Post on 16-Feb-2018
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Subtitles Brought To You By The 7-Dimensional Team @ i!i
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but ( 'ill stay in orea.
/
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2hat else o you ha)e to o instea o3 re*ei)ing treatments
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2hy my heart ha to be bro!en into +ie*es,
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2hile ning my lost memories an +utting together my heart that be*ame
+ie*es.
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(5m not a substitute 3or 8ather.
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( am only
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ha Do ;yun.
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But re an basements,
##
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Ao, ( 'ill go.
#
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=h i ?in.
#4
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=h i ?in.
#/
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=h i ?in, are you o!ay
#$
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(5m o!ay.
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#7
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( 6ust 3elt iy 3or a se*on.
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(5)e been ne but ( on5t !no' 'hy (5m li!e this again...
#
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et5s go out no', *an you get u+
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Yes...
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=h i ?in =h i ?in =h i ?in
#
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2hat is this
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2hat... is this
/
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C+isoe 1
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40
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These ays the sh ha)e gotten a lot better.
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9o ba*! u+ an rest.
4#
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Yes.
- C)en i3 you be 3a*e 'ith +ain3ul memories, on5t get beaten u+.
4
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Yes.
44
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oo! a3ter Dr. =h 'ell.
4/
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C)en though she loo!s li!e that, she is )ery so3t-hearte.
4$
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She use to struggle a lot be*ause she 'oul 3eel so mu*h em+athy 3or a +atient.
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2ell, it might seem (5m neelessly 'orrying, but it 6ust *on*erns me, seeing her
be*ome li!e that.
4%
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( 'ill o 'ell.
4
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;ey, oesn5t it 3eel li!e (5m a Da as!ing my son-in-la' to !ee+ my aughter ha++y,
right
/0
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(5ll lea)e no'. You on5t ha)e to *ome out.
/1
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=h i ?in
-&h
/#
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=h i ?in... are you o!ay
/
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=h i ?in, *ome to your senses...
/4
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ome to your senses.
/$
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=h i ?in
/7
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=h i ?in, are you o!ay ome to your senses, are you o!ay
/%
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=h i ?in
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/
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=h i ?in...
$0
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Don5t lea)e.
$1
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Don5t lea)e.
$#
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Don5t lea)e.
$
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Hlay 'ith me.
$4
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Hlay 'ith me...
$/
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Hlay 'ith me...
$$
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Don5t go.
$7
00:0/:4%,$%0 --> 00:0/:4,7#0
Hlay 'ith me...
$%
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The ee+ night 'ill sho' you, 'ho 'as not able to lea)e
70
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Your )oi*e, 'hi*h 'his+ere I( lo)e youJ an your s*ent
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Your )oi*e, 'hi*h 'his+ere I( lo)e youJ an your s*ent
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Don5t go, on5t go, on5t go...
e*hoes in my ears e)eryay
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est assure an slee+.
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( 'al! through the ar!ness be*ause ( 'ant to n you,
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The things that are ta!ing o)er me arenKt the bastars li)ing insie me
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The )oi*e that e*hoes in my ears 'a!es me u+
%1
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The ee+ night sho' you, 'ho 'as not able to lea)e
%
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(t 'a!es me u+ 3rom my slee+ an !isses me again
%/
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Your )oi*e, 'hi*h 'his+ere I( lo)e youJ an your s*ent
2here are you
%%
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!ee+ on rolling 'ithout sto++ing.
Ao matter 'here the en lies.
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%
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(Km sorry. ( hol on to you, an tell you to not get 3ar a'ay 3rom me
1
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en)y an guilt.
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The little girl...+leae an +leae.
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=h i ?in =h i ?in
$
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=h i ?in 2hat are you oing, =h i ?in
7
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You 'o!e u+ alreay.
%
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Be*ause o3 Aightingale ha ( 3elt better. ( 'as hungry so ( 'as sear*hing in the
re3rigerator.
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&re you o!ay
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(t seems you ha a nightmare all night long.
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Ao, (5m o!ay. ( am li!e that sometimes, li!e it5s an annual traition.
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10#
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( 'ant to eat the u*! ste' my mom ma!es...
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(5m sorry.
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2hat are you sorry 3or 2hat oes u*! ste' an you ha)e to o 'ith anything
&re you relati)es
10/
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(t 'as *om+letely be*ause o3 me that you ha to lie being in &meri*a.
10$
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&n be*ause o3 that you ha)en5t been able to meet 'ith your 3amily *om3ortably.
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There3ore, you *an5 t eat your mom5s u*! ste'. 2hi*h is 'hy all o3 this is my 3ault.
10%
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2o'M
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You are li!e one o3 the re+resentati)es 'ho rea the orean De*laration o3
(ne+enen*e.
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But 'hat shoul ( o (5m sorry. 2hile you 'ere not here, ( alreay 5*ame out5 to my
3amily.
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=h, is that right
11#
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That5s goo then. et5s go. (5ll ri)e you.
11
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Ta!e a brea! starting toay.
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( return the oNer
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(3 ( a++ear li!e this to them, they 'ill 'orry e)en more.
11$
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&n... ( still in5t tell them that ( am your +hysi*ian.
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You5re sorry, right Then to ma!e u+ 3or it, buy me 3oo.
11%
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Then ( shall 3orgi)e all your sins.
11
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&h... =h... =h i ?in Hro3essor sai to rest until toay.
1#0
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You must ha)e 3orgotten. ( am also a o*tor.
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1#1
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Ly sour*e o3 nutrients ha)e been *ut oNM
1##
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( nally 3eel li!e (5m ali)e no'.
1#
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2hat !in o3 nightmare i you e)en ream
1#4
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You sai it5s a yearly thingO ( on5t thin! it shoul be ta!en lightly.
1#/
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et5s tal! about the serious stuN uring our *on)ersation later.
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8or no', eat.
1#7
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(s it... be*ause o3 the +hobia o3 basements
1#%
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;ey, ( sai let5s o it later.
1#
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You are tire, too, ha)ing to resol)e all the things Lr. Shin i.
10
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8or no', let5s eat as 'e get things oN our *hest.
11
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;ere, *heers Drin! u+
1#
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=h i ?in.
- Don5t 'orry.
1
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There5s someone else 'ho inter+rets my reams.
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14
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2ho is that
1/
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;ere, *heers (5ll let you !no' i3 you rin!. heers
1$
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Ly brother.
17
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2hen ( ream nightmares, as a 'riter, he inter+rets my reams 3or me.
1%
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(... a*tually am a little bit s*are o3...
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(t 'as lo)e.
14#
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( s'eet-tal!e my brother to *ome 'ith me.
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( guess 'e are really t'ins
14$
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( hear you met the 'riter, =mega.
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( am sorry 3or lying to you all this time.
14%
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2hat !in o3 a +erson is =h i =n
14
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( on5t !no' him that 'ell either.
1/0
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There5s about #7$ yello'-s+otte sna!es insie him.
1/1
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=h in ?in.
1/#
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2hy are there so many Guestions toay
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1/
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(s =h i ?in really your real brother...or...
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But...is it o!ay to al'ays eat through your money
1$0
00:1:47,70 --> 00:1:/#,40
To someone 'ho entere the roa o3 unem+loyment starting 3rom toay
1$1
00:1:/#,40 --> 00:1:/4,170
Don5t 'orry.
1$#
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(3 ( sell all the items Se 9i bought so 3ar, 'e *an eat an li)e 3or t'o years.
1$
00:14:00,%#0 --> 00:14:0/,4%0
So, 3rom no' on, ho' o you +lan to li)e
1$4
00:14:0/,4%0 --> 00:14:10,/70
8irst, ( am going to organie my stuN in the *om+any... an then mat*h the +ule.
1$/
00:14:10,/70 --> 00:14:1,#/0
2hat !in o3 +ie*e 'ill you be grabbing rst
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1$$
00:14:1,#/0 --> 00:14:1/,/$0
The *hil.
1$7
00:14:1/,/$0 --> 00:14:1,$/0
The basement *hil... i3 he"she really eEists... an i3 he"she oes...
1$%
00:14:1,$/0 --> 00:14:#,%0
'here that *hil *ame 3rom an 'here the *hil isa++eare to...
