Post on 13-Nov-2014
sameep padora’sdesigner pallate
hiren patelgreen speak
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home reviewRs 50
VOL 8. ISSUE 2.
sameep padora’sdesigner pallate
hiren patelgreen speak
jignesh doshivolumetric bonanza
jignesh doshivolumetric bonanza
shabnam gupta’soff-beat charm
shabnam gupta’soff-beat charm
Jignesh Doshi appears to have got this workspace just right! In perfectrhythm with his aesthetically inclined client, the architect revives a tiredold shed into a space that speaks volumes about the people who workthere. Experimenting with the innate properties of material, Jignesh isable to chisel a trendy corporate office that revels in its industrial past.
Architect Sameep Padora enthrals with his cutting edge design sensi-bility. He conceives a sinuous metallic installation for the chic lifestylestore, Palatte, combining functionality with a distinctive aesthetic.Shabnam Gupta adds her inimitable touch to the Vistara jewellerystudio, ingeniously contrasting the appeal of raw materials with the sparkleof gems.
Having received the prestigious LEED Accredited Professional honour,Ahmedabad based Hiren Patel is delighted to put his skills to the test inhis own 'green' home. Centred round the idea of having a home thatevolves with time, Hiren creates an idyllic sanctuary for his family thataffords a sense of calm and a continuous dialogue with nature.
Using bold manipulation of forms, a home built by Sachin Patil andhis partner at Manthan Architects is a refreshingly different weekendgetaway. The team create a residence with a sense of drama and intrigue,one that glorifies the sheer quality of space and material. With theirstudio based in Kholapur, and their firm already commissioned for astring of projects across the country, the partners certainly believe in thepower of technology and the ability of good design to seamlessly transcendboundaries.
LETTER FROM THE EDITOR
EDITOR & PUBLISHER ANISH BAJAJ
CREATIVE DIRECTOR NATALIE PEDDER BAJAJ
FEATURES EDITOR MALA BAJAJ
SUB EDITOR SHWETA SALVI
CONTRIBUTING WRITERS SAVITHA HIRA
DEEPALI NANDWANI
DEEPANJOLIE SONYA FIGG
SHIBANI AMIN RANGARAJ
PAULOMI PATEL
PRIYA TANDON
K PARVATHY MENON
AMRITA SHAH
PHOTOGRAPHERS RAVI KANADE
PALAK JHAVERI
home review
February 2009. vol. 8. issue 2.
We welcome unsolicited material but do not take responsibility for the same. Letters are
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without written permission of the publisher. The editors do their best to verify the information
published but do not take responsibility for the absolute accuracy of the information. All
objections, disputes, differences, claims and proceedings are subject to Mumbai Jurisdiction.
Editor Mr. Anish Bajaj. Published and Printed by Mr. Anish Bajaj on behalf of the owner Marvel
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Pvt. Ltd. 412, Tulsani Chambers,Nariman Point, Mumbai 400 021.
marvel infomediaPVT LTD
features
48 Volumetric Bonanza
Jignesh Doshi designs a multi-functional corporate office in
Mumbai for jewellery designer Ashit Shah that perfectly wraps
in the owner’s persona.
57 The Evolving Home
LEED architect Hiren Patel’s residence in Ahmedabad is a
simple mutable house that adapts to the site and the climatic
conditions and not the other way round.
65 Contextual Transforme
Architect Sameep Padora redefines retail design with the
distinctly different Pallate furniture store in Mumbai.
74 Integrative Design
Architects Shibanee and Kamal Sagar’s prototype duplex
apartment of Windmills of Your Mind in Bangalore integrates
the landscape and natural materials with the open plan layout.
82 In Harmony
Manthan Architects design a house in Panhala that displays
spaces that are strong in character yet transparent in nature.
89 Modern Tribute
Work ac blends its design scheme with the ‘past’ to create a
contemporary headquarter for DVF Studio in New York.
98 Off-beat Charm
Vistara, a sepia toned bijoux shop in South Mumbai designed
by interior designer Shabnam Gupta is set in an eclectic and
off-beat setting.
105 Internal Modulations
InForm architects create a lot of oxymorons in a residence in
Bangalore where they private yet connected spaces.
ideas
16 In The Know The Green Pulse
19 Unbuilt Works Kapil Gupta’s School in Mumbai
22 Spot Light Installations
34 Retail Therapy Armani Ginza Tower, Tokyo
38 Cult Product GreenPix Media Wall, Beijing
44 Go Green Milano Santa Monica, Milan
114 Spot Light Pavilions & Exhibition Structures
regulars
10 Editor’s Note
14 Our Readers Write Letters to our Editor
28 Bars, Spas & Restaurants New places with style
contentsfebruary 2009
On The Cover
The Jignesh
Doshi designed
multi-use
corporate office
in downtown
Mumbai.
“Volumetric
Bonanza”
Page 48.
98
65
82
Star Letter
Local Flavour
Your article "Cabin Class" is worthy of credit. The architects'
personal needs for restorative holidaying and professional inspira-
tion for combining architectural aesthetics with environmental
dialogue in a natural, contemporary yet minimal way is reflected
appropriately in the cliff top cabin. I found the roof design particu-
larly significant in terms of traditional and locally available materi-
als being used to brilliant effect. The use of the local Laja stone
has inspired me to use the locally available Malad stone as a
flooring material for my deck. I hope the results are as breathtak-
ing as Alvaro Ramirez and Clarisa Elton have been able to
illustrate.
SANJAY MITTAL
MUMBAI
OUR READERS WRITESend your views, suggestions and questions about this issue to
our editor and we’ll be happy to print the best
Editor’s Choice
Urban Tranquillity
Amidst the hustle bustle of
Mumbai, is it possible to have a
space that reflects opulence and
grandeur and at the same time
retains a sophisticated calm? "An
Urban Monastery" (Vol 7 Issue 9)
provided the perfect answer to
this question. A lot of homes with
the "designer" touch nowadays
appear highly overdone and
gauche. Those going in for a
minimalist look appear too un-
derstated and impersonal. This
house designed by Asheish
Shah seems to have achieved
the perfect balance, which is very
well brought out through the pic-
tures and the text.
DHANISHTA SHAH
MUMBAI
Varsha and Deepak
Guggari design a
residence in Pune
“The Local Flavour”
Page 57.
1 Eclectic Opulence
The Dubai’s Atlantis resort is truly
breathtaking. Besides the ariel
view (pg. 92) which gives one an
idea of the size of the place it is,
the opulence of the grand lobby
took my breath away. The stun-
ning wall of windows and the
sheer size and stone makes this
place one of a kind which will
propel the rapidly developing city
faster towards a leading tourist
destination.
PRIYA GOVIND
HYDERABAD
The star letter and our editor’s
choice, receives a 1 year sub-
scription from Home Review
Send your letters to:
B 62 Cotton Exchange Building,
Cotton Green, Mumbai 400 033 or
Email us at letters@home-review.com
Home Review reserves the right to
edit and reuse any submissions sent
to the editor.
Heritage Revisited
I fully endorse your views on Lost Architecture (January, 09). You have rightly
pointed out that "the lesser known and commonly ignore feature of this
treasure is the 'step well'. Here, I would like point out that the Sun Temple at
Modhera or "the Queen's step well at Patan, both in Gujarat, are examples of
architecture sculpted by the sun and waters. Not only patterned by its steps
and platforms but also beautifully punctuated by fine sculpture, these are
masterpieces of craft and devotion. To work on a heritage property is always
fun and remains a unique experience but involving oneself into it makes one
aware about the challenges it has.
VINOD C. DIXIT
AHMEDABAD
Style Honcho
I must admit that "Home Review" is a trend setter and ahead of its time.
Fashion is a potent concoction of eclectic factors including creativity, com-
mercial interests and circumstances. With the ongoing financial meltdown,
2009 will be the year where ‘less is more’ principle would work famously.
Globally, the price tag will be the driving force of trends. The projects
always produced in you magazine are wallet friendly and the no fuss
minimalism promoted by you is a style which is very practical and unpreten-
tious.
KANAK PURI
NEW DELHI
16 HOME REVIEW FEBRUARY 2009
HR I IN THE KNOW
The Green Pulse
www.igreenspot.com
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We at Home Review seek out the most exciting books or
web sites each month, to keep you clued-in
Sustainable living and blogs have one thing in common; it has all the
connoisseurs glued to their updates. Here is one
blog that gets you the comprehensive package on
eco - design. iGreenSpot.com offers all-inclusive
news and adaptations of green products and
services. It delivers daily fresh updates, innovation
in technology, transportation, design and concept
which make our world a better place to live.
Knowing and learning all
the possibilities and
options that are available
for us to achieve a better
future with least probable liabilities to the
environment would always prove to be an
asset. Though, sustainability has really got
everyone enthused about saving nature from all hazards on the other
hand you can't go without using the latest
technology which damages the nature to
some extent. Here is a reserve that guides you
to make the changes and contribute in
whatever small or big way.
Architecture The weblog provides
innovative aspects, construction techniques
and materials the can be used in green
structures. It takes you through the space planning options and
supports it with brilliant adaptations.
Cars and Transportation Transportation of any
kind not only creates a major dent in our natural
resources but also has proven to have adverse
effects on the environment. The website informs you
about fuel options that have been researched and
implemented successfully in aircrafts, bikes and
cars. The website promotes the use of Bio-
diesel and alternate energies for all
transportations.
Design and Concept Simple ideologies and
design concept that allow you to look forward to
an eco- friendly future are really faith-boosting.
For example, the Zero- E-cell Concept Car by
Mercedes Benz that is
powered by Lithium ion batteries is an
interesting concept. And there are many more
advantageous concepts that just leave you
awe-struck.
Fashion one would think that 'Fashion' and
'Sustainability' are two domains that cannot be associated with each
other. This would be because of the presumption that sustainable
aspects can bring stricture in the creativity bent,
but inversely it is these aspects that offer a
challenge to the streak of innovation. That's exactly
what you would stumble upon here.
Food and Drink There are ways in which one
could be eco friendly with the food and drinks that
we choose or in a manner in which we choose to
have them. The blog features different methods,
appliances, and disposal techniques that make
you believe in the
small things that
can make a
difference.
Gadgets Gadgets
that work on solar batteries or solar
powered devices find a lot of
encouragement on the blog. The awareness
of solar powered devices has increased
substantially and we
see more and more
devices and gadgets
that adhere to the
eco friendly
principle.
Interior Design
House furniture and interior design is
constantly subjected to creative change,
and it seems like eco-friendly solutions and
products are continuously surfacing. The
webspace showcases some of the most
innovative yet green
ideas to decorate any
given space.
Science Some say
that our progress in
technology has
caused our ultimate doom, the machines,
devices, land development and so many
more factors have compelled us to face our
probable downfall. But everything has a flip
side and we certainly can
combine technology with
green methods to bring
about the necessary
changes to save us from
the self - initiated
destruction.
FEBRUARY 2009 HOME REVIEW 17
HR I UNBUILT WORKS
THIS PAGE TOP The
detail of the facade
wall.The perforated
cores were enclosed in
the façade, which was
conceived as a structural
element made up of a
diamond grid to counter
the stress along the
large cantilevers.
BOTTOM View of the
Fort school. The school
was worked around a
vertical bias and
adapted the core
elements of a high-rise.
HR I UNBUILT WORKS
In our endeavour to bring you outstanding
designs, we proceed with yet another un-built
project in this new section that we debuted
with in our previous issue. As is the case with
any professional practise, many a time a
project remains on paper only; the time,
energy, effort involved by the designer/
architect an investment in his learning curve,
stashed away in his portfolio as yet another
testament of his professional prowess.
� Around 2005, soon after the FSI for institutional
buildings was enhanced from 1.33 to 5.33 by the
authorities, with a view to spur institutional
development in Mumbai,
Serie Architects - an
international practice
based in London and
Mumbai that works
within diverse fields of
architecture, urbanism
and design was invited to
submit a school building
proposal as part of a
private competition entry.
Going by the four-fold
increase in FSI, the
rectangular plot with a
horizontal spread of
about 35000 sq. ft. was
enhanced to a vertical�
18 HOME REVIEW FEBRUARY 2009
HR I UNBUILT WORKS
THIS PAGE Class-
rooms were planned to
be accessed by by
ramps whereas four
othe cores consisting of
shared facilities like the
sports floor, cafeteria
and library were de-
signed to be accesssed
by lifts and staircase.
The above renditions
displays the cafeteria of
the school.
FILMSTRIP FROM
TOP TO BOTTOM
Vertical circulation
diagram, drawing
depicting the structural
core of the building, 3D
rendition of the structural
skin, composite struc-
ture comprising the
structural core and the
skin.
spread close to 1.5 lac sq. ft. Contrary to the sprawling
low-rise block typology of a school surrounded by green
fields, the planning parameters for the district and the
economic strategy of the school governing body now
dictated a typology of a high-density, high-rise block.
Thus the task was to both, redefine a school
organisation on a vertical bias and adapt the core
elements of a high-rise for school performance -
horizontal circulation replaced by vertical movement.
Bearing in mind the student-count of the school -
2500 students in the primary and secondary sections -
the plan was worked out on the basis of a staggered
stack - a vertical distribution of the program of indoor
and outdoor spaces in the ideal ratio of 1:3, integrated
around five cores that would be distributed evenly
across the floor plates, to accomplish large column-
free spans. These cores would act as structural
elements as well as circulation. The perforated cores
would be generated as a series of elliptical undulations
that would thicken to form structural walls with
openings for light and visibility, thus taking care of
ample natural light and ventilation. These cores would
then be enclosed in a façade, which was conceived
as a structural element made up of a diamond grid to
counter the stress along the large cantilevers. The
material proposed was foam-finished concrete.
Considering the vertical program, the incorporation
of elevators was clearly ruled out; although they could
assist in the vertical traffic at the beginning and end of
each day, traversing between periods/classes would
be a major encumbrance. Thus, the main core would
house a continuous ramp instead that would graze off
the undulating ellipses for support and form the main
circulation for the school. The ramp would be used by
FEBRUARY 2009 HOME REVIEW 19
HR I UNBUILT WORKS
THIS PAGE The
common facility cores
are plannes in amanner
that large column - free
spaces a acheived.They
were designed to act as
structural elements as
well as for circulation.
These perforated cores
would be generated as
a series of elliptical
undulations that thicken
to form structural walls
with openings for
natural light and ventila-
tion. Another view of the
cafeteria shows the
perforated stucture.
FILMSTRIP FROM
TOP TO BOTTOM
Ground floor plan, Third
floor plan, Ninth floor
plan, Typical floor plan.
the students for quick access to other floors during
class/period changes. The ramping core would also
be the social core of each floor, where students and
staff could mix and interact.
The other four cores would house the open
staircases and lifts. The floors would thus be staggered
in 2 heights: 4.2m floors would house classrooms and
labs whilst the three alternate 6m floors would adapt
shared facilities like a sports floor, cafeteria and library.
Consequently, considering the absence of open spaces
and play areas at ground level due the large building
footprint (almost 65% -70%), vertical organisation
would stack up indoor and outdoor zones resulting in
alternating 'study floors' and 'slip floors'.
Zoning of the classrooms juxtaposed with open
areas and staff quarters was next on the agenda. The
typical floor plan had the classrooms distributed along
the periphery to optimise on natural light and ventilation;
and the teachers' quarters were positioned in the core
near the ramp where the staff could keep a watch on
the students and simultaneously could also be easily
accessible to them. Since the ramp would also act as
the social core, multiple-use rooms, library, etc were
positioned along this area. This typology also intended
to break away from the monotonous corridors that a
conventional school is generally anointed with. So the
students could experience a more open interactive
program instead of dreary long corridors.
