Post on 23-Aug-2020
Contacts:Lori N. Jones, Assistant Director, Programming and Audience DevelopmentQuick Center for the Artsljones@fairfield.edu | 203.254.4000, ext. 2975
Carey Weber, Museum and Collections Manager, University Museums, Bellarmine Museum of Art and Walsh Art Gallerycweber@fairfield.edu | 203.254.4000, ext. 2499
Researched by: Amanda Ocasio, Music & English Double Major, ’16
Curricular Connections Guide Spring 2016
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Table of Contents
Introduction 3
Global Theatre: Traversing Trajectories
Seriously…What Did You Call Me? 4
Afrocartography: Traces of Places and all points in between 5
NT Live: Jane Eyre 6
OVF: Judith Jamison 7
NT Live: Les Liaisons Dangereuses 8
Walnut Street Theatre: A Moon for the Misbegotten 9
Yamato: The Drummers of Japan 10
OVF: Donatella Arpaia 11
NT Live: As You Like It 12
OVF: Mark Shriver 13
Edward Koren: The Capricious Line 14
Don Gummer – The Armature of Emotion: Drawing and Sculpture 15
Index 16
Spring 2016 List of Events 18
Photo CreditsCover: Yamato / Masa Ogawa; Pages 4 & 5: Photos courtesy of artists; Pages 6, 8, 12: Images courtesy of National Theatre Live; Page 7: Judith Jamison / Andrew Eccles; Page 10: Yamato / Masa Ogawa; Page 11: Donatella Arpaia / courtesy of speaker; Page 13: Mark K. Shriver / courtesy of speaker; Page 14: Edward Koren, 24-Hour Banking, 1990; Page 15: Don Gummer, Drawing for Darwin’s Map, 2000
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ENRICHING, ENGAGING, ENTERTAINING…CONNECTING THE VISUAL AND PERFORMING ARTS TO THE CLASSROOM EXPERIENCEThe Spring 2016 Quick Center Curricular Connections Guide (CCG) links events taking place as part of the Quick Center spring season and the Bellarmine Museum of Art and Walsh Art Gallery exhibitions with Fairfield University courses. Included are particular events we feel are of direct relevance to courses being offered on campus in the spring semester. We believe that our wide array of programming enhances every student and faculty member’s experience on our campus by bringing diverse perspectives and voices that enrich our lives through more well-rounded experiences.
Quick Center for the ArtsThe Quick Center for the Arts serves as a vibrant center of creative and educational activity, making hundreds of enriching and enlivening events accessible to Fairfield University and its surrounding communities.
Bellarmine Museum of Art and Walsh Art GalleryAn essential component of Fairfield University, the Bellarmine Museum of Art cultivates, inspires and enriches its many audiences while preserving, interpreting and making accessible to students, faculty and the public the works of art in its care.
The Thomas J. Walsh Art Gallery provides a dynamic venue for people of all ages and backgrounds to experience art and innovation while simultaneously creating new opportunities for inspired learning, creativity and collaboration.
TICKETSThe Quick Center Box Office is conveniently located in the lobby of the Quick Center and is open Monday-Friday from 10am-5pm. (Please note, hours are subject to change so please call in advance at 203.254.4010.)
Student tickets are just $5 for most events and can be purchased in advance using their StagCard ID. This now includes The Met: Live in HD and National Theatre Live presentations.
Full-time and adjunct faculty receive free tickets to many of our events and additional discounts are available.
Group Sales – You can hold a block of tickets for purchase by your class by emailing the Quick Center Box Office at boxoffice@quickcenter.com. Subject to availability and some restrictions.
MAKE A CONNECTIONIn many cases we offer additional programming with an artist including guided tours, pre- and post-show discussions, workshops, master classes and in-classroom discussions. We hope to be a resource for you in an effort to enrich your students’ experiences by encouraging their attendance at a CCG-related event in connection with what they are learning in the classroom.
If you would like to schedule an additional educational opportunity for your class, please use the contact information on the front cover of the CCG to make arrangements.
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Seriously…What Did You Call Me?Written and performed by Onawumi Jean Moss Directed by Djola Branner SUNDAY, JANUARY 24, 2016 | 3 P.M.
$25 | $5 Fairfield University students
Onawumi Jean Moss, award-winning storyteller shares her first solo theatre piece inspired by autobiography – Seriously…What Did You Call Me? This thought-provoking, humorous and soulful journey of discovery and transformation introduces her examination of the African-American experience chronicling her resilient migration through the Jim Crow South, the Civil Rights Movement, the ubiquitous war on poverty and her private struggles of BEING/BECOMING an empowered African American Woman who lifts her voice for justice at home and abroad — easier said than done.