1$
00:14:#,%0 --> 00:14:#%,40
CE*ellent Aot oging the +roblem nor e+ening on someone else.
170
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( li!e that attitue o3 you 6ust 3a*ing the +roblem u+3ront. Ai*e, really ni*e.
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(t5s a tarot reaing sho+.
17#
00:14:/,0 --> 00:14:%,%0
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2ait, 3or a o*tor... o you belie)e in that uns*ienti* astrology
17
00:14:%,%0 --> 00:14:4,%0
2ho !no's (3 'e as! 'here that *hil is right no', 'e might be able to get a goo
+sy*hi* reaing.
174
00:14:4,%0 --> 00:14:47,$/0
?ust earlier you sai that ( 'as great 3or not relying on someone an 3a*ing it mysel3.
17/
00:14:47,$/0 --> 00:14:/#,$0
( 'as 6ust 6o!ing. 9osh, getting so serious about it.
17$
00:14:/#,$0 --> 00:14:/4,1%0
Ly +hone
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( must ha)e le3t it at the restaurant. (5m sorry but *an you go in rst.
17%
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an you orer some *oNee &meri*ano, ouble shot. (5m *ounting on you
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17
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ome in alreay, it5s your rst tarot *ar reaing. (sn5t it
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(t5s not that.
1%$
00:1$:00,/0 --> 00:1$:0,$0
Don5t be ner)ous.
1%7
00:1$:0,$0 --> 00:1$:0$,$$0
Thin! about the +erson that you li!e right no' in your min.
1%%
00:1$:0$,$$0 --> 00:1$:0,$0
Ta!e out *ars ea*h 'ith your right an le3t han.
1%
00:1$:0,$0 --> 00:1$:10,00
2ho ( li!e
10
00:1$:10,00 --> 00:1$:1#,440
Yes.
11
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;urry, hurry. You ha)e to *hoose 3ast be3ore my s+irit be*omes hay.
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1#
00:1$:1,40 --> 00:1$:#0,#70
&h, yes.
- Rui*!ly.
1
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*ars on my right han, *ars on my le3t
14
00:1$:##,740 --> 00:1$:#4,%0
Yes.
1/
00:1$:#$,70 --> 00:1$:0,710
The mile is you, the right is the +erson you li!e
1$
00:1$:0,710 --> 00:1$:/,$0
an the le3t is the obsta*le that isru+ts your roman*e.
17
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Ao'.
1%
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00:1$:40,7%0 --> 00:1$:44,40
That girl, )ery ni*e.
1
00:1$:4/,1/0 --> 00:1$:4,#0
She5s )ery 'arm an bright.
#00
00:1$:4,#0 --> 00:1$:/4,/#0
She5s li!e... a sunbeam shining through the 'ino' in &+ril.
#01
00:1$:/4,/#0 --> 00:1$:/%,700
2hen she *alls your name...
#0#
00:1$:/%,700 --> 00:17:0,00
You be*ome a stu*---( mean, o'er 3or her.
#0
00:17:04,#0 --> 00:17:11,70
She oesn5t ha)e any strong 3eatures, but she oes ma!e you *om3ortable.
#04
00:17:11,70 --> 00:17:1,//0
ight
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#0/
00:17:1,//0 --> 00:17:1$,710
Yes, that5s right.
#0$
00:17:17,7/0 --> 00:17:#1,40
Ao'... you. The 6uge *ar.
#07
00:17:#1,40 --> 00:17:#$,10
That girl entere your heart 'ithout you realiing it,
#0%
00:17:#$,10 --> 00:17:#,/$0
you 6uge yoursel3 3or it, an you try your harest to *ontrai*t it. (t *omes out li!e
that.
#0
00:17:,$0 --> 00:17:%,110
&n... =h my, the obsta*le to your roman*e.
#10
00:17:%,110 --> 00:17:4,#40
;o' *ome su*h a sour thing *ome in =h my, it5s sour, sour.
Something )ery sour *ame in.
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#11
00:17:4,#40 --> 00:17:4/,$70
2o', there5s blo*!aes e)ery'here
#1#
00:17:4/,$70 --> 00:17:4,100
=h my, 'hat on earth They are all sa)ages, all sa)ages.
#1
00:17:4,%#0 --> 00:17:/4,700
&n so... 'ill it be*ome true or not
#14
00:17:/4,700 --> 00:17:/7,710
8inally, +i*! the last *ar.
#1/
00:1%:00,0/0 --> 00:1%:0#,440
=h, so hansome.
#1$
00:1%:10,/0 --> 00:1%:1/,440
(t5s the 'heel o3 3ortune (t means an una)oiable 3ate.
#17
00:1%:1/,440 --> 00:1%:#0,40
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You 'ill meet the +erson you5re 'aiting 3or the longest time, but it 'ill not be a
smooth-sailing.
#1%
00:1%:#0,40 --> 00:1%:#/,#00
2ithout +ain an harshi+, this lo)e 'ill be har to *ome true.
#1
00:1%:#/,#00 --> 00:1%:0,%%0
oo!, loo!. The 6uge is holing a s'or. &h, this 6ugement P(t5s a +unQ.
##0
00:1%:1,7%0 --> 00:1%:4,#40
?ugement. ?ugement.
##1
00:1%:4,%00 --> 00:1%:7,10
?ugement.
- ?ugement.
###
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Toay5s horos*o+e... ( ste++e on +oo+. Hoo+.
##
00:1%:/$,410 --> 00:1:01,$%0
=h my, ( am Year o3 the =E, right. (5m loo!ing at some'here else.
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##4
00:1:01,$%0 --> 00:1:0,0
;elloM
##/
00:1:0,0 --> 00:1:0/,0
2el*ome
##$
00:1:0$,1/0 --> 00:1:0%,110
You *ame to loo! at your lo)e 3ortune.
##7
00:1:0%,110 --> 00:1:1#,#70
=h my, oh my So great
##%
00:1:1,#10 --> 00:1:1%,110
2o', 'hy o you ha)e so many guys 1, #, . 2o' you5re a +layer. Dirty irty.
##
00:1:1%,110 --> 00:1:#1,7%0
2hat Ao (t5s not 2hat o you see me as
#0
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(t5s ne. et5s 6ust say that5s true.
#1
00:1:#/,$%0 --> 00:1:#,1#0
So 2hat o ( ha)e to o
##
00:1:#,1#0 --> 00:1:1,%0
Hi*! your last *ar.
#
00:1:7,70 --> 00:1:40,4$0
Death Death Pin oreanQ
#4
00:1:40,4$0 --> 00:1:4,#70
uin. (t5s ruin. ;aha.
#/
00:1:4,#70 --> 00:1:47,#70
(t means to 6ust 3orget things li!e lo)e an 6ust 'or! har instea.
#$
00:1:47,#70 --> 00:1:/1,0
=nly i3 you gi)e u+ on your *urrent lo)e *an you +re)ent a big mis3ortune.
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#7
00:1:/1,0 --> 00:1://,%%0
(t5s 6ust that !in o3 meaning. uin. The Cn. The Cn PoreanQ. The Cn P?a+aneseQ.
#%
00:1://,%%0 --> 00:1:/7,$$0
This is (A&(D (A&(D
- =mo =mo
#
00:1:/7,$$0 --> 00:1:/%,7/0
Shue the *ars again
#40
00:1:/%,7/0 --> 00:#0:01,00
=h my, hallelu6ah, seriously =h my, 'hat in the 'orl
#41
00:#0:0%,4/0 --> 00:#0:10,00
2hat are you oing
#4#
00:#0:10,00 --> 00:#0:1,%/0
=h, ( 'as *he*!ing the sto*!s.
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#4
00:#0:1/,110 --> 00:#0:1$,$$0
2hat are you oing
#44
00:#0:1$,$$0 --> 00:#0:#0,440
2hat are you oing right no'
#4/
00:#0:#0,440 --> 00:#0:#,/10
;uh Tarot *ar a**urate rate, tarot *ar )aliity... 2hy are you e)en sear*hing this
*ra+
#4$
00:#0:#,/10 --> 00:#0:#/,$0
&h, 'hy are you oing this, really
#47
00:#0:#$,%0 --> 00:#0:#%,4#0
2ait...