However, the exercise did not end here. With this
new typology breaking ground, the curriculum of the
different classrooms had to be closely looked into to
carefully consider internal traffic and the physical and
psychological comfort of the students. To begin with:
the entrances to the primary and secondary sections�
20 HOME REVIEW FEBRUARY 2009
HR I UNBUILT WORKS
THIS PAGE TOP The
sports floor of the Fort
school.
BOTTOM The central
core with the circulation
ramp.
HR I UNBUILT WORKS
were isolated. Further the pattern of regular curricula of
each class was scrutinised and adapted to such that
no student had to traverse more than four floors in his
routine school movement - two floors up and two floors
down despite the building being an integrated 14-floor
high-rise.
The project represents a rupture of scale and type
within the existing historical fabric where most of the
existing buildings are rarely more than 4-5 storeys tall.
Unfortunately, the project did not see the light of day,
although it was greatly appreciated at several
presentations by Serie architects Kapil Gupta and Chris
Lee. It also won them international acclaim. The practice
works towards the exploration of issues that lie at the
intersection between architecture and urbanism with
particular focus in development of new relevant types
for today's urban
environments. Together,
they consistently attempt
to push the boundaries of
their architectural and
master planning projects
worldwide. �
22 HOME REVIEW FEBRUARY 2009
HR I SPOTLIGHT
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tryst withinstallation artInstallation art is like an open ground where
the creator and viewer can let their
imagination break free and just let the
sensory perceptions rule.
�Creativity is boundless, and the ways of
interpretating these creations are multifold. For an
artist, art is beyond a piece of canvas, and for an
architect, it is much more than site and building
specifications. The medium that bring all the plaque
bearers of creativity together is Installation art.
Installations could be built almost anywhere -
outdoors, indoors, on façades of buildings or even
suspended in air. Some installations are site-
specific, in that they are designed to only exist in the
space for which they were created. However, what
is common to nearly all installation art is a consider-
ation of the experience in toto of the creator and the
viewer. Installation art operates fully within the realm
of sensory perception, in a sense "installing" the
viewer into an artificial system with an appeal to his
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Audience by rAndom International
Green Void
by LAVA Green Void by LAVA
FEBRUARY 2009 HOME REVIEW 23
HR I SPOTLIGHT
subjective perception as its ultimate goal.
It incorporates almost any media to create an
experience in a particular environment. In contempo-
rary installation art, technology has started playing an
important role with media, video, sound,
performance and immersive virtual reality
installations.
Typically, an interactive installation will often
involve the audience acting on it or the piece
responding to the user's activity. There are several
kinds of interactive installations produced, these
include web-based installations, gallery based
installations, digital based, electronic installations,
etc.
With the advance in technology over the years,
artists are now able to explore beyond boundaries
that were never considered possible in the past. The
media used by creators today are more experimental
and bold; they are also usually cross media and may
involve sensors, which play on the reaction to the
audiences' movement when looking at the
installations. By using virtual reality as a medium,
immersive virtual reality art is probably the most�
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Masterplan by Zaha Hadid
Hylozoic Soil by Philip Beesley
24 HOME REVIEW FEBRUARY 2009
HR I SPOTLIGHT
deeply interactive form of art. At the turn of a new
century, there is also a trend of interactive
installations using video, film, sound and sculpture.
Audience by rAndom International
Audience is an installation conceived by rAndom
International and executed in collaboration with Chris
O'Shea, and was commissioned by choreographer
Wayne McGregor for the Deloitte Ignite Festival at the
Royal Opera House London in September 2008.
Audience, an interactive installation consists of a
large crowd of head-size mirror objects. Each object
moves its head in a particular way to give it different
characteristics of human behaviour. When members
of the audience enter the perimeter of the installa-
tion, the mirrors inquisitively follow someone that
they find interesting. Having chosen their subject,
they all synchronise and turn their heads towards
them. Suddenly that person can see their reflection
in all of the mirrors.
They will watch this person until they become
disinterested, then either seek out another subject or
return to their private chatter. The suddenly
synchronised collective behaviour of the objects is
beyond the control of the viewer, as it is left entirely
to their discretion to let go of their subject..
The intention was to start taking interaction with
an installation further away from the screen or media
wall and introduce it into a more physical, three-
dimensional space, and to begin to investigate if
machines can evoke diverse emotional reactions
with the simplest of means.
Green Void by LAVA
LAVA designed the 'Green Void' installation
specifically for the Customs House central atrium
which spans through all five levels. Suspended from
the top level Café Sydney restaurant, a vertical
distance of almost 20m, the sculpture provides an
intense visual contrast to the beautifully restored
heritage interior of Customs House. Green Void is a
digital design, derived from nature, realized in
lightweight fabric, using the latest digital fabrication
and engineering techniques, to create more with
less. Comprised of 3,000 cubic metres of space it is
enclosed within a minimal surface area of 300
square meters and uses only 40 kg of lightweight
material. The installation is inspired by the relation-
ship between man, nature and technology.
The entire installation is immersed in a
soundscape by sound artist David Chesworth, who
created a "digital rainforest".
Hylozoic Soil by Philip Beesley
Hylozoic Soil is an installation exhibited at the
Montreal Museum of Fine Arts as a spectacular
machinic piece of work which responds to every little
movement of the observer. The installation made of
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Opera House desk By Zaha Hadid
Aura S By Zahid
Aura L By Zahid
FEBRUARY 2009 HOME REVIEW 25
HR I SPOTLIGHT
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more than 70,000 laser-cut components set alive
by proximity sensors, microcontrollers, capaci-
tance sensors, actuators and shape-memory
alloys, makes the whole space appear like it is
hunting you, like a big beast or a floating web.
When passing through the installation small
movements are triggered which again influence
other impulses in the structure making you realize
the impact of the complex system.
Installation by Zaha Hadid
Architect Zaha Hadid is known for her fluid
abstract architectural work which looks more or
less like installations. Here are a few installations
by the stalwart herself.
Zaha Hadid has created a series of installa-
tions for a two-venue show in New York, curated
by Kenny Schachter.
According to Schachter, each installation is
derived from architectural projects Hadid has
been working on. Masterplan was originally part
of her citywide plan for the Asian side of Istanbul,
while the Opera House desk uses a relief from a
wall of the Opera House at the Abu Dhabi
Performing Arts Centre.
Zaha also has paid a tribute to Andrea
Palladio's Villa Foscari through Installations for the
celebrations of the legendary architect's 500th
birth anniversary (1508-2008). La Malcontenta
invited Zaha Hadid Architects to design�
and build two installations within Villa Foscari La
Malcontenta, to initiate a dialogue between Contem-
porary Architects and Palladio breaching five centu-
ries of architectural discourse.
Zaha Hadid focused their study on one room,
conscious that exploring the logic and relational
system of a single room they would have addressed
and captured the essence of Palladio's architectural
theory.
The natural equilibrium achieved by Andrea
Palladio in La Malcontenta is thus shaken by the
dynamic component introduced by Zaha Hadid and
Patrik Schumacher, who have long abandoned the
Euclidian mathematics that generated Palladio's
proportional theories. In such way, within one room
of this architecture "Aura" is generated as a spatial
morphology that reflects the structure of this void,
the skeleton of this ethereal space.
As a further demonstration of the generative
potential of Palladio's proportional system, a second
installation was designed for the symmetrical room.
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Masterplan By Zaha Hadid
The Traveller by Arne Quinze, Munich
26 HOME REVIEW FEBRUARY 2009
HR I SPOTLIGHT
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Aura L and Aura S are thus presented as two
"phenotypes" of the complex order generated by a
contemporary translation of Palladio's harmonic
system.
The Traveller by Arne Quinze, Munich
Belgian artist/designer Arne Quinze created a
fantastic sculpture, a 20m high and 12m wide
wooden architectural construction called The
Traveller, displayed at the occasion of the opening of
the new Louis Vuitton store in Munich, and was on
display till the beginning of January 2009. Quinze
creates a journey, an enigmatic travel through this
masterpiece of which roads leads us to a world of
emotion and inspiration.
Installations by Subodh Kerkar
Subodh Kerkar our very own Indian artist who
effortlessly translates tradition in a contemporary
idiom is known for his installations along with his
canvases and sculptures. With sea as his muse,
Subodh uses it as his canvas for installation work.
His first installation was called 'The Tenth Planet'. The
installation has two craters on the beach, covered
with metal discs with electrical bulbs underneath,
which created a semblance of a floating disc. For
the installation titled 'Cones' Kerkar has dug out
trenches around piled sand cones and has lit these
trenches from within, creating a startling effect just
after dusk.�
Cones By Subodh Kerkar
The Tenth Planet By Subodh Kerkar
HR I RESTOS BARS & SPAS
28 HOME REVIEW FEBRUARY 2009
The Castle Of Cool
Shiro Goa �
Shiro is one of Mumbai's most
desired party locations. Located in
the new hip mill district, it's said
to be the ultimate luxury lounge in
the country, with international
standards in music, drinks and
cuisine, and a focus on all things
Japanese. It stirred up quite a
storm - so much so that now
there is a Shiro on Candolim
beach in Goa.
Shiro, meaning castle in
Japanese, has been conceptual-
ized to set off the mind in many
ways - with its interiors, its food
and drink. It has a sensuous feel
and has been built to represent an
Asian castle, complete with water
flows, low seating, and niched
spaces with mellow lighting.
Located on the beach, the
view is to die for, especially the
sunset view from the deck which
is the main focus of the venue.
The elegant fine dining area and
the spacious lounge too cannot
be discounted.
Shiro has a mysterious spa like
aura which is apparent as soon
as one makes an entrance. It's
double heightened ceiling pro-
vides openness and a feeling of
lofty magnificence. Dominating
the central space of the restau-
rant, are three 16ft high figures of
consorts, dropping water into a
moat.
The ambience in Shiro Goa is
definitely eclectic. It has strong
Asian overtones and clever
reinterpretations of traditional
Japanese, Chinese and Balinese
elements which make it warm,
engaging and tropical. It exudes
sensuality and yet a serene
energy prevails all around.
As one walks through the
different areas, each offering a
unique experience of oriental
mystique in a very contemporary
style, one feels enveloped in a
castle of cool !
Shiro,
Candolim, Goa
Tel: 6451718
HR I RESTOS BARS & SPAS
30 HOME REVIEW FEBRUARY 2009
Heavy Metal
Thor �
The Hotel on Rivington rocks on as
a premier destination in down-
town, New York. The 21-storey
glass tower hotel with 360º-
unobstructed views, opened its
doors in October 2004 with
highlights, such as Thor, the
Marcel Wanders designed,
critically-acclaimed full-service
Restaurant and Bar.
With its cutting-edge design,
Thor is a celebration of artistic
energy and an ideal venue to
experience the vibe of downtown
Manhattan. At Thor, guests dine in
an impressive space. The airy
dining room features a 21-foot
soaring glass ceiling that offers
views of the Lower East Side's
historic tenement buildings.
Marcel Wanders is an indus-
trial product designer based in
Amsterdam, as the architect of
Thor he has already caused a stir.
He has won both the Rotterdam
Prize and the George Nelson
award. Personally, he demon-
strates the same contradictory
traits that make his designs
fascinating, radical and revolution-
ary, childish and mischievous,
practical and utilitarian.
Thor, Hotel On Rivington
107 Rivington St
New York, NY 10002
www.hotelonrivington.com
HR I RESTOS BARS & SPAS
32 HOME REVIEW FEBRUARY 2009
A Sliver of Tranquility
One & Only Ocean Club
Spa Bahamas �
A discreet sanctuary of calm and
wellness, the spa at One & Only
Ocean Club provides the ultimate
rejuvenating experience with an
enriching selection of treatments
blending ancient techniques with
contemporary practice. Tradi-
tional spa therapies and the
natural spices, fruits and miner-
als indigenous to The Bahamas
are melded together to provide
the pampering rituals and spe-
cific treatments.
Guests enjoy the tranquility
and privacy of one of eight
Balinese-style treatment villas, all
furnished with teak massage
tables, a waterfall shower, a day
bed and jetted tub in a private
open air garden. Following each
treatment, guests savour herbal
teas and fresh fruit presented in
a Japanese Tea Ceremony, a
beautiful ritual practiced as a
reminder of the spiritual world
within.
From rituals of touch and
ceremonies of the face to cel-
ebrations of the Bahamian sun
and unique treatments for
mothers-to-be, the spa offers a
therapy to suit every mood and
lifestyle.
One & Only Ocean Club is
legendary in its reputation for
entertaining the world's elite for
more than 45 years. A warm and
inviting accommodation awaits
the guests, who have a choice of
residential-style villas which are
ideal for families.
The elixir of Bahamian life, the
spectacular blue waters of the
Caribbean are explored with a
rich roster of activities - diving,
snorkelling, sailing, skiing, and
windsurfing. For the less adven-
turous, just relaxing along the
shoreline of a pristine beach is
also quite moving.
One & Only Ocean Club
Paradise Island,Bahamas,Email:
reservations@oneandonlyresorts.com
Web www.oneandonlyresorts.com
34 HOME REVIEW FEBRUARY 2009
HR I RETAIL THERAPY
The Armani Ginza Tower - Giorgio Armani's
gorgeous vision in Tokyo's iconic high profile
Ginza district is an arresting glass cube
and soon becoming a must-visit for locals and
tourists in the area.
� Since the time it opened last November, the Armani
Ginza Tower is grabbing eyeballs and footfalls, and for
good reason. A culmination of all things that stand for
the legendary designer and his brand, along with his
relationship with Japan, the tower exudes Armani's
aesthetics showcasing the designer's deep under-
standing of the Japanese and their culture.
For the Armani Ginza Tower, it was considered es-
sential that not just the designer's creativity but his
special aura, recreating the atmosphere of the atelier
of this Italian creative genius, as well as his aesthetic
code and his personal image - all needed to be trans-
lated into the architecture of the store. There was a
need to combine luxury with restrained elegance, the
concept of modernity with
a lasting style in the
classic Armani way.
Tokyo is a city alive
with continuous move-
ment. The brightly lit build-
ings pulsate with vibrant
traffic, creating through a
ceaseless flux of brilliant
images - the typical ex-
LEFT & RIGHT Interior
views of the store.
BOTTOM The glass
tower has adopted an
interesting lighting
concept which has
backlit bamboo stems
and create a light halo
onto the façade glass.
FEBRUARY 2009 HOME REVIEW 35
HR I RETAIL THERAPY
pression of a metropolitan spirit. Like most capital cit-
ies, its irresistible appeal lies in the rapidity and speed
of its endless transformations.
"In such a location, how to translate the concept of
Armani's featherweight clothes, the delicacy and the
craftsmanship of his embroidery, the sensuality of the
interplay between body and fabric along with his vi-
sion and relentless research into materials, together
with his use of delicate, translucent and radiant colours
was the challenge," say Doriana and Massimiliano
Fuksas, the creative forces behind the store. "We ex-
plored a host of ideas, we experimented with new
textures, modelled, sculpted, emptied, dematerialised
spaces using light, the evanescence of an intimate
sensation that is, however, born in from the exterior
and finally sought to reveal the world of Armani through
a range of screens."