CLASSROOM CONNECTIONS: African American Studies, Leadership, Race Relations, Theatre, Women’s Studies
Please see page 5 for full list of Suggested Curricular Connections.
Global Theatre: A Performance Series
Traversing Trajectories Curated by Dr. Megan Lewis
Our global world is increasingly marked by lines of migration, trajectories we traverse physically and spiritually and that, in turn, form our identities. These migrations participate in what Mark Fleishman calls “network of flows, circuits of movement and exchange.” This mini festival is concerned with the stories of women in the African diaspora, people displaced from their original homeland, and how their journeys, crossings and mappings inform their unique worldviews.
What are the lessons we can learn from women like Zambian-born, South African-based actress Mwenya Kabwe, who calls herself an afripolitan? Or Onawumi Jean Moss, Amherst, MA-based African–American master storyteller whose work is shaped by rich content, soulful rhythms and thought-provoking realities?
This mini festival is curated by Dr. Megan Lewis, Assistant Professor of Theater at University of Massachusetts Amherst. Dr. Lewis is a South African-American theater, performance and film scholar concerned with the staging of race and national identity. Countering the West’s problematic imaginings of the African continent as well as addressing the racially-charged climate in contemporary America, this mini festival offers audiences at the Quick Center two provocative visions of the world by two powerful female African and African-American performers.
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Afrocartography: Traces of Places and all points in betweenWritten and performed by Mwenya Kabwe
SUNDAY, JANUARY 24, 2016 | 5 P.M.
$25 | $5 Fairfield University students
Mwenya Kabwe’s Afrocartography: Traces of Places and all points in between, is an autobiographical choreopoem written in Cape Town, South Africa in response to her complex relationship with the city. Kabwe explores her own sense of displacement – on a physical, psychological and emotional level – and asks how we build a sense of belonging in our globalized world as an educated, urban African woman with a tapestry of affiliations.
CLASSROOM CONNECTIONS: African American Studies, Creative Writing, Leadership, Prejudice, Women’s Studies
Suggested Curricular Connections:
AH 165 The Black Experience
BL 100A Special Topics: Black Lives Matter
CO 245 Identities, Discourse, and Social Change
EN 131 Contemporary Women Writers of Color
EN 202 American Poetry
ENW 202 Creative Writing: Poetry I
ENW 205 Creative Writing: Fiction I
ENW 206 Creative Writing: Nonfiction I
HI 263 Inventing Themselves: African American Women
PY 281A Topics: Stereotyping, Prejudice, Culture
SO 162 Race, Gender and Ethnic Relations
SO 166 Feminism, Gender and Everyday Life
TA 11 Introduction to Theater
TA 150 Stagecraft
TA 253 Costume Design
WS 301 Capstone Seminar
Global Theatre cont’d.
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National Theatre Live JANE EYRE
TUESDAY, JANUARY 26, 2016 | 2 & 7 P.M.
$25 | $20 seniors | $10 children/non-Fairfield University students | $5 Fairfield University students
Almost 170 years later, Charlotte Brontë’s story of the trailblazing Jane is as inspiring as ever. This bold and dynamic production uncovers one woman’s fight for freedom and fulfillment on her own terms.
CLASSROOM CONNECTIONS: Behavior, Classic Literature, Education, Family, Gender, Mental Illness
Web Resources: http://ntlive.nationaltheatre.org.uk/productions/51859-jane-eyre
Suggested Curricular Connections:
AE 265 Ethics in Education
CO 246 Family Communication
ED 200 Explorations in Education
ED 241 Educational Psychology
ED 329 Philosophy of Education: Intro
EN 11 Texts and Contexts I
EN 12 Texts and Contexts II
EN 163 Literature of Illness and Healing
EN 352 Cultural Studies Theory
PH 282 Violence and the Sacred
PO 153 Politics, Race, Class, and Gender
PY 101 General Psychology
PY 111 Developmental Psychology for Non-Majors
PY 131 Abnormal Psychology for Non-Majors
PY 211 Developmental Psychology for Majors
PY 221 Social Psychology
PY 231 Abnormal Psychology for Majors
PY 252 Learning and Applied Behavior Analysis
PY 281A Topics: Stereotyping, Prejudice, Culture
PY 332 Issues in Women’s Mental Health
SO 166 Feminism, Gender and Everyday Life
SO 194 Sociology of Education
TA 11 Introduction to Theater
TA 30 Acting I
TA 150 Stagecraft
TA 155 Design I
TA 253 Costume Design
WS 301 Capstone Seminar
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Open VISIONS Forum
Suggested Curricular Connections:
AH 165 The Black Experience
BL 100A Special Topics: Black Lives Matter
CO 245 Identities, Discourse, and Social Change
HI 263 Inventing Themselves: African American Women
HR 101 Minds and Bodies
MG 240 Leading and Managing People
MG 320 Diversity in the Workplace
MU 103 History of Music
MU 104 History of Music: 1700 - 1964
MU 122 World Music History and Ensemble
PY 281A Topics: Stereotyping, Prejudice, Culture
SO 162 Race, Gender and Ethnic Relations
SO 166 Feminism, Gender and Everyday Life
TA 11 Introduction to Theater
TA 150 Stagecraft
TA 253 Costume Design
WS 301 Capstone Seminar
Judith Jamison “Choreographing the Dance of My Career: Challenges and Triumphs”
SUNDAY, JANUARY 31, 2016 | 3 P.M.
