 1981red cedar, zinc-coated carriage bolts

.e

Dan Graham

Triangular Bridge Over Water, 1990reflective laminated glass, anodized aluminum, painted steel, concrete

Chris Smentkowski

Jene Highstein

Old Temple, 1991western red cedar

Darren A. Owens

Richard Hunt

Linked Forms, 1999welded stainless steel

Tim Garrigan

Jerald Jacquard

Cubed Squared, 1969painted COR-TEN steel

Matt Dill /Damon Davis

Tea Mäkipää

Not Without My Dog, 2011wood, aluminum, Plexiglas, speakers, paint, wire, dog leads, hardware, cement

Christopher Eilers

Mary Miss

Pool Complex: Orchard Valley, 1983–85Wolmanized® pine, concrete, stone, galvanized steel

Dinner Music / Tony Renner

Ahmet Öğüt

This area is under 23 hour video and audio surveillance, 2009ink on aluminum plate, edition 30+2 AP

Charlie Turner

Beverly Pepper

Cromlech Glen, 1985–90earth, sod, sandstone, trees

Cup Collector / Vimana

Ernest Trova

Abstract Variation No. 5, 1976painted COR-TEN steel

MSIF

WAY FIELD

Jonothan

Borofsky

Man with Briefcase at #2968443, 1986epoxy enamel on fiberglass

Three Fried Men

Juan William

Chávez

Untitled (Sacred Real Estate), 2012lampposts

Sam Durant

Free Hanging Chain, 2014chain link, hardware

Charles Ginnever

Crete, 1976–78COR-TEN steel

Jordan Knecht / Angel and Dana Smith

Matts

Leiderstam

Once Seen (The Moving Panorama), 2013mixed media

Alexander

Liberman

The Way, 1972–80eighteen salvaged steel oil tanks

Andy Ortmann / Jake Leech

Robert

Stackhouse

St. Louie Bones, 1987pine timbers, white stain, nails

James Weber / N. Nomurai

Ernest Trova

Profile Canto IV, 1974painted COR-TEN steel

Raglani / Thomas Sutter

Marie Watt

Earthmover, 2014bronze, rubber

SOUTH LAWN

Vito Acconci

Face of the Earth #3, 1988natural concrete, gravel, reinforced rods, sod, earth

Spelling Bee / Kevin Harris

Cosimo

Cavallaro

Knots, 1996COR-TEN steel

Paul Hiatt

Robert

Chambers

Sugabus, 2004bronze with patina

Thollem McDonas / Thomas Sutter

Ian Hamilton Finlay

Four Shades, 1994elm, sycamore, pine, basswood, trees, Kentucky bluegrass sod, topsoil Grandpa’s Ghost

Donald Judd

Untitled, 1984concrete with steel reinforcements

Tory Z. Starbuck

Robert Lobe

The Palm at the End of the Parking Lot, 1995annealed hammered aluminum, stainless steel, dead walnut tree

Letter To Memphis

Robert Morris

Untitled, 1968–69aluminum I-beams

Jeremy Zoar Brantlinger and Nathan Elliot Warren

Beverly Pepper

Alpha, 1974steel Joe Freeman

Ernest Trova

Gox No 3, 1974stainless steel

Humdrum

EMERSON CHILDREN’S SCULPTURE GARDEN

Fletcher Benton

Donut No. 3, 2002COR-TEN steel

Mister Ben

George

Greenamyer

Heritage Schooner for Debra Lakin, September 30, 1998, 1998forged and fabricated steel, steel pipe, machined steel and mechanical parts, granite base and industrial enamel

Tenement Ruth

Tom Huck

Bugs, 2014-15mixed media

Geoffrey

Krawczyk

Recess, 2014brick, concrete, stone

Donald Lipski

Ball? Ball! Wall? Wall!, 199455 steel marine buoys

Darin Gray

Mark Mennin

Cores for Laumeier, 2003granite

Mark Sarich

Jessica

Stockholder Flooded Chambers Maid, 2009–10bleachers, powder coated aluminum grating, paint, plants, concrete footings, concrete pad

The Pat Sajak Assassins

OUTDOOR GALLERIESPlease visit www.laumeier.org for more information about the artworks in the Permanent Collection, including donors, funders and artist biographies.

Look for this icon to identify artworks featuring a Site/Sound component.

Look for this blue dot to identify artworks featuring bronze maquettes for visitors with sight impairments.