#4%
00:#0:0,/$0 --> 00:#0:#,$$0
This situation right no'... (t 'as on +ur+ose, 'asn5t it
#4
00:#0:#,$$0 --> 00:#0:/,%$0
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(t5s )ery... unnatural.
#/0
00:#0:/,%$0 --> 00:#0:7,4$0
(t 'as not.
#/1
00:#0:7,4$0 --> 00:#0:41,0/0
(3 you loo! into the *onteEt 3rom both sies, it is also +robable to a egree.
#/#
00:#0:4$,400 --> 00:#0:/#,140
So, ho' a**urate are the tarot *ar reaings
#/
00:#0:/#,140 --> 00:#0:/4,0
(t oesn5t say anything enite *learly.
#/4
00:#0:/4,0 --> 00:#0://,%10
(t5s not s*ienti*.
#//
00:#0://,%10 --> 00:#0:/$,%%0
(t has no )aliity.
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#/$
00:#0:/$,%%0 --> 00:#0:/7,%00
ight
-ight
#/7
00:#0:/7,%00 --> 00:#0:/,0%0
=3 *ourse
- Yeah
#/%
00:#0:/,0%0 --> 00:#1:01,170
Ao 'ay.
#/
00:#1:01,170 --> 00:#1:0,7/0
;uh
-;uh
#$0
00:#1:0,7/0 --> 00:#1:0/,1%0
;uh
-UhM ;uh
#$1
00:#1:0/,1%0 --> 00:#1:07,4%0
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;uh-uh. Lm.
- Lm Lm-mm
#$#
00:#1:07,4%0 --> 00:#1:0,00
You ha yours rea.
#$
00:#1:14,%0 --> 00:#1:1,170
Then... (5ll be u+stairs,
#$4
00:#1:1,170 --> 00:#1:##,4#0
*all me i3 you nee me.
#$/
00:#1:##,4#0 --> 00:#1:#4,#10
=h i ?in.
#$$
00:#1:#$,70 --> 00:#1:#%,1#0
Yes
#$7
00:#1:#%,1#0 --> 00:#1:,140
2hy o ( ha)e to *all you only 'hen ( nee you
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#$%
00:#1:,140 --> 00:#1:$,70
That5s... 2hat o you mean by that
#$
00:#1:$,70 --> 00:#1:41,70
;a)e you ne)er neee me be3ore
#70
00:#1:4/,4/0 --> 00:#1:47,4%0
&m ( only 6ust
#71
00:#1:/0,0%0 --> 00:#1:/,0
your +atient
#7#
00:#1:/,0 --> 00:#1://,#70
Ao...
#7
00:#1:/%,#0 --> 00:##:01,#40
(t5s not li!e that.
#74
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00:##:01,#40 --> 00:##:04,/00
(s there no +ossibility 3or me to be *onsiere as a man
#7/
00:##:#1,00 --> 00:##:#4,1/0
Do you 'ant to go rie the Sno'a!e train
#7$
00:##:#4,1/0 --> 00:##:#/,##0
2hat
#77
00:##:#/,##0 --> 00:##:#%,#0
2hen you ta!e the Sno'a!e train, go on a tri+ an tal! more 'ith me.
#7%
00:##:#%,#0 --> 00:##:1,1#0
You *an learn a lot more about me.
#7
00:##:1,1#0 --> 00:##:,040
Then 'e *an be*ome a lot *loser.
#%0
00:##:,040 --> 00:##:7,/70
8irst, 'e nee to be*ome *loser 3or me to be able to 3eel out the +ossibility.
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#%1
00:##:4,00 --> 00:##:44,40
Deal
#%#
00:##:44,40 --> 00:##:4$,#00
Deal.
#%
00:##:4$,#00 --> 00:##:4%,/#0
Then, in 0 minutes, let5s meet here.
#%4
00:##:4%,/#0 --> 00:##:4,0
=!ay.
#%/
00:#:10,10 --> 00:#:1#,%0
;an hae Yeon.
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00:#:1%,440 --> 00:#:##,0%0
See me 3or a bit. ( ha)e something ( 'ant to say to you.
#1
00:#:#,#10 --> 00:#:4,/0
Sorry, but ( *an5t meet u+ 'ith you.
##
00:#:/,%/0 --> 00:#:%,#00
You go home, too. You seem )ery run!.
#
00:#:%,#00 --> 00:#:40,740
Then (5ll *all i ?oon o++a then.
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#4
00:#:4#,#10 --> 00:#:44,7/0
(5ll *all i ?oon o++a... an
#/
00:#:44,7/0 --> 00:#:4%,$$0
tell him e)erything about ho' you trie to seu*e me that night...
#$
00:#:4,7#0 --> 00:#:/1,/00
an brea! the engagement.
-hae Yeon.
#7
00:#:/1,/00 --> 00:#:/$,##0
( 'ill tell the hair'oman e)erything, that her granson is a s*ounrel.
#
00:#4:0#,040 --> 00:#4:04,$0
et5s try getting eE*itely torn a+art 3or on*e.
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00
00:#4:04,$0 --> 00:#4:0%,0
( 'on5t ie alone, you !no'
01
00:#4:17,0 --> 00:#4:#1,$0
2hat 2hy in5t you *hange your *lothes
0#
00:#4:#1,$0 --> 00:#4:#,0
Sorry, =h i ?in.
0
00:#4:#,0 --> 00:#4:#/,#0
(t5s o!ay.
04
00:#4:#/,#0 --> 00:#4:#7,440
&s long as you are *om3ortable, let5s go.
0/
00:#4:#7,440 --> 00:#4:1,$0
(t5s not that... ( suenly ha)e a matter to atten.
0$
00:#4:1,$0 --> 00:#4:4,/00
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( thin! ( nee to +ush the tri+ 3or later.
07
00:#4:4,/00 --> 00:#4:$,040
2hy
0%
00:#4:$,040 --> 00:#4:,%10
Di the hair'oman as! you to *ome to the main resien*e again
0
00:#4:,%10 --> 00:#4:4,%0
(t5s not that... hae Yeon.
10
00:#4:4,%0 --> 00:#4:4/,%0
She seems to be ha)ing a har time be*ause o3 Se 9i.
11
00:#4:4/,%0 --> 00:#4:4,70
( thin! ( shoul set her heart in +la*e.
1#
00:#4:/0,7/0 --> 00:#4://,00
(t is something that Se 9i i, but it is something ( nee to ta!e res+onsibility 3or.
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1
00:#4://,%$0 --> 00:#/:00,4$0
;o' are you going to ta!e res+onsibility
14
00:#/:01,140 --> 00:#/:0,/0
(5m not sure.
1/
00:#/:0,/0 --> 00:#/:0/,0
8or her not to ha)e a *hange o3 heart anymore, 'hether ( a*t e)il to'ars her,
1$
00:#/:0/,0 --> 00:#/:0,010
by +ersuaing her... 3or no', ( ha)e to go.
17
00:#/:10,%0 --> 00:#/:11,%#0
2ill you be o!ay
1%
00:#/:11,%#0 --> 00:#/:1,#%0
2hat
1
00:#/:1,#%0 --> 00:#/:14,740
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=h, o3 *ourse.
#0
00:#/:14,740 --> 00:#/:1$,40
9o alreay, go.
#1
00:#/:1,/0 --> 00:#/:#1,00
Then, ( 'ill *ome ba*! soon.
##
00:#/:#1,00 --> 00:#/:##,0
=!ay.
#
00:#/:%,#0 --> 00:#/:4#,#%0
You5re run!. et5s s+ea! at a brighter +la*e.
#4
00:#/:4,040 --> 00:#/:44,1%0
2hat are you oing
#/
00:#/:44,1%0 --> 00:#/:4$,%00
alling me out all o3 a suen, it 'ill be the last time ( 'ill listen to you.
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#$
00:#/:4$,%00 --> 00:#/:/1,#/0
AeEt time, e)en i3 you say that you are going to brea! the engagement or go to the
hair'oman, (5m not going to *ome out no matter 'hat threat you say.
#7
00:#/:/1,#/0 --> 00:#/:/,#0
(3 ( slit my 'rist, then 'ill you *ome out
#%
00:#/:/,#0 --> 00:#/:/4,#10
;an hae Yeon.
