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» kmu 7 84.R 3 3333 07582 1773TWENTY-FOUR ITALIANSONGS AND ARIAS OF THE* I
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24 ITALIAN SONGS AND ARIAS Medium Low Voice
SCHIRMER'S LIBRARYOF MUSICAL CLASSICS
Vol. 1723
Twenty-FourItalian Songsand Arias
of the
Seventeenth and
Eighteenth Centuries
For Medium Low Voice
$3.50
A P
Ml
SCHIRMER'S LIBRARYOF MUSICAL CLASSICS
Twenty-Four Italian Songsand Arias
of the
Seventeenth and Eighteenth
Centuries
FOR MEDIUM HIGH VOICE
Library Vol. 1722
FOR MEDIUM LOW VOICE
Library Vol. 1723
W
G. SCHIRMER New York/London
Copyright, 1894, by G. Schirmer, Inc.
Copyright Renewal Assigned, 1926, to G. Schirmer, Inc.
Copyright, 1948, by G. Schirmer, Inc
International Copyright Secured
Pilntad In th« U. S. A.
CONTENTSPage
BONONCINI Per la gloria d'adorarvi 3
CACCINI Amarilli, mia bella 8
CALDARA Alma del core 11
Come raggio di sol 16
Sebben, crudele 19
CARISSIMI Vittoria, mio core! 23
De LUCA Non posso disperar 60
DURANTE Danza, danza, fanciulla gentile 28
Vergin, tutto amor 32
GIORDANI Caromioben 35
GLUCK O del mio dolce ardor 38
LEGRENZI Che fiero costume 44
LOTTI Pur dicesti, o bocca bella 49
MARCELLO II mio bel foco 54
MONTEVERDI Lasciatemi morire! 65
PAISIELLO Nel cor piu non mi sento 66
PERGOLESI Se tu m'ami, se sospiri 68
Nina (attributed to Pergolesi) 72
SCARLATTI, A. Gia il sole dal Gange 74
LeViolette 79
O cessate di piagarmi 84
Se Florindo e fedele 86
STRADELLA Pieta, Signore! 92
TORELLI Tu lo sai 98
r Per la gloria d'adorarvi
For the love my heart doth prizefrom the opera "Griselda"
3
Ml.
&15&3. \773
English version by
Dr. Theodore Baker
Giovanni Battista Bononcini
(1672-1750)
Voice
Andante J=so
Piano
imiGQw
ggfT~r3=z
w
-m^ m W W%
&
±4^3
#mfS £Per. la glo - ria d'a
mm ±\do -
For the love my heart doth
m £ w?
hS-S-
t=*
mr<2r l 1 &iW^ ?
£ ^ *^P?tr
PP
35 i IJ. J '
:st
rar - vi vo-glioji
prize, charm-ful
mar -vi^jo lu - ci ca - re
;
eyes, I would a - doreper.For.
la
the
41573 rx
Copyright, 1894, by G. Schirmer, Inc.
Copyright renewed, 1922, by Theodore BakerPrinted in the U. S. A.
tifw YORK POTLIC LIBRARY FOR TH^r>,TORMK«l AR<E8HEW YOH.B- ru
Q UU£0IJI. C1-
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»lo - ria d'a do rar^ vi vo -glioma
love my heart _ doth prize, O charm - ful
mar -vi^jo
lu -
eyes, I would
ci ca
a - dore
re
ye
A - man-do pe - ne - rb,
For_ me, my love is pain,—ma sem-pre va-me-I_ know 'tis all in
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ye
ro,.
vain,.
81,
vain,si,_vain,
nel mio_Yet kneel.
pe-nabe-fore
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/.
g=s "^ U "j"fi
^A - man- do pe - ne -
rb,
For_ me, my love is pain,_
ma sem-pre v'a-me -rb,
I know 'tis all in vain,.
si,
vain,
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41573
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yet kneel.pe-nabe-fore
re,
ye.
pe - ne -r6, v'a - me -
rb,
Love is pain, all in vain
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in vain I im-plore
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Hope - less 'tis to look for
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I^^41573
6
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let - to va-no af - fet - to_£_ so - spi - ra - re,
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sen - za
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me di di - let to va - no af - fet - to_e so -
to look for kind - ness, Fool - - ish fond-ness with sighs
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tHm-plore
ma i vo-stri dol-ci ra - i
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chi_ va-gheggiar pubBask in your sun-ny
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m41573
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ma i vo-stri dol - ci ra- i
But who-e'er might woo your gaze,
chi_ va-gheggiar pub mai.
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e
and
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wmr~rr
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not, and not.
va-maa-dore
re?
ye?pe - ne-rb, v'a - me-rb, lu-ci ca
Love is pain, all in vain I im-plore
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love is pain, all
mm imme-rb, lu-ci cain vain I im-plore
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141573
8
Amarilli, mia bella
Amarilli, my fair one
Madrigal
English version byDr. Theodore Baker
Giulio Caccini
(1546-1618)
Moderato affettuoso J = 66
ice ^P^V-f^Voicer i r
Jrgjgg
AA
ma - ril -li, mia bel
ma - ril -li, my fair
la, non ere -di^o del mio
one, Canst thou thine heart to
fcZE£Fh5*
Piano p dolcissirno e
mlegato sempre
mw§f f n ^
Effiggp 23
piuf
P* mt^2=^: i fcor
doubt
dol
e'er.
ce de - si
sur - reno,
der.
d'es - - ser tu
Doubt of my love,.
fey ^ m ±^=5s 3
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, §=
Pf
femf
V i iesi 7 . h n _h-& 3El'a-mor mi
true and ten
o?
der?Cre - di - lo pur:Do but be - lieve,
e se ti -
for should e'er
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F ^T41573
Copyright, 1894, by G. Schirmer, Inc.
Copyright renewed, 1922, by Theodore Baker
9
$k*2dz 3E
mor t'as - sa
fear as - sail
le,
thee,
duIt
d• * d
]^±±bi-tar non ti vacan nev - er a - vail
le.
thee.
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dolce
xc
^
7?
7=*"
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mf
t^m N h i>^ P -o- <?xs:
ril - li ejl mioji - moril -
li, my be - lov
re. Cre
ed!" Doa tempo
di - lo pur-,
but be-lieve,
e se ti -
for should e'er
41573
10
mort'as-sa - le,
fear as -sail thee,
f
mmdu - bi-tar non ti va - le. AIt can nev-er a - vail thee. Ope
s £ £ zaz i £ ^pri-rrujlthou my
;iHn pp j>i *r e r- r.dolce
77 $ f I *|& 5
^^ f 3 2 i ^t :a:
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JVl^ JUjtf/?^s J Si
pet - to e ve-drai scrit-tQJn co - re: A-ma-rilbo - som, and see thy fears re-prov -
ed-, On my heart
-li,
'tis_ writ,
A-ma-
Onmy
rit. il'J'P
ril -
heart 'tis.
A-ma-rilA-ma- ril
li qJI mioa - moli, my be - lov
A - ma-A - ma -m n 2m ^ M—6
p m.
&m ^ X9;
rit.. pjjp dolciss.mS
ril
ril
£&
li_
li,.
e_il miQ_a - momy be - lov
re.
ed!"
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~rs~&'
asset i legato^ ^wry
it m i=t
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41573
Alma del core
Fairest adored
11
English version byEverett Helm
Antonio Caldara
(1670-1736)
Voice
Piano '
jjgjTempo di Minuetto
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r
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77 EI-
7?^ -6±-G-_
77
41673
Copyright, 1948, by G. Schirmer, Inc.
International Copyright Secured
12
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spir - to_ dell' al - ma!
Spir - it_ of_ beau-ty!
P
Al - ma del co
Fair-est a - dor
^mre,
ed,mj0
5 *
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W. p
IT
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5
s:77
mmm mf
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spir- to_ dell' al - ma, sem - pre co - stan - te.
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t'a - do
I'll— ev
re
er
AHmf
7 * W * r # s
jiiiffi ^P^# ^ rin?/? s l »^ •
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re -rb, t'a
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doev
re
erro,
be,
*=t 3=£-)tip
3=fc 3=££ ^l
Mipp m p^
At'a - do - re -
ro, t'a
I'll ev - er_ be, I'll
do - re - ro!
ev - er be.
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?41573
it ^^ mAl - ma del co - -
re, spir - to dell_ al - ma, sem-pre co
Fair -est a - dor - - ed, Spir - it of beau -ty! Thy faith- ful
13
1
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t 3
P^i=,=*
p^/ i?
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stan - te
lov - er
t'a - do
I'll_ ev
£ ^re -
rb, sem - pre co - stan - te.
er be, Thy faith -ful lov - er.
&*=1r=l
% r^r» 3 r
gag/
f^ m m w^f
Sa - rb con - ten - to nel mio tor men -to,
This boon I ask thee That thou wilt grant mea tempo
s—
p
sf:
imf
:xs:
se
Thy
f
quel bel
lips a
lab
dor
bro.
ed.
if spur-tr
¥= r j g
41673
14
Um W£ba - ciar po -
tro,
once more_ to kiss,
IjJ J J|
J ==£=se quel bel lab -
bro,
thy lips a - dor - ed,
Pp p p
se quel bel
thy lips a
lab
dorbro.
ed.
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J- PP.r.ir^ "»
jRJ)
S i|3 ISEE 1
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f p-fit-*
tf S £5»/ mm1X3 -CM- £
ba - ciar po - tro.
once more_ to kiss.
Al - ma del
Fair -est a
co
dor
zz
re,
ed.
-9^
w ~w
^™f r P^f -&-* -<5^
£* sg i~F
35/
E £ -©-*-
spir - to_ dell' al - ma, sem - pre co - stan - te.
Spir - it of beau-ty! Thy faith-ful lov - er.
t'a - do
I'll ev
re
erro,
be,
4u mp
mpp
3£ ^t'a - doTil ev
re
er_
wmto, t'a
be, I'll
doev
re -ro,
er be,
t'a - do
I'll ev
re
er.
iEEt *=3= £ee£
tup PP
wm r \ t ^m w *EE*E
41B7-.1
fe& mi mf15
to, t'a
be, I'll
n~r^ J J iHTdoev
re - ro! Al - ma del co
er be. Fair -est a - dor
-re,
- ed,
ifeS za. ^ /5
-&*-
spir- to_ dell' al - ma, sem-pre co - stan - te_
Spir-it_ of_ beau-ty, Thy faith -ful lov - er.
t'a - do - re -rb,
I'll ev - er be,
IU.m
p2 5£
sem - pre co
Thy faith -ful
stan - te.
lov - er_
t'-a- do
I'll- evre - ro.
er be.
P % P*=1: j. | ; =
r*^ f * r * s
a ^ /'EDT'
r
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41573
16
Come raggio di sol
As on the swelling wave
Aria
English version byDr. Theodore Baker
Voice^Sostenuto J = 46
PianoPUiiitt l *mm
Antonio Caldara
(1670-1736)
pp.
Co - me rag-gio di
As on the swell-ing
i if im iiiiii
$p
"p. |r>«w/v
£ 5 «=}=}sol
wavemi - tee se - re -
no,
in i - die mo -tion,
co - me rag-gio di
As on the swell-ing
m^ JE i=fffj^p
^EJES=p=[ ff ff B gj Lf U
41573
Copyright f 1894, by G. Schirmer, Inc.
