SECTION 1

SECTION 2

URBAN CONTEXT

PROJECT SITE SELECTION & ANALYSISSite Analysis......Existing Site Building Analysis......

Tower Hamlets Analysis......• General• Political

SpitalfieldsAnalysis......• Political• History• Mapping

SITE EXPLORATIONS & ANALYSIS

[URBAN ANALYSIS]

BUILDING DESIGN PROPOSAL

[DEVELOPMENT WORKS]

STREET ARTSPAVILION

[DEVELOPMENT & DETAIL]

ARTS & CRAFTSWORKSHOP

[DEVELOPMENT & DETAIL]

FINAL BUILDINGDESIGN[VISUALS]

SHORT FILM WORKS

SECTION 1

SECTION 2

SECTION 3

OVERVIEW

CONCEPT DESIGN & MASTERPLANNING

REVISED DESIGN STRATEGY

Initial Developmental Design......Precedent Analysis......Schematic Layout......

Design Strategy & Occupational Use......Initial GA Drawings (WORKING DRAWINGS)......Area Schedule......Seasonal Solar Analysis......Existing vs. Proposed......

Site Analysis......Attitudes Towards Existing Site......Design Strategy......

SECTION 4

SECTION 5

SECTION 6

FORM FINDING

REVISED DESIGN STRATEGY

DETAIL

Troubleshooting & Design Flaws......Precedent Analysis......Design Response......

Key Fixings & Joints......

Initial Design Development......

SECTION 7

SECTION 8

SECTION 9

DESIGN DEVELOPMENT

REVISED DESIGN

DETAIL DRAWINGS

Precedent Analysis......Service /Program Layout......Facade Analysis......

Facade Components......Construction Sequence......

Initial design works......

SECTION 1

SECTION 2

FINAL VISUALS OF SCHEME

FINAL GA DRAWINGSPlans......Sections......

Fusion Thing: The OCCA Collage Poster......OCCA (Final Scheme) Visuals ......

SECTION 1

SECTION 2

FINAL VISUALS OF SCHEME

FINAL GA DRAWINGSInitial Developmental Design......Precedent Analysis......Schematic Layout......

Fusion Thing: The OCCA Collage Poster......OCCA Visuals ......

CONTENTS

SECTION 1

SECTION 2

URBAN CONTEXT

PROJECT SITE SELECTION & ANALYSISSite Analysis......Existing Site Building Analysis......

Tower Hamlets Analysis......• General• Political

SpitalfieldsAnalysis......• Political• History• Mapping

contents

SITE EXPLORATIONS& ANALYSIS

[URBAN DESIGN PROJECT]

01URBAN CONTEXT

[Fig02]

[Fig01]

THE LONDON BOROUGH OF TOWER HAMLETS THE CITY OF LONDON

Situated on East London’s famous ‘U bend’ of the River Thames, Tower Hamlets is one of the City of London’s most densley populated and diverse boroughs. Though a relatively small borough Tower Hamlets has a large population of approximately 230,000, with more than half that coming from minority ethnic groups. The borough has a rich tapestry of communities, culture and heritage. It has been home to many successive waves of long established immigrant communities over the centuries, such as that of the Huguenot refugees (17th Century) , successive Irish weavers (18th-19th Century) and the Ashkenazi Jews (19th-20th Century). The most recent immigrant population to have inherited the borough have been the Ben-gali community. With nearly one in three of the borough’s population coming from a Bangladeshi background, it comes as no suprise why it has been dubbed the ‘Bangla borough’. As well as the thriving Bangla community, recent years have seen a sig-nificantriseinthenumberofRomanians,SomalisandLithuaniansintheborough.Tower Hamlets has more than 100 different languages been spoken in and around its streets.

TOWER HAMLETS , AT A GLANCE

[Fig01]