#
00:#/:/4,#10 --> 00:#/:/7,%0
You5re the one 'ho rst +ut your han out to se*retly be together.
0
00:#/:/%,$%0 --> 00:#$:0,70
But 'hy o ( ha)e to be the only one 3eeling that ( am le3t behin, thro'n a'ay
1
00:#$:11,00 --> 00:#$:1/,/00
(5m sorry. (t5s my 3ault.
#
00:#$:1/,/00 --> 00:#$:1,10
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That situation... 'as not a situation 'here ( *oul be sane. ( lost my senses 3or a
moment.
00:#$:1,10 --> 00:#$:##,70
2hen you lost your senses,
4
00:#$:#4,#$0 --> 00:#$:#$,%10
my reason *ame ba*!.
/
00:#$:#$,%10 --> 00:#$:#,10
( 3oun out 'ho is a*tually in my heart no'.
$
00:#$:#,10 --> 00:#$:#,%0
hae Yeon.
7
00:#$:#,%0 --> 00:#$:7,000
You sai you 'ante to +ut an engagement ring on me yoursel3.
%
00:#$:,40 --> 00:#$:4#,/70
You sai you 'ere gonna gi)e me the right to *hoose.
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00:#$:4,70 --> 00:#$:4/,$00
2o', it5s so ni*e.
40
00:#$:4/,$00 --> 00:#$:47,40
( really li!e this hotel5s s+a.
41
00:#$:47,40 --> 00:#$:/#,000
( really li!e their massage, as 'ell, be*ause they +ress so 'ell.
4#
00:#$:/#,000 --> 00:#$:/$,070
ater on, ( *ouln5t e)en 3eel 'here my 3eet or arms are atta*he to. Ly min is 6ust
e)ery'here.
4
00:#$:/$,070 --> 00:#$:/7,4/0
;ey, Bae! ?in Soo!.
44
00:#$:/7,4/0 --> 00:#7:00,170
2ho 'oul loo! at you an thin! you5re the 'i3e o3 an &mbassaor
4/
00:#7:00,170 --> 00:#7:0,%0
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Hlease thin! o3 &mbassaor ;an as 'ell. ee+ u+ 'ith your *lass.
4$
00:#7:0,%0 --> 00:#7:0/,7#0
&ny'ay, be*ause o3 you, ( 3eel re3reshe.
47
00:#7:0/,7#0 --> 00:#7:07,#40
( hear that as another +lea to bring you ba*! here
4%
00:#7:07,#40 --> 00:#7:0,/00
2o', 'e *onne*t so 'ell.
4
00:#7:0,/00 --> 00:#7:11,%%0
( lo)e my in-la'.
/0
00:#7:11,%%0 --> 00:#7:14,0/0
2hen ( go to Brail neEt time, you5re re+aying this t'o times more, o!ay
/1
00:#7:14,0/0 --> 00:#7:1/,0
=!ay, ( got it.
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/#
00:#7:1/,0 --> 00:#7:17,$/0
;o' about inner at that +la*e
/
00:#7:17,$/0 --> 00:#7:1,$10
=h Yeah, it seeme o!ay there.
/4
00:#7:1,$10 --> 00:#7:#1,//0
=h, 'ait a se*on.
//
00:#7:##,$#0 --> 00:#7:#4,$0
( on5t !no' 'here my legs an arms are right no',
/$
00:#7:#4,$0 --> 00:#7:#7,0
but ( !no' that the +eeing +la*e is o)er there (5ll be ba*!.
/7
00:#7:#7,0 --> 00:#7:0,/70
&igoo, 'ho 'oul sto+ that mouth o3 hers
/%
00:#7:#,00 --> 00:#7:4,440
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Yes. 9et the *ar reay.
/
00:#7:4,440 --> 00:#7:$,%%0
&n ma!e a reser)ation at Sam*heong-ong.
$0
00:#%:00,7$0 --> 00:#%:04,000
(t5s ruin, ruin. =!ay
$#
00:#%:0%,040 --> 00:#%:1#,10
By gi)ing u+ on your lo)e right no', you *an sto+ any big mis3ortune later.
$4
00:#%:1,70 --> 00:#%:1$,110
Rua*!.
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$/
00:#%:1$,110 --> 00:#%:#0,1#0
Cn. The ening. The en.
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he5s 6ust *ho++ing re'oo 3rom morning until inner. (sn5t that right
7#
00:#%:4$,$#0 --> 00:#%:4%,/0
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7%
00:#:04,/0 --> 00:#:07,%0
8rom a )ery long time ago.
7
00:#:11,0#0 --> 00:#:1,0
(t5s a 6o!e, 6o!e.
%0
00:#:17,##0 --> 00:#:1,1#0
&h, this...
%1
00:#:1,%#0 --> 00:#:#,#70
The moo is goo an 'hy is she again...
%#
00:#:#4,0 --> 00:#:#$,#0
2hy 2hat
%
00:#:#$,#0 --> 00:#:#,0
i =n, *ome ta!e me home.
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( really 'ant to go home but ( *an5t ri)e be*ause ( ran!.
%/
00:#:/,400 --> 00:#:,0$0
=++a is in the mile o3 a business right no', (5m busy. (5m going to hang u+.
%$
00:#:,0$0 --> 00:#:4#,010
( ha a nightmare again.
%%
00:#:44,/0 --> 00:#:47,%10
So you nee to inter+ret my reams.
%
00:#:47,%10 --> 00:#:/0,10
You turn my nightmares into
0
00:#:/0,10 --> 00:#:/#,$/0
lu*!y reams 'ell though.
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1
00:#:/4,40 --> 00:#:/$,$%0
2here are you right no'
#
00:0:01,$$0 --> 00:0:0,470
=h i ?in
00:0:0$,1#0 --> 00:0:0%,400
=h i ?in
4
00:0:#1,0 --> 00:0:#4,00
(5m ta!ing ba*! the )a*ation ( re3use a 'hile ago.
$
00:0:41,7%0 --> 00:0:4$,70
i =n, o you remember my rst lo)e
7
00:0:47,$#0 --> 00:0:/0,100
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Your rst lo)e
%
00:0:/0,100 --> 00:0:/#,0
2ho is he
00:0:/#,0 --> 00:0://,$40
You !no' that 6er! in high s*hool.
400
00:0://,$40 --> 00:0:/,00
C)en though he ha a girl3rien, he 'ante my notes
401
00:0:/,00 --> 00:1:0#,110
so he treate me 'ell.
40#
00:1:0,/00 --> 00:1:0%,/10
You *o)ere my eyes so ( 'ouln5t see him 'ith his girl3rien.
40
00:1:0%,/10 --> 00:1:11,0/0
You !ne'
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404
00:1:11,0/0 --> 00:1:1,%0
&m ( stu+i
40/
00:1:1/,#$0 --> 00:1:#0,0#0
( a*tually is*o)ere them be3ore you
40$
00:1:#0,0#0 --> 00:1:#,#40
but ( 6ust a*te li!e ( in5t !no'.
407
00:1:#,#40 --> 00:1:#/,#40
Be*ause ( 'as than!3ul.
40%
00:1:#$,00 --> 00:1:#,0%0
Be*ause o3 you, ( 'asn5t one bit bro!en-hearte.
40
00:1:#,0%0 --> 00:1:#,/0
( thought there really 'as only you.
410
00:1:#,/0 --> 00:1:4,$00
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an ( get goosebum+s 3or a minute
411
00:1:4,$00 --> 00:1:7,#0
an you o that again
41#
00:1:40,10 --> 00:1:4/,70
(3 (... ma!e a stu+i mista!e li!e that again,
41
00:1:4$,110 --> 00:1:4,%/0
*an you *o)er my eyes again
414
00:1:/$,170 --> 00:1:/%,00
Do you by any *han*e...