Copyright renewal assigned, 1926, to G. Schirmer, Inr.
#^ ^h^ #ST &P17
affrett.
pla - ci - di flut - ti si ri - posun - beams at play are gai-ly rid
sa,
ing,
men - tre del
While in the
***** t ffiffl
1&* Ji J^
affrett.
mmpoco a poco
»',#p
ft= ^5ma - re, menbo - som, while.
tre del ma - re nel pro - fon
in the bo - som of thun-fath
im b.
do
om'd
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m ^nn n ;: mi i ^—±•—•
^
^^ -^ p
£EE5:3=a
se
o
ifel
no
ceansta la tern - pe
There lies a tem
ffffff ::::,,«***#*#«-
Ppcresc. e stringmm UU'U-«=*
^ i/ »»* r«//. <z tempo
fe£i>
* I? * J >fp=3^sta
pest
ain
SCO
hid
sa:
ing:
CO - SI
So are
K^LTLf Lf-
PffH^? a tempo
d d d d d
ITcol cantoi
41573
18
#tranquillo
5 f j> ^ f^ E
ri
manso ta - lor ga-io_e pa ca - to di con - ten -
to, di
y that wear a mien con - tent - ed, Man-y_a vis - age where
'
imsstent.
f JfT=t J 1 J'ivJ^ 'j i>PPPgio-ia_un lab-brojn
- fio -ra,
on a smile e'er hov - ers,
fmen - tre nel suo se - gre - to il cor pia
While, deep with-in, the bo - som a heart tor-
# fffff ffffff m tt , , , ,stent.^
*y^ <&'t». e r*V. rail.
fp=fr ^^is'an-go-sciae si mar -to
In se - cret an-guish covgament
to.
ed
;pm si foH^i^Iltttllfcresc. e string. rail.
"1 » >1^ a .:
«• ffi?P
ra- -
ers .
a tempo_f\ a tempo
ffW! *n n ~ts:—
I i i I ti i TT^ rf*2». assat
j— :
41B73
Sebben, crudele
Tho' not deservingCanzonetta
English version byDr. Theodore Baker
19
Antonio Caldara
(1670-1736)
Allegretto grazioso J:84
Piano
=±«==
^^E gj r
J» smorz.
Seb - ben, cru - de
Tho' not de - servle, mi fai_ Ian
ing Thy cru - el
guir,.
scorn,
sem - pre fe
Ev - er un
p qJIJTj m i ap cresc.m '[ j 33 « t
rit. a tempo
deswerv
le, sem - pre fe - de - le ti vo - glio a
ing, ev - er un - swerv -ing Thee on -ly I.
mar.love.
a tempo
gg|mf
i r 'f l|j j
deciso
Seb -ben, cru - de
Tho' not de - servle,
ing
4157S
Copyright, 1894, by G. Schirmer, Inc.
Copyright renewal assigned, 1926, to G. Schirmer, Inc.
so
cresc.
y r ir*
£.rit. assat
mfe$ jjgj. p
mi fai Ian - guir, _
Thy cru - el scorn,.
sem -pre fe
Ev - er_ unde - le ti vo - glio aswerv - ing Thee on -
ly I
n w H. i mg j ,.^jji j_j>j:
r#. assat
m¥ ii r ITW1B»^^ / F
i i • p
P¥
*a tempo m:>f cresc.
j ur
i
riJ inJ | r m
'
Vfct
i!mar.love.
Seb - ben, cru - de
Tho' not de - servle, mi fai Ian - guir, _
ing Thy cru - el scorn,
;#m i=i £ i
cresc~.
^ms=?3
S a tempo ^fs: J2= is^- f©-
5-
a hs-
I
'«*••
/ ro£ assat
h.JU I J' J 5a tempo P
ia Pb ^sem -
pre fe
Ev - er_ unde - le ti_ vo - glio a - mar.swerv -ing Thee on - ly I love.
Con la lun
When to thee
/UJ_LLj^PI nr ^*=:r<&'?».
•m r rJ i
tyV. assat a tempo P2
frs-1
i EE ^Nfe£ E3=Eghezkneel
za
ing
del mio ser - vir
All I have borne,
la tua fie - rez
Thy pride un - feelza,
ing,
te ^4 Wm ^41B73
21
t!i_J r J-3 :fla tua fie - rez
Thy pride un - feel
j1 4i -
r ^ i^ -
za sa - pro stan-car
ing I then shall move,
3^fe a
^v-^^r^rr
£ 3JLLI^Efer*
3 ^i
la tua fie
Thy pride un
-4-
i^£
i»rt
i=
*rit. a tempo
1 p £i-_J hS^
rez - za sa - pro stan - car.
feel - ing I then shall move.
M M im J
| jr~jy
Psmorz.
3-Sjte- *=* s=»MHj eh ** ax
s 3rjirzu^n^l a tempo X
£ ^^ ?-s^
pi^J J r ir
in=eSeb - ben, cru -de -
le,
Tho1 not de - serv - ing
mi fai_ Ian - guir,_
Thy cru - el scorn,.
sem - pre fe
Ev - er unde
swervle, sem - pre fe - de - le ti vo - glio a -
ev - er un - swerv- ing Thee on -ly I—
m ipp iPP Wppfcresc.m mm piu cresc.
-&- w p^41573
22
M a tempo mf
mar.
love.
m ^
Pmf deciso P
Seb -ben, cru -
Tho' not de -
§a tempom p
^^r r r
^
miELECT
iIt
~P^
cresc.
I,
rliJ
|l|J 3pEp r if b^i^j
de
servle, mi fai Ian - guir, _
ing Thy cru - el scorn,
sem - pre_ fe - de - le ti
Ev - er un - swerv - ing Thee
iLfTjrj>
*mt t^# J J J> J
cresc JL'±
&*-
£rit. assat
ita tempo mf cresc.
m fi
f& inJ y rU- i'
' Jvo - glioon -
ly
a - mar,I love;
seb -ben, cru -de -
le,
Tho1 not de - serv - ing
mi fai Ian
Thy cru - el
rit. assai- > mz. ass
guir,
scorn.
sem - pre_ fe
Ev - er unde - le ti vo - glio aswerv -ing Thee on -
ly I
mar.
love.
^fed;B g
41573
IPC
^=£
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i
i
2P.1P
#
English version byH.Millard
Vittoria, mio core!Victorious my heart is!
Cantata
Voice
Allegro con brio J = i68
23
Giacomo Carissimi
(1605-1674)
Vit - to - ria! Vit - to - ria! Vit - to - ria! Vit - to -ria, mio
Vic - to-rious, Vic - to-rious, Vic - to-rious, Vic - to-rious my
Piano
Upiu, Evain, For
sciol - ta d'A - mo - re La vil ser - vi -tu;
love now has bro-ken its shack-les in twain.
Vit - to - ria! Vit
Vic - to-rious, Vic
3=^=± 3= mr3L
£r-s;
^er
3-2ȣ- V
^r*tt mr^u
to -ria,
to- rious
mio
myCO
heart_re!
is!
Non la - gri-mar piu, BAnd tears are in vain, For
r^P FP^l1 j; J
Si ^r T r r r
^5^:
F* » r «•
41573 Copyright, 1880, by G. Schirmer, Inc.
24
bpJ-j Jl
l^ JJIJ^p^P cresc.
-&- 1sciol-ta_ d'A - mo - re_ La_ vil ser vi - tu, E sciol
love now has bro-ken its_ shack-les in twain, For love.
I
fct3±
^m^m
T WIE
np
^
6*77'
£
cresc.cresc.
ft*# -»-^3 ^i rrrrjJ i J J n J J
r i r~r
/?\
5^^fe
,#ft*I f
sa
^i^
ta d'A - mo - re La ser vi - tu.
now has bro - ken its shack - les in twain.
* 1i i
*f
-&
Gs
5 £22
Ift*
fneno mosso e dolce assaiP
6-
7JS 1i^P^ £ p^?^
ft*
Gia l'em-piaa' tuoi dan- ni, Pra stuo-lo di sguar-di, Con vez - zi buThe false one is van-quish'd, her glanc-es a - muse me, De - cep-tion no
W-
3up fneno mosso e dolce assai
"~G
&: &' «t
$*NNEcresc. mpp ^t
;#ft*
giar - di Di - spo - se_ gl'in - gan -
long-er with arts can con - fuse_ni; Le fro - de, gli_afme! No false -hood or
fan - ni Nonsor-row op
F ^w.*
Mlcresc.
-ZZ2 3W573
25
I4*£ 3 ZZ- T ^ j
ri
J J Ji
r £KJ'
han - no piu lo
press me with rig
co, Del cru - do suo
or, The flame, once so
fo - co E spen - to_ l'ar -
cru -el, has spent all_ its_
i iPFi
f
#
3^g5j
mmTempo 1°
_xJ i nJ
Ujm i
*fe
do -
vig -
re! Vit - to - ria! Vit - to - ria! Vit
or! Vic - to-rious! Vic - to-rious! Vic
to - ria! Vit
to- rious! Vic
to - ria, mioto - rious my
s== W^ap
-&*-
x3f
^^sr
r
*
ms
^*
ir
§^^^f
§yt ^ s /
i'
J. ji-^CO -
heart
re!
is!
I*
Non la - gri-mar piu, NonAnd tears are in vain, And
la - gri-mar piu, Etears are in vain, For^ m ^^
f r
^m.^r r
^s 1 32:
r=f
$**
p cresc.
B 1r r r tsciol
love
sciol -ta dA - mo - re La vil ser
love now has bro-ken its shack- les
vi - til. Ein twain, For
IfagH 1=3=3 ^^ i3=1£:
a**/ p
3CTVSC.
5 ^4157U
26
§i/ ^ /T\^^ «
ta d'A - mo - re La ser
now has bro-ken its shack- lesmm3tf
if * 5 5 i
g ^wa— i I ^
vi - tu!
in twain!
?^>/ */
i
32
^^ £
f&=*meno mosso e dolce assai
6-2
i^ ^P ? i^;#
y=
Da lu - ei ri - den - ti
Her smile once en - tranc - ing
Non e - see pift stra -le, Che
no darts is re - veal -ing, The
ftp meno mosso e dolce assai
mm s cresc.
PP i^f
;#ft*
pia - ga mor - ta - le Nel pet - to m'av - ven -
wounds in my bo - som with time are_ all_ heal -
ti: Nel duol, ne' tor
ing; All sor-row and
£I^ f F^r ^
cresc.
«* m3 -&*- ^«•
Ift*1 ^ ^Pf £
men - ti lo piu non mitor-ment no long-er I'm
sfac
fear
cio E rot-too -gni lac-cio, Spaing, Now bro - ken each tie is, all
^V¥
^mi
Ti
J:
ft^^:
?
#
41673
m^mTempo 1°
27
=i=^^
**
ri -tq_il ti - mo -
fears dis - ap - pear
- re! Vit - to - ria! Vit - to-ria! Vit - to-ria! Vit- ing! Vic- to-rious, Vic - to-rious, Vic - to-rious, Vic
i £ mm wmfe %/ss £- Y r
% wm15
&' •&'
§ai^
z> ^J U. «N u"73
—re!
is!
to - ria, mio eo -
to - rious my heart
Non la - gri-mar piii, Non la - gri-marAnd tears are in vain, And tears are in
=m^y r"rSi
£ ^Jr
PJ \o "r=rjtf:
/i
^5 1r r r t
piu,
vain.