Tower Hamlets is a borough with many facets and contradictions, where adverse dickensian poverty and immense wealth lie side by side. According to statistics, Tower Hamlets is the City of London’s second most deprived area. Though the continued development of Canary Wharf has brought with it a boost to the borough’s economic growth and the subsequent highly paid jobs for the few, unemployment across the borough’s population has become extremely highandendemicalmost,withapproximately two infivehouseholdings livingon£15,000or less. Theeffectsofthis poverty are felt thoughout all divisions within the borough from young to old. It has become increasingly evident amongst the youth of its population, whom often drop out turning to crime and offence due to the adverse conditions of poverty.TowerHamletswillbeoneoffiveboroughschosentohostseveraleventsduringthe2012OlympicandParalympicGames. In preparation for this the borough has therefore been trying to rid itself of its failing and crime-ridden reputa-tion.The borough’s local businesses, residents, voluntary & faith groups and public sector organisations have all come together to form the’Tower Hamlets Partnership’, a local body who’s vision it is to ensure the successful resurgence of the borough as a vibrant and iconic destination for Londoners and tourists alike.Tower Hamlets is a vibrant and multicultural borough with many attractioins such as its wondrous and captivating markets(onBricklane,SpitalfieldsandColumbiaroad),restaurants[onBricklane(consideredthecurrycapitalofLondon)], and churches (Christ’s Church). Under the banner of ‘One Tower Hamlets’, The Tower Hamlets Partnership aims to use the borough’s vibrant resources and attractions to bring communities together, improving the quality of life for all thos living, working and visiting the borough.

TOWER HAMLETS, TODAY

[Fig02]

TOWER HAMLETSLOCAL GOVERNTMENT

BOUNDARIES

The Tower Hamlets was cre-ated in 1963 from the fusion of the boroughs of Poplar, Stepney and Bethnal Green. It now consists of 19 sepa-rate areas which are often referred to as London’s East End.

LONDONDEPRIVATION

2010 CARTOGRAM INDEX

CHILD POVERTY& GCSE SCORES

2010 CARTOGRAM INDEX

POLITICAL, SOCIAL& ECONOMIC , ANALYSIS

The layers that form the Tower Hamlets Key Diagram Tower Hamlets Key Diagram

=

The key diagram shows the strategic elements to the delivery of the Tower Hamlets’ spatial vision.

POLITICAL, SOCIAL& ECONOMIC , ANALYSIS

Spitalfields will continue to be a vibrant, diverse and mixed use area. It will con-tinue to be characterised by its diverse ethnic communi- ties and its specialist offer in fashion, arts and restaurants.

SPATIAL STRATEGY (LAP 1&2) , SPITALFIELDS ANALYSIS

Spitafields,oncetheparishoftheboroughofTowerHamlets,liesattheheartoftheEastEnd.Foundedin1197,itinheritsitsnamefromtheSt.Mary’sSpittel(athenhospitalandpriory)Itistodayadiverseandmulticultural‘historicgatewaytothevibrancyofSpitalfieldsMarket,TrumansBrewery and Brick Lane’. [12] It is a designated ‘LAP1&2’ area meaning that it is listed as one of the primary focuses for development in the borough.

SpItalfIeldS wIll contInue to be a vIbrant, dI-verSe and mIxed uSe area. It wIll contInue to be CHARACTERISED BY ITS DIVERSE ETHNIC COMMUNI- tIeS and ItS SpecIalISt offer In faShIon, artS and reStaurantS.DEVELOPMENT IN SPITALFIELDS WILL BE SENSITIVE and reSponSIve to the mIxed uSe, fIne urban GRAIN CHARACTER THAT DEFINES THE PLACES IN THE cIty frInge. It wIll conServe the hIStorIc fabrIc AND ENABLE THE INTEGRATION OF NEW DEVELOP-ment to reInforce thIS unIque townScape.IMPROVING SPITALFIELD’S NETWORK OF STREETS AND SPACES WILL OPEN UP ACCESS TO ITS MANY ATTRAC-tIonS IncludIng banglatown, brIck lane market, BISHOPS SqUARE AND CHRIST CHURCH. [13]

THE VISION FOR SPITALFIELDS

ACHIEVING THE VISION

THE PLACE

Spitalfields vision diagram

[Fig21]

[14]

PRIORITIES PRINCIPLES

TheimageaboveisofBishopSquare,oneofSpitalfieldskeylandmarkareas.

CTheHuguenot(Frenchprotestant)populationbegintofleeFrancein attempt to escape persecution from King Louis XIV of France (grandson of Henri IV), whom strongly believed that the religous minority posed a threat to him and the monarchy.Opposed to the French regime Charles II of England offered sanctu-ary to the displaced Huguenot refugee community. Between 1681-1710asmanyas50,000HuguenotssoughtrefugeinEngland,withmanysettlinginSpitalfieldsinTowerHamlets,wheredickensianliv-ing conditions meant that food and housing were cheaper.The Huguenots had a huge impact on Spitalfields, making theirpresence felt prodominantly in the silk industry, so much so that it was commonly known as ‘Weaver Town’. The Huguenots were amongst thefirstofa lineageof immigrant communities to thriveand make the borough their own.TheSpitalfields’Hugenotcommunityislargelyresponsibleforthemany houses and buildings that are in the area today. By the 1700 over 9 churches were erected up in the area.In time, the prosperity of the silk industry began to decline, and by the 1840s much of the Huguenot community had moved outward from the city to the suburbs, leaving the area in a state of abject poverty.