41/
00:#:00,%10 --> 00:#:0,/70
li!e him
41$
00:#:1,1%0 --> 00:#:1%,0$0
2hat is a rst lo)e to a guy
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417
00:#:1%,0$0 --> 00:#:1%,$0
2hat
41%
00:#:1%,$0 --> 00:#:#1,40
(s it something that isn5t easily 3ole
41
00:#:#1,40 --> 00:#:#/,$%0
(s it something that you 'ant to un3ol again a3ter 3oling it
4#0
00:#:#/,$%0 --> 00:#:0,0
C)en i3 there is a 3ol mar!, o you not *are
4#1
00:#:#,440 --> 00:#:/,1/0
(t iNers on the situation.
4##
00:#:$,#/0 --> 00:#:,/0
(3 it 3ols in one go, then it5s than! you.
4#
00:#:40,110 --> 00:#:4,#0
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(3 you o+en it u+ again then it5s lingering atta*hment.
4#4
00:#:4,#0 --> 00:#:47,/10
(3 you o+en it t'i*e then it5s saness.
4#/
00:#:4%,##0 --> 00:#:/1,010
(3 you o+en it three times...
4#$
00:#:/,040 --> 00:#://,#00
it5s +ain.
4#7
00:#://,$0 --> 00::00,#$0
&3ter un3oling it o)er an o)er again an it be*omes ragge,
4#%
00::00,#$0 --> 00::0,/40
that5s ho' the heart gets ri++e.
4#
00::0/,10 --> 00::11,/0
&n 'hen ri++e, you 6ust eal 'ith it until you5)e gone numb. That5s ho' it is.
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40
00::14,/0 --> 00::17,010
So it5s li!e that.
41
00::1%,/10 --> 00::#1,#40
You !no' i =n,
4#
00::#,10 --> 00::#/,$40
these ays,
4
00::#$,%0 --> 00::#,%00
( on5t !no' 'hat ( am oing.
44
00::#,%00 --> 00::0,$%0
&bout 'hat
4/
00::0,$%0 --> 00::,7/0
( 3eel li!e ( am trans3erring my 3eelings Ptrans3eren*eQ to that +erson.
4$
00::,7/0 --> 00::%,/70
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( !ee+ ha)ing nightmares, an ( !ee+ ha)ing a V6W )u 3eeling.
47
00::%,/70 --> 00::41,$#0
( 3eel *on3use.
4%
00::41,$#0 --> 00::44,$0
( !ee+ getting 3eelings that ma!e me un+ro3essional.
4
00::4%,40 --> 00::/1,040
(5m a o*tor.
440
00::/#,1/0 --> 00:://,40
Be*ause that +erson is going through tough times 100 times harer than me,
441
00:://,40 --> 00:4:01,/0
( *an5t tell him to listen to my har times.
44#
00:4:0,/%0 --> 00:4:0%,/0
These ays ( miss my times at the hos+ital.
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44
00:4:0,1%0 --> 00:4:14,$10
During then ( 'as too busy to thin! about anything else.
444
00:4:1$,10 --> 00:4:1,4#0
( 6ust neee to 'or!.
44/
00:4:1,4#0 --> 00:4:##,00
(t 'as sim+le.
44$
00:4:#,%00 --> 00:4:#7,4/0
There 'as no reason to be *on3use.
447
00:4:#,0 --> 00:4:/,%40
( be*ame really 'ea!, in5t (
44%
00:4:4$,$#0 --> 00:4:4%,100
2hat are you oing
44
00:4:4%,100 --> 00:4:/1,1#0
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(5m 6ust saying you are lou.
4/0
00:4:/1,1#0 --> 00:4:/4,#40
(3 you5re going to say su*h 'ea!-hearte things,
4/1
00:4:/4,#40 --> 00:4:/$,%/0
say it insie.
4/#
00:4:/%,0 --> 00:/:0#,$10
You seriously *an5t be serious 3or e)en 10 minutes. 10 minutes
4/
00:/:0#,$10 --> 00:/:0$,$10
?ust +ut it in Hut it in
4/4
00:/:0$,$10 --> 00:/:10,040
C)eryone has
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4/$
00:/:#0,110 --> 00:/:#$,770
C)en i3 ( say
4/%
00:/:,%0 --> 00:/:40,//0
C)en i3 ( a*t iniNerent,
4$0
00:/:47,0#0 --> 00:/:/1,$70
(5m a o*tor. &n be*ause that +erson is suNering 100 times more than
me...
4$#
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00:/:/4,1/0 --> 00:/:/7,$/0
=3 *ourse ;urry an go. 9o.
4$4
00:$:01,%0 --> 00:$:0/,$0
(3 'e get on the Sno'a!e train an go on a tri+, an tal! together,
4$$
00:$:0,$0 --> 00:$:14,0$0
&3ter getting more 3rienly, ( *an analye the +robability.
4$%
00:$:1%,0 --> 00:$:#/,0#0
( 'ill 6ust hurt your heart
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4$
00:$:#/,0#0 --> 00:$:#,1#0
(3 you on5t li!e a o*tor, ( 'ill s+ea! as a 3rien.
471
00:$:4,%40 --> 00:$:7,$10
Don5t 'orry. ( am here.
47
00:$:41,4/0 --> 00:$:47,00
ha Do ;yun ha Do ;yun ha Do ;yun
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47/
00:$:/#,%%0 --> 00:$:/%,#70
seems li!e an ol 3rien
( *annot get use to this 3eeling, ( miss you
47%
00:7:1,70 --> 00:7:#1,/0
C)en i3 that is the *ase, you guys are not ying, but uner the name ha Do
;uyn,
4%0
00:7:#%,##0 --> 00:7:%,/0
The only thing ( *an gi)e you are 6ust the unsto++able tears
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00:7:%,/0 --> 00:7:4,$70
2ith a 3a*e that is un3amiliar,
4%
00:7:/#,70 --> 00:%:00,%#0
?ust let me lo)e you by mysel3 an lea)e
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( hear that hairman Seo Tae (m re i*e-Hresient ha Do ;yun.
4%%
00:%:#/,40 --> 00:%:1,7%0
( hear. (3 'e try to +ersonally as!, 'e might be misunerstoo 3or intruing +ri)ate
3amily matters.
4%
00:%:1,7%0 --> 00:%:/,440
But i3 'e 6ust go o)er this issue, ( on5t thin! it5s +ro+er as his un*le.
40
00:%:/,440 --> 00:%:7,470
( am in a roughly tough s+ot.
41
00:%:7,470 --> 00:%:40,$40
T'o months be3ore the sto*!holers5 meeting, she is*are her o'n su**essor.
4#
00:%:40,$40 --> 00:%:4,#0
hair'oman Seo5s gun isn5t as goo as it use to be,
4
00:%:4,#0 --> 00:%:4$,4/0
isn5t that *learly re)eale no'
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44
00:%:4$,4/0 --> 00:%:/0,4/0
Aot only that. Soon, 'ith hairman Bae!5s granaughter,
4/
00:%:/0,4/0 --> 00:%:/,0%0
his son 'ill be marrie.
4$
00:%:/,0%0 --> 00:%:/7,/0
So 3or this 'ee!5s sto*!holers5 meeting, you ele)ating to the +osition o3 hairman,
47
00:%:/7,/0 --> 00::00,%10
isn5t that an ob)ious truth
4%
00::11,740 --> 00::1$,40
2hat i you 6ust say 2ho is the +erson loo!ing 3or the *hil again
4
00::17,40 --> 00::1,%00
&re you +ositi)e ;urry.
/00
00::1,%00 --> 00::#,/%0
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2e nee to n that *hil out rst be3ore anyone else, using any !in o3 metho
ne*essary.
/01
00::#,/%0 --> 00::#/,/$0
Do you unerstan
/0#
00::#/,/$0 --> 00::#%,4#0
Soon the *hair'oman 'ill *all you.
/0
00::#%,4#0 --> 00::1,//0
Ta!e it as a time to get a breather.
/04
00::1,//0 --> 00::,%0
Se*retary &hn.
/0/
00::/,070 --> 00::$,170
Yes, i*e Hresient.
/0$
00::$,170 --> 00::%,%%0
Don5t 'ait 3or me,
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/07
00::%,%%0 --> 00::4#,1$0
an grab onto a goo o++ortunity 'hen it *omes.
/0%
00::4#,/0 --> 00::4$,4/0
The +eo+le gi)ing the goo o++ortunity 'ill get entangle 'ith +eo+le they 'ant
themsel)es.