E sciol-ta dA-mo-re La vil ser - vi -tii, E sciol
For love now has bro-ken its shack-les in twain, For love_
;#«t
r*>y J
^^s^-y.
»/
iF Ir -ir
S^
&'
? 5-S^
r/? largamente stent.
- ta d'A - mo - re La ser - vi
now has bro-ken its shack-les in
fct i
M fI cresc.
£^=
^?
¥f m
»/ <p $
msf col canto
m- til!
twain!
0\
'/
i
-•- «-
/7\
f41573
28
Danza, danza, fanciulla gentileDance, O dance, maiden gay
Arietta
English version byDr. Theodore Baker
Francesco Durante(1684-1755)
VoicemAllegro con spirito J = 138
fP^fh
$h.
^5!Piano
mik^m
j r r r=s^^
^g/ ^<
^ *^=J^£?
#
Dan - za,_ dan -za, fan - ciul - la,_ al mi - o can - tar. dan - za,_
Dance, O— dance, maid - en gay, to the_ song that I sing; dance, O
=k
i 5iri j)
5^|j| J, * * * **
^
w^ iiW^FP 3=
fe J Q{ij
io j '
^"jji j^dan - za,_ fan - ciul - la_ gen - ti -
le, al mi -'
o can - tar.
dance, maid-en_ gay, to_ the_ song, to the song that I sing.
P^HS
~a
* * *if
^/ Pm ^
i^3*-*
41573
Copyright, 1894, by G Schirmer, Inc.
Copyright renewed, 1922, by Theodore Baker
29
$ Gi - ra leg - ge - ra, sot - ti
Light- ly and air - i-
ly fly-
i# IP5
35/
^^7 a :
^1iPPf¥S
^P«s
3
* hs^ IIle
While
al
bound
P^suo
ing,
no,re
al
sound -
'4 tl| | |5
E9E3zz—9-
^j t
f
1^=1: I H"*s
J^J ' J J J
WWWs^
^3?
*^
^ £ ^r f ~o—mar.
ring!
suo - no del
ing, the
lbn - de_ del.
bil - lows out
Sen -ti_il
Dost thou
;#5 5= 5 P=3=l
^l^jp3=1=4 1=3i=i=i;
m p ^^w^ r'" j ; ' -&-
m jju ij mmp p ^ ? Stat
va - go_ ru - mo - re del
hear the low_ voic - es of
lau - ra_ scher - zo - sa che par - la.
breez - es_ soft_ blend -ing Ap - peal to_
al_thy_
~m m w _ 1 m*^: S *# ri
js:
=^
41673
30
iHHIF
fc*cresc.
W ^^Ian - g"ui - do suon, con_
heart with their blan - dish - ing_ tone, their.co - re con Ian
blan
;*£=* w •<
J> ^ -'77J^^5 * _ M
#i=S ^
^ fvi -
ta_a dan - zar
vite to a dancesen
nev
zaer
poend
m ^ m m b:
j. Iffl % r? frfp
m ^ ^^ 4z— * ^^ f*P£
*pp
ifi*-5- U J
' i Jira^
sa,
ing,
sen
Andza
whispo - sa, chejnper, "Dance
vi - ta_a dan -
on! dance
s
m ^Wf^F^ P^i &
31
i j'j j ^ fzar. Dan -
za, dan -za, fan
on!" Dance, O dance, maid - enciul - la-
gay, To.gen - ti -
le, fan
the song that I
gjw£= nn mm i mm3
^ -&-*
icresc.
4J ' u j i ^ 'J 4ciul - la gensing, Dance, O
ti -le, al
dance, maid - enmi - o can - ta - re, al
gay, to the song, to the
as mm =5P^EE 3=1f
^ 1Sc-<5^
f rail. m^^ 8*L $mi - o can
song that I
- 6 11.
| T
-tar, dan - za, dan - za, al mi
sing, Dance, O dance, to_ the_ song that.
canI
* dsi ^M* *
m j g m / m 4jf ra//
s:a 9 "©"
41573
32
English version byDr. Theodore Baker
Vergin, tutto amorVirgin, fount of love
PreghieraPrayer
Francesco Durante(1684-1755)
Largo religioso J. = 40
Piano
^f3 ^ *rm^y v i ^^£ £pmor,
love,
o ma - dre di bon - ta -
Dear Moth -er, thou of mer -
de, o ma - dre pi-
a, ma - dre
cy, whose heart was riv- en, whose heart was
4444 <j j j i i j fli irn i~n j SI
simile* *j. ^
£^ :V Sf^ Pdolce
3 U-K ^ ^*
fe^ Jl4^ ifgf^£
piriv
a,
en,
a - scol
O hearkta, dol-ce Ma - ri
en, Queen of Heava, la vo
en, Heark - en to
ce del pec-caa sin - ner's
m H 4 i i i 1 ^^z
* *
^ m -t—
r- 5 -y—y- 7 y s
41S73
Copyright, 1894, by G. Schirmer, Inc.
Copyright renewed, 1922, by Theodore Baker
33
*ffftor,,
cry,.
:i—del.
to
^_ peca sin
ca
ner's
tor.
cry.
if # # #i iii«l^ j an mj ^#
^ fs £^ -r—r- «h j
* S 5^^ ^EE^ £f>
5 P#*II pian - to suo ti muo - va, giun-ga-nq_a te i suoi la
Let kind com-pas - sion move thee, In mer - cy hear_ her sad la
I iildli iPN i i ; i i ; » » : ; r »i=»
•* )• 7jji r :z * P y y ^ ^$ #* «i
(g^yp r v t^m m m3=
if
men ti, suo duol, suoitri-sti ac - cen -ti, sen-ti pie- to - so quel_ tuo
ment -ing, Her mourn - ful moar_ as - cend - ing Un-to thy throne of grace_ on
P ^ iflj^i ^J ^J^P ^ :
J J j^i^i iHm ^m
cresc. assai
* 5
cor,_ pie -to -
high, thy throne .
so, pie -to
of grace.
so, pie- to
on high,.
so quel_ tuo
un - to— thy
^iiitt M^i J
i m-m i i I I Icresc. assai
S m ^^ -^-r £ S -y—y-
—^"
41673
34
#iP
cor,
throne.quel
- •> J> J ly gtuo
oncor.
high.
ma - dre di_ bon-
O Moth -er, thou of
w^-{ i iiiiiiii Pit I«^m * * # *
m m i ^ -y—y- £
# 7 7 55 p lis* <—
*-s-
to_aof
ta - de, Ver
mer -cy, Vir
gin, tut
gin, fountmor,
love,
o ma - dre di bonO Moth -
er, thou of
# *i
n , n
r/t.sc.
*i
? ^g ^m.ta - de, o Ver - gin, tut -
to_a- mo -
re, Ver - gin, tut -tq_a
- mor,_mer -
cy, O Vir - gin, fount of love, O Vir - gin, fount of love,
4f3
tr ^m x\
13F^a - mor.of love.
iiiiiiiiis $
sit
P r j^gT^^^jj^
J0CK70 7y'£
"•— "
41673
English version byDr. Theodore Baker
Voice
Piano
* Larghetto J = 6o
i^mdolce^ ^
Caro mio ben
Thou, all my bliss
35
Arietta
Giuseppe Giordani (Giordanello)
(1744-1798)
^mr r
w
^rrr^ i
mWr rr olargamente
m£ i
#n^ ^py ^£ i j?j> i>
#
Ca - ro mio ben, ere - di-mi_al-men, sen - za di
Thou, all my bliss, Be- lieve but this: When thou art
te
far
pmlan -
g-ui-scejl
My heart is
Pi W6-77
S ja dolce r r r f r 77
£
J?
? ?£ £
* S g1 J ^ J' #cor,
lorn
ca - ro mio ben, sen - za di te_
Thou, all my bliss, When thou art far_
lan -g-ui
-sce_il
My_ heart_ is
r^ f pp=r
f=*^»
r rrr r^^g^ ir
4157:{
Copyright, 1894, by G. Schirmer, Inc.
Copyright renewed, 1922, by Theodore Baker
36
P
II tuo fe - del
Thy lov-er true
so
Evspi-ra_p-er doth
tf & m^ n |
Jignor.
sigh;
Ces
Do- sa, cru
but for
del,_ tan - to ri - g-or!
go Such cru - el scorn!
Ces -sa, cru-
Do but for-
;* i nHI8|»H :
mITT/
±\\ P £ i ^ P
*/ rit.
a tempoppp
f^ij J r ^ m?del,
go
tan - to ri - gor,Such cru- el scorn,_
tan - to ri -g-or!
such cru -el scorn!
: fl ijTTiTji
^ r -*^-tM i S
Ca - ro mio
Thou, all my
a tempo
1f r't f
jtpp
w^41573
37
** j j. >«/
s gJ Ji J^l
ben,
bliss,
ere - di -mi_al-men,Be - lieve but this:
• ^sen - za di te Ian -
gnii-
scejlWhen thou art far My heart— is
3F=F3?mr r
m ? ?
n p^r
Z& £
f i
P
*^ cresc.
^ ^J A Jt
/^w cresc.
5^ £ ^cor, ca - ro mio ben,
lorn, Thou, all my bliss,
ere - di - mi_al-men,Be - lieve but this,
sen - za di
When thou art
r7\
rl
i j J. j i i^
te_far.
Ian - gui -scejl cor.
My heart is lorn.
;#g£1 #SMp^ -C.
ry5B=
colla voce J9 /g V, ^
* 3 J.
rit.ff
i
4'573
38
del mio dolce ardorO thou belov'd
Aria
English version by
Dr. Theodore Baker
Christoph Willibald von Gluck
(1714- 1787)
Moderato J = 46
Voice Sp dolcissimo
del mio dol - ce_arO thou be - lov'd
,whom
iiiHii ;,tiirmPiano
^^ H- ^==^ h- * * 5?
mdor _
long.
bra
my
maheart
tojDg- getde - sir
yjflyflfyfl^il l^t^=$z4zt
m $ h *•
* ^ ^^iF F
^ ^ £to,
eth,
bra - mamy heart
tq_°g-
^de
getsir
to,
eth,
41576
Copyright, 1894, by G. Schirmer, Inc.
Copyright renewal assigned, 1926}to G. Schirmer Inc.
39
*p ~
I I
> d
L'au
At
ra che tu re
length the air thou
P^spi
breath est
#/) * -ll
^^# ^al - fin re
my soul in
spi
spir
ro,
eth,
3 ^ J *
^*
T7
y 5
f
Sa £ £"P 7
[J7~ "^ 7 ~^ 7
#/
*= ss ^
f'^^IJIJ sal
my
fin_
soul.
re - spi
in - spir
«\
«
tftftfi/v
3:r\
P^^ S
41573
40—*
i PSro.
eth. Whervime'er
quejl guarmine eye
dojomay
^^^^^^S^ * h
fp—«^t
jn^ni »fl^s*
\ ^
# ?wan
ro, Le tue va
der, Still of thee
S ^^ghe sem - bian
some vague semze A -
blance Doth
y
jjj^ii-yjii
fjff^*9 \ 1
p? i^^ p^-fT^—f#^=^ ;>
> J8
] j^ja^^ «j j ^\ ^ 7 !?• *P
mo -re_in me_ di - pin
Love a - wake with- in _ge: II
me, Mymio pen-sier si fin
ev - 'ry thought doth win.geme
"*"•"*" www »y * W m m • w • cresc.
k
>\, J' 7 J' 7 b y J'
Le piii lie
To yet fond
te speer re
f' yffl*fll*£3*jj3
^ ^cresc.