Single tickets: $45 | $5 Fairfield University students
A legendary icon in the world of performing arts, Judith Jamison is known for her work as dancer, choreographer and, ultimately, artistic director of the acclaimed Alvin Ailey American Dance Theater. In 1999, Jamison was presented with the Kennedy Center Honor, recognizing her lifetime contributions to American culture through the performing arts and was also the recipient of an Emmy Award and an American Choreography Award for the PBS “Great Performances: Dance In America” special, A Hymn for Alvin Ailey.
CLASSROOM CONNECTIONS: African American Studies, Dance, Leadership, Women’s Studies
Web Resources: http://www.alvinailey.org/about/people/judith-jamison
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National Theatre Live Les Liaisons Dangereuses
THURSDAY, FEBRUARY 11, 2016
2 & 7 P.M.
$25 | $20 seniors | $10 children/non-Fairfield University students | $5 Fairfield University students
In 1782, Choderlos de Laclos’ novel of sex, intrigue and betrayal in pre-revolutionary France scandalized the world. Two hundred years later, Christopher Hampton’s irresistible adaptation swept the board, winning the Olivier and Evening Standard Awards for Best Play.
Directed by Josie Rourke (Coriolanus), the cast includes Elaine Cassidy (The Paradise), Janet McTeer (The White Queen) and Dominic West (The Wire).
CLASSROOM CONNECTIONS: France, History, Sexuality
Web Resources: http://ntlive.nationaltheatre.org.uk/productions/ntlout14-les-liaisons-dangereuses
Suggested Curricular Connections:
EN 11 Texts and Contexts I
EN 12 Texts and Contexts II
EN 314 Renaissance Eros
FR 111 Elementary French II
FR 211 Intermediate French II
FTM 109 Women, Gender, Sexuality/Cinema
HI 10 Origins of the Modern World Since 1500
WS 301 Capstone Seminar
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Suggested Curricular Connections:
CO 242 Alcohol, Addiction and Culture
CO 245 Identities, Discourse, and Social Change
CO 246 Family Communication
EN 11 Texts and Contexts I
EN 12 Texts and Contexts II
EN 122 The Frontier in American Literature
EN 161 Irish Literature
EN 163 Literature of Illness and Healing
EN 233 American Literature: 20th Century to Present
ENW 205 Creative Writing: Fiction I
HI 247 Family and Sexuality in U.S. History
HR 101 Minds and Bodies
HR 202A Honors Seminar: Connecticut History is American History
PY 101 General Psychology
PY 111 Developmental Psychology for Non-Majors
PY 131 Abnormal Psychology for Non-Majors
PY 221 Social Psychology
PY 231 Abnormal Psychology for Majors
PY 232 Theories of Personality
PY 251 Cognitive Psychology
PY 252 Learning and Applied Behavior Analysis
PY 281A Topics: Stereotyping, Prejudice, Culture
SO 11 Introduction to Sociology
SO 112 American Society
SO 166 Feminism, Gender and Everyday Life
TA 11 Introduction to Theater
TA 30 Acting I
TA 120/EN125 American Drama
TA 150 Stagecraft
TA 155 Design I
TA 253 Costume Design
WS 301 Capstone Seminar
Walnut Street Theatre in A Moon for the Misbegotten Written by Eugene O’Neill
FRIDAY, FEBRUARY 12, 2016 | 8 P.M.
$40, $35, $30 | $5 Fairfield University students
Join us after the performance with a post-show discussion with the company
Master storyteller and four-time Pulitzer Prize-winner Eugene O’Neill demonstrates his prowess in his final play and only love story – A Moon for the Misbegotten. Under a lover’s moon on a Connecticut tenant farm in 1923, two lost souls find hope in each other through O’Neill’s touching and heartbreaking play.