SPITALFIELDS , ITS HISTORY

17th-19th

SPITALFIELDS, HISTORY IN PICTURE C19th-20th

SPITALFIELDS, HISTORY IN PICTURE C20th-21st

Conservation Areas

ENVIRONMENT &PLANNING

SPITALFIELDS , GEOGRAPHICAL MAPPING

Current Planning Applications

Decided Planning Applications

ENVIRONMENT &PLANNING

Grade I Listed Buildings

Grade II Listed Buildings

Grade II* Listed Buildings

Locally Listed Buildings

STATUTORY LISTED BUILDINGS

02PROJECT SITE SELECTION & ANALYSIS

THE SITE, OSBORN STREET

THE OSBORN STREET WAREHOUSES

address:15To25,OsbornStreet,E1SITE BOUNDARY

Though situated in the conservation area of Brick Lane, The Osborn street site has become an undesirable run down forgotten space in recent years. The abandoned derelict warehouses owned by the ‘Old Truman Brewery’ now collects rust, graffiti and scrap objects frompassers by. overtime the dismal conditions of the site has attracted an increasing number of squaters whom dwell in what remains of the Warehouses.

oSborn Street.

whItechapel rd. .

EDF Energy Subs ta t ion

THE OSBORN STREET WAREHOUSES

address:15To25,OsbornStreet,E1

The derelict Site lies between an old EDF Energy Substation on its North side, and the recently extended Whitechapel Art Gallery on its South side. The old Energy Station is currently undergoing redevel-opmentworkswhichwillitsowner(EDF)tofitincontemporarynewmachinery within it.

TheabandonedSitehasbeenidentifiedandselectedbytheSpatialStrategy Framework as a primary primary redevelopment space.

THE SITE, OSBORN STREET

THE SITE

Whi teChape l Ar t Ga l le ry

THE SITE, HIERACHY & PRESENCE

THE SITE

Whi teChape l Ar t Ga l le ry

height l ine

THE OSBORN STREET WAREHOUSES

The Site is shadowed by two dominant buildings on its North and South side. In terms of height and volumes The Site is the least domi-nant space across the length of the street.

EDF Energy Subs ta t ion

THE SITE, ENVIRONMENT

The Site is surrounded by a network of paths. Cars and Pe-destrians move in and around it throughout the day and night. Squaters whom dwell on the site for shelter, dealers and Artists from the Art gallery, residents of the buildings nearby- all are constantly moving around.

Pedestrian Flow

Car Flow

THE SITE

OSBORN STREET , SEASONAL SOLAR ANALYSIS

THE SITE, EXISTING SITE PHOTOS

A

B

D

C

E

A B C

ED

THE SITE, BUILDING ANALYSIS / EXISTING USES

A

B

C

D

E

F

G

The derelict open space now collects rust, graffitiandscrapobjectsfrompassersby.

Though not within the site boundary the ad-jacent building to it is an unused and aban-doned funeral store awaiting re-use.

These spaces are the garage and service spaces that facilitate the three main Ware-houses 1(Block C),2(Block D) & 3(Block G)

‘Warehouse 3’ is the largest of the Ware-house and Garage spaces on site.

‘Warehouse 1’ is the second largest and most derelict of the Warehouse and Garage spac-es on site.It is the building in which most of the squaters dwell.

‘Warehouse 2’ is the smallest of the Ware-house and Garage spaces on site. It like Warehouse 1 can be entered from space ‘A’ just off Osborn street.

This building is also not within the site bound-ary but is believed to be owned by the same individuals/Organisation as ‘Block B’.

SECTION 1

SECTION 2

SECTION 3

OVERVIEW

CONCEPT DESIGN & MASTERPLANNING

REVISED DESIGN STRATEGY

Initial Developmental Design......Precedent Analysis......Schematic Layout......