KEY

2968

443

##

Northern Grove

Museum Circle

Ferring Family Foundation

Museum Lawn

Way Field

Rott Road

Rott R

oad

To Lindbergh Boulevard Lower Entrance

Ge

yer

Ro

ad

South Lawn

West Entrance

Main Entrance

Eastern Woodland

Eastern Woodland

Emerson Children’s Sculpture

GardenA Art Hike Trail .77 miles / 45 minutes

P Central Pathway .64 miles / 25 minutes

W Western Woodland Trail .15 miles / 10 minutes

S Emerson Spring

House Trail

W

P

P

PS

S

P

P

P

LEGENDPark Entrance

Parking Lots

Roadway

Trailhead

Central Pathway

Unpaved Trails

Restrooms +

Water Fountains

Creek

Adam Aronson Fine

Arts Center

Kranzberg

Education Lab

Alvin & Ruth

Siteman Carriage

House

Ampitheater

Education

Shelters

TRAIL DISTANCES +WALKING TIMES

NORTH

f

i

Interco Charitable

Foundation Woods

Laumeier Sculpture Park is a living laboratory where artists and audiences explore the relationship between contemporary art and the natural environment.

BECOME A MEMBER /HELP LAUMEIER GROWLaumeier operates in partnership with St. Louis County Parks for the care and maintenance of the Park grounds, but the nonprofit organization must raise funds from individuals, corporations and foundations to support temporary exhibitions, education programs, public events and sculpture conservation.

Visit www.laumeier.org/membership for more information or to become a Member.

SITE/SOUND

Site/Sound is curated by Laumeier’s 2012 In-Residence: Composer Eric Hall, who invited regional musicians, bands, sound artists and producers to contribute to and assist him with a massive collaborative art experience.

Each artist created an “aural portrait” of one of Laumeier’s artworks in the Permanent Collection—either as a reaction to, in conversation with or as an extension of the artwork via the medium of sound.

Visit www.laumeier.org/site-sound to download Site/Sound.

ART CLASSES + WORKSHOPS

Laumeier offers age-appropriate art courses as either multi-day classes or one-day workshops for youth, teens and adults.

Art Classes and Workshops are taught by local, experienced Artist-Instructors and are designed to encourage artistic development and self-expression while building self-esteem. Small class sizes provide participants with individual attention; projects are designed to allow participants the freedom to explore their own potential and creativity.

Laumeier’s education programs span many media, including clay, drawing, nature and nutrition, painting, printmaking, sculpture and textiles. Materials are always provided!

Visit www.laumeier.org/shop to explore Laumeier’s Art Classes and Workshops and register online.

NATURE TRAIL

In 2013, Laumeier’s In-Residence: Environmental Historian Dr. Jenny Price, originally from St. Louis, developed an “alternative” Nature Trail at Laumeier to highlight the infrastructure put into place as part of our wresting the land away from its functional status as a watershed for the Meramec and Mississippi Rivers.

Price picked out such un-touristic sites as a fallen tree, an electrical box, a bench overlooking invasive honeysuckle bush and the Museum Shop as stops on her “nature” tour.

Visit the Adam Aronson Fine Arts Center during regular building hours to pick up the Nature Trail Scavenger Hunt. Walk the route, learn about the nature of Laumeier Sculpture Park and win a prize! 1.6-mile loop, approximately 40 minutes, self-guided route (trail not marked).

PUBLIC + SPECIAL EVENTS

Laumeier offers Free Family Days from 2:00–4:00 p.m. on the third Sunday of each month. Free Family Days are held indoors at the Kranzberg Education Lab. Supported by PNC Arts Alive.

Save the date for Laumeier’s 2016 special events:

Annual Art Fair / Friday, May 6–Sunday, May 8

Carts + Cocktails / Saturday, September 24

Harvest Festival / Sunday, October 16

Laumeier offers a variety of fascinating rental spaces for wedding ceremonies, receptions, showers, rehearsal dinners, corporate meetings and events, family reunions, picnics and similar affairs.

Visit www.laumeier.org/event-rentals for more information and pricing.

DOCENT-LED TOURS

Docent-led Group Walking Tours are available for $5 per person ($3 per person for student groups grades K–12). Docent-led Golf Cart Tours are available for $125 per group (up to five participants).

Visit www.laumeier.org/tours or call 314.615.5267 for more information or to schedule a tour.

Laumeier offers Free Walking Tours at 2:00 p.m. on the first Sunday of each month, May through October, and Free Stroller Tours at 10:00 a.m. on the third Thursday of each month, May through October. Tours meet in the Public Plaza outside the Adam Aronson Fine Arts Center.

EXHIBITIONS

Following the activities launched under the theme of Archaeology of Place, 2010–14, Laumeier has launched a new series of commissions, collaborations and programs under the theme of New Territories, 2015–19.

New Territories broadens our look at the world’s cultural zones as they have directly and indirectly impacted life in St. Louis. Projects and activities twist the economic acronym BRICS [Brazil, Russia, India, China, South Africa] beyond the market forces currently driving the global economy.

October 16, 2015–February 14, 2016

Raqs Media Collective:If the World is a Fair Place Then...

Art in the Age of Collective Intelligence