A Moon for the Misbegotten was published in 1943 and has been produced five times on Broadway. It is also a critically acclaimed film starring Jason Robards and Colleen Dewhurst.
WORKSHOPS AND EDUCATIONAL PROGRAMMING Opportunities will be available for workshops and additional education-based programs created in conjunction with the artist and professor. For more information, please contact Lori Jones at ljones@fairfield.edu.
CLASSROOM CONNECTIONS: Alcoholism, American Literature, Behavior, Death, Grief, Theatre
Web Resources: http://www.walnutstreettheatre.org/season/show/a-moon-for-the-misbegotten
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Yamato: The Drummers of Japan “BAKUON” - Legend of the Heartbeat
MONDAY, FEBRUARY 22, 2016 | 8 P.M.
$50, $45, $35 | $5 Fairfield University students
Audiences of all ages are captivated by the extraordinary energy and talent Yamato displays in each and every performance. Founded in Japan’s Nara in 1993, Yamato has given over 2,500 performances in 51 countries and regions, and has been touring the world for more than 10 years. As a result of this relentless tour schedule, audiences around the world await their arrival every year in growing numbers. The troupe performs with Japan’s traditional Wadaiko drums, putting its very soul into the instruments, whose sound stirs the hearts of people everywhere. Artistic Director Masa Ogawa says, “We the members of Yamato believe in the unique value of Taiko. We are committed to preserving its traditions and exploring new possibilities for this majestic instrument. Our goal is to create ever more opportunities for the boom of Taiko to resound worldwide.” For the players of Yamato, every encounter with their listeners is a unique and precious experience. Yamato’s greatest goal is to send audiences home after each performance with a new vitality and passion for life. Japan’s most coveted taiko drummers will offer a heart-pounding spectacle not to be missed!
“It was simply captivating. The incredible talent and sheer enjoyment of what they do was plain to see.” - The Evening Post (UK)
CLASSROOM CONNECTIONS: Asian Studies, Japanese Culture, Spirituality, World Music
Web Resources: http://www.yamatodrummers.com
Suggested Curricular Connections:
AH 14 Art of Asia
AN 310 Asian Studies Seminar
AY 111 Cultural Anthropology
HI 367 East Asia in 20th Century American Wars
IL 50 People, Places and Global Issues
JA 111 Elementary Japanese II
JA 211 Intermediate Japanese II
MU 122 World Music History and Ensemble
PH 240 Introduction to Asian Philosophies
RS 101B ER: Asian Religions
RS 244 Finding God in All Things
RS 360 I’m Spiritual, Not Religious: The American Spiritual Tradition
SO 162 Race, Gender and Ethnic Relations
TA 122 Asian Theatre
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Open VISIONS Forum
Suggested Curricular Connections:
AY 145 Anthropology of Food
BI 74 Biology of Food
BI 330 Nutrient Metabolism
CO 102 Intro to Public Relations
FTM 102 American Television: History & Analysis
HR 202B Honors Seminar: Anthropology of Food
HS 101 Introduction to Health Studies
MG 336 Social Entrepreneurship
MG 338 Managing a Family Business
MK 101 Principles of Marketing
MK 212 Consumer Behavior
MK 231 Advertising
MK 251 Social Media Marketing
MK 341 Brand Management
OM 101 Operations Management
OM 140 Project Management
Donatella Arpaia “From Undergrad Stag to a Hotshot TV Foodie: How This Iron Chef and Restaurateur Followed Her Dream to Success”
FRIDAY, FEBRUARY 26, 2016 | 8 P.M.
SINGLE TICKETS: $45 | $5 FAIRFIELD UNIVERSITY STUDENTS
As one of the most influential women in the world of food, Donatella Arpaia is a trailblazing attorney-turned-culinary mogul (and Fairfield University alumnus). Arpaia opened her first restaurant, Bellini, in 1998 and subsequently opened a string of successful and highly acclaimed restaurants in New York City. Crowned “The Hostess with the Mostest” by Zagat, Arpaia was named one of the “Most Powerful Women” in Manhattan by the New York Post. Recently, she became a recurring guest judge on the Food Network programs Iron Chef
America and The Next Iron Chef and released her own cookbook, Donatella Cooks: Simple Food Made Glamorous.
CLASSROOM CONNECTIONS: Brand Management, Communication, Food & Cuisine, Media, Television
Web Resources: http://donatellaarpaia.com/
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National Theatre Live As You Like It
TUESDAY, MARCH 15, 2016
2 & 7 P.M.