^ =&-
«.
^ i i i
/fill*ffl
1 i. S41573
41
*lim.>assai P
m m m*ranmem
ze ;
brance;
EAnd
nel de
in this
dim. P^^^£ £ ^^___^£_
o che co - si_
dor that all. mymembo
piesom
il
sopetfir
to
eth
^y^y^f |?fll?ffl'*
r
£il?jjj
P f^ crvsc.
dolce4^m* *
[T |> J* I
*p p J > P
Cer-co te,
Thee I seek,
chia-mo te,
Thee I call,
speFond^^ 3^5 ¥
,» :Tl: i »: i»n % -j
—%—f^^P 7
£7
"V 7 P 7
P7
p7
ft7
ft7
^ ten.^PPm ^Pfa piacere)P
P tro
fib
i* i
e so
and e'er.
spi
fond
ro.
er.
Ah!.
Ah!.
WM ^S £isJ? col canto pp
^r
« r^^^ £
*c\
^ ^41573
42
tP^o
^ J^ J
del mio dol
thou be - lov'd,
£ =^ce_arwhom
dor_long.
bra
my
£1*4 «* t444
^h h
Pp^'
^'^
m m ^d *i d
maheart
toog- - getde - sir
to,
eth,
bra - mamy heart
to_pgde
p h h ^
HTi^mHiPflrh- *v5^p^3
p
I^
*r
get=sir
to,
eth,
L'au
Atra che tu
length the air
re
thou
Mi'ttuuviBm h t Ji < h *
1«i^^=j l§
^ni iiviii lit
£=
1573
43
i P * P^Pspi
breath est
al - fin re
my soul in
7 |
s ;\ 5cLffljJB
fI
3 ^s£ t
£ £ ^-r^T
"
j I 7 p EE
(CN -c\ >
{[ff p iJvJjt.
fin,
soul,
al - fin_
my soul
£\
re
inspi
spir
iffmsiPiii1>
ii if«**41- C
o>
g ^J^
T
J-'
J
41573
44
Che fiero costumeHow void of compassion
Arietta
English version byDr. Theodore Baker
Giovanni Legrenzi(1626-1690)
1 1 ^> j I•
Allegretto con motoJ-=_56
tst&£=PP^ * **^ *Voice -*—+
*Che fie - ro co-stu-me d'a - li - ge-ro nu - me, che_aHow void of com-pas-sion Is Cu - pid his fash-ion, Who
leggero e grazioso
Piano*
^ ^ J> J^ $ 1"p$ A b ^5 / P
v pr r
chejiWho
for - za di pe - ne si fac-ciajt-
do-rar, si fac-ciaja- do-rar,
drives me by tor-ment him-self to a-dore, him - self to a - dore,
%D. * %b. * %b. *
f h 1' i* ^ J> J'. 1^for - za di pe - ne si fae-cia_a
- do-rar!_drives me by tor-ment,him-self to a-dore!
P*P-
m £?
%2L *
Copyright , /#£4, *y (?. Schirmer, Inc.
Copyright renewal assigned, 1926, to G. Schirmer, Inc.
%X *
I te^mf un poco meno "fz —^
m t- t JM J^Jy^JVf iii> J^pE pur nell' ar- do- re il dio tra - di - to - re un
And yet in my ar-dor I fol-low the hard-er The
JTEJ1* L^
peg r
ejgr^_ dQl-====_ ^»
*E^^va - go sem-bian-te mi fe^i
- do -la-trar,.
vi-sion e - lu-sive he shad-ows be-fore,.
un va- go sem-bian-te mi
The vi-sion e - lu-sive he
I 2:2zzz
f ¥ f ^p£ g^g v ^
f~
itWM^77
/S*&L *
J
j.u Vr *M^^
%3l * %). * %D. *
$ feratf.
sy ju a 3=5
Tempo 1°
sfz
¥rdim.
^m Jij,i y^ig £
feU - do - la-trar.
shad-ows be-fore.
Che fie - ro co-stu-me d'a-li - ge-ro nu-me,che_aHow void of com-pas-sion Is Cu -pid his fash-ion, Who
Isfz
p_5Uam r
1
p r p<&& * %x * %x * %x
41573
46
cresc.
I>l> JlJ^J^p J^ J\ Jl J JM^/ w/
p- ft r g Pfor- za di pe - ne si fac-ciaa - do-rar, si fae-eiaja
- do-rar!_
drives me by tor-ment him-self to a-dore, him -self to a-dore!.che_aWho
%b. * # 'Jto. * %).
I i>" i> r> JUi/
P P P F' Psfor - za di pe - ne si fac-cia_a - do-rar!
drives me by tor-ment him-self to a-dore!
m 5pi vnP
?m^/
i ii
1S2T%a %a * %a *
fefc^ ™/ */* «±s
i
*=* m s ^p5=5
±Efe
Che cru-do de-sti - no chejm cie-co bam-bi - no con
O Des-ti - ny sense-less! A boy so de-fence-less, Scarce
r*~±tJr^
cresc. f
gj^m/ ^
A*-ftP ^p r p
%& * %x * %a *
41573
47
& fcte
cresc. f P
boc - ca di lat - te si fac-cia sti-mar, si fac-cia sti-mar, con
wean'd, yet can make us his fa - vor im-plore, his fa-vor im-plore, Scarce
111^ tjcresc.
»^ ^r-r i 5 »i «i^E tB
Wn«Sa * %& * 9k #
j^ J> J^ JW'rJ^'-M S
boc - ca di lat- te si fac-cia sti-mar!_
wean'd, yet can make us his fa -vor im-plore!.
Ite
^—
g^f^
7 y
^^ ?
1 . rT3 -3a:
cresc.m mc&>. *
mfun poco meno rfz
41573
*®espr. . ,
-
tran-do perglij)c-chi, mi fe' so - spi- rar; _ en-tran-do per gli
Sbar-bar-ous wiles till we sigh and give o'er,
oc-chi miWith bar - bar-ous wiles till we
*1*
ill i-f i/J^iJ.^i#a
^ t
rit.Tempo_P#,r
^FFf^ -v—
r-
dim.
<&a *
fe' so -spi-rar.
sigh and give o'er.
" >rp' ^ J^' y-^ 1^ JChe cru -do de - sti - no cheun cie - co bam-bi - no con
O Des-ti-ny senseless! A boy so de-fence-less, Scarce
%& * <&3. #<!&>. * %a. *
|th>j> ;< J' ; J^
?J> ;. }\ j J' i
J' I p r
~r
* *^hoc - ca di lat - te si fac-cia sti-mar, si fac-cia sti-mar!.
wean'd.yet can make us his fa-vor im-plore, his fa-vor im-plore!.
con
Scarce
I1*
ft*s/i
*B ^ *«J tJ f^ £ 3 4 y?^f
%>. * %a *%a. *
iji^ n^^ PVfe i
*fe
boc - ca di lat-te si fac-cia sti-mar!
wean'd,yet can make us his fa-vor im-plore!r\ 3ka
*?T T »
^*V
^£ ^^s^z col canto/
i C afe P*
%). • *fia *gEfS^5
'Sa.fc'Bfll41573
Pur dicesti, o bocca bellaMouth so charmful
AriettaEnglish version byDr. Theodore Baker
49
Antonio Lotti
(1607-1740)
Allegretto grazioso J =69
\j% fti^ f
^^Pten.
SI m ^7 ^ -
f=ten.Piano j»e leggero
SpJ J.
£ ^ P 3
I£3S si P m ^ pn ^^
3few.
im/ jRPS S .*^ ^^^33
IVoice
JmJ'- b p Jmj a JmJ'-p p-^5 ^
PurMouthM
di ce sti, o hoc - ca, hoc - ca bel - la, o hoe - ca, hoc - ca
so_ charm- ful, O tell me now, O tell me, O tell me now, O
* £ X **} 5
Nf-^Jr
_p sempre
2£ P P £^PP P
#
#-tbeltell_
la,me.
P ^3g?ca
luressi,so,
^pbel
tell
#
la,
mequel
Whyso - a
thy sweet
vee ca
ness lures
ro
me81,
SO,
f^=^£ £ E
ff^_f F
g P S 1fe?i.
P41573 Copt/right, 1894
f by G. Schirmer, Inc.
50
dolce
si,
so.
;#
£ mclie
That
fa
in.
tut -
thee
to il
all
miobliss
piais
cer,
mine.
*mi b
¥
il
all
33S i=t
ten.zz;SP
zr ^f P
i—j-lMmio piabliss is_
#rit.
cer.
mine.
^
—»—» •
ce -sti,
charm -ful,
Pmio piabliss is
i^B
cer.
mine.
« tempo
Pur di - ce -sti, o
Mouth so— charm -ful, O
Wf12=!^ fc=*±=!* *=^=^
rit.
?» f^f n •-7
mT*J
m££ben cantando
tcresc.
^mcon graziapp rit.
mim/
.MJ J Up^U^'Msboc - ca, boc-ca bel -
la, o boc - ca, boc - ca bel -la, quel .
tell me now, O tell 'me, O tell me now, O tell me Why_
so - a - vee
thy sweet - ness
'^i¥^^ ^^5 5f
cresc. ppcol canto
m:£
/ten.
Pten.
P41573
51
jzj±fp' j^ i j^ J ' 7iJ~r
con graziaf &L portando
K \ mro sica ro si, si, quel_ so - a - vee ca
lures me so, so, why_ thy sweet - ness lures me so,
i^lten.
*-J—
r
*t—\± \r ^rf
iten.^
5=5
ten.
£
^5ten.
3=£
-»—yv E
g
ji^i^g////
Mif^^j i ^JJi •zd:
che fa tut - to il mio pia-
cer,
That_ in thee_ all bliss is mine,
il mi - o pia-
cer, _all bliss_ is mine,
i-^-p J li,JJjjJ p J> I J f^^quel.
Why.so
thy
a
sweetve_e ca - ro
ness lures me
f3 J J J ff yj njq- ^ i j-^^s^« t>-
il mio pia -cer,
all bliss is mine:quel
Why.so - a
thy sweetve_e caness lures.
ro
me
n\-7"
1 J.7 »im s p s
^ pifew.
=^M? ^ fe^. /e».
1=1 £
41573
52
^ cresc.
r">r r i-m j-ji
SI, SI,
so, so,
cer,.mine,.
f smorz.
% P* dim.
si, si,
so, so,
che fa tut - to il mio
That_ in thee_ all bliss
pia-cer, il mi - o pia
is mine, all bliss is.
<| j J j j j j ij J j p \b i jj <j^g
il mio pia- cer.
all bliss_ is mine.
J] J J J 1J J J p f J' l J jg jp§
cer, _
mine,
il mio piaall bliss is_
cer.
mine.
i ^: hr\
*? s ^s &^ y J 1 *
i^i*i?
