Post on 20-May-2015
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GOYA
IES SANTA CATALINA
BURGO DE OSMA (SORIA)
4º ESO. HISTORY
Bilingual space.
History teacher, Nicanor Otín Nebreda
“I have had three masters, Nature, Velasquez, and Rembrandt” (Francisco de Goya)
1.746-1828
• Was born in Fuendetodos, Zaragoza, in 1746
•At age 14, Goya entered apprenticeship with the painter José Luzán in Zaragoza
• In Madrid he studied with Anton Raphael Mengs, a painter who was popular with Spanish royalty.
• Back in Zaragoza and painted parts of the cupolas of the Basilica of the Pillar and the frescoes of San Antonio de la Florida
Early years
BAYEUby Goya
MENGSselfportrait
GoyaSelfportrait 1771-1775
SPAIN THROUGH THE GENIUS OF GOYA
• ONE OF THE GREATEST ARTISTS OF THE UNIVERSAL PAINTING
• DIFFICULT TO SITUATE HIS WORK IN ANY ARTISTIC MOVEMENTS
• HE ANTICIPATED IMPRESSIONIST, EXPRESIONISTS AND SURREALIST
MONET. Impresión, sol naciente
IMPRESSIONISM
GOYA’S INFLUENCE
Emil Nolde
Máscaras. Vida cotidiana
III, 1911.
EXPRESSIONISM
GOYA’S INFLUENCE
SURREALISM
TEMPTATION OF SAN ANTHONY
GOYA’S INFLUENCE
His early paintings are still Baroque art
La “Adoración del Nombre de Dios por los ángeles” en la bóveda del Coro de la Santa Capilla (El Coreto). Del Pilar de Zaragoza
FIRST PAINTINGS
Goya. Cúpula del Pilar 1780
FIRST PAINTINGS
1774-1791 TAPESTRY CARTOONS
• HE PAINTED PATTERNS THAT SERVED AS MODELS FOR THE WEAVING OF TAPESTRIES IN THE ROYAL TAPESTRY FACTORY
• REPRESENT THE LEISURE ACTIVITIES OF DIFFERENT SOCIAL CLASSES
• RELATED TO ROCOCO ESTHETIC
• CHEERFUL VIEW , CAREFREE, RICH AND BRIGHT COLOURS.
EL QUITASOL
TAPESTRY CARTOONS
EL QUITASOL
El cacharrero
He designed about 42 patterns; many of them were used to decorate and insulate the stone walls of El Escorial and the Palacio Real del Pardo.
TAPESTRY CARTOONS
LOS ZANCOS
TAPESTRY CARTOONS
MAJOS Y MAJAS EN SAN ISIDROMAJOS Y MAJAS EN SAN ISIDRO TAPESTRY
CARTOONS
LA GALLINA
CIEGA
BUCOLIC AND POPULAR SCENES
TAPESTRY CARTOONS
EL MANIQUÍ DE PAJA
TAPESTRY CARTOONS
GOYA "Majas en el balcón" (1812-1835,)MANET "El balcon" (1868-1869) GOYA’S INFLUENCE
1792-1808• ROYAL PAINTER
• PERSONAL CRISIS
• REVOLUTIONARY EVENTS IN FRANCE
• PREDILECTION FOR THE SORDID OF THE LIFE
• CAPRICHOS: SATIRE OF THE SOCIETY AND THE HUMAN CONDITION
• COMPLAINT TO CHANGE THE WORLD
Frescoes of San Antonio de la Florida 1.798
MANUEL GODOY. 1.801
PORTRAITS
Carlos IV
PORTRAITS
LA FAMILIA DEL INFANTE D.LUIS
PORTRAITS
ERNST LUDWIG KIRCHNER
GOYA’S INFLUENCE
Jovellanos
PORTRAITS
LOS DUQUES DE OSUNA Y SUS
HIJOS
PORTRAITS
THE FAMILY OF CHARLES IV
PORTRAITS
THE COUNTESS OF ALBA
PORTRAITS
14. ¡Qué sacrificio!