$25 | $20 seniors | $10 children/non-Fairfield University students | $5 Fairfield University students
Shakespeare’s glorious comedy of love and change comes to the National Theatre for the first time in over 30 years, with Rosalie Craig (London Road, Macbeth at MIF) as Rosalind.
CLASSROOM CONNECTIONS: Gender, English Literature, Sexuality, Shakespeare, Theatre
Web Resources: http://ntlive.nationaltheatre.org.uk/productions/52844-as-you-like-it
Suggested Curricular Connections:
CO 245 Identities, Discourse, and Social Change
CO 246 Family Communication
EN 11 Texts and Contexts I
EN 12 Texts and Contexts II
EN 141 Imagining Shakespeare
EN 214 Shakespeare II
EN 291 Gender & Sexuality in Film & Literature
EN 314 Renaissance Eros
PO 153 Politics, Race, Class, and Gender
SO 162 Race, Gender, and Ethnic Relations
SO 166 Feminism, Gender and Everyday Life
TA 11 Introduction to Theater
TA 30 Acting I
TA 150 Stagecraft
TA 155 Design I
TA 253 Costume Design
WS 301 Capstone Seminar
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Open VISIONS Forum
Suggested Curricular Connections:
AE 262 Ethics and the Community
AE 265 Ethics in Education
ED 200 Explorations in Education
ED 241 Educational Psychology
ED 329 Philosophy of Education: Intro
ED 350 Special Learners in the Mainstream
HI 270 History/Global Humanitarian Action
MG 240 Leading and Managing People
MG 320 Diversity in the Workplace
MG 336 Social Entrepreneurship
MG 370 Managing Non-Profit Organizations
OM 101 Operations Management
OM 140 Project Management
PO 11 Introduction to American Politics
PO 12 Introduction to Comparative Politics
PO 14 Introduction to Political Theory
PO 153 Politics, Race, Class and Gender
PO 165 Political Parties, Interest Groups and Public Opinion
PY 111 Developmental Psychology for Non-Majors
PY 211 Developmental Psychology for Majors
SO 192 Social Work: An Introduction
SO 194 Sociology of Education
Mark K. Shriver “Faith and Public Service”
WEDNESDAY, MARCH 16, 2016 | 8 P.M.
Single tickets: $45 | $5 Fairfield University students
Student Forum
Mark Shriver’s career fighting for social justice in advocacy and service organizations, as well as elected office, has focused on advancing the right of every child to a safe and vibrant childhood. As President of Save the Children Action Network, Shriver leads the effort to mobilize Americans to make children at home and abroad a national priority.
Shriver has been widely covered and published in the national media, including The New York Times, The Washington Post, Newsweek, Time, The Huffington Post, The Today Show, The Colbert Report, NPR, ABC News, CNN, Morning Joe and Fox & Friends.
Shriver’s New York Times and Washington Post best-selling memoir, A Good Man: Rediscovering My Father, Sargent Shriver, was published in 2012 and received a 2013 Christopher Award.
This event is supported in part by the Center for Faith and Public Life.
CLASSROOM CONNECTIONS: Diversity, Education, Non-Profit Organizations, Politics, Social Justice
Web Resources: http://www.eunicekennedyshriver.org/bios/mark_shriver
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Bellarmine Museum of Art Edward Koren: The Capricious Line
FEBRUARY 5 – APRIL 8, 2016
Edward Koren: The Capricious Line is a major survey of the work of the artist best known for his cartoons and cover illustrations for The New Yorker magazine. This exhibition explores the full range of art that Edward Koren has produced during the past five decades: original drawings for cartoons and illustrated books as well as prints and independent drawings, many of which have never been displayed before. The artist’s “capricious line” consists primarily of short strokes that create remarkably descriptive and expressive images. Koren’s work brings us into the realm of fantasy based firmly in reality, such contradiction being one source of its humor. Subjects include the artist’s fascination with the natural world and its inhabitants, creatures generated more by the momentum of his graphic imagination than by the laws of Darwinian evolution, and imagined architectural spaces populated with his own fantastic creatures, furry beings scuttling along on two or more legs, their movement suggesting an indeterminate sociability. A primary focus of the exhibition is, inevitably, Koren’s drawings for cartoons, which highlight his role as observer of contemporary society and as a gently acerbic critic of a cultural scene that seems to demand his graphic commentary.
Edward Koren: The Capricious Line is curated by Diane Fane and the late David Rosand, developed by the Miriam and Ira D. Wallach Gallery, New York, and organized for tour by International Arts & Artists, Washington, D.C.