^=^» *~*
m 3 ^ i e^^^s^6'rc cantando
£ 5 15 E * E h 1^1s zJ
Fine
m ?=s ^ r
l™/
s i gzmm^ s* pi'-r r
Per o - nor di sua fa - eel - la con_ un_ ba - cio_A - mor t'a -
E'en thy_ charms to vow com - pel me Cu - pid_ ope'd thee with a
41573
53
iL>Cr»'r^mor t'a -
pri,with a kiss,—
PP^P imf
:s=
pri,
kiss,
$> HPs£
con_ un ba -ciq_A
- mor t'a -pri,
Cu - pid_ ope'd thee with a kiss,
dol - ce foil - te
Thou sweet fount of
er
\*i) JTi
pp
^ z
m
^
ir«v.
« tempoPP^&m^ ^ i JTi; s
riten.3 3
m* * •*del go - der,
joy di - vine,
i ^5
ah!
ah!
a tempo
ah!.
ah!.
ah!.
ah!.
fr—h fc=h 5 55B=** S^^s^:« 5 #IS n*col canto pp riten.
9E^ m^ ?=p ^
i j n a*•
^si,— del go - der.
fount of joy di - vine.
.^F*^ rail.
Ias
J P d'd
t^9-
8i, del go - der.
fount of joy di - vine.
Tempo 1°
D. S. al Fine
41573
54
English version byDr. Theodore Baker
Voice *
Piano
*Recitativo
^^
ia piacere
II mio bel foco
My joyful ardor
Recitativo ed Aria
mf_
Benedetto Marcello(1686-1739)
£
II mio bel
My joy-ful
J J'T $ j '
^5fo -
co, o Ion - ta -no_p vi
ar -dor, wheth-er near or far
P:sl.
mf
?P-WJ
S hOr 4
hr» O h.h.p ji
7 j U j^ ^ci - no ch'es-ser pos-s'i
-o,
dis - tant from thee I tar -ry,
'» .h hi . 5
sen - za can-giar mai tem -pre
Un - chang'd and con-stant ev -er,
it
perFor
ggjvx\ TltL
m w *•
tt;
* ^ ^M p rit.
? *« IP^ile, ar - de - ra sem
ed, Shall lan-guish nevvoi, ca - re pu -
pil
thee, O my be - lovpre.er.
*j »i j "f r ^i #^fP35
/ prit.
^=3=1 ^ i# ^%D.
41573
Copyright, 1894, by G. Schirmer, Inc.
Copyright renewal assigned, 1926, to G. Schirmer, Inc.
Allegretto affettuoso
55
[J'Tj q.iij QjiQuel- la _ fiam-ma_ che m'ac
In my heart the flames that
cen - de,
burn me,
73
mi -a, che giam-mai s'e - stin-gue - ra, s'e - stin-gue - ra, s'e - stin-gue-
rav -ish, That they ne^er shall cease to glow, shall cease to glow, shall cease to
,# tsfe It
8P rit.S ^f -&±
41573
NEW YORK PUBLIC LJBRARY FOB THF^j^BOBjtfHiS AEW4Q.LLN.GQUI-CfeT 1X3P,g-<AZANEW *X>R3£, NX '10033?"
'
56
p dolcemente legato e cresc. —-=
\ 3 S te
ra, pia-ce tan-tq_al- lal -
glow, All my soul do so—?m *w p n
ma_ mi - a che_ giam - maien - rav-ish, That they ne'er
s'e - stin - gue •
shall cease to
^mt t i- fe=i 3 t
f^^^^J—fl- ^^ P^T f*
pm ^ cresc. sempre
K i£ V
che giam-maithat they ne'er
gue -ra,
to glow,
ra,_ s'e - stin
glow, shall ceases'e - stin
shall ceasegueto_
& p n't.
ma tempo
wr$ SP 3EEfe
*ra, s'e - stin -gue -
ra, .
glow, shall cease to glow,r\
#=1s'e - stin- gue - ra.
shall cease to glow.
§>
^— is fEF? £cresc.
g£/ ^ _?? co/ canto a tempo
!=hi^
t i 1 1m i *p-r fuqt
iJO legato con grazia
?s
:*«
E sejl fa-toji voi miAnd should fate to ye re -
•-T*1 ^tt«*~
/ f#*i^_/? dim. smorz. p
}T
rr»cjf^M t
i
I^P
*
rs::
41673
$ s 1 s &=S
ren -de, va - ghi rai del mio bel
turn me, Wan - dVing rays of my fair
so -le, al
sun,_ Oth
s S 57
£tra lu -
cejjl- la
er light I covnonet
;#
JgE
5
^: Inla
g£
1:z_
£ P
*^ ^
3=fc » E3 S1 ^ a
i#
vuo
none,.
le ne vo - ler
Nor the wishgiam-mai po -
tra, ne vocan ev - er know, nor the
z^lm m—n>
cresc.
m ±±poco a poco
» ^ ^fe S=p: &^ZJ*
I^ cresc. poco a poco
^S J'J'V J^ itler giam-mai po - tra,
wish can ev - er know,
ne vo -ler,
nor the wish,
ne vo - ler
nor the wishgiam-can_
po -tra, giam-mai po -
tra, _er— know, can ev - er know,
ne_ vo - ler giam-mai ponor_ the wish can ev - er
* I-r
zmCj
5
$'f f
Pi
colcanto PP
EEfe^r r r r-r r j
41573
58
i ttra.
know.
;Pfmpa tempo
¥t
=t^n
icresc.g
3 S^^
i
3r *
3:
"
55P:P2B=?F f=^t r^FP PP
*r
^p
' Jj»«M
*
Quel - la , _
In my_
fiam- ma.heart the.
che m'ac
flames that.
cen - de
burn mepia-ce tan-tq_al-lal-maAll my soul do so en-
[# mr^ f w.p r rs ¥ ±Efe^
*jfc ^^ ^Z
J' J' Ji J> J'"^5## j^i'WiJmirav
pia-ce tan-toal-1'al-maall my soul do so en
mi -a,
rav- ish,
che giam-mai s'e - stin-gueThat they ne'er shall cease to
^ J' J. J>'
Jra,
glow,
Ps'e - stin-gue -
ra, s'e - stin - gue - ra,shall cease to glow, shall cease to glow;M1 ^
w-6^
S M
frit
if
|1
pia - ce tan-to_al- l'al - ma.
All my soul do so en
1t m
mp
41573
#fe^cresc.
a che_
J. &p
J> 1 J^^ I-mi - a clie_ giam - mai s'e - stin - gue - ra,_ s'e - stin gue - ra,
rav-ish, That they ne'er shall cease to glow, shall cease to glow,
59
che giam-that they
m X ^99E 5S1cresc.
m ^Sj * r
»f P O p
j^Jtth
* i/***
mmra tempo
m^^^ m9—d
maine'er
s'e - stin
shall ceasegue - ra, s'e - stin - gue -
ra, s'e - stin- gue -
to_ glow, shall cease to glow,_ shall cease to_m ^ & ^*=*^r
N col canto.cresc. r _
5^ =S ±Q ia tempo
£3=fe^ • F •f=
ft
tp dolce
P P P P P P^^/^
fra, quel - la
glow, that they.
fiam - ma giam- mai, giam-mai s'e - stin
ne'er shall cease, that they ne'er shall cease.
;#
(7\
gue-to
£€^t rinforz. e rit.
ggggre
Pa tempo
41573
60 Non posso disperarI do not dare despond
Arietta
English version byDr. Theodore Baker
Andante grazioso J=soa piacere
Voice
Piano
-6 "g
4gE
^
P^P^Non pos-so di-spe - rar,_I do not dare de - spond,
i yftr
S. De Luca(15... -16. J
^rrn:9 f
tp
IZZJI ^^ e^p^m £
non pos-so di-spe - rar,_ sei trop-po, trop-poI do not dare de - spond, For thou art all too
$fiwnti'rrr?
m w^m.
& r» ;> ;< iJ > j Jl > >h> i /? JJ^i^^
ca - ra, trop-po, trop-po ca -ra, sei trop-po ca-raal cor
;non pos
- so di-spe-dear,— thou art all too dear, too dear un-to my heart. I do not dare de-
$ h V
f3=^=^ tli ivi&t i Wfrfr2>
P^t H J J J I
J. ?JJMCopyright, 1894, by G. Schirmer, Inc.
Copyright renewed, 1922, by Theodore Baker
41573
61
pp a tempocresc.% -f
™t-, pp a tempo
rar, sei trop-
po ca -ra, sei trop - po ca-raal cor-, non pos - so di - spe-
spond, For thou art all too dear, too dear un-to my heart; I do not dare de-
v—--/ cresc. ^——Z^r""^ piu cresc.rit.^^m
fn JrP3!"^%pjpa tempq^
*
?/ deciso e rail.
pp=p P3^Fmrar, sei trop - po ca - ra,
spond, For thou art all too dear,
sei trop -po, trop- poFor thou art all too
mm'Friprisn f> will. ^^**m \fdeciso e rail
^P-
^r_LLfr l
-m _ _,— wTT T
p P a
I P « ^J^ Ji-lj <
feh7 *' pF^ ig
ca -
dear.ra, ca-ra_al cor:
un-to my heart;
Sei trop -po, trop
- poFor thou art all too
assai rit.
\fa ,1_ J'Br^^
ca -
dear.ra, ca-ra_al cor.
un-to my heart.
tt OT^=g^e=P=P=i» m m_ 5'
jj
Eflfifp si 1 4 ttjgf^fjgassai rit. ffe deciso
^uu JNassai rail, eff
;:a^ £¥^741573
62
^mp dolce e legato assai
m mm ^5iA i t ft
mPvII so - lo spe - ra - re,
'Tis on-ly hope so fond,—il so
'
lo spe - ra - re d'a -
'Tis on-ly hope so fond, The
^Ir-p pi'J
j,^ |
J jiy p PI
J ^'^ ^ver a gio-i - re m'ejin dol - ce lan-guibliss -es of wait-ing, That soothe while ere - at
re,m'ejin ca - ro do-lor, m'eun ca -
ing The pain they im-part, the pain,
rff"H J J J *
r
3
*f
' *T
i^^ £
^ 5 *
- ro. m'^jm cathe pain.
ro do -lor, il so - lo spe - ra - re d'a -
they im-part. Tis on-ly hope so fond,_ The
^H g^Lir rr f 7 7
^t> H, J
l?J,
iJ * -h ^^^fl
—», . k .
"_^ cresc.
ver_ a gio-i -re, m'eun dol - ce lan-gui -
re, m'eun ca - ro
EE^ £L'ejin ca - ro do-lor, ah,
bliss-es of wait-ing, That soothe while cre-at - ing The pain they im-part, ah,
41573
et
m~^' t p p ' CiJl
*p r ^_ _,v _J==- ./? « piacere^^
si! m'eun dol - ce Ian- gui - re, m'ejin ca - ro do - lor. Non pos-so di-spe
yes! That soothe while ere - at - ing The pain they im-part. I do not dare de
¥ v—^
rar,_spond,
$^=f
l y U 1P 7 LJLL5
^^J?
^ fe^E ^^5 I fF?^5P M P £ ^
non pos-so di - spe - rar,_ sei trop -po, trop - po ca - ra, trop -po, trop-po
I do not dare de - spond, For thou art all too dear, thou art all too
#cresc.
E5h^j^j^'J^ i ;* J'J-^W 3& •—* f
ca -ra, sei trop - po ca-ra_al cor; non pos - so di - spe - rar, sei trop - po ca
dear, too dear un-to my heart; I do not dare de-spond, For thou art all too
f n>Jl i^mi I'tyixir
i 7 7p r-Tcresc.
41573
64piu cresc. f deciso e rail./'••»«y~« rif
y ppa tempo j aectso e ran. ^ ^
A1-
'\o p y P i fb
p r p ^- ji|
J'
p,r~r^^
ra, sei trop-
dear, too dearpo ca-raal cor
;non pos - so di -
spe-rar, sei trop - po ca
un-to my heart; I do not dare de-spond,For thou art al too
£*m J13 J--JTJ » mn Mp
* *p r
"^ TT^f ^—r
m piu cresc. rit.
fesljpp a tempo f deciso e rail
P ^fi
»
^ # J 1
J' Ji h#^£ 22
ra,
dear,
sei trop- po, trop - po ca -
For thou art all too dear.ra, ca-rajilun-to my
^ ssassai rit.
^ w—id9 a—i^f^
cor,
heart:
Sei trop -po, trop
- po ca -
Thou art too dear, too dear.ra, ca-ra_alun-to my
# m mraff§ rr^rr T
%1573
English version byDr. Theodore Baker
Lento J = 58
Lasciatemi morire!No longer let me languishCanto from the opera "Ariana"
65
CI audio Monteverdi
(1567-1643)
Voice
Piano
iP dolentv
gv<H- mLaNo
scia
long
~o c?
te - mi mo - ri - re!
er let me Ian - guish!
i J fcm 7 Vla - scia - te
no long - er
Bee <#
^s»
J9 dolente
35*
te
gE^J si ^fcfe
*^ A O ^fcfe r^f-o—
ri
Ian
I
milet
mome
re! E che vo - le
guish! What dost thou fan
te_
cy.
che mi concan stay one
a
It±
1
^ pi?
^ ?"F* rl# f ^rr
i ^*
-^ J^ ^'j^ l ^ ^ 7 J^^M'jO^W C7VSC. = /= S^3±
for - te
mo - mentin co - si du-ra sor -
te, in co-si granSo de-spair-ful a tor-ment, So un- re -lent
mar - ti - re? Laing_ an-guish? No
Im s :t i m 5E fe:*r#=f mST
r2 f2r rm TJ >^B 5iS
P p l» «J
i>/? r&-/?*-
4h « 5EES? s ^scia
long
te - mi mo - ri -re,
er let me lan-guish!
la - scia - te - mino long - er let
mo - ri
me Ian
s:
re!
guish!
_^v\> \y^ ^ ^m 5
I1^S If wcresc. assat
*s
-P&t;
U J J' i^ r
U573Copyright, 1894, by G. Schirmer, Inc.
Copyright renewed, 1922, by Theodore Baker
66Nel cor piu non mi sento
Why feels my heart so dormantArietta
English version byDr. Theodore Baker
Giovanni Paisiello
(1740-1816)
Piano
Andantino J---58
dolce
*W¥*
Jfl* i f- 5
mmjfl* *Jj31 V m * *f—»h
W£
^mV I* _^j i v \*
3EJ^tJ^ 1
'
J^7 7 J^7~^cresc.
^E
fe^k«
r-u p^icXJic V
I. Voice i>
£5 hn 5
T^ 1Nel cor piu non mi sen - to
Why feels my heart so dor - mant,
hril- lar la
No fire of_
g-io- ven-
youth di -
IS m P^fP ff^i/ ^
gg # P P^ #^
Ih
o\
5EE* V SEE^ar "p r p
tfe
tU;vine?
ca - gionThou cause
del mioof all _
tor
mymentor
to,
ment,
aO
4 4 j a j f^p5 5
^P^J^L
41573
Copyright, 1894, by G. Schirmer, Inc.
Copyright renewal assigned, 1926, to G. Schirmer. Inc.
67
S PJg JM J^
p I
f nK P I
?^ J '
T *
mor, sei col - pa tu.
Love, the fault_ is thine!
Mi piz - zi-chi, mi stuz-zi-chi,He teas - es me, he pinch-es me,
miHe
:te ^JJTTJ i^P ±~t'^-» * »
^ # e^^ 4f
# rjm J j^^~> jiiij J^J^-J' i r--p^ £
pun - gi -chi, mi mas-ti-chi
;
squeez-es me, he wrench-es me;
die co-sa_e que -stq_ahi - me? pie
-
What tor-tures I must bear! Have
/7\
ta, pie
done, haveta, pie - ta!_
done, have done!
a - mo-rejuin cer - to che,
Thou, Love, art sure -ly one Will
m r\
P3S r\
5=*m2=fc
IP
risoluto
_# ^-9~-i ; m — fc£Sdi - spe-rar mi fa.
drive me to de-spair!
li^fpfi5
fcfc
^Ss S
^Sfo tev i
^1573
68
Se tu m'ami, se sospiriIf thou lov'st me
Arietta
English version byDr. Theodore Baker
Giovanni Battista Pergolesi(1710-1736)
Andantino J =58 fT\ PVoice
Piano
±^m s *
cresc. rit.
5 h i n j.
r\
W^ma
lov'st
mi,
me,
se tu
and sigh
so - spi - ri Sol per me, gen- til paest ev - er But for me, O gen - tie.
#
stor,
swain,
S h y s ^ y h«Tt: It*
cresc. rit.
V* J -J- S^m
i8
jp a tempo
i'lJ '^r J'
I J1
/ /«'£
^E5 -—«—_——* p^P£ s*^ ^PHo do- lor de' tuoi mar-ti-ri, Ho di-let-to del tuo_a-mor, Ma se pen- si
Sweet I find thy lov- ing fa-vor, Pi-ti-ful I feel thy pain. Should'st thou think tho',
%1—^3 » SB m &m
%> a tempo f
SE h-^-h Sth h . .h
h
T H¥ r=^f f r
41573
Copyright, 1894, £y £. Schirmer, Inc.
Copyright renewal assigned, 1926, to G. Schirmer, Inc.
itpp^ie^ii/?\
a tempo69
S
#I
che so - let - to Io ti— deb- ba ri
that de - mure -ly I— on_ thee a - lone
a- mar, Pa - sto-rel - lo,
may smile, Sim -pie shep-herd,
h
& h
Is;
h
r £
h
FA
r\
If
« tempo
~t— ir
I K. x
? ^s p5^ s
j?jt?
(i- JJJ^ I
p'JJ3
.Msei sog-get-to Fa - cil-men-te a t'in - gan-nar;thou art sure-ly Prone thy sens - es to be-guile;
Pa- sto-rel- lo, sei sog-get-toSim- pie shep-herd, thou art sure-ly
*:*=*
h.^ I*l=t:
be
«=*
SS=!:5 Hp=P
Ef^ ^=£
h h
P-^ W—#
^Tprcresc.
G&P& ^ g^^ V ffi^5
Fa - cil - men-te_a t'in-gan-nar.Prone thy_ sens-es_ to be-guile,
Fa - cil- men-tea t'in-gan-nar. Bel- la ro-sa
prone thy_ sens-es_ to be-guile. As a fair red
#fe^ m$ ^*=*=3*
poco cresc
3 P3 fr
por - po - ri - na Og - gi Sil - via see - glie- ra,
rose, a lov- er Fain might Syl - via choose to - day,
Con la scu - sa
Hap -ly if he
41573
70sempre cresc
l %J' p^/ji'p p
g I
fT pJ
I
pP |T^1^»>J
%
del- la spi- na Do-man poi la sprez-ze- ra, Do-man poi la sprez-ze- ra.
thorns dis- cov- er 'Tis to-mor-row thrown a- way, 'Tis to-mor-row thrown a- way.
^^ su :'g'
« « ^f asempre cresc.
PB&S ^ ^^^ ?
^^ M cresc. un poco
^B^5 ££-i h h £^5 P?Ma de -
glijK)mi-ni il con- si - glio Io per me non se-gui- ro. Nonper-che miAll men say of maid - en- fol -
ly Finds no fa - vor in mine eyes, Nor be-cause I
m m V= S mm &^ v &-
*£3 aSI
b h £ tv ^cresc. un poco
3=mP^^ ^ r^r *r^
/T\
pia -cejl gi - glio Glijil-tri fio - ri
love the lil - y Shall I oth-er
$ h *
sprez-ze - ro.
flow'rs de - spise . a tempo^m » m
& &rit.
P3B
1*c\
PJ5_ hL _h ^t
P^P i *m *pp p^p
* (T\ P cresc.
r &-N AIJ' J J'
I JJ ;. Jj .HSe tu_ m'a - mi, se tu so - spi- ri Sol perIf thou lov'st me, and sigh - est ev- er But for
41573
71
4t
rit C\ p a tempo
+-*- Xi.
T'
p J' * J* | J'
^' n JM^*£e£ a ^
s
me, gen- til pa - stor,
me, O gen-tle_ swain,
Ho do - lor de' tuoi mar - ti -ri, Ho di - let - to
Sweet I find thy lov-ing fa-vor, Pi- ti - ful I
'
'
J7
£i rit.
~*
^mmiO\
==±^ *
jo # tempom
r^r £
s=S±3jl ; ^F^F
^^fc=t
f=^\
i *ra£
5^5 iMpTr-ri'J' l ^-g^iiUJ'C/P J1l g&
^• * i=±^
tdel tuoa-mor, Ma_ se pen- si che so - let - to Io_ ti deb-ba ri - a- mar,feel thy pain. Should'st thou think tho', that de-mure-ly I on thee a- lone_ may smile,
m M Jfr
h ^ J? - -
3h
i/TN
«tT^?a tempo
t r"
^Jr r£
a tempo —= =— pp
Pa- sto-rel -lo, sei sogget-to Fa- cil-men-te_a t'in - gan-nar, Pa-sto-rel -
lo,
Sim- pie shep-herd, thou art sure4y Prone thy sens - es to be-guile, Sim-pie shep-herd.,
WUr ^«P—r
i «.
cresc. rit. assai
£ EH.HJ?r?wir
«—>sei sog-get-to Fa - cil- men-teja t'in-gan-nar, Fa - cil - men-te_a t'in-gan-nar.thou art sure-ly Prone thy_sens-es_ to be-guile, prone thy_sens-es_ to be-guile.
_. k rit. assai /C\
41573
72Nina
Canzonetta
English version byDr. Theodore Baker
Attributed to
Giovanni Battista Pergolesi*(1710-1736)
tAndantinoP ^^ 3=i ^mVoice Ieee m 5^m ^mTre gior - ni son che Ni - na,
For three long days my Ni - na,
che
myNi
Nina,
na.
che
my
3Efe m^uiPiano <
Py b « * <5
77
[f TTpJ ,Ju J ^ s^Ni
Ni
nana
in let - to se ne
up- on her bed has lain,.
in_ let - to se
up - on_ her_ bedne
has
iPPW jj'
jjiitJj i^UMSF3 ^
jtf/>
£ £aC7
y
« --
IN |;J- .hiiJ- >J\ | f ^ ?p If
~pt^
sta.
lain.
ih
j^jj^
Pif - fe- ri, tim - pa-ni, cem-ba-li, sve - gliaLoud- er and loud- er, ye play-ers all! A - wak
4 5-H
te mia Ni-
en my Ni-
t3r
I j^^-j:c: IB
^:9/
3
P
f \s:
*Although this song was long attributed to Pergolesi, it was composed by LegrenzioVincenzo Ciampi (1719- ?)
41573
Copyright, 190b, by G. Schirmer, Inc.
Copyright renewed, 1932, by Dr. Theodore Baker
Copyright renewal assigned, 1933, to G. Schirmer, Inc.
73
^. « _ li„ * *-» >^.»o \Ti m£»4- to an
1net - ta,
net - ta,
sve- gliaa - wak
te mia Ni - net - ta,
en my Ni - net - ta,
ac - ci6 non dor - mathat she may sleep no
piu, ac - cio non dor - ma piu,
Tnnrfi, ( that she may sleep no more,
sve-glia-te mia Ni - net
A- wak-en my Ni- netta, sve-
ta, a-
jj^CT
r- r ^ ^
*
77
Sr
i^jjjjjjs.?
pglia- te_
wak- en.
mia.
my_Ni
Ni
net
net
I' it,
cLC
ta that
cio_ non_ dor - ma piu.she_ may_ sleep no more.
* IPS PUPfiji J jji»ijp t f ?^ ^
^ :s
^&Pf?\ a piacere
n$jT$!&^m ipiu,
more,
ac
that
cio
she
non
may
mi £
rdim.
V
-zr~
dor
sleep .
22>
mano
piu.more.
^c:
I2*pcolla parte
7> I
41573
b:
5 ;
nGia il sole dal GangeO'er Ganges now launches
Canzonetta
English version byDr. Theodore Baker
Alessandro Scarlatti
(1659- 1725)
Voice
Allegro giusto J = 126
Piano mf
fe^fe f ^^ r t^ i^g £
w/ brillante
Se feEfe £ £^Gia^il so - le
O'er Gan - ges_
dal_ Gan - ge, giajlnow_ launch - es, o'er
Pli'j m m J J J
t * *
gjpfleggero
pppr
t ^s p^p £1 ^Pso - le dal Gan- ge piu chia- ro, piu chia- ro sfa- vil - la, piuGan- ges now launch- es The sun- god, the sun- god his splen- dor, the
J J:—
J .iFt Pf*=fe
mr* r ur"nh, J i 3 *
-a U r r pp pp
4157S
Copyright, 1894, by G. Schirmer, Inc.
Copyright renewed, 1922, by Theodore Baker
t p? £ J^Jh. J.
poco rit.75
schia- ro sfa - vil
sun- god his splen
la, pin chia- ro, piii chia- ro sfa - vil -
dor, the sun- god, the sun- god his splen -
;#^=i=ri=i r^r^t jit iff
jpoco rit.
!=*
^ *
i« tempo m 5
3=?-S>-?-
la,
dor,
e ter-gej) - gni stil-la del - l'al - ba_ che pian- ge,With touchwarm and ten-der Morn's tear-drops he staunch-es,
; ^m ^m f^
'5"
a te?npom r r r r f
Be PP 1 £ P^ ^=^bSTTcrr
cresc. poco a poco e legatiss.
? i ' J J3£
l'al - ba che pian- ge, del - l'al- ba che pian- ge, del -
touch warm and ten - der Morn's tear-drops he staunch-es, Morn's
cresc. poco a poco e legatiss.
U^=±*U i±± idaUr c r r j*
r r r r
l'al - ba che piantear- drops he staunch
IftEEfe f
m/p brillante
ge.es.
Gia^il so - le_ dal
O'er Gan- ges now
41573
76
f# £ ^^=£ gGan- ge, gia^il so - le dal Gan - ge piii ehia- ro, piu chia - ro sfa-
launch-es, o'er Gan- ges now launch- es The sun- god, the sun- god his
[#n J J. J >f I1 t § # rrf^^ s*i 4 U r r pp p^
#>
i'U. J'1:JM. J
ratf. *•
5ki r t r ^ EZ
vil -la, piu chia- ro sfa - vil - la, piu chia-ro, piu chia-ro sfa - vil
splen-dor, the sun-god his splen -dor, the sun-god, the sun- god his splenm ** *=*=* i=t fflTT
vti, J- ^^^ rw
H&-5"
la.
dor.
|^^ £ ^^^^ 3e?y « tempo
r F—Fggpp ^f f^>
*ih < a
«/ brillante
=f^^ ^^ ^ ^
'M j r
Col
Hisrag - gio_ do
rays gold- en.
FTTra -
to, col
beam-ing, hisrag- gio
rays gold
do - ra - to in
en beam- ing De
£
TWT IPi r7
41STS
77
m £J r
i f rgem-ma, in- gem-mao - gni ste- lo, in - gem-maj - gni ste -
lo, in -
throne, de - throne night-
ly shad-ows, de - throne night-
ly shad - ows, de -
;#Se fSg=^=
^F=£=^r r f
*» ? ** «^t f^ p
#a £ ^^2>oco r&'£ a tempo
gem-ma, in- gem-majo - gni ste
throne,
de - throne night-ly shad
lo,
OWS,
fe* se gli as-tri del
While gem-ming the
i fcfc
f=l=*
IS
l=i"
a tempoTT?S r r
s 1PP E Pf-6>
i_-
fcfc-te
jRP cresc. poco a
C> ,.P^f ^i^fc ^1
cie -lp di - pin- ge nel_ pra -
to;
mead-ows With stars bright -ly gleam- ing;
di - pin- ge nel
While gem-ming the
;# p^ppisff r r r
ss u ;
2>P cresc. poco a
r Lks ^ rf r cx£r f ^^ r
*poco frit-& 4 J J 'J i J ^4-4pra -
to, di - pin- ge nel pra - to, di -
pin - ge nel
mead- ows, while gem-ming the mead- ows with stars bright- ly
mpoco
«s iAJ=r r
i4itTTT"
AJJ iJ=i
pra -
gleam
-Jril
Lkdr rtjT r r
41573
78
#a tempo
S 1to:
1 t* ^ r J r 'r r^£
Col rag- gio_ do - ra -to, col rag-gio do-
His rays gold-en_ beam-ing, his rays gold- en
M 3P$a tempo
^its
^* J r fit
i
rr?
i ^Sr f^P^PSzfc
ra - to, in - gem- ma, in - gem-majo - gni ste -lo, in - gem-ma - gni
beam- ing De - throne, de - throne night -ly shad-ows, While gem-ming, while
J J-, > **(sf f *^*—*w w r^rir
'' i r r PP ^ h-£
J^Jm. J s
«0oco r«'£
S ^^£ste -
lo, in- gem- ma, in- gem-ma - gni ste -
gem - ming the mead-ows With stars bright- ly gleam
lo.
ing.
'$b 1« 1 1 j I I J=i"=^: ww$^
I i i]> > ^ y a tempo
S i§J U _l ==s
#•7S
l# ^^ ^^ ?S n
G\
brillante
3 SCT7
O"
rr
P
¥ 9 ¥a tempo
~G-
^7
9:
ar z:
41578
Le Violette
The Violets
Canzone
79
Alessandro Scarlatti
(1659-17X5)
Voice IAllegretto
FfFF
4Ss I ^f
i' t %
Piano r
^s f_
sEX^m
f'i.$ tj^jo> Jju^t
< J* J 1
1J 1
j>>* ^
Ru-gia-do- se, o - do - ro- se,
Low-ly vio-let, si- lent blow-ing,
vi - o - let - te
Dew-y fra-grance
gra- zi
sweet be
42Jz t=5
P^^§S^ ^^^rjjj'irjTJ i rj <im
$B _h iJ^ * ^jU 'J'J'pJ3u^,p p (i
J'Jl ^
o - se,
stow-ing,
Pl jliM^ i
Ru-gia-do- se, o - do - ro - se, vi - o - let - te gra- zi -
Low-ly vio-let, si- lent blow-ing, Dew-y fra-grance sweetbe -
*
Be PP
wm iJ jjj^n MTj l
4U7»
80
I*fe£ h i h m g w fF^r ir^—ft
o - se, vi - o - let - te gra - zi - o - se, Voi vi sta - te ver - gostow - ing, dew - y fra-grance sweet be - stow - ing : Mod- est -
ly thy charms half
£ ^
m w^mj
*
j> i j ^^• A •
i i j^J^i n J* ;> J' ^^^s n*gno-se,
hid-ing
mez-zq_a- sco- se,
'Neath the leaf-lets,
mez-zo_a- sco- se fra le
'neath the leaf- lets green re
it&^p ^ b:
^T—r—a
/ i»
ill*j^^tW i M #-V. ^_ £_
*& i1^* \i yg **H I t ^ 3m^P^ ^ Pfo-glie, e sgri-da-te
cess-es, Thyex-am-ple
le mie vo-glie,calms and bless-es,
;#
che son trop-po am-bi- zi-
My am- bi - tion gen-tly
SeJ' J J
Tj? | jJ
TJ' J J
7ft
«/
^i, j r
p mf
I£
* * i ^-n^r"\
p
^S
41673
81
* P^P w i *.M
chesontrop - po, sontrop-poam-bi-zi-o- se.
Myam-bi - tion_ gen - tly_ chid- ing.
Ru- gia-Bear this
|j^;-J' pJ]j. Jl
i u J>J'J* ^^5 5 w*
do- se, o - do - ro- se,
mes-sage,ten-der flow-er,
vi - o - let- te, vi - o - let-te gra-zi - o - se,
To my fair one, to my fair one in her bow- er;
«=# nu J9m*—+
p mfmm m f?HlW ==ws
X^
1 J^'J^ 1* J^J'>J^li^JJ^ J^t±
Ru- gia-do- se,
Bear this message,
o-do-ro-se, vi-o- let-te, vi- o - let- te gra-zi- o -
ten- der flow-er, bear this message To my fair one in her bow
m 1iafe mm ife m*=* i t %
pm m mf P f r~*
^gVriz
« tempo
l\t hh s s
se, vi-o - let- te gra-zi- o se.
er, to my fair one in herbow - er;
^rT J
£7 ' a tempo l——
Voi vi sta-te ver- go-
Say, like thee I d come un-
jh i - 4 J 4 J-
y^"a tempo
1 ^ ^ #^
^^41573
82
inez- zq_a- sco - se fra le fo
As thy fra-grance I would woo.
I Sfe It J'J'J'J't \ i j.jJ'^Fjignq-se ,
to her,
Ih
£J2 fmf.
#j^*
mez-zoja-sco- se,
As thy fra-grance,
mez-zq^a-sco- se fra le
as thy fra-grance I would
P
mM rjJi.
s
*glie,her,
gJ' ^
TP *i' J' J'* B >
i^J> *Q I B^^ 5
fo- glie,
woo her,
e sgri-da - te
As thy beau - ty
le mie vo - glie, che_ son trop- pq_am-bi - zi
o'er her steal- ing, From my fond heart love re
t fm rf r , m7
P LJ
^m l t J> Js jin J_J J_g^
o - se,
veal- ing,
e sgri-da - te
As thy beau - ty
le_ mie.
her_o'er
(jA J> B Jj J ^ > i p* > j rij <
vo - glie, che_ son tropsteal -ing, From my fond
po, son trop-po_am-bi- zi- o
heart, my fond heart love re - veal
se.
ing.
3 ^¥for
m?nf
41573
i fcfe > tj.jp J'p flj^t i* J'^ 83
s &3
^s Ru-gia-do- se, o - do - ro-se,Bear this mes-sage, ten-der flow-er,
vi - o - let- te, vi - o -
To my fair one, to my
^£m f
*=*p ^
^o - do
ten-der
ro -
flow
¥se,
er.
^Svi - o
To my
v\ J' s B I
J> ^ J> J^let-te gra-zi- o - se,
fair one in_ herbow-er,
iIt J^J'JW U J^J'J^^Ji
Ru- gia- do- se,
Bear thismes-sage,
o - do - ro-se, vi- o-
ten-der flow-er, To my
a m^ ? ? * «/
S**r
^PI^
ii *^s
v :
j -n *3^5* to
^ ^ j. » jj^p j^riten.
7 Jl j^ J^ T^let - te, vi - o - let - te gra- zi - o - se,fair one, to my fair one in her bow - er,
vi - o - let - te, vi- o -
Bear this mes - sage, ten-der
^PfCJ f u Z-J
*
let - te gra- zi - o
flow-er,_ ten- der flow
se!
er! a tempo rit.SV\>ft
v ft i ^ p=£5
^fts *
eo//0 voce f ^Btfc ^
w *
^41573
84cessate di piagarmi
O no longer seek to pain meArietta
English version byDr. Theodore Baker
Alessandro Scarlatti
(1659-1725)
» < , , La prima volta •• - 80Andante con moto
, . ____„ j. .
#La seconda volta
P50
i;
r r r pi r p r iVoice
ees- sa - te di pia- gar - mi,
no long - er seek to pain me,
agitato
Piano <
y'«r- »r P^^S p
m h p^ ^ *£
o la-scia - te - mi mo-rir,Or give o'er, and let me die,
o
Orla- scia
give o'er,
te - miand let
mo-rir.me die.
* m wm jWu33
f^ ^^ ^cresc. rinf. string, poco
"\ h * ^ ft 5
Lu
Eyes
$8
c in- graso fate
te,
ful.
di
sospie- ta
un- grate
te, lu
ful; eyes
cm- graso fate
te,
ful,
1*4 4 i
wt
mR. i
3 ^
*cresc. rinf. string, poco
ii
4i:<7 J
Copyright, 1894, by G. Schirmer, Inc.
Copyright renewal assigned, 1926, in G. Srhirmer, Inc.
85
4a poco M J J' J £ £
* *
di - spie - ta - te, piu
so un- grate - ful; Ice
del ge - lo e piu del marnor stone could so dis-dain
mime,
ma poco
P
* i—i* 3=t=^ CBdim.
ms?norz.
r f LjJl
i r ^^pp
fred - de_e sor - de a' miei mar-tir,Nor so cold - ly hear my cry,
r P Q ^fred - de_e sor de\j&nor so cold -
ly
£ i=t 3^£ mI—
w: ff^ ^^ S£3:
P P£ £
*r&
^?/^ dolente ed appassionato
r p r Mr ^r P^^miei.
hear.
mar-tir.
_ my cry.
rit. .
ces- sa - te di pia-gar mi,
O no long - er seek to pain me,
1=* ~1 1 •& t5m>f^ i-
P£ P*
con dolore e rit. assai
15 1- SP^P ^ ±do la- scia - te - miOr give o'er, and let
mo-nr,me die,
o
Orla- scia
give o'er,
te - miand let
mo-nr.me die.
£ m mwm iPpr^s?3=2=$Sk ^
r#. assai
P 7
S ^ £^P 3$ tp
Za seconda volta
molto ritenuto
41573
86 Se Florindo e fedele
Should Florindo be faithful
Arietta
English version byDr. Theodore Baker
Alessandro Scarlatti
(1659-1725)
Allegretto grazioso, moderato as sai «P = i32
Piano ^1 iu
PiVoice
J' Cr O I
Se Flo
Should Flo
rin - do e_ fe
rin - do be.
* $ ^p£p
3¥^ P*=^ ^=5^ * ..^
de - le
faith - ful
10 min - na - mo - re
Sure -ly I'll fall in .
ro,
love;
#11 % p*^*i?
^f3f m p
4lffTt
Copyright, 1894, by G. Schirmer, Inc.
Copyright renewal assigned, 1926, to O. Schirmer, Inc.
87
® mo . PR - ro. s'e fe - de - le Flo - rin - dcmo - re
fall in.
de - le.
love, Should Flo - rin - do be faith
do m'in
ful I'll
PHdolce E^^£pw s £ p
J^ p
na - mo - re
sure-ly fall in
ro,
love,
10 m in - na - mo - re
I1
!! sure - ly fall in.
ro, s'e— fe
love; If Flo
$ fft
§sp
^mi m f m p^
s:
£ P 'P' 7 PF^ 5
de - le Flo - rin - do m'in
rin - do be faith - ful I'll
na - mo - re
sure-ly fall in
ro,
love,
^ , l^> Ji^^ i,> )\ }\ |j II.-S at*
min-na-mo-re -ro,
I shall fall in love,
min-na-mo-re - ro,
I shall fall in love,.
v iJ' * ^^ s£co/ canto imitando la voce
41578
- fa tempodolce
f^0 sio m'in - na - mo - re - ro .
I'll sure-Iy, sure-ly fall in love.
^ a tempo
m^ij J
j*~~— 5;:
1
«* t
* jj> J^JilJ^p £ Sfp7 7 4-
Po - tra
How art
ben Tap- co ten
ful e'er he drawde - re il fa re -
the bow, Well - vers'd in
* > J' |> j J,J' |J\ j^
tra-tqjir - cier,
arch-ers' wiles,
ch'io mi sa-pro di - fen -
My heart I can de - fend,
de - re d'un
I know, From
;##=*if
/i»^*w
Jj 'j
s»/
r^
ff^k
£U ^^ Jt?£?
guaran
do
y
^m & ^
it. f^ £
lu - sin - ghier.lur - ing smiles.
Pre - ghi,
Sigh- ing,
m fcresc.
»±±±-k
^mp
^^m
s41573
ji ij i
k j'l^ry i ^v^U'89
pian- ti
weep-ing,
e que - re - le, io non a-scol - te - ro,
and im-plor-ing, My breast can nev - er move:
m #T-j^_m>
§.q^ ^^ 3«
con ffrazioso
» » Jt i
,-h ,m > i ;> j^t ^^^ £¥ W
ma se sa - ra fe - de
but if he should be faith
ma se sa - ra fe - de - le,
But if he should be faith- ful,
le io
ful I'll
S 3 * *=t S
r F
J* -A ^^ dolce
^ m% % % \£
mm-na-mo - re - ro,
sure- ly fall in love,
10
I'll
m in - na - mo - re
sure -ly fall in
$rail.
Pe£ i, }\\ j\ j^E^ «M J'JHro,
love,
min- na- mo- re - ro,I shall fall in love,
mm- na- mo- re
I shall fall in
:#
Sfeco/ canto
Simitando il canto
£
41573
90
#a tempo
* fr
.^h.
ro,
love,
io m'in na mo - re - ro,
I'll sure-ly, sure-ly fall in lover
se Flo -
Should Flo -
J'' u nn j
^5 * ^m^^rin - dq_e fe
rin - do— be.
de - le
faith - ful
10 m in
1 11 sure
na
iy
mofall
re
in .
i =5-i3J^ • l
ro,love:
Pi^^ hf * f?t
*h & > mse Flo
Should Flo
rin - doJe_ fe
rin - do be.
de - le
faith- ful
* m^=*p^^
3—
*
^ P h
trzr^cresc.m m$ ^ ^^ ^
io minI'll sure
na
iy
mofall
re
in.
ro,
love;
seShould
fe
Flo
de
rin
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English version byH. Millard
Pieta, Signore!O Lord, have mercy
Alessandro Stradella(1645?- 1682?)
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Let not the hand with rig- or_ fall,
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English version byEverelt Helm
Andantino
Voicemmp
Tu lo.
Ask thy.
Tu lo saiAsk thy heart
Giuseppe Torelli(1650-1703)
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3 3i=i i^ i^p a v r r%The following introduction may be used if desired:
41tTS
Copyright, 1948, by G. Schirmer, Inc .
International Copyright Secured
99
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How I a - dore thee, Ask thy
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How that I love thee, Ask thy
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Ask thy heart, o cru - el and fair.
-G'
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41*71
I Schirmer's Library
SONG COLLECTIONS
Y
Y of Musical Classics
?YYY
M ALBUM OF SACRED SONGS. A Collection of 22 Favorite Songs suitable for use in the churches.
Hieh 113841: Low 113851
YYYy Brahms, J.
W FIFTY SELECTEr
y Chopin, F.
y SEVENTEEN POL
y FlELITZ. A. VONJj ELILAND. Acycl
fY>!< Franz, R1 VOCAL ALBUM. 62 Songs, g. e. High [1573]; Low [1573]
A Grieg, E.
1 SELECTED SONGS, g. e. 1 [1592]; Low [1593]
JL Liszt, F,
TWELVE SONGS, g. or f. & e. Low [1613]; High [1614]
i
A
The Library Volume Number is given in brackets: [1363]
High (13841; Low [1385]
ANTHOLOGY OF ITALIAN SONG OF THE 17TH AND 18TH CENTURIES. 59 Songs, i. e.
Book I [290]; Book II [291)
Beethoven, L. vanAN DIE FERNE GELIEBTE (To the Distant Beloved) A cycle of 6 songs. Op. 98. g. e. High [616]; Low [617]
SIX SONGS, g. e. High [618]; Low [619]
Foster, S. C.
ALBUM OK SONGS. 20 Favorite Compositions. Collected and edited by H. V. Milligan 11439]
A Mendelssohn, F.
SIXTEEN SELECTED SONGS, g. e. Low [1644]; High [I64SJ
SIXTEEN TWO-PART SONGS, g. e. [377]
Schubert, F.
FIRST VOCAL ALBUM (3 Cycles, and 24 Favorite Songs), g. e. High [342|; Low [343]i „.. _ ._. -.-.A THE MAID OF THE MILL (Die sch6ne Miillerin) A cycle of 20 songs, g. e. High [344]; Low [3451
WINTER-JOURNEY (Die Wintcrreise) A cycle of 24 songs, g. e. High [346]; Low [347]
TWENTY-FOUR FAVORITE SONGS, g. e. High [350]; Low [351]
SECOND VOCAL ALBUM. 82 Songs, g. e. [352]
Schumann, R.
VOCAL ALBUM. 55 Songs, g. e. High [120]; Low [121]
WOMAN'S LIFE AND LOVIi (Fraucnliebe und -leben) A cycle of 8 songs, g. e. High [1356]; Low [1357]
Tchaikovsky, P. I.
^ TWELVE SONGS, g. e. Low [1620]; High [1621]
A Wagner, R.
^ FIVE SONGS, g. c. Low [1181]; High [1233]
(Languages of texts are shown in small letters: e.-English: f.<-French; g. = German;i. = Italian. Where there is no other indication, texts are in English only.)
i
A G. SCHIRMER New York/Londonrp
A-IMS
Vtsmm copthiomt, %*n. by o. kninmis. inc.
mi