Order + Expression

Order + Expression _

design portfolio _ kristopher leigh

vol. 01

Designer _ kristopher leighOrder + Expression

Forward _

Order + Expression is a design portfolio completed

at the Academy of Art University's School of Graphic

Design. It showcases a cross section of my work

during my years studying at the Academy. The title

references my personal philosophy of the design

process. To me those two words describe both my

personal design process & successful design in

general. Design begins with organizing information

and ends with expressing that information in its

most essential form. Great design analyzes and

breaks down information so that it can be rebuilt

into the purest and most appropriate visualization

of an idea. Please enjoy.

Colophon _

reproduced, stored in a retrieval system or transmitted in any form or by

any means, without the written permission of Kristopher Leigh.

kristopher leigh

Phone _ 630-542-1802

Email _ kleigh1120@gmail.com

Web _ www.kristopherleighdesign.com

academy of art university

70 New Montgomery _ San Francisco, CA

Department Director _ Mary Scott

Course _ Senior Portfolio

Instructor _ Mary Scott

Cover Stock _ Arrestox BV 19990 Black

Text Stock _ Mohawk Superfine I-Tone 80lb text

Printer _ Golden Gate Litho, Oakland, CA

Bindery _ Key Bindery, Oakland, CA

Typefaces _ Akkurat, Hoefler Text, Numbers Claimcheck

Software _ Adobe Suite 4

Camera _ Fujifilm Finepix S9100

Photography _ Personal, Michael Erdman Photography

Table of Contents _ Black Cab Identity [Page 6-23]

Levis CSR Report [Page 24-43]

Uniqlo Skin Care Packaging [Page 44-53]

Synesthesia TED Promotion [Page 54-65]

Revolution Brewery Packaging [Page 66-75]

R3 Project; Re-Lamp [Page 76-87]

Mohawk Paper Promotion [ Page 88-103]

Costco Branding Chart [Page 104-107]

Savoy Kitchenware Packaging [Page 108-117]

Bravado Coffee Packaging [Page 118-127]

Kirkland Packaging a) Kirkland Home Decor [Page 128-137]

b) Kirkland Home Essentials [Page 138-145]

c) Kirkland Bath [Page 146-155]

d) Kirkland Food [Page 156-163]

Brand Identity [Page 164-175]

Acknowledgements [Page 176-177]

To rebrand the United Kingdom’s largest and most iconic taxi cab company in a

fresh and exciting way while retaining the most recognizable parts of the brand

and creating universal appeal for U.K consumers.

For the logo, I came to the conclusion that the most appropriate option was

to create a word mark within a simple banner. By choosing a contemporary type-

face that nods to classic typography, the brand is given a strong, contemporary

look without sacrificing the classic feeling that is so integral to the brand.

Because I also wanted to bring in a graphic element that related to classic Brit-

ish culture, I decided to make a clean, and graphic interpretation of the kind of

banner that is seen everywhere in the U.K. from pubs, to coats of arms. I believe

that these choices create a feeling that is indebted to classic British style while

introducing a bold, contemporary edge to the Black Cab brand.

