Painting Abstract and Color Theory

Post on 05-Dec-2014

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Glenn Hirsch, Instructor www.glennhirsch.com

Transcript of Painting Abstract and Color Theory

SFAI

9/24/14

Filippino Lippi

Filippino Lippi

Bartholomeaeus Bruyn

John Singer Sargent

Edouard Manet

Paul Cezanne

Pablo Picasso

Hung Liu

Alphonse Mucha

Frederick Leighton

Manisha Patel

The space is flat (Arshile Gorky 1940)

The space has more depth (Arshile Gorky 1943)

The space is flat (Andre Masson 1960)

The space has more depth (Andre Masson 1955)

The space is flat (Kandinsky 1940)

The space has more depth (Avinash Chandra 1963)

The space is flat (Philip Guston 1959)

The space has more depth (Francis Picabia 1913)

The space is flat.(Robert Motherwell 1945)

The space has more depth (Graham Sutherland 1973)

What’s the ‘true color’ of the house?

Monet painted ‘white marble’ on the Rouen Cathedral in different times of day, showing that color doesn’t exist independently of the light

Since color is “relative,” we use warm and cool versions of each color to enhance the feeling of “light”

Chromatic scale to enhance the illusion of “light”

Lighter b/w value in the light

Brighter intensity in the light

Warmer (orangey) red in the light (vs bluer purplish) in the shadow

• This isn’t a ‘rule,’ it’s a ‘recipe’ to enhance the illusion of ‘light’

Chromatic scale

• Light to dark• Bright to dull• Warm to cool

Chromatic scale

Chromatic scale

Georgia O’Keefe

Abstractions in a Lost Tongue

Pyre

Maya Planet

Transfiguration

After the Flood

Creation Myth

Night Spirit

Quintessence