Project Report on

Women's Western Wear

Submitted to

Dezyne E’cole College

Towards the Partial Fulfillment for

Award of Diploma in Fashion Technology

As Technical Knowledge Development to

Women’s Wear

Included With Diploma Program Of

Fashion Technology

By

Pooja soni

Dezyne E’cole College Ajmer

Address, 106/10, civil lines, Ajmer

Tel. no.0145 2624679

www.dezyneecole.com

2014-2015

The Project of Ms. Pooja Soni has been Checked & has

been graded as

Dezyne E’cole College

Civil Lines, Ajmer

www.dezyneecole.com

Thank you Principal (Seal &Signature)

ACKNOWLEDGEMENT

I am deeply grateful to all those whose guidance has been of

tremendous value and enabled me to complete this project

successfully.

I am thankful to all my mentors of Dezyne E’ cole who

gave me an opportunity to show my abilities by working on this

project on the esteem organization.

Pooja Soni

1ST Year diploma in Fashion Technology

1. Fashion as a Person’s Image

2. Fashion Industry

3. Learning Experience

4. Foundation Design

5. Corel Draw

6. Fashion illustration

7. Pattern Engineering

8. Measurement techniques

9. Draping

10.Fabric Manipulation

11.Element and Principle of

Design

12.Trible Art

CONTENT

Fashion is a more then wearing good clothes it is about presenting a

person’s image in Society , we generally see people accepting

fashion due to pee pressure, Image in the society and when a

person wants a change to brighten his life. There are many reasons

behind what we wear.

• Protection from cold ,rain and snow :- Mountain climbers wear

high – tech outwear to avoid frostbite and over – exposure.

• Physical attention :- Many styles are worn to inspire “chemistry”.

• Emotions :- we dress “up” when we’re happy and “down” when

we’re upset.

• Religious expression :- Orthodox Jewish men wear long part of

their body except their eyes.

• Identification and tradition :- Judges wear robes ,people in the

military wear uniform, brides wear long white dresses.

Fashion as a Person’s Image

Within the sphere of Technology Industries , design technology is

perhaps the fastest growing today. with new technologies emerging

rapidly and industries changing complexion, more and more job

opportunities are up for the taking .It is estimated that India will have

a shortfall of five lakh people in the design sector by 2010-11 but not

all gradates will be employable .Thus bringing the gap between talent

and the skills required by the industry is important. only Today, one in

every four designers is employable and only 10% of the design

graduates manage to get employment in the design industry. Hence

the student should understand the basic requirement of the industry

and exhibit that ability .

Fashion Industry

This is what I learn here at Dezyne E’cole college creating fashion

doesn’t entail a vivid imagination and instinct for creativity. It also

involve many decisions and myriad techniques , focus on a central

idea. Dezyne E’cole Fashion design made me build a strong

foundation in terms of design sence, Conceptualisation

independent research ,creative application and artistic experience

Learning Experience

As a part of fashion industry I am training my self through

formal education in Diploma programme in build with this

study. During the course duration of diploma programme I had

an exposure towards practical working in fashion design.

FOUNDATION DESIGN

Colour is a most vital tool in the hands of fashion designer. It is

the most perceptible and hence is a central to success and

failure of a designer scheme.it is therefore very important

designer that a designer has a full knowledge and understanding

of its tool.

COLOR IMPACT IN DESIGN

Variation in Cool Color Blue

Variation in Cool Color Yellow

Variation in Cool Color Red

Warm and Cool Color

The Yellow is lighter

value then Red

The Blue color is

Darker value then

Orange

The Green is lighter

value then Brown

The Dark Green is

equal in the value to

the Brown

Compare the Blue and Red Rectangles to the Grey

Rectangles or either side of each color. Which Grey is equal in

value to the color ? It may be helpful to stand at a distance

and blur your eyes. If the edge between the two area

disappears, the values are equal.

Comparing Value of Color

Simultaneous Contrast

Corel Draw

Coral Draw

Coral Draw

ILLUSTRATION

Bertha deep

neckline Bertha Tie

Bertha Buster

Brown Style

Bertha Knotted

Ends

Bertha Yoke

style

Bertha - Braid

Edge Trim

COLLARS

Bellow Cargo

Cargo front

Kangaroo Flap Shape Stitched

Patch Button Flap

POCKETS

Layered Sleeve Layered Sleeve Tulip Sleeve

Bushirt Sleeve Puff Sleeve

SLEEVES

IILL ILLUSTRATION

PATTERN ENGINEERING

Fashion Designing runs the garment from eveningwear to

sportswear, Women’s wear to Men’s wear and Kids wear to

knitwear. Garment Construction is popularly called Pattern

Engineering has a great importance in fashion design industry. The

Companies like van heuson,dockers levis, adidas etc. are the

providers of perfect fit and this is what we learn at Dezyne E’cole

through the art of pattern making.

A slop pattern [ home sewing ] and block pattern [ industrial

production ] is custom – fitted basic pattern from which pattern for

many different styles can be developed.