This exhibition is made possible, in part, by the National Endowment for the Humanities, with additional support from the Robert and Mercedes Eichholz Foundation.
CLASSROOM CONNECTIONS: Cartoon Drawing, Creativity, Globalization, News, Social Commentary
This exhibition is made possible with support from the Robert and Mercedes Eichholz Foundation.
Suggested Curricular Connections:
AH 11 Visual Culture Since 1400: Expression and Experimentation AH 330 Senior Capstone SeminarAY 111 Cultural AnthropologyCH 86 Chemistry and ArtCO 100 Human Communication TheoriesCO 101 Argument and AdvocacyCO 130 Mass Media and SocietyCO 231 Media InstitutionsCO 335 Globalization, Media and CultureEN 135 Graphic Novels: Thrills and ChillsEN 233 American Literature: 20th Century to Present EN 352 Cultural Studies TheoryENW 202 Creative Writing: Poetry IENW 205 Creative Writing: Fiction IENW 206 Creative Writing: Non-Fiction IENW 220 News WritingENW 221 News Writing II: Digital DesignSA 12 Introduction to DrawingSA 100 Experiments in DrawingSA 136 Investigations of Text and Image
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Thomas J. Walsh Art Gallery Don Gummer The Armature of Emotion: Drawing and Sculpture
MARCH 3 – JUNE 11, 2016
This exhibition presents drawings and sculptures by internationally renowned artist Don Gummer. Gummer’s richly layered, cerebrally composed drawings incorporate color, encaustic (an ancient technique in which pigment is suspended in wax) and collage. Iterating many of the forms and motifs articulated in his reliefs and his free-standing sculptures, they function both as fluid heralds and intermediaries, and as autonomous creations. Informing Gummer’s drawings and sculpture alike is an innate and immutable sensibility for structure. In the disciplined architecture that undergirds the construction of forms, Gummer achieves a paradoxical synthesis of stasis and flow—an elastic armature capable at once of containing and expressing emotion.
CLASSROOM CONNECTIONS: Creativity, Drawing, Emotion, Sculpture
Suggested Curricular Connections:
AH 11 Visual Culture Since 1400: Expression and Experimentation
AH 330 Senior Capstone Seminar
CH 76 Environmental Science
CH 86 Chemistry and Art
SA 11 Introduction to Sculpture
SA 12 Introduction to Drawing
SA 100 Experiments in Drawing
SA 132 Sculpture I: Construction, Space, Environment
SA 232 Sculpture II
This exhibition is made possible with support from the Robert and Mercedes Eichholz Foundation.
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Fall 2016 Curricular Connections Guide Index
AE 262 Mark K. Shriver 13AE 265 Jane Eyre 6AE 265 Mark K. Shriver 13
AH 11 Edward Koren 14AH 11 Don Gummer 15AH 14 Yamato 10AH 165 Judith Jamison 7AH 165 Seriously… 4AH 165 Afrocartography 5AH 330 Edward Koren 14AH 330 Don Gummer 15
AN 310 Yamato 10
AY 111 Edward Koren 14AY 111 Yamato 10AY 145 Donatella Arpaia 11
BI 74 Donatella Arpaia 11BI 330 Donatella Arpaia 11
BL 100A Judith Jamison 7BL 100A Seriously… 4BL 100A Afrocartography 5
CH 76 Don Gummer 15CH 86 Edward Koren 14CH 86 Don Gummer 15
CO 100 Edward Koren 14CO 101 Edward Koren 14CO 102 Donatella Arpaia 11CO 130 Edward Koren 14CO 231 Edward Koren 14CO 242 A Moon for the Misbegotten 9CO 245 Seriously… 4CO 245 Afrocartography 5CO 245 Judith Jamison 7CO 245 A Moon for the Misbegotten 9CO 245 As You Like It 12CO 246 Jane Eyre 6CO 246 A Moon for the Misbegotten 9CO 246 As You Like It 12CO 335 Edward Koren 14