Design Strategy & Occupational Use......Initial GA Drawings (WORKING DRAWINGS)......Area Schedule......Seasonal Solar Analysis......Existing vs. Proposed......

Site Analysis......Attitudes Towards Existing Site......Design Strategy......

contents

BUILDING DESIGN PROPOSAL[URBAN DESIGN PROJECT]

01THIS SUMMER A DERELICT WAREHOUSE SITE ON OSBORN STREET (SPITALFIELDS, TOWER HAMLETS) WILL BE TRANSFORMED INTO A CENTRE OF UNIqUE STRUCTURES CELEBRATING THE RICH AND DIVERSE EAST LONDON COMMUNITY THROUGH ARTS,

CRAFTS AND SPORTS.

THE ABANDONED WAREHOUSE SITE ON OSBORN STREET HAS BECOME A FORGOTTEN SPACE OVERTIME. THOUGH SITUATED IN THE CONSERVATION AREA OF BRICK LANE IT STILL REMAINS DERELICT, COLLECTING RUST, SCRAP OBJECTS FROM PASSERS BY AND GRAFFITI, WHICH IS PERHAPS ITS ONLY MERIT.

I BELIEVE THERE IS BEAUTY TO BE FOUND IN THE DERELICT AND ABANDONED. THE AESTHETICS OF AGEING WALLS WITH PEELING PAINT HAS A CERTAIN DESIRED qUALITY ABOUT IT. IT IS FOR THIS REASON THAT IINTEND TO RETAIN A LARGE PROPORTION OF THE EXISTING SITE, CREATING TEMPORARY BUILDS (HOUSING AN ARTS PAVILION,CRAFTS WORKSHOP/INTERNET HUB,SKATE&BIKE VERT RAMP AND RESTAURANT) WITHIN THE VACANT OR EXTREMELY DECAYING SPACES WITHIN THE SITE.

THE OSBORN CENTER OF CULTURE AND ARTS (OCCA) IS MY REMEDY TO THE COUNTLESS YEARS OF NEGLECT THE SITE HAS BEEN SUBJECTED TO.

PROJECT OVERVIEW [SITE ANALYSIS]

oSborn Street.

oSborn Street.

Frontal View of Site (East Facing) Rear View of Site (West Facing)

SITE ANALYSISHAZARDOUS ZONES

AccordingtotheLandRegistryan,55%ofallindustrialtypeprop-erties in the UK have an asbestos cement roof.

With age comes deterioration and the panels can become porous and be prone to leaks, creating additional problems because they become weakened considerably, yet show little sign of this from the outside.

Whenbroken,anasbestoscementpanelcanreleasefibresandtherefore, if working on a panel, it is strongly advised that breath-ingmasksbeworntoprotectthelungsfromasbestosfibres.

Oneof thebiggestdangerscomeswithfire,becausealthoughthey don’t burn, the panels can explode in extreme heat and showerthesurroundingareawithinvisibleasbestosfibres.

IT IS ADVISABLE TO REPLACE IT WITH AN ALTERNATIVE MATERI-al, rather than tryIng to patch It wIth other productS THAT DON’T qUITE MATCH THE OUTLINE OF THE ORIGINAL. [01]

There are several walls within the existing site that suffer from cracking and bowing. Down below are listed the potential causes of this:[01]

• Age / settling, shifting, expansive soils, and outside pres-sures, can cut the lifespan of the buiding down considerably.

• Settling / Loose backfill that has been placed around the site can exert extra pressure on the walls, creating cracks, especially if that backfill is comprised of lots of dense clay materials. [02]

THESE DESIGNATED AREAS OF WEAKENED WALLS MUST EI-ther be replaced or gIven addItIonal Support.

HAZARDOUS ASBESTOS ROOFING

SITE BOUNDARY

CRACKING & BOWING WALLS

Frontal Internal View of Site (East Facing) Rear Internal View of Site (West Facing)

AB

DC

EFGHIJ

KLM

Existing Entrance Lobby & Storage Space for Warehouse ‘2’. Existing Storage space for Warehouse ‘1’

Warehouse 2 Open Storage Space.

Existing Garage Space.

Warehouse 1’s existing Core has in it Toilet andOfficeSpace.

ExistingKitchen&OfficeSpace.

Existing Toilet and Storage Space.

ExistingOfficeSpace.

Existing Storage Space and Kitchen Space.

Existing Stair & Lift Core to Warehouse 1’s Open Space First Floor level.