The Draping method involves creating a Maslin mock up by

pinning fabric directly on a form then transferring the muslin outline

and makings onto a paper pattern or using the muslin as the pattern

it self.

The flat pattern Draping method is the most commonly used

method in Menswear.

Garment Construction

The Flat pattern method where the entire pattern is drafted on a flat

surface from measurements ,using the ruler and curve and straight

Edges. As a fashion designer I use various tools and measuring

devices to create a toil pattern on dummy.

Measuring Tape Seam Ripper Scissor

Drafting Scale Tailoring Chalk French curve

Tools & Equipment

Pattern Making Symbol

Various signs & symbols of pattern Making which I generally

use on pattern :-

Pattern Making Symbol

Various signs & symbols of pattern Making which I generally

use on pattern :-

Various signs & symbols of pattern Making which I generally

use on pattern :-

Pattern Making Symbol

Notches :- • Seam allowance

• Center Line • Ease $ Gather Control • Dart Legs

• Identification of Front & Back • Identification of Joining Parts • Zipper Placement

• Facing

• Hemline

• Waistline

• Shoulder Tip

• Sleeve Cap

Punch / Circle :- • Dart intake

• Corners

• Buttons / Buttonholes

• Trimmings

• Pocket placement

Jog Seam :- A jog seam is used to indicate a change

in the seam allowance. ¼ inch : • All faced areas

• Narrow spacing

• Extreme curve

• Sleeveless armhole ½ inch : • Side seam

• Waist line

• Center line

• Styline

Notches

1inch : • Shoulder 2inch : • Straight Hemline

Number refers to both front & back

wherever indicated :-

1. Center Front Neck Center

Back Neck

2. Center Front Waist Center

Back Waist

3. Bust Point

4. Center Bus Level

5. Center Front [Princess line] Center

Back [Princess line

6. Mid Armhole front Mid Armhole

Back

7. Shoulder Tip

8. Shoulder at Neck

9. Armhole Ridged or Roll Line

10.Plate Screw

11.Armhole Plate

Landmarks

The flat- pattern method is where the entire pattern is drafted on

the flat surface measurement . Under garment construction we

learn about the measuring techniques on the dress form. That

can be seen here:-

Different ways to taking measurements:-

• Circumference measurements

• Horizontal measurements

• Vertical measurements

Measurements

CIRCUMFERENCE MEASUREMENT

Round Bust

measurement

Round Waist measurement

Round Abdomen measurement

Size=34”

CIRCUMFERECNE MEASURMENT

Vertical Measurements

Front length Measurement

Shoulder Slope Measurement

Full length Measurement

Size =34

Vertical Measurements

Horizontal measurements

Horizontal Measurement

SIZE = 34

Across shoulder Measurement

Across Chest Measurement

Abdomen Arc Measurement

Size =34

Horizontal measurements

Women’s basic bodices Block Women’s Basic body’s block

Women’s Basic Sleeve Block Women’s Basic Sleeve Block

Kameez

Front part

Back Part

Saree blouse

Back Part

Front Part

CHOLI BLOUSE

Front Part

Back part

CHURIDAAR PUJAMI

Belted Kalidaar Salwar

6 PANEL PETTICOAT

4 PANEL PETTICOAT

Kameez Night Suit

Simpal Salwar

Churidaar Kalidaar Salwar

Choli Belouse

Basic bodey’s Block Saree Belouse

4 Penal Petticoat

Dart Manipulation is a slash spread and pivotal transfer making

technique to transfer dart excess to one location to another for

design variation .It is a beginning of pattern manipulation for

generating design patterns. It require both artistic and technical

skills to manage and control the pattern.

PRINCIPLE 1

One Dart Series

Two Dart Series

A Dart may be transfer to any

location around the pattern

outlines from the designated

pivotal point without affecting

the size or fit of the garment.

PRINCIPLE 2 Added fullness

To increase garment to an amount

greater then that provided by the

dart excess of working pattern.

The length and the width within

the pattern’s outline must be

increased.

PRINCIPLE 3 Contouring

To fit the contour of the upper torso closer then the basic garment

the pattern must be reduced within its frame to fit the dimension of

the body above, below and between the bust mounds and shoulder

blades.