LOS CAPRICHOS1793-1799
LOS CAPRICHOS
¿De qué mal morirá?
LOS CAPRICHOS
El sueño de la razón produce
monstruos
LOS CAPRICHOS
Caprichos. Trágala perro
LOS CAPRICHOS
CAPRICHOS. Devota
profesión
LOS CAPRICHOS
INDEPENDENCE WAR 1.808-1.813
• THE PESSIMISM IS ACCENTUATED
• REFLECTS THE CRUELTY OF WAR
• IT IS THE ABSOLUTE DEFEAT OF THE REASON
LOS DESASTRES 1808-1814A SERIES OF ENGRAVINGS
http://bibliotecadigitalhispanica.bne.es/view/action/nmets.do?
DOCCHOICE=174845.xml&dvs=1392223862716~678&locale=es&search_terms=&adj
acency=&VIEWER_URL=/view/action/nmets.do?
&DELIVERY_RULE_ID=4&usePid1=true&usePid2=true
The Disasters of War
Desastres de la guerra
Desastres de la guerra
Desastres de la guerra
Desastres de la guerra
CARGA DE LOS MAMELUCOSTHE SECOND OF MAY OR THE CHARGE OF MAMELUKES 1814
INDEPENDENCE WAR
INDEPENDENCE WAR
FUSILAMIENTOS DE LA MONCLOA 1814
INDEPENDENCE WAR
FUSILAMIENTOS DE LA MONCLOA
INDEPENDENCE WAR
Picasso. Massacre in Korea 1951.
GOYA’S INFLUENCE
Manet. Execution of Emperor
Maximilian. 1867.
Manet. Study for "The Execution of Emperor Maximilian"
PICASSO “Massacre in Korea”
GOYA’S INFLUENCE
Portrait of the Duke of Wellington
INDEPENDENCE WAR
EL COLOSO
1808-1812.
Discípulo de Goya indeterminado
AFTER THE WAR
• SUFFERED ILLNESS AND DEAFNESS
• HE TOOK REFUGE IN HIS HOUSE WHERE HE DECORATED THE WALLS WITH HIS BLACK PAINTINGS
FERNANDO VII 1814
("Deaf Man's House")
BLACK PAINTINGS 1819-1823
Riña a garrotazos 1819-1823
THE BLACK PAINTINGS ARE PESSIMISTIC AND CONSIDERED AS PRECURSORS TO EXPRESSIONISM
BLACK PAINTINGS
PEREGRINACIÓN A SAN ISIDRO O EL SANTO OFICIO
BLACK PAINTINGS
La pradera de San Isidro (1788).
La romería de San Isidro (1821-1823)
SATURN DEVOURING HIS SON
BLACK PAINTINGS
Diego Olmos GOYA’S INFLUENCE
BLACK PAINTINGS
Photo made by J. Laurent, toward 1874, showing the state of the work before being moved from the wall of the Quinta del Sordo. You can see a rock and a few possible birds, to which the dog turns his gaze..
Perro semihundido BLACK PAINTINGS
Dos viejas comiendo sopasBLACK PAINTINGS
Francis Bacon .Tres estudios para el retrato de Peter Bear
GOYA’S INFLUENCE
EL BAILE DE LA SARDINA1812-1819
Pictures of Spanish customs, far removed from the themes and aesthetics rococo and neoclassical cartons for tapestries
PROCESIÓN DE DISCIPLINANTES 1812-1819
TRIBUNAL DE LA INQUISICIÓN 1812-1819
BULLFIGHT IN A VILLAGE 1812-1819
DISPARATES
DISPARATES
DISPARATES
THE MILKMAID OF BORDEAUX
EXILE AND DEATH
1824-1828
Self-portrait with cap, 1824.