ExistingOfficeandSmallKitchenSpace.

Warehouse 3’s existing Storage Space.

Toilet and Storage Space

oSborn Street.

oSborn Street.

1

1

2

2

3

3C

A

D

EF

GH

I

J

K L M

B

SITE BOUNDARY

SITE ANALYSISEXISTING SERVICES

02CONCEPT DESIGN & MASTERPLANNING

INITIAL DEMOLITION STRATEGY

SEASONAL SOLAR ANALYSIS

03REVISED DESIGN STRATEGY

A

B

D

C

E

F

G

HI

Theasbestosroofingwillberemovedduetopotential hazardous risks the deterioration of its panels could cause.Walls will removed to create access for pe-destrian across the proposed site.

The existing core with toilet and storage space will be reused in new Center building proposal.

The external Lobby and Storage spaces will be removed to create open space for a pro-posed Pavilion.

The existing Kitchen Space will be retained and used for the proposed restaurant space in the new building center.

The existing toilet spaces will be kept and used as the new Public toilet space in the new center proposal.

The existing Stair and Lift core will be re-tained and used as the main circulation core for the new center.

Theexistingofficespacewillberetainedforuse in the new center proposals.

The existing toilet space will be kept and used as public toilets in the proposed build-ing scheme.

PROPOSED DEMOLITION ZONES

PROPOSED RE-USE ZONES

80% RETAINED / 20% DEMOLISHEDTHE SITE =

oSborn Street.

oSborn Street.

Frontal External View of Site (East Facing) Frontal Internal View of Site (East Facing)

B

A

B

C

BD

GF

E

H

I

REVISEDDESIGN STRATEGY

PROPOSED DEMOLITION & RE-USE ZONES

STRUCTURAL PLUG-IN STRATEGY

Aerial View of Proposed Site (Post Demolition) with Struc-tural Plugin dotted above.

The Structural Portal Frame will give the needed support to existing bowing and weak-end site wall structure, whilst providing the structural shell for the new center’s services.

oSborn Street.

local community

skateboarders BMX roller bladers dancer/performer

tourists

families schools

students street artists

MIXED-USE OSBORN CENTER

OF CULTURE & ARTS

USERS

Arts&Installations

pavilion

SmallTheatre&cinema

extremeSports Vert

Ramprestaurant

Art Workshop

Arts&Sports Shop

Coffee&BarWorkshop

Dance Studio

Public Toilets

SCHEMATIC PROGRAMME & OCCUPATIONAL USE

Frontal External View of Proposed Site (East Facing)

DESIGN DEVELOPMENT PHASES

EXISTING ABANDONED WAREHOUSE SITE INITIAL SCHEMATIC LAYOUT CUREENT SCHEMATIC LAYOUT

GROUND FLOOR PLAN(DEVELOPMENT)

AB

DC

EFGHIJ

K

Theatre and Cinema Space

Theatre Storage Space

Women’s Public Toilet.

Men’s Public Toilet.

Restaurant and Dining

Restaurant Kitchen Space.

Sports Vert Ramp for Extreme Sporters (Skateboarding,BMX and Roller Blading)Arts and Sports Shop Storage Space

Arts and Sports Shop.

Coffe and Bar Workshop (with free access to wifi)

Arts Workshop.

A

B

C

D

EF

G

H

I

J

K

osborn Street

P Arts Pavilion Structure.

P

NOT TO SCALE

All Plans and Sections are still Working Drawings at this stage.

FIRST FLOOR PLAN(DEVELOPMENT)

AEFGHILMNOP

Theatre and Cinema Space

Restaurant and Dining

Restaurant Kitchen Space.

Sports Vert Ramp for Extreme Sporters (Skateboarding,BMX and Roller Blading)Arts and Sports Shop Storage Space

Arts and Sports Shop.

Restaurant Roof Terrace

Dance Studio 1&2

Men’s Changing room and Shower

Women’s Changing room and Shower

Arts Pavilion Structure.

A

L

EF

G

H

I

M

M

N

OPosborn Street

NOT TO SCALE

All Plans and Sections are still Working Drawings at this stage.

NOT TO SCALE

ROOF PLAN(DEVELOPMENT)

AE

G

IJ

K

Theatre and Cinema Space

Restaurant and Dining

Sports Vert Ramp for Extreme Sporters (Skateboarding,BMX and Roller Blading)

Arts and Sports Shop.