And that's what visitors get to see - screens as
light as gossamer or silk
that depict the sophisti-
cated image of the Giorgio
Armani brand. It's richness
in translucence and inti-
macy is juxtaposed with
the immediacy and mo-
dernity of the spaces
dedicated to Emporio,
identified by more�
THIS PAGE TOP
Interiors of the store.
BOTTOM A cascade
of brightly lit leaves
delicately float down the
facades and, according
to the time of day or the
season, are modified in
intensity and colour.
36 HOME REVIEW FEBRUARY 2009
HR I RETAIL THERAPY
expansive areas in which shafts of white light cut
through and are reflected within the setting.
The exterior is made up of a glass tower, totally
merging into the Ginza skyline, its glass surface mir-
roring and relaying reflections of the sky and the sur-
rounding buildings, full of different lights and colours
throughout both day and night. To avoid a large two
dimensional lighting concept there are bamboo stems
that appear to extend the full height of the building.
Backlighting from within the bamboo create a light halo
onto the façade glass and interior blind. The perme-
ability of the surface is further toned down by a cas-
cade of brightly lit leaves that delicately float down the
facades and, according to the time of day or the sea-
son, are modified in intensity and colour.
The façade concept of the lighted leaf was extended
into the floor levels as a concealed light cove providing
general light from a ceiling feature. Mesh glass sub-
division panels are lit from above to bring them to life
and increase the sense of floating fabric in the space.
Lighting control is used to subtly effect and to inten-
sify and dim light to the mesh panels allowing the
walls to become less solid and therefore increasing
views through the mesh panel. This theatrical effect
allows individual areas of the store to solidify and open
up in a subtle looped cycle.
The polished black ceiling, wall and floor created
multiple reflections in the store. Backlighting behind
linear laser cut holes created luminous strips in the
wall and ceiling which were mirrored and layered in
the reflections. The intensity of light for the
merchandise was carefully considered to create the
correct relationship with
the feature walls and
ceiling. The light within
the walls and ceilings is
animated to create a
sense of light waves
moving across the store.
Strong light contrast is
used to dramatic effect
THIS PAGE The
polished black ceiling,
wall and floor created
multiple reflections in
the store and the backlit
linear laser cut holes
create luminous strips
on walls and ceiling.
FEBRUARY 2009 HOME REVIEW 37
HR I RETAIL THERAPY
to bring the merchandise to life.
Inside and outside the store, lighting plays an im-
portant part, an experience where light becomes an
integral part of the visual concept. You wouldn't feel
you are inside of the tower. It's because the building
blends with the cityscape perfectly, as it is one of the
elements that make the city itself.
Contrary to most other projects where the client is
rarely encountered, Giorgio Armani has been deeply
involved, always ready to engage with every little ad-
aptation of the concept. "Working with the designer
has been an unusual assignment for us; usually it is
the building, the external architecture that takes prece-
dence over the content. For the Ginza project the oppo-
site has been true," say the designers. "His indefati-
gable curiosity and collaboration throughout the cre-
ative process has been like working under a micro-
scope, examining every tiny little detail, trying to find
the ultimate solution, achieving the best."
And best is what they did achieve. The task how-
ever was not easy. It is always difficult to crystallise
the image of someone, particularly a person as well
known as Giorgio Armani, in a way that can be repre-
sented through the store. In 1980's, Armani has been
called as a maverick in the fashion world as he had
suggested fashion for working women. Starting from
that career, he has successfully spearheaded many of
his design adventures globally. So naturally, Armani’s
Japanese admirers were
not just looking forward to
the Ginza tower, but were
also concerned about how
the Japanese integration
would take place. Here for
the first time ever in Tokyo,
the entirety of Armani's out-
put was to be displayed
within the same building.
And ever since it’s open-
ing the tower has been
drawing major crowds. �
THIS PAGE Screens as
light as gossamer
depict the sophisticated
image of the Armani
brand and this translu-
cence is juxtaposed
with modernity of the
spaces which is identi-
fied by expansive areas
in which shafts of white
light cut through and are
reflected within.
38 HOME REVIEW FEBRUARY 2009
HR I CULT PRODUCT
Sustainability is more than facade deep for
greenPIX, a media wall for a commercial
building in Beijing. It acts as a self sufficient
screen consisting of colour LEDs with inte-
grated photovoltaic cells. The screen charges
itself during the day and flashes at night.
Media walls for building facades gets you closer to
the horizon from where technology and science take
over from architecture and design. But all this will only
be possible if we tide through the damage that's al-
ready been done by us to the environment, and work
towards means that will help sustain our ecosystem
as it is meant to be.
GreenPIX, 'the Zero Energy Media Wall,' uses
architecture and technology to absorb, store, amplify,
translate, and display data, both natural and manmade,
in an organic system that responds dynamically to the
local environment. Creative programming adds even
more layers to the already rich stream of data being
presented and allows passers-by to experience the
site in terms of space and time through both their own
eyes and the minds of the selected artists. The entire
presentation comes with a zero net consuming energy
footprint thanks to a glazing-integrated system of
perforated photovoltaic cells and a battery storage
system. The result is a public art installation that creates
awareness of the local environment in both appearance
and functionality.
Featuring the largest colour LED display worldwide
and the first photovoltaic system integrated into a glass
curtain wall in China, the building performs as a self-
sufficient organic system, harvesting solar energy by
day and using it to illuminate the screen after dark,
mirroring a day's climatic cycle.
The greenPIX project is designed by Brooklyn based
Simone Giostra & Partners Architects in collaboration
with ARUP for the Xicui Entertainment Complex in
Beijing. The building is located in western Beijing close
to a number of 2008 Olympic venues.
The singular design brief given to Giostra was to
'enliven the building's opaque, boxlike presence and
connect it to its environs' all using only one facade.
Xicui's commercial building gains the ability of
communicating with its urban environs through a new
kind of digital transparency. Its "intelligent skin" interacts
with the building interiors and the outer public spaces
using embedded,
c u s t o m - d e s i g n e d
software, transforming
the building façade into a
responsive environment
for entertainment and
public engagement.
GreenPix is a large-
scale display comprising
of 2,292 colour (RGB each
of 900mm x 900mm)�
THIS PAGE TOP The
GreenPix media wall
appears different as the
day progresses. Here is
the night effect of the
media wall. BOTTOM
The photovoltaic cells in
the Media Wall store
solar energy during the
day.
40 HOME REVIEW FEBRUARY 2009
HR I CULT PRODUCT
LED's light points comparable to a 24,000 sq. ft. (2,200
m2) monitor screen for dynamic content display. The
very large scale and the characteristic low resolution
of the screen enhances the abstract visual qualities of
the medium, providing an art-specific communication
form in contrast to commercial applications of high
resolution screens in conventional media façades.
With the support of leading German manufacturers
Schueco and SunWays, the architect Simone Giostra
with Arup developed a new technology for laminating
photovoltaic cells in a glass curtain wall and oversaw
the production of the first glass solar panels by Chinese
manufacturer SunTech. The polycrystalline photovoltaic
cells are laminated within the glass of the curtain wall
and placed with changing density on the entire
building's skin. The density pattern increases the build-
ing's performance, allowing natural light when required
by interior program, while reducing heat gain and trans-
forming excessive solar radiation into energy for the
media wall.
The photovoltaic solar cells store the solar energy
that is not required to the activities in the building during
the day, while acting as an affective shading device
and protecting the
building from excessive
heat gain. During the
night, the media envelope
releases the energy
accumulated during the�
THIS PAGE TOP The
Media Wall projecting
media art content.
BOTTOM The Media
Wall main entrance.
42 HOME REVIEW FEBRUARY 2009
HR I CULT PRODUCT
day, in form of bursting light, transforming the facade
in a glowing beacon, and the building in an
overwhelming visual experience within the nightscape
of Beijing. Integrated photovoltaic cells mean that the
panels both emit and absorb energy in the form of
LED and sun light, thus reinforcing Giostra's vision of
'technological self sufficiency.'
'Seascape', the concept of dynamically changing
scene based on both time and vantage point, also
played a large role in the design of the facade. Media
is the active dynamic element at night. During the
daytime however, when sun obscures the LED light,
Giostra had to make the passive elements of the facade
appear dynamic. He accomplished this by varying
opacity and mounting angle (5°) of the glass panels as
well as by carefully arranging the integrated PV cells
to form a dynamic pattern. The result is a facade that
appears to undulate with the rhythm of the environment
day and night.
Interestingly, the entire system is a total of seven
feet thick including glass panels, structure, power and
data infrastructure, LED lighting fixtures and a
maintenance access space. The Media Wall is the
most radical example of sustainable technology applied
to an entire building's envelope to date.
The innovative use of technology and experimental
approach to communication and social interaction
defines new standards in
the context of urban
interventions worldwide,
raising global interest
in the integration of
digital technology with
architecture and reinforc-
ing the current surge
of innovation and urban
renewal.�
THIS PAGE GreenPix is
a large-scale display
comprising of 2,292
colour (RGB)
LED’s light points
monitor screen for
dynamic content display.
BOTTOM The close-up
of the entrance.
44 HOME REVIEW FEBRUARY 2009
HR I GO GREEN
The proposed eco-city, Milano Santa Monica
in Milan, works around the principles of bio-
architecture and has adopted a multitude of
energy conservation methods.
� Call it bio-architecture, organic architecture or even
vegitecture; now all these terms are considered as
buzzwords in the construction world. The awareness
of sustainable living is spreading like fire and on a larger
scale wherein many new proposals for cities are
meticulously planned to absolve environmental issues.
In the near future, planning for larger energy-efficient
and eco-friendly communities would become a norm.
The Santa Monica eco-city is one such proposal that
promises to make an impact on our sustainable pre-
monitions.
Milan, the fashion capital of the world, has already
established a name for it-
self in the design indus-
try, and could soon be
known as the green capi-
tal due to its various
developments that adopt
cutting edge technologies
to achieve sustainable
construction. Milano
Santa Monica is a chic
green super city proposed
THIS PAGE TOP The
high rise buildings with
the terrace planters.
TOP The residential
buildings overlook the
open park area which is
used for recreational
acitivities and also
provides the necessary
visual relief.
FEBRUARY 2009 HOME REVIEW 45
HR I GO GREEN
and envisioned by Polis Engineering, Studio Nicoletti,
and the Marzorati Architecture Studio. Sited just seven
kilometres from the centre of Milan in a town called
Segrate, which currently is a home to about 33,000
inhabitants, the Santa Monica eco-city is scheduled to
be completed by the year 2013.
The eco-city will comprise of more than 2,000 apart-
ments put together around a two million square metre
park. The 'park', as it is known, will take up about 10
per cent of this small city's total area. The residential
area will house schools, sporting facilities, and a
shopping centre. The lush green high rises are effi-
ciently designed and enshrouded in vegetation that
helps to insulate the interiors while providing fresh air.
Solar panels are used to produce warm water for the
residents and photovoltaic
panels cover sun-facing
windows to produce elec-
tric power.
Milano Santa Monica
works around the
principles of bio-architec-
ture, a design typology
that is greatly influenced
by the location and
climate of the building site
and strives to unify, or har-
monise, the natural world
with the human world.
And that is exactly what�
THIS PAGE The Santa
Monica eco-city in Milan
has sustainbility at the
core of its design. The
city is designed in order
to generate both electric-
ity and warm water
using strategically
placed solar panels. The
complex is a self-
contained zone that
offers schools, sporting
facilities, and a shop-
ping centre.
46 HOME REVIEW FEBRUARY 2009
HR I GO GREEN
Having vegetation on building facades is a very
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the architects have tried to achieve. For the Santa
Monica city they have planned the living spaces around
an open park, allowing maximum interaction with natu-
ral elements in the green space. The residential struc-
tures are a series of stacked high-rises overflowing
with flowering terraces that allow the residents to have
calming views of nature and ample physical access
to this green space as well. The over all ground
plantation along with balcony planters contribute in
providing insulation while only allowing clean and fresh
air to enter indoors.
Another hallmark of the project is the principle of
energy conservation with plans to generate both
electricity and warm water using strategically placed
solar panels. The complex is a self-contained zone that
offers schools, sporting and spa facilities, a luxurious
hotel and a shopping centre, that reduces the distance
that people will need to travel in the course of their
daily activities.
With the construction of this small city, the resi-
dents would not only enjoy the boons of eco-friendly
materials used for the structure and other green fea-
tures but also will now be aware of nature in both a
responsible and recreational manner. With its
energy-efficient apartments and shops, lush green
parks and sustainable
technologies, it certainly
promises to offer an
exemplary lifestyle. �
THIS PAGE TOP The
proposed interiors vouch
to be luxuriously lavish.
Wa
llT
ile
-SA
TIN
- Re
ctifi
ed -
300
x 4
50 m
m
~12”
x 1
8”
48 HOME REVIEW FEBRUARY 2009
VOLUMETRIC BONANZAKenil Industries' office in the heart of Mumbai city stands testament to the
union of two strong creatives: the designer's sound proficiency and the
client's impeccable proclivity…
TEXT BY SAVITHA HIRA • PHOTOGRAPHS SEBASTIAN ZACHARIAH; COURTESY THE ARCHITECTS.
FEBRUARY 2009 HOME REVIEW 49
THIS SPREAD The
essence of this unusual
office is enigmatically
captured in the lounge
where plush materials
vie for interest against
old-world charm of
exposed brick walls and
wooden trusses.
50 HOME REVIEW FEBRUARY 2009
THIS PAGE & OPPOSITE PAGE An old car is parked
regally upfront, urging you to confront the preliminary feel of
an unconventional corporate set-up. A beautiful life-size
diya completes the set-up. BOTTOM The unassuming
entrance that opens to a host of surprises.
Not everyday does an opportunity arise, thatnot only synchronises your passion with yourvocation but grants you the added bonus of a
multi-functional space that is a perfect foil to yourpersona. Jewellery designer Ashit Shah's sprawling5000 sq ft. indoor-outdoor volumetric bonanza isnothing short of an oasis in the heart of a bustlingmetropolis. Located in the designer-district ofMathuradas Mills compound at Lower Parel inMumbai, is this beautiful almost-completely-privatespace that houses Kenil Industries - the official abodeof the flamboyant, spirited fashion-jewellery designerknown to bedeck several young models with his strikingcreations.
The multi-use corporate office is the perceptiveblend of two strong sensibilities: architect and interiordesigner Jignesh Doshi's sound professional expertiseand the jewellery designer's impeccable aesthetic sense.The former in his decade-old practise has set aprecedent for himself in the vocabulary of juxtaposedvolumes that are characterised by straight linesinterpreting space with minimum fuss, accompaniedby the sheer celebration of materiality. And the latter�
FEBRUARY 2009 HOME REVIEW 51
52 HOME REVIEW FEBRUARY 2009
sought his ideal abode with all the trimmings ofmodern comforts whilst being in the lap of nature.
Synchronising a system high on aesthetics inkeeping with the image and lifestyle of the client, thearchitect known for his experimental and avant-gardematerial combinations has chiselled the erstwhile millplot along the north-south axis, maximising on alandscaped exterior and revelling in the raw beauty ofthe industrial interior. Sleek finishes of frosted glass,brown Kota stone, leather, wood, aluminium and steelare juxtaposed with the raw appeal of exposed brickwalls, cast-iron columns and wooden trusses in thethirteen-foot high ceiling.
Largely bifurcated, two sections prevail: the factoryarea buzzing with its workers and sorters; accountsand storage departments; and the aesthetically-repleteexecutive area that houses the perfunctory conferenceroom; besides the proprietary cabin, designer section,library and lounge amidst two other distinctlydesigned work-spaces and an expansive mezzanineearmarked for future use. Strategically positioned atthe junction of the two sections, is the receptioncounter that helps oversee the entire outfit withoutbeing noticeable.