ED 200 Jane Eyre 6ED 200 Mark K. Shriver 13ED 241 Jane Eyre 6ED 241 Mark K. Shriver 13ED 329 Jane Eyre 6ED 329 Mark K. Shriver 13ED 350 Mark K. Shriver 13
EN 11 A Moon for the Misbegotten 9EN 11 Jane Eyre 6EN 11 Les Liaisons Dangereuses 8EN 11 As You Like It 12EN 12 A Moon for the Misbegotten 9EN 12 Jane Eyre 6EN 12 Les Liaisons Dangereuses 8EN 12 As You Like It 12EN 108 As You Like It 12EN 122 A Moon for the Misbegotten 9
Course Connections Page Course Connections Page EN 125/TA120 A Moon for the Misbegotten 9EN 131 Seriously… 4EN 131 Afrocartography 5EN 135 Edward Koren 14EN 141 As You Like It 12EN 161 A Moon for the Misbegotten 9EN 163 A Moon for the Misbegotten 9EN 163 Jane Eyre 6EN 202 Seriously… 4EN 202 Afrocartography 5EN 214 As You Like It 12EN 233 A Moon for the Misbegotten 9EN 233 Edward Koren 14EN 291 As You Like It 12EN 314 Les Liaisons Dangereuses 8EN 314 As You Like It 12EN 352 Jane Eyre 6EN 352 Edward Koren 14
ENW 202 Seriously… 4ENW 202 Afrocartography 5ENW 202 Edward Koren 14ENW 205 Seriously… 4ENW 205 Afrocartography 5ENW 205 A Moon for the Misbegotten 9ENW 205 Edward Koren 14ENW 206 Seriously… 4ENW 206 Afrocartography 5ENW 206 Edward Koren 14ENW 220 Edward Koren 14ENW 221 Edward Koren 14
FR 111 Les Liaisons Dangereuses 8FR 211 Les Liaisons Dangereuses 8
FTM 102 Donatella Arpaia 11FTM 109 Les Liaisons Dangereuses 8
HI 10 Les Liaisons Dangereuses 8HI 247 A Moon for the Misbegotten 9HI 263 Seriously… 4HI 263 Afrocartography 5HI 263 Judith Jamison 7HI 270 Mark K. Shriver 13HI 367 Yamato 10
HR 101 Judith Jamison 7HR 101 A Moon for the Misbegotten 9HR 202A A Moon for the Misbegotten 9HR 202B Donatella Arpaia 11
HS 101 Donatella Arpaia 11
IL 50 Yamato 10
JA 111 Yamato 10 JA 211 Yamato 10
Note: Cross-listed courses appear only once in this index, under the department that comes first in the alphabet
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Fall 2016 Curricular Connections Guide Index
MG 240 Judith Jamison 7MG 240 Mark K. Shriver 13MG 320 Judith Jamison 7MG 320 Mark K. Shriver 13MG 336 Donatella Arpaia 11MG 336 Mark K. Shriver 13MG 338 Donatella Arpaia 11MG 370 Mark K. Shriver 13
MK 101 Donatella Arpaia 11MK 212 Donatella Arpaia 11MK 231 Donatella Arpaia 11MK 251 Donatella Arpaia 11MK 341 Donatella Arpaia 11
MU 103 Judith Jamison 7MU 104 Judith Jamison 7MU 122 Yamato 10MU 122 Judith Jamison 7
OM 101 Donatella Arpaia 11OM 101 Mark K. Shriver 13OM 140 Donatella Arpaia 11OM 140 Mark K. Shriver 13
PH 240 Yamato 10PH 282 Jane Eyre 6
PO 11 Mark K. Shriver 13PO 12 Mark K. Shriver 13PO 14 Mark K. Shriver 13PO 153 Jane Eyre 6PO 153 As You Like It 12PO 153 Mark K. Shriver 13PO 165 Mark K. Shriver 13
PY 101 Jane Eyre 6PY 101 A Moon for the Misbegotten 9PY 111 Jane Eyre 6PY 111 A Moon for the Misbegotten 9PY 111 Mark K. Shriver 13PY 131 A Moon for the Misbegotten 9PY 131 Jane Eyre 6PY 211 Jane Eyre 6PY 211 Mark K. Shriver 13PY 221 Jane Eyre 6PY 221 A Moon for the Misbegotten 9PY 231 Jane Eyre 6PY 231 A Moon for the Misbegotten 9PY 232 A Moon for the Misbegotten 9PY 251 A Moon for the Misbegotten 9PY 252 Jane Eyre 6PY 252 A Moon for the Misbegotten 9PY 281A Seriously… 4PY 281A Afrocartography 5PY 281A Jane Eyre 6PY 281A Judith Jamison 7PY 281A A Moon for the Misbegotten 9PY 332 Jane Eyre 6
RS 101B Yamato 10RS 244 Yamato 10RS 360 Yamato 10