Dart Manipulation

DRAPING

Front view

Side View

Back view

French Dart

SINGAL DART SLIVEES

Mid Shoulder Dart

SINGAL DART SERIES

Front view

Side view

Back view

Mid Armhole Dart

SINGAL DART SERIES

Front view

Side view

Back view

Mid shoulder and Waist Dart

DOUBLE DAT SERIES

Front view Back View

Side View

Mid Armhole and Waist Dart

Front View Back View

Side View

Side and Waist Dart

Front View

Side View

Back View

TUCK DART

Front View Back View

Side View

PLEAT DART

Front View Back View

Side View

Neck Radiating Dart

Front View

Back View

RADIATING DART

PARALLEL DART

Front View Back View

Side View

Mid Shoulder Princess Panel (Waist )

PRINCESS PANEL

Front View Back View

Side View

Mid Armhole Princess Panel (torso)

Front View Back View

Side View

Neck Dart Cluster

DART CLUSTERS

Front View Back View

Side View

Gathers at Neck

Front View Back View

Side View

GATHERS

Gathers at Princess Line

GATHERS

Front View Back View

Side View

HAULTER NECK LINE

Front View Back view

Side View

HAULTER NECK LINE (TORSO)

Front View Back View

Side View

Mid Armhole Style line (torso)

Front View Back View

Side View

JUMP SUIT

Back View Side back Front View

FABRIC MANUIPLATION

THE ART OF

MANIPULATION FABRIC

For any Fashion Designer

Fabric first needs to be prepared

with textures and then used for

style and design

Development .

Style requires plain textures and

Some times textures fabric to be

create Better style.

Presenting few best ideas of

textures Which I learnt at my

study of Fashion Design at

Dezyne E’cole Collage .

Fabric Manipulation

FABRIC MANPIULATION

FFA FABRIC MANIPULATION

FABRIC MANIPULATION

Fabric Manipulation

Fabric Manipulation

Fabric Manipulation

ELEMENTS AND PRINCIPLES OF DESIGN

scarves

CONTENTS

HISTORY

USES AND TYPES

• 2.1 uniforms

• 2.2 Bib Scarf

• 2.3 Sport

Manufacturing of scarves

See also

References

External Links

Impart A New Dimension To Creativity

Person want to style their look

different. Every day Just

by adding a new scarf.

Befor the Size of scarf is vary from

really big to small

handkerchief.

New and exquisite fibres are being

explared, and creative prints- both

screen and digital –are bding.

TEAM FASHION FORWAED TRENDS

Analyzes the eight top trends that will

be the best Sellers in “SCARVES.”

Ornate extrawagance

Novelty Prints .

Chain Prints .

Futuristic Prints .

Oversized Flarals.

Polkas Prints .

Animal prints .

Neon Pastels.

1. ORNATE EXTRAWAGANCE

Period –Baroque Period

Print- Venetion and Barocco Print

Inspire by – European Jewellery and architictiy

Fabric –Silk Fabric and satin .

2. NOVELTY PRINTS

Fun ,quirky and cheeky novelty and conversation prints have been the rage in the past few seasons and will continue to de so in the seasons to come , Covering the broadest array of captions from retro pop prints to 60’s vintage prints to animal motifs like the horse, dear ,fox, to loud fruit and vegetable prints and the playful car ,rocket prints and many alike .

3. CHAIN PRINTS

Inspired by –Chains ,patterns ,size, styles and shining

Combinations - Gold cominate with red, white, black

prints .

The edges or an overall free flowing chain repeat.

4. FUTURISTIC PRINTS

Futuristic Prints are technique of digitally printing .

EX- There are Psy cheedelic prints

,kaleidoscopic prints, galaxy and SCI-FI –Prints .

5. OVERSIZE FLARALS

Deviating from the classic idyllic flares the current

seasons are all about exaggerated digital floral paint

moving away from the small ditsy patterns that are

now taking a back seat in women’s wear fashion .

6.POLKA PRINTS

An all time favorite’ plaka dot’s is yet again hitting

the market like a bulls eyes with an enlarged

trend of big palkamdots. Simple and classic

,these fun geometric shapes can be adorned on

scarves in every passible from and color

combining neutrals, pastels, ,bright pop color or

plain black and white color palettes..

7. ANIMAL PRINTS

The jungle safari never fails to take us for a good

fashion able ride and this time along it’s the neoteric

animal skin prints. Variations of animal prints in

different colors have toned down the loudness of

traditional skin patterns as designers are using bright

as well as subdued pastels to add a twist to the

trend instead of the obvious and conventional animal

colors spotted literally in nature and in the past.

8. NEON PASTELS

Experimenting solely with the play of “color” after continuously being in the fashion spotlight in the last few seasons, yet again is a prominent trend-pastel shades of eye-popping neon's. Forming a fresh color stray for manufactures after a long time ,neon-pastels are a smooth combination of bright colors subdued by pastel tones, best represent in shades of minty greens ,watermelon pinks ,sky blues and lemon yellow .

TRIBAL ART OF MAHARASTHRA

Tribal Cultural Intellectual Property Warli Art is cultural intellectual property of the tribal community. Today, there is an urgent need for preserving this traditional knowledge in tribal communities across the globe. Understanding the need for intellectual property rights, tribal non-profit Organisation "Adivasi Yuva Seva Sangh" initiated efforts to start a registration process in 2011. Now, Warli Painting is registered with a Geographical Indication under the intellectual property rights act. With the use of technology & the concept of social entrepreneurship, Tribals established the Warli Art Foundation, a non-profit company dedicated to Warli art and related activities.

Tribal art