Post on 21-Jul-2016
description
Dissen&ng Prac&ces: Photography as provoca&on and document
Fergus Heron
Alexander Rodchenko, Adver6sing Poster Knigi (books) for the Leningrad Department of the State Publishing House, 1925
“…less than at any 6me does a simple reproduc6on of reality tell us anything about reality. Reality proper has slipped in to the func6onal. The reifica6on of human rela6onships, the factory let’s say, no longer reveals those rela6onships. Therefore, something has actually to be constructed, something ar6ficial, something set up.”
Bertolt Brecht, cited by Walter Benjamin, A Short History of Photography, 1931
John HearTield, Goering the Execu<oner, 1933
John HearTield, Millions Stand Behind Me, 1934
John HearTield, Adolf the Superman Swallows Gold and Spouts Junk, 1932
Barbara Kruger, You Are Not Yourself, 1983
Richard Prince Un6tled (Cowboy) 1980-‐84
Sherrie Levine, AEer Edward Weston No.3, 1980
Peter Kennard, Defended to Death, 1983
Peter Kennard, AEer Constable, 1983
Peter Kennard, from Domesday Book, 1999
Peter Kennard, from Decora<on, 2006
Peter Kennard and Cat Picton – Phillipps, Photo Op, 2007
Kennard Phillips, Bankers, Bonus, Peoples, Loss, 2009
Kennard Phillips, Lib Con, 2010
Kennard Phillips, Thuggish and Disgraceful, 2010
Immo Klink, Yves Saint Laurent from Mayday at Mayfair
hcp://immoklink.com/site/projects/security/g20-‐opera6onglencoe/
Emma Charles AEer the Bell Emma Charles, s6ll from AEer the Bell, 2009
Thomson and Craighead, October, 2012
Karen Knorr, from Gentlemen, 1981 -‐ 83
Eva Stenram, Buckingham Palace from European Palaces, 2001