Black Cab Identity

Identity / Print

Logo, style guide, applications

Identity 2

U.K. urbanites of all ages

Akkurat, Archer

Entrada 180 Text Paper

Rebranding ClassicBritish Sophistication

[01] 02 03 04 05 06 07 08 09page 06

Specs _

Objective _

Solution _

Project

Category

Pieces

Target Audience

Typefaces

Materials

Attributes _

a) Stylish

b) Dapper

c) Classic

d) British

e) Timeless

Project _ bl ack cab identit y Category _ identit y / print page 07

01 [02] 03 04 05 06 07 08 09page 08

01 02 [03] 04 05 06 07 08 09page 10

01 02 03 [04] 05 06 07 08 09page 12

01 02 03 04 [05] 06 07 08 09page 14

01 02 03 04 05 [06] 07 08 09page 16

01 02 03 04 05 06 [07] 08 09page 18

01 02 03 04 05 06 07 [08] 09page 20

01 02 03 04 05 06 07 08 [09]page 22

Levis CSR Report

Print / Digital / Packaging

CSR report, website, canvas tote bag

Print 3

Investors, Levis consumers

Tungsten, Vitesse

Entrada 180 Text Paper, silk-screen on canvas

The Pioneering AmericanSpirit of Levis Strauss

[01] 02 03 04 05 06 07 08 09 10page 24

Specs _

Objective _

Solution _

Project

Category

Pieces

Target Audience

Typefaces

Materials

This project was about showcasing the various philanthropic & environmental

efforts that the Levis corporation is engaged in including fighting AIDS in Africa,

fair labor practice & environmental responsibility.

Levis is widely regarded as one of the most socially responsible and forward

thinking American companies. They take an extraordinary amount of pride in

that fact and use it in their public image. One of the biggest things that they

do to inform people of their efforts is publishing an annual corporate social

responsibility report and accompanying website. In designing the 2010 report,

I decided that a very strong and bold typographic treatment, coupled with a

black and white, vintage documentary photographic style would best highlight

the topic. Keeping in line with what Levis is known for, the aesthetic I created is

youthful & modern with nods to the rich history of the iconic American brand.

Attributes _

a) Pioneering

b) American

c) Informative

d) Editorial

e) Modern

Project _ le vis c sr rep ort Category _ print page 25

01 [02] 03 04 05 06 07 08 09 10

01 02 [03] 04 05 06 07 08 09 10

01 02 03 [04] 05 06 07 08 09 10

01 02 03 04 [05] 06 07 08 09 10

01 02 03 04 05 [06] 07 08 09 10

01 02 03 04 05 06 [07] 08 09 10

01 02 03 04 05 06 07 [08] 09 10

01 02 03 04 05 06 07 08 [09] 10

01 02 03 04 05 06 07 08 09 [10]

Skin Care from Japan'sLeading Clothing Brand

[01] 02 03 04 05page 44

To design a line of skin care products for the casual clothing company Uniqlo.

The design needs to stay within the established visual language of Uniqlo while

also stretching it in a new direction appropriate for skin care.

Specs _

Objective _

Solution _

The visual language of Uniqlo is very recognizable and carries with it a great

amount of cultural credibility. It is highly respected across the world from fash-

ionable cities like it's home city of Tokyo to New York City, where the brand has

become very popular in recent years. I decided to maintain the brand equity of

the color red and the typeface Din, while adding a pearlescent white sheen and

complimentary turquoise. The logo stayed within the Uniqlo aesthetic but ac-

centuated the letter "U" to reinforce the idea of skin care as a personal product.

Breaking away from the square geometry in much of Uniqlo's design, I added a

circle to create a soft feel that reflects the intimate feeling of skin care products.

Project

Category

Pieces

Target Audience

Typefaces

Materials

Uniqlo Skin care packaging

Packaging

Logo, bottles, display stand

Packaging 3

Fashionable, upper middle class 16-35 yr. olds

Plexiglass, rubdowns, brushed metal, paint

Attributes _

a) Youthful

b) Fresh

c) Hip

d) Exciting

e) Colorful

Project _ uniqlo skincare pack aging Category _ identit y / pack aging page 45

01 [02] 03 04 05

01 02 [03] 04 05

pa in t ed p l e x i g l a s s

d ie-c u t b r u s hed me ta l

01 02 03 [04] 05

01 02 03 04 [05]

To create a magazine and poster series to promote a series of TED talks on the

subject of synesthesia; a little understood neurological disorder that cross-

wires sensory perception, allowing people to “see” sounds etc.

In creating visuals for a subject as technical and scientific as synesthesia, it

is essential to present the information in a way that engages the viewer rather

than drowning them in a sea of jargon. I accomplished this is a variety of ways.