Coffe and Bar Workshop (with free access to wifi)

Arts Workshop.

A

E I

J

K

G

P

L

osborn Street

All Plans and Sections are still Working Drawings at this stage.

A DB EC F

Theatre and Cinema Space Restaurant and Bar Space

Theatre and Cinema Storage Space Restaurant roof terrace

Public Toilets (Men & Womens) Extreme Sports Vert Ramp.

oSborn St.

A C

E

D FB

All Plans and Sections are still Working Drawings at this stage.

A

G

N

H

M KL

JI

oSborn St.

A I LG J MH K N

Theatre and Cinema Space Art Workshop storage space Toilet Space.

Galleria Pedestrian Walk through Existing Toilet Space Dance Studio 1&2

Art Workshop Existing Toilet Space Arts and Installations Pavilion Structural Skin

All Plans and Sections are still Working Drawings at this stage.

SECTION 4

SECTION 5

SECTION 6

FORM FINDING

REVISED DESIGN STRATEGY

DETAIL

Troubleshooting & Design Flaws......Precedent Analysis......Design Response......

Key Fixings & Joints......

Initial Design Development......

contents

ARTS’ PAVILION [DEVELOPMENT & DETAIL]

04FORM FINDING (DEVELOPMENT DRAWINGS)

05REVISED DESIGN STRATEGY

DESIGN FLAWS

Its unconventional form will need over a hundred custom made unique joints andfixings,whichwillbecostly.

The Art canvases have no encasing and so are left exposed unprotected against elements such as sunlight, rain and air pollution. Making them extremely prone to corrosion and decay.

No primary structural support means that the pavilion is extremely unstable and may even topple.

Its unconventional form will mean that it takes longer to erect on site.

The current form has severe drainage issues. Rain-water will collect in the exposed pockets, damaging the Artworks and any electricals.

Health & Safety issues may arise if passers by try to climb the structure, making it even more prone to collapse with added weight of individuals on its sur-face.

PRECEDENT, SOLAR CANOPY (EARTH CENTER)ANALYSIS

The Solar Canopy is located in the Doncaster Earth Centre, a large-scale visitor attraction on a 300-acre site in one of the most environmentally devastated areas in the country. Feilden Clegg Bradley Architects master planned the scheme and designed the entrance building, the Planet Earth Gallery and the Solar Canopy.

TheSolarCanopy isa925sqmpho-tovoltaic solar collector, currently the largest solar collector in the UK. The structure is a geometrically complex space frame constructed of larch poles joined by steel nodes, of which no two nodes are identical.

PV SOLAR GLAZING / BOX SECTION 2x2m FLAT ROOF GRID.

SPACEFRAME STRUCTURAL 2x2m SUPPORT GRID.

CHAOTIC SPACE FRAME CANOPY.

ART DISPLAY PANELS.

SUPPORTS.

DESIGN RESPONSE

ADAPTED PAVILION DESIGN

06 PAVILION DETAIL

The arts pavilion will be constructed using the method and technique of the classic space frame design, invented by Dr. Mengeringhausen consist-ing of spherical nodes and circular hollow sections.

SpecificallythepavilionwillbeassembledusingtheKugel Knoten (KK) system, typically used in double layer applications. The KK-System provides great strength-to-weight performance with excelent span-ning capabilities.

KK-System Typical Detail.

STREET ARTS PAVILIONSTRUCTURAL SYSTEM ANALYSIS.

A: typical spherical node (45mm radius)B: typical circular hollow sections (30mm radius)

A B

The arts pavilion will display works of art from lo-cal and resident artists. To achieve this the artwork will be sandwiched between two panes of supported point glass connected together by stainless steel SpiderRoutelfittings,giving the impressionof theworksofartfloating.

A: supported point glassB: designated art work zoneC: Exploded Spider Routel FittingD: typical Spaceframe KK-System.

STREET ARTS PAVILIONSTRUCTURAL FITTINGS SYSTEM.

A

B

C

D

SECTION 7

SECTION 8

SECTION 9

DESIGN DEVELOPMENT

REVISED DESIGN

DETAIL DRAWINGS

Precedent Analysis......Service /Program Layout......Facade Analysis......

Facade Components......Construction Sequence......

