Avant-garde u Holandiji 1917-1932Predavanje 7/1

Pablo PICASSO, Bottle, Glass and Fork 1911-12.

Georges Braque, The Portuguese 1911.

KUBIZAM 1907-1912

Picasso

Baraque

HOLLAND

De Stijl 1917-1931

Piet MondrianNeoplasticism:

‘prava plasticna umetnost’

Postoji stara i nova svest

vremena. Stara svest je

usmerena ka

pojedinacnom. Nova je

usmerene ka univerzalnom.

There is an old and a new consciousness of the age. The

old one is directed towards the individual. The new one is

directed towards universal.’

Theo van Doesburg

Gerrit Rietveld

Piet Mondrian, Composition with

Yellow, Blue, and Red, 1921, oil on

canvas, 72.5 x 69 cm, Tate Gallery.

London.

Jacobus Johannes Pieter Oud, Strandboulevard, seaside housing project,

Scheveningen, 1917

Theo van Doesburg, Construction de L'Espace-Temps

II, detail 1924. Canvas, Oil.

Theo van Doesburg (R) with Cornelis van Eesteren

Gerrit Rietveld, Red and Blue Chair, 1917.

Cornelis van Eesteren, Maison Particuliere, Axonometric

projection and color scheme by Theo Van Doesburg 1923

Cornelis van Eesteren, Maison Particuliere,

Counter-construction, drawing and color scheme by Theo

Van Doesburg 1923.

Cornelis van Eesteren, Maison Particuliere,

Counter-construction, drawing and color scheme by Theo Van Doesburg 1923.

Theo Van Doesburg, Aubette (remodeling), Strasbourg,

Cinema and dance hall (destroyed) 1926-1928.

Theo Van Doesburg, Aubette (remodeling), Strasbourg,

Cinema and dance hall (destroyed, recently reconstructed) ), 1926-1928.

Theo van Doesburg, Design for interior decoration

of the main hall of a university 1923.

Theo van Doesburg, Counter-Composition XVI, 1925.

Gerrit Rietveld, Mrs. Truus Schroder House, Utrecht, 1924.

Gerrit Rietveld, Mrs. Truus Schroder

House, Utrecht, Plan of upper floor,

open plan, 1924.

Gerrit Rietveld, Mrs. Truus Schroder

House, Utrecht, Plan of upper floor,

closed plan, 1924.

Gerrit Rietveld, Mrs. Truus Schroder House,

Utrecht, Plan of ground floor 1924.

Gerrit Rietveld, Schroder-Schrader House, Front Facade, Utrecht, 1924

Truus Schroder & her sister An,

1925.

Gerrit Rietveld, Schroder-Schrader House, Entrance,

Utrecht, 1924

Gerrit Rietveld, Schroder-Schrader House, Utrecht, 1924

Gerrit Rietveld, Schroder-Schrader House, Detail of upper level with screens removed, Utrecht, 1924

Gerrit Rietveld, Schroder-Schrader House, Detail of upper level with screens removed, Utrecht, 1924

BAUHAUSWeimar 1919 - 1925 Dessau 1925 - 1932

Berlin 1932 - 1933

Walter Gropius, 1919 - 1927

Hannes Meyer, 1927 - 1930 Ludwig Mies van der Rohe, 1930 - 1933

Konacni zadatak svake kreativne delatnosti je

izgradnja!

Dekoracija zgrada je nekad bila najplemenitija

svrha lepih umetnosti i lepe umetnosti su bile

neophodne velikoj arhitekturi. Danas su one

neoprezno izolovane i jedino mogu biti

spasene svesnom saradnjom svih stvaralaca.

Arhitekte, slikari i skulptori moraju ponovo da

nauce i razumeju kompleksnu prirodu

gradjevine i kao celine i u smislu njenih

pojedinih delova. Tada ce njihov rad biti

ispunjen pravim duhom arhitekture, koji je

buduci ‘salonska umetnost’ ona izgubila.

Walter Gropius, 1919

Lyonel Feininger, Cathedral,

wood-cut for the

Bauhaus Manifesto, 1919

MANIFEST BAUHAUSA

Walter Gropius, Weimar Bauhaus, Director's office,

View in photograph by Lucia Moholy (1924) 1923.Weimar 1919 - 1925

Theo van Doesburg's 'de Stijl-ed'

Bauhaus Weimar

Walter Gropius, Bauhaus, Dessau, 1925-26.

De Stijl 1917-1931

Piet Mondrian

Theo van Doesburg

Gerrit Rietveld

Walter Gropius, Bauhaus, Dessau, 1925-1926

Dessau 1925 - 1932

The Bauhaus masters on the roof of the Bauhaus building in Dessau.

Left to right:

Josef Albers, Hinnerk Scheper, Georg Muche, László Moholy-Nagy,

Herbert Bayer, Joost Schmidt, Walter Gropius, Marcel Breuer, Vassily Kandinsky,

Paul Klee, Lyonel Feininger, Gunta Stölzl and Oskar Schlemmer.

Paul Klee, Southern (Tunisian) Gardens, 1919. Wassily Kandinsky, Composition 1923, 1923

László Moholy-Nagy, Light Space Modulator, 1922-30.

Herbert Bayer, Four commercial print designs.

Typography.