One way was by using quotes pulled from various notable figures who had

synesthesia including Vladamir Nobakov and Duke Ellington. These enigmatic

quotes draw the audience into the synesthetic experience. The accompanying

graphics emphasize the point. Bright yet sophisticated colors were chosen as

another way to underscore the sensation of synesthetic experience. Graphic &

engaging diagrams also conveyed the complex information in a digestible form.

Project

Categor y

Pieces

Target Audience

Typefaces

Materials

Synesthesia TED Talk Promotion

Newsprint magazine, poster series

Print 3

Intellectually minded TED viewers

Akkurat

Newsprint, Canon glossy photo paper

Synesthesia; HearingColors and Seeing Sounds

Specs _

Objective _

Solution _

[01] 02 03 04 05 06page 54

Specs _

Objective _

Solution _

Attributes _

a) Scientific

b) Experiential

c) Perception

d) Colorful

e) Informative

Category _ prin tProject _ synesthesia ted talk promotion page 55

01 [02] 03 04 05 06

Category _ prin t page 57Project _ synesthesia ted talk promotion

01 02 [03] 04 05 06

01 02 03 [04] 05 06

01 02 03 04 [05] 06

01 02 03 04 05 [06]

To create a variety of packaging as well as an original identity for the Chicago

based micro-brewery, Revolution. The work needs to be striking and powerful to

carve a niche for itself in the beer packaging marketplace.

The inspiration for the Revolution design came primarily from the Logan Square

neighborhood in Chicago where the Revolution brewery and restaurant is

based. After engaging in discussions with the owner, it became apparent that

Revolution was not only a quintessentially Chicago brand but also could be seen

as sophisticated enough to compete with the best breweries in the world. The

“Revolution” typeface was chosen as an homage to the typography seen

everywhere in the bodegas of the primarily Hispanic neighborhood while the

other typeface were chosen for their sophistication and impact. The blue color,

taken from the Chicago flag is juxtaposed with a striking gold foil and rich black.

Revolution Beer Packaging

Packaging

Logo, Bottles, Can, Pint Glass, Coaster

Packaging 3

Micro brew aficionados

Hessian, Hoefler Text Swash, Knockout

Glass, foil & gloss rubdowns, Cardstock

Cheers to Chicago’sMicro Brew Revolution!

[01] 02 03 04 05page 66

Specs _

Objective _

Solution _

Project

Category

Pieces

Target Audience

Typefaces

Materials

Attributes _

a) Midwestern

b) Confident

c) Striking

d) Exuberant

e) Specialized

Project _ re volution beer pack aging Category _ identit y / pack aging page 67

01 [02] 03 04 05page 68

01 02 [03] 04 05

01 02 03 [04] 05

01 02 03 04 [05]

To redesign a common household product to be more sustainable and then

design a book, logo, and poster to promote the new product. The product that I

chose to redesign was the common household lamp.

My lamp redesign involved rethinking the lamp from the ground up. This involved

inventing a lamp shade made entirely out of recycled plastic bags, a base made

of reclaimed wood from demolished homes & utilizing cutting edge L.E.D light

bulbs. The book design is divided in chapters about the history of the lamp,

the negative environmental effects of plastic bags and unnecessary energy

consumption, & the lamp redesign. The aesthetic is editorial in the photography

choice & classic typography but is pushed into a more intimate direction by us-

ing hand-drawn type & a paper stock that looks & feels similar to newsprint. It

reflects both the environmental message & D.I.Y nature of the lamp redesign.