Initial design works......

contents

ARTS & CRAFTS WORKSHOP

[DEVELOPMENT & DETAIL]

07INITIAL DEVELOPMENT DESIGN

08REVISED DESIGN STRATEGY

PRECEDENT, LE 2-22,MONTREAL (CANADA)

Le2-22,designedbyAedificia,ateamofarchitects,designers,engineersandcommunicationspecialists,hasbecomethegateway to Montreal’s arts and entertainment district.

Its eye-catching façade - an innovative twin walled skin the outer glass layer of which is designed to fully retract in the sum-mer revealing a wooden envelope beneath with punched openings that reads like an abstract tapestry - to its large-scaled recessedangularentrancethatfreesupthesidewalkfordensepedestriantraffic,whichtheareaexperiencesduringfestivals.The space created by superimposing the two materials is used for multimedia installations.

The 2-22 is a green building aiming for LEEDcertificationhasbeenachievedata cost of $ 20 million. The 2-22 has re-ceivedagrantof$5millionunderthepro-gram“Imagining-BuildingMontreal2025”and the transfer of land from the City of Montreal.

COFFEE & BAR WORKSHOP (withfreeaccesstowifi)

ART & CRAFTS WORKSHOP (forchildrenaged5-15)

DANCE STUDIOS

MEN’S & WOMEN’S CHANGING ROOMS & WCs

WORKSHOP

GROUND FLOOR PLAN

A

E

B

FG

Main Entrance

Arts and Sports Shop Side Entrance

Coffee and Bar Workshop (with free access towifi)

Arts Workshop.

Fire Exit

H

CD

Art Workshop Storage

Coffee Bar Kiosk

Stair & Lift Core

B

CD

E

A

F

G

H

NOT TO SCALE

WORKING DRAWING

D

IJ

KLMNOP

IDIJ

K

Stair & Lift Core

Dance Studio 1&2

Seating Area.

Men’s Toilet

L

MNOP

Men’s Changing Room

Men’s Shower Room

Women’s Shower Room

Women’s Changing Room

Women’s Toilet

FIRSTFLOOR PLAN

WORKING DRAWING

NOT TO SCALE

Collaboration between emerging and established artists

KnoxOut Paint/Spray medium(Air Cleaning Paint)

Plywood Panels as Canvas Facade for The Arts & Crafts Workshop

09:00 17:30 20:30

FACADE DAY & NIGHT ANALYSIS

09ARTS & CRAFTS WORKSHOP DETAILING

SECTION 1

SECTION 2

FINAL VISUALS OF SCHEME

FINAL GA DRAWINGSPlans......Sections......

Fusion Thing: The OCCA Collage Poster......OCCA (Final Scheme) Visuals ......

contents

FINAL BUILDING DESIGN

[URBAN DESIGN PROJECT]

01FINAL VISUALS OF SCHEME

02FINAL GA DRAWINGS

GA PLAN KEY

5e5f5g

5h

Dance Studio 1

Dance Studio 2

Men’s Shower & Changing Room.

Sports Vert Ramp for Extreme Sporters (Skateboarding,BMX and Roller Bladers).6

6a Sports & Arts Shop.

Women’s Shower & Changing Room.

21

2a33a44a55a5b5c5d

Theatre and Cinema Space

Street Arts Pavilion

Theatre Storage Soace.

Women’s Toilet

Men’s Toilet

Restaurant

Kitchen Space

Arts&CraftsWorkshopfor5-12yearolds.

Workshop Storage Space.

Unisex Toilet.

Coffee Bar Workshop (with free access to wifi)Coffee & Snack Kiosk.

1:100 SCALE

CULTURAL CENTER GROUND FLOOR MASTERPLAN

1

2

55a 5c 6a

6

5d5b

2a 3 3a 4

4a

1:50 SCALE

ARTS & CRAFTS WORKSHOPGROUND FLOOR

55a

5b

5c 6a

5d

1:50 SCALE

ARTS & CRAFTS WORKSHOPFIRST FLOOR

5e5f

5h 5g

SECTION 1

SECTION 2

FINAL VISUALS OF SCHEME

FINAL GA DRAWINGSInitial Developmental Design......Precedent Analysis......Schematic Layout......

Fusion Thing: The OCCA Collage Poster......OCCA Visuals ......

contents

SHORT FILM WORKS

[URBAN DESIGN PROJECT]

01CHRONOGRAMS (MAPS OF FILM)

02SCENE EXTRACTS FROM SHORT FILM (HI-RES & 3D ANAGLYPH)