Oskar Schlemmer, Triadic Ballet : Dancer in costume 1920

Marianne Brandt, Teapot, 1924

Marcel Breuer, Chair B3, 1925

DESSAU, Walter Gropius

The Bauhaus, 1925

WOKSHOP BUILDING

TECHNICAL SCHOOLOFFICES

AUDITORIUM

STUDENT WING

Walter Gropius, Bauhaus, Dessau, 1925-1926

El Lisitzki, Proun 1D, 1919,

Kunstmuseum, Basel.

Walter Gropius, Bauhaus, Workshop Building, Dessau, 1925-1926

Dessau 1925 - 1932

Walter Gropius, Bauhaus, Administrative Bridge (left) and the Workshop Building (right), Dessau, 1925-1926

Walter Gropius, Bauhaus, Workshop Building with Auditorium to the right, Dessau, 1925-1926

Walter Gropius, Bauhaus, Dormitory, Dessau, 1925-1926

Walter Gropius, Bauhaus, Dormitory, Dessau, 1925-1926

Walter Gropius, Bauhaus,

Entrance to the Auditorium, 1925-26.

Walter Gropius, Bauhaus, Auditorium

with Breuer’s Furniture, 1925-26.

Walter Gropius, Bauhaus, Refectory, 1925-26.

Walter Gropius, Bauhaus Masters' Houses,

Dessau, Isometric color schemes of

exteriors (Alfred Arndt), 1925-26.

1933• 11. aprila, na pocetku letnjeg semestra 11, policija je pretresla i zapecatila

zgradu Bauhausa; 32 studenta su privremeno uhapsena.

• Pismo iz Drzavne tajne policije, datirano 21. jula, nabraja nekoliko uslova za

ponovno otvaranje skole; od Kandinskog i Hilberseimera se trazi da napuste

svoja radna mesta i da ih predaju osoblju koje ‘stoji na tlu ideologije Nacional

Socijalista’ , kao i da novi program studija zadovolji ‘zahteve nove drzave I

njene unutrasnje organizacije.’

• U toku sledecih nekoliko godina najistaknutiji profesori Bauhausa emigriraju,

medju njima:

Josef Albers (1933/USA),

Vassily Kandinsky (1933/France),

Paul Klee (1933/Switzerland),

Walter Gropius (1934/Great Britain, 1937/USA),

László Moholy-Nagy (1934/Netherlands, 1935/Great Britain, 1937/USA),

Marcel Breuer (1935/Great Britain, 1937/USA),

Ludwig Mies van der Rohe (1937/USA),

Herbert Bayer (1938/USA),

Walter Peterhans (1938/USA).

RUSKA AVANT-GARDE

1918-1932

El Lisitzki, design for a Lenin Tribune, 1924.

Predavanje 7/3

El Lisitzki, Proun 1D

(Project for the Affirmation of the New), 1919,

Kunstmuseum, Basel.

Kasimir Malevich, Suprematist Composition: Aeroplane

Flying 1914-1915.

Museum of Modern Art, NEW YORK

El Lisitzky, Cloud Hanger, Project, 1925.

Kasimir Malevich, Architectonics, 1924. Plaster.

RATIONALISTS – Essence of modern art is FORM /

exploration of the psychological, formal lows

Vladimir Tatlin, The Monument to the

Third International, 1919-20.

400m high

KONSTRIKTIVISTI–

Srz moderne umetnosti je

KONSTRUKCIJA.

(pravi objekti (predmeti), medju pravim

objektima, ne KOMPOZICIJA

predstavljenih objekata.

Essence of modern art is CONSTRUCTION

(real objects among real objects, not COMPOSITION of represented objects)

Alexander and Victor Vesnin,

Competition Project for

Leninagrad Parvda Building,

Moscow 1924.

Alexander and Victor Vesnin,

Competition Project for

Leninagrad Parvda Building,

Moscow 1924.

Konstantin Melnikov, Exposition des Arts

Decoratifs, USSR Pavilion, Paris 1925.

Konstantin Melnikov,

Exposition des Arts

Decoratifs, USSR

Pavilion, Paris 1925.

Konstantin Melnikov, Exposition des Arts Decoratifs,

Paris 1925, project , Garage for 1000 cars.

Konstantin Melnikov House, Moscow, 1927-29

Konstantin Melnikov, House, Interior, Moscow, 1927-29

Ilya Golosov, Zuev Worker’s Club, 1929.

Moisei Ginzburg, I. Milinis, Narkomfin (Ministry of Finance) Collective Housing, Moscow, 1928

Moisei Ginzburg, I. Milinis, Narkomfin Collective Housing, Moscow, 1928

Moisei Ginzburg, I. Milinis, Narkomfin Collective Housing,

Moscow, 1928

Ivan Leonidov, The Lenin Institute of Librarianship, project, 1927.

Ivan Leonidov, The Lenin Institute of Librarianship, project, 1927.

M. Ginzberg, Competition project:

Palace of the Soviets, Moscow, 1934.

Hennes Meyer, Competition project:

Palace of the Soviets, Moscow, 1934.

O. Iofan, O. Gelfreikh, V. Schuko. Sculptor S. Merkulov,

Palace of the Soviets. A Version of the approved project. 1934

Ivan Leonidov, Competition project: Narkomtiazhprom (People's

Commissariat of Heavy Industry), Moscow : Perspective looking up toward

rectangular tower

Ivan Leonidov, Competition project: Narkomtiazhprom (People's

Commissariat of Heavy Industry), Moscow : Perspective looking up toward

rectangular tower

Ivan Leonidov, Competition project: Narkomtiazhprom (People's

Commissariat of Heavy Industry), Moscow

Ivan Ilich Léonidov(1902, TverOblast -1959, Moscow)