The entire executive area is like a luxurious shell
filled with surprise packages. As Doshi explains, "Iwork with volumes; juxtaposing one volume withinor around another, I tend to create a connectivity thatsimultaneously amazes and appeals". In simple terms,the architect enunciates that his spaces are designedwith a view to comfort the visitor in its environs; atthe same time urge him to explore further.Consequently, one enters the office via a widealuminium panelled swivel door that is minimallyribbed, as if silently proclaiming sobriety. However,once inside, the expectedness changes intoapprobation as one is gradually brought face-to-facewith one seemingly amazing vista after another; onlyto finally realize that each one and the whole areholistically interspersed into a distinct genre of gracefullines - some firmly grounded; others fleetinglycoercing, and some audaciously floating. An old car -the client's sentimentally-prized possession, is parkedregally upfront, urging you to confront the preliminaryfeel of an unconventional corporate set-up. While thisvision captivates, one is drawn towards the luxuriouslounge area, beyond which is the idiosyncratic frosted-glass cabin positioned amidst gravel and tall-bamboolandscape lending it an ethereal feel. The eye shiftsupwards to register a cube dressed in white plaster�
FEBRUARY 2009 HOME REVIEW 53
THIS PAGE & OPPO-
SITE PAGE The
idiosyncratic frosted-
glass cabin positioned
amidst gravel and tall-
bamboo landscape
lending it an ethereal
feel. Note the eclectic
combination of rustic
with modern.
54 HOME REVIEW FEBRUARY 2009
THIS PAGE The lounge
is flanked by a mix of
finishes and spatial
configurations. The
rectangular mass
dressed in solid wood
encloses the proprietary
cabin and designer area
and displays a built-in
lozenge aquarium,
sustaining visitor-
interest.
FEBRUARY 2009 HOME REVIEW 55
56 HOME REVIEW FEBRUARY 2009
floating above the ground, inviting via its petite spinalstaircase. A wee turnabout and one is drawn by arectangular mass - this time dressed in solid wood,again enticingly displaying a built-in lozengeaquarium, sustaining visitor-interest.
Engulfed in a characteristic ambience, each spaceis detailed to perfection despite the low-key materialpalette due to predictable budget constraints. WithDoshi's deep-rooted commitment to detailing, severalfeatures stand out: the floating cube made of calciumsilicate board; the sleek leather-finished drawer-fronts,the application of aluminium and paver-blockpartitions and the like. Scattered but regimentedlandscaping brings the place alive; especially thelandscaping outside the library, where a bespokesprinkler system evokes the pleasurable fragrance ofwet earth. It is amidst this scenario, accompanied bypipe music that Ashit can relax with a book of hischoice. In fact the overall ambience reflects differentmoods at different hours - a prime reason that thiscorporate set-up transforms into a party venue playing
host to diverse celebrations - from a Mehendi party toa Stag- do to New Year's Eve revelry…
But, hidden behind this blatant efficacy, there liesmore… an ingenious green design principle thatregulates the energy efficiency of this huge workplace.Strategic fenestrations in the exterior compound walland an energy-efficient turbine ventilation systemeffectively harness wind power; Added to this are thedistinct pockets of greenery; together, these regulatethe temperature inside. Consequently, the presenceof air-conditioners is restricted to set volumes only.Working on the north-south orientation has alsomaximised cross ventilation with the north-lighttrusses bringing in ample natural light … resulting ina commendable overall reduction of electrical costs.Ambient lighting caters to mood-shifts andcomplemented by the play of the myriad materialfinishes that sculpt distinct auras, Kenil correspondsto the ultimate destination for whatever the client mayopt for in terms of both - entertainment as well asenterprise.�
THIS PAGE A little
library is tucked away in
the proprietary cabin.
The apron of the table is
delicately but stylishly
embellished with
antique-finished silver
beads.
FEBRUARY 2009 HOME REVIEW 57
THIS PAGE A front
view of the portico
overlooking the mani-
cured garden and lush
foliage draping different
parts of the 2-tier house;
the lily pond, bird
sculpture and lighted
diyas provide interesting
accents.
THE EVOLVING HOMEThe science of designing homes that go beyond the basics, is what we
uncover for you with a visit to LEED architect, Hiren Patel's Ahmedabad
home in the heart of the city.
TEXT BY DEEPANJOLIE SONYA FIGG • PHOTOGRAPHS COURTESY THE ARCHITECT
58 HOME REVIEW FEBRUARY 2009
FEBRUARY 2009 HOME REVIEW 59
A CEPT product from the 1990 batch who wentto Switzerland for a year to study and train inadvanced architectural forms, techniques and
ways of bringing diverse materials together in harmo-nious blends for practical yet simplistically stylishdesigns, then was spurred to launch his own studiothe following year and has never looked back since -that's principal architect and designer, Hiren Patel foryou!
His practice now has over 30 like-minded and for-ward thinking creative minds all putting their ener-gies together for conceptualizing and realizing the coredesign philosophy at the Hiren Patel Architects (HPA):the Ahmedabad-based firm's lead architect's drive forexcellence in design - "designing in a more scientificway." (And now also LEED AP, an industry certificationrecently awarded to Hiren from the Green BuildingCertification Institute distinguishing him as a buildingprofessional with the knowledge and skills necessaryto steward green building projects requiring principleslearnt to be applied into practice through theLeadership in Energy and Environmental Designawareness)
As Hiren puts it, "I am now a LEED AP and com-pelled to constantly check out how my own house isworking in accordance with green designconcepts…not only because I want to do what a LEEDAP is meant to do: (certify projects), but also because�
THIS PAGE TOP A
couple of Scandinavian
wood and fiber chairs
take place of pride in
close proximity to a
large picture window
that enables one to
commune with nature
while enjoying the
comfort of being
indoors. OPPOSITE
PAGE A view of the
living room: the cool
elegance of white walls
and ecru furnishings
touched up with dull
gold in places lend a
serene touch to the
exuberance of assorted
wrought-iron, ceramic,
mosaic, glass and
eclectic wall-art in
various sizes, including
the bright-pink wall
beyond.
60 HOME REVIEW FEBRUARY 2009
OPPOSITE PAGE
Master Chef Nobu
Matsuhisa’s newest
restaurant flanked by
frosted blue mirrors and
a wall encrusted with
metal work flowers.
THIS PAGE Three
dimensional woven
Abaca panels surround-
ing the dining area of
Nobu are punctuated
with a glowing
composition of custom
suspended pendants.
essentially, I like to stay involved in progress at everylevel of every design…because at the back of my mindis always a stimulation for finding out any hiddenqualities, understanding the design process better andbetter - so I can design better homes for others - muchmore meaningful than the basics!"
Thus, he explains his need for an evolving houseplan - "I wanted a home that was climatically com-patible, so there are buffered areas throughout thatkeep the most used areas cool. But I also wanted avery personal space that would allow for design-dy-namics and provide a kids-friendly environment, sinceI have 2 lovely kids - Anu in the 8th standard andKaran, who studies in the 4th currently - besides,dentist wife Dinu's needs to consider (she wanted anextremely functional but elegant retreat for all of usand a spacious kitchen with a view). So, along camethe many sky-lights into my house plan for techni-cally sound reasons instead of earlier ones like puttingin a window for aesthetics or just for granting aview…foliage accents like creepers on the South andWest walls of the house were incorporated to keep ar-eas contained beyond it cool. That pretty much sums
THIS PAGE A close-up
of the approach to the
second level of the Patel
residence: areas on
either side of the steps
have been highlighted
as nooks providing
contrasting utility:
BOTTOM The kids
bedroom has gaily
printed comforters, fairy
lights strung across
bedposts, a group of 4
brightly coloured pic-
tures in single frame and
plentiful stickers that all
give testimony to the
simple joys of childhood
ever present for Anu &
Karan.
FEBRUARY 2009 HOME REVIEW 61
up my basis for this expansive home design outlook."The mid-size neem tree situated in the Patel resi-
dence provided the focus for the evolving home planand Hiren reveals, "we created a garden around it;thus the plan became "L" type."
He was also very certain about "designing a homewith a minimalist philosophy." As he explains his lovefor simplicity and designing with nature, with thingsthat are timeless and have a personal connection be-sides of course, affording a sense of calmness aboutthem.
This reasoning encouraged the Patels to rope intheir favourite artist, Sharad Patel and commissionanother original art work by him - since they hadpreviously owned another of his designs in their ear-lier home: "We just had to have Sharad Patel's workin RCC somewhere in our home - his work is timelessand we love it!!" they enthuse! Since the artist is anelderly person, he agreed to give Hiren a sketch, forwhich his in-house team (carpenter, Suresh Chauhan)created a mould that was used for casting the mural.
On a similar note, sculptures by Ratilal Kansodariaand Ishwar Sagra also adorn various niches in the�
THIS PAGE Wire-mesh
screens on large win-
dows in the dining area
provide a hazy view of
the simple wooden
seating arrangement for
4 outside while a solitary
palm holds sway over
the pristine white of the
narrow room.BOTTOM
At home with nature - in
the guestroom-cum-den:
the neem tree in the
center of the garden
restores the link with the
outside world from
behind floor-to-ceiling
windows.
62 HOME REVIEW FEBRUARY 2009
TOP The exposed
cement wall behind the
contemporary-looking
western sofa sports the
couple's favorite artist,
Sharad Patel's sketch
worked onto it, which
was reproduced from a
sketch given by the
veteran and transferred
onto the RCC back-
ground, thanks to the in-
house carpenter's mould
created for it. BOTTOM
A hand made sketch of
the Patel residence.
FEBRUARY 2009 HOME REVIEW 63
THIS PAGE The 'Spa'-
tial concept in the Patel's
most private room is
created partially by the
location of the mirrors
and glass partitions
(both opaque - on the
windows and clear ones
on the storage units
made of wood) and in
part by the near-Spartan
touch of muted colors
for marble, ceramic
fittings, floor and wall
tiles rendered soft by
only a few marigolds for
company in the incand-
escent glow of candles.
Patel home besides eclectic art by Sushantu Das, whohas also done the extremely clean, frugal lines of art-work for the laminated white-wooden top of the fam-ily dining table, in addition to the painting framedon a hot-pink wall that perks up the otherwise pris-tine white ones of the formal living area, approachedby wood-encased steps from the first level of the homeand by the al-fresco sitting area under the porch fac-ing the lily-pond in the garden.
The entrance to the home from the garden area ismarked by a faux patio on the lawns besides the marbleflooring of the partially covered one where an infor-mal seating arrangement for 4 takes centre-stage witha table-top of slatted wood, just like the chairs. Largeceiling-to-floor glass windows, table tops (like the onein Hiren's den/guest bedroom) cabinets and shelvesin kitchen and master bedroom areas besides glass walls(such as the divider between dining area and livingroom done up in white) make the most of naturallighting and enhance the indoor space of a home thatmeasures a modest, but expansive-looking 1826 squarefeet on the ground floor and just a little over a 1000on the first level.�
64 HOME REVIEW FEBRUARY 2009
Comfort, mood-creation and happiness of all athome, including visiting friends, is ensured by inte-grating a sustainable, beautiful and healthy lightingoption that makes optimum use of natural, renewablelight in maximum spaces possible as Hiren Patel's homedoes, since it is conceived with well-placed windows,skylights and translucent wall panels throughout toallow for natural light to reflect deep inside throughstrategic design. And, where orientation of rooms fallsback slightly on in terms of insulation, the naturalfoliage outside and light, reflective floor and wallcolours of polished wood and marble ensure echoes ofambient light!
Global influences are clearly indicative in Hiren'shome for all seasons: from assorted travel souvenirsplaced around the 4 bedrooms (2 on each floor; thekids currently share one with the promise of gettingtheir individual sanctuary when they grow out of thiscommunal one) and two distinct living rooms (oneproviding formal, modern and sleek single-arm restseating and the other more casual, family space withfloor-seating adorned with scatter cushions, a long,rather-Western style sofa opposite two Scandinavianwood and fibre chairs and a surprise entertainmentoffering (via the infrequently used hidden projectorhoused behind a wall-painting!)
Alcoves hold memorabilia reminiscent of the room'soccupants: the kids's spaces have toys, books and gameswhile the parents' room and common areas have pho-tographs, metal sculptures, art-installations andtouches of whimsy, like faux flowers besides real palms,glass holders with floating flowers and tiny mosaic tiledcoffee table in the recess to the stairway. Similarly,thick walls of the bungalow made it possible to makeroom for display units, niche areas like the study fordaughter, Anu (right outside the parent's bedroom)and in-built storage cabinets that are deep enough toprovide housing needs for various household essen-tials; thus, the cabinets, in certain places in the Patelhouse, also double up as walls.
So, from a basic open-plot design that brought inthe morning sun to a multi-terraced home as preferredin modern building styles reflective of Kerry Hill(who's style Hiren admires), there was ample scopefor also accommodating his personal love for a varietyof materials (ceramic, concrete, marble, wood, mosaicetc.) in controlled measures that ensured a "bindingsynergy…by exploration of areas differently."
It is finally a harmonious blend of mostly cool andoccasionally vivacious color, eclectic mix of texture andmaterials and minimal ornamentation in play of formsbesides the disciplined trimming down of over-im-posing ideas (like double-height dining room wallsreduced to single height ones for freeing up space forguest room connected on another level to it) used in afunctional and flexible format that articulates the es-sence of Hiren Patel's home. �
FEBRUARY 2009 HOME REVIEW 65
THIS PAGE The use of
a single material that
moves along a formal
line as floor plate,
partition and ceiling
plate; strong, yet not
overpowering the range
of products.
CONTEXTUALTRANSFORMEMumbai's Sameep Padora articulates an out-of-the-box,
stylishly-sublime spatial experience at the additional shop
floors of lifestyle accessory store Pallate.
TEXT BY SAVITHA HIRA • PHOTOGRAPHS COURTESY THE ARCHITECT
66 HOME REVIEW FEBRUARY 2009
Different perspectives define and sustain a retail experience. In the case of Pallate, SouthMumbai's lifestyle furniture and accessory
store, the premise revolves around dynamic design anddécor in tandem with its fine range of products.
Spread over a whopping 33000 sq. ft. on 4 levels,the contemporary interiors of the store have beenconceptualised to cater to distinct styles and genre ofproducts. Started as a platform for emerging and es-tablished product, textile & furniture designers fromIndia, Europe and South East Asia, Pallate is toutedas the 'one-stop destination' store celebrating innova-tion, style and design. Virtuously in keeping with thisoperating maxim, each of the levels is designed by threedifferent architects and designers from Mumbai: theground floor by Samira Rathod; first floor by KapilGupta and the top two levels - the latest inclusion -by Sameep Padora.
Designed to cater to an exclusive range of hi-endEuropean furniture, the top two floors are distinctly'different' in décor and ambience. While the generalfeel of a multi-brand store does to a large extent incor-porate the shop-in-shop principle of merchandise po-sitioning and display, the two floors in question hereaddress the said typology by reinventing it as a�
FEBRUARY 2009 HOME REVIEW 67
THIS PAGE The mesh,
manufactured for use in
industrial filters is
appropriated as the
fabric for the installation
surface; due to its
double layer detail, it
responds as a moiré
screen in light.
OPPOSITE PAGE
TOP White paint-
finished walls, white
epoxy finished flooring is
juxtaposed with the
white mesh skin that
forms a ceiling plate.