Course Connections Page Course Connections Page SA 11 Don Gummer 15SA 12 Edward Koren 14SA 12 Don Gummer 15SA 100 Edward Koren 14SA 100 Don Gummer 15SA 132 Don Gummer 15SA 136 Edward Koren 14SA 232 Don Gummer 15
SO 11 A Moon for the Misbegotten 9SO 112 A Moon for the Misbegotten 9SO 162 Seriously… 4SO 162 Afrocartography 5SO 162 Judith Jamison 7SO 162 Yamato 10SO 162 As You Like It 12SO 166 Seriously… 4SO 166 Afrocartography 5SO 166 Jane Eyre 6SO 166 Judith Jamison 7SO 166 A Moon for the Misbegotten 9SO 166 As You Like It 12SO 192 Mark K. Shriver 13SO 194 Jane Eyre 6SO 194 Mark K. Shriver 13
TA 11 Seriously… 4TA 11 Afrocartography 5TA 11 Jane Eyre 6TA 11 Judith Jamison 7TA 11 A Moon for the Misbegotten 9TA 11 As You Like It 12TA 30 Jane Eyre 6TA 30 A Moon for the Misbegotten 9TA 30 As You Like It 12TA 122 Yamato 10TA 150 Seriously… 4TA 150 Afrocartography 5TA 150 Jane Eyre 6TA 150 Judith Jamison 7TA 150 A Moon for the Misbegotten 9TA 150 As You Like It 12 TA 155 Jane Eyre 6TA 155 A Moon for the Misbegotten 9TA 155 As You Like It 12TA 253 Seriously… 4TA 253 Afrocartography 5TA 253 Jane Eyre 6TA 253 Judith Jamison 7TA 253 A Moon for the Misbegotten 9TA 253 As You Like It 12
WS 301 Seriously… 4WS 301 Afrocartography 5WS 301 Jane Eyre 6WS 301 Judith Jamison 7WS 301 Les Liaisons Dangereuses 8WS 301 A Moon for the Misbegotten 9WS 301 As You Like It 12
Note: Cross-listed courses appear only once in this index, under the department that comes first in the alphabet
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JANUARYYoung Artists Series Sun, Jan 10, 2 p.m.
The Met: Live in HD: Bizet’s Les Pêcheurs de Perles Sat, Jan 16, 1 & 6 p.m.
An Evening with Charlie Rose Fri, Jan 22, 8 p.m.
Global Theatre: A Performance Series Traversing Trajectories Seriously… What Did You Call Me? Sun, Jan 24, 3 p.m.
Global Theatre: A Performance Series Traversing Trajectories AFROCARTOGRAPHY: Traces of Places and all points in between Sun, Jan 24, 5 p.m.
NT Live: Jane Eyre Tue, Jan 26, 2 & 7 p.m.
The Met: Live in HD: Puccini’s Turandot Sat, Jan 30, 1 & 6 p.m.
Open VISIONS: Judith Jamison Sun, Jan 31, 3 p.m.
FEBRUARYBerlin Philharmonic in Cinema Beethoven Symphonies 4 & 7 Wed, Feb 10, 7 p.m.
NT Live: Les Liaisons Dangereuses Thur, Feb 11, 2 & 7 p.m.
Walnut Street Theatre in: A Moon for the Misbegotten Fri, Feb 12, 8 p.m.
Young Artists Series Sun, Feb 21, 2 p.m.
Yamato: The Drummers of Japan Mon, Feb 22, 8 p.m.
Open VISIONS: Donatella Arpaia Fri, Feb 26, 8 p.m.
MARCHPatty Griffin, Sara Watkins & Anaïs Mitchell Sun, Mar 6, 7 p.m.
The Met: Live in HD: Puccini’s Manon Lescaut Sun, Mar 13, 1 & 6 p.m.
NT Live: As You Like It Tue, Mar 15, 2 & 7 p.m.
Open VISIONS: Mark K. Shriver Wed, Mar 16, 8 p.m.
APRILMoscow Festival Ballet The Sleeping Beauty Sat, Apr 2, 8 p.m.
The Met: Live in HD: Puccini’s Madama Butterfly Sun, Apr 3, 1 & 6 p.m.
The Chamber Music Society of Lincoln Center Fri, Apr 8, 8 p.m.
Norwalk Symphony Orchestra Sun, Apr 10, 3 p.m.
The Met: Live in HD: Donizetti’s Roberto Devereux Sat, Apr 16, 1 & 6 p.m.
eighth blackbird Thur, Apr 21, 8 p.m.
Goodnight Moon & The Runaway Bunny Sun, Apr 24, 3 p.m.
The Met: Live in HD: Strauss’ Elektra Sat, Apr 30, 1 & 6 p.m.
MAYYoung Artists Series Sun, May 15, 2 p.m.
Join us as we celebrate the Quick Center’s 25th Anniversary Season!
Additional events will be added throughout the year.
To learn more visit www.quickcenter.com