R3 lamp redesign

Print / identity

Book, logo, promotional newspaper / poster

Graphic design 3

Environmentally conscious individuals

Trade Gothic, Caslon, hand-drawn type

Mohawk via grey, newsprint, glossy rubdowns

Rethinking the ModernHousehold Lamp

Specs _

Objective _

Solution _

Project

Category

Pieces

Target Audience

Typefaces

Materials

[01] 02 03 04 05 06

Attributes _

a) Midwestern

b) Confident

c) Striking

d) Exuberant

e) Specialized

Project _ r 3 l amp redesign Category _ identit y / print page 77

01 [02] 03 04 05 06

Category _ identit y / print page 79Project _ r 3 l amp redesign

01 02 [03] 04 05 06

01 02 03 [04] 05 06

01 02 03 04 [05] 06

01 02 03 04 05 [06]

Mohawk Synergy Paper Promotion

Book, Swatch Cards, Posters

Typography 3

Graphic Designers

Blender

Entrada 190 Text Paper

Synergy, Urban Sprawl and the New Urbanism

[01] 02 03 04 05 06 07 08page 88

Specs _

Objective _

Solution _

Project

Category

Pieces

Target Audience

Typefaces

Materials

To design a variety of promotional materials for Mohawk Synergy paper. The de-

sign needs to successfully showcase Synergy paper and also maintain audience

interest with a provocative subject matter.

As something that profoundly effects us every day in ways that are not always

immediately visible, urban planning and suburban sprawl has been an interest

of mine for a long time. As I researched the notion of synergy for this project, the

opportunity to explore this idea presented itself; suburban sprawl represents

the opposite of synergy. Sprawl is defined as the spreading outwards of a city

and its suburbs to low density & auto dependent rural land. High segregation of

uses (e.g. stores and residential), & various design features that encourage car

dependence are symptoms of sprawl. The book explores the many negative ef-

fects of sprawl on the environment and the physical / mental health of citizens

living in sprawling cities & also shows encouraging examples of urban planning.

Attributes _

a) Editorial

b) Bold

c) Edgy

d) Provocative

e) Thoughtful

Project _ synergy paper promotion Category _ print page 89

01 [02] 03 04 05 06 07 08

01 02 [03] 04 05 06 07 08

01 02 03 [04] 05 06 07 08

01 02 03 04 [05] 06 07 08

01 02 03 04 05 [06] 07 08

01 02 03 04 05 06 [07] 08

01 02 03 04 05 06 07 [08]

[01] 02page 104

Revitalizing the CostcoShopping Experience _

Project _ costco pack aging Category _ identit y / pack aging page 105

Description _International coffee products.

Price Point _ $3 - $25

Key Adjectives _Classic, global, specialized.

Desig n Mission Statement _

- Create a “house of brands” made up of private lines that will strengthen the Costco identity. - Create strong, cohesive packaging to add value to the consumer shopping experience. - Attract a younger & broader consumer base.

Description _High-end cookware products.

Key Adjectives _ Sophisticated, reliable, gourmet.

01 [02]

Description _ Food products.

Key Adjectives _ Clean, simple, modern, reusable.

Description _ Home decor products.

Key Adjectives _ Clean, fun, energetic, modern.

Description _ Bath products.

Key Adjectives _Clean, vivid, soft, welcoming.

Description _ Home cleaning products.

Key Adjectives _ Clean, bright, simple, modern.

Desig n Mission Statement _

- Create a “branded house” made up of cohesive, yet varied packaging in a variety of product categories.- Attract a younger & broader consumer base. - Create a one-stop shopping experience where consumers can buy quality products at a low price.

Project _ costco br anding chart Category _ pack aging page 107

To create a variety of packaging for the Coscto private label Savoy; makers of

high-end, high-quality cookware that is targeted towards a more sophisticated

consumer with a higher price point.

To create packaging for such a high-end and product, it was essential that the

design was sophisticated and beautiful enough to justify the cost. A consumer

buying Savoy cookware is not only buying a piece that they will likely have for

many years, but they are also purchasing the experience of feeling like a world

class chef themselves. By creating a product endorsed by world class French

chef Guy Savoy and accentuating the beauty of the product with sumptuous

photography & sophisticated colors / typography, consumers would feel as if

they are buying something special. Silver foils matched with rich eggplant and

vivid goldenrod give the design a powerful feeling of class.