BOTTOM Based on the
effect of light, the
double-layered stainless
steel mesh adopts
translucent or opaque
characteristics that play
on the ambience.
68 HOME REVIEW FEBRUARY 2009
THIS PAGE The design
addresses the notion of
the shop-in-shop typol-
ogy through visual
and physical connec-
tions, through
translucency and a
distinctive materiality.
OPPOSITE PAGE
BOTTOM
The programmatic
installation piece - a
sinuous surface -
simultaneously
transforms itself from
foreground to backdrop
while performing as a
display system.
FEBRUARY 2009 HOME REVIEW 69
programmatic installation piece; a sinuous surface thatsimultaneously transforms itself from foreground tobackdrop while it performs as a display system.
Says designer Sameep Padora, "The balanced posi-tioning of so many well-known brands did necessitatedifferentiation; yet it was not to better one from theother. Hence, the multi-brand notion is collatedthrough visual and physical connections, throughtranslucency and a distinctive materiality that playson the client as part of the overall schematic, creatingan apt setting for the product as well as the mode ofdisplay".
Leaving the ceiling exposed but painted black intune with its counterparts on the floors below, a wire-mesh skin is appropriated as the installation surface.Generally manufactured for use in industrial filters, adouble layer of wire-mesh forms a continual ceilingplate beginning close to the entrance and sinuouslyflowing on, randomly falling down at places to form abackdrop; a partition and a display platform at oth-ers. While the mesh remains double-layered exposedas the ceiling and wall envelope, it is enclosed by trans-parent solid acrylic frames wherever it serves as a dis-play platform - for carpets, furniture and the like.
Working on the principle of a veil, the wire-meshsimulates the feel especially at night, when the�
70 HOME REVIEW FEBRUARY 2009
THIS PAGE TOP The
entire look of the show-
room space is tactfully
kept bland and monoto-
nous allowing just the
colours of the displayed
products to take prece-
dence. BOTTOM The
corridor on the second
floor that is shared by
another office has a line
of windows that are
carved out of a seam-
less bulge in the ply
panels. This creates an
element of intrigue with
regard to what lies
beyond.
double-layer detail responds as a moiré screen in light.The resultant chiaroscuro effects act as befitting back-drops for the range of displayed furniture in the formof settings - formal and casual - suited to living, bed-room, outdoors, etc.
In tune with the translucent, almost ephemeralcharacter of the ambi-ence, a glass capsule-el-evator is incorporated be-tween the first and thirdfloors. The sojourn of tak-ing the client throughthis multi-dimensionaldesign vision of both thespace and the productrange is thus reinstatedwith this mode of ferry-ing the client on his ver-tical climb up.
Additionally, little de-tails that are almost sig-nature of Padora's designstyle manifest to makethe project slick and chic.The construction and
FEBRUARY 2009 HOME REVIEW 71
THIS PAGE TOP The
mesh is applied such
that the detailing
disappears in the overall
schematic and the skin
stands out in tandem
with the displayed
products.
BOTTOM The floor
plans of the showroom.
pragmatic details are articulated through a kind of im-plied absence; door handles and openings manifestthrough topical modulations of surface where strate-gic bumps in the ply skin of a panelled partition actas windows to allow light to filter through; or a simi-lar treatment on the main door, seamlessly acts as adoor handle negating completely the use of any hard-ware, and thus intrusion into the straight-laced el-egance of the design.
While the lower floors are reserved for one-off fur-niture items and accessories, the upper floors in theirblack-n-white envelope depict restrained flamboyance.The architect's general preoccupation with non-lin-earity yet again manifests his proclivity for pushinghis own design sensibili-ties from prevalent ac-cepted norms. As Padoraexplains, "The nature ofthe pre-scribed geometryis a tool of appropriatingspatial intent… to lookfor beauty where one ex-pects it the least, to trans-late the taken-for-grantedinto the sublime !"�
THIS PAGE A
view from the
wooden deck to
the kitchen be-
yond. Lighting
along the PVB
laminated glass
structural beams
highlights the
glass flooring of
the deck above.
INTEGRATIVE DESIGNA contemporary interior complements the open spacious plan of this duplex
prototype apartment in Bangalore. The design scheme seamlessly integrates
landscape and natural materials with the layout.
TEXT BY SHIBANI AMIN RANGARAJ • PHOTOGRAPHS TARUN NIRMAL, COURTESY THE ARCHITECTS
THIS PAGE A view
from the wooden deck
to the kitchen beyond.
Lighting along the PVB
laminated glass struc-
tural beams highlights
the glass flooring of the
deck above.
As concrete high-rise masses dot the skyline ofour rapidly growing urban cities, apartment architecture most often ends up being run of the
mill. But in Bangalore,architects Shibanee andKamal Sagar have soughtto change that perceptionthrough their now trade-mark apartment designthat has won them severalnational awards over theyears. The couple's designphilosophy has been todesign spaces that inte-grate with nature andblend naturally with thelandscape, with a strongemphasis on the use ofnatural construction ma-terials that are mainte-nance free and agetimelessly. Wire cutbricks and exposed form
THIS PAGE The
contemporary styled
open kitchen and the
double height volume of
the living as seen from
the dining. A stacked
glass partition is used
as a visual barrier from
the entrance lobby.
BOTTOM The lighter
wooden floor sets off the
walnut polished interior
of the master bed-
room.The french
windows allows one to
enjoy the landscaped
patio that runs along the
entire length of the
ground floor.
THIS PAGE The
contemporary styled
open kitchen and the
double height volume of
the living as seen from
the dining.A stacked
glass partition is used
as a visual barrier from
the entrance lobby.
BOTTOM The polished
kota stone floor sets off
the hues of the
rubberwood furniture of
the children's
bedroom.The aquarium
inserted in the separat-
ing wall of the bedroom
and bathroom creates
an element of interest.
finished concrete coupled with terraced landscapedgardens are the trademark design statements of theprojects of their real estate development firm TotalEnvironment.
In the prototype duplex apartment of Windmillsof Your Mind project in Bangalore, the architects haveblended a contemporary interior in the spacious fourbedroom flat. Large fenestrations along one side of thelongitudinal axis of the layout merge the boundary ofthe inside from the outside allowing one to visuallyenjoy the landscaped balcony and reflecting pool alongthe entire length of the apartment at the lower level.The double height volume of the living space is sepa-rated from the open kitchen by a slate butchwork wallcomplementing the hues of the brown and whiteleather furniture and the beige Italian marble floor-ing. The coffered slab ceiling adds a visual dimensionto the volume, which the architects have used to elimi-nate the conventional beams and enlarge the spaces.
The formal dining and the modular Italian openplan kitchen are contemporary in style. A wooden deckabuts the kitchen area which extends the dining areainto the landscaped patio. A glass deck on the�
THIS PAGE The double
height volume of the
living space is sepa-
rated from the open
kitchen by a slate
butchwork wall comple-
menting the hues of the
brown and white leather
furniture and the beige
Italian marble flooring.
BOTTOM The polished
kota stone floor sets off
the hues of the
rubberwood furniture of
the children's
bedroom.The aquarium
inserted in the separat-
ing wall of the bedroom
and bathroom creates
an element of interest.
THIS PAGE The large
family room allows for
the family to unwind in
the entertainment and
library hub.The glass
deck adjoining the family
room is cantilevered in
the double height
volume , from where one
can enjoy the view of the
landscaped patio and
reflecting pool below.
Also seen is the coffered
ceiling slab. BOTTOM
Cantilevered wooden
treads and tempered
glass panels as railings
in the staircase create a
sense of transparency at
one end of the ground
floor.
upper level from the family room forms a translucentcover to this wooden deck. Supported on extra strongPVB laminated glass structural beams, the deck ap-pears visually light from below. Cantilevered woodentreads and tempered glass panels as railings in the stair-case create a sense of transparency at ground floor level.
At the upper level, the family room has been de-signed as an entertainment hub. Surrounded by thelarge fenestrations and a glass deck that over looks thelandscaped area on two sides and the double heightvolume of the living space below, it's easy to forgetyou are in an apartment and imagine you are in ahouse! The bridge leading to the home office has beendesigned as an extensive library with ceiling to floorwooden bookshelves. The office with a separate accessfrom the lobby at the upper level serves well as a pub-lic space yet well entrenched within the apartment.
Finishes in the bedrooms are warm yet contempo-rary. At the lower level, both the master and guestbedroom have wooden flooring. The guest bedroomhas been finished in a rich teak finish with a bath-room complemented in warm tones of jaisalmer stone.While the master bedroom is spacious with a walk inwardrobe area, the architects have chosen to do awaywith the separating wall between the bathroom andbedroom and have replaced it with a frosted and clearglass panel. Adding an element of interest this glasswall allows a glimpse of the Zen like white bathroominside and makes the bedroom appear larger. The wal-nut dark hue and white fittings reveal the intendedminimal design of the room where the architectswanted the room to be "spacious, uncluttered andwanted the modern lines of the furniture and fixtures�
to reflect an understated sensibility." In the upperlevel bedrooms, the flooring is of mirror polished kotastone and the finishes are a lighter tone of rubber wood.The spa like design has been extended to the guestbedroom with a rubber wood finished floating bedand textured wardrobe shutter panels of wood andcane. Earth tone walls and beige tones of the Italianmarble clad bathroom add to the visual appeal. Thechildren's bedroom has been cheerfully designed witha bunk bed in rubber wood. An aquarium inserted inthe separating wall of the bedroom and bathroom cre-ates an animated window in the children's bathroom.
As also seen in their other projects, Shibanee andKamal Architects have created their own inimitablestyle of integrating landscape and natural materialsin the apartment realm. In a space that is literallycrowded and pastiche like with builders succumbingto architectural imagery and cramped interior spaces,their work has always stood out as unique-creating abuilt statement that responds to climatic needs withinnate architectural detailing- be it in the structureor integrating elements such as brick bond detailing.It is indeed welcoming to see such a kind of evolvingarchitectural intervention to a city's skyline!�
THIS PAGE Stark white
fitings in combination
with walnut hued
woodwork creates a
minimal Zen look in the
master bathroom.
OPPOSITE PAGE
TOP The earth tone hue
of the walls set off the
rubber wood finished
floating bed and
textured wardrobe
shutter panels of wood
and cane in the upper
level guest bedroom
BOTTOM Large
fenestrations flood the
upper level guest
bathroom with light. A
dark marble counter
juxtaposes the light
beige Italian marble
cladding of the rest of
the bathroom.
82 HOME REVIEW FEBRUARY 2009
IN HARMONYThe Manthan team shows how nature and space can work in tandem.
The duo conceives a home with a unifying thread of simplicity,
keeping the decor deliberatly minimal yet strong to infuse character.
TEXT BY PAULOMI PATEL • PHOTOGRAPHS COURTESY THE ARCHITECT
FEBRUARY 2009 HOME REVIEW 83
The first clue that tells a visitor to the Medsinghehome that he is headed to some place reallydifferent is the unusual approach to the
property. With the panoramic Deccan ranges and theremains of the Panhala Fort as the backdrop, a dusty,winding road takes you to the house, which is a secondhome for its affluent owners. The strategic locationjust adds to the charm of this place and as we getcloser, it's difficult to not be seduced by it. Each stepraises expectation and finally, as we reach the top ofthe cliff, there's a perceptible feeling of excitement toenter the fairy tale building, the façade of which ismade up of a stone wall with pin hole openings.
This detail becomes one of the most prominentfeatures of the home and gives the entire house thelook of a fortress from a distance. And rightly so,because this house is actually designed to be asymbolic representation and tribute to the originalPanhala Fort, and so, like the fort the house too standsfor the valor and bravery of the historic Maratha rulersof this area.
On entering the site through a circular paved court,we are guided via a leisurely staircase that leads to themain entrance, made from an antique wooden doorfixed into a small opening cut into the stone wall. Asecond open staircase between the stonewall and theservant's quarters takes us to the deck from wherethe distant horizon with trees and the valley beyondis visible.
As one enters the main space through the stonewall - which is 80 feet long by 24 feet high and 2 feetthick, made from reused and new Deccan Trap�
THIS PAGE The house
is like ‘a floating ship on
a cliff’ with it’s titanic
size balconies and
decks. OPPOSITE
PAGE The courtyard
just next to the main
entrance door separates
the living room and the
kitchen which are in the
same axis. The pergola
covering the courtyard at
two different levels
accentuates the effect
with its shadows and
connects the curvilinear
roof forms of the kitchen
and the living.
84 HOME REVIEW FEBRUARY 2009
stone - there's a dramatic change in the treatment ofspace. The rest of the walls in the house are all cementplastered brick walls. The area beyond the wall isunexpected, and the layout is quite unpredictable.Contrasting the outside, the main areas are fullytransparent and free flowing. The straight wall andthe outstretched vaulted organic forms are connectedto each other by a skylight that runs on the East-Westaxis. The pergola below the skylight forms acharismatic play of light and shadows on the innerside of the stone wall which is smooth plastered tomatch the feeling of space inside.
"Spatial experience in changing light quality, wherethe space is formed inside and outside of theproportionate masses is our main focus in every design.We try to work on different forms and based on siteconditions try to attain this quality," says architectSachin Patil of ManthanArchitects - the firmbehind the constructionof the Medsinghe house.Patil firmly believes thatthis emphasis on spaceand light gives theirdesigns a unique quality.
On the same lines, theliving room and�
THIS PAGE TOP
Unobstructed views
from the kitchen area of
the landscaped deck,
the valley and horizon
beyond. BOTTOM A
play of light and shadow
weaves its magic on the
decks and courtyards.
FEBRUARY 2009 HOME REVIEW 85
THIS PAGE The
cantilevered decks
adjoining all living areas
are great places to hang
out and to enjoy breath-
taking valley views.
86 HOME REVIEW FEBRUARY 2009
kitchen are in the same axis and are separated by anopen courtyard spanned by a pergola on two levels.The one above the water body is almost double theheight and at the further end (towards the valley side)it is brought down to a height of a mere 7 feet. Theextreme end is kept open and there's a breathtaking,view of the valley and the horizon beyond. Besidesthe deck, the valley is also visible from the living,bedroom and kitchen areas, giving a floating feel tothe entire structure.
Patil, who worked along with partner Sheetal onthis project says, "The greatest luxury in the 21st
century's consumerist maelstrom is the freedom froma home full of possessions. This freedom seesarchitecture not as a collage of materials anddecoration but a distillation of all domestic functionsinto abstract forms." This is obvious from the way spacehas been highlighted as an important feature of theMedsinghe House.
As we move further inside, we enter the bedroom -placed at a slightly skewed angle with the space createdin between occupied by a small toilet and a reflectionpool with a double height circular skylight above. Thebedroom is also placed at a lower level to make a playof volumetric changes and reduce the scale of the
exterior façade. As we stand looking, the swimmingpool on the other end of the site is in view. This poolis accompanied by changing rooms and an open tosky shower - both housed in an independent structure,which is deliberately kept low profile andinconspicuous to compliment the main structure.
This simplicity runs throughout the house, fromthe finishes, to the over all interiors - all keptdeliberately minimal but yet strong to add characterto the house. For example, stones from demolishedold houses and nearby quarries are used for the Southsidewall to give it a weathered and vernacular look.There are aluminum colour-coated roofing sheets onthe fabricated structures over the vaulted spaces ofmain areas. These vaulted roofed decks, combined withthe view they offer, makefor great places to spendevenings. Clear glassdoors and windowscomplement thestructure adding to theover all effect of space. Thepergolas combine withlight to cast variedpatterns on the courtyard
THIS PAGE The main
space beyond the stone
wall is highly
unpredictable from the
outer side. The main
areas are fully
transparent, free flowing
& very mesien in their
character.
