Post on 01-Feb-2018
Easy Classical Pieces
for Trumpet (Bb) and Piano
arranged by Peter Billam
© Peter J Billam, 2003
This score may be freely photocopied, and redistributedin paper form. It may be freely performed to live audiences;performing rights are waived. It may not be redistributed in
electronic form, and all other rights, such as those of recordingand broadcast, remain reserved by the composer, Peter Billam,
GPO Box 669, HobartTAS 7001, Australia.
This edition 9 December 2009.
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Easy Pieces for Trumpet and Piano
These well-known pieces should be useful to beginnning players of the Bb trumpet.Theyare tuneful, memorable and free from copyright. Also included are some scale andarpeggio exercises, so that the more remote keys are not neglected. Thehighest notedemanded is the g at the top of the clef.The pieces are arranged in approximatelyalphabetical order of title. They were typeset using muscript (seewww.pjb.com.au/muscript).
All Through the Night , a traditional Welsh choir song
Arpeggios in all keys, including major, minor, and diminished arpeggios
Bach Chorales, BWV 25 and BWV 26 by Johann Sebastian Bach (1685-1750)
Bacarolle, from The Tales of Hoffman, by Jacques Offenbach (1819-1880)
The Entry of the Gladiators, by Julius Fuçik (1872-1916)
From the Finale of the 1st Symphony, by Johannes Brahms (1833-1897)
Golliwog’s Cake-Walk, from The Children’s Corner, by Claude Debussy (1862-1918)
Humoreske, Op. 101 no. 7, Antonin Dvorjak (1841-1904)
O Haupt voll Blut und Wunden from the St. Matthew Passion, by J. S. Bach
Theme from ’Jupiter’ from The Planets, by Gustav Holst (1874-1934)
Liebestraum No. 3, by Franz Liszt (1811-1886)
Melody in F, Op. 3 no. 1, Anton Rubenstein (1829-1894)
Minor Sixth and Seventh Arpeggios, near the border between arpeggios and jazz
Low Scales and Arpeggios, including chromatic, major, minor and diminished
Scales, half-octave scales in all keys; chromatic scales, and major scales
Theme from the Variations on a Theme of Haydn, by Johannes Brahms (1833-1897)
Tr umpet Voluntary, by Jeremiah Clarke (1673-1707)
La Volta, by William Byrd (1543-1623)
William Tell Overture , by Giocchino Rossini (1792-1868)
Arranged and typeset by Peter Billamwww.pjb.com.au
3All Through the Night
traditional Welsh choir song
44
4444
44
’
’
f
’
’
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4Arpeggios
Major Arpeggios
68
Minor Arpeggios
68
Diminished Arpeggios
44
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5Bach Chorales
Johann Sebastian Bach (1685−1750)
BWV 25 Freu dich sehr, o meine Seele
44
4444
BWV 26 Ach wie flüchtig, ach wie nichtig
44
4444
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6Bacarolle
The Tales of Hoffman, Jacques Offenbach (1819−1880)
Moderato
68
arpeggiando . . .
68
68
p cantabile
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7Bacarolle, from The Tales of Hoffman, Jacques Offenbach (1819−1880)
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8The Entry of the Gladiators
Julius Fuçik (1872−1916)
44
44
44
13
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9Johannes Brahms (1833−1897)
From the Finale of the 1st Symphony
44
44
44
cresc . . .
1 2
p
tr
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10Golliwog’s Cake−Walk
from The Children’s Corner, Claude Debussy
24
24
f
24
5
1
sff
5
p f
p pf
10
sff
p
15
f
cresc . . .
f
20
sff
p
p
f ff
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11Golliwog’s Cake−Walk, The Children’s Corner, Claude Debussy (1862−1918)
25
p p
30
p
f ffcresc
p
35
p
40
fff
p
p
45
p
f cresc
f cresc
ff
ff
ff
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12Humoreske
Op. 101 no. 7, Antonin Dvorjak (1841 − 1904)
Andante grazioso
44
p leggerio
44
44
cresc . . . dim . . .
p dim . . . pp
cresc . . .
f dim . . . p
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13Humoreske, Op. 101 no. 7, Antonin Dvorjak
trtr
cresc . . . dim . . .
rit . . .
dim . . .
pp a tempo cresc . . .
dim . . . cresc . . .
poco rit . . . dim . . .
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14O Haupt voll Blut und Wunden
St. Matthew Passion, J. S. Bach
44
44
13
4444
1 1
24
25
5 5
15
1
5
35
2 11
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15Theme from ’Jupiter’
from The Planets, Gustav Holst (1874−1934)
Andante Maestoso
34mf
34
34
, ,
cresc . . .
,
f
,
mf
,
, ,
cresc . . . f
, ,
cresc . . .
,
f
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16Liebestraum No. 3
Franz Liszt (1811−1886)
Poco Allegro
64
64
64
dolce, cantando, sempre tenuto . . .
_______________1a
2
poco cresc. e agitato
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17Liebestraum No. 3, Franz Liszt (1811−1886)
diminuendo . . .
____________________2a
piu smorzando
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18Melody in F
Op. 3 no. 1, Anton Rubenstein (1829 − 1894)
Moderato
24
24
24
5
10
_______________1a
rall . . .
_______________2a
mf
20
cresc . . . dim . . .
mf
25
cresc . . . f
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19Melody in F, Op. 3 no. 1, Anton Rubenstein
30
mf dim . . . rall . . .
35
sotto voce
stringendo . . .