Savoy Cookware Packaging

Packaging

Tea press, salt/pepper grinder, 6-piece set, knife set

Kristopher Leigh, Woorim Choi, Anna Bazarnaya

Packaging 4

Aspiring home chefs

Helvetica Neue, Chronicle Text

Silver foils, laminated Boxes, wood

High-End Cookware forthe Sophisticated Cook

[01] 02 03 04 05page 108

Specs _

Objective _

Solution _

Project

Category

Pieces

Team Members

Target Audience

Typefaces

Materials

Attributes _

a) Classy

b) Gourmet

c) Quality

d) Sophisticated

e) Reliable

Project _ savoy cook ware pack aging Category _ identit y / pack aging page 109

01 [02] 03 04 05

01 02 [03] 04 05

01 02 03 [04] 05

01 02 03 04 [05]

Gourmet Coffee Blendsfrom Around the World

Specs _

Objective _

Solution _

Project

Category

Pieces

Team Members

Target Audience

Typefaces

Materials

To create a variety of packaging for the Coscto private label Bravado; makers of

high quality coffee blends and coffee related products from around the world

that is targeted towards coffee connoisseurs on a budget.

The most important aspects of the Bravado coffee brand is that they make a

product that is delicious, international, and authentic; all things that our target

audience would look for in a coffee product. To fully appeal to our demographic,

the packaging played up the characteristics of the product that made it

stand out including the roasting date, the specific farm and region where it was

grown, the altitude at which it was grown and even the name of the family that

produced it. Highly descriptive text was added to entice the consumer and give

them the feeling that they were buying something that is a cut above. Visual

cues were taken from classic Italian coffeehouses and culture.

Bravado Coffee Packaging

Packaging

Coffee blends, covered coffee beans, flavored crisps

Packaging 4

Coffee connoisseurs on a budget

Tungsten (modified), Numbers indicia, Knockout

Moab Somerset paper, plastic, tin

[01] 02 03 04 05

Attributes _

a) Gourmet

b) Global

c) Specialized

d) Artisanal

e) Premium

ESERVE COLLECTION

AND CRAFTED COFFEE •EST. 19 2 7

Project _ br avado coffee pack aging Category _ identit y / pack aging page 119

01 [02] 03 04 05

01 02 [03] 04 05

ESERVE COLLECTION

• HA

ND CR AF TED COFFEE •ES T. 19 2 7

ESERVE COLLECTION

• HA

01 02 03 [04] 05

ESERVE COLLECTION

• HA

MILK CHOCOLATE MINT CRISPS lt THIN COOKIES

Delightful combination of pure milk chocolate & Morrocan mint

NET WT.8.5 OZ (278 g)

ESERVE COLLECTION

• HA

01 02 03 04 [05]

Our goal for this project was to design a cohesive, instantly identifiable, and

flexible packaging system for a wide variety of products produced by Costco's

in-house brand Kirkland including; home essentials, bath, decor and food.

By using a consistent yet flexible logo mark, paired with a specific color palette

and typographic language that changes in each section of the Kirkland brand,

we created packaging that is clearly identifiable as being from the same family

yet also has individual visual styles. Great care was taken to create visual lan-

guages that were appropriate for the products being sold and spoke to a variety

of audiences that would shop at Costco. For example, the home decor products

have a fun and inviting style that is targeted toward a younger audience while

the home essentials products exude a cleanliness and simplicity appropriate

for products like detergent and disinfectant spray.