FEBRUARY 2009 HOME REVIEW 87
THIS PAGE TOP A
night view of the house
with the swimming pool
in the foreground.
BOTTOM The bedroom
looks on to the
swimming pool at the
far end. The idea of
simplicity is the
mainstay of this house,
right from the finishes,
furniture to the overall
interior.
floors. The rustic tiles, white colored walls and naturalwood finished doors add to the simple yet moderncharacter of the house.
The external landscape is kept very natural, withmounds, boulders and trees left in their natural stateto enhance the beauty of the surroundings.
The house, which took Patil and his partner ninemonths to build, is about 1,300 sq. ft. in size, withthe cost of construction totalling Rs. 22 lakhs.
Patil and his partner Sheetal who have workedclosely together for more than seven years, establishedtheir company Manthan in Kolhapur in 2004. "Wethink there is great scope for architecture in smallertowns like Kolhapur. Here you have time for yourself,�
88 HOME REVIEW FEBRUARY 2009
your work and family. But our base does not restrictus. In the age of computers we can sit anywhere anddo work in any part of the world. We are doing projectsthat range from residences and office buildings tohousing and institution projects all over India," saysPatil who has a studio where he and his partner closelywork with engineers, carpenters and fabricators.
In the past, the Manthan duo, as we like to callthem, have worked for architects like Balkrishna Doshiin Ahmedabad and Hiranti Welandawe of H.W.Internationals in Sri Lanka, and both are greatlyinspired by architecture patriarchs like Glenn Murcuttand Ricardo Legorreta. "Murcutt works alone in hisstudio in Australiawithout any draftsman,computers and moderndevices. Still his work iscrafted like a machineproduct with amazingspatial qualities. And,Legorreta, with hispassion for adobe wallsand meticulously formedcourtyards is a genius.They are the masters -people we look up to andpeople who augmentour faith in architecture,"says Patil.�
THIS PAGE TOP A
skylight connects the
stone wall &
outstretched vaulted
organic form. The
pergola below the
skylight forms a
charismatic play of light
& shadows on the inner
wall which is like a live
backdrop for all living
spaces. BOTTOM A
view of the deck that
floats above the green
landscape.
FEBRUARY 2009 HOME REVIEW 89
A MODERN TRIBUTEA dialogue between the past and the future becomes the core of the project.
Contemporary materials and renovated elements come to meet and blend
elegantly in the DVF Studio designed by New York based firm Work ac.
TEXT BY K PARVATHY MENON • PHOTOGRAPHS COURTESY THE ARCHITECT
THIS PAGE TOP A
view of the stairdelier
from the top level to the
shop floor below reveals
all the spaces that it
cuts through. One can’t
help but notice how the
heliostat mirrors blend
into the skylight.
90 HOME REVIEW FEBRUARY 2009
FEBRUARY 2009 HOME REVIEW 91
As you walk past the new DVF Studio in NewYork, the first thing that strikes you is how thetrendiest outfits sit so snugly between the age
old cast iron columns. And then you look further upand glass canopies on huge metal girders glare at you.Looking higher you notice the large glass windowsfull of glitz and glamour are set within a 19th centurybrick facade. Your sight goes to the top of the buildingand you can’t miss the huge diamond structureprotruding out of the old warehouse. And that is whenyou realise, what you are seeing is a synthesis of thepast and the future!
In the 70's, designer Diane von Furstenberg cap-tured the fashion world with her 'wrap dress' and be-came an absolute fashion icon. This time it is her newheadquarter building that is causing heads to turn.Diane von Furstenberg had been planning to bringtogether her business activities under one roof, whichwould have to include a flagship store, showroom, of-fice and her own office and living quarters. The newheadquarter building located in New York's trendiestlocality, the Meatpacking District or the GansevoortMarket, has everything she ever dreamed of in an office.
The six storied building is wedged between twohistoric landmark facades and fit her requirements tothe 'T'. It houses a flagship store at street level, a 500sq. ft. showroom and event space, design and admin-istrative office for 120 people, an executive suite and aprivate penthouse apartment. The additional functionssuch as a silk screening workshop, storage, dressingrooms, etc. are all accommodated in the basement.
Being located in the Gansevoort Market’s historicdistrict, the renovation had to get past the LandmarkPreservation Commission. The Commission felt 'in-visible' best describes any physical change to the build-ing exterior. To this group, Work ac, the New Yorkbased architectural firm,argued that 'therenovation and diamondprotuberance would bean announcement of newlife in the district. Workac won over theLandmarks PreservationCommission andproceeded with a sensitiverestoration of the mostvisible facades of the oldstructure. Even so steel,aluminium and glass ele-ments of the new con-struction insouciantly re-veal themselves from therooftop and the rear.
On the exteriors, thearchitects got the 19th
century brick facade of�
THIS PAGE TOP The
second of the double
heighted spaces creat-
ed by the stairdelier has
a distinct character with
a deep pink coloured
wall as backdrop.
BOTTOM The ariel
view of the the Head-
quarters brings into
focus the penthouse
office and the protruding
glass diamond-like
skylight. OPPOSITE
PAGE Clear glass walls
and crystals make the
interiors transparent,
connecting the spaces
visually in a single
glance.
92 HOME REVIEW FEBRUARY 2009
the warehouse re-pointed, painted the cast iron col-umns, and sealed the existing copper cornices. Thisseemed to satisfy the commission’s mandate. The metalstreet canopy girding the district buildings had to beretained. The firm wanted a translucent canopy ratherthan the corrugated ones common in the district. Theyluckily found corrugated wired glass from the Phila-delphia Navy Yard, which they recycled to have cano-pies on the North and East sidewalks.
When you enter the studio, you see drama. Thespace that greets you is the lobby, with a staircase de-fined by crystals to create a grand welcome. The vir-gin white walls and a reflecting pool guide you throughthe art collection of Ms. Von Furstenberg and youfeel as if you have entered a fairytale.
A whole new world of structural steel columns withmetal and steel decking and resin floors have been in-stalled within the old brick warehouse. The firmunified the assorted spaces through a single iconicgesture, a stairway, which collects and distributes light
THIS PAGE Clear
glass walls in the plush
penthouse office allow
ample sunlight and a
breath taking view. The
office conveys a distinct
character in its interior
and at the same time
blends in with the rest
of the architecture.
OPPOSITE PAGE The
white walls and bright
lights become the right
backdrop for striking
designs and displays.
to the deepest recesses of the building. This shaft oflight has been conceived as an inhabitable and con-nective 'stairdelier', a cross between stair and chande-lier, that cuts across diagonally up from the groundfloor to the diamond glasspenthouse above.
To maximize thenatural light entering thestudio, a series of heliostatmirrors have been fittedwithin the diamond. Sun-light reflected by the mir-rors darts around the stu-dio spaces like a butter-fly. The primary southfacing mirror, tracks thesun throughout the day,reflecting it to a fixed sec-ondary mirror that beamsthe sunlight down the�
FEBRUARY 2009 HOME REVIEW 93
94 HOME REVIEW FEBRUARY 2009
THIS PAGE Glimpses of bold displays and prints
that make a design statement are visible as the
stairdelier cuts through different levels.OPPOSITE
PAGE TOP The dressing rooms within the ‘wrap’
have been designed for flexible use. The curtains
can be drawn to make spaces larger or smaller as
one desires.MIDDLE The cobbled native American
terrace makes an interesting contrast to the clear
glass walls of the pent house office of Ms Von
Furstenberg. BOTTOM This double height space
that forms as the stair cuts through, allows for an
unobstructed view of the office spaces from the
show room at the lower level.
FEBRUARY 2009 HOME REVIEW 95
staircase, always at the same angle. Tertiary mirrorsalong the stair's length further direct the light ontothe railing, structurally braced with Swarovski glasscrystals that disperse the sunlight to each floor.
Translucence has been used not just in the exter-nal canopies but also in the plush pristine white inte-riors. The railings along the stairdelier and the floorsare of clear glass. This aspect unifies all the floors asone entity when you look up to the top floor from theshowroom level. The stairdelier not only acts as thecirculation device and light shaft, but also reveals thevarious activities organized around the core-from thelobby to the second-floor showroom, to the offices anddesign workshops above, and also the client's ownoffice and living quarters. The deformed, angular glass-and-steel structure popping out of the roof helpsinduce daylight throughout the interior.
As the stairdelier makes its way through the build-ing, a series of three double-height spaces follow it.This provides flexibility and spatial multiplicity to theotherwise standard office floors, allowing the build-ing to transform for special events and performances.
As you climb to the showroom floor, the second ofthe double heighted space, you enter a small blackbox theatre which can accommodate around 100people. The display racks strewn around are designedto roll back to create space for events.
The shop floor is walled with clear tempered glassset behind the existing cast iron columns, making astatement of synthesis of the old and the new whilealso marking the difference. Inside, the store is de-signed as a ‘wrap’ wall enfolding all the display fix-tures that winds its way diagonally across the groundfloor, parallel to the stairdelier's diagonal vertical cutthrough the building. The ‘wrap’ encloses within it aluxury room, the cash-wrap area, and a series of threedressing rooms. White and crystal interiors act as abackdrop to the clothes, furniture and accessories indifferent tones and shades. Glass walls allow visual con-nectivity within the space at all levels.
Sustainability was always a part of the design pro-cess. From salvaging wired glass from the Navy Yardto using the stairdelier, sustainable ideas peep in atevery corner. The stairdelier and the various mirrorsand crystals in the building all have a role to play byminimising the use of artificial lighting. Three wells,1500-feet deep allow for geothermal heating and cool-ing. A terrace roof garden with native grass andcolourful wildflowers reduce overhead heating of thestudio to a great extent.
The whole architecture of DVF Studio is conceivedas a dialogue between contemporary materials and therenovated elements, making visible both the building'spast and its future. The architects, instead of hidingthe new elements behind historic facades, announcedto the world the genesis of something new within andaround something old.�
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FEBRUARY 2009 HOME REVIEW 97
HR I PROMOTION
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Plot no 27, Tulip, 1st floor,
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Tel: 67029805/06, 65741078
Email: grandeurmumbai@gmail.com
Web: www.grandeurinteriors.com �
� Grandeur, launched over a decade ago, gives the
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98 HOME REVIEW FEBRUARY 2009
OFF-BEAT CHARMShabnam Gupta crafts a precious little space for Vistara, a
jewellery studio in Mumbai, infusing it with its own eclectic
character and signature off-beat charm.
TEXT BY PAULOMI PATEL • PHOTOGRAPHS BY RAVI KANADE
FEBRUARY 2009 HOME REVIEW 99
THIS SPREAD The
space is divided
conveniently in a way
that the 625 sq. ft. store
appears much larger
than it actually is. TOP
The ornate wooden jaali
that frames a large sized
mirror is hand crafted
and like the rest of the
furniture is finished
antique gold duco paint.
Vistara - the recently opened haven for nichejewellery is like the products it stocks - a oneof a kind store. One of the main reasons being
that Vistara is not your typical mom and pop bijouxshop. Shabnam Gupta - the dynamic lady of the inte-rior design brand The Orange Lane, is the creativeforce behind the store and has used her distinct imagi-nation to combine a multitude of elements, eclecticand off-beat, that make this store.
"My design, to a very large extent, is not bound byany defined norms and rules or by what people mayconceive as the current style," says Gupta. "My de-signs are whimsical and non repetitive. I do what Ibelieve in currently."
And that is just what Vistara boasts of, hidden awayin Mistry Court - a building in one of the leafy bylanesacross the famed Marine Drive, opposite the wellknown Cricket Club of India in Mumbai and ownedby jewellery designer Anju Sethi. Her creations -exquisite diamond, jadau and polki jewellery - arehoused in Vistara - a sepia toned store where the allthe interiors along with the lighting play accomplices,along with the jewellery itself, to make visiting thisstore a one of a kind experience.
Shabnam used river washed desert sand stone,�
100 HOME REVIEW FEBRUARY 2009
THIS PAGE TOP
Everything in the store
from colourful cushions
to furniture is designed
by Shabnam herself and
is custom-made on the
site. BOTTOM There is
a magnificent idol of
Lord Ganesha that
complements the
mystical aura of the
sepia toned space.
OPPOSITE PAGE
Beautiful arches add to
the mystery of the entire
store and create an aura
of bygone times.
They form a suitable
setting for the niche
heritage jewellery that
Vistara sells.
Burma teak wood in various duco antique finishes,matt finish on walls and brass and mild steel metal fordifferent fabrications which form some of the mainmaterials that have gone into the making of Vistara.The project that according to Shabnam was timebound and completed in a commendable time frameof about 45 days is about625 sq. ft. in size.
"The best feature ofthe store, according tome, was the existingbeams and the advantageof height that the spaceprovided," says Shabnamwho has designed highprofile restaurants like theKoyla and Lemon GrassCafe in the past and hasalso designed spaces forlegendary filmmakersTanuja Chandra andVidhu Vinod Chopra."This gave me thefreedom to create somany deep arches andthat is what built up themystery and grandeur ofthe store that is�
FEBRUARY 2009 HOME REVIEW 101
102 HOME REVIEW FEBRUARY 2009
THIS PAGE
Quirky wall fixtures
add to the charm of
the store that's further
complemented by
the vintage furniture
present.
OPPOSITE PAGE
Fabricated metal wall
decorations add a
quirky-chic vibe to the
interiors.
befitting the jewellery that is sold in it."Despite its sepia tones and arches, there is a dis-
tinct 'cool' edge to Vistara's design. This comes fromShabnam's innate aesthetics that revolve around thekeywords fun, happiness and nature - elements thathave been present in most of her creations in the past,just as they are in Vistara. Indeed, if you visit herfirm's website, the aesthetic runs through there as well.Ask her what's her take on this and she says,"Architecture, for me is the basic right everybodyshould have to live in beautifully designed homes,work in places which are in harmony with nature,breathe in a landscape which should be an integralpart of every structure."
There are fabricated metal trees that adorn thewalls. These are reminiscent of the tree of life, con-firms Shabnam, adding, "We wanted the store to havean ethereal, mystical aura. So the tree-of-lifecreations," she says. To continue with this theme, thebathroom in the store too has an ornate ceiling whichis a replication of the under-section of a lotus pond.
Another interesting feature comes in the form of awooden lattice (jaali) creation on one of the walls inthe store. The lattice surrounds a huge mirror andlooks like a beautiful display installation, but Shabnam
tells us that it's more than just that. "It's a door actu-ally for a safety vault behind. There is a finger printidentification mechanism attached to it too."
For the lights Gupta had to study the differentlightings that are used to display jewellery. "Gold anddiamond jewellery need different lights. After somesubstantial research we used halogen spotlights for thegold jewellery and LED lights for diamond items. Someplaces we've also combined the two. Especially in theantique jewellery section," she says.
Shabnam Gupta, the grand daughter of legendaryTV stalwart Ramanand Sagar of the Ramayana fameand daughter of cinema-tographer Prem Sagar, hasnaturally got a whole lotof creativity that is inher-ited, and hence it was notreally surprising when shemade her first foray intointeriors after shecompleted her commercedegree. Shabnam believesthat like her grandfatherand father, she too sees thecomplete picture in her�
FEBRUARY 2009 HOME REVIEW 103
104 HOME REVIEW FEBRUARY 2009
head and then starts the job of actually putting it to-gether. "They do it for a shot. I do it in a space," saidGupta who strayed into the world of interiors whenshe started interning after completing her diploma ininterior design. Now, a passionate designer and theowner of her firm, The Orange Lane, she provides in-terior solutions of all varieties, from furnishings andfurniture to full scale interior design.