40
a tempo
45 50
55
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20Minor Sixth and Seventh Arpeggios
44
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21Low Scales and Arpeggios
Chromatic Scale
44
Major Scales
Major Arpeggios
68
Minor Arpeggios
68
Diminished Arpeggios
44
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22Scales
Chromatic Scales
44
Major Scales
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23Theme from the Haydn Variations
Johannes Brahms (1833−1897)
24
p sostenuto
24
24
cresc . . .f
dim . . . p
pp
f
dim . . . p
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24Trumpet Voluntary
Jeremiah Clarke (1673−1707)
44
f
44
44
mf
f
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25Trumpet Voluntary, Jeremiah Clarke (1673−1707)
mf
cresc . . . f
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26La Volta
William Byrd (1543−1623)
64
6464
64
25
3 25
4 5
1 4 13
4
13
25
3 25
4 5
1 4 13
4
3
4
’
3
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27La Volta, William Byrd (1543−1623)
25
3 25
4 5
1 4 13
1
25
24
14
’
3
3
’
3
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28William Tell Overture
Giocchino Rossini (1792−1868)
24
f
24
24
cresc . . .
ff dim . . . pp
ff
mf
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29William Tell Overture, Giocchino Rossini (1792−1868)
ff
Fine
ff
ff
ff
p
Dal Segno al Fine
pp
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Peter Billam was born in London in 1948, studied piano, and lived in Switzerland from 1973 to1983, where he studied composition, classical guitar, flute and voice, worked as Musical Directorof the Théâtre Populaire Romand, and as recording engineer, record producer and computerprogrammer. He moved to Tasmania in 1983, lectured in composition at the Conservatorium,conducted recorder ensembles and choirs, studied recorder, voice and harpsichord.He foundedwww.pjb.com.au, becoming the first composer to sell scores on-line, with on-line delivery,taking scores from Composer to Performer in one immediate step.Www.pjb.com.auoffers a newapproach to music publishing. These pieces arewritten to be read, made to be played !
Compositionsat www.pjb.com.auinclude:Five Short Pieces, guitar, 1979;Divisions on an ItalianGround, flute and guitar, 1980;Five Rounds, choir, 1986;Go Forth and Multiply, choir, 1986;Three ViolinDuets, 1987; Fable, for piano, 1987;To Erich Jantsch, SAATTB recorders, 1988;A Suite of Curves,trombone (or horn) and piano, 1990;Two Recorder Duets, alto recorders, or other melody instruments,1991; Tr ombone Quintet, trombone, flute, piano, bass, and percussion, 1994;Three Songs, on poems byJack Kerouac, Vikram Seth and Dylan Thomas, voice and piano (only the first and third of these are available),1994;Piano Study, piano, 1994;Four Dances, various ensembles including recorder quartet, string quartet,1995;The Poet in the Clouds, on a poem by S. T. Coleridge,SATB choir, 1995;Tr es Casidas del Diván delTamarit, on poems by Federico García Lorca, voice and piano, 1997;Three Suites, for the solo line, piano,and piano and a solo line, 2000;Die Zeiten, on poems by Kästner, Bachman and Jünger, choir (only thesecond and third of these are available), 2000;Three Duetsfor flutes, 2001;For Four Handsfor piano fourhands, 2002;Three Preludesfor piano, 2003;Second Solo Suitefor flute, violin, viola or cello, 2003;Guitar Duet for two guitars, 2006;We Who Mourn for choir, 2007; Trio With Guitar for guitar and twoclarinets or two recorders or two violas, 2008.
Arrangements include: By J. S. Bach:Trio BWV 655, piano and flute;Vor deinen Thron BWV 668,piano;Fugue in F minor BWV 689, SATB recorders;Flute Sonata BWV 1031transposed into G major foralto recorder and keyboard;Flute Sonata BWV 1032completed by Peter Billam for flute and keyboard, alsoin C major for alto recorder, and in G major for descant;Ricercare a 3, from the Musikalisches Opferforkeyboard; Ricercare a 6, for sSATBG recorders, or strings, or two keyboards; Fuga Canonica inEpidiapentefor keyboard and melody instrument; from theArt of Fugue: Contrapuncti 1, 4 and 9 forkeyboard, andContrapunctus 14as completed by D. F. Tovey, for keyboard, or for SATB recorders, or forstrings;Passacaglia and Fugue in cfor piano four hands;Chorales with Descantfor melody instrumentand piano;Cello Suites I, II and III for flute or alto recorder, Forty Chorales for piano,Der Geist hilftforSATB-SATB recorders. By Johannes Brahms:Fugue in Ab minor for organ, for SATB recorders andgamba, in A minor;Choralvorspiele for organwith previous settings by Isaac, Bach, Praetorius, recorders.By Franz Schubert:Four Songs, voice and guitar;Schubert Dances, recorders and guitar, Schubert Dances,piano 4 hands. By G. F. Händel: Concerto Grosso in A minorop 6 no 4, harpsichord and recorders;Recorder Sonata in Bbno 5, in G for tenor recorder and keyboard. By other composers:ClaudioMonteverdi, Ecco Mormorar l’Onde, SSATB recorders;Twelve Italian Songs, voice and guitar;JohnWilbye, Draw on sweet Night, SSATTB recorders, and for flute choir;Telemann, Twelve Flute Fantasias,recorder;John Carr, Divisions on an Italian Ground, flute or recorder and guitar;Fourteen Folk DanceTunes, recorder and guitar;Easy Classical Pieces, Bb trumpet and piano.
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