Kirkland Packaging

Identity / Packaging

Packaging 4

American consumers ages 18-60

Gotham, Chronicle, Avenir, Helvetica Neue

Glass, rubdowns, laminated paper

Kirkland Packaging;Branding a House

[01] 02 03 04 05 06 07 08 09 10 11 12 13 14 15 16 17 18page 128

Specs _

Objective _

Solution _

Project

Category

Team Members

Target Audience

Typefaces

Materials

Attributes _

a) Clean

b) Modern

c) Simple

d) Recognizable

e) Flexible

Project _ kirkl and pack aging Category _ identit y / pack aging page 129

01 [02] 03 04 05 06 07 08 09 10 11 12 13 14 15 16 17 18

01 02 [03] 04 05 06 07 08 09 10 11 12 13 14 15 16 17 18

01 02 03 [04] 05 06 07 08 09 10 11 12 13 14 15 16 17 18

01 02 03 04 [05] 06 07 08 09 10 11 12 13 14 15 16 17 18

01 02 03 04 05 [06] 07 08 09 10 11 12 13 14 15 16 17 18

01 02 03 04 05 06 [07] 08 09 10 11 12 13 14 15 16 17 18

01 02 03 04 05 06 07 [08] 09 10 11 12 13 14 15 16 17 18

01 02 03 04 05 06 07 08 [09] 10 11 12 13 14 15 16 17 18

SPEARMINTMoisturizing

3.75 OZ (105 G)

KIRKLAND BAR SOAPThis Bar Soap is great for sensitive skin and provides protection as it softens and moisturizes your skin.

MADE IN U.S.A

WWW.COSTCO.COM

GRAPEFRUITRefreshing

3.75 OZ (105 G)bar

KIRKLAND BAR SOAPThis Bar Soap offers de-stressing and detoxifying elements while including stimulating and clarifying elements.

MADE IN U.S.A

WWW.COSTCO.COM

COCONUTBalancing

3.75 OZ (105 G)bar

KIRKLAND BAR SOAPThis Bar Soap provides calming and rejuvenating elements while including a balancing and uplifting essence.

MADE IN U.S.A

WWW.COSTCO.COM

01 02 03 04 05 06 07 08 09 [10] 11 12 13 14 15 16 17 18

01 02 03 04 05 06 07 08 09 10 [11] 12 13 14 15 16 17 18

01 02 03 04 05 06 07 08 09 10 11 [12] 13 14 15 16 17 18

AQUA FRESHFresh breath

5.6 OZ (158.8 G)

AQUA FRESHFresh breath

5.6 OZ (158.8 G)toot

, Sili

CINNAMONStrong teeth

5.6 OZ (158.8 G)

CINNAMONStrong teeth5.6 OZ (158.8 G)to

, Sili

SPEARMINTHealthy gums

5.6 OZ (158.8 G)

SPEARMINTHealthy gums

5.6 OZ (158.8 G)toot

, Sili

01 02 03 04 05 06 07 08 09 10 11 12 [13] 14 15 16 17 18

01 02 03 04 05 06 07 08 09 10 11 12 13 [14] 15 16 17 18

01 02 03 04 05 06 07 08 09 10 11 12 13 14 [15] 16 17 18

01 02 03 04 05 06 07 08 09 10 11 12 13 14 15 [16] 17 18

01 02 03 04 05 06 07 08 09 10 11 12 13 14 15 16 [17] 18

01 02 03 04 05 06 07 08 09 10 11 12 13 14 15 16 17 [18]

[01] 02 03 04 05 06page 164

Brand Identity _

Project _ br and identit y Category _ identit y page 165

01 [02] 03 04 05 06

01 02 [03] 04 05 06

01 02 03 [04] 05 06

ESERVE COLLECTION

• HA

01 02 03 04 [05] 06

ESERVE COLLECTION

• HA

01 02 03 04 05 [06]

Thank You _

Mom & Dad for always supporting me. Eleanor for

being there for me. All my friends from Chicago to

San Francisco. Mary Scott for guiding me in the

process of making this book. Thomas McNulty for

supporting me through so many identity & packag-

ing projects. Scott Rankin for giving me my first

formal introduction to design. Christine George for

introducing me to the world of packaging. Michael

Osbourne for solidifying my love of packaging &

teaching me about the art of collaboration. Allen

Gaoiran for the always intelligent and thoughtful

critiques. Jennifer Sterling for starting me on what

I am sure will be a lifelong obsession with typogra-

phy. Tom Sieu for opening my eyes to what design

can really do. Thank you everybody.