/0
00::4$,4/0 --> 00::/0,%#0
(3 the line is longer, the longer the 'ait, right
/10
00::/0,%#0 --> 00::/,10
( 'ill line u+ in the short line.
/11
00::/,10 --> 00:://,70
So *ome ba*! any time.
/1#
00::/7,10 --> 00:40:00,40
You *an ta!e your time mo)ing out o3 your oF*e.
/1
00:40:01,%70 --> 00:40:04,/0
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&ren5t you rushing too mu*h
/14
00:40:04,/0 --> 00:40:0$,470
& +erson that shoul lea)e, shoul hurry an lea)e.
/1/
00:40:07,070 --> 00:40:0,/#0
You i 'ell, ;yung. ( am than!3ul 3or all this time.
/1$
00:40:0,/#0 --> 00:40:1#,/0
( ha)en5t e)en one anything 3or you so 'hy are you than!3ul
/17
00:40:1#,/0 --> 00:40:14,70
&lso, 'hen are you lea)ing 3or &meri*a
/1%
00:40:14,70 --> 00:40:1$,40
(5m not going.
/1
00:40:1$,40 --> 00:40:1,$00
You5re not going
- ( e*ie to stay here.
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/#0
00:40:1,$00 --> 00:40:#1,%%0
( ha)e something ( ha)e to o here.
/#1
00:40:##,4%0 --> 00:40:#$,##0
( see, ta!e *are.
/##
00:40:#,740 --> 00:40:%,00
(5m 'arning you but on5t *ome near my *om+any an 'oman again.
/#
00:40:%,00 --> 00:40:4,/00
(3 ( see you snoo+ing aroun her one more time, you5re ea.
/#4
00:40:/,%0 --> 00:41:01,#00
Yes, Laame.
/#/
00:41:01,%40 --> 00:41:07,$0
( hear Do ;yun got *hase out o3 the *om+any. 2hat eEa*tly is this nonsense
grumbling
/#$
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00:41:07,$0 --> 00:41:11,#0
2hat 'ere you oing until the situation be*ame this ba
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You sai being out in some other *ountry 'oul be o3 hel+ to you. Then you
shoul5)e staye there.
/
00:41:40,1#0 --> 00:41:44,##0
2hate)er you *oul ha)e one, you shoul5)e staye. ;o' *oul you 6ust be *hase
out li!e that stu+ily
/4
00:41:44,##0 --> 00:41:4%,000
She5s really s+ite3ul. 2oul you o this on +ur+ose
//
00:41:4%,000 --> 00:41:/#,$0
Di she e)er, 3or her granson, *ast a s'eet gae on you or *om+limentt you
/$
00:41:/#,$0 --> 00:41:/$,%0
That e)en you, 'ho is inno*ent an lamb-li!e, 'oul gro' some horns, too.
/7
00:41:/7,/40 --> 00:4#:04,#%0
Ao matter i3 the 'hole 'orl +oints their ngers at you, mom 'ill unerstan you.
(t5s o!ay.
/%
00:4#:0/,0$0 --> 00:4#:0$,700
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Lother...
/
00:4#:07,00 --> 00:4#:14,1$0
8rom no' on, 'hate)er ( as!, +romise me that you 'ill be honest an tell me the
truth.
/40
00:4#:1$,1$0 --> 00:4#:##,0#0
(... ( am too honest 3or my o'n goo.
/41
00:4#:##,0#0 --> 00:4#:#7,0#0
2hat &bout 'hat 2hat is it
/4#
00:4#:#7,0#0 --> 00:4#:1,000
(n the +ast, at Seung6in
/4
00:4#:,0$0 --> 00:4#:/,%40
'as there a *hil aroun my age
/44
00:4#:7,%#0 --> 00:4#:40,%0
2hat & *hil
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/4/
00:4#:4,4$0 --> 00:4#:4$,/0
(n that house, there 'as no other *hil other than you.
/4$
00:4#:4$,/0 --> 00:4#:/0,/40
Lom, ( alreay !no' that you are sear*hing 3or the *hil.
/47
00:4#:/1,%#0 --> 00:4#:/4,%$0
2hose *hil is that *hil
/4%
00:4#:/$,00 --> 00:4:00,00
( on5t !no' (5m telling you ( on5t !no' ( on5t !no'
/4
00:4:00,00 --> 00:4:0#,/#0
Then 'hat is the reason that 3ather abuse me
//0
00:4:0#,/#0 --> 00:4:0/,/#0
Yes 2hat are you tal!ing about 2hat !in o3 strange things are you tal!ing about
//1
00:4:0/,/#0 --> 00:4:0,$$0
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Your a treate you so +re*iously You5re saying nonsense
//#
00:4:0,$$0 --> 00:4:1#,%0
Then, i 3ather treat that *hil ni*ely as 'ell
//
00:4:1#,%0 --> 00:4:14,0
=3 *ourse ;e treate the *hil really 'ell, too
//4
00:4:14,0 --> 00:4:1%,1%0
;e 'as someone that really li!e *hilren.
///
00:4:1%,1%0 --> 00:4:1,%40
Son...
//$
00:4:#0,/0 --> 00:4:#7,140
(... ( ha)e a really im+ortant meeting ( ha)e to go to... ( 3orgot about it.
//7
00:4:#7,140 --> 00:4:1,0$0
Do ;yun, *an ( 6ust *all you later ( ha)e to go no'.
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//%
00:44:07,/%0 --> 00:44:10,/40
2riter =mega
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& set o3 +arents that raise a aughter +re*iously.
/$/
00:44:4,$0 --> 00:44:,100
;earing that their aughter is li)ing 'ith an unmarrie man in another house,
tening to him as a +atient,
/$$
00:44:,100 --> 00:44:4#,0$0
ho' many +arents 'oul 'el*ome that
/$7
00:44:4#,$10 --> 00:44:47,/$0
( also am someone 'ho is lying to his o'n +arents by getting in)ol)e into this
brother-sister *onman team,
/$%
00:44:4%,100 --> 00:44:/#,$0
but ( trust i ?in as a o*tor.
/$
00:44:/#,$0 --> 00:44:/7,1/0
( !no' that she is someone 'ho 'ill ne)er e)elo+ +ersonal 3eelings to'ars a
+atient.
/70
00:4/:01,$00 --> 00:4/:0/,%$0
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2o'. =ur mom is so amaing
/71
00:4/:0/,%$0 --> 00:4/:0%,0%0
( thin! you 'ere ;an Seo! Bong5s mother in your +ast li3e. P;an Seo! Bong is a
'ell-!no'n ?oseon *alligra+herQ
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/77
00:4/:#%,$70 --> 00:4/:,#0
(t5s the se*ret metho o3 ho' you lo)e i =n an me the same.
/7%
00:4/:7,$$0 --> 00:4/:44,$$0
(t5s im+ossible to gi)e lo)e eGually li!e this, e)en i3 'e are your biologi*al *hilren.
/7
00:4/:4/,%/0 --> 00:4/:4,0
C)en i3 you s*ale it o)er an o)er again,
/%0
00:4/:4,0 --> 00:4/:/,4/0
e)en i3 you i)ie it a3ter )eri3ying so many times,
/%1
00:4/:/,4/0 --> 00:4$:00,00
( on5t thin! there5s more o3 a +re*ise, 3air, an tou*hing lo)e li!e this.
/%#
00:4$:00,00 --> 00:4$:0,%0
i ?in...
/%
00:4$:04,7#0 --> 00:4$:07,/0
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(5m 6ust saying.
/%4
00:4$:07,/0 --> 00:4$:1#,/70
(5m telling you to get a lot o3 ne' year5s lu*!.
/%/
00:4$:14,70 --> 00:4$:#0,%0
(5m )ery, )ery than!3ul.
/%$
00:4$:##,$0 --> 00:4$:#7,#70
(t must be be*ause you5re a 'riter, but your thoughts are 'ell-+ut in your *hoi*e
o3 'ors.
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/0
00:4$:44,$$0 --> 00:4$:47,%0
2hile (5m ra'ing, (5ll ra' another line.
/1
00:4$:47,%0 --> 00:4$:/,1%0
( hear that you 'ill go ba*! to the U.S. a3ter t'o months.