Shabnam has a strong bend towards nature whichis visible in most of her work. Another strong belief ofhers is not to outsource her pieces. In fact she hasbuilt a reputation for being extremely innovative andfor always creating and producing her design pieceslocally. "I think we need to reflect on our historyand culture in terms of architecture and buildtowards creating what works in our country, ourclimate, our local materials and our tropicallandscape instead of running towards just what is thelatest trend internationally. India has great talent andwe are still evolving and finding ourselves - what wesee is still a mixed bag." A mixed bag of interestingand mind boggling creativity - just like the Guptaherself we say!�
FEBRUARY 2009 HOME REVIEW 105
THIS PAGE Trapezoidal
glass panels form the
railing of the steps at the
ground level.
INTERNALMODULATIONSInnovative details and volumetric modulation in
space exemplify the GRS residence designed by
InForm Architects in Bangalore.
TEXT BY SHIBANI AMIN RANGARAJ • PHOTOGRAPHS COURTESY THE ARCHITECT
106 HOME REVIEW FEBRUARY 2009
As one drives along the busy roads of Bangalore'straditional neighbourhood of Malleswaramwhere ubiquitous residential apartment build-
ings jostle with each other, the GRS residence comesas a pleasant contemporary intervention to the order.Principal Architect Kiran Venkatesh of InForm Archi-tects Pvt. Ltd. explains that the client brief of adher-ence to the tenets of Vastu and the oblong dimen-sions of the site of 52' x 112' did not constrain themfrom "creating an exciting internalized space with anaustere exterior."
The plan evolved around a central linear spine run-ning parallel to a strip garden. Kiran believes that asection is an all powerful way of organizing spaces andin this residence modulated the internal volumes tobreak the notion of confined living and bedroom spaceswith interjections of courtyards, skylights and glasswalls. "The project uses the section as a device to re-cast notions of domestic space - to reveal the existenceof inner private spaces without compromising theirfunctional workings.", he explains of the plan organi-zation. Rooms at the upper level appear to float in thedouble height volume of the central spine connectedby a long span glass bridge suspended from the ceil-ing. The daughter's bedroom above the living room�
FEBRUARY 2009 HOME REVIEW 107
THIS PAGEThe
changing path of
sunlight creates an
arresting shadow
pattern of the grills of
the skylight onto the grey
wall of the double height
entrance foyer.
OPPOSITE PAGE
TOP Louvers and
pergolas create
interesting shade
patterns through out the
house as seen here in
the master bedroom
strip garden wall.
BOTTOM The orange
wall frames the white
"box" dining area where
light streams in through
the corner windows.
108 HOME REVIEW FEBRUARY 2009
emerges as a glass box resting on a column, creatingan element of interest yet allowing her a completeview of the house while lightening the volumewithin."These pulsating volumes are composed in 3-D space and plug onto the central spine - creating anoverall effect that is very fluid and indeterminate onthe inside" Kiran elucidates.
In the narrow width of the house, landscape hasbeen integrated into the structure through the stripgarden at the lower level and outside the master bed-room. The large expanses of glass alongside the stripgardens and courtyards at the lower level and the sky-lights above the glass bridge and central spine floodthe house with light. "Client concern for security ofthe house especially due to its perceived openness,led to the conversion of typical safety grills intoarchitectural devices like louvers and pergolas thatenvelope the house. The louvers, though present atstructured intervals, dissolve the boundary betweenhouse and landscape as the sunlight reflects off theirsurfaces - they become features rather than intrusivebarriers." Kiran explains. The changing path ofsunlight creates an arresting shadow pattern of thegrills of the skylight onto the wall of the double�
FEBRUARY 2009 HOME REVIEW 109
THIS PAGE A dynamic
view of the glass
staircase and glass
bridge, the highly
polished black Italian
marble of the central
spine and the open strip
garden abutting this
area. OPPOSITE
PAGE TOPThe glass
bridge that connects the
daughters bedroom to
her parents room forms
the translucent element
of interest at this level.
BOTTOM The glass
and wooden staircase
cantilevered off the
orange textured wall
contrasts the black
polished floors.
110 HOME REVIEW FEBRUARY 2009
height entrance foyer.The interior finishes and furniture are minimal and
contemporary in nature. "Internal free furnitureelements are minimal and chosen for their sculpturalcontent that contrasts with the rectilinear volumes."he adds. Built-in furniture has been designed as simplelines that provide backdrops for art objects as seen inthe living room wall unit. Highly polished Italian blackmarble on the central spine demarcates that area fromthe other spaces which contrast in white marble. Adramatic effect is created by the glass bridge andstaircase wooden treads with glass risers which arecantilevered off a wall painted in a bright orange hue.The external form of the house remains rather under-stated. "The external elevations emerge as a manifes-tation of these stitched programs in "vaastu-driven"locations around and along the central spine" heexplains and is evident.
"The overall intent of the project is to generate adomestic space consistent with the changinglifestyles of nuclear families - an adaptive space that isopen yet secure and private yet connected." says Kiran.And this award winning project has done just thatwithin its tight constraints manifesting InForm'spenchant for experimental design with creativestructural solutions.�
THIS PAGE Black leather furniture and a sculptural
glass table complement the geometeric straightlined
wall unit lending an overall minimal look in the living
area. BOTTOM A view from the entrance foyer -
The daughter’s bedroom above the living room
emerges as a glass box resting on a column,
creating an element of interest yet allowing her a
complete view of the house while lightening the
volume within. The orchestrated hue palette of red,
black, grey and white in this area decidedly sets the
modern tone to the home and spaces to follow.
112 HOME REVIEW FEBRUARY 2009
HR I PROMOTION
� The electric water heater industry has come of age
and is a mature industry maintaining excellent safety
standards as prescribed in the BIS.
Crompton Greaves, a name trusted nationally
and internationally, for its engineering excellence in pro-
viding every day solutions to people in industry and
homes, is an Indian multinational company commit-
ted to enhance its presence in every household.
Talking about their water heaters, Crompton Greaves
designs them keeping in mind the taste and require-
ment of a varied cross section of country and also
makes them available, both, in instant, as well as stor-
age type.
The electric water heater features poly urethane
insulation that contributes to the energy savings of 30
to 40%, while the external thermostat control knob
enables the user to set the cut off temperature thus
saving electricity. The external jacket/casing made of
engineered thermo plastic-Acrylonitrile Butadiene
Styrene makes it remarkably resilient, tough, & non
degradable in the presence of water and humidity. The
five tier safety devices make the storage water heater
an extremely safe device to operate.
The current trend of high rise buildings and installa-
tion of pressure pumps demands facing high water
pressure and providing a water heater that is
compatible and can work under high pressure condi-
tions has become a crucial consideration. To counter-
act this, Crompton Greaves has introduced pressure
plus series of metal storage heater with special grade
SS tank which can withstand pressure upto 90PSI, thus
making it suitable for high rise buildings. Moreover,
Crompton also introduced a range of hard water se-
ries of metal storage heaters with unique double car-
tridge type ceramic heating element.
Energy conservation, the national priority, is a pas-
sion with the committed R& D team of Crompton
Greaves. The double insulation in the sheet metal range
of storage water heaters has been one very effective
and innovative way of conserving precious energy,
where as PUF has been used to minimize the heat
loss in the Solarium range of water heaters.
Solar Water Heaters are also slowly gaining
popularity. This 100% electricity free option has two
technologies - the conventional flat plate collector and
the Vacuum Tube Model. Both of these cost the same
but the vacuum tube model is preferred because its
replacement cost is cheaper in case of damage to the
solar tube and also because it can absorb infra red
rays effectuating heating till late in the evening and on
cloudy days as opposed to the other model which
requires direct sunlight.
Crompton Greaves also offers authentic gas instant
water heaters which are economical, easy to install
and offer higher energy conservation at lower cost.
With the evident growth in the water heater indus-
try in India, Crompton Greaves is further gearing itself
to meet the aspiration of the large segment of middle
class customers, that requires not only the best in terms
of value for money but also expects the very best in
terms of services, be it after sales or before sales.
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Dr. Annie Besant Road, Mumbai - 400 030.
Tel : +91 022 2423 7777
web : www.cglonline.com �
114 HOME REVIEW FEBRUARY 2009
HR I SPOTLIGHT
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pavilions andtemporary structuresToday, architects are being even more
adventurous with their designs for pavilions
and other temporary structures. Experim-
enting with technology and engineering,
they are producing modern-day marvels
that push the envelope of design.
�Entertainment and sports structures have always
been landmark creations, and a perfect example of
such a structure was the Greek Colloseum. With the
passing of time there have been several changes in
styles of architecture, and this category too has
evolved, with the new stadiums and exhibition
pavilions being recognised as engineering and
architectural marvels of the modern-age.
Modern architecture has been occasionally
redefined, with the tradition carried forward by
revolutionaries like Frank Gehry, Calatrava, Rem
Koolhaas and Zaha Hadid, who have embraced and
included the miraculous advantages of technology
and engineering in their works. Architect Mies Van
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Jay Pritzker Pavilion, by Frank Gehry
Audience by rAndom International
Barcelona Pavilion,
by Mies Van Der Rohe
FEBRUARY 2009 HOME REVIEW 115
HR I SPOTLIGHT
Der Rohe has for ages been considered as a face of
modern architecture. His 'less is more' philosophy
took the architectural community by storm and
scandalised critics. When we talk about pavilions
and exhibition structures we just can't leave out Van
Der Rohe's contributions to public and entertainment
buildings.
Barcelona Pavilion by Mies Van Der Rohe
When we think of pavilions of the modern times,
the pavilion that undoubtedly comes to mind is Van
Der Rohe's German pavilion in Barcelona. The
Barcelona Pavilion was the Pavilion for the 1929
International Exposition in Barcelona. It was an
important building in the history of modern architec-
ture, known for its simple form and extravagant
materials, such as marble and travertine.
The building stood on a large podium alongside a
pool. The structure itself consisted of eight steel
posts supporting a flat roof, with curtain glass
walling and a handful of partition walls. The overall
impression is of perpendicular planes in three
dimensions forming a cool, luxurious space.
Jay Pritzker Pavilion, by Frank Gehry
The Pritzker Music Pavilion is a band shell in the
Loop community area of Chicago. The pavilion was
designed by Frank Gehry, named after Pritzker family
member Jay Pritzker, and was constructed between
June 1999 and July 2004 in the Millennium Park. It is
the park's outdoor performing arts venue and the
new home of the Grant Park Symphony Orchestra
and Chorus. The performance venue is designed
with a large fixed seating area, a great lawn, a trellis
network to support the sound system and a signa-
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Masterplan by Zaha Hadid
Milwaukee Art Museum, by Santiago Calatrava○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○
Milwaukee Art Museum, by Santiago Calatrava
The Mobile Art Pavilion, by Zaha Hadid
Zaragoza Bridge Pavilion, by Zaha Hadid
Guggenheim Hermitage, by Zaha Hadid
116 HOME REVIEW FEBRUARY 2009
HR I SPOTLIGHT
ture Gehry stainless steel head dress. It features a
sound system with an innovative acoustic design
that replicates an indoor concert hall sound experi-
ence. The pavilion and the park in general are well-
known and respected for their accessibility.
Milwaukee Art Museum by Santiago
Calatrava
The Milwaukee Art Museum (MAM) commis-
sioned Santiago Calatrava to design a 58,000
square foot addition to the Museum in 1994. The
expansion provides a 30 percent increase in overall
gallery space, from 90,000 to 117,000 square feet.
The highlight of the project was the Burke Brise
Soleil wings. The Burke Brise Soleil, the moveable,
wing-like sunscreen comprised of 72 steel fins,
that rests on top of the glass-enclosed reception
hall. With fin size ranging in length from 26 to 105
feet, the Brise Soleil wingspan spreads 217 feet at
its widest point, wider than a Boeing 747-400
airplane, and weighs 90 tons.
Pavilions by Zaha Hadid
Architect Zaha hadid's temporary structures
have undoubtedly always claimed undivided
attention. Here are some of her most acclaimed
structures.
Guggenheim Hermitage
Zaha Hadid's silvery building resembling a sub-
surface ferry or a space ship is the winning entry in
the competition for the design of the Guggenheim
Hermitage Museum in the ancient city of Vilnius,
capital and the largest city of the Republic of
Lithuania.
Although Vilnius is one of Europe's smallest
capitals, it has a long, strong and culturally rich
history, beautifully reflected in its well-preserved Old
Town with cathedrals dating back to the 12th century.
The Pritzker prize-winning architect Hadid's futuristic
building will be an arts centre and a museum,
housing selected collections of both the New York's
Solomon R. Guggenheim Foundation and the St.
Petersburg based State Hermitage Museum. The
jury selected Hadid's (Zaha Hadid Architects) design
over those of equally famous architects Daniel
Libeskind (Studio Daniel Libeskind) and
Massimiliano Fuksas (Studio Fuksas).
The Mobile Art Pavilion
The Mobile Art Pavilion for Chanel by Zaha Hadid
Architects has been inspired by one of Chanel's
signature creations, the quilted bag. Hadid's innova-
tive architecture is the lead to the creation the Mobile
Art Pavilion.
Zaha Hadid Architects' recent explorations of
natural organizational systems have generated the
fluidity evident in the pavilion for Chanel. The Mobile
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The Serpentine Pavilion 2006 - Rem Koolhaas
The Serpentine Pavilion 2007, by Snøhetta
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FEBRUARY 2009 HOME REVIEW 117
HR I SPOTLIGHT
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Art Pavilion's organic form has evolved from the
spiralling shapes found in nature.
The Pavilion follows the parametric distortion of a
Torus. In its purest geometric shape, the circular
torus is the most fundamental diagram of an
exhibition space. The distortion evident in the
Pavilion creates a constant variety of exhibition
spaces around its circumference, whilst at its
centre, a large 65m2 courtyard with natural lighting
provides an area for visitors to meet and reflect on
the exhibition.
Zaragoza Bridge Pavilion
The Zaragoza Bridge Pavilion in Spain is not just
a bridge but also an engineering feat. The pavilion
is organised around four main elements, or ‘pods’,
that perform both as structural elements and as
spatial enclosures, where each pod corresponds
to a specific exhibition space. Expo Zaragoza
originally envisaged the concept of an enclosed
exhibition pavilion spanning the river. For this reason,
the structure is largely visible and plays an
important role in defining the Bridge Pavilion's
external envelope.
Serpentine Gallery Pavilions
Each summer, the Serpentine gallery commis-
sions an internationally acclaimed architect to
design a temporary Pavilion for its lawn. It is unique
worldwide and presents the work of an international
architect or design team who, at the time of the
Serpentine Gallery's invitation, has not completed a
building in the UK. The Pavilion architects to date are
Rem Koolhaas and Cecil Balmond, with Arup, 2006;
ÿlvaro Siza and Eduardo Souto de Moura with Cecil
Balmond, Arup, 2005; MVRDV with Arup, 2004- (un-
realised); Oscar Niemeyer, 2003; Toyo Ito with Arup,
2002; Daniel Libeskind with Arup, 2001; and Zaha
Hadid, 2000.