Order + Expression

Documents

Transcript of Order + Expression

Gene order and chromosome dynamics coordinate ... · Gene order and chromosome dynamics coordinate spatiotemporal gene expression during the bacterial growth cycle Patrick Sobetzkoa,

Research Paper Expression and prognosis analysis of TET ...€¦ · was identified in .5% (17/200) of these AML 8 patients. Prognostic value of TETs expression in AML . In order to

on the state of freedom of expression in Egypt · 2018. 7. 9. · to freedom of expression and freedom of information, in order to evaluate the general policies of state institutions

Jeopardy Evaluate the Expression Powers and Equations Order of Operations Distance Formula Word Problems 100 200 300 400 500.

1. From the rate expression for the following reactions ... 12TH/CLASS 12TH CHEMIS…1. From the rate expression for the following reactions, determine their order of the reaction

Localized gene expression changes during …...At the molecular level, however, the regulation of adventitious root formation is still poorly understood. In order to eluci In order

Expression quantitative trait loci analysis of the Rubisco activase … · 2020. 7. 23. · Expression quantitative trait loci (eQTL) analyses were applied in order to identify genetic

Gene Expression Analysis of Zebrafish Melanocytes ...genetics.wustl.edu/rmlab/files/2012/09/Gene-expression-analysis-of-zebrafish... · In order to facilitate understanding of pigment

-l!zo - -CUSTOMER VALUE-office order)/Invitation for Expression... · HPSEB Ltd. invites Expression of Interest for Scanning/Digitization of ... Circle, Division and Sub ... The scanned

Expression of 29 August 2016 Interest on supply of COVID-19 ......Expression of Interest on supply of COVID-19 vaccines Respondents to the EOI 3 In alphabetical order: Anhui Zhifei

GroupeLacasse Expression Addendum US CA QC 3expression.groupelacasse.com/Expression_PriceList_CDN.pdf · 1 888 522.2773 EXPRESSION 3946 U426-0 6/14 1M STOOLS SAMPLE ORDER: M52-E3-MME-XM36-SYN-P-AB-HDW-WA8

Integer Order of Operations - traughbermath.com...Integer Order of Operations Simplify each expression using the order of operations. Find your answer in one of the three answer columns.

TEKS 6.2E Lesson 6 (2 nd 6 Weeks) The order in which operations are computed in an expression.

The regulation of Hox gene expression during animal development · organisation along the chromosome as well as their order of expression along the AP axis also displayed collinearity.

Order of Operations - McGraw Hill Education · PDF fileLesson Guide Algorithms ... will follow order of operations, regardless of the order in which an expression is entered. NOTE

mcst-is-cs.wikispaces.comC… · Web viewThe order of precedence is applied to an expression by evaluating the expression from left to right for values within parentheses – within

LEGISLATIVE EXPRESSION - MetaphysicSpirit.com Expression.pdf · On Legislative Expression - by George Coode Page 3 of 51 RECAPITULATION 33 Advantages of this order - the cases first

WITNESS PROTECTION ACT - Kenya Law Reports...“witness” has the meaning ascribed to that expression by section 3; “witness protection order” means an order of the High Court

Targeted disruption of hepatic frataxin expression causes ... · Friedreich’s ataxia is an inherited neurodegenerative dis-order (2) caused by reduced expression of the mitochondrial

16.1 Rate expression 16.1.1 Distinguish between the terms rate constant, overall order of reaction and order of reaction with respect to a particular reactant.