/#
00:4$:/,%0 --> 00:4$:/%,$0
( truste in that *lause an 6oine this *on team,
/
00:4$:/%,$0 --> 00:47:01,400
( 'ill obser)e only until then.
/4
00:47:01,400 --> 00:47:07,%%0
&3ter that, ( 'ish that you 'oul not *reate any *onne*tion 'ith i ?in anymore.
//
00:47:/,#/0 --> 00:47:/$,/0
=h my, ( *ame out.
/$
00:47:/7,#$0 --> 00:4%:01,$$0
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&h, really, this X@Z. ;e only brings me out 'hen he5s ha)ing a iF*ulty
Seriously
/7
00:4%:01,$$0 --> 00:4%:04,$$0
&gh (5m so X@Z +isse 9o, seriously
/%
00:4%:04,$$0 --> 00:4%:0%,7%0
&h.. 'hat are these tears 9ee, this is so annoying. Ugh.
/
00:4%:10,##0 --> 00:4%:1/,0#0
2ell, 'hate)er, it5s &hn Yona5s 'orl no'.
$00
00:4%:1%,1$0 --> 00:4%:#0,/00
;ere, then.
$01
00:4%:4,%40 --> 00:4%:%,$#0
ha-ha- ha Do ;yun
$0#
00:4%:,7$0 --> 00:4%:4#,40
=++aM
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$0
00:4%:44,70 --> 00:4%:4,//0
=- =-=- =++a
$04
00:4%:/#,710 --> 00:4%://,00
ha-ha-ha Do ;yun
$0/
00:4:0#,%0 --> 00:4:0/,0#0
=++a
$0$
00:4:07,/%0 --> 00:4:0,7$0
=++aM
$07
00:4:1,#0 --> 00:4:1$,0/0
2ait a minute 2ait a minute
$0%
00:4:1,770 --> 00:4:##,#%0
=++aM
$0
00:4:##,#%0 --> 00:4:#4,#0
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Ly i =n =++a
$10
00:4:#4,#0 --> 00:4:#$,$0
=++a
$11
00:4:#%,%0 --> 00:4:0,/00
$1#
00:4:4$,70 --> 00:4:4,0#0
=++a
$1
00:4:/7,440 --> 00:/0:01,#$0
;ey, =h i =n. 2hat are you oing, not hel+ing out 'ith the 3oo 3or the holiays
$14
00:/0:01,#$0 --> 00:/0:0/,00
(s the +ersonality you 'ere tal!ing about by any *han*e.. Yo..Yo Aa
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$1$
00:/0:10,1#0 --> 00:/0:11,/%0
Di you +erha+s meet her
$17
00:/0:11,/%0 --> 00:/0:1/,410
S-sa)e me, i ?in. (5ll be goo. (5ll o better 3rom no' on, too.
$1%
00:/0:1/,410 --> 00:/0:1$,70
(5ll be goo e)en 'hen ( ie.
$1
00:/0:1$,70 --> 00:/0:1,10
=++a
$#0
00:/0:1,10 --> 00:/0:#1,/0
Yo Aa 'ants to eat this.
$#1
00:/0:##,#0 --> 00:/0:#4,40
2hy am ( your o++a
$##
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00:/0:#4,40 --> 00:/0:#$,40
(3 you5re hansome, you5re my o++a.
$#
00:/0:#7,7$0 --> 00:/0:#,$%0
=++a, ( 'ant to eat this.
$#4
00:/0:#,$%0 --> 00:/0:1,/40
Buy this 3or me.
$#/
00:/0:#,4$0 --> 00:/0:$,1#0
=++a Buy it 3or me
$#$
00:/0:$,1#0 --> 00:/0:,/#0
2hy are you ma!ing me say so many 'o-'o-'o-'ors
$#7
00:/0:,/#0 --> 00:/0:41,440
(5ll buy it.
$#%
00:/0:41,440 --> 00:/0:4,#0
Hlease, sister
7/23/2019 KILL ME HEAL ME 13
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$#
00:/0:4,#0 --> 00:/0:4$,1%0
elaE. ( am on my 'ay no'.
$0
00:/0:4$,1%0 --> 00:/0:4%,100
;ang in there 'ith the minset o3 im Yuna
$1
00:/0:4%,100 --> 00:/0:4,%0
You *an5t lose her.
$#
00:/0:4,%0 --> 00:/0:/,00
(3 you lose her, 'hate)er you5re imagining, it5ll be 'orse than that.
$
00:/0:/,00 --> 00:/0:/4,400
You got it
$4
00:/0:/4,400 --> 00:/0:/7,0#0
Don5t +ro)o!e her an o e)erything she as!s you to o.
$/
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00:/0:/7,0#0 --> 00:/1:01,%40
Yeah. Do e)erything that she as!s you to o, e)erything.
$$
00:/1:1,770 --> 00:/1:1/,10
;urry an gi)e it to me
$7
00:/1:1/,10 --> 00:/1:1%,40
(5m saying (5m gonna ie 3rom star)ation right no'
$%
00:/1:1%,40 --> 00:/1:##,0
(3 you on5t gi)e it to me, (5ll go u+ on the table an an*e.
$
00:/1:#,40 --> 00:/1:#,%0
;ere it *omes. ;ere it *omes.
$40
00:/1:#,%0 --> 00:/1:4,70
- ;ere it *omes.
- &hM
$41
00:/1:$,%#0 --> 00:/1:40,00
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&hM
$4#
00:/1:4/,1%0 --> 00:/1:47,1%0
(t5s not
$4
00:/1:47,1%0 --> 00:/1:4%,4#0
(t5s not li!e that
$44
00:/1:4%,4#0 --> 00:/1:/0,$%0
(t is li!e that
$4/
00:/1:/1,$0 --> 00:/1://,%0
( *an5t. ( *an5t o this.
$4$
00:/#:00,00 --> 00:/#:04,//0
( *an5t o this anymore Sister
$47
00:/#:11,4/0 --> 00:/#:14,00
2hy Di you lose her
7/23/2019 KILL ME HEAL ME 13
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$4%
00:/#:1/,00 --> 00:/#:1$,%0
at*h me.
$4
00:/#:1%,400 --> 00:/#:1,7$0
She sai try an *at*h her.
$/0
00:/#:1,7$0 --> 00:/#:##,#0
;ey, you 'ant to ie
$/1
00:/#:##,#0 --> 00:/#:#4,00
(5m... (5m almost there
$/#
00:/#:#4,00 --> 00:/#:#7,#0
Try to sto+ him at all *osts Through any 'ay
$/
00:/#:/,0#0 --> 00:/#:7,1%0
;ey, ( sa' you
$/4
00:/#:,%%0 --> 00:/#:40,$$0
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9rab him
$//
00:/#:40,$$0 --> 00:/#:4#,#0
Hlease o not ta!e +i*tures.
$/$
00:/#:4#,#0 --> 00:/#:4/,0
;ey, you *an5t go that 'ay Yo Aa Yo Aa
$/7
00:/#:4/,0 --> 00:/#:4$,10
ome here, *ome here
$/%
00:/#:4$,10 --> 00:/#:4,710
Yo Aa
- ;ey
$/
00:/#:4,710 --> 00:/#:/0,0
=h
$$0
00:/#:/0,0 --> 00:/#:/,10
;ey, =h i =n. 8or no', 6ust grab her.
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$$1
00:/#:/,10 --> 00:/#://,/0
9o in 'ith the 7th s!ill, 7th s!ill.
$$#
00:/#://,/0 --> 00:/#:/7,410
The 7th s!ill
$$
00:/#:/7,410 --> 00:/#:/%,$0
2hat o you mean the 7th s!ill on a girl
$$4
00:/#:/%,$0 --> 00:/:00,/%0
( 6ust *alle her a girl...
$$/
00:/:00,/%0 --> 00:/:01,740
( on5t !no' anymore, gee
$$$
00:/:01,740 --> 00:/:0,$$0
;ey, =h i =n 9rab him
$$7
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00:/:0,$$0 --> 00:/:04,7$0
un
$$%
00:/:04,7$0 --> 00:/:0$,4$0
=++a, try *at*hing me
$$
00:/:0$,4$0 --> 00:/:0%,1$0
=++a, *at*h me
$70
00:/:0%,1$0 --> 00:/:1#,400
You *an5t lose him You *an5t an5t at*h him 3ast at*h him at*h him
$71
00:/:1#,400 --> 00:/:14,%%0
;ey
$7#
00:/:14,%%0 --> 00:/:1$,/0
Sto+
$7
00:/:17,40 --> 00:/:1%,40
et5s go together
7/23/2019 KILL ME HEAL ME 13
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$74
00:/:1%,40 --> 00:/:#1,$0
Yo Aa, =++a 'ill buy you sna*!s. et5s go.