The Serpentine Pavilion 2006 -
Rem Koolhaas
The Serpentine Pavilion 2006 was co-designed by
Pritzker Prize-winning architect Rem Koolhaas and
innovative structural designer Cecil Balmond.
The centrepiece of the design was a spectacular
ovoid-shaped inflatable canopy that floated above
the Gallery's lawn. Made from translucent material,
the canopy was raised into the air or lowered to
cover the amphitheatre below, depending on the
weather. A frieze designed by Thomas Demand
marked the first collaboration between an artist and
the designers of the Pavilion.
The walled enclosure below the canopy func-
tioned both as a café and forum for televised and
recorded public programmes, including live talks
and film screenings in the Time Out Park Nights at
the Serpentine Gallery programme.
The Serpentine Pavilion 2007 by Snøhetta
The Serpentine Gallery Pavilion 2007 is designed
by the internationally acclaimed artist Olafur Eliasson
and the award-winning Norwegian architect Kjetil
Thorsen, of the architectural practice Snøhetta.
Based on the principle of a winding ramp, the 2007
Serpentine Gallery Pavilion explores the idea of
vertical circulation within a single space. The aim is
to reconsider the traditional, single-level pavilion
structure by adding a third dimension: height. The
vertical movement of visitors in the Pavilion will
complement the horizontal circulation in the exhibi-
Bruges Pavilion, by Toyo Ito
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Bruges Pavilion, by Toyo Ito
118 HOME REVIEW FEBRUARY 2009
HR I SPOTLIGHT
tion spaces at the adjacent Serpentine Gallery.
Bruges Pavilion by Toyo Ito
Bruges had commissioned one of Japan's most
innovative architects Toyo Ito to build a temporary
pavilion at the Brug. Erected in the centre of Bruges,
surrounded by ancient buildings from the Middle
Ages and located at the place of a demolished
cathedral it required a discreet approach. Therefore
he came up with a very light structure making use
of water, light and metal, evoking lightness and
transparency.
The architect placed a 22-metre long bridge on a
circular water surface with a radius of 11.5 metres.
This u-shaped construction measures 15.4 metres
long by 6.3 metres wide. The walls are perforated
like a honeycomb and strengthened with oval areas.
Toyo Ito had the Barcelona pavilion in mind when
he designed it. They both have a strong contempo-
rary and innovative character and were used for a
cultural manifestation. With his concept he tried to
explore the borders of architecture and therefore
stepped away from the character of traditional
buildings by using new materials and construction,
allowing natural elements to play a part in his
architecture.
Shanghai Expo Pavilion 2010
The Pavilion of Ideas is a unique display device -
an enclosure that throws out from all faces a mass
of long, radiating cilia, each ending with a tiny light
source. Their length means they gently sway in
response to any wind movement.
These cilia, or staves, provide the Pavilion with its
only means of support. It rests on a soft forest in an
urban field, flanked by two ramped, embracing arms
of grass, formed as ramparts under which an
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Cones By Subodh Kerkar
Shanghai Expo Pavilion 2010
auditorium, exhibition space, café, shop and recep-
tion spaces are sited. The architecture eschews the
need for significant concrete foundations and aims
to use simple construction techniques to touch
lightly on the site.
Above and peering into these spaces, the Pavilion
flickers with patterns of light as it sends its mes-
sages, and those of its visitors, across the site. Each
cilium terminates within the Pavilion - with another
tiny light source. Inside, clustered together by the
form of the structure, they create an enormous
engulfing digital screen.
[c]space Pavilion by Alan Dempsey and
Alvin Huang
[c]space Pavilion, a temporary structure designed
by architects Alan Dempsey and Alvin Huang, is
constructed in front of the Architectural Association,
the design last year won a competition to celebrate
the 10th anniversary of the AA's Design Research
Laboratory.
The jointing system in the pavilion exploits the
high tensile strength of Fibre-C, using a simple
interlocking cross joint which is tightened by slightly
bending each element as it is locked into consecu-
tive cross elements. The appearance of small micro
cracks on the surface is mitigated by using lighter
material colours and a Ferro finish. The pavilion is
fabricated from curved profiles that are nested on
standard 13mm flat sheets and water cut. Once
delivered to site the entire pavilion can be con-
structed by hand.�
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[c]space Pavilion by Alan Dempsey and Alvin Huang
The Shanghai Expo Pavilion, by Heatherwick Studio
FEBRUARY 2009 HOME REVIEW 121
HR I PROMOTION
CoolTouch® technology. The Grohe TurboStat® technol-
ogy ensures reaction to changes in incoming water
temperature within 0.3 sec, while the Grohe
CoolTouch® technology keeps the outer surface of the
thermostat at a temperature lesser than that
of the water heat. Apart form its technology, Grohe is
known the world over for its inspiring aesthetics and
performance.
At Grohe design is a reflection of a system of val-
ues, which revolve around the brand with the single
most important element - continuity. Its products have
been designed to inspire, form a connection and cre-
ate an intuitive understanding with the user.
With its history of technological advancement, a re-
nowned in- house design team, and a customer
promise with regard to quality that has stood the test
of time, Grohe is setting the pace for the
bathroom and kitchen fittings future through constant
innovation.
Contact
Grohe India Pvt. Ltd.
# 218, 2nf Floor, Splendor Forum,
Jasola Distt. Centre
New Delhi - 110044, India
Tel: (011) 40622000
Fax: (011) 40622018
Email: customercare.in@grohe.com
Web: www.grohe.com �
� Design at Grohe goes beyond good looks, touch
and aesthetics messages. A pioneer in its industry,
Grohe, the German based manufacturer of luxury bath
fittings proudly presents its Grohtherm range of
thermostats that regulate the temperature of the water
flowing out of a tap to the T. With over seven decades
of perfection and an international presence in water
solutions since 1936, Grohe now comes to India to
truly help you 'enjoy water' at an affordable pricing
strategy.
A special and unique application, the Grohtherm
range of thermostat has been used widely internationally
due to its sound technology and unmatched perfection
in maintaining water temperature. By installing a
Grohtherm thermostat, you can preset the exact
temperature of the water along with the flow thus
ensuring yourself of a safe and enjoyable showering
experience every time. Hence, the presence of the
thermostat maintains the preset temperature
even when water is
drawn elsewhere in
the home, which
eliminates the risk
of scalding.
In addition
Grohtherm features
Grohe TurboStat®
and Grohe
RESOURCES
ADDRESS BOOK FOR ALL GOODS ANDSERVICES IN THIS ISSUE
UNBUILT WORKS
SERIE ARCHITECTS
317, A-Z Industrial Estate,
GK Road, Lower Parel,
Mumbai 400013
Tel (022) 40046952
Email info@serie.in
RETAIL THERAPY
MASSIMILIANO FUKSAS ARCHITECT
Piazza del Monte di Pietà 30
00186 Roma
Tel +39 06 68 80 78 71
Fax +39 06 68 80 78 72
fuksaspublications@fuksas.it
CULT PRODUCT
SIMONE GIOSTRA & PARTNERS,
INC.
Simone Giostra &
Partners, Inc.
55 Washington Street Suite
454
Dumbo, New York 11201
Tel +1 212 920 8180
Fax +1 212 920 8180
info@sgp-architects.com
GO GREEN
MILANO SANTA MONICA
Via G. Di Vittorio
20090 Segrate - Milan
Tel 02 / 21 87 11 70
Fax 02 / 26 95 10 79
info@milanosantamonica.it
FEATURES
VOLUMETRIC BONANZA
JD ARCHITECTS JIGNESH DOSHI
A 108 Antop Hill,
Warehousing Complex,
Near Barkatli Naka,
Wadala East, 37
Tel (022) 65555912
jignesh@jdarchitects.co.in
THE EVOLVING HOME
HIREN PATEL ARCHITECTS
P-4, “Satkrut Tower’ Parth
Sarthi Avenue,
Nr. Shymal Row
Houses-2,
Ahmedabad - 380015
Tel (079) 2676 7264,
26752621
admin@hirenpatelarchitects.com
hiren_patel@satyam.net.in
CONTEXTUAL TRANSFORME
SAMEEP PADORA ASSOCIATES
603, Marble Arch,
94, Pali Hills,
Bandra,
Mumbai - 400050
Tel (022) 32458664
Sameep Mob 9820027973
INTEGRATIVE DESIGN
TOTAL ENVIRONMENT BUILDING
SYSTEMS PRIVATE LIMITED
Imagine, No. 78,
ITPL Main Road, EPIP Zone,
Whitefield,
Bangalore - 560066
Phone: (080) 4245 3000
IN HARMONY
MANTHAN ARCHITECTS
AR. SACHIN & SHEETAL PATIL
21, Shivaji Housing Society,
Rajarampuri 11th lane
Kolhapur - 416008,
Maharashtra.
Tel (0231) 2522273
Mob 94239 4148
MODERN TRIBUTE
WORK ARCHITECTURE COMPANY
156 Ludlow Street 3rd Floor Ny
Ny 10002
www.work.ac
Tel 212 228 1333 ext 221
Fax 212 228 1674
dave@work.ac
OFF-BEAT CHARM
SHABNAM GUPTA
Orange Lane
Unit no 42, Ground Floor,
Kuber complex,
opp Laxmi industrial estate,
Andheri new link rd,
Andheri (W), Mumbai - 53
Tel (022) 26731624
INTERNAL MODULATIONS
INFORM ARCHITECTS PVT. LTD
No 422, 2nd Floor,
9th main road,
Banashshankari 11 stage,
Bangalore - 560070
Tel (080) 26713360-2
� Ultra Tile stands one among India's largest manu-
facture of designer tiles with the production capacity
of 30 million sq. ft. per annum, over 1000 dealers, 25
branches and 15 manufacturing plants. A reputed and
proven brand renowned for the best range and quality
tiles, now launches its customer friendly interactive mul-
timedia CD; a unique software that helps customers
to design their own patterns / colours of Ultra Designer
wall and floor tiles.
This interactive multimedia CD offers the arrange-
ment of the entire range of the Ultra designer floor and
wall tiles and also the patterns popular with the archi-
tects and customers. Moving a step forward, the soft-
ware offers the customers to create their own designs
with the vibrant colours and combinations of the Ultra
Designer Tiles. It will further help the user to create
thousands of patterns and colour combinations to suit
their requirement, preferences and taste.
Additionally, this software gives the calculations of
the total number of tiles in the respective colours used
in each combination. Over and above this, it facilitates
the architects and builders to work out their own esti-
mation of total quantity of tiles, to progressively assist
their projects. Ultra Tiles plans to launch this CD across
India to all its customers. To get a hold of your own
copy or for any further information please write in to
the company address given below.
Contact
Ultra Tiles Pvt. Ltd.
New No. 11 (Old No. 54),
First Avenue, First Floor,
Jawaharlal Nehru road, Ashok Nagar,
Chennai - 600083
Tel: (044) 24895702/2474/ 1457/2371/0434
Fax: (044) 24895114
Email: ultratile@airtelmail.in
Website: www.ultratile.com �
FEBRUARY 2009 HOME REVIEW 123
HR I PROMOTION
Their carpet tiles are ideal for companies seeking LEED
certification of their facilities - they are manufactured
using 100% renewable energy and the product is non
toxic, easy to use, dismantle and recyclable. The com-
pany's commitment to sustainability has inspired new
products like TacTiles, which lead to 90% reduction in
environmental footprint. InterfaceFLOR carpets are also
CRI certified and have a high percentage of recycled
content. The company also offers climate neutral prod-
ucts to customers through its Cool Carpet® pro-
gramme in partnership with Climate Care - whereby
certified carbon offset projects, such as forestry
plantation acting as a carbon sequestration store - offset
gas emissions generated during the lifecycle of a
carpet.
InterfaceFLOR has won numerous design and
innovation awards for its market-leading modular floor
covering products. In addition, it has also become
widely recognised as a pioneer in sustainable
manufacturing and business practices, and has won
many prestigious accolades for its environmental
initiatives.
Contact
InterfaceFLOR India Pvt Ltd
G1, 'Pride Elite', 10 Museum Road
Bangalore 5600001, India
Tel: (080) 30589350,
Email: raj.menon@interfaceflor.eu
poorna.prasad@interfaceflor.eu
Web: www.interfaceflor.in �
� InterfaceFLOR is the modular flooring division of
Interface Inc., based in Atlanta, USA. The company is
a worldwide leader in the production of environmentally-
responsible modular floor coverings and other textiles.
InterfaceFLOR India Pvt. Ltd. is the 100% subsidiary
of InterfaceFLOR Europe, with its headquarters in
Bangalore and offices in Mumbai, Delhi, Chennai and
Hyderabad. InterfaceFLOR addresses sustainability on
several fronts. These involve eliminating waste and
harmful emissions, maximising use of renewable en-
ergy, recycling waste materials and reusing products,
developing resource efficient transportation methods,
creating a culture that integrates the principles of
sustainability into working lives and creating new mod-
els for businesses.
InterfaceFLOR's Thailand plant was the first LEED
certified facility in that country, while its Bangalore
showroom recently became the first building in
Bangalore and the third in India to receive LEED-gold
honours for commercial interiors.
InterfaceFLOR's modular flooring combines a high
degree of functionality with a genuine sense of style.
In all its ranges InterfaceFLOR offers specifiers,
architects and interior designers an almost infinite variety
of colour combinations, textures and patterns, suitable
for every kind of commercial installation.
InterfaceFLOR makes and sells one of the indus-
try's largest and most diverse range of carpet tiles.
124 HOME REVIEW FEBRUARY 2009
HR I PROMOTION
well as initiating sales in new markets. The part of thebusiness which is represented by exports is steadilyrising, from just 4 percent in 1994 to 82 percent in 2007.In April of 2006 Hästens was awarded the 'Grand ExportPrize' by His Majesty the King of Sweden in recognitionof its successes.
Hästens has recently launched an exclusive Hästensstore in Hyderabad - the first in India and 8th in Asia.This 3,000 sq ft store holds a range of 12 distinctiveHästens beds in the price range of Rs. 5 Lakhs to Rs.18 Lakhs. Each of these beds can be customized andtailor-made as desired by customers in Hyderabad.This store is located at Jubilee hills and boasts of aworld-class décor similar to any of the other 350Hästens store worldwide.
Contact
Plot No: 1261, Road No. 36,
Above Mercedes-Benz Showroom, Jubilee Hills
Hyderabad- 33
Tel: (040) 23545940
Mobile: 09885357028
Email: sanjay.verma@hastens.se /
hastens.hyderabad@gmail.com
Web: www.hastens.com �
� Hästens, which was founded in 1852, is Sweden'soldest manufacturer of beds and started out byprimarily making saddles and carriage furniture. Themain filling material used for saddles was horsehair,and already back then it was common knowledge thathorsehair also provided the best possible filling materialfor mattresses. To begin with the saddle makers atHästens only manufactured beds on demand. Thisdemand increased at such a rate that making bedswith time became the main business for the company.The Hästens brand name ('Häst' is Swedish for horse)and logo are references to its origin as a saddle mak-ing company.
Craftsmanship and quality are two keywords atHästens where beds are still made by hand using onlynatural filling material. Hästens is exclusive among bedmanufacturers by having all of their beds awarded theSwedish Svan environmental certification, as well asattaining the standards set by Öko-Tex and Möbelfaktafor home and public environment. Hästens beds areappreciated by many from palace to cottage, since1952 Hästens has had the honour of being the supplierof beds to His Majesty Kings of Sweden.
Hästens is currently established in 28 markets andcontinues to expand organically in existing markets as
Hastens Continental