$7/
00:/:#1,$0 --> 00:/:#/,#0
=++a, 'hy *an5t you *at*h me
$7$
00:/:#/,#0 --> 00:/:#$,70
=++a, 3rom no' on,
$77
00:/:#$,70 --> 00:/:#,40
(5ll *at*h you. You got it
$7%
00:/:#,40 --> 00:/:0,70
Le
- (5m *oming
$7
00:/:0,70 --> 00:/:,#70
=++a (5m going
7/23/2019 KILL ME HEAL ME 13
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$%0
00:/:,#70 --> 00:/:/,#0
Lo)e.
$%1
00:/:/,#0 --> 00:/:7,110
Y-You5re li!e a mus*le girl...
$%#
00:/:7,110 --> 00:/:,70
=++a ?ust this on*e
$%
00:/:,70 --> 00:/:4#,#10
=++a =ne time
$%4
00:/:4,%0 --> 00:/:4$,0%0
=++a
- =h i =n
$%/
00:/:4$,0%0 --> 00:/:4%,4#0
;ey
$%$
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00:/:4%,4#0 --> 00:/:/0,#$0
2o' =h
$%7
00:/:/0,#$0 --> 00:/:/1,$/0
=++a =++a
$%%
00:/:/1,$/0 --> 00:/:/,%70
Don5t 'or! out
$%
00:/:/,%70 --> 00:/:/$,#10
;ey
$0
00:/:/$,#10 --> 00:/4:00,0
That...tal!ati)e 'en*h Din5t ( tell you to not sho' your teeth
$1
00:/4:0,/10 --> 00:/4:0/,/70
;ey, &hn Yo Aa &ren5t you gonna listen to me
$#
00:/4:0/,/70 --> 00:/4:0,$0
Don5t tou*h my brother ome here
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$
00:/4:1#,70 --> 00:/4:14,1%0
&gain...
$4
00:/4:14,1%0 --> 00:/4:1/,1#0
=h
$/
00:/4:1/,1#0 --> 00:/4:1%,$00
Don5t Don5t
$$
00:/4:1,0#0 --> 00:/4:,#0
=++a
$7
00:/4:40,%0 --> 00:/4:4,#0
=++a.
$%
00:/4:/,#70 --> 00://:00,0
2ho are you
$
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70$
00://:#,400 --> 00://:,%$0
8or no', +lease get out.
707
00://:,%$0 --> 00://:%,140
(5ll ta!e my time an eE+lain 'hat ha++ene in etail.
70%
00://:%,140 --> 00://:40,$0
2hat !in o3 girl, girl...that energy, energy
70
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(3 it5s a girl... Herha+s Yo Aa
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71#
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oo! at me. (5m *alling mysel3 =++a...;a.
71
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These are *lothes that ( )alue the most.
714
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hange an *ome o'n stairs.
71/
00:/$:/,0 --> 00:/$:%,010
=h i ?in 2hy are you al'ays +ulling me li!e this
71$
00:/$:%,010 --> 00:/$:40,110
&hea o3 time, you !iss--
717
00:/$:41,70 --> 00:/$:4,$70
&re you o!ay
71%
00:/$:47,$0 --> 00:/$:/1,/40
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(5m o!ay. om+letely ne.
71
00:/$:/,$0 --> 00:/7:01,$0
Hoem olle*tion: 2hen ( loo! at a 'heel, ( 'ant to roll them
7#4
00:/7:4#,/10 --> 00:/7:4$,/70
So =h i =n !no's e)erything no'.
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7#/
00:/7:4$,/70 --> 00:/7:4,110
That ( ha)e multi+le +ersonalities.
7#$
00:/7:4,110 --> 00:/7:/1,%0
(t5s not only Yo Aa5s 3ault.
7#7
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&*tually, i =n ha met Se 9i be3ore.
7#%
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Se 9i
7#
00:/7:/7,0/0 --> 00:/7:/,$10
;e a*tually alreay e)elo+e an in!ling to'ars this ire*tion,
70
00:/7:/,$10 --> 00:/%:0,0$0
i3 he sa' the iNeren*e bet'een you an Lr. Shin, it5s game o)er.
71
00:/%:0,0$0 --> 00:/%:07,/40
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7%
00:/%:41,770 --> 00:/%:44,4/0
i3 you nee anything 3rom me, *all 3or me.
7
00:/%:44,4/0 --> 00:/%:4$,#10
=h i ?in.
740
00:/%:4,40 --> 00:/%:/1,$00
2hat is it
741
00:/%:/#,1$0 --> 00:/%:/4,00
=nly 3or t'o months...
74#
00:/%:/$,%00 --> 00:/%:/,%0
=nly 3or the remaining t'o months, *an5t (
74
00:/:0/,70 --> 00:/:07,$0
be a man Pto youQ
744
00:/:1/,10 --> 00:/:17,770
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7/1
00:/:41,700 --> 00:/:4$,410
Le, (5m going to n this girl.
7/#
00:/:47,0 --> 00:/:/#,470
Be3ore our Do ;yun remembers, (5ll n her rst.
7/
00:/:/,0 --> 00:/:/,010
&n (5ll get her out o3 Do ;yun5s sight.
7/4
01:00:0$,%0 --> 01:00:11,040
Harty B Pi ?inQ 'ill not 3all in lo)e 'ith
7//
01:00:11,040 --> 01:00:1#,%40
Harty & PDo ;yunQ, in*luing the other +ersonas.
7/$
01:00:1#,%40 --> 01:00:17,4#0
Then ( 'ill +ay the brea*h o3 *ontra*t +enalty 3ee sti+ulate *learly in the *ontra*t. (
'ill brea*h the *ontra*t.
7/7
01:00:#1,4#0 --> 01:00:#,$#0
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2hat are you trying to o
7/%
01:00:#4,$00 --> 01:00:#7,#70
You sai 'e ha)e to !iss rst.
7/
01:00:#7,#70 --> 01:00:#,10
Ao, that5s not 'hat ( meant.
7$0
01:00:#,10 --> 01:00:#,70
That5s not 'hat (5m trying to say
7$1
01:00:#,70 --> 01:00:$,/0
Ao...that5s not 'hat ( meant, (5m saying...
7$#
01:00:4,/0 --> 01:00:4/,$/0
2hat5s the matter
7$
01:00:/,70 --> 01:00:/7,/0
The hien things insie me
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7$4
01:00:/7,/0 --> 01:00:/,/%0
(t +ut me to slee+, tie my hans together
770
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01:01:11,%#0 --> 01:01:1,140
&n thatKs all ( remember
77
01:01:17,0$0 --> 01:01:1%,%$0
3rom the torment o3 my sins
77/
01:01:#1,#0 --> 01:01:#/,00
The ee+ night sho' you,
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'ho 'as not able to lea)e
77%
01:01:$,4/0 --> 01:01:4,070
Your )oi*e, 'hi*h 'his+ere I( lo)e youJ an your s*ent
2here are you
7%1
01:01:/,#0 --> 01:01:/7,10
(5m saying to sto+ teasing my man, e)eryone
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(t5s )ery *om3ortable an 'arm.
7%4
01:0#:0#,#0 --> 01:0#:04,%0
et5s brea! oN our engagement.
7%$
01:0#:0$,740 --> 01:0#:10,/#0
The ay you an ( be*ame t'in siblings.
7%%
01:0#:1#,$$0 --> 01:0#:1/,$40
2hat ha++ene in this house #1 years ago,
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7%
01:0#:1/,$40 --> 01:0#:1%,000
( 'ill